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"handrails" poems
Willets cull the seawall snapper on the grill rock ***** swoon in shallow lagoons long boats pass under quiet palm shade Plovers dance and flutter handrails frayed and torn graffiti spots at lovers rock frigate-birds fall from a high noon sun Thatched roof on a mud wall fish flags settle score anchors arch in front line march pillar cracks form under rust brown scars Elegant tern and grebe watchmen fall in cue children play on crested waves whimbrels and notchers perch above Tentaciones Striped pelícanos the bandits of the sea! merchants grow in steady flow siblings jostle in a tide cooled sand Heerman gull and boobie durango smoke in yurt boiler shrimp and puffer blimp castle buckets and scrapers under a dusk light cheroot Six pulls on a lead line painted toes in sand shearwater run in a rainbow sun the portly mexicano flaunts his tacos and wares Rooster house for swordfish bamboo shoots and sails broken shells and ocean swells rise on the perfect La Ropa bay
0
Apr 14, 2017
Apr 14, 2017 at 2:22 PM UTC
Sotavento
The concrete jungle. Home of the dreaded concrete beasts Who lie in plain sight for the world to see Crouched in marble ledges, twisted in metal beams Wrapped around handrails, perched in their cemented trees They laugh at those who cannot perceive Because they don’t believe. And who am I, Yes possibly me To find my identity In removing my wooden sword from its sheath Placing it beneath my two shuffled feet To answer the alluring call of the beasts beckoning To my hero’s heart, for my eyes to blink To suddenly see them as they were meant to be. In a world between Real and imaginary. For it is I, Yes I believe it to be Chosen to find my destiny In a single push That propels me Into the path of the snarling beasts Approaching their stairs and rails, ledges and beams Gaps and bumps and ramps with speed And as they stare at me hungrily Opening their mouths expecting me I will stand strong on my wooden sword As the wheels of fire erupt beneath And the scenery blurs in the flash of the rapidity I bend my knees and grit my teeth My eyes narrow and the drum in my chest crescendos its beat A shout explodes from my chest, a primal scream As I press on In the concrete jungle. Home of the dreaded concrete beasts Who quiver in plain sight for the world to see And whimper at the sight of who they now perceive Because I do believe. And it is I, Yes undoubtedly me Who will find my destiny Conquering the concrete jungles of the world unseen Surfing the concrete waves of the world between With my loyal vessel being the wooden sword from the sheath, That remains steady in the face of danger beneath my feet. I am alive In the concrete jungle.
0
Nov 19, 2015
Nov 19, 2015 at 12:55 AM UTC
The Concrete Jungle
The concrete jungle. Home of the dreaded concrete beasts Who lie in plain sight for the world to see Crouched in marble ledges, twisted in metal beams Wrapped around handrails, perched in their cemented trees They laugh at those who cannot perceive Because they don’t believe. And who am I, Yes possibly me To find my identity In removing my wooden sword from its sheath Placing it beneath my two shuffled feet To answer the alluring call of the beasts beckoning To my hero’s heart, for my eyes to blink To suddenly see them as they were meant to be. In a world between Real and imaginary. For it is I, Yes I believe it to be Chosen to find my destiny In a single push That propels me Into the path of the snarling beasts Approaching their stairs and rails, ledges and beams Gaps and bumps and ramps with speed And as they stare at me hungrily Opening their mouths expecting me I will stand strong on my wooden sword As the wheels of fire erupt beneath And the scenery blurs in the flash of the rapidity I bend my knees and grit my teeth My eyes narrow and the drum in my chest crescendos its beat A shout explodes from my chest, a primal scream As I press on In the concrete jungle. Home of the dreaded concrete beasts Who quiver in plain sight for the world to see And whimper at the sight of who they now perceive Because I do believe. And it is I, Yes undoubtedly me Who will find my destiny Conquering the concrete jungles of the world unseen Surfing the concrete waves of the world between With my loyal vessel being the wooden sword from the sheath, That remains steady in the face of danger beneath my feet. I am alive In the concrete jungle.
