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Dante Nov 2011
You should all be running
There clocks are singing
There cracks are screaming
The horizon one hundred yards away, So
you should be running
Firing your energies, feel the cannon fodder, straight from the Howl
Down past the credence
Up & over indulgence
In the bright earnest face we all so fear
My mother's eyes show me
My father's will teaches
Because his words go
Up, down and up and down and straight & die
& through and ground
Reaching time reach the audience
Reach out for bleachers where watch
tictoc right American preachers
1,2,3,4,1,2,3,4
Me junction, the merger, our mental *******
Me ******, me scared
Me changing like canon fire
Right! To the ocean, deep deep depths
To think think future
TicTicTicTicTicTicTic
a clock there is singing
Showtunes for theme songs, church bells
Notify
Defcon 12 falling tanks off me shelf
See the mad red carnation
Shot at the pieces in eclipse of today
I keep going when I still have nothing to say
The drapery dying the godbirds still flying
I will never know what comes next
But I've got influence
& I'll need congruence
To empty a vault full of universal need
I want to be running
I'd wish you were running
The stitches, the fabric, sewn loving care
Like the landscaping, keep you warm
I've stolen from homeless
I've stolen from men
I break all the precepts
My breathing's from them
I steal all their oxygen
Whenever I breath Me harmony
Me stretching Me arm reach no peace
I see the world over
the oceans are strange
There's volcanic lightening
& men in white coats
I don't eat, I don’t sleep
I walk for them, should running
out there should running
We feel for the riches
We feel for the dying
Cancerous limp-ation, now windmill's orchestration
Shoes stuck in mud with laces together
Women see lightening when held through the weather
The war, land the peace is
The dynamic tension
The balance in pieces
With eyes up to heaven
Who cares if we're dying
We're all one
One what
I accuse you of calling the charlatan, ****
One bread piece obtuse cause
the sandwich is dying
Do you think that's normal?
Do you think that's abstract?
Boys crying because their teachers have fears
From the past make it last
What is wrong with your peers
Hold together mold together
Find out what's next
Feeling perplexed
Run run run you silly little girls
There's no sense in hiding the rest of the world
We've got one thing in common
And one thing is this
We've all got timing for HIGHER CONSCIOUSNESS
Hold together, mold together
Cry together scream
the bonding is no place
for a welcome machine
Then
What do we do
What do we do
What do we do
What do we do?
End swimming, out running
Over fencing, out running, Break walling, out running
Down clouding, out running
Fall like jumpers, run like dying
Out through planetary & temporary adrenal-line
Sleep when men in white coats
Them start walking
They march, they country
They apple of eden & run when the men
in white coats, they lay sleepin
The world is a mountain
the people they range
Look at these weirdos, make them say change
Educate the many use mindscreen no strife
The point of the riddle
Eternal solvation
We are confused with the mental *******
I'm ******* I'm sorry I'm scared
There's isolation in landscape
Something sounds like prepared
Listen to wordplay
try to find the right light
there's air in the landscape...
Cool to the touch
(a few beats)
1,2,3,4
Say ******* with metaphor
(a few beats)
I've got words, I've got wisdom
I watch movies
There's motion, just grab it
Keep going
You should be running
You should all be running
The world is going to start at any second
You should be running
My soul is a vacant lot
filled with weeds,
lacking fragrance and vibrance.

It's not weighty
nor worthy
of your attention
or affection

It's roots grow out of appreciation
for the few weeds you pulled, leaving spaces
for some new seeds to be planted

Maybe someday this will all look more like fertilizer
and less like ****
John F McCullagh Nov 2011
When my father was a boy,
in the County of Tyrone,
His father owned a quarry
and he worked the fields of stone.

My Dad grew lean and hard
As he excavated stone
Yielding granite for stone carvers
And gravel aggregate for roads.

His hands grew strong and powerful
He had a muscular physique
He couldn’t read or write
But no one dared to call him weak.

When my Dad was in his twenties
He was working in the mines
Excavating British coal
at Newcastle on  Tynes.

Later on in life
He was living in the “States”
Working in landscaping
on large Gold Coast estates.

When my Dad was in his fifties
He was digging graves by hand.
Once again in Fields of stone
a hard working Union man.

Each morning he’d rise early
And walk two miles to work
He never had an office
And he’d never be a clerk.

He rose to be a foreman
Working in that field of stone
And when darkness overtook him
It became his earthly home.

Now when I go visit him
I kneel and pray alone
Beside his Celtic Cross
standing in the field of stones.
J Arturo Dec 2017
A little bird tried to fly through the screen door and I thought, 'if only there were more air up here'.

The view from the second story deck encompassed miles of low scrub hills, piñon, and was daily growing less hazy as the fires subsided. The little bird was dead. Was not even twitching or rolling or whatever idiot birds do to fight or hold onto life. Or maybe it was unconscious. If it was a head impact, it could just be out cold. I could take it in for a bit, see if it revives. But the brains of birds are very small... maybe not large enough to switch out of consciousness without damaging the whole system. It could wake up brain damaged: amnesic, whistling gibberish, unable to collaborate or co-worm-locate or sit on eggs or whatever other higher functions birds perform. Angry, all the time. Likely a burden and a danger to the community. Condemned to either death or a life of lonely suffering. I'd rather not be culpable for that.

Prospective buyers are arriving at four, the realtor as well, for a tour, so I grabbed a broom and swept the quiet body into the shaggy juniper that surrounded the house. Swept up with maple leaves that had settled on the porch since this time yesterday, together a mass of decomposing matter, under the railing and into the dark.

I'd spent a lot of time alone in the house on Grand. Watched nature slowly creep through the iron fence and into the faux-pond, up under the patio bricks, purple flowered and needley plants growing taller and more hostile daily. Increasing numbers of little brown birds mistaking the reflected sunset in the plate glass doors for real sky.

"If only there were more air up here." A little joke I repeat out loud while sweeping broken bodies into shrubs. The thickest places, where they wouldn’t be seen when (if) someone ever dropped by to view the house.


