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O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Chapter IV
Gordian knot

Greek legend according to which the inhabitants of Phrygia, Anatolian region, in the current one needed to choose a king, so they consulted the oracle. The latter replied that the new sovereign would be the one who entered through the Eastern Gate, accompanied by a crow perched on his chariot. The one who fulfilled the conditions was Gordias, a farmer who had his cart and oxen for all his wealth. When he was elected monarch, he founded the city of Gordio and, in gratitude, offered the temple of Zeus his chariot, tying the spear and yoke with a knot whose ends were hidden inside, so complicated that no one could untie it. According to what was said then, whoever succeeded would conquer the East.
Alexander the Great, supported by Vernarth and a hand impregnated with globules from Eritrea, was on his way to conquer the Persian Empire, already united with both Bi steeds, Fire Hoof and Ox Head, in 333 BC. C. After crossing the Hellespont he transgressed the Sudpichi Stream like a weightless cloak of a Machi Begging to the Cosmos for Negechen for the rickety Rehue, prophesying to him on his hands dismembered of bravery, great assistance of 300 years of Nge -Nge Mapus souls in his furious nose that propelled him with anger; and which untied the Champollion knot with some sphinx uncovering Pandora's allegories from the Valleys of the Kings. Then he conquered Phrygia, where they faced the challenge of untying the diocesan knot. He solved the problem by cutting it with his sword, cutting his head between the eyes, one for each side ..., the South one was from Vernarth with his beautiful eyes saying "I always see light when I wake up and dawn at night to rub the back of my Alikanto always riding with Him in Lid Universal Patriotics”.  According to Curcio Rufo's narration:   "It is the same to cut it as to untie it." That night there was a storm of unburied lightning that symbolized, according to Alejandro, that Zeus and Joshua´s stone were with him Espanta cuculí, genuflecting his knee towards such a Period in his analogy, that he would go through the shadowy time zone of Time and his eroded geo intelligence Both exhorting the oracles appeared before the stormy voices saying: "We agree on the agreements with the solution and its knot avoiding more knots by the hands of empires without a solution."

It alludes to this knot, made of mane's manes killed in battle and sleeping maiden's hair for the hope of widowhood beyond Eden: "both meditates cutting and loosing." That is, it does not matter how it is done, the important thing is that it is achieved. Millions of arrows actually fall from their badly vibrated bows, before this motto that appeared on the arrows, with a single rope cut around it.

Currently the expression Gordian knot refers to a difficulty that cannot be solved, an obstacle that is difficult to overcome or a difficult solution or outcome, especially when this situation only supports creative or own solutions of lateral thinking. "To cut the Gordian knot" means to solve a problem sharply and unceremoniously; that is to say, that discovering the essence of the problem, we will be able to reveal all its implications.

Top Ten Oases:
Just half a day after arriving in Gaugamela, Etrestles from Kalavrita, who came from Messolonghi, joined them; He came with his Kanti Black Steed "Rain of Perennial Fog". They came from Crete where the ultra cosmic powers were transmuted through their noses. That is why Kanti, as he approached the pair Vernarth and Alexander the Great flew leaping and shooting blue fire down his foamy muzzle. His ears sparkled like a Laziko dance of the Mediterranean Dodecanese of the proto Sirtakis of the north wing of whispered compasses. Holy kisses and hugs are halted and uttered, and the Macedonian Saints bowed to Lord Etretles.

Etrestles says:
I come from Messolonghi; of the eighth cemetery and of the eighth day. I get stuck the Dionysian aroma of his intentions when untying the Gordian knot. I was welcomed by the Charioteer in his armored car, after sleeping a thousand years I was reborn next to my face of the current of the greater solar star. The search for that shouting made me celebrate the search for that shouting of you. The similiar hairy body that fell contracted on my wonderful fingers, delighting my humble tributes to the beetles that accompanied me to direct my sight to the sepulchral vaults near their bodie Incorrupt.
Which of all the columns erected is capable of opening all the columns built in the pavilion of these moles without shapes or caves of colors ..., only the vitalizing Aeolian pulmonary diaphragm of my reverie, is who I think would ... To all of us who are trapped in holy Hellenic soils, I bring you good news: Auriga supports me with her Blacksmiths from the twelve rivers of the Dodecanese, to loosen the barriers of You, Beloved Brother Vernarth, and of you, my Lord Alexander the Great. .  Our father Staktos and our mother Vitabión that her lineage and beautiful face have not been corrupted in a thousand years.   Since our ninth baptism in Ayia Lavra, where she saw me be buried for the ninth time. Whose archpriest with his holy oils made him slide down our partition, pretending to be a dance of blessed water for this task in Gaugamela. To all of you. Blood of my blood, I feel your sacred vertebral need speak from within!

Auriga says: Orion's *****; everlasting fuel, will give strength to their steeds, to rise above the great contest, to brandish my undulating Xiph swords, to unsolder the bars of their oppressed souls before spilling the blessed blood of a Hellenic Soldier as sweet syrup for the dying delirium of those who will see the boom of the fireflies decay, baptisms about past lives, deaths about future lives.

Etrestles says: My ****** Vernarth, by the underground caste conglomerate you will wake up! To you. Like me, one day I lay as I was to my crude death in my last life at the hands of a Spartan Soldier. You blood of my blood released my bars to determine my Hellenic situation!

As this happened, I put in an odalisque and blew a similiar flow of ***** into my ear from the numb Vernarth. The waves and waves of paradise caused amazement at the coming duel. Before the enemy more than 250 thousand infantry and cavalry, faked tanks, archers, Greek hoplites, Peltasts, elephants and sophisticated weapons of war. Beyond mercenaries of death sowing the last words of ardor in their hands of faith of triumph, before the Macedonian militants too inferior  to the hordes of Darius in account only of 47 thousand militiamen of Alexander the Great.

under edition, to be continued
VERNARTH IV  LIGHT WARRIOR
Ken Pepiton Oct 2018
Honest,

that meaningless word left dangling before children,

a damoclean sword held fast in a gordian knot tied with scarlet thread,

finer than the spider's that once tied men's souls to an angry American God,

birthed in Transylvania,

over the woods, and through the dale, no lie

There is a tale of lies told in Nobel houses, never reachin' ground,

Down here, we situations manifested to, vain, again, stem the tide,

We flounder, fish out of water, why are we sent if

wait



he hears, he listens, haps he knows, and

how such as we came

to be here,

Welcome and see, dare ye ask me in? Might I ply you with lies

and you, believe 'em?

I could make a mindless robot out of your parts, but

that would take forever and

that's not how

Wisdom's child would tend to be, for first,

You must believe a lie and I, amusing as can be,

can't tell lies.

Discernment, fine points, per-spicacity per se, the only way.