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48
Mike and I were best of friends and we drank together and walked home together And we’d walk along the railway tracks and Mike was always the more observant of us two Yes, I always looked up to him He’d be first to point out any irregularities and so he’d say: *“There sure are a lot of steps along the way”* And I’d concur and I’d say: *“Yes, Mike… And the problem is the ****** handrails are so low down”* And you know what Mike is gone and I still walk back along the railway tracks and the ****** idiots in charge of the railway after all these years they still put a lot of steps all the way and worse – they still put those ****** handrails so low down… Some people never learn; they never change I shout these things aloud And I look up to Mike as I say these things as I walk alone
0
Feb 10, 2012
Feb 10, 2012 at 4:44 PM UTC
Remembering Mike Along The Railway Tracks
Something awful happened late last night, And here I lie awake at six AM Upon the sand of Santa Monica. The cars drive by, but I don’t notice them. I used up all my gas to get away From the ****** pond on my bathroom rug. It’s more than bleach can handle and I’m scared That I’ve found a more seductive drug. Fish intestines line the pier and I Feel no misery for gutless souls. The rocks are caked in birdshit, kelp and shells And, as if in mourning, the cormorant calls. Upon the rusty handrails, seagulls gossip Just like feathered girls with brains, persisting To trumpet my depravity in savage squawks, And to harass the rest of us for existing. The white-wimpled, cruel, sadistic nuns Choose an injured sea lion as their prey. Cowardly, they flee at his sharp barks– It’s guts that will decide who wins today. ***** creep over the brown-furred body. Fighting for its life, it bites the shell And kills its fellow lifeform.  When given The chance, I’ll defend myself as well.
0
Aug 24, 2012
Aug 24, 2012 at 1:50 AM UTC
Feather and Fang: A Study in Humanity
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
0
Jan 27, 2016
Jan 27, 2016 at 3:27 AM UTC
A Poem About Daisies, Trains, and Magno
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
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34
You can't safely have a cigarette outside of the bus terminal without a couple of folk asking for one. You can't safely have a cigarette in general. But, if five of them have to last you a night and a sunrise, you don't really mind turning down a few nameless hands. Some of the bus drivers like to talk about football, weather; others complain about management or the patrons; a few don't say much at all, avoiding sympathy. They're probably the smart ones. They don't want to learn the sad stories in between stops. I usually like to just sit in the back and ride out the best bumps. The handrails jiggle and crash with every pothole. - The men who work at the metal scrap yard usually get on in front of Debbie's Diner on 22nd street. Bundled up for warmth and firm of face, they only speak to each other. Small talk about who almost missed the bus, broken crane joints, and who moved the most barrels of copper piping fill the blocks. They tend to pick on the guy who runs the aluminum can crusher; big guy, they call him "Boose" and he couldn't be much older than I am. His hands and lips are dry and cracked from exposure, but his face still shows ember of teenage years, though jilted. There is a bar that serves three-dollar chili across the street, spicy. The workers go there when they miss the first bus, have a beer, down a bowl of boiling chili, and catch the return bus in better moods. - The railroads on Brush College road tend to hold up traffic. The ADM plant doesn't really mind if a few twenty-something mothers are late to their practical nursing and phlebotomy classes, but they voice their complaints out of a cracked window to the side of a ten story soybean silo nonetheless; steaming ears and all. I stare at the graffiti on the laggard train cars, each unique in color, quality, style, and message; the industrial Louvre. These waits sometimes last a half hour or more. In the days before Pell grant rewards come in, when students still feel like they're working toward tangible cash, the seats are all packed with heavy breathers. The air becomes thick with community college carbon coughs.