I don't live here, the house is soon to be foreclosed. But a friend of mine knew I needed a place to stay and offered this, his third home, empty of everything except a coffee maker, some landscaping tools, a few boxes that had yet to be moved. I have a twin sized mattress in what must have been a child's room: a strip of Denver Broncos wallpaper runs the circumference, every other surface painted complimentary blue.


The couple arrived at five. She wears a salmon coloured shawl over a white blouse. They’re performing the theatric act of young couples in love (with the idea of a larger house): she ecstatic over the seven jets in the master Jacuzzi tub, he hesitant about the people-paths in the wall-to-wall-carpet, the everpresent pastels we know were once in vogue but will take weeks and at least two layers of base to fully eradicate. It’s the realtor’s job to showcase the place but I often stand outside the plate glass windows of the living room, keeping an eye. Playing the role of groundskeeper because hitchhiker is so much less glorious.

So far it’s been the same. Always she with a genuine smile that will be gone forty minutes after she’s left the driveway. He, always in t-shirt and “trying to be casual” jacket calculating the square footage of each room, the viability of the fireplace. Opening cabinets, but not concerned with storage space. He wants to see if the brass hinges really have brass pins. Is it wood, linoleum? Look closely at his eyes and watch them dance across a virtual blackboard, adding up the gallons of primer and paint needed to cover up the colour mistakes of a before-his-decade.

  2

You can almost watch his eyes dart across the blackboard. A house is a house but the home must be shredded, burned, before making it yours.


But they all do this. A dozen or so now, this summer. And I spend a lot of time alone. Injecting my thoughts into people who think they know what they need next, before getting in a small car and checking out a properly closer to town. Making little jokes to myself as I sweep the porch. The isolation even maybe altering small parts of my self. The social parts, perhaps. I feel good, most days, but find myself repeating the same phrases: “****. Shower. Shave”, “If only there were more air up here.”, “I could learn to love a leopard”, even recently a little Old Testament, which like a ******* I’ve been taking to bed with increasing frequency and a growing selfish guilt, repeating,

“As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him.”


They won’t be back, but for the first time now there’s a deer in the yard. Meaning there must be a hole in the fence. A doe, and fawn too, and I can sit and stare with my broom in hand because my job is to sweep the deck. Dead birds and maybe rats, leaves of course, but with all the water the bank is wasting on this waste of a lawn, come deer: come all ye deer, come and eat. Maybe you will even eat the frighteningly thistly things. Regardless, in exchange for this room I was given a broom and deer are far too large to sweep.



When my student visa expired in Canada I left the country with no identification, five Canadian dollars, a five litre backpack mostly occupied by a camera, and in my mind some distillation of the romanticism from On The Road that I’d managed to power-read in a Heathrow bookstore four years before (lacking the pounds to actually purchase the book). I crossed the border via ferry, and entered the country without identification. I thought this was impossible but it turns out that when you have no time but your whole future ahead of you, and nowhere to get to anyway, insisting “I am a U.S. citizen and you need to let me into this country” does in fact work, if you repeat it enough, and are willing to wait. In my case border patrol even gave me a twenty note and a pat on the back before sending me on my way.


How I ended up sitting on the floor watching birds die, backlit by a desert sunset, in the mountains of New Mexico, is a long story, and to be honest the details have largely escaped me. I do remember I was reading Hemingway. “The Innocents Abroad”, and trying to find myself in any character I could lay my hand on. The word “Innocent” in the title, I suppose, far moreso any actual character, struck the most.


It’s the middle of The Great Recession. Or The Great Depression. The Great Compression. I can’t remember any longer which economic period this particular episode occupied (why can’t they name them more sensibly, like hurricanes?) Call it, then, The Great Introspection, as I narrated myself through the dozen rooms of a million-dollar house: the material self still alive and thriving inside in a self-congratulatory spiral over the personal ROI that left Canada on five dollars and put me, rent free, in a home worth that multiplied 200,000 times. The home where I first had my own key. The home where I learned to drink a glass of water before my morning coffee.

(Five years and $98,000 in college expenses later that was, easily, the best advice I’ve ever received.)


Eventually the phone was disconnected, the water, the power. The jacuzzi, though dry, was still a good place to lie and read. And the piñon and snakes, cacti and juniper, then inklings of pine trees came in steadily. When you would look at them they would freeze. But every morning something new was growing, some new pink flower popped up promisingly to crack the mortar in front of the door. Sweetly at first, then growing thorns, and I walking the perimeters saying “if only there were more air out here”, saying, “can not feel her anymore”, as if the decadent madness of the lawn could be silenced by speaking out loud. Trying to walk the edge of the fence, increasingly losing it in the encroaching bush, then resigning myself to the living room, the **** carpet flattening into a forest path while I impressed miles into that offensive floor.



words. seeds. thistles. marvin morales.


Sleeping on that filthy mattress, the Denver Broncos looking down, still optimistic about their upcoming trophy, or cup. Whatever it was that a bunch of cartoon horses could win. But the sweeping gave me solace, even though the growing thistles made the bricks uneven and caught in the bristles of the broom, leaving little shards of transplanted pink flowers emedded in the yellow polyethylene. I loathed them, but looking back I can see I played straight into their plan. Transplanting little seeds to new weak places in the cement, where they could grow tall again and **** up what little good was left of the land. Bring deer to eat them. Bring little idiot birds to pick the seeds out of the faeces, recycling with pure intent, and flying off into the bright light of sunset. Then crashing broken to the floor.

And like the lawn, like the porch, like what happens when you read Twain, something in me changed. “If only there were more air”, yes, but there is never enough air. Piling up among the deer, among the doe, among my now all-consuming pacing and talking to ghosts who don’t live here anymore, among the many birds who ate their worms and went on to hatch a dozen more, flew into a plate glass sunset, and were ignored.
9/22/2014
JoJo Nguyen Jun 2013
The Rain falls warm.
It's humid and the shirt
sticks to my w3tb@ck.
How much has fallen
into my collective bucket
during the pass hour
Of heavy monsoon rain?

I gulp chunks
to replace water
in this futile work cycle.
Adiabatic landscaping
in a stifling heat,
within some complex
feed-forward loop.