Good luck (Luc, said luck in many tongues, is said Lose- as in Luc-ifer.

It means light, as in light, regular old granted light.)

Lightifier, good, take some, good light, for the travail, in the night.



You see, not so long ago, for me, five years before I'as born,

my momma moved to town.



What was that like, I axed my old uncle, while back,

movin' t'town, in 1943?

Well, he says,

We had electricity.



USA, 1943, some folks still was poor, and all the good men

was gone to war.

Cities, it was different,

if the movies got it right, Bowry Boys, n'em.



In the desert we did, okeh, in town, though,



we had electricity.



He was ten back then. He'd been huntin' rabbit's,

to buy Christmas presents from Sears and Roebucks,



since he was five.

C'mon, I say. No lie, he say,

BLM or some gover'ment

whatsajigger, was payin' 2 cents a pair fer jack rabbit ears.



'Said he bought Christmas presents for his mom and dad,

and my mom, with his first rabbit money, at five.



Shootin' with a single-shot 22, 12 cents a box,

Jack Rabbits, 2 cents a head.



Three Christmas presents, plus postage, $2.56.

Do the math, I think, and go -



Five years old, at ten, he moves to town, 1943,

we had electricity. That's all.
An older man than me gave a thought to ponder. Thought I'd try to share the bounty. This is read, by me at http://anchor.fm/ken-pepiton
zebra Jan 2019
a future promise
a ******* like bundled gym socks
in stuffed blue jeans

a future threat
a shriveled phallus wrinkled obsolete

she remembered fondly
being beaten drum chatter
and seized like slow roasted
fall off the bone pulled pork
****** raggedy Ann
catapulted beyond Euboean heavens
ravaging scrotums Gordian ******
with her wild fiendish mouth
drinking a river of
haloed golden showers
spit and ****
in a runaway hot house of glistening pink
buttery spires
engorging her macerated orifices

half eaten radish
chocking on hordes
of big do do *****
a ****** face; cross eyed
Babylon abalone
bashed Ashly mashed
begging for
a face full of swinging *****
like caped chandeliers
trotting faint giggles
in a constellation
of ruptured arteries
and thick sparked ****

on her knees
milk glitter faced
scared with happiness
she counted one smiling bruise at a time

her badge of calamities
black and blue silhouettes
grinning invitations like party favors
without a crease of shame

her skin rapturous
spackled patchworks
bled like torrential fountains summer tide
while every body had  fizzy red ice phlebotomies
and steamed through her drooling tumble pie

lust ***** totem
house of winding labyrinths
honey pumped transfusion
flush on blush
opera of tangled limbs
red pulse wedding flowers
slick ***** palace
blood tongued orchard
caressing knotted mooned
**** spill
K Balachandran Aug 2013
Choosing between a witch and a vampire,
should have been a real dilemma, of course,
none among these two did he choose,
but a nun, to explore the path of renunciation**.
Maggie Emmett Jul 2014
This carpet - a Turkish Smyrna -
is made with Gordian knots,
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.

Every centimetre - a hundred knots
This carpet - two and a half million knots
all Gordian  
tied tightly
by the fine fingers of a child.

Each thread is dyed
with plants
picked by nomad hands
from shifting lands
Henna oranges and Madder reds
Saffron yellows and Indigo blues
Colours bloom and fade
with the change of seasons.

Patterns are centuries old,
never drawn or sketched,
only sung to the young
by the old blind weavers,
who walk the workshops
and the aisles of looms.

In this shadow world
of soured and fetid air
dreamless children
live threadbare under a black sun.

Wide borders holding everything in place
no figures or stories, just a labyrinth
of abstract shape and colour
drawing you in to the treasure
at the centre of the rug.

And the knowledge of the knots
the Gordion knots
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.
This poem tries to capture the rythmn of the old men singing the patterns. It tries to capture their rich colours an beauty but present the misery of the child labourers.
Ira Desmond Aug 2010
I reckon that
if'n you can't see beauty

in things abnormal,
I should slap ye for

seein' otherwise.  Like if
all of the different

tongues of the world
were up'n snatched and

tied together and
then everybody with their tongues all twisted

would try and pull back
at the same time.  And finally

we'd all be speaking the same language:
Pain.

But the knot would tighten.
EP Robles Sep 2018
DOES LOVE TREMBLE?

PALPITATIONS LIKE THE
SURFACE OF A CYMBAL!

when sun ignites
romance's flame
or when two hearts
resemble

   a Gordian knot--

oh! so simple, surly not!
tidal waves that crush
the shores of souls!

:: ~~ ::
twisting, curving, knotting, knowing, blowing and cursing life at times is living.
Andrei Jul 2010
Neptune's core collapses
Splintered diamonds descend in stabbing fashion

Sleepy knives pass silently through the night
Casting shadows in the caliginous moon light

Stitched spiderwebs glisten across autumn's equinox
Discordant thought raptures in a Gordian knot

The symmetry of entropy plots its course
The universe resets its clock
Gaurav Kashyap Jan 2015
खुदा बख्स दे ऐसी जिन्दगी,
जिसमे हो सिर्फ तेरी बन्दिगी,
बहुत जी लिया स्वयं के लिए,
जीवन के स!रे रंगों को पिए..

जब तक की अब तन में जन रहे,
रगों में तेरे नाम का लहु रहे..
तेरा ही जिक्र या तेरी आरजू रहे..
ना मैं रहू ना मेरी ना मेरी जुस्तजू रहे..

अद्यतन ज़माने की हर चोट सही है,,
सदा ही भला करू कोशिश यही रही है,,
सही ही कहा है की जलना पड़ेगा,
स्वयं सदैव कायमी हो तो लड़ना पड़ेगा..

जीवन का पहिया तो चलता ही रहेगा,
धन-बल-तन छूटेगा कर्म ही रहेगा.
कायनात की तो अनेक बातें होंगी ,
करू कुछ ऐसा की ना कहे ढोंगी...
An arm around you
fingers     laced in your hair
and hands     Tangled
    glances stick
  through     silence
Don’t look
  away    or the other
      will catch     Leg muscles
tense       from memory
  wrapped tightly
        calves   meld shins.  
     Souls
welded before
     first    greetings
and naked minds
                              meeting
I’ll  never      let you go
        echoes through
speaker’s     mesh
            audio to  my visual
and still you think
      you can        clean
this         mess?
K Balachandran Feb 2016
Prelude
"Let's go" his soft whisper
the mantra, in his voice she hears

the esoteric voyage through
the cryptic high seas of self,
fathomless, unmapped,
uncharted and reachable
only by the most fearless
ready to unbind and make
the self free for it's adventure,
begins thus for the peaceful pair
complementing the absolute
for a life time, til they reach there
and find themselves one with
                      pure consciousness.

