Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

Nancy is a new generation of computers programmed to respond biologically she has built-in human shortcomings including conflicted feelings uncertainty sense of soul pre-installed parts of her are dying she can feel it after elaborate shower focusing on specific body selections underarms feet ****** *** face allowing other anatomical regions to retain natural biotech oils lathering scalp with premiere restructuring shampoo conditioner she dries applies fastidious refined moisturizer emollients to forehead eyelids mouth neck areas vigorously massages special mousse treatment into brunette hair cut medium length brushes teeth rinses with spearmint mouthwash lightly rouges face with extra fine powder mist meticulously paints eyes lips with conventional colors finally adding distinctive subtle scents behind ears neck décolletage wrists thighs derriere toes tonight will be 2nd date with Rick handsome successful options trader who has no idea Nancy is extremely sophisticated complex doll meeting at catch.com on their 1st date Rick has too much to drink possibly owing to his nervousness or shyness around Nancy who possesses regal beauty bearing yet infectious smile laugh he spills 3rd drink then orders 4th drink Nancy becomes courteously standoffish

Bob’s LG electronic 27.5 cubic foot French door refrigerator’s water filter ice system located on door is malfunctioning spewing out brown fetid ice chips onto extremely intricate decorative parquet (palace style) floor consequently leaking into downstairs neighbors custom design ceiling dwelling to make matters worse Bob’s smart phone is on the blink his internet connection down due to unpredicted wild winds he is beside himself in isolated frustration compounding this calamity is foreboding realization Bob highly trained biotech computer programmer may have miscalculated tiny chip link inside Nancy’s cerebellum stem

as Nancy is about to open door for eagerly waiting Rick holding small gift box in hand with note that reads thank you for giving me a 2nd chance something quite irregular unforeseen pleasure fear motor impulse tenses snaps inside her head she reaches for door handle while other hand grasps butcher knife

“Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that *****.”
― Lili St. Crow

“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“Meggie Folchart: Having writer's block? Maybe I can help.
Fenoglio: Oh yes, that's right. You want to be a writer, don't you?
Meggie Folchart: You say that as if it's a bad thing.
Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.”
― David Lindsay-Abaire

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“writing about a writer's block is better than not writing at all”
― Charles Bukowski, The Last Night of the Earth Poems

Biting my truant pen, beating myself for spite:
"Fool!" said my muse to me, "look in thy heart, and write.”
― Philip Sidney, Astrophel and Stella



“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“I encourage my students at times like these to get one page of anything written, three hundred words of memories or dreams or stream of consciousness on how much they hate writing — just for the hell of it, just to keep their fingers from becoming too arthritic, just because they have made a commitment to try to write three hundred words every day. Then, on bad days and weeks, let things go at that… Your unconscious can’t work when you are breathing down its neck. You’ll sit there going, ‘Are you done in there yet, are you done in there yet?’ But it is trying to tell you nicely, ‘Shut up and go away.'” — Anne Lamott, Bird by Bird

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.” — Mark Twain

“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day … you will never be stuck. Always stop while you are going good and don’t think about it or worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will **** it and your brain will be tired before you start.” — Ernest Hemingway

“Many years ago, I met John Steinbeck at a party in Sag Harbor, and told him that I had writer’s block. And he said something which I’ve always remembered, and which works. He said, “Pretend that you’re writing not to your editor or to an audience or to a readership, but to someone close, like your sister, or your mother, or someone that you like.” And at the time I was enamored of Jean Seberg, the actress, and I had to write an article about taking Marianne Moore to a baseball game, and I started it off, “Dear Jean . . . ,” and wrote this piece with some ease, I must say. And to my astonishment that’s the way it appeared in Harper’s Magazine. “Dear Jean . . .” Which surprised her, I think, and me, and very likely Marianne Moore.” — John Steinbeck by way of George Plimpton

“Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.” — Norman Mailer in The Spooky Art: Some Thoughts on Writing

“[When] the thoughts rise heavily and pass gummous through my pen… I never stand conferring with pen and ink one moment; for if a pinch of ***** or a stride or two across the room will not do the business for me — … I take a razor at once; and have tried the edge of it upon the palm of my hand, without further ceremony, except that of first lathering my beard, I shave it off, taking care that if I do leave hair, that it not be a grey one: this done, I change my shirt — put on a better coat — send for my last wig — put my topaz ring upon my finger; and in a word, dress myself from one end to the other of me, after my best fashion.” — Laurence Sterne

“I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer’s block, oh, I have to wait for my muse. I don’t. Chain that muse to your desk and get the job done.” — Barbara Kingsolver

“Writer’s block…a lot of howling nonsense would be avoided if, in every sentence containing the word WRITER, that word was taken out and the word PLUMBER substituted; and the result examined for the sense it makes. Do plumbers get plumber’s block? What would you think of a plumber who used that as an excuse not to do any work that day?

