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"fretboard" poems
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
0
Apr 4, 2014
Apr 4, 2014 at 2:42 PM UTC
Guitar Sauce
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
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54
Forgot what I searched for to find heaven. But I know that at the age of seven I seized my mother’s phone and found a god. He led me to an arresting world with strings. Strings that swept your hair the way the wind does when your ego would reach the sparkling skies. They touched your heart no matter how heartless. I refused to blink because if I did I would miss a second of his gentle fingers gliding across the maple fretboard. And no sane person would want to miss that! Strings danced back and forth as he played a chord. Oh, his fingers grew sore, but calluses helped desensitize them from aches and pain. The instrument he mastered was waiting to call him master cause’ guitars love how he manipulates and makes them his slave. Strings begged for his touch, for sounds they could make. My eyes felt heavier than dense gym weights. I mustn’t stop gazing if I want to stay lost in heaven. So **** riveting! “School is tomorrow.” ****** I forgot.” “Give the phone back. Hmm, what are you watching?” “Heaven.” “What did you say?” “I said heaven.” Mom didn’t say anything afterward. A few hours came, she asked for the phone. I gave it to her, prepared my backpack. Maybe in a different universe. I would have proclaimed, “Don’t take the phone back.”
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Jan 8, 2022
Jan 8, 2022 at 4:34 PM UTC
Don't Take the Phone Back
Your fingers traced the curve of my forearm like an atlas that mapped out the route that would lead you back to your heart, but you knew the journey was a labyrinth as complicated as the waterways of veins beneath my skin, so you removed your hand. Instead, your fingers found their familiar solace upon the sturdy neck and trembling strings of your guitar. You plucked each one intently, running your hand down the edge of the fretboard and feeling each chord reverberating within the empty space of your every capillary. I moved my gaze to your eyes, the black holes that have always swallowed me whole with the promise of never regurgitating me into bigger pieces than what I was originally. I found myself reminiscing to a time whenever your eyes were identical to the ground we laid upon the afternoon we first decided to find versions of ourselves within the shapes of the clouds. But ever since, the innocence has slowly seeped from your expression and a stare as hard and cold as stone has taken resisidence in its place. I allowed my eyes to slowly drift closed and suddenly I began to feel each strum of your fingers within my rib cage, the notes sketching portraits of a love never experienced upon my internal organs. When you stopped playing, your hand immediately reached for the long-necked glass bottle resting upon the edge of your night stand. You brought it to your lips and tipped your head back, slowly drinking in every bad decision you have ever made and the after-taste that you had begun to crave. It burned your throat like acid, but each swallow was a reminder of just how hollow you had become. Your fingers found their place once again and I readjusted beneath the weight of your expectations. I draped my legs over your bed like every profession of love that I have never said that hangs from the brim of my lips. My fingers danced across my thighs to the beat of your song, one not as familiar as the one of your unrequited love, but I still managed to dance the same. And we seemed to lie like that for an eternity, you focused on every chord that never came out wrong like every word you ever said to me, and me basking in the sound of your unspoken promises and confessions just waiting for the day when they become reality.