"Let's let's, but only together"
she chants in unison,with him.

1.
Bidding good bye to ego, clad in red and black
a beast, not easy to bring to it's  knees, submit,
the high horse proud,raring to go,having  sharp horns
sticking out, fierce, that goes berserk,on seeing white.
Altogether a curious construct, that dictates terms-
they set about, invoking the blessing of the flame of light.
2
They stood together,  eyes widely shut, bringing
both palms together,in front of their  chests
creating a lotus bud, symbolizing hearts,bowing
each other in "Namaste",-bows the divinity in thyself-
chanting the mantras of peace, thrice, each time, repeatedly.
3
"Lets go back to the begining of every begining.."
the primordial hum, transcending quagmires of time
in the path of our ancestors,who did see the" unseeable",
without eyes, knew the "unknowable",diving in to the
ocean depth of self,going inwards chanting"Neti, Neti"
Not this, Not this, inquiring each till the essence did reveal.
4
They did this, focusing the eye of the mind, on the eye
beyond all, that watches every small thing in universe.
Mind, sharpened like the blade of a sword,efficient to cut
the Gordian knots,of paradox, duality and illusion,
encountering the silence that thickens at last, speaks
the words of wisdom,patient they are, to know the ultimate,
right there at the source of light that is the true essence of all,
5
Celebrate the pure consciousness, that pervades in every thing,
the thought that begets all thoughts,that  moves on to be karma,
that becomes purer, through the cycles of lives, one after another.
"Let's be humble, utmost, sans the ornamental clothes of pride.
May the thought reigning cosmos, the spirit of peace,chanted aloud,
take us to it's sanctum sanctorum and melt us in to it's divine embrace.
Only one there is, all are it's integrals,the divine cosmic hum 'Aum'
that enliven the universe within each cell, remember , is eternal"
                                                #@@#
Know thy self as an inner  universe, integrated to the outer,seamlessly,
which is, eternal, non-dual, peace in essence, effulgence and happiness
enshrined in the core.All the explorations in to the core by ancient Indian seers, record these findings in the "Veda"s (The "told" chronicles)
Gaurav Kashyap Jan 2015
जब व्यथा की कथा ना कही जा सके,
जब छलकते ये आँशु बहे जा रहे,
कोई तो बताये ये है राज क्या ?
या शायद वक्त नहीं साथ क्या ?

विचारो के ये पंख उड़े जा रहे,
अब सम्हालना आशां नहीं क्या ?
क्यूँ सीमाएं अब नजर नहीं आ रही ,
खुदा तो नहीं मानव्क्रित्य है क्या ?

कोई ना मइला जो दे साथ मेरा,
ज़माने को लगा इतना बुरा क्या ?
.
it's when you wanna strike out that line
spotlight the third word, second stanza
I understand,
but am never satisfied
which is like seeing when you've plucked out your eyes
and you know that you're blind and yet still able to find
the mistakes that you've made

someone said,
'you need to get laid'
but it's not ****** frustration that ties me in knots,
I know where the hot spots reside.

it is some voice inside me that constantly chides me
and tells me,
I'm not good enough,

is that the stuff dreams are to be made from?

Could we cut and then paste a new life?
if not
what a waste it would be

I'm
still editing poetry and
she's ready to eat me
alive
harlon rivers Aug 2017
He knew the ache could not be recompensed
they knew it too the moment echoes fell silent
There was already not enough love
in a world grown dark as darkest past

It wasn't the color of his skin nor dialect
or the  journey of a  thousand  miles
Not the place that he'd come from
       back when ―  left behind

             nor a heart of gold,  
      that never became a home

The colour of  unwritten silence
had  eclipsed  the waning  light
On the run from who he'd become;
     ashamed for all he was,  
couldn't erase a lifetime that felt a waste ―
               trying to untie a Gordian knot

He saw his body as an entombing barbwire cage
    imprisoning  a  wellspring  of  love writhing deep therein

Immured at arms length from the outside world
    where  the soul of a teardrop  abides  within
                         its insignificance

Shielding the  inherent  maelstrom
                          from the innocent passersby
Buried thoughtfully for the greater good of all ―
for the unsatiated dream boundless love betides

Written  artifacts  exhumed  like  ***** secrets
a lifetime of stigma's stain swept under the rug;
just whispered words written from an unfinished life
few ever really looked deeply between the twisted lines
arising from the soul of just another passing stranger

The long road begets a suffocating silence
choking out,           extinguished love inhumed
Ashes  of what once had been life aglow of light
               forevermore shrouded
          like the dark side of the moon



rivers
August 20, 2017
Glen Brunson Sep 2014
I have been told since I
learned to read
that holding someone close
says I love you with my
heart inside my body inside my head.

she said "fall in love with someone
who's comfortable with your silence."
and still,
          I only find you in the dark
           crushing my toe on your frame
           the scratched black nail in the morning
           shines like the love I gave was too
                     loud and bright, so blinding

that you sank behind the sun
as I played "She loves me,
She loves me Gordian not"
with the sword rays.
splayed across my tongue.

the razor-blade foreplay
was violent enough to carnage
your room to a crime scene wrapped
yellow tape package CAUTION
you yelled with the nothing CAUTION
do not cross do not cross do not cross
                 you fake messiah
                 you save yourself savior complex
                 of a narcissist, drowned in his own pool
                              of backlogged traffic jam verbage
living with a rearview mirror in every room
especially our bed.

           I find myself
with arms wrapped too tight
around a precious thing,
screaming until the spit sling blade
found every secret place inside your ear
and carved it to echo the only word
                 I have ever really known

ME
ME
ME
ME
ME
ME
MYSELF AND EVERYTHING INSIDE ME

living with a rearview mirror in every room
especially the ones you're in.
especially when you are too quiet
to be anything but a noisemaker
in my cavern of a head
filled with my own claps
singing my own song
playing by my own rules
until everything I knew of you was
dust and shivers in the mist.
Old one. Relevant.
Where does man, where does woman, where does beast go
When slumber dawns upon their fleshly vessel?
When the twilit sky bleeds into a stygian veil?
When the musicality within begins to take psychosomatic form?
I reminisce over the eventuality that stirred my burgeoning.
It quaked my lucubrations, my excogitations, intellectualizations;
Ye, The Incendiary Phoenix Flame billows within. Rebirth awaits
every anima forged by The Apotheosis of The Astral Flame.

The doughty firebrand in me shalt nought surrender,
The Gaian Warrior within shall ne'er be forgotten,
And my reverenc'd doubts  shall be undone.
O, whence all incredulities have been uttered The Leadings of Lovelight shall prevail. The Vestige that once ravaged my remembrance shall vanish into The Magisterial Tides of Oblivion,
We are all one with the Blood-Tinged Oath, The Fulgent Daystar;
He, exhaled eternity into the souls vexed by mortality.

