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Stephen E Yocum Jun 2017
Gauguin or Michener
horizon lust inspired,
The South Pacific desired.
From early childhood on.
Fiji in the 70’s all alone in
A Personal journey of self
and world discovery.

From the big island of
Viti Levu, embarked
on native small boat, fifty
miles out to the Yasawa group.
Reaching tiny Yaqeta with
300 souls living close to the bone,
No Running water, or electric spark
glowing. Remarkably bright stars
shine at night, no city lights showing
to hide their heavenly glow.

Unspoiled Melanesian Island people
Meagerly surviving only on the sea
and a thousand plus years of tradition.

I welcomed like a friend of long
standing, with smiling faces and
open sprits. Once eaters of other
humans beings, converted now to
Methodist believers.

Their Island beautiful beyond belief,
Azure pristine seas in every direction,
Coral reefs abounding with aquatic life.
Paradise found and deeply appreciated.
I swam and fished, played with the kids
and laid about in my hammock, enjoying
weeks of splendor alongside people
I came to revere, generous and loving
at peace with themselves and nature,
Embracing a stranger like a family member.

My small transistor radio warned big
Cyclone brewing, of Hurricane proportions.
My thoughts turned to Tidal Waves.
The village and all those people
living a few feet above sea level.
Tried to express my concerns to
my host family and others, getting
but smiles and shrugs in return.
Spoken communication almost
nonexistent, me no Fijian spoken,
Them, little English understood.

It started with rain, strong winds,
Worsening building by the minute.
The villagers’ merely tightening down
the hatches of their stick, thatch houses.
Content it seemed to ride out the storm,
As I assumed they always did.

Shouldering heavy backpack
I hugged my friends and headed
for high ground, the ridgebacks
of low mountains, the backbones
of the Island. Feeling guilty leaving
them to their fate from high water.
Perplexed, they ignored my warnings.

In half an hour winds strong enough
to take me off my feet, blowing even
from the other side of the Island.
On a ridge flank I hunkered down,
pulled rubber poncho over my body,
Laying in watershed running inches deep
cascading down slopes to the sea below.

The wind grew to astounding ferocity,
Later gusts reported approaching 160
miles per hour. Pushing me along
the ground closer to the cliff edge
and a 80 foot plunge to the sea below,
Clinging to cliff with fingers and toes.

For three hours it raged, trees blowing
off the summit above, disappearing into
the clouds and stormy wet mist beyond.

A false calm came calling, the eye of the
Cyclone hovered over the Island, as I
picked my drenched self up and made my
way over blown down trees and scattered
storm debris to the Village of my hosts.

Most wooden, tin roofed structures gone
or caved in, the few Island boats broken
and thrown up onto the land. Remarkably
many of the small one room “Bure” thatched
huts still stood. Designed by people that knew
the ways if big winds.

The high waves had not come as I feared.
Badly damaged, yet the village endured,
As did most of the people, some broken
bones, but, mercifully, no worse.

Back with my host family, in their Bure,
new preparations ensued, the big winds I
was informed would now return from the
opposite direction, and would be even worse.

For another four hours the little grass and
stick House shook, nearly rising from the
ground, held together only by woven vine
ropes, and hope, additional ropes looped
over roof beams held down by our bare
hands. Faith and old world knowledge
is a wonderful thing.

Two days past and no one came to check on
the Island, alone the people worked to save
their planted gardens from the salt water
contaminated ground, cleaned up debris and
set to mending their grass homes. The only fresh
Water well still unpolluted was busily used.

With a stoic resolve, from these self-reliant people,
life seemed to go on, this not the first wind blown
disaster they had endured, Cyclones I learned
came every year, though this one, named “Bebe”
worst in the memories of the old men of the island.

On the third day a boy came running,
having spotted and hailed a Motor yacht,
which dropped anchor in the lagoon on the
opposite side of the Island.

I swam out to the boat and was welcomed
aboard by the Australian skipper and crew.
Shared a cold Coke, ham sandwich and tales
of our respective adventures of surviving.
They agreed to carry me back to the Big Island.

A crewman returned me ashore in a dingy.
I crossed the island and retrieved my things,
Bidding and hugging my friends in farewell.
I asked permission to write a story about the
storm and the village, the elders' smiles agreed,
they had nothing to loose, seemed pleased.

One last time I traversed the island and stepped
Into the yachts small rowboat, my back to
the island. Hearing a commotions I turned
seeing many people gathering along the
shores beach. I climbed out and went among
them, hugging most in farewell, some and
me too with tears in our eyes, fondness, respect
reflected, shared, received.

As the skiff rowed away  halfway to the ship,
the Aussie mate made a motion with his eyes
and chin, back towards the beach.

Turning around in my seat I saw there
most of the island population, gathered,
many held aloft small pieces of colored cloth,
tiny flags of farewell waving in the breeze,
they were singing, chanting a island song,
slow, like a lament of sorts.

Overwhelmed, I stood and faced the shore,
opened wide my arms, as to embrace them all,
tears of emotions unashamedly ran down my face.
Seeing the people on the beach, the Aussie crewman
intoned, “****** marvelous that. Good on 'ya mate.”

Yes, I remember Fiji and Cyclone Bebe, most of all
I fondly remember my Island brothers and sisters.

                                    End
Two years later I returned to that island, lovingly
received like a retuning son, feasted and drank
Kava with the Chief and Elders most of the night,
A pepper plant root concoction that intoxicates
And makes you sleep most all the next day.