0
Jul 16, 2013
Jul 16, 2013 at 3:30 PM UTC
Heartstrings
Your fingers traced the curve of my forearm like an atlas that mapped out the route that would lead you back to your heart, but you knew the journey was a labyrinth as complicated as the waterways of veins beneath my skin, so you removed your hand. Instead, your fingers found their familiar solace upon the sturdy neck and trembling strings of your guitar. You plucked each one intently, running your hand down the edge of the fretboard and feeling each chord reverberating within the empty space of your every capillary. I moved my gaze to your eyes, the black holes that have always swallowed me whole with the promise of never regurgitating me into bigger pieces than what I was originally. I found myself reminiscing to a time whenever your eyes were identical to the ground we laid upon the afternoon we first decided to find versions of ourselves within the shapes of the clouds. But ever since, the innocence has slowly seeped from your expression and a stare as hard and cold as stone has taken resisidence in its place. I allowed my eyes to slowly drift closed and suddenly I began to feel each strum of your fingers within my rib cage, the notes sketching portraits of a love never experienced upon my internal organs. When you stopped playing, your hand immediately reached for the long-necked glass bottle resting upon the edge of your night stand. You brought it to your lips and tipped your head back, slowly drinking in every bad decision you have ever made and the after-taste that you had begun to crave. It burned your throat like acid, but each swallow was a reminder of just how hollow you had become. Your fingers found their place once again and I readjusted beneath the weight of your expectations. I draped my legs over your bed like every profession of love that I have never said that hangs from the brim of my lips. My fingers danced across my thighs to the beat of your song, one not as familiar as the one of your unrequited love, but I still managed to dance the same. And we seemed to lie like that for an eternity, you focused on every chord that never came out wrong like every word you ever said to me, and me basking in the sound of your unspoken promises and confessions just waiting for the day when they become reality.
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8
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
0
Jun 13, 2012
Jun 13, 2012 at 11:38 AM UTC
“Magic school bus graveyard is where we all go to die.”
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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38
As a consequence of my conscious decision to rendevouz with self centering mind the power of words to create , to compose the unheard symphonies of small time intricacies and fast ride hair raising cold brushing feet failing wing taking heart soaring , bone marrow crushing delectable yet disgusting .... it's a strange place , yet made streamlined still by the number of multi dimensional  infinities on the horizon sitting on one window sill one space filled, known in time, moment of wondering reason and wondering rhyme no sordid or morbid tune keeps up to long and even then - feeling is feeling's tune feeling is feeling undue, feeling all the while whenst the secret encloses of mind unravel and intertwine check list. Fretboard harmonies strike bass line discord to form in own accord relations and relate to late lives past and on time lives present always running with time not out of it in dew dipped grasslands wild horses run free dragonflies in hair and silver teeth glimmer against the rising sun pushing each other to the best we can be , we are just the lost kids, found. gaping holes in chests that need no name or can't be pinpointed by a single needle that can't be filled by the love of one but only a pack only a tribe running , 40/40 home .... and this time YOU are my homie , i've already run the distance made it. gotta feeling , we are gunna win all of us, in whatever endeavor we feel - beings of this oh so gracious earth whose abundance is a burning flame within the vast cold depths of spaces in refutable habitat , children who never grow up from the mother earths arms - no need - no need - no need - no need for any more running we've reached the home and now , it's time to Party!!!!!!!!!!!!!!!!!!!!!!!!!
0
Aug 16, 2013
Aug 16, 2013 at 2:57 AM UTC
typewriter quickslips
As a consequence of my conscious decision to rendevouz with self centering mind the power of words to create , to compose the unheard symphonies of small time intricacies and fast ride hair raising cold brushing feet failing wing taking heart soaring , bone marrow crushing delectable yet disgusting .... it's a strange place , yet made streamlined still by the number of multi dimensional  infinities on the horizon sitting on one window sill one space filled, known in time, moment of wondering reason and wondering rhyme no sordid or morbid tune keeps up to long and even then - feeling is feeling's tune feeling is feeling undue, feeling all the while whenst the secret encloses of mind unravel and intertwine check list. Fretboard harmonies strike bass line discord to form in own accord relations and relate to late lives past and on time lives present always running with time not out of it in dew dipped grasslands wild horses run free dragonflies in hair and silver teeth glimmer against the rising sun pushing each other to the best we can be , we are just the lost kids, found. gaping holes in chests that need no name or can't be pinpointed by a single needle that can't be filled by the love of one but only a pack only a tribe running , 40/40 home .... and this time YOU are my homie , i've already run the distance made it. gotta feeling , we are gunna win all of us, in whatever endeavor we feel - beings of this oh so gracious earth whose abundance is a burning flame within the vast cold depths of spaces in refutable habitat , children who never grow up from the mother earths arms - no need - no need - no need - no need for any more running we've reached the home and now , it's time to Party!!!!!!!!!!!!!!!!!!!!!!!!!