The fact is that writing is hard work, and sometimes you don’t want to do it, and you can’t think of what to write next, and you’re fed up with the whole **** business. Do you think plumbers don’t feel like that about their work from time to time? Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn’t find a theme for his second movement. “Never mind the theme! Just write the movement!” he said.

Writer’s block is a condition that affects amateurs and people who aren’t serious about writing. So is the opposite, namely inspiration, which amateurs are also very fond of. Putting it another way: a professional writer is someone who writes just as well when they’re not inspired as when they are.” — Philip Pullman

Look, I just want to move you.
Woo you.
Shake you loose but never lose you.
I want to
Savor the glazed reverent silence
Of your gasping, ungrasped breath.
Sip it down till there's nothing left
Yet still explain all the rest.
See, it's time I unearth some gold.
Nothing here sold.
Just given freely to slurp up,
served up cold.
But I dare not go it alone.
Not when there's so many heplping hands
Beyond my own.
So I first court Eloquence.
She's an easy mark to find,
volubly masticating volumes
while leisurely lathering her tanned,
Leather skin.
Dolloping her monocle-bodied features
In librarian sin.
She says...
"My dear boy.
Berate them NOT
with your false start,
lethargic oddities.
Your penchant,
Melancholic falsities.
You must but grunt through the trudgery
Of your muddy misgivings,
And birth only accessible
Pertinent notions.
Neither precarious nor
Incongruous to the truth!
Robby.
You must simply relinquish your
Intrepid, frenzied paucities!
So I dismiss the diss.
Since
her big scary words are kinda lost to me.
Evidently, though,
I must need a Joe Blow.
An Everyman.
A Streetcorner Clairvoyant.
I turn to
(drum roll)
Raunchiness.
His beer belly **** and **** jokes
And dollar store aftershave suggest
A pleasing 'pull-my-finger' charm
that just might turn the trick.
He licks his lips,
And chides through a buck-tooth,
Spit shine smile.
Sheeeooot, boy,
That there one's easy.
All you gotsta do is
Go down deep
And speak from your gut.
Tell em how you feel..
How you REALLY feel.
Tell em..
shoot, tell em they rub you just right,
You might well feel as ***** as
Your gas gauge after a good pump.
As ***** as a McD's wrapper
Corner-pinch-discarded like
A used diaper hammock.
Yeah! You tell em your as ******
As a receptacle
For used diaper hammocks!
Hells yeah.
Girls will eat that **** up!
And say you're as gay as rainbow gold
As straight as an arrow-head.
As misled as finding your folks are still *** fiends
or as contradictory as ***** like me!
Boy, you are as con-fused as the
Lumpy, stumpy, pimply dimpled teen who finds out
Santa Claus IS real!
And he's hanging out loose
In every single Hustler Magazine!
Now hear me boy.
If they still don't care,
Or they see that you're scared,
Just say you feel as guilty as midnight dials
From parents of Girls-Gone-Wild,
sneering,
"Well shoot, sugar plum.
You sure ain't been feeling
Real secure in awhile."
And as he loosely labels me
As awkward as **** thermometers,
As misunderstood as **** plugs,
I give Raunchiness a dismissive shrug,
And return to the mystery
Of what I've missed from me,
Whatever still may be
My own poetic style.

The heights' sprite lathering lights, wuthering
are quite beautiful this night...

New years' snow : glitter and streamers.
The Strip, a libidinous concrete highway
thick with the tar of dark secret deeds
manhicular silences seeping between the loud
sidewalks, rivers of crowds bleeding into buildings
monuments of fantasy-loss-reaping.

But the sprite lathering lights wuthering in the heights
are beautiful these coldest of nights

Artificial pulsing of Sierra's fiber-optic heart,
desert of dessert trays for hoarders gorging dust.
America turning cold emoji faces: high front gusts
un-empathy a mask for the races
like blank lakes of lack, like Paris
we're still running from them -- fastest of rats...