Underneath the Sun:
There breathes an azure vista.
What lieth above our aethereal aegis has incited inquisitiveness aeons aforetime
Open your hearts to the cosmic currents, the transcendent torrent,
The Communal Oneness of The Primal Phantasmagoric;
By that One,
For all time we were summoned.

Question what lie before to be spirited away.
  Listen to the arcadian zephyr whisper
              Through in, through out your every breath. Trust, the Sanctity of intuition.
Coloring the Changing of The Seasons.
The aqueous dew throngs upon virescent leaflets,
A fulgurant surge fulminates
Upon The Celestial’s bedarkened sky.

Red- Shift Existence: evidence, upon which a system of belief expands, under examination
Therefore, it is our duty to ponder the Legacy of the Sages
That we might unravel the esoteric secrets
That function as a key
In gainsaying, in overturning The Lock of Fallacy.
Finally we gain understanding, we acquire wisdom
Altering our cognitive trajectory.

What is Life,
What is Love,
What is Divinity,
Without creativity?
Without imagination?
Without vision?
We must all surrender to
The Sacral Expressions of Omnibenevolence.
Spirituality is a fleshly disorientation, a carnal discombobulation;
So, relinquish your dysphoric allegiance
With the pangs of hunger and malice.
Effloresce into The Luminary,
We Denizens of Light,
Were all
Foreordained
To be.

(Se' lah)


Excelsior Forevermore,



Sanders Maurice Foulke III
Marieta Maglas Dec 2014
Searching for their love ideal
To plant there a dawn so real,
God gave them hope to go ahead
And palm flowers for their dream bed.

In their naked room without windows,
Not touched with the innuendos,
With written words for music wed
And palm flowers for their dream bed,

The cradle of their nascent thought
Could cut their main Gordian knot-
Baptism of freedom in the head
And palm flowers for their dream bed.

Searching for their love ideal
And palm flowers for their dream bed.
References : ’ A Winter in Mallorca’ by George Sand



A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet). Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza). Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be:

AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

Whatever George Sand Wants . . .
By Angeline Goreau
Published: April 20, 2003

‚’ Discreet nearly to a fault, shy of public performance, delicate and sickly, Frédéric Chopin was perhaps the last man in Europe likely to keep company with the Continent's most notorious woman. ''Something about her repels me,'' he wrote to his family after first meeting George Sand. Her reputation as a cigar-toting ****** outlaw was hardly calculated to appeal to a man of his tastes.

How they came together in the end remains in part a mystery, though there is ample evidence -- in a stunningly energetic 40-page letter to a mutual friend -- of Sand's campaign to win Chopin over. One guesses Chopin surrendered to the inevitable.

Most contemporaries saw their love affair as the latest of Sand's annexations. Chopin's friend the Marquis de Custine lamented, ''The poor creature does not see that this woman has the love of a vampire.'' The reality was considerably more complex, and in ''Chopin's Funeral,'' Benita Eisler challenges the certainties of earlier biographies and disentangles the story.

Beginning her book with Chopin's death, Eisler underlines the determining role Chopin's illness had on his life. He and his younger sister Emilia both showed signs of early tubercular infection. When he was 16 and she 14, they were sent to a health spa; Emilia died and Chopin recovered. His mother wore mourning for the rest of her life. He never lost the feeling that death shadowed him everywhere.

Eisler astutely speculates that the ''reserve and distance'' Chopin maintained ''between himself and the world was no romantic posture; with his limited energy, he saw preserving and protecting himself as crucial for his art, above all.'' A connection with the passionate, restless Sand represented an enormous risk; the dangers became immediately apparent when the composer nearly died after a winter holed up in a chilly monastery in Majorca with no mod cons. It had been Sand's idea that a trip south would cure Chopin of his chestiness. Instead, he coughed ''basins of blood.'' He never reproached her, but praised the ''angel'' for heroic self-sacrifice and devoted care. Sand herself had a new respect for her lover's fragile grasp on life, noting that ''his sensibility is too finely wrought, too exquisite, too perfect to survive for long.''

The disaster in Majorca shaped their future together: she nursed him back to health at Nohant, her idyllic country retreat, and created ideal circumstances for her household genius to flourish in. Chopin had an apartment off her bedroom, cheerfully hung with red-and-blue Chinese wallpaper. Here Sand catered to him like someone on a divine mission. Predictably, Eisler says, ''the slow drip of dependence'' wore away the relationship. Sand was the ''nurturing parent,'' Chopin the child. Sand had two actual children, Maurice and Solange, in residence, complicating matters. In the end, jealousies that grew out of the little dysfunctional family they formed split Sand and Chopin apart. Because Sand threw all her energy into spinning the breakup for their friends, while Chopin remained discreet, the story behind their alienation seems inscrutable. Eisler comes closer to explaining the whole spectacular mess than any other biographer I've read. Where others more or less follow Sand's self-mythologizing autobiography, Eisler deciphers signs of trouble in the family's construction from the very beginning.

Sand's version gave out that Solange was the spoiler of this familial bliss. But Eisler argues convincingly that Sand set up the nasty scene, relentlessly harping on her daughter's flaws from earliest childhood. Solange was left to the care of servants, who beat her while Sand escaped to Venice on her famous ''honeymoon'' with the poet Alfred de Musset. Returning home, she found ''the saucy, high-spirited 5-year-old had become cringing and submissive.'' Sand's response was to send Solange to boarding school, the first of many. Maurice, the favored son, came home to stay with Mama.

In the end, Chopin was disinvited from the family party when he refused, on principle, to collaborate in Sand's unspeakable treatment of Solange. It was Sand, Eisler points out, who encouraged Chopin's closeness to her children: after the shared ordeal in Majorca, she wrote ecstatically: ''We became a family, our bonds tighter because it was us against the world. Now, we cling to one another with deeper, more intimate feelings of happiness.'' So when Sand decreed that her lover never speak to Solange again or mention her name in Sand's presence, Chopin refused to reject the girl he had come to think of as his daughter. And he saw the ultimatum as a pretext -- the ''angel'' had tired of her script.

This was already apparent the summer before, at Nohant, when Sand read aloud the new novel she had just finished, ''Lucrezia Floriani,'' to Chopin and their friend Eugène Delacroix. The book, a roman à clef, left little doubt as to the identity of its originals. Sand took the opportunity to paint herself as a martyred heroine, thwarted by an unlucky habit of falling in love with unworthy men. Her only sin is generosity -- ''loving too much'' -- but Prince Karol (a stand-in for Chopin) is sulkily jealous and obtuse -- a pill of the first water.
Delacroix was ''in agony'' for Chopin. But the reactions of the novel's principals were peculiar: the painter was ''equally mystified by victim and executioner. . . . Madame Sand was perfectly at ease and Chopin could hardly stop making admiring comments.'' Later, alone with Chopin, Delacroix assumed he would learn Chopin had been putting on an act, yet the composer had nothing but praise for the novel.