The cigarette burns
beneath a protective dome,
my cupped hand.
Particulates drift away into
the hazy mist, embedding
itself in breath,
and choking congested,
fluid-filled lungs.

I watch a tiny display
showing small spiking memes
feeding forward to what?
Will it be an apocalyptic
firing storm  or a recognition
gestalt, inhibitory spikes
triggering attenuation.

I drink again the rain.
Can I supervise Win-Lose
games? Am I learning
some wrong algorithm
while drunk on heavy water,
in Futile cycles?

With my open hand
I take Virgil's lead
into our Gradient descent,
urging him on, afraid
our alpha steps are too
small, and the time too
short. There is a constant
fear of being trapped
in some eternal,
local minimal.
Ann Beaver Nov 2013
A place on the periphery
outside edge
sharpen with her stare
Could I ever make her care?
Covered in roses
Intricate poses

I took out all the thorns
threw them at you
blood battered
fried and hot  
taking what is due.
I never meant to love you
I never meant to stop and start

We never meant to part.
This abandoned land
Wounded, broken and seeping evil
Crevices, from which it oozes
Crawling across the land
Seeking a foothold

It's not empty
There is just no power
Nowhere exists to help
The people are alone
No magic to stand the balance

People, live
Ragged, sometimes pitiful things
Trying to live, scrape a living
Building, hoping
Fighting back

Creatures of nightmares
Walking and crawling
Darkening the earth, skies
Massive and small
Even the insects, malice

Earthquakes shake with rage
Gods quiver in amusement
This plight, desperation
Ever seeking heroes
To beat back storms

Mountainous terrain
Fencing, create this world
Horrible stonemen hunt
Adventurous travelers
Feasting on bones

Fearsome creatures
Mind boggling porportions
Patrol the seas
Breaking the timbers
Of the most sturdy ships

Dark swamps, poison the air
Misshapen creatures
Banished from the Living Lands
Finding strength in only numbers
Desiring to render flesh

And yet, men still walk
Determined and strong
Grown hard in this land
Living and sometimes thriving
But only for a brief time

Time shunts life here
Wearing down even the strongest
Such is age, such is life
This land is hungry
And it feasts
onaldayrawfo Apr 2015
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Nat Lipstadt Nov 2013
a  e  i  o  u  and opposing thumbs*

my woman, she's a
snuggler and spooner.

burying herself on my,
no, in my
double barreled chest,
her blonde hair,
my field of gold.^

she landscapes my life,
paralyzing me with the
simplest of gestures.

she sleeps holding my thumbs.
locks me up.
locks me down.
so I cannot transcribe
the lines of poetry mindful,
landlines shut,
land-mines of verse
unexploded,
till these now,
hours later.

a few notes ago,
a few days ago,
heard an octet,
eight voices singing of
five letters, five vowels,
a  e  i  o  u.

you can hear what I heard too.

after you listen,
better understand
vowels are the butter of language.
the anointing oil of connectivity.
more than a line of code,
they are the keys to the code,
that make words and life musical.

I suppose we could mange without them if we had to.
spsz v cd mng wthot thm ff v hd t.

but not so well.

I suppose we could manage
without opposing thumbs.
learn to type with my nose,
paint with my toes.
but not so well.

here is how it comes all together.
a  e  i  o  u  and opposing thumbs,
never give them more than a
never thought, passing over, assumed.

oh yeah, on some tv show,
you can buy a vowel.

these glues are the things that
give me the chance to tell this:

this poem it is a bit about me.
this poem it is a bit about her.
this poem is really about you.

I could live without
a  e  i  o  u  and opposing thumbs.
but I could not live
without her landscaping my chest.

but
when I share this knowledge
with you friend, it becomes a
verified, realized, acknowledged truth.

So you see this poem is about
a  e  i  o  u  and opposing thumbs,
but really about you.

In fact, I am thinking,
that if I did not love the title
a  e  i  o  u  and opposing thumbs
so much,
would entitle it instead,
a wholesome democracy of love.*

you, a registered voter,
vote then with both all the
a  e  i  o  u  and opposing thumbs
at your disposal.
Notes:
^ So she took her love
For to gaze awhile
Upon the fields of barley
In his arms she fell
As her hair came down
Among the fields of gold

Sting "Fields Of Gold"

~~
www.youtube.com/watch?v=mYbFJJnJ9Q4

Aug 5, 2009 - Uploaded by roomfulofteeth
Roomful of Teeth premieres Judd Greenstein's "AEIOU"

~~
Indebted to james-bradley-mccallum for the phrase that deserves a poem of its own,
*a wholesome democracy of love.**

Born at midnight, realized at 2:45am,
When my thumbs read the
Declaration of Emancipation.
ha.

Yet and still
Vowels and thumbs
Can live without
As long as we our have
Hearts to point the way...
Westley Barnes Jun 2013
Nine months after I was born, the Twentieth Century began to collapse.
East Berlin,graffiti-mural concrete, a jutted enigma scratched
on ordinance maps, the sort found
landscaping westernized Primary School walls.
Where within, labored in real time, the television told my parents
(and everyone else given to social conservation in 1989) that a wall falling down
would bring an end to the gap between the working and the working poor.
Freedom waited for many on the other side.
But of course, History draws up different plans.

Never content to just go out with a bash, or to
fleetingly drift by leaving
in its absence an underwhelmed lull
The bloodiest century yet
left the new world entrenched
in an odyssey of hatreds
handed down from the past
right about the time human suffering became a bit dull
and the peaceful countries were too busy
tripling their money instead.

What does History really teach us and what are the real benefits
of being free, or freer than you were before?
Human ambition, which burns it way out of any oasis of calm,
which calls children out of sleeping in the night
Always seeks out the exhaustible
An inveterate Black sheep leading astray
the ever susceptible ****** lamb
Delusion’s strange bedfellows are the worthiest adversaries
to run away from, to reserve contrition for.