My newspaper story picked up by other papers
Galvanizing an outpouring of thoughtful support,
A Sacramento Methodist Church collected clothes,
money and donations of pots and pans and Gas
lanterns along with fishing gear and other useful things.
All packed in and flown by a C-130 Hercules Cargo plane
out of McClellan Air Force Base, U.S.A and down to Fiji,
cargo earmarked for the Island of Yaqeta and my friends.

On my return there was an abundance of cut off
Levies and Mickey Mouse T-Shirts, and both a
brand New Schoolhouse and Church built by
U.S. and New Zealand Peace Corps workers.

This island of old world people were some of the best
People I have ever known. I cherish their memory and
My time spent in their generous and convivial company.
Life is truly a teacher if we but seek out the lessons.
This memory may be too long for HP reading, was
writ mostly for me and my kids, a recall that needed
to be inscribed. Meeting people out in the world, on
common ground is a sure cure for ignorance and
intolerance. I highly recommend it. Horizon Lust
can educate and set you free.
Michael R Burch Mar 2021
SONG-POEMS

These are poems that were written as songs, or as potential song lyrics, or that could easily become songs if someone were to set them to music (hint! hint!) …


Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



Faithless Lover
by Michael R. Burch

Well I met you darlin’ on a night like this;
the stars were fallin’ as I stole a kiss.

And I fell in love that very night,
as the moon above blessed us with its light.

But the moon was false, and your heart was, too.
Oh, I never dreamed you would be untrue.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Well, we found a preacher and we said some words.
I should have noticed yours were well-rehearsed.

When I looked above, I saw the pale moon frown;
the sky burst open; I began to drown.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Now, since that day, how you've run around.
You’ve been with every boy in town.

Well, I learned my lesson, and I learned it well:
how one night aflame left me cold as hell,
till my heart grew hard in its icy shell.

Now, I'm a faithless lover with a heart of stone.
I seek faceless lovers who leave with the dawn.

Copyright © 1991 by Michael R. Burch



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Copyright © 2001 by Michael R. Burch

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Through the fields of solitude
by Hermann Allmers
set to music by Johannes Brahms
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.

This poem was set to music by the German composer Johannes Brahms in what has been called its “the most sublime incarnation.” A celebrated recording of the song was made in 1958 by the baritone Dietrich Fischer-Dieskau with Jörg Demus accompanying him on the piano.



The Pain of Love
by Michael R. Burch

for T. M.

The pain of love is this:
the parting after the kiss;

the train steaming from the station
whistling abnegation;

every highways’ broken white bar
that vanishes under your car;

each hour and flower and friend
that cannot be saved in the end;

dear things of immeasurable cost ...
now all irretrievably lost.

Copyright © 2013 by Michael R. Burch
Originally published by The HyperTexts

Note: The title “The Pain of Love” was suggested by an interview with Little Richard, then eighty years old, in Rolling Stone. He said that someone should create a song called “The Pain of Love.” I've written the lyrics, now can someone provide the music?



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Copyright © 2001 by Michael R. Burch
Published by The Word (UK), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, The HyperTexts, Inspirational Stories, Jenion, Starlight Archives, TALESetc, Writ in Water, Grassroots Poetry and Poetry Webring



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.

Copyright © 2006 by Michael R. Burch
Originally published by Strong Verse



Flying
by Michael R. Burch


I shall rise
and try the ****** wings of thought
ten thousand times
before I fly ...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last ...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas ...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my very early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a floating and crazily-dancing spirit horse through a storm as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

I believe I wrote this poem as a college sophomore, age 19 or 20. I did not know about the vision and naming of Crazy Horse at the time. But when I learned about the vision that gave Crazy Horse his name, it seemed to explain my poem and I changed the second line from "and yet I would fly" to "and yet I now fly." I believe that is the only revision I ever made to this poem.

Copyright © 1978 by Michael R. Burch
Originally published by The HyperTexts



Momentum! Momentum!
by Michael R. Burch

for the neo-Cons

Crossing the Rubicon, we come!
Momentum! Momentum! Furious hooves!
The Gauls we have slaughtered, no man disapproves.
War’s hawks shrieking-strident, white doves stricken dumb.

Coo us no cooings of pale-breasted peace!
Momentum! Momentum! Imperious hooves!
The blood of barbarians brightens our greaves.
Pompey’s head in a basket? We slumber at ease.

****** us again, great Bellona, dark queen!
Momentum! Momentum! Curious hooves
Now pound out strange questions, but what can they mean
As the great stallions rear and their riders careen?

Originally published by Bewildering Stories

NOTE: Bellona was the Roman goddess of war. The name "Bellona" derives from the Latin word for "war" (bellum), and is linguistically related to the English word "belligerent" (literally, "war-waging"). In earlier times she was called Duellona, that name being derived from a more ancient word for "battle."



Just Yesterday
by Michael R. Burch

Yesterday
she went a-way
and now I don’t know what to sa-ay,
'cause I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she held me tight
and our love lit up the night,
but then our flame was not as bright,
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she left me a-lone
and now I don’t know what I wa-ant ...
I just listen to a song
called “Yesterday” ...

[Descending notes: DUH Duh duh]

Yesterday, oh Yesterday,
Yesterday, oh Yesterday,
I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Stay With Me Tonight
by Michael R. Burch


Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Copyright © 2019 by Michael R. Burch
Originally published by The Lyric



This Train
by Michael R. Burch

To be sung to the melody of "This Train is Bound For Glory" up-tempo.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is cryin’,
cryin’.
This train is flyin’, flyin’, flyin’.