History has generally accepted Delacroix's conclusion that ''he hadn't understood a single word.'' Eisler, however, corrects this misunderstanding: a note he left at the end of his life proves that the much-maligned composer chose to protect himself in the only way he could from becoming public like a frog.

George Sand complained that Chopin was petulant, childish, irritable and sulky. Eisler does not dispute these accusations, but she might have pointed out that Chopin's sins were pitifully small compared to the large license people of the period allowed geniuses. Beethoven threw a plate of stew at a waiter, struck a prince with a chair, stood composing trouserless at a window and called his sister-in-law Fatlump. Victor Hugo claimed that he had slept with more than 2,000 women. Byron's quirks included ******. Among the Bad Boys of Romanticism, Chopin was a paragon of virtue, an ideal ''husband.''

Of course, the degree to which Chopin can be safely placed among Romantics is a matter of contention. Following Jeremy Siepmann's lead in ''Chopin: The Reluctant Romantic,'' Eisler develops the theme: ''While the generation that had come of age just before his own in France . . . had defined Romanticism as a holy war of the 'moderns' (themselves) against the 'ancients' (their literary elders) . . . Chopin clung to the past. His musical touchstones were Haydn, Mozart -- but especially Bach.'' He felt little affinity for the Romantics who were his contemporaries: Schumann, Berlioz, Liszt. Even in painting, he preferred neoclassical Ingres to the ''radical inventions in color and form'' of Delacroix.’’
Robert Clapham Oct 2009
True tangled Gordian thoughts entwine
Amid labyrinthine paths that wind
Sliding sledding serpentine
To assay value and extent
Braid a mind a shoreward end
Seeking weeping thrashing send
Infused with knowledge deep and sound
A consciousness cogitabund
Within the portals self confined
Disconnected judgements breed
Diffuse journeys often made
To darkened places
Where no light
Of vision lucid sparkling bright
Will penetrate and seem so safe
Writhing heavy leaden womb
Elusive dissolute abound
Reclusive and so moribund
But in the darkened space there seems
A distant tendril sparkling white
A reaching focal point to strive
To make that leap
Great grasping bound
Wrapping arms so safe around
Clasping forgone lines abandoned
Sublimating impasse upward
Strength of purpose
Welling forward
Great eruption spewing outwards
Lava flowed eureka moment
Spreading outwards
Flowing downwards
Cogent sentient live born
Brewed in darkness
Drinks the bright
With clarity and strength unite
Dazzling brilliant shining moment
Cleft asunder glorious light  ....!
©2010 Robert Clapham
Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad’st imperfect words with childish tripps,
Half unpronounc’t, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:                      
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv’d up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,                      
But cull those richest Robes, and gay’st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck’t them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly’s ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,                              
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav’ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th’touch of golden wires, while **** brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,                  
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey’d Neptune raves,
In Heav’ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero’s old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest                              
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know’st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos’d business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc’t upon the hearth;                          
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should’st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O’re all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;                        
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?                    

The next Quantity and Quality, spake in Prose, then Relation
was call’d by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.
Gaurav Kashyap Jan 2015
Something that cann't be written,
Something that cann't be shown,
Something that cann't be hidden,
Something not measurable,
That is heart's pain.

The heart's pain is,
Neither by season nor by monsoon,
It's not also a normal dieses,
Only few words and sentences,
Are the virus of this grief.

Only few have ability,
They may understand it,
They can hear heart's beat,
Which is not possible by,
Any best medical kit.

Whenever the heart's cry,
And it become so sad,
Then relieves are pen and note pad,
And then all the griefs,
Get printed on few page.
Like this one.....
do you wanna take a walk on me to see what things and what things could be?

I walk on the blind side of the inside men
hide from the mob,

got a job, workshy?
passing by and seeing no reason why to stop
I carry on and I carry on my shoulders the weight
of all the World.

Seemingly dreamy I dream on quite seamlessly
but am aware of my surroundings and grounded
in the arts.

Capital in the Capital City.

In the snow and sleet down at Threadneedle Street
the old lady counts up the coins in her purse,

not sure if it's bad but it certainly gets worse.

Defaults on the mortgage repayments
tonight we will sleep on the
pavements.

do you wanna have that talk with me and hear what things and what things could be?
Julianna Eisner Mar 2014
The daydream-y miss gazes out the
watchtower of enchantment,
heart atrophied,
neck bound in a Gordian Knot,
riding nautical swells of
fear and love that
ebb and flow in
cursed duality

Calling to the cavalry trouper in
subdued hysterics
who, in an oceanic barrel surge,
will sever her lasso collar and
rebind their anchor hearts in
blood knots,
ascending the ranks, he will earn the
highest standing stripes of
Strength, Honour, and Equanimity
Liberalintent Nov 2019
Sand shores of bleached blonde vines cross ample pores of desert's time, winds uproar deadly yellow sparkly vines marking their way carried through coils of clouds stretched across the thin divine blue.

Each thread wound red and read around red,
each strand like hair on heads,
winding winding winding, scarlet crimson thin and loud.
poking around and round balling up then smashing down,
scattering golden particle conical explosion.

Beam like lights and heat and time sundered the knot and bound it still in a golden hue, sand-like, it's color stained. In time, people came.
They marveled at it's strands.
They called to other lands.
Can anyone unravel this?
They asked.
And many came, but to no one's blame, they failed.
Until Alexander the Great thought to cut instead of unravel.
Kemy Sep 2018
Gave of salacious self, your just due
My one and only dream I wanted to come true
Earthbound after a meteorite crash
Healing properties within this castaway shall come to pass
Wings has been tenderly clipped
The aftermath of a silent emotional eclipse

Walking, running, and soaring, keep flapping but slowly slipping
Heartbeat dipping, ripping
Slowly suffocating as I’m contemplating
Feelings keep overruling, dominating
Restless from stagnation
Mental searching for relocation
Suspended, spent, recessed from the relent

In the hunt for a pleasurable escape to soar to the sky
No questions no earthly whys
A Galactic Dream Weaver
Da Vinci Code, I’m picking up my telephone receiver
The Holy Grail secrets for my mind to set sail
The marooned answers found in life’s details

Standing in vain, waiting for a starship from a cosmic believer
No expressive deceivers
My Mazda 5, an Uber, or a Lyft driver can’t get me up there
Without restraints, I need to inhale celestial air
Showered by a beautiful spiritual given rainbow
Sentiments offered from a treasured chest as they stream when they softly flow

A Gordian knot devoid of hope, a beanstalk, for me, too slow
Something one must know
As your presence comes to offer me a sweet riding tow
Spirit is now on the run
Trying to astral plane beyond the sun
I need to glance down from the stars
Up and beyond, emotions, mistakes seem so miniscule and far

The beginning, the ending, where I descended
The integrity of a tattered angel, a cocoon of self, until my cerebral cortex is Heavenly mended
As my earthly presence blends within
Keeping a rein on life’s sins

I do not know if my salsa dance has come to an end
The absence of loss as emotions reflect to bend
Does time ever remain the same
Please don’t forget my name
On the contrary
For the love given from a twinkling star, and a kiss from an earthbound fairy
Anne M Feb 2013
You’ve always been a midnight saboteur.
From dawn til dusk,
your convictions convince you
but in the honest darkness,
can you be sure?