The city of lights lathering in wondering
is still a beautiful place at nights, wuthering

Yet sin city structures glamour machines by
lustful feeding hands that slight...
decay as quick as worship
like a slow freezing blight,
eyes kept blind in white
renaissance of our modern day *****
a loveless January night...

Hell is not hot fire & brimstones  - it's winter,
souls fall aside if hearts die without
(stars of Orion's center)

I'm just another lion
raging against the splinter...


But the bright lights in the sky,
spritely gathering in the wuthering storms
are all so beautiful at night
on new years' eve, they pause the war...

while every child makes a dying wish
on star light star bright :
a home far from winter
for the king's love not to splinter...

Butterflies in  the day
Fireflies at night
Adding more beauty to my surrounding
Here in the middle of July

People head for the pools to splash around
The laughter of children what a beautiful sound
People lathering up and soaking up the sun
The middle of July; everybody is having fun

There are concerts and festivals, state and county fairs
Summertime fun can be found almost everywhere
Amusement parks and swimming during the day
Campfires and outdoors concerts at night
What a beautiful month; the month of July

I am not in love with her
Or lust, or infatuation
But nonetheless;  
She leaves her mark
Traces of herself all over me
Mahogany stains bleed through on my fingertips
Streaks of purple smudgings are left in my ear canals
Trickles of red wine are swept along my tender neck
Oozing down, down, down, down
And I cannot scrub this from my skin
No matter how many hours I waste
Lathering myself up into a foam of obliviousness
Still at the end of the day she is there, intriguing as ever
Trapping me again
In this foggy purple haze

Band-aids to prevent the social infections that could eventually
spread to the frontal lobe,
Diseases started on Fox News, spread to the living room,
circulate around the family dinner table
putting victims of ignorance on the coroner’s slab
Alleviate the pain.
Should we let the gapping wounds of intolerance fester, decay and grow maggots?
***** bigotry, vile illiteracy, primitive ideas coat the skins of society like a black goo.

Band-aids: self adhesive bandages
We aren’t teachers. We are medics.
covering the gapping wounds of life
lathering the lesions with Neosporin.
Healing the scars from parenting gone wrong
- scars from wounded self-esteems
-lacerations to the proverbial heart

Scars lasting longer than the body itself.  
No one knows where its impact will end.

Band-aids
temporary fix
heal the wound fast, heal the hurt faster
A Johnson and Johnson remedy for damaged organisms
Well-meaning ones hurling scriptures scald hands with tainted words
Healing is a matter of time.

Arm teachers to protect children from the crazies who loom?
What will protect them from their own inherited ignorance?
The damage is already done when they get here.
Equip us with Band-Aids, boxes and boxes.

Hello Kitty over their ears to block the infection from coming in
Spiderman for their mouths. Stop the seepage of any contamination from spreading to others.

The remaining scars will fade, but not disappear.
even with a band-aid.

"I don't feel anymore."
"I really envy that."

I turned on my side, the sun was peering through the window and laying ribbons of its light across her bare body. "You shouldn't envy that, Reno."

"Why shouldn't I?"
"Okay. Well, why do you?"

Her hand waved a lock of blond from obstructing her icy-blue sight. I could see the shadows of birds dance across her torso and past her face. "I'm afraid," her words spiraling from her mouth, "and I don't want to be."

"Afaid of what?"
"Everything. The world. Hunger. Bleach stains. Failure. ****** knuckles and the look of the person as they clench their nose, teary eyes and all. This. My father finding me. Dying before I get to do everything I want to do. Validation. I'm afraid of everything and I'm too young to be afraid of everything. I need two to four more years, tops."

Ten, twenty, and fifty seconds rained down the window. It felt like the wall of an aquarium, and us the aqua-blue evolution.

Rolling to her side, her hand blossomed around the curvature of my face, as I didn't know what to say. "Josh," her breath evaporating into syllables, "I'm too young for the world, so help me forget, okay?" My eyes followed her soft fingertips capped by lily fingernails, as her index and ******* walked from my stomach to between my legs.