This train is chuggin’ on down the tracks now.
This train is chuggin’ on down the tracks now.
This train’s chuggin’ down the tracks
and it’s gonna have to
take me back now.
This train is chuggin’ on down the tracks now.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is dyin’,
dyin’.
This train is flyin’, flyin’, flyin’.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train must run a little longer.
Oh, this train must run a little longer.
And although I did her wrong, her
love is only gettin’ stronger.
This train must run a little longer.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Copyright © 2001 by Michael R. Burch
Originally published by Poetry Porch



When I Think of You, I Think of Love
by Michael R. Burch

for Beth

When I think of you, I think of Love.
Oh, when I think of you, I think of Love
as magical as the moon and stars above.
And when I think of you, I think of Love.

When I think of you, I start to cry.
Yes, when I think of you, I start to cry.
And I think you know the reason why.
For when I think of you, I think of Love.

When I think of you, I start to smile.
Oh, when I think of you, I start to smile.
I think of you and, dreaming all the while,
when I think of you, I start to smile.

When I think of you, I have to laugh.
Yes, when I think of you, I have to laugh
because it’s certain: you’re my better half!
So when I think of you, I have to laugh.

I think of you as Eve, and at your feet
blooms everything that’s equally as sweet,
as magical as the moon and stars above.
And when I think of you, I think of Love.

I think of you with babies at your breast,
and does and fawns that come at your behest,
as magical as the moon and starts above.
And when I think of you, I think of Love.

I think of you and find myself at peace.
I feed the ducks, the turtles and the geese,
all as magical as the moon and stars above,
and when I think of you, I think of Love.

I think of you as Love, a Love that heals ...
the gentlest Dove that soars and flies and wheels
then looks down on the earth from high above.
And when I think of you, I think of Love.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Hill Down the Road
by Michael R. Burch

I imagine this song being sung to an upbeat tune like “Afternoon Delight” with an emphasis on the last word in each line. The song would come out as a sort of breathless rush — one long, run-on sentence.

There’s a hill down the road
where my babe and me would go
when the sun was sinking low
where the sparkling waters flow

and we’d sit there in the grass
and we’d watch the sunsets pass
and then I’d walk her home,
but we’d never walk too fast

and we’d sit there in the summer
when the sun was in the sky
and we’d talk of our tomorrows
and we’d watch the butterflies

and I loved her even then
although I was so young
and I’ll love her till the time
that my time on earth is done

I wrote this poem as an aspiring songwriter, around age 14. But alas, I was too shy to show my compositions to anyone!

Copyright © 1974 by Michael R. Burch
Originally published by The HyperTexts



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

Copyright © 1976 by Michael R. Burch
Originally published by Romantics Quarterly



Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours —
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976.

Copyright © 1976 by Michael R. Burch
Originally published by The HyperTexts



How Long the Night
(Anonymous Middle English Lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.

Copyright © 2013 by Michael R. Burch
Published by Measure, Setu (India), Poet’s Corner, Glass Facets of Poetry, Better Than Starbucks, Chanticleer, Poetry Brevet and Deviant Art



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!

You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.

Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;

and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.

And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Swan Song
by Michael R. Burch

The breast you seek reserves all its compassion
for a child unborn. Soon meagerly she’ll ration
soft kisses and caresses—not for Him,
but you. Soon in the night, bright lights she’ll dim
and croon a soothing love hymn (not for you)
and vow to Him that she’ll always be true,
and never falter in her love. But now
she whispers falsehoods, meaning them, somehow,
still unable to foresee the fateful Wall
whose meaning’s clear: such words strange gods might scrawl
revealing what must come, stark-chiseled there:
Gaze on them, weep, ye mighty, and despair!
There’ll be no Jericho, no trumpet blast
imploding walls womb-strong; this song’s your last.

Copyright © 2006 by Michael R. Burch
Originally published by The HyperTexts



This is my translation of one of my favorite Dimash Kudaibergen songs, the French song "S.O.S." ...

S.O.S.
by Michel Berger
loose translation/interpretation by Michael R. Burch

Why do I live, why do I die?
Why do I laugh, why do I cry?

Voicing the S.O.S.
of an earthling in distress ...

I have never felt at home on the ground.

I'd rather be a bird;
this skin feels weird.

I'd like to see the world turned upside down.

It ever was more beautiful
seen from up above,
seen from up above.

I've always confused life with cartoons,
wishing to transform.

I feel something that draws me,
that draws me,
that draws me
UP!

In the great lotto of the universe
I didn't draw the right numbers.
I feel unwell in my own skin,
I don't want to be a machine
eating, working, sleeping.

Why do I live, why do I die?
Why do I laugh, why do I cry?

I feel I'm catching waves from another world.
I've never had both feet on the ground.
This skin feels weird.
I'd like to see the world turned upside down.
I'd rather be a bird.

Sleep, child, sleep ...



"Late Autumn" aka "Autumn Strong"
loose translation/interpretation by Michael R. Burch
based on the version sung by Dimash Kudaibergen

Autumn ...

The feeling of late autumn ...

It feels like golden leaves falling
to those who are parting ...

A glass of wine
has stirred
so many emotions swirling in my mind ...

Such sad farewells ...

With the season's falling leaves,
so many sad farewells.

To see you so dispirited pains me more than I can say.

Holding your hands so tightly to my heart ...

... Remembering ...

I implore you to remember our unspoken vows ...

I dare bear this bitterness,
but not to see you broken-hearted!

All contentment vanishes like leaves in an autumn wind.

Meeting or parting, that's not up to me.
We can blame the wind for our destiny.

I do not fear my own despair
but your sorrow haunts me.

No one will know of our desolation.

Keywords/Tags: song, songs, songs of life, lyric, lyrics, music, rock, love, lover, lovers
Poetic T Jul 2016
Little rag doll in poses I place, smiles non linear
lipstick is smeared not as it should be perfection
is not on the features as statically smiling.