0
Jan 18, 2015
Jan 18, 2015 at 9:23 PM UTC
Decatur Public Transit
You can't safely have a cigarette outside of the bus terminal without a couple of folk asking for one. You can't safely have a cigarette in general. But, if five of them have to last you a night and a sunrise, you don't really mind turning down a few nameless hands. Some of the bus drivers like to talk about football, weather; others complain about management or the patrons; a few don't say much at all, avoiding sympathy. They're probably the smart ones. They don't want to learn the sad stories in between stops. I usually like to just sit in the back and ride out the best bumps. The handrails jiggle and crash with every pothole. - The men who work at the metal scrap yard usually get on in front of Debbie's Diner on 22nd street. Bundled up for warmth and firm of face, they only speak to each other. Small talk about who almost missed the bus, broken crane joints, and who moved the most barrels of copper piping fill the blocks. They tend to pick on the guy who runs the aluminum can crusher; big guy, they call him "Boose" and he couldn't be much older than I am. His hands and lips are dry and cracked from exposure, but his face still shows ember of teenage years, though jilted. There is a bar that serves three-dollar chili across the street, spicy. The workers go there when they miss the first bus, have a beer, down a bowl of boiling chili, and catch the return bus in better moods. - The railroads on Brush College road tend to hold up traffic. The ADM plant doesn't really mind if a few twenty-something mothers are late to their practical nursing and phlebotomy classes, but they voice their complaints out of a cracked window to the side of a ten story soybean silo nonetheless; steaming ears and all. I stare at the graffiti on the laggard train cars, each unique in color, quality, style, and message; the industrial Louvre. These waits sometimes last a half hour or more. In the days before Pell grant rewards come in, when students still feel like they're working toward tangible cash, the seats are all packed with heavy breathers. The air becomes thick with community college carbon coughs.
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38
When I was eight years old, I overlooked a moment of compassion And challenged the will of a fellow third grader Compelled by my ignorance She gave the most astute summary of my life ever uttered. When I was eight years old, A frizzy haired girl asked me an impudent question A question of infinite importance: How do you sleep? How do you sleep at night, since you know yourself? When I was eight years old, my arrogant mind brimmed with resentment Reaffirming that I, I, apart from my arrogance, Was the best person I knew. I was eight years old, and a prophet had spoken. Eight years later, I long to be swallowed by the sheets Eyes stare mockingly at the dormant ceiling Clinging to the handrails As my train of thought Careens off the tracks Exploding in a cloud of terror and regret Eight years later, I long for the simple arrogance of my eight year old mind I long to close my eyes And remember nothing Because today, Today I am sixteen And tomorrow I will be twenty-four And the next day I shall be eighty When I'm eighty, I'll stare at the bleached walls Succumbing to the force of the past As it consumes the present. When I turn eighty-eight, I'll look to the end of my starched bed And He shall smile Saying, "Well done!" I hope I lie, when I'm eighty-eight, Because If I am honest If I tell the truth I do not know who he is And I never have I will be cast away because, eighty years before, When I was eight years old, I was arrogant But still innocent eighty years from death and eighty years from shame I could have heeded those words The words of the frizzy haired girl When I was eight years old, I could have decided I could have had him sing me to sleep I could have died entirely unlike myself. Now that I'm sixteen, I still do nothing.
0
Apr 17, 2013
Apr 17, 2013 at 12:14 PM UTC
8
When I was eight years old, I overlooked a moment of compassion And challenged the will of a fellow third grader Compelled by my ignorance She gave the most astute summary of my life ever uttered. When I was eight years old, A frizzy haired girl asked me an impudent question A question of infinite importance: How do you sleep? How do you sleep at night, since you know yourself? When I was eight years old, my arrogant mind brimmed with resentment Reaffirming that I, I, apart from my arrogance, Was the best person I knew. I was eight years old, and a prophet had spoken. Eight years later, I long to be swallowed by the sheets Eyes stare mockingly at the dormant ceiling Clinging to the handrails As my train of thought Careens off the tracks Exploding in a cloud of terror and regret Eight years later, I long for the simple arrogance of my eight year old mind I long to close my eyes And remember nothing Because today, Today I am sixteen And tomorrow I will be twenty-four And the next day I shall be eighty When I'm eighty, I'll stare at the bleached walls Succumbing to the force of the past As it consumes the present. When I turn eighty-eight, I'll look to the end of my starched bed And He shall smile Saying, "Well done!" I hope I lie, when I'm eighty-eight, Because If I am honest If I tell the truth I do not know who he is And I never have I will be cast away because, eighty years before, When I was eight years old, I was arrogant But still innocent eighty years from death and eighty years from shame I could have heeded those words The words of the frizzy haired girl When I was eight years old, I could have decided I could have had him sing me to sleep I could have died entirely unlike myself. Now that I'm sixteen, I still do nothing.