Unlike the inevitability of uprooted animal migration
during a monsoon swell
Can a people with an invested addiction
to the pursuit of happiness
Ever truly be prepared
for the inevitability of rapid change?
DJ Thomas May 2010
Lacking of life now
I lol on my fine divan
Laziness often
lacks the power of rapture
as in sofa or bedsprings


Labour of love her
for large obese lobster me
Mermaids capture me
a symphony of sea-sick
rasping tongues lick our lumps


Little old lady
typing the language of love
A real cyber date
computer romance limits
operational life's love


Laughing over lines
of disco ****- pure *******
Lewd obscene language
grasping lemon or lime highs
to count Hollywood star shootings


A full length of life
the longing off, lay proceeds
Lady of the Lake
lunging our lisps sound depths
we are - breathing harmony


The land of Lincoln
legion of Lucifer's Lord
landscaping of lawns,
losing our liberty's law,
leaving on lights, blinding


Lots of Laughs or 'lol'
populist abbreviation*
language often less,
leftovers of literate
gone to libraries of late
copyright©DJThomas@inbox.com 2010

A renga written in collaboration
with
Christopher Terry Everson,
Nicholas Ripley
and 
Jacqueline Ivascu.
If this ground could open up a hollow
I'd swallow my pride and get onside
the others are sure to follow.

We cast shadows and fail to reel them in.

And it's snowing on the underground
falling gently
bound to me and silently I watch or do these eyes of mine deceive?

It's Monday?
I do believe it so to be,
the weekend fell away and
yet we
go on as if we were this turning wheel,
is each revolution really real or
just more snow?

It's Monday,
I believe it so to be
but
still snowing.

I must be getting very old
skin so thick
can't feel the cold
I must be getting very old
repeating things I've read
or wrote?

I note
still snowing though,
Sam Bowden Mar 2014
If corporate Dems tell me about how 'We all do better when we all do better'...
Or about how 'It's not about class, it's about coming out for Dems'...
Or about how, 'No one identifies with the working class' or 'nobody wants to identify with the working poor'...
I say to you, WE ARE THE WORKING POOR.
Look at the stains on their clothes, listen to their words, look at the rugged callous of their hands, who amongst us can last a job loss, or wage cut, or a car blow out?
None of us, cept the 1%.
We are the precariat class, the proletarian class.
I say to you, the working poor and homeless are the 'emarginati', the literal marginal ones, the ones at the edges of society.
But who, honestly, isn't at the edge???
The Democratic gubernatorial candidate turned carpet-bagging Congressional goon, Bank of America executive turned-state-CFO Alex Sink embodies the centrist-right neoliberal dogma of 'business-rules', who cares about immigrants besides those who 'clean our hotels and do our landscaping'.
Brand-imaging, quaffed corporate Dems are why the two-party system in broken.
Both parties are sell-outs to capital, and they think we don't know.
We know, and we remember.
Neoliberal capitalism of 'Washington Consensus' imposed on the rest of humanity will fall.
I just hope we wise up as a republic in the mean time.
That Mexican hunger of memory,
That 7- 10 evening shift,
Campesinos de Chihuahua,
Sinaloans de Durango,
Day laborers:
Organized Labor’s stubborn cohort,
Largely ungovernable,
With Union Label conspicuous in absence.
Labor Unions:
Largely dead in America,
Except for SIEU, of course,
Making astonishing strides in unskilled circles.
SIEU: The Future of the American Labor Movement,
Eugene Debs rolling over in his grave again.
But I digress.
Mexican gardeners:
Doing most of southern California’s
Weekly landscaping these days.
Tree-trimming in evening twilight,
Certainly an extracurricular
Earning activity these days.
“Hustlers Only” need apply.
Adding five or ten or twenty,
Cash on Tio Sammy's barrelhead,
Mexican tree trimmers, already exhausted from
A workday that began at 6 AM.
And isn't it a pity?
A moment’s lack of concentration,
Distracted, perhaps, by *****-spirit former selves,
Sipping that last shot of afternoon tequila.
Cue Jay & the Americans:
“In a little café on the other side of the border.
She was giving me looks that made my mouth water.”
Distracted, a chainsaw arcs carnelian.
ReCue Jay et al: The chainsaw
“That belonged to JOSE!
Yes I knew. Yes I knew. Yes I knew.”
Severing his right shoulder deltoid,
A butchering to say the least,
Requiring, at least, three weeks “en casa.”
Tres semanas
Without Labor,
Consequently,
Without Capital,
No wage-slave salt lick.
“No dinero” for bread and butter.
Bread and butter?
A consummation devoutly wished for.
And dead certainly,
Better than Guns or Butter?
That Hobson’s choice.
No Padron LBJ are you,
Down along the Pedernales
Texas Hill Country, west of Austin.
Conjuring up both Guns and Butter?
You can’t have both.
Which is why we laboring folk
Always opt for the former,
Knowing instinctively that
A full-flush, spurting military-industrial complex
Means full employment and good times,
Except, of course, for the soldier boys.

“Y los sueños.”
Bourgeoisie entrechats.
I hear America still singing, faintly now.
A shrinking middle-class siren song--
Just a little something--
Some small baited hook--
Some chum bucket for Les Miserables;
Swarthy aspirants.
“Y los sueños.”
Our hunger of memory,
That once booming American 20th Century;
Horatio Alger:
Alive & kicking in the new millennium.
Brandon Dec 2011
The garden planted in the backyard
Beneath the shadow of the old birch tree
Encircled in stone and marble landscaping
Grows like nothing I've ever seen
In the spot where I buried her dead body
Lila Lily-Thanh Aug 2010
In those days, at every corner of the city
you could find a coffee shop.

There was never a high-rise building,
everything stood together in an unorganized manner,
for they never mastered the art of urban landscaping.

Street vendors had their own way of singing
their promotion songs. You remembered the tune, the words,
which reminded you of those streets.

The sounds of vehicles and their horns and the winds
never stopped. But in those days, they used to be
purer. Clearer. More innocent, perhaps. Less troubled.

Life never stops being tough,
but it was quite beautiful,
then.