Meagerly patched doll how you are in my thoughts.
Knotted hair ill placed bobbles that don't show
the best of the features frozen on your hollow face.

mismatched clothes not in a way a woman of choosing
would place, odd socks an ankle one, poppy long stocking
contrasting is size and colour but you'll never know.

I look at you, a Picasso of imagery displaced on your face.
Looking like you got dressed in the closet blindfolded and
alone. My little rag doll I strategic leave in a lonely place.

I collect these porcine eyes drained of essence, I open
your thoughts and they are discarded in a bag.
Later your thoughts will feed my hungry dog.

I leave you empty vacant as you should be, my rag doll
with uninhabited motivation. hollowed shell of what you
used to be, blank stares between you and me go silently.

They find my dolls in there houses distorted like my
vison of how sights are seen. A play house of disillusion,
my dolls are my creations come will you be a rag doll for me.
B Kenneth Avery Nov 2012
Dedication:

Nectare bred of an artist's haught testament—
        brings only stunted buds of tastelessness.
Be it naught for the height in numerous tidal of Muse—
        to cause the strike of warmth in bruise.

Upon the cheeks shadow'd in might—
        strength of amour upon near-sight.
You!—Blossom, are of a frightful power—
        to journey nestled mind of dark tower.

As though a hawk perched higher than the peak—
        of mountainous and controlling streaks,
Colourblind by potent affair lost—
        by centuries of sicken'd fever crossed.

By and by another name, honeyed pursuit—
        yearning that cause a poet becoming mute.
Meagerly, he instead scribes his burning allegory—
        that shall cause a life—eternal fragmentary.



Dangers of Kimberleigh

“Love Jo all your days, if you choose, but don't let it spoil you, for it's wicked to throw away so many good gifts because you can't have the one you want.”
― Louisa May Alcott, "Little Women"

I.

When the morning demands you and I—
        our ghosts shall pass empty resides,
Against fields where lines opposing light, force and bind—
        of Angel's breath and Dæmon's spine.

Of shrieks louder than their first meeting's kiss—
        residing now—perfection upon midnight's bliss,
Abiding near the tender gardens upon the blinding dark—
        creating haste of love-song made by grave Skylark.

Who in joyous play—should cause collapse—
        towards serene, augmented lapse.
Lapse of falling, of where gentle screams—
        of every child that's ever been,

Who stroke themselves against empty glass—
        and where visions pray upon the grasp,
Of wind—Of blinding—Of melody—
        to hold faint—Immortality.


II.

This shall be where morning seeks—
        no longer calming of beauty's cheek.
Instead to lash with vain and hostile mount—
        crimson over dashed and harsh doubt.

Until image engraved by forgiving rite—
        speaking neglect of fiend or fiendish blight.
In-versed—coole angelic heart to passéd—
        passage beside Lilac's memory in mortal castéd.

In the unwashed Earth, where the unwashed play—
        'till they unfairly capture it from younglings— Away.
Lonesomeness of watchtowers in gossamer's breast—
        when airy words strangled from bless.
  
Reachéd by the hand—abide in fable—
        quiet tho—in fruitation, a single silver Maple.
Shyly envisioned inside salvation's solitude—
        where tenderness drowns tenderéd concludes.


III.

The sister was lovely—inside my sight—
        in our union—created Nature's first night.
Through our throats rendered fragile lullaby—
        which slaughtered silence and made soldiers cry.

Her bristles—exploit in darkness—I could not see—
        or merely recollect in memory.
A mouth moving inside of mine—
        creatures in mawkery of untouched divine.

Eyes whom beatéd harder than the breeze—
        to remind me—gently of the ease.
Of being caught in cognitive stance.
        which leaves surrender to in traditional, disciplined dance.

Upon the backs of universal forestry—
        and inside their stomachs to where we would meet.
Offended to death by requiem—
        made inside our faint dream's drum.


IV.

Where dreamer's would lash upon in endless screams—
        innumerable Rubies ruin'd before their first gleam.
Upon reflection in lover's loss—
        diminished to demise before their first gloss.

It is upon the fool's finest end—
        where lies his fantasy—condemned.
The jester who remains as undefeat—
        before death shall cause lackluster's retreat.

Unaware tho, in current mode—
        as body by body closely will hold.
And messages of Gold conspire in streaks—
        immersed—affection in mind eternally correlates oblique.

Ringing and humming throughout what laid—
        against blonde grass from Sin was made.
Refraction's cast that betrayed—to promise me—
        endless nights of haunting harmonies.


V.

Held tightly in grieving bourne—
        broken—in new blood is sworn.
Across the snow-cover'd Evergreens—
        where the temptress grave is left unseen.

Not upon her kiss—did darkness fall—
        alone—in shining pieces did crawl,
Against creator—and thus creator hence—
        bitter loving shrouded by bare defense.

As her finite skin had laid eternal flesh—
        of what laid inside Pine's parting mesh.
Holding and crying out for uncertainty—
       feelings moaned into sudden Mercenaries.

Morose and fledgling in their stand—
        spiritéd to Death's light misunderstand,
Of peerless eyes and broken brooks by the sea—
        casting ruined cloth over our Evergreens.


VI.

Unfurnished dawn may scour for length of furnished night—
        quick—until mirroréd ebbed ocean does wrong.
To consume the idles of Man's afraid mind—
        fairest—lest His idles struck into divine.

Exclaiméd none tho, in archaic lust—
        deceased—firmest in high robust.
Where pleasure finds comforted pause—
        inside arched-back in neglected cause.