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58
solitary howl growling trial chill ridden tightening chest and pain behind one eye stress reduces jelly legged machismo sulking regression completion seeking seclusion revolved by a reflection churning bowel Elvis hip flipping tripper gripping imaginary handrails rising heat to hot spit gurgle sweat breaking head spinning grasping grinning
0
Mar 19, 2014
Mar 19, 2014 at 1:26 AM UTC
Injection of Beefheart
we find ourselves crumpled like paper my nosebleed acts like glue you smell and taste like pixie dust my eyes roll around the room ascending towards heaven i grip your ribs like handrails you stop me short - 'i'm going to...' and like a napkin under the dinner table i’m falling off your lap you'll remember me when you need to clean up when you need to wipe your hands
0
May 5, 2016
May 5, 2016 at 11:55 AM UTC
nosebleeds
We were ledge-sitters. We understood why birds perch themselves on penthouse patio rails And why airplanes sigh with breaths of relief when they are defying gravity. We would hold the crooked hems of our dresses while we climbed metal stairs like mountains. The urge for heightened perception of depths, distances, and the disarranged built in us like skyscrapers we hung ourselves over.
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Jul 12, 2013
Jul 12, 2013 at 8:14 PM UTC
Handrails are for the Timid and the Careful
| | a bridge boards spread firmly but rickety more holes than a strainer uneven walking handrails required spanning a long distance . =_-_=~==_--=_- sometimes the wind or fog can block or sway our distance bridge | | build on love in our hearts for only our souls to cross the fog is blocking me from being able to see you our bridge needs repairs at both ends \.|. /
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Jun 28, 2013
Jun 28, 2013 at 7:02 PM UTC
repairing bridges
she wrote words in between the cracks of sidewalks, so people wouldn't step on them she scribbled in notebooks and left them at bus stations, where strangers took them home she wrote her words in aquafresh on the bathroom mirror, and the next person would have the arduous task of cleaning her mind off and flushing it she wrote on the stalks of wheat, which baked into bread fed rich and poor and stealing orphans who became trancelike she wrote in red sharpie ink across the train platform and up the handrails and across the 90's patterned seats she wrote pieces on the graffiti boards in skate-parks because they were covered by *** leaves and ying-yang signs that are anything but balanced, smiley faces more crooked than the person who painted it she scribed phrases into candy given to children, sitting in stomachs and spit on the ground she wrote everywhere so someone might remember her, and they didn't they remember words across their cheeks, maybe a glimpse of beauty in the twirling joy of a child in the rain they do not remember a girl with cropped hair and eyes that pierce, they do not remember a writer, only a book that spans the entire world with a page
0
Nov 16, 2010
Nov 16, 2010 at 11:20 AM UTC
she asked the unanswerable
Concrete beneath seats of listeners Chalk artists creating frames for the next rainfall Wash away sun burnt big toes beads of sweat on sunglasses Spoken word next to handrails The river below huffs the wind Spits it to the current of artistry waving back from shore Cancel the 12:50 replace the interruption with impromptu colors of the rainbow Let children wander under bridges and pop balloons filled with water Color paint Let the world around us drink water of guitar strings and gaze at ambient light with star-struck eyes Let the world revolve around lightning bolt revolt Protect sacred performing stages Say yes to Art-spired revolution
0
Jun 21, 2017
Jun 21, 2017 at 5:00 PM UTC
Galvanízo̱ (for Artspire 2017)
I feel like I say it with every word and it tastes stale on my tongue, it sits at my doorstep hanging from the handrails, scratches at the window pane keeping me up at night despite my weary lids, it lays in the empty space next to me weighing like a stone, permeates my walls telling me over and over a single word Alone
0
Aug 5, 2013
Aug 5, 2013 at 4:01 AM UTC
Stale Bread
Once mingled, free-floating piano tunes and sun-harshed highway could be a match. The Light Rail took its time on the causeway, I am a passenger, safely guarded from the unapologetic summerness like tourists from the safari park. I am a outrageous punk, perching onto handrails lost in his romantic dream of an impossible summer. Romeo and Juliet in my hand. Vehicle garages rusting along palm trees lined railway. This is Yuen Long. This is the outskirts with gated dogs with feral barks, this is a compromise between bungalows and nature. Piano symphonies morphed into eighties tunes in the Call Me By Your Name soundtrack album, and the eighties synths draws the archived mystics, out from avenues that leads to villas similar to those I have sojourned. And the world as I see it, it is beautiful.