After we made love, the water lowered on top of our heads and bodies as the steam rose. My hair was flattened against my skull, and her's gripping her back. Soap slid across her *******; lathering her abdomen, I asked her if I could see the soap. Reno scrubbed my chest and leaned into kiss me before placing it into my hand.


"When you're famous, who do you think you'll sleep with," she asked while stirring her coffee. Placing the muddy spoon on the table, she looked and added, "Who's your celebrity crush?"

"I'm not sure," I sipped my coffee before placing it next to my bagel,"I don't know."

"It's okay, buck. I know you'll forget about me when you become big, so just say."

I couldn't believe it.

"Okay, well, what's your wish, Reno?"

"What do you mean?"

"What do you want me to say?"

"Say who you'd sleep with."

"Well, after I carelessly throw you to the side, I'll probably sleep with Parker Posey. Then, I'll go on a date with Emma Watson and hope that goes well," I regretted the way I spoke. "Like, I can understand the question, but what's up with the second part about me leaving you?"

Reno flicked the side of her coffee cup, and then drummed. "I don't know."

"I can't do the whole you feeling like you're not good enough for me. You are. You just are. I don't want it to happen because I really like you, but I won't allow myself to go farther if you insist on the... I mean, what's wrong?"

"I don't know," she she flicked her coffee cup harder, "I don't know."

"You know, Reno. You can tell me."

Tears sat at her eyes and they disappeared in the glare, as she looked out the cafe window. "It's not easy, you know."

"What isn't?"

"Loving you," she began to rip at the skin around her thumbnail,"it's not easy because I'm afraid. I'm afraid because it might be real."

Her eyes shifted towards me, the way her hair broke the echo of sunlight. Cancer cells.

"I'm dying, Josh. Whether you love me too or not, for one year to ten to never, you'll be with other girls because I'm dying. And that's that."

you,
you are poison ivy.
growing in my heart, sprouting first as a little bud at the base and then wrapping your tendrils and vines around tighter and tighter until I can barely breathe.

you are poison ivy
itching at the disassembled strands of my affections and i want to tear my chest open, pluck off the petals of my heart, hands coated in pollen and
tell you
there are no more petals
left to give.

you are poison ivy
you still spread your arms around me, reaching for more that i can give, lathering my pollen into every crevice of your poison skin.

you are a silver bulb and I am the moth that attaches to it, shadowing your every move,
the way your fork always grazes your plate before
you
set it down.
The way you run your fingers over the delicate arch of your ear or how you draw the sides of your books close together when you read,
as if trying to pull the
literature close to your body, letting it seep into your naked eyelids.

I wish i was that literature.

There was a whole new garden of emotions, of loss and sorrow sprouting delicately at my fingertips and
you
were not aware and
now all i want is to uproot my garden and start again.

you are poison ivy

and i can't stand you, that itching that feels like screaming and ripping and scarring

You were an itch that i scratched over and over until i bled

and once the bleeding had stopped and the cuts had scabbed over
I itched it again

and

again

and

again.

Lights! camera! action!
Pretending that events are accidents
Appointed laughter
Framed gatherings
Steady buffing
Drawing
Smearing
Lathering
Turn your face into a masterpiece
And your fashion into a catastrophe
Then your catastrophe into outcasting
Take away normalcy then preach you blasphemy
Then wonder "why are they after me"
X then dotted line just says "that you're mine"
It says "sign neatly" and "read briefly"
And now that he's gone...your the repeat
And if you leave...they gotta 3 peat
*** will get you a check
And if you thirsty for a disbursement... Burp out controversy
And swallow grade A *******
You'll get applauded for being a first class fool
Who didn't graduate
But there's still fans who gravitate
While your old class mates are still someone else's class mates
The former students now have degrees
The ones you call to design your foreign furnished mansion
The ones sold you that million dollar car
The ones you pay to fly your private jet
The ones you pay to manage your career
The ones who indict you for your drug possession
The ones who over the counter prescribing you your addiction
The ones who will do the incision to try and maintain your drunk liver
Miss and mister
They demand their respect
Surviving grueling semesters
The newly alumnus
Will retire after they make a difference
A difference for our children
And by the time that your contract has ended all you talked about is killing
Rims spinning
Money getting
Blunt twisting
Liquor sickening
Girls stripping
Discharge sipping
Jewelry glistening
Superstition
Stomach itching
Teeth missing
Thread stitching
Eye twitching
Thirst quenching
I don't get it
Albums full of insignificance
...
But your not trippin'
Because you won't fall as long as you don't walk when your boss tell you to crawl
If you rock shows
Wear clothes that you never chose
If you pose to live a life that's another man's role
You'll soon believe that you're not from this globe
And you'll soon speak how satan stole your soul
Everything you value is so extraneous
And for that you're famous?