Betray the shallow grimace flee—
        and ethereal composed by the breeze.
Lies delicate delusion before sorrow—
        that shall thieve away the Artist's morrow.

And in thievery is where the Angels lie—
        angelic beasts with unlawful guise,
In courts—castrated by the throat—
        hardened in assumption by blackened elope.
Argument: A paramour in his youth reminisces upon the topic of attachment and devotion in his unrequited infatuation after having the harsh reality of yearning and his memories come across his frail mind due to waking up from a dream he thought of as being a nightmarish realm that resided in a deep sleep after an exhaustive and forlorn'd day. The poem appears in three phases: The false appearance of the admirer finally inside a catacomb of mutual love in bliss after a long-while of misery; the confusion and untouched heart slowly being composed inside a mixture of both love and loss; and finally, the innamorato becoming awake completely and being torn by the realization of the falsehood of his fantasies and wishing to be able to go back to his previous slumber and having the image return untouched and yet also having the horrific realization of having the aspiration of mutual love, seeing it, intellectually, as futile.
Born Jul 2017
Ugh
Not again
You have that pensive look
the slurred algebraic expression
that algorithmic stench
Molten into confusing matrix
Geometrically weirdly shaped

Please shut up
I can't take it anymore
Your meagerly written poems
the frustrating metaphors
baked with suffocating syllables
dude, what the heck is a pensive look


There's a huge probability it won't
delve out any logical statistics.
the equations alone will alienate you
the calculus involved is far ahead of your time
just stick with trigonometric thoughts
C'mon you already know the plane of your thighs are sophisticated*

is that a compliment
Painting splendid imagery
that nobody else understands
a poet lurking in words
always writing  
Unfiltered intricately worded poems
Not lose your mind
nor heart
when a job you lose

there's another to find
make a new start
another to choose.*

With the job you lose goes the earn
don't think there you would be stuck
soon for you the tides would turn
come knocking your door good luck.

You never really loved the job you lost
money was the only call
but it made you pay a high cost
and the return was meagerly small.

Ruined your hours numbed your soul
the job robbed all your smile
surely on you took a heavy toll
caged your mind all the while.

Money is the need to pay the bill
for even breathing needs buck
but the job you lost stole your free will
made you to be a lame sitting duck.
PK Wakefield Apr 2012
deep with kissing easy trees Spring
wells like blood between the imminent
corpse of day where pennyeyed kittens
and ladybugs mingle with the deliberate
breath of the earth a flower meagerly strives
fragile homely limp and flush Spring languishes
an instant collected warmly into the salient brush
of ******* tingling abruptly pricking a loose cotton
with marble hard ******* round rosey cheecked apple
blossoms in Spring hang briefly like youth without youth
Spring i draw your quivering uglywonderful mouth to my
mouth and creep into your winsome shrill maw my blood
Amitav Radiance Aug 2014
Abundance all around
Moments to celebrate the excesses
Shared meagerly
Michael W Noland Mar 2013
I am a number, numb-er than the dumber thumbs on top of me.

A puppet to appease, the appetites of kings, meagerly squalling over nothing.