0
Dec 8, 2018
Dec 8, 2018 at 1:14 PM UTC
Unapologetic summerness.
there is an aimless sense of wandering, a trip on an empty train, floor awash with foot prints streaked under the seats and here I am clinging to the handrails, but like a dream the corners of my vision are fuzzy and I fight to be unaware and somewhere from the end of the car, horses stamp their hooves, all lined up behind red stanchions they aren't bulls but they breathe like I am red, and somehow this is all curiously distant, sauf pour the speed of the train, the only thing that is unnerving is the ways in which I move and blink and how i am made up of seven billion billion billion atoms but this number seems so inconsequential and small compared to how lost I feel and how many times a day I ask myself what I am doing. What am I doing?
0
Nov 16, 2014
Nov 16, 2014 at 5:10 PM UTC
Colorless.
The ending to your voice haunts me Late at night when I'm tearing into my flesh with words I've cut from train wrecks and false hopes I can hear the echo of your presence creep onto me with my numb heart beating pacedly and raptures of flesh rupturing, my spine tingles in sensations I've longed for years to grasp within me, these fleeting moments fleeing my wanting arms turning me inside out, spilling this ink on splintered handrails exposing my ribs for you like a delicacy you have yet to enjoy but readily dig into my cavities craving, devouring languidly from your wistful whispers the faintest sketch of your ghost whistling past my ear like the way I've known how you could laugh all along these splinters scriven into the palms of my hands as Dawn rises with practiced perfection on the outside world the coldness of breath overtakes me filling my lungs with icy lavishness The ending to your voice haunts me from worlds I've never known and from worlds I've longed to be a part of.