Your mouth is tangled
by the tales you tell yourself,
cinched tightly--your lips are purse strings.
Since I’ve no confidence with a sword,
will your Gordian knots triumph again?

Too often, you’re enthralled
by the charm of your attic lies,
But tonight,
you’ve finally pulled apart the bad.
Turn on the light and see you’re good.
A work in progress--like all the others--constructive criticism welcome!
Wk kortas Jan 2017
The song played-- muffled, hesitant,
As if the tabletop jukebox
Seemed unsure of the tune’s suitability,
As out of place and time as ourselves,
It being Wednesday morning three A.M.
At the all-night diner on the Klondike Road
(The mills, going full-bore down the road in Montmorenci Falls
Making such a place viable, indeed necessary),
But we laughed loudly and nonchalantly
Between bites of nearly adequate cheeseburger,
Ostensibly unaware of all those inevitabilities
Which were tangible but unspoken, indeed unspeakable,
This being the last of the last summer not careworn,
Textbooks to be exchanged for neckties,
Plastic sandals swapped for sensible flats,
Other lives to take flight in other places,
A mere handful of evenings remaining
Before the clumsy process of untying
All that which had been loose ends from the beginning.

Would I go back?  In a sense, it does not matter.
There was always a laundry list of reasons
That it could not be, cannot be, will not be:
Irreparably meshed gears of relocations and reconciliations,
Gordian knots of logic and desire.
Still, in my dreams, I often run like a madman,
Chest burning as my sneakers slap the pavement in the darkness,
Back toward the diner, but it has been razed to the ground
(Likely the case, for all I know,
What with the mills silent and padlocked all these years)
And I paw madly, feverishly through the rubble
In search of some remains of those vinyl chanteuses of love songs,
Those epitaphs of our failures,
Those three-minute odes
To our compromised and conditional successes.
Anais Vionet Aug 2023
Memories can become blurry, over time,
like underdeveloped photographs,
or incomplete, like sunlight through blinds.

Our lives move ever forward,
like the inflexible patterns of stars.

Once fevered and immediate events
recede, with frightening, doppler effect,
as remembered yesterdays,
become forgotten yesterdays.

New Haven was abuzz. The hotels were booked and moving trucks had taken every free parking space for miles. Last Sunday was freshmen move-in day and 1,554 freshmen moved into their Yale residences. It’s one of our favorite days of the year. The hubbub of freshmen moving, lunching, shopping and later, seeing off their departing parents, created a delicious emotional chaos that we watched unfold, like a Greek chorus.

The movie ‘Love Actually’ begins and ends with montages of people greeting friends, family and loved ones at Heathrow airport - it’s emotional and heartwarming. Move-in days are a lot like that - with their gordian knots of beginnings and endings. My parents were nervous and emotional on my freshman move-in day - as was I - but we all tried, desperately, not to show it.

Welcome to New Haven freshmen, everything’s beautiful, but you’ll get too busy to enjoy it much.

We upperclassmen move in tomorrow.
Gage D Apr 2022
There’s no better feeling than being wanted.

Nothing shakes you quite so much to your core as the knowledge of being not.

My hands are tied behind my back and my entire being is in a tight knot, swollen and gripping to different parts of myself, so bound together by my own actions that I couldn’t undo the forces that hold me the way I am if I even wanted to.
ns ezra Mar 2013
its a tuesday and you are waiting for me
standing at the central dressed all in grey
inoffensive, unassuming: avid
i can see the whites of your eyes
all the way from point zero down
so now your voice comes plain
through a sea of fog, and i know
we are coming up death row
red steel, old stone: is this how it goes?

i throw myself all around you
flesh onto flesh, man onto man
two guts into a gordian knot
a futile attempt at lessening
your incomprehensible hugeness
your bones, the empty room
i cannot see any walls to
you are: my har megiddo
my mount, under thunder

and the sun is brighter than white
if only i could see it, and the rain
is clearer even than air--if only
i could feel it! but now we are grey
among grey, concealing seas of pink
storms of milk; there is no sky
where we are bound
no opening, no end

you press your hand into mine
and you are warm like dirt, maybe
like you are barely born from the earth
only just learning the load of being addled
with such clumsy comfort, this rough touch
the worthlessness of words and the distance of skin
but we are stretching our necks to rise above it
do you like what you see, now?

so you bring me to your little home
and you feed me little pills, one by one
and we take to your little bed, spilling over
too much, not enough, back and forth
the same air again, the same words
no lines of demarcation left to bear
just your blood and mine and
one little winding red road
from here to (THE END.)
R Moon Winkelman May 2010
Tongue-tied
tripping over the words
that spill out between my teeth.
Mind flashes from red to green
sickly, mottled with yellow
tired of waiting.
I want to be able      to    exhale...
come to my senses,
know which way is up,        in the midst of this chaos.
so much to say
and all that comes out is that 4-letter word
so flippantly used.
Can you see the inside of me?
my heart beating 100 times a minute
my entrails knotted, Gordian style.
Are you my Hero.
in this white trash epic
which is my life?
If so,
how many foes must we conquer
to find our way home?
© October 2003 Flying Lynx Press
andrew levin Sep 2016
i've been posting lately to the insane