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26
There’s a body smeared under my finger Or maybe just dust Guts pressed into the keyboard The streetlight across the road is tilted at the top Wires dangling strangely They might drop at any moment And set the neighbour’s flesh on fire I couldn’t give a **** Everyone keeps telling me I live in the bourgeois district There’s a church opposite here For the past three sundays I’ve played industrial noise during mass Hitting my guitar so hard my fingers bleed into the strings And all along the fretboard “Sounds like the bowel of a ship” “Is—is that music?” Wrists are beginning to collapse in on themselves Fill the void Shut shut Open the windows Shut shut Play some Swans Shut shut Close the windows Shut shut It’s too early Worthless It’s too late Worthless Look in the mirror There’s nothing Look at your father There’s nothing Look at your friends There’s nothing She’s gone Far away She’s gone Left you She’s gone Lost you She’s gone Failed you **** up Up Drop out Out Take some acid Acid Blow your brains out Out Emergence: The philosophy that consciousness arises out of the physical structure of the brain Scramble it and we’d no longer resemble the same persons Just vessels hosting multiplicities that alter as they deteriorates Give me five tabs, then Spike through the cerebrum Phineas drunk on the pavement Gage dead but still walking
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Feb 7, 2016
Feb 7, 2016 at 7:33 PM UTC
a deteriorating vessel
I love your hands So beautiful So strong The way your fingers dance upon the fretboard as you play a song The tenderness in your fingers as they caress my cheek something you always do before drifting off to sleep The warmth of your hand as I take yours in mine As we stroll through the bush birds singing the weather fine How gentle they are As you hold our grandbaby in your arms Nurturing full of love and always so calm Playing the guitar made your hands strong I love their beautiful shape your loving fingers long
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Jun 24, 2018
Jun 24, 2018 at 10:35 AM UTC
Beautiful Hands
When we're together It's like escaping to a magical land Locked in a stuffy room Our desires reigned recklessly free Keeping away the harsh realities of our lives Passionately intertwined as one In each others own madness Your fingers are minx like Dancing across the fretboard with thoughtless grace Strumming your thoughts through our kisses With a sharp twinkle in those quiet brown eyes Every song feels like reliving an old memory One you plucked fresh from my soul I love the way cigarettes rest on your lips A classic addition some would say But in it I see the self made man you are The way your fingers elegantly roll tobacco Baffles my clumsy mind Could a mortal be so beautifully designed?
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May 8, 2017
May 8, 2017 at 9:01 AM UTC
*** Guitars and Cigarettes
The last time I felt like this I was a high school freshman trying out this new word as if I'd just heard it. My mind escapes reality on its own accord and returns to moments where your summer brown eyes made my chocolate brown eyes melt. The image of your neck gently curving to listen to music replays in my head like an old jazz tune, like I'm a chord holding out for resolution. I sway in memories of watching your reflection in the upright piano, eyeing your hands gliding across the familiar fretboard, as I played alongside you. I am bound to your smile. I wonder if you've ever had a love poem written for you? I wonder if you even think about me? I wonder if you even know you inspire me.