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Jun 20, 2012
Jun 20, 2012 at 5:19 PM UTC
The Ending To Your Voice
you will learn to shift your weight around You will learn to lean against things To always clutch handrails You will learn to rate things from one to ten ten being the worst you’ve ever felt You will learn loss You will lose functionality You will lose what you used to love doing You will learn not to partake in barbecue games, bowling nights You will learn to politely decline invitations You will lose friends Hobbies Muscle memory You will learn to accept it You will learn that it is unacceptable You will lose sympathy for others You will lose track of things You will learn that there is always something more to lose You will learn to hold just a few things sacred to cling only to that which you cannot lose You will learn that those things too can be lost You will learn to hate god You will learn how unobservant most people are You will learn not to disclose You will learn what not to say to avoid their suggestions and advice You will learn to be alone You will learn the difference between NSAIDs and acetaminophen between hydro and oxy the difference between SSI and SSDI between deductibles and out of pocket maximums You will learn to cry in hospital parking garages You will learn the limits of modern medicine for the working and middle classes You will learn to lower your expectations You will learn the definition of the word palliative You will learn to live with it You will learn to smile for pictures You will learn to claim a seat early You will learn to summarize You will learn good days and bad days You will learn sorry I know this is last minute but I have to cancel You will learn to love deeply You will learn to apologize profusely You will learn how successful other people will become You will learn what it means to be a body You will learn so much You will learn so so much
0
Dec 1, 2023
Dec 1, 2023 at 5:04 AM UTC
What You Will Learn
you will learn to shift your weight around You will learn to lean against things To always clutch handrails You will learn to rate things from one to ten ten being the worst you’ve ever felt You will learn loss You will lose functionality You will lose what you used to love doing You will learn not to partake in barbecue games, bowling nights You will learn to politely decline invitations You will lose friends Hobbies Muscle memory You will learn to accept it You will learn that it is unacceptable You will lose sympathy for others You will lose track of things You will learn that there is always something more to lose You will learn to hold just a few things sacred to cling only to that which you cannot lose You will learn that those things too can be lost You will learn to hate god You will learn how unobservant most people are You will learn not to disclose You will learn what not to say to avoid their suggestions and advice You will learn to be alone You will learn the difference between NSAIDs and acetaminophen between hydro and oxy the difference between SSI and SSDI between deductibles and out of pocket maximums You will learn to cry in hospital parking garages You will learn the limits of modern medicine for the working and middle classes You will learn to lower your expectations You will learn the definition of the word palliative You will learn to live with it You will learn to smile for pictures You will learn to claim a seat early You will learn to summarize You will learn good days and bad days You will learn sorry I know this is last minute but I have to cancel You will learn to love deeply You will learn to apologize profusely You will learn how successful other people will become You will learn what it means to be a body You will learn so much You will learn so so much
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45
first glance penetrating blue hostility embodied embroiled in inconsistency irregular heartbeat palpitates facilitating fallacies like ‘health’ and ‘well-being’ beings damaged goods are sold on clearance shouldn’t the mentally ill be sold into slavery eliminating national debt by selling the sick to Chinese factories sending those who drain our health care system the **** outta the country – broken records repeat 16 bar blues supreme court embraces homosexuality and marijuana while removing campaign donation limits and the woman’s right to choose maintaining balance is often ugly for the masses passing gasses for solar fuel poisoning the producers creating cancerous lesions attempting to save the sky – dangerous liaison as the corrupt meet with the condemned concentrating on collusion and coercion of the community at large so as to better control the carefree bleeding calluses hold broken handles handcuffed to the handrails hanging on for dear life— beaten seals stain beaches furless representing the future freedom looks like death sprinkled with red, white, and blue candy at least in my homeland –
0
Jul 3, 2014
Jul 3, 2014 at 6:56 PM UTC
happy fourth
Welcome to Landfill where they bury your free will, please hold tight to the handrails we're all going in. Passing through fallen arches past the smashed dreaming warriors into abandoned stone quarries, taking time for a tea on the way. Welcome to Landfill where they still fly the standard although at half mast. Reserve a place for the saviour he's playing a card game unaware that his fame has spread out like confetti and is whetting the appetites of Satan and his acolytes. Here in dystopia where hope's hoping it's fooling ya the lights are being turned off one by one.