they look normal

but to speak to them

is like untangling the gordian knot

a twisted tangled mess roping in their self identity

which can never change

apparently

like a hydra they fling their ropes around

entangling all who come near /they can

mainly themselves actually /as it happens !
I H Σ
IHS HOMILIA

In the natural fatigue of everything created, the Duoverse presented its IHΣ, falling on the eighteenth letter of the Greek alphabet and on the duo hundred changes in physical memory. The PH (Hexagonal Primogenitor), is conceived in the presence of the Chrismon, but Hellenic with the Vexillum banner, to rescind the fatigued and depressed winds, since the quantum of memory was lost in its integrity of aerophobic to the earth, and therefore the subsequent one would be air-water, being for this reason, preceded the ceremonial that begins by stripping before the abenuz Diospyros, with its stamens usually in sixteen plus its hypogines or inserts at the base of the corolla; like those of the female flowers, being part of the gynoecium of the Tsambikas part, and of the androecium that will have to be of the Diospyros in Theoskepasti; with ovaries generally tetra ocular adapted, to be inseminated for the raids of the demigods of the Horcondising and El Duoverso, with the monogram HDD (Horcondising-Duoverso), for those who trace the bifurcations with Zefián; chaos computer, all the way to modulated Theoskepasti. Making the changes that have to be reborn in the stamen, being almost sterile, aborting in the memories of Galilee, signifying the pollination performance of the Diospyros and sprouting in the same stem of the whorl, even more in each hand of stigmatized Vernarth and Etréstles , bearing the IHS candles, the monogram and the Mandylion-Vas Auric, as a sign of the Olives Bern. Before the seams of the carved heels are erected and the one of the gutters of the annelids going up through the alabaster, to the chalice with the chrismon hat.

Filling the warehouse of Anemoi himself, and forgetting his deposit of the empyrean breath on the synaptic abbreviations, the argument of Saint John the Apostle continues in the network of Rhodes and Kímolos, for the cortex of the sensory past and the consequence of the gusts of falls by the trisomies, affecting to be regenerated on the oxygen-nitrogenous bases, from the activation of nemo-genetics, to specify the loss and egregious gain of channeling between the Cyclades and the Dodecanese. Carrying memories of Vernarth's cerebellum stuck and not trembling towards the lake of the hippocampus, where the Zoroaster carried the Magi, at the end of the span and first-last border in the vicinity of Ein Karem. On the evolutionary scale the weak air masses fluctuated, in the flood of the Meltemi over the Aegean, taking them to the bay of Dekas, on the knees of the colossus that impregnated with its fennels so that some delirium could replace its articulation. Remaining like this, on a scale of emptiness reminiscent and tacit ..., it continues to be and not, occupying itself and not, but it does rise towards the colossus from the ground of Vernarth, which had split bipartite from Rhodes to kímolos, like Verthian neuroscience, whose prose they emanate submissive glaciers of Intuitive Hypermeditation (as a technique of knowledge and meditation, for functional links of inspiration, purgative insight and yogic memory). All the nonsense is alluded to, breaking the rationality of the Vas Auric ceremonial, in its phenomenology, making curvilinear pauses to re-captivate phraseological keys, diminished in condensed memories equivalent to approximately ten terabytes, from a homologous half, almost surrendering when exhausted before both scholars and their debts exchanged when driving ..., thus recovering wave dips before reaching the bay of Dekas, Kímolos and ending in the necropolis of Hellenika ..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos, to finish in Tsambika, Rhodes.  As a parallel response to the archpriest of not altering the  IHS homily monogram, and of the association in remembrance, which may affect the conduction of the mediumistic trance, almost prostrating him in the house of forgetfulness and frenzy, if he is to recover not stabilized. The sulfurous and mercurous component of Cinnabar proceeded by acidifying the essences of Vas Auric, already prospering in the hands of each auric conductor ..., Archpriest and Saint John the Apostle, each with the sulfur from the mountain and the arc of the Aegean Sea, as genesis volcanic for its diametrals towards a change of chemical prisms, to the multi-angle of the topaz that Saint John the Apostle wore in his air, close to the reliquary, hanging from some fringes of the Vexillum, that he had arranged near the Vernarth. Immediately on the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos, the ones who came on another mission, to be carried away by the energizing power of cinnabar, more than a breath for those who observe by the quarters, stationed in the sandy areas of Rodas.  Petrobus, the pelican…, circled around the heights of the monastery, delimiting the laxity of his body's memory, in prayers in case they ventured through Kalimnos for a good portent, in waters for the tenth seeds for all the Rodines.

From the monastery with one of its necessary dependencies, all were with exacerbated white candles between the steps of each cell and their attached friars, they made a room of the nave near the church on the hexagonal floor, this being screened through the center of the garden where everything was dominated by the limits of the alabaster arches, which only now pointed to the closet of the books, this time being fed up and sparing their voices with devotion. Chapter by chapter it expired ..., for each cell, identifying each portion of the world in creation to the scriptorium and the refectory, where in this ceremony books were swallowed for the infinite world of the Duoverso, near the parlor, to do the times when He was teaching Saint George and the Dragon, vinegar the presses for the wine of the missal. Even so, Eurydice, organized the fragrances of the cells and intermediations of the southern called in the voices of Proserpina, coming dressed in proclaimed black, but with the appearance of Persephone in reality wedged into her face as a goddess woman, but with a hemiplegic collapse.

Sequence shot at Kímolos, Panagia Theoskepasti

Etréstles says: “according to what has been said in this dimension, the word will be the world of the Duoverso. Synchronously, it lined up with the monastery in Tsambika, by the third hour after noon, reflecting off the undisclosed walls of the chapel. On if,  in the radiosities of cinnabar. Thus entering electromagnetic lassitude through the trusses of the pulpit anchored in the Vox of the mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, colliding and colliding many times, until by the iridescent Cinnabar, somewhat Sulfur rial, mixed with the radiosities of some novae, which also acted as a decoy of the chrismon, which Kanti carried the steed adjusted in the saddle on his back, as a mount of syntactic esotericism, speaking of intangible brown colors of cinnabar, almost human. I know that the scrolls will write themselves, and that no word will have to be written or pressed by a mortal who protects it, the Diospyros, will exert anticipated redemption from the imbalance of the proximity of the Universe that slowly fell on Greece, while in the hegemony of the abenuz, everything looked with its graceful synchronous stamens that were usually sixteen, plus its hypogines or inserts at the base of the corolla; that attracted the essences of the Androecium with ovaries generally tetra ocular adapted, but according to the word Ebreh Ke Dabra, for those who carry it under a state of extended ******* and under a possession of psychopathies, to delegate them in non-demonized existences, if not emerging from the syntax of the verb, close to the intellect that works for the grace of the subsequent. In this way, all demonization would remain in the distractions of the annelids, who travel the coast of Kimolos, from Dekas to Hellenika, where they will finish the alternation of the gifts of the Vas Auric, teleporting in the vessels; or vehicles rolled to the chapel, to later be forwarded to the necropolis.