When I grew up
the city was still left with fragments of history.
I had no memory of what had happened before I was born,
yet you felt in the air the gentle sadness, and the subtle beauty
from those French buildings. The architecture
slowly faded away as icons from the war,
becoming part of our modern life.
We had to move on,
and so did everyone who had left.

Those buildings, instead, became icons of my childhood,
of what I remembered about the city.
From my elementary school,
you could see the Notre-Dame Cathedral Basilica to your left,
the Central Post Office right in front of you.
I was always taken home via the street former known as
the Rue Catinat.

I would never forget the way it felt every afternoon.
I'm going home.

Those places have changed, and so have people,
and so have I.
The day they demolished Givral Cafe,
Xuan Thu Bookstore, Passage Eden,
the whole street block of memories,
was the day many of us lost something so deep in our heart.
History was gone once again.
And soon enough,
we would allow ourselves to forget once again.

I keep reminding myself,
Hey, it's ok to change.
My city does not repond to me.
It just becomes so foreign,
as if it has always belonged to somebody else
but me. And I keep digging
into the dust, the traces, the pictures
to find solace in what I could remember
about my changed lover.

They say, in the end it does not matter,
modern society needs revolutions.
Evolutions. Higher skyscrapers. Highways.
A North-South express railway even (Idea rejected.)
We need to catch up with the rest of the world.

Oh, dear men, I am fine with that. I am an easy fellow
who seldom feels too strongly about anything in particular.
But my heart keeps aching from some changes you guys make.
It outraged the day you took down my corner of memories.
I was in Boston reading the news my friends sent me,
picturing myself sitting at those steps in front of the Opera House
looking at the mass of broken bricks and dust
that was once a nice, little, iconic coffee shop-
Givral.

When my friend talked to me about changes around that block,
she talked in a tone that almost seemed guilty.
She did not know how to break the news to me
without also breaking me apart.
For just a few months before that,
we were walking down **** Khoi Street (the Rue Catinat, if you may),
taking pictures of the Opera House,
Givral Café, the Continental Hotel,
joking of how we acted like tourists.

Try being a tourist in your own city.
It means seeing everything with a fresh set of eyes,
trying to record everything,
trying to grasp the essence of everything
within a short amount of time.
I guarantee you it is fun.
And it will reinvigorate your love,
your understanding, your hope.

I was disappointed with some decisions others made.
Yet, being a city girl,
I was raised to adapt to them.
To learn that there will be thousands of other coffee shops
bookstores
landmarks
so many choices to overwhelm me
to drive me away from the time
when I had so few.

Will it eventually work? I do not know.
But that corner of the street (now demolished),
that corner of memory (now fading),
I was there.
Yes, I was there.
I will definitely make further edits to this, but I'd like your inputs on the word flow, grammar, construction/order of ideas, etc.

I haven't been away from my city for long, but the changes have been quite drastic recently. The coffee shop mentioned, Givral Café, was built in 1950 during our French colonization period. Ever since it has been a legendary place where many international journalists and writers and others meet. It was taken down on April 2010.

I was born years after the Vietnam War was over, so my memories are not really associated with anything war-related. My childhood was spent around the city center with French architecture around (the Cathedral and the Post Office are still there; the Opera House was renovated, but the whole street block of Givral and Passage Eden I mentioned is now gone.)

There is not much and there is too much to say about that city. I often find it either too difficult or too easy to write about it. You probably feel the same way about something or someone you're in love with. All the words could be dedicated, yet none would be satisfying enough.
Waverly Mar 2012
Some things are sadly poetic
Like the cougar whose boyfriend
Won’t come back outside and she’s alone
At the only table in the cold
smoking a pall mall,
Having a beer.

Some things are refreshingly poetic
like leaving the office for a bit with the boss
and going somewhere
where there are domes made of pure gold
and priests who pour milk on them from
helicopters.

Some things are interestingly poetic;
like the poet, turned novelist, turned artist,
who does landscaping to cover the spread.

Some things are courageously and nostalgically
And hurtfully poetic,
Like not seeing your family for nine years
Because the money’s good where you're at,
And plane tickets and passports are outrageous.

Some things should not be
poetic, but they are, because they are truthful
And that is verse;
like the waitress who was *****
when she cashed her check at a grocery store
after the night shift
and she wasn’t the only one in her car
when she got back.

Some things are poetry because they come
Into this world quietly
And bleeding internally,
and yet they survive
Even though their lungs are full of fluid,
And they can barely breathe.

Some things are poetry because they happened
And nothing can change that.

And because
Poetry is
unchangeable, immovable, and
grotesque, beautiful, uncomfortable, calming,
disfiguring, life-giving, ****** up,
Possibly ******, possibly a nectar
That God
or whoever the ****
allowed to be put on paper,
Possibly a way to talk about pain,
Possibly roided up with someone else’s words,
Possibly a way to talk about
the pure dream of a girl’s body
Without being  a ***** *****.

Poetry is love in the worst
and most unimaginable ways.
Heather Butler Apr 2012
It was
the staircase in the hospital garage.
It was
feeling sick on top of the suburb.
It was the pull of the estuary
the lake that isn’t a lake
washing up syringes
onto the asphalt where we stood,
barefoot.

It is that fence they erected on the levee,
landscaping,
dead grass in a wasteland.
It is the swan in your backyard.

It is the metronome of the blinker;
smell of your deodorant.
You rub your hands together by the steering wheel
and cross into the suicide lane.

It is your feet in the sand.
It was the moon in your hand.
It was the spool of thread
you could never get the knots out of.
It was the German your mother spoke
Heil, Heil, Heil…


It is the gas, the gas,
das Gas.
"Leave me alone," she says.
"Ich möchte allein sein."

*Es ist der Regen auf deiner Fenstersheibe: weinen, weinen.

Ich weine…
Nat Lipstadt Nov 2013
July 2011

The arrogance of creation,
the need for accumulation,
tis a satisfaction that
new is a justification,
for anything
requiring us
to believe that:

I am worth this,
this is a thing
I deserve.  

This is mine,
therefore
I am more than human,
I am special.  