All i see, is stupidity staring back at me, in a hall of mirrors.
Nat Lipstadt Jun 2015
a gift for the poet
a sky full of stars,
whose poetry, when well read,
brings, leads,
souls to their knees
satisfying with quiet desperation,
satisfying with noisy aspiration,
unto the best places poetry,
can airlift the human soul,
to a sky full of stars
~~~
so many pleasures to pick from:

the summer's first awakening taste of
comforting cold vanilla in sugar cone
upon the lips,
reading Whitman and Poe,
in my sheltered poet's nookery,
watching my woman chop
summer fruits, cranberries, berries, mango,
into the salad of our lives

but one pleasure olden,
yet evergreen new,
rare,
but never aged,
like the occasional
pink potpourri sunset of  gold bluesy hues,
this ancien accidental tourist stumbling
smack dab
into a new poet whose excellence
force~asks you to say,
while he breathes intake/expels
noisy airy,
how~wow?

I don't read the words of
this solitary kayaker,
no, I drink till drunk
on mine own tears,
angry that I'm late to the party,
once again

nine poems glorious,
this poets meagerly provides,
reminding me,
a few master treasures,
oft outweigh the many

me, a thousand and more,
yet struggling to hone
my dulled verbal skills
to take true flight,
most o'mine, suffocate stillborn
in the torrential waterfalls of
never ending misleading
gold plated
trite

nine (!)
poems only,
bring this old soul
to his worn out knees,
in humbling fresh-face humility,
he thanks the muses for
gift-granting knowledge of a
blackened velveteen night sky new poet star,
to his eyesight keening,
sad in the knowing that so many more,
shine
but remain undiscovered

this new poet

"writes a little,
just soul scribbles mostly
not wanting to be anybody special,
an evanescent dark star; season's change"

give me more,
this old man demands,
for each of the nine is a

"single delicate petal cast off,  
like a party dress fallen
in a beautiful mess
upon the puddled wooden floor"

her invitation, I accept, I accept
on bent knee eagerly to

"Come swim within this restless silence
the raging river inside beckons

the cadences we hear
are the heart's untamed waters overflowing ,
eroding this heart's shorelines ,
leaving the thrummed edges wild
swim within this restless silence
the raging river inside beckons

the cadences we hear
are the heart's untamed waters overflowing ,
eroding this heart's shorelines ,
leaving the thrummed edges wild"

as always,
I wax too simp,
too long,
while the new poet waxes
simply eloquent,
hard knocking down his old soul
to the ground
with memories
of days when with first morn blush,
two three poems,
he provided
to greet the honorable dawn,
after searching the night skies,
for new and
Undiscovered Poems

She
(for must be a woman, I just know)

"colours this heart's blank pages
rapt in the poesy a joyous ecstasy ..,
enrapture with rainbow's candy taste"
Please follow this poet, lest you miss a new star..
The lines in " and italics are all hers.
Been awhile since I wrote a Read the New Poets.
Please follow her
Tark Wain Jun 2016
Glossed over pasts plus
Time tested epithets
That indubitably do define
The way you left me that's

Not to deny the truths that do lie
On the static sitting stone
Which are truths I refuse to uncover
Which tend to typify my own

Lack of anything resembling intelligence
I know if you missed me you would say it
Yet it remains categorically impossible
For me to even meagerly admit

That the starry eyed tongue tied
Deliciously delightful strikingly beautiful
Girl I fell in love with

is no more
Lauren Ashley Apr 2011
I found myself alone
in the cold dusk
at the crease between
night and day

Over my shoulder the illusive flesh of light
meagerly permeated through refracting clouds
above an ocean enclosed from my view
by lulling hills and warming homes

My hands finally quiet
my legs began their routine stretch
for the solitary walk to the local cafe
where heat anticipated the arrival
of my cooled skin

It wasn't the element of instant gratification
that spun the anxious gears
mechanizing in my chilled blood
but the thought that

Had I not taken the time to strengthen my relations
with the setting that was to remain my home
for the next few years

I would become just another lapse in time
among the earth's surface

The windows never reflecting my spiritualistic limbs

My home untouched by the graces of fond strangers

The light always before me never behind
in that distant place shielded by panes and lenses
and the hungering sky

So I found myself alone
silently walking along
a dimming sidewalk
to a warmer place
with the diluted light filtering
through refracted clouds
against my back
Michael Ryan Mar 2013
The warring battle of not good or evil.
Not right or wrong.
But at the moments notice what should be done.
Should I go out to struggle against the war of thought,
or meagerly accept that the battle has been lost;
Why not slide back into bed, a seemingly forever.
Because sometimes what is right is not always right.
And what is wrong is not always wrong.
Maybe defeat is the reality of what I need.
Would that not be so much easier.
Sorry to say, but that's what I'm leaning to.
Just cancel everything for the future, it's only war.
Request this slumber to peacefully accept that I am not meant to win.
This bed does not hold dreams.
The pillows do not rest my head.
"Comforter" oh please. It suffocates me.
These sheets were meant to bring the calm.
But they are my memories.
Reminders of why I can't leave,
and the very essence of why I should.
Quick. Easy. No good.
David Hilburn Dec 2018
Meandering
Notion to exceed the divine
Ask us when the miracle of courageous
Welfare, has seen the kinder kind

Mythological
Tastes of overt yesterdays
Tender to aversion, and the image we will
To assurances form, the candor of a little more may

Monumental
Slower by the composure we derive
From the subtlety of eventual
Lucre, and the sour dream of purposed new lives

Meagerly
The tows of responsibility
All to for, forth else in behavior
Will we sit for a new condition, of precept?

Momentum
In motion for a nuance to decide
Is the clash of wisdom with the wishes of when and idiom
The patience of collapse of intuition into the name of a vice

Moreover
Light to a realm of future possibility
Simple advances on the needs of time, and its lover
Caring for the nots that make us a requited whimsey

Mother
Add the bless, the basis of cope and assist
Taken to world's bared for a living other
Merely the best of us, to keep the entourage of is, this the kiss?
PK Wakefield Oct 2010
; and it leaps
   over touch and blood
the illustrious crepitus of your oscillating
olive wrinkle
     meagerly i
                               climbed

  into it's hollow
       solid
                   flexing
                                      pink

      asinine heat

                                      i

          cream and chunk
    likely
                    the  steam
   is drunk                                      of ignoble

           *******

                                  *******

       from her
                                                      stifff

       blundering


                         boney