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Aug 24, 2015
Aug 24, 2015 at 8:06 PM UTC
The New Caledonia
worn-out marble floors hard against black high heels gleaming in a fifty shades of grey under the heavy strip lights rows and rows of cheap clothes expensive junk for poor fools contaminated handrails a shocking blur of different colors bloodshot eyes screaming everywhere red lipstick and lace attracting young women smells overlaying each other advertisements and hushed words surrounded by general noise pillars crumbling under pressure faked smiles and aching feet tired escalators elevators that have given up a raging headache 'exit' sign shining green
0
Oct 8, 2016
Oct 8, 2016 at 2:27 AM UTC
Mall
At the end of the corridor the ceiling light had burned out one of 6 on this floor this made the last 10 feet extremely dark until ones' eyes adjusted and when the remaining light slowly allowed her to see shapes she noticed the still shadow she wanted to use the stairwell at this end as the elevator had been jumpy and in her mind, unsafe she paused and considered what could make this shadow other than her silly imagination and as she continued to focus the shadow became clear, distinct it was that of a man tall and broad and as she watched he turned, ever so slightly and began to move towards her no window, no furniture nearby to cause this oddity her inclination to find explanation quickly dissolved and fear was now the emotion that guided her that led her to the elevator without a thought to look back 'OUT OF ORDER' the sign screamed in large red letters now she had to look and there he was in the lighted area now the shadow standing out like black on white and he was looking at her no eyes, no face but she knew he was looking at her she ran to the other end of the 8th floor corridor damning her insomnia along the way opened the stairwell door and glanced ever so quickly he was within 5 feet of the door her scream echoed up to the 12th and down to the 1st floor lobby loud enough for the single front desk agent to hear followed by the sound of her body thud against the 1st floor stairwell concrete first bouncing off several of the metal handrails on its way down "Obvious suicide" said the first investigator on the scene to the hotel manager "No signs of a struggle" "But why would such a beautiful young lady like this want to take her own life?" the manager queried "That is not for you nor I to understand, my friend. Only the shadows know"
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Apr 11, 2018
Apr 11, 2018 at 12:26 PM UTC
the shadow
At the end of the corridor the ceiling light had burned out one of 6 on this floor this made the last 10 feet extremely dark until ones' eyes adjusted and when the remaining light slowly allowed her to see shapes she noticed the still shadow she wanted to use the stairwell at this end as the elevator had been jumpy and in her mind, unsafe she paused and considered what could make this shadow other than her silly imagination and as she continued to focus the shadow became clear, distinct it was that of a man tall and broad and as she watched he turned, ever so slightly and began to move towards her no window, no furniture nearby to cause this oddity her inclination to find explanation quickly dissolved and fear was now the emotion that guided her that led her to the elevator without a thought to look back 'OUT OF ORDER' the sign screamed in large red letters now she had to look and there he was in the lighted area now the shadow standing out like black on white and he was looking at her no eyes, no face but she knew he was looking at her she ran to the other end of the 8th floor corridor damning her insomnia along the way opened the stairwell door and glanced ever so quickly he was within 5 feet of the door her scream echoed up to the 12th and down to the 1st floor lobby loud enough for the single front desk agent to hear followed by the sound of her body thud against the 1st floor stairwell concrete first bouncing off several of the metal handrails on its way down "Obvious suicide" said the first investigator on the scene to the hotel manager "No signs of a struggle" "But why would such a beautiful young lady like this want to take her own life?" the manager queried "That is not for you nor I to understand, my friend. Only the shadows know"
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On the third day She clung to the handrails Near the door All the way back Zigzagging in knots Shining incandescent With the sun Chained to a swing Piled in drifts Of faces Marching on and off Almost invisible To the way she Clung herself Constantly trying To get my attention Like tapping on A ***** window And only successing On the way out Like a feather on the wind Breathless in an unfinished flight. (From the ongoing series of 30 ghost poems. Get in contact if you want to read the rest online)
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Apr 14, 2014
Apr 14, 2014 at 4:08 PM UTC
Ghost Story XIV
what an unsuccessful dream got me imagining i’m metamorphosing into some queen gag me with a torch, not liable for these factions don't put this on me, i was born into royalty polish the handrails, don't forget you can't be late. fashionably late at best, when everything in reality is such a mess curtsy my dear madam, or else you might be ****** "twirl around let me see those perky curls!" why do i put you on a pedestal when all you do is drool over another's way desire doesn't lay here with the underpaid service maids father i'm so much stronger than the curtains or the drapes hear me out for there isn't much time i'm afraid the clocks passed nine and tea is in due time i understand your master plan it would be grand if i had a say in the upper hand seems like you're golden does it seem like you're weak oh because it does to me
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Feb 11, 2018
Feb 11, 2018 at 10:49 AM UTC
Dad daughter.