In Texas
the oilmen put their initials
upon the sides of a sleeve,
so when rolled up,
you'd still know that this man,
his name, these wells,
his landscaping tombstones,
are his labored gain
upon fruited plain.

All hail my work product,
its insights are worth money,
I know someone approves,    
cause my garage parking
ticket was validated.

We labor for sustenance,
labor for validity, in order
to collect, shed, replace,
accumulate ego,
glory or gain.

Some labor to survive.
This knowledge creates,
within a great sadness,
a hallowed, hollowed ache
that hurts, but does not
explain soully, this poem.  

Pins in a map, mark battle lines.  
Midnight tally, where are the
pins to be put at the
close of business this day?
Is this even the correct map?

I am so blessed in so many ways,
but compulsed by needs
I can't define,
to write this,

Part manifesto, part preamble,
part poem, part bill of rights.  
part green eggs and ham,
a scrambled product of
clotted plots, shower songs,  
salt and peppered by a
conscience that rambles on,
cause it
just don't speak the language of the day,
so moderne, it is called,

**shut up!
An oldie,  absent new insights...
jigyasa Aug 2017
warm summer exhalations embrace
the nape of my neck
giving birth to billions of hills
cascading down every inch of my skin
AprilDawn May 2014
Hidden away
From prying eyes
Rooms with a view
Prime real estate
Tropic locale
Lake front property
Mature landscaping
Well lit
24-hour guard
Comfy digs
Classic interiors
Shady when needed
Sunny in its heart
Ideally suited
For family life
Or just hanging
With friends
See agent lizard
For details
To start your life
In Paradise
A bird of paradise  plant in a corner of  our  backyard in the burbs of Houston.One day my daughter and I noticed  a bunch of  mice  swinging  all over  the   flowers ! Out of my warped mind came this  cracked poem.I read this at a poetry reading ( and brought the  picture for afterward ) and   got  a  great  review  for my style  of  reporting  the  incident !
Marshal Gebbie Sep 2011
Sweet Sister,

I feel the sanguine-ness of age upon me.
I feel I understand the things which confused me in youth.
I have a sage satisfaction in being pleased to have reached this juncture,
In being able to look out the window and see the beauty of a desolate beach of dunes with the course grasses snapping to windward.

There is immense pleasure in seeing my children find their place in life, maturing with the years and the travails of work, love and responsibility.
I miss old friends...but such is life.. we all move on.
Colour and texture and sound mean a lot to me, they are the patterns of pleasure which paint each day.
And the steady warmth of love for an enduring wife who is the shining light in, my otherwise, subdued and essentially, muddy existence.

One thing which does **** me off is the penchant of the Inland Revenue Dept’, to lean on developing young businesses to pay for the sloth and layabouts
Of our society who have no endeavour. This is a travesty of social justice and an unnecessary retardant to the progression and advancement of our struggling young nation.
I think the Chinese have the right answer here...You don’t work.. you starve.... You bend your back and produce... you prosper!

As I grow older the shades of gray diminish, things are more definite, more black and white.

My work in construction, is constant and demanding...and ****** enjoyable!
Like a cat, I seem to have fallen on my feet once again??

The pleasure of the written word is my pastime and interest, I rejoice in the creativity of my fellow writers and bask in the glow of their company.

The Eagle’s Nest at distant Taranaki is looking green and tidy, landscaping is progressing and the rhododendrons are about to burst into flower.

Life is pretty ****** good!

Love to you and yours
M

Marshal Gebbie
Storeman
PaperclipPoems Jun 2015
As time began to peel back new chapters of life, the people we were faded away and new people emerged. Maybe we bring out the worst in each other, which is worse for the both of us.

Two different paths and  two different people try to walk the same road, but we bump each other off the path and we stumble and we fall. We stop along the way and argue about which way to go, and sometimes we talk about separating. No decision is right, so therefore every direction is wrong in its own way.

You want to stop and savor the journey while I want to get where we're going. Even if we both got our way we would still be in this struggle. Maybe it's just who we are.

We started on this journey together, not knowing where this path would lead us. And even through the mountains and rivers, we held each other's hand and somehow made it through. But this feeling has never been stronger. And I truly believe that when we started this path, the future ahead was bright, but now all I see and feel are dark clouds and I don't think there are sunny days to look forward too.

I might be able to trick myself for a short while, and I may believe my own deceitfulness, but I know I could never fool you. And would I want to? I know how you hate wasting time but I'm still figuring it out. The checks and balances are hard to weigh. They are difficult to think about and make this walk very depressing.

I walk in front, with you right behind me. It's a quiet day and cloudy, but just the right temperature. There is wind, but I don't feel it and I can't hear it. But I know it's there by the way the trees move. I wonder if you can feel it.

I kick the rocks as we walk and sometimes I wish the path was big enough so that we could walk next to one another. Sometimes we pass others and smile. The first smile in days. Their smiles look genuine though. But I guess you can never really tell.

This path looks and feels like a million dollar forest painting with beautiful landscaping. The path is not set for us, is one that we must make on our own. Some paths make more sense than others and sometimes it feels more like a maze. I will always fight for my way and dispute why my path makes more sense, but every once and a while you will do the same and I will have to follow your lead. I don't particularly like this and I will often find myself talking back like a child, but I follow regardless because it's better than being alone.

The forest is a big and scary place and when it turns dark I hate to think about what I might do alone... I mean really alone, physically. Emotionally, I am already there.

Sometimes I think that if I were alone, I might not feel alone. I might enjoy the path I make for myself and maybe even stop to pick a flower because I can, and there would be nobody tailing me. Just me.

Nobody to tell me what to look at and what to smell. It would be my decision. It would be because that's what I want. And there would be nobody to try and tell me things about myself that aren't true. Nobody that tries to bring me down for what I think or feel. I could uplift myself and walk faster if I wanted to and I could sit on the riverbank and dip my toes in the water if I wanted to and I could sing if I wanted to and I could ... Because I wanted to. No regret. No shame. Just peacefulness.