        rib





                       s
The Tempest Twril,
Isn't it the peace sanctuary?
And the abode of all sanctity,
But the spring of malice and muddle?
The tempest twril,

Isn't the heavenly bodies stationed?
And illuminate in their times,
But moves incoherent in their shadows atimes?
The tempest twril,

Isn't light a traveller in a straight line?
And the sun,a mother of them,
But meagerly shines at the centre?
The tempest twril,

Isn't pray and prey four lettered?
And produces the same sound,
But conflict in their meanings?
The tempest twril,

Isn't the first the best?
And supposedly the crown bearer,
But Essau had none?
The tempest twril,

Isn't wundt the genesis of their science?
And paved way for their experiments,
But had an unreliable methodology?
The tempest twril,

The tempest twril,
A Poem Written By,
Historian E.Lexano
©March 11,2015
June is dead-still
trees converse with other
language mocking the trilling
of birds. North of here
there is a visitation. Virgins
are being transferred
all Monday housed in foreign
homes. Oregano
perennial, ingrained on
roof beam the rise and fall of,
a languid mirage outside
much less than an inveterate superstition.
Past the bridge where I once laughed
as a child when my father
surged past ploughed fields.
this almost overtakeless summer
minting its blazing core
and now rivers cut this town.
The derelict nectar of youth,
how lovely it was the first time
to pierce through age, an arcade
  rising from the carrion that was
our birthright under the throbbing heat.
Who touched what
to turn room into bedlam – slowly, these
evincing hours paint me the
grandiloquent picture of all
when the moon a foolish assumption
under a rain-soaked grassland
moist enough for crickets, venue for
frog hidden somewhere, outlined by a cadenza,
us, humming along in our
cast-off night clothes, meagerly this
climate tumescent in this town.
Just Melz Feb 2015
Everything has
           An unexpected
                  meaning
    If you look deep enough

   Nothing is for naught
       Entomb the misery
           Within your heart

                 Love fully
         Hide carefully
                   Hate sparingly
               Cry as needed
          Trust meagerly

        Never
            EVER
     Let life bring you down
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
David Hilburn Jan 21
Dole
Is water, evil?
A reign of the old...
To lengthen a chaste of a swindle?

Spit, indeed
Spite is a fouling light...
Meant with troubled mercy, is spice heed?
Looking the horizon, *** is where might...

Has an owe
Owed the timidity, of a love...
We are the seldom, of vice come to know
A reach of sanity's reality, hunger for a covenant?

Choose meagerly...
And a whole decency, becomes our decision
Noticing the bared future of sovereignty...
Arbitrary brass will do; for a secret, a hap, and an intimation?

Love, is a memory fed...
The drama of sophistication, met
For the only liberty of avarice, ever lead
With the voice of deliverance, are we mercies; living's moment let?
Angry as a force of nature can be, is a lover yours for a running willed, or hunger stilled? Ask when anarchy has a voice to ask you, do lambs serve lions the truth...
Abigail Sep 2013
#4
her lips taste like cigarettes and brandy
like a big puff of smoke i inhale her
she creeps into my brain and locks
her hooks inside my lungs i am
coughing consequences
cigarette lips are you The One?
my mind goes numb and i meagerly
attempt to forget her
Zygos Mar 2021
-I scream at you for bleeding everywhere, when I myself feel like an never-ending open wound.

-Lazy, laying, and filled with disdain we sit and let time wander through the dusty halls.

-Suspended in mid-air, twirling amongst light and darkness, I wait for movement to occur.

-The smog has lifted, but we remained mentally clouded and uncertain.

-There's plenty of food, but nobody eats. We stay still until the sun sets and countless clouds of *** eagerly activate the palate. Then we feast meagerly on snacks and drink and drink and drink until tomorrow blinks into our vision. We clean until the space feels open and momentarily alive, only to wreck it through the night to create purpose for the next day.

-The fragility of the day immediately crumbles in my hands the moment I make contact.

-I'm holding my breath, hoping all the air will keep me afloat.

-Because in the end I'm just a scared girl, shooting arrows at the world trying to pinpoint my direction.
Last night, I dreamt I went where people go when they die. I saw Jimi Hendrix, Kurt Cobain and asked if Jesus ever came. It was amazing, all the people that were there. There were many faces I couldn't see, a plethora of souls Earth has ever seen.
The scene was like a cruise ship, or so it seemed. There were many different rooms, all full to the brim with these beings. I wanted to talk with each of them, I wanted to know their stories. But, unfortunately I had to  be up for a class at 7:30.
That unconscious internal clock that keeps me on schedule, it alerted me that my time was nearly up in this vessel. I pled meagerly with myself, "please, let's just miss class this one day! I really think this is magical, spiritual. I don't want to go away!" But, alas the other world was calling me, to return to the "other" me. I had no choice but to succumb to adult responsibility, to will myself to wake up and face the music on the other side of the dream.
A dream I had last night. It was really spiritual. I believe in astral travel; it maybe could have been that.
Slur pee Aug 2017
Foreign concepts implant themselves into grey terrain, like aliens;
Landing from a far away, vermillion planet to explore this lifeless place,
(Save for a pocketful of neurons that spend their days rubbing up against my spinal cord)
Blanketed in electricity, sparks cause reality to distort as if clouds fell apart and through the fog
Came God- to **** it. I don’t understand how we so skillfully secrete a monster in a man’s skeleton,
With his nerve endings begging to bend and touch any meagerly love, but they don’t reach far enough
So we inwardly self-destruct; leaving me so ****** that I crave cancer ‘tween my lips, even though I quit;
I want to taste you in my spit, a magical concoction of saliva, sweat and *****;
Concealment of a demon, tactical manipulation. Take my malleable form,
And stretch me out of shape; Use your destructive hands to create your image of perfection,
While I crawl like a spider with a twisted spine in our flawed perdition. Exorcise Christ,
And I’ll exercise my self-rights of freedom; where I’m permitted to be restricted by my own selfish ties.
Entwined in the unimaginable curves of Time, I’ll lay my eggs inside her and devour her line.
Dressed in sebum, I’m born a heathen; fresh out of the garden, apples clinging to my lips.
Give me a kiss soaked in the expensive blood of our sins and I’ll lie there pensive,
Holding on to extensive thoughts, herding them across wrinkles like cattle preparing for slaughter.
Breathe life into this helpless daughter, who’s bones have been hollowed by an ancestry of parasites
And she’ll hallow the saliva that sits on her sallow face as it digs into her blinded headsights.