At three o'clock, after midnight in its antipode of noon, the psalms will shield with the wings of Petrobus all the government of Theoskepasti, and with its golden, feathers ..., and the heraldry of Vernarth with its Aspis Koilé, lavishing it in those of Saint John the Apostle, in the Shaddai that acts as a temple, towards the lower funnel of the Hetairoi, confined to the elect devotion of being protected towards the gates of the Savior, in lands of sand removed over the naked and reddish bodies of Archangelos and of Psathi with mega gallons of papyrus, falling like the blooming chrysalis of Diospyros on the litanies of the archpriest, who was interrupted in his syntactic diction, when permeating the sequence shot Cyclades-Dodecanese, Tsambika-Theoskepasti, Anemoi-Meltemi, Vernarth- Etréstles , low the Vexillum or mercenary banner of the Peltasts that in legions gathered to assist together with Vernarth in both chapels for the chalices of the fish that welcomes the dead in battles and takes him from his nets and enables him with his gills…; "Tel Gomel, Gaugamela and the Gordian knot in the hands of Saint George and the Dragon"

In the aftermath of the memory loss of Vernarth's body, he already had his chest full of Cyclops, St. George appearing to venerate his litany and wide pain, common to the one who, even in that state, can sustain the world like Atlas, but like Epimetheus of afterthought. Being triumphant in his imaginography, appearing with the snowy horse, in total synchronization at the moment in which he is seen appreciating Etréstles, on the bulbous clouds that enveloped the chapel, and haughty and shrewd the knight Saint George of Anatolia, Roman and Christian was seen . With his mother; Polychrome, having already been trained here in the town of his mother's origin, in Lydda, he was trained as a military tribune knight, and was later appointed as a Diocesan personal guard.
Vexillum
JerrHoll Jun 2014
Shh, hush my love let your heart be calm, your troubles lay at my door, 
I'll pick them up and carry them a while and let you dream once more. 
Close your eyes my blessed one, rest your troubled soul, for the morrow comes 'ere we know and I am bound for Sheol. 

I'll need your strength, and your sweet caress, your love and hope and smile. 
So rest your troubled heaving breast, and let me walk this mile.

You've tarried long in this task assumed blithely to be your labor, 
Unknown to most a burden such they'd not carry for life nor favor, 
Yet stand I ready to assume the task, at least to help yield the Axe, and, 
Send those tormenting souls to Perdition's shore.

I'll need your strength, and your sweet caress, your love and hope and smile. 
So rest your troubled vacant breast, and let me walk this mile.

Like rivers deep with hidden tides, currents of pain and woe, flow on in life and bring new strife for those who do not know.
Yet in their midst we walk aside the filthy and fetid sots
who spew forth words without a clue why on the floor see dark spots.
Yes our blood runs hot coursing through our veins, our fists like Gordian knots
                       (a stab a slice, the pain focuses -  feels nice).

I'll need your strength, and your sweet caress, your love and hope and smile. 
So rest your troubled wounded breast, and let me walk this mile.

We raise our arm, Claymores held high, as if to claim our right - but yet, it is for naught,
For our lives once thought to our own are wrought as though they're one. 
And though we're tossed into the night that brings a chill unto the soul,
We sing our song of hope and praise like Silas, Paul, of old -
      and watch;
As shackles cold as the hearts of men - fall like dust onto the dung below.

I'll need your strength, and your sweet caress, your love and hope and smile. 
So rest your troubled wearied breast, and let me walk this mile.

We rise from ashes like that gilded bird aflame with an heavenly fire
and surrounded by a host of wings, lay down our swords of ire.
For peace, like dew from the God above is sent to quench our thirst,
a word is given that fills our souls as if they could burst!
Yea love unfettered, unbound and unknown - for us and all who hear. 
Love, given freely now, peace...no more tears.

Yes, I need your strength, your sweet caress, your love and hope and smile. 
Now rest, my love, your nurturing breast, and let me walk this mile.


*All rights reserved-Copyright 2014 Gerald T. Hollingsworth
To a young friend in the grips of despair and on assuming the guilt for another's suicide.
Ylzm Apr 2019
Sword of Ishmael, robed in Assyria's mantle,
Consecrated of God, Prince of princes,
A Destroyer: the executioner of judgements.
A thorn driven deep into the heart of Jerusalem,
Tempting violent men, who pride in their strength,
as Excalibur and the Gordian Knot challenged
Arthur and Alexander.
Joseph Sinclair Feb 2015
I do not walk in measured tread,
I cannot spare the time;
And steady pace is better suited to the dead
Or projects more sublime.

I see them dressed in garb of green
As best befits the land
That harbours jihadist and others more obscene
And not their native sand.

They bear allegiance to no state
That may have sheltered them,
But spread instead their ugly message born of hate
And anxious to condemn.

It would be easy to cast blame
On perpetrators of
The outrage that most freshly has induced our shame
And dissipates our love.

But this would be to hide our guilt
At similar events
That other so-called freedom fighters have but built
And empty rage foments.

The question that we must address
Is why these souls should choose
Defection from their lives of love, and thus aggress?
Why do they not refuse?

What is there that holds them in thrall
And draws them to a place
That their forefathers chose to leave for freedom’s call?
Is it a search for grace?

Is it the hope of paradise
Should they in jihad die?
Seventy-two-virgins is perhaps the promise
On which they then rely?

They claim that Allah is their lord,
that Islam is their life.
They spurn the pen; relying solely on the sword.
The Quran is a knife

with which to cut the Gordian knot
that engirdles their guide.
The jihad route to paradise, the unbeliever’s lot.
But we are mystified.

What must we then on our side do      
that hold freedom dearly?
I just demand the freedom that I give to you
Car moi, je suis Charlie.
we hang on to that ****** thing

hoping it will bring

us luck

does it?

does it?

the **** it does.




shove it,

don't hang on

don't love it




In these vaults where faults are bound to overwhelm me




the Skipper's all at sea and we are all alone




a helmsman with no land or home to tide him by

a reason only if to

if I want to

want to

die or why it has to be this way?




An Oracle would bid me sit and say.

'why hang on at all

Rome built in a day will fall'




it all takes time.




Time is just a cross to bear

a watch to wear,

a moment

dare we look?

dare we

do we give a **** about that thing?




what thing?




I've moved on away from that thing




that thing never did me good

I thought it would,




at one time

I thought the World was flat




that thing

circumcised my brain




colonised my train of thought




I need a ripcord

a Gordian sword




I found it in the word.
Isoindoline Oct 2012
Temptation,
laugh at me—
we’ve been here before
together
this is the part where
you slide your hands down my sides
and whisper—
Sweet Nothings
about how we could
bend and twist
and it sounds like
such a rush
until I remember how
last time you just
made me
a Gordian Knot
that I had to cut up
from sheer frustration—
But I threw out
the scissors when I was done
and I really
don’t want
to shred this one apart
with my teeth—

That would hurt,
you know.
Yeah, okay.  The title is a not-subtle double entendre.

— The End —