It sounds so nice, but would it turn out to be as nice as imagined? Probably not. It never is. Just like this walk with you. It sounded nice. But it isn't.
Life is about the journey, not the destination.
WJ Thompson May 2017
I'm underneath an amber twilight
(and tasteful landscaping)
flirting with nostalgic anticipation
in room 1034
yet alone and content
I should photograph my life events
or the morning dew, still wet
with evaporating trepidation
which breaks into a cold sweat
when soothed by the resolution
of the seventh, to the third, to the root of the polyphony, harmonizing to the tune
of a Scantron being scribbled on,
or my choice
to ignore
everyone
(at least until finals are over)
violet-blue tropic blooms
popular for landscaping
jacaranda trees
Maloi Jun 2016
Landscaping the heart
How far have I got
Too many obstacles
is there more I have to tackle?

A lot of heartache
That has lead to vindication
Give me some reason
To get off season

Like droning bees in my ear
It feels like I have to tear
The vivacity in my body
Will someone take it back even if its somebody?

When will I acquiesced
The insurmountable agony
Hoping that the end
is not a poignant story
It's for the author who wrote one of a fan fiction that I read, it is really great and indeed not a poignant story
Aaron Mullin Jan 2018
The end of the holiday's are near and it's time for me to get back to work. I've been writing and reading and thinking and meditating for years. Preparing the temple, so to speak. My stories are public and private goods and the presentation and profits of these stories must be landed in a good and truthful way ~ I've spent much time and energy on how to do this in a way where I can maintain certain intensities and integrity. Intensity for distillation of truth and integrity for power and resonance.

Stories are just stories but it is the ***** when someone else co-opts your creation and paves over the nuances and complexities of that which you had overtly placed your personal power, thought, and energy into.

You might be reading this and all you are seeing is: *******, *******, *******, *******.  All ******* for as far as the eye can see. Fair enough, I've been thinking the same for years but just when I thought I was out, the ******* keeps pulling me back in. As far as I can see though, **** is the distillation of truth and I hope that I can spin this yarn into a web that you will see the ******* structure that holds up the ******* truth and maybe we can try and digest that and compost it and churn through it then grow a mushroom on top of it and then eat the mushroom so we can attempt to find the spiritual truth of what our ******* structure lies upon. This particular idea is not just some floaty meandering abstraction, it is a truth I saw on the land: Longview, Alberta. And this truth was emodied in the ghost I slept in, nearby in Indian Graves Campground that night.

The land speaks if we let it; if we have prepared our temples, maybe the land speaks truth.

You feel me. If you don't then that's ok. It isn't your time and maybe never will be for this iteration of instinct that I am presenting. My rhymes aren't meant to resonate with everyone all the time. I'm not writing pablum or soul food. Feed your own soul in your own way. That's between you and Mr. Potter and the Chairman. Our truths are our truths and they are absolute.

The reason that I know I am prepared to write this story now is because I have done the work. I have found my inner compass and tested it time and again. While in process and flow, the landscaping shifted and my truth's fell away and the absolute revealed itself one star at a time and isn't it ironic how in tune our bards are with the ... wait for it ... enigmatic.

So where am I going to land this access point to the White Buffalo medication? I am not. The medicine already flows and always has, I just woke up and took what was prescribed because a dude in shorts once told me: abide!
Bitcoin me, I am ready to fill up this empty vessel of a wallet
There's something brutally honest about
A dog in heat ******* your leg.
I'd like to explore this theme with you,
But I can't right now.
I just got home from my
Nightly walk inside the gates
Of my over-55 lunatic asylum,
And I gotta get this down on paper,
VERBATIM.

I'm wearing sandals tonight, unlike
This morning's power walk in Skechers.
I'm strolling around the turn
At the corner of Don January & Lee Trevino,
And look clearly into a curtain-less,
Shade-free living room. BAM!
Poleaxed, gobsmacked, am I.
She's sitting in a Barcalounger,
Spotlighted by a pole lamp.
Naked, her legs spread &
******* herself.
Stunned dead in my tracks, am I.
By this time she's standing in her
Open doorway, calling to me:
"Hello Dere!"
She is a silver-haired sireen,
A granny Marty Allen.
"Take me," she demands.
Sometimes I'm a little slow on the uptake,
But there was no mistaking that invitation.
"Wait right here," I say.
"I want to go home, shower &
Brush my teeth."
"No , you idiot," she answers.
"Take me now."
"I want to be ravished by a brute,
***** by a savage,
A mountain man from Boulder."

I assume she means Boulder, Colorado.

Now, I can't promise that this is a
Daily occurrence at Del Webb Alegria,
"For Active Adults"
But it happened to me.

Walking home I see a crowd.
Some neighbors admiring the
Asian couple's landscaping prowess.
For weeks they've been pulling off a
Green grass to drought-tolerant
Xeriscape switcheroo.
"Bravo!" I yell. "Nicely done!"
Finally, I am home.
Exhausted, I flop down in
My over-stuffed leather armchair.
Pen in hand. Notebook open.
From across the room,
My dog sidles over
A glazed look in his eyes.
W Winchester May 2014
We’re all here today 

We all exist in the present,

yet we base our beliefs

our thoughts
and our feelings
 on the past

What if we looked up and forward,
 rather than down and backward?

We’re here and now,

so why are we so
fixated on yesterday?

We can be anything we can fathom

we can work toward whatever we put our minds to

So rather than being the weeds in the yard

that need to be pulled every week,

the plants that drown the beauty

in their wreathing claws,

suffocating those which are trying to grow,
We can be the array of flowers

the gorgeous landscaping 
that makes children stop and stare

So grow as though yesterday didn’t happen, and like tomorrow is all that you can see

Because in the end, all that matters is what you did today
Joseph Guerra Jul 2014
Once upon a time my name
Was bloodlust,
And in its Stygian fury I came
Like thermonuclear landscaping.

I became that furnace
Into which all
Bad ideas are tossed, and which
Generates the white hot,
Ghost hound heat
To fuel a motor,
To fill a peoples’ festering maw,
Their yawning, gurgling need
For macabre dances,
And human plane crashes.

It went like that for uncounted eons,
Only mentioned in bleakly
Humorous passing,
And spoken by dry tongues, and
Unbrushed teeth.