So it's only one recipe
If you wanna be a celebrity you must lose your integrity

Science, you beauty!
Be it the missions to Mars
or those yummy chocolate bars
Be it the gadgets we use, or the comfort of shoes
The magic of airplanes, or cars shooting down lanes
what have you not, in your armory got
what more will you show, to us bewildered does
Our jaws are on the floor, tingling in our toes
when you unveil your magic, we can only squawk like crows
Speechless and breathless, your discoveries leave us
Joy is ours, when you unveil the covers
of the magic of nature, that wickedly smart creature
Such is the comfort, that you have gifted us bummers
that we do as we please, lathering on the grease
no cause to hide, for we have science on our side!
Science, you beauty!

Humming sultry love songs and
lathering in tanning oil.
Wind-up chew toy.
Everything's
clearance.
Car roof down.
Stars are fire you know.
No more
No less.
Parts of me have been run over by
that sailboat party.
I threw up
everything
but
I pretended to not know
that I lost my voice
from tin cans and lighters.

I saw you between buildings
working in sun
network of light
letting liberty reconnect.

Wires buzzed
high voltage streamed inside them
darkness questioned its own shades
sparks dripped into night's gulf.

Fervent as LIGHTNING
lathering rooftops
sizzling bolts spying timber
smothering scars.

I saw you tunnel down
infinite pure light
shattered by solitude
entering bold, courageous

down into dark mines
soldier who never stumbles
suspending notes caressed in silence
protecting seeds, engaged by yearning

I watched you grow
twisting up
gnawed by roots and rocks
begging for water

circling wider than galaxies
melting skin, taking down drapes
promising to visit me
in tombed up places


dizzy as smoke
curled up by desire
amnesia searching for identity
drafted by absolute fire

changless architect
rerouting for change
vicious as dawn rising in Saturn
gentle as mist leaking from
her melted eyes

swallowing his compassion
vanquished revenge to steam
her savage attack whirled
in amorous sheets.

I felt you unveil arousing
every heartsick wish
blasted down by wailing wills
puddles of December gathering

reflecting on above
while drowning below
who is it speaking kindness
after rippling screams uprooted trees

volley my soul
back and forth
between worlds
consume this spark

encircle your breath
with goading light
dancing inbetween
two ruined buildings

I listened to rocks slurring for mountain
I heard trees lust for water
I felt the cries of troubled voices
flare across two highways

rerouted by dark and light.

I had been lathering in the shower, worrying
about whether or not the shampoo
Mam had bought was going to sufficiently condition
my abused, bleached hair, and smelling
coconuts – being transported to last summer,
my first sip of lemonade and malibu in the sunshine.

Did it matter that I had ever smelled coconut before?
Did anything matter when I
and all that I was, were just stardust –
Balanced on a not-quite-infinite,
but exceedingly long time line, with billions of years
either side of me, and I, a white dot or speck
on the face of the space time quantum?

Why had I been worrying about how healthy
my hair looked now, compared to last summer,
when the only importance it would ever have
is when blonde girls – other white specks -in the future
fell upon my Facebook profile, and wonder
if I was ever anyone worthwhile, and find out that
no. I wasn’t.

All I had to my name
were a few emails where I had tried to help my friends,
but couldn’t. And some terrible poetry.

Lathering languity,
I watch the clishmaclabber trip
and stumble over your teeth.

The shimmering floss is wound
deep within your pit,
Pulled and worked with every
Flick of your tongue.

Let’s scrabble to rouse the rabble,
The massive blithering and blathering,
Make protests ring above the babble
And set foaming mouths lathering,
When our country and its youth,
Newly awakened and newly wise,
Stand up and demand the truth
Instead of the usual pack of lies.

The rich get the wheat
And we get the chaff
Then the rich sit back
In their palaces and laugh.

What has served as intelligence
Has put this country in a bind
By people with no common sense.
Supposed adults just voting blind
Based on ideas without merit.
Those with money get a pass
And let the taxpayers bear it.
Then the rest take it in the ***.