She’s lying as a larva, trying to fly into a pupal state; her chrysalis diseased like syphilis,
Sores eat at pores and skin, inflamed, aches with itches that penetrate deep between layers of dermis
Her internal organs rot at the thought that this world is the final stop between an endless stretch
Of space and imagination; Let an extraterrestrial race escape from God’s hands through finger gaps
And find a place worthy of permanently marking where they were at.

-SLuR
What is it I was thinking that day
Memories, have they been bleached
I seek answers but the question is what
From where do these emotions derive
Can someone explain why
Will someone ever recognize me
Help me clear my unsettling unknowings
Guessing can only satisfy me meagerly
For peace I require the full course
Why do even the trees seem to stare
Though I feel the same towards them
Seeming to be secretly replaced
As this land I set my feet upon does
Passion I recall was the epitome of my life
So why do I only sit and ponder about it
Lounging like I'm one hundred years past due
Knowing there's no point in dwelling
But still thinking about these answers
Not knowing the question I want to ask
Laying down I'll think about it
Maybe one day I'll fade back into my reality
So until then
I'll just close my eyes
Just staying on the black transitioning screen
Known as sleep
Until I understand the questions
That my answers so seek
When I open my eyes up once more
I wonder what I'll be thinking of that day
David Hilburn Apr 16
The tow of gifts, to youth:
Have a questioning monster...?
A hap of ability, to venture a round eye could
Make your mark in society, with a teeming occur?

What has a luckier few, than the future due?
Simple news and direction to verify, the idea's we pace
Just a calling hour, that liked the doting, that amazed soon...
To see the risks involved, a hardy scope of a wish that says:

Courage and wisdom, in the moments of sojourn
Has the daunting task of hell, for presence first?
Than the sincerity of atmospheres to gain, and again...
The role of viciousness, to look upon a cause before it gets worse?

Shame you have to go, but a better chance sits with you...
Can the vice of notorious visions, of quiet and might
Taken to a decency for a loosened, question's of audacity anew
That has the intuition and tooth, to tell a world to see it, in new light:

Stepping forward, with succor to meagerly meet
Shares of destiny; begin to let more, like a rage was...
The court and the offhand quarter given to a patience to seat
At uniqueness's worth, to which we know your smile even, does...

Life, to wager, does life know when to quit?
Salt and harmony, now the victor of such a race
Like a harrowing care, thrown to a lion with a moment to tell it
Reaching for a song, do you notice the music of showers to face?
Soap with it to show, has a neighbor known only as the audience...
Adam Kinsley Feb 2019
Content in my reason, I indulge my future distress
Feckless friends and fiends lie...together
Our homemade misery surmounts
Indeed, we do have a habit of making habits

This Intention for contention is our invention
A fleet of reckless daggers flow from my mouth
I decimate past and present alike
Thus, the future flees from my nearsighted discourse

My dreams vehemently elude themselves far from my sight
Devoid of ambition, I fall from the sky with Lucifer and all of his friends
These means will never be justified
Choleric, we are vexed by our sugar-coated ends

This silence overtakes us
We are lucid metaphors of our former-selves
I lie awake and wake to lie
My half-empty bottle is never fulfilled, and never content

My heart is a home of chaos
A passionate portrait of selfishness
I am a kin to fruitless endeavors
Forgetting sense, I meagerly float throughout this wretched discourse...
The most beautiful sight
Of autumn brilliance
Where orange fills the horizon
Swaying trees to the magnificent breeze
Allowing birds to sing
And do their thing
In the multicolored leaves
That fall to the melody
Of singing sparrows at dusk
Until a darkened grey sky
Frees the moon and stars
That echo eternity
From a paltry earth
Meagerly inconsequential
To the stability of the universe
As mankind depletes its resources
And devours itself completely
Awaiting the sun to rise
To start anew
Aside from vehicular insurance, you
must be aware another
reason car ownership
finds me being privy
to possessing Hyundai Sonata (2009)
title purposelessness too

raising a futile cry and hew
stems from accursedly unexpected
mechanical malfunctions due
to arise unpredictably,
thus before bidding thee adieu
lemme share another source,

plus absolute zero clue,
how I will pay for necessary part
(linkedin with brake system)
exacerbates psychological glue
mean us - as addressed
in previous poems

wretched formative years I drew
majority of existence, now
lemme enlighten how a new
whistling noise detected earlier
by this gentile (actually atheist) Jew
(December 26th, 2018),

yea me Match Chew
felt his heart sink,
and mine key intuition knew,
there goes social security
disability - yepper flew
right out the window

good as flushing down the loo,
cuz acute hearing discerned
an unfamiliar sound which drew
audiological attention particularly
to passenger rear wheel,
analogous to bleating ewe

where without wooly sheepish
doubt, I smelled burnt offerings and heard
distinct noise unfamiliar and new,
which automotive distress immediately
altered my epidermal hue
cuz checking account still in ICU

(prognosis grim) like an
overworked choo choo,
thus emotional state now going
haywire hullabaloo
finding writing rhyming
poem meagerly sue

tub bull and wishfully, pointlessly,
and dreamily cross fingers,
and toes to rue
min ate ting winning

powerball jackpot and moo
hoove varying into lap of living
socially within human zoo
instead of feeling boiled
for cannibal stew!
Ruby Cushla Sep 2014
If only we could be
blades of grass
in that field
where we screamed our favourite lines of Howl
to be trampled
to catch the falling words
soak in each drop of liquor through our shallow roots
witnessing a scene
so meagerly meaningful

I am becoming
an experiential gift-giver
you will not
remember the cosmetics
you will
remember the cosmos
for your birthday
I will give you
concrete stairs and broken glass
rage and pure delight
drip, drip, drip

You were fixated
to pour but not consume
afraid to ask if it would
usually have been against your morals
I had no further questions

Cheekbones sparkling
we decided ponytails were good for you
too late now
       late now
washing money down the drain
don't choke on the copper
metallic hand soap never helps
my back was bare
with you
it always is

I can't help myself
up the stairs
neither can you
every morning
move out, move in, move on, move up
she's been in heaven since the end of tomorrow

"Maybe he'll hit me"
You'll find your Dean
and call him Daddy
and won't love him until he runs off
don't get upset but
we wish the thirst
was hunger

Angel
angel
the candle burns black
you will hate him with a passion
my heart warms just thinking about it
the candle burns black
and blue
if only you were one to cry
the candle burns black

— The End —