I danced, and crashed, and
Held court on Hell’s balcony
While the sun shed morning blood,
Again and again.
All the while, black smoke built up like
Silt on the popcorn ceiling.
That **** ceiling, which dropped
Little dreams and teasers on the carpet
To be pried out by desperate fingers
Which only proved themselves to be plaster
After I had snorted them.
That **** ceiling.

The audience, for being so large, was so quiet
Biting their knuckles, and waiting, breathless
For the final blitzkrieg that would have rendered my Poland
A cratered waste.
I did not want to disappoint, crawling like a pig
Sniffing, searching, sweating, and
Not wanting to let them down.
Dallas Phoenix Jan 2018
To tether a coward's heart requires landscaping merit
Gut a root by its throat and choke a fluke out its inheritance,
Backwards benovolent,
Dirt head settlement,
Spent a night in Kemper's garden and woke as a vingered asparagus,
Salty tongue, moldy lungs,
Casper with a fleshy tone,
Let's take the train to the dreg alley where my misery moans,
Or sell that ticket for a minute with my low alchemy spirit,
And hear these paper-mache grenades explode into confetti sentences,
My juxtaposition's missing,
She took the easy way out,
So I'm a broken puzzle framing my existence by the crack in this couch
The wrecking ball long since
     demolished boyhood house zen
located at 324 Level Road,
     a once rural residence,
     which soulful yen
I called home
     since February 28th, 1968, when

Boyce and Harriet Harris
     (my octogenarian
     widower father, a transplanted urban
cowpoke father, and late outskirts
     of poker flats mother) than
experienced livingsocial in the country,

      cuz aforesaid domain didst span,
and encompass,
     one hundred plus acre estate
     listed in national register
     as "Glen Elm", where ran
woodland surrounding a golden pond

     favored by Canadian Geese,
     but under game plan
of commercial developer Donald Neilson
     (a tall lumbering
     "all business no play doh" man

blueprints drafted for
     an army of vinyl city
     exemplifying Little boxes
     on the hillside ditty
Little boxes made of ticky tacky...gritty
material upending wildlife refuge,
     ah...what a pity

yet, impossible to stop industrialization,
     the das capital way
spurring thy preferential longing
     for nature preservation oye vey,
and to make a million bucks in USA

if land left off limits
     for propertied class today
then in the near future,
     an aggressive builder will sashay

confirming prophecy    
     scooping up gobs of profit
     out maneuvering competition
     analogous to a marathon relay
race quickly witnessing little boxes
     to sprout all the same

     by construction workers,
     who hammer away,
nailing steady income,
     viz all work and no play,
who maxim eyes

     American middle class dream
     asper buying affordable home
     after acquiring a mortgage to outlay
their limited choice sans, may
be there's a green one and a pink one

and a blue one and yellow one, how zing
free enterprise, and they're
     all made out of ticky tacky
     held together on a wing
and prayer they all look

     just the same ring
with a round of row zees
     awash manicured lawns
     with generic grass seed
     that doth spring

to life with synthesized,
(yet deadly) chemicals meant
     to guarantee wrest
ting control might and subdue
     so nature forced

     to become nsync from in vest
ment plot purchase
     as proving grounds to test
a money bagged well paid
     laborer at leisure time

sprawled asleep in comfy hammock
     a much needed self deserved rest
whereat successful proof
     evinces "American dream"

     no matter quest
necessitates becoming linkedin
     with fast paced lifestyle
     attendant ulcer inducing "pest"
keeping up appearances,

     where younglings nest
scolding woe begotten kith
     if flawless grounds get messed
by clod hopping kids and/or smart pets
     upsetting calculus figuring formula

     determining trigonometric
     landscaping tangential
     to maintaining perfectly
     squared off turf especially lest
the neighbors cease becoming hospitable
     and stop offering gold plated invitations
     to such honorable humble guest.
TJ Colon Sep 2015
This image so symbolic
A beacon of freedom to
All those who from afar
Have come to terms with
How beautiful and noble
It would be to
Willingly feel the
Warmth of their
Boiling blood as it spills
And fills the
Streets with a crimson sea

To die while raising a fist
Shouting out against oppression
Standing against injustice
All the while
Dreaming of freedom
Some meet their fate
With a passion in their core
A flame that burns
Into the night
Like lady liberty's torch

While some lay in those
Endless crimson street seas
Others through their sacrifices
Quietly flee under the
Cover of night's
Star spangled skies
With dry lips and tired feet

Their hopes kept warm by
Dreams of that undying flame
North-star of immigrants
Torch of lady liberty
Fuels their will to endure
An age old vision
Drawing them in
To walk the paths of
Purple mountains majesty
Only to end their journey
Listening to a
Symphony of insults

Working forty-eight
Hours a day
Fourteen days a week
A dream deceased
Fear of being cast out
Justifies their willing
Societal disappearance as
They now walk silently
Amongst the invisible

Afraid of even asking
For a helping hand
Illnesses of those
Young and old alike
Go untreated as
Acceptance of inhumanity
Becomes a singular reality
So now what of that torch
They ask themselves

Today its flame seems
A mere spark in comparison to
The wildfire burning within
The citizens, the bureaucrats, and
The politicians whom
So conveniently forgot
They too come from
A long line of immigrants
Who arrived here with the
Very same hopes and dreams
Yet they are only spoken of
When wolves in suits
Put on their brightest of smiles and
With false promises
Of immigration reform
Gather that much needed
Latino vote
Which strengthens their campaigns
Earning them a position
Of privilege as
They sit behind
Solid cherry oak desks
Leaving the immigrant
On a never ending campaign
Of tending to the fields
Laying tile, repairing roofs,
Landscaping the lawn to the
Buildings full of offices whom
Provide those very
Goods and services
That will never
Be of any benefit
To the invisible families

Their  souls run out of time
Overworked and underpaid
Marginalized and demoralized
They die silently

Silently they wither away
Looking beyond the pasture
Still believing the flame of
Lady liberty's torch
Would remember them
As it did others who
Dared risk it all
For a dream.......

— The End —