The ‘haves” drink wine
And we drink water
Maybe sometime soon
They’ll come for your daughter.

The people we have elected
Saw a shaky foundation laid
Have left us mostly unprotected
And massive bribes were paid.
The wealthy among us got a pass
So now just the rich have a voice
And the poor and working class
Have no effective voice.

The wealthy get shoes
And we get bare feet.
We learn to live our lives
In postures of defeat.

This is the age of communication;
We have to look at what we are doing.
We still can save our weakened nation.
And maybe start some careful suing.
Let’s vote out the Couriers of Hate;
Hold these ******* to their vows.
To stand up to their inequities
We need to start right now.

The rich get the wheat
And we get the chaff
Then the rich sit back
In their palaces and laugh.

O four twenty six AM night in small city apartment bedroom studying alone, under stars, under
             roof,
Steaming green porcelain teacup on sill of window propped open by ownerless two
            by-four
O Steam, rising into cool wind, swirling, disappearing in howling black night to silver
            maple leaves on limbs of giant bushy tree lathering in wind.
Desk light, O, my desk is covered in court cases,
Fugitive slave in shack by river staring glassy-eyed in oil lamp at pink dawn weeping,
***** in rags shuddering in corner sweating, lacerated by whip of laughing bearded
    man in gallon hat
and my spliff ash on twelve scattered pages.
O awe, teacup, steam and cool wind dancing, tree
    fanning in great commotions of wind-breaths through the window
Buzzing on energy pill I sat in black leather desk chair gazing, stood up, walked quietly in socks
    and grabbed the mug, extended my arm ***** out window in icy air
grasping Olympian Statue of Liberty torch of steaming green tea I brought my
    head through window looked up and cool-eyed I saw a star.

What does it mean to be fake?
To cake on the make-
up
and
down
our eyes nod
judging simply
but step back
Us girls tearing off the hair that should just stay there
lathering up our bodies in vanilla bean lotion
to smell...well, fake.
Deception, Man-ipulation
It's not psychotic, just how we survive
When men stand like brick walls
Hiding insecurities
Fake
so when you picture fake
see beyond the
fake nails
fake hair
fake eyelashes
fake feelings
it's the way we cough out lies pretending to be sick
the food we consume
the cars we value more than her, him, who? Anybody
just somebody say what you are thinking already!
The phones we use to walk through photos of moments
it's all fake
and then you must take the time to ask yourself,
What is real?
The flap of a monarch butterflies wings
the breeze in winter nights
making noses red
and toes numb
the cracks in your fingers
and the creases forming on your face
picture this.

When we first met, she was but a seed. A mischievous **** sprouting in the grass where I lay. Her lanky leaves and long stem bothered me, and the way she never could sway the same way as the grass forced me resentful.
I poured lemon juice upon her, lathering her in the acidic liquid, wishing her to drown and in the hopes that she’d become more like the dry grass and in the hopes that she’d disappear among them.
Without effect from my malicious attempt of ridding her, my flower continued to grow. In observing this,  i refused her water. I enclosed her from the April rainfalls.
Because she was strong, and because of her faith in the spring, my flower kept growing with what little she had. In the summer, weeks past, i returned to see of what little was left of this ****. Only to find under a grass covered leather, a slouching flower with white, wilting petals still facing the sun.
I realised the beauty she’d composed and felt her consecrated seed sow within the pit of my stomach. Like a barbed hook embedded in a fish’s lip, a part of her anchored. Thorns leapt from my internal stem, oozing liquid, guilt venom.
I frantically poured sugar-water over her as she offered her berries to me.

i feel choked by my words,
they are swelling inside my skull
and they are lathering me in sentiment and folly.

my pen has become my enemy
and a regret that i cannot conquer.
they join inside of me

and plait themselves together in sentences
weaving into my brain and stifling their
surge to my fingers and suffocate my wit.

if i could i would wrap my mouth
around my head and heave the knitted words
from my brain and lay them
onto my white blank page, but,

my words, they imprison me, they grip
me behind steel bars of language
and i anguish, i anguish.

The sun pours through the pores
of silken curtains hung.

I turn my face towards its warmth
the colour touches eye lash and cheek.

I turn my face upwards
I feel His lathering, His glow indulges me.

But then a cloud comes heavily
covering both sun and warmth

it leaves my eyes looking up at
dark.

Is ignorance truly the path to bliss?*

Walk the avenue of emptiness
& discover the strange meaning of peace.
When life fades into a soft monochrome,
A translucent, angelic mist of white
Descends like tinsels of lucid satin
Gliding from an opened window…

Blinding the soul?

Here the docile mind flutters like a snowflake
Guided by the gentle push of tepid winds,
Perfectly content to wallow in this
Incandescent void of thoughtlessness;
A realm that’s absent of philosophy;
A realm that’s absent of a direction.*

But at what cost?

Repudiate your dreams & beliefs;
Empty them from your mind & let them plummet
Out your ears as if they were violent
Rivulets cascading from a mountain
Crevice & lathering on jagged rocks
Below... do this and you will walk this road.

Is ignorance truly the path to bliss?
An existence without the joys of life?
Without the power of choice & thought?
Without clear individuality?

*It is a shame if so.

I savour the coffee taste on your tongue and on your lips,
it’s reminiscent of my throat when a word slips, or when each pill drips.
The less and less I sleep,
the more secrets I keep,
whisked away in stolen conversation
but all the thoughts; lost in translation.
Squeeze the trigger, pull the plug,
I now figure you’re just another drug,
I won’t get clean; this time I’ll overdose,
I couldn’t hope to wean when you’re still this close.

So turn up the boiling scalding water,
you know that it’s time to come clean.
Submerge yourself or don’t even bother,
appearance doesn’t matter when you’re never seen.

I was worried I’d be trapped on a different side,
resulting from the bleaching of the darkness that I tried to hide,
covered in a soft pastel portrait of a stranger,
who balanced pleasure and pain with no thoughts of danger.
I admit I’ve written letters before
as a safety net,
at the time it meant more,but you’re still upset.
“I’m cautious while being reckless,
always nauseous but please respect this,
I’ve been done for years,
and now it’s gotten too trite,
my lip quivers from the tears,
where once I just used to bite.”

So get out all of the soaps and the oils,
you know that it’s time to come clean.
Replenish the lukewarm with water that boils,
and continuing scrubbing and lathering inbetween.

They all ask the five W’s and one H,
and expect a definition on abrupt command.
In my bath the purity saturates,
I only find bubbles and water spill from my hand.

It’s hard to describe in written word
the completion that was suddenly felt,
it was my first sight and first sound heard;
a power that could make the galaxies melt.
She threw a blanket statement over me,
but it failed to cover me up whole.
In the corner of her eye all I’ll ever be,
is frozen feet walking out of control.

So let yourself soak until you dissolve,
you know that it’s time to come clean.
It’s within the water we’re bound to evolve,
and if all fails we’ll glisten and gleam.

I loved the way his ****
made me feel in the midnight,
how its strong instrument made
me want to cuddle and caress
its blazing cityscape, how its
supreme existence stretched
in the air like a beautiful rainbow,
like a scintillating skyscraper.
His breathtaking thickness
moving my body in various places,
my brown skin all sweaty and covered
in his tantalizing pleasures, my eyes
bulging, lips wanting, longing to be
a strong syllable pressed against
his pulsating *****, to stroke
its hard surface with my hands,
lathering it with spit as I ******
the deepest layers of it’s appealing
world.  And I wanted to take in
everything from the depths of his
exuberant head to his majestic *****,
luminescent literature I could fall
in love with and never stop
reading, a glorious city street
filled with numerous masterpieces,
riveting attractions, dizzy stoplights
shining bright colors, deep definition,
notorious nonfiction, jamming basslines,
heavenly equations, and sophistication
gravitating towards higher frequencies.  
His trigger flaming **** reigns supreme
throughout the nation, the birth of an
astonishing king bringing funky vibes
across jazzy constellations, amplifying
drums rocking and rolling away, lost
in the good times, lost in the diamond
language soaring in the sky, all timeless
escapes, swaying rhythms, sound movements,
islands of the brightest desires where artistic
creations shimmer like a fascinating fireplace.
And all the electrifying energy reaching
incandescent galaxies, pouring sweet nectar
out from the fountains of boundless love,
the smooth ******* erupting, crushing,
luscious, smoking soul of jumping
engines, poetry of passion, infinite,
sensual, meaningful, phenomenal
patterns reverberating in Saturn.