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Jun 20, 2017
Jun 20, 2017 at 1:23 AM UTC
love poem #3: i wish we talked
hey, not bad kid. you been practicing that? learning all the tricks, figuring out the secrets, putting in the hours, working hard, doing what you live for? I can tell, and someday, they'll put your name up in the big flashing neon lights, you'll be a superstar, they'll all love you then, they'll watch you intently, gazes fixed and eyes widened. then you can show them all about your skill, your technique, more flawless than the thoughtless fingers of a master guitarist as they dance and flutter over the fretboard. because you-- you have ideas that nobody else has ever thought. you've got it down! you can make it float in the air like a leaf, wiggle like a worm wriggling in the mud, swim like a slow-motion-astronaut jumping on the moon, quiver and flip over like a struggling fish on the deck of a boat, spin like a top, even sprint across the finish line like a breathless runner. but none of that, kid, is worth **** unless you can make it sing. and i mean fly like a falcon, effortlessly though the air, soaring, beautiful, mesmerizing. you have to cram it all, every emotion, thought, every piece of piece of this puzzle that is existence, and jam into one note, one step, one jumpshot, one stroke of your magic paintbrush only you can use, and then, maybe, somebody will notice you. so keep trying kid; you never had a choice.
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Oct 11, 2011
Oct 11, 2011 at 4:57 PM UTC
making It
arthritic hands search the fretboard finding chords that hurt the least the old guitar brings a toothless grin then we sneak a sip of whiskey
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Oct 13, 2023
Oct 13, 2023 at 9:02 PM UTC
Pappy's Party
it is strange that I find you here unpopulated w/o a bottle of ***** and orange juice in backpack w/o a ukulele in hand with which I would sing about drinking alone and my ******* roommates. with the moon close to the fretboard and the electric lit windows of the residence halls like constellations closer.
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Dec 4, 2016
Dec 4, 2016 at 2:51 PM UTC
on sitting on a campus hilltop
Only on the fretboard am I comforted anymore the fretboard is my best friend & companion the fretboard is my voluptuous lover the fretboard is my interpreter, confidant & knowledgeable guide i am lost without it My crooked path winds on and on you know where you can find me
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May 20, 2014
May 20, 2014 at 1:49 PM UTC
Stories & Statements #97
fingers dance up and down the fretboard a violinist gives voice to endless frustration ~ lyrics hold endless meaning - damaged souls tangle themselves in the chords, ******* vitality as milk from a mother to drown out endless white noise ~ tears roll down cheeks pale from lack of sunlight, glimmering with tiny flames as heros conquer the demons we /wish/ we had the bravery to tackle
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Nov 18, 2014
Nov 18, 2014 at 7:06 PM UTC
We Say it so Many Ways
To the guitarist perusing the fretboard in boring , endless combinations , my ninety dollar ticket for a migraine headache in the back row.. For the artist throwing paint on canvas and decreeing this art I offer my head scratching amusement . To the 'gifted hands of the physician' whirling poor people into the river of bankruptcy I've nothing but scorn ... To the Garbageman and the 'Street Sweeper' my lifelong admiration ... For the 'Laborer' and 'Ditch Digger' my endearing praise , 'twould be an honor to have a 'Janitor' occupy the crown of my dinner table on any day !
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Mar 12, 2016
Mar 12, 2016 at 1:46 PM UTC
My People ..
*Flurries of call and response , electric guitar notes travel over these Oak floors , escaping through an open window bound for a star , my grandson could quite possibly receive the songs coda from an extraterrestrial musician yet unknown I pray for alien language to be music , I've so much to tell , , so much hurt to describe , so much passion and understanding stored in my souls living well If we could communicate love through a fretboard vocabulary I would wail*
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May 1, 2016
May 1, 2016 at 10:22 PM UTC
Goodnight ..
I got my first guitar when I was 10 years old. It was a navy blue Ibanez from guitar center. It was used and when I played it It sounded like a shriek more than anything of music, but it was mine. I’ll never forget the first time I sat in a soundproofed room at that music school With Jimi Hendrix posters on the wall, playing the riff of “Satisfaction" by The Rolling Stones completely off beat and thinking to myself that I had found magic. Back then, metal strings still made my fingers bleed and I used to forget song formats and my rhythm was horrible no matter how often I used a metronome. My second guitar was a matte black Jackson with a sharp headstock. I drew flowers on it with a white sharpie and took out springs in the back Which made the bridge float until it was almost unplayable. But I didn’t notice and I didn’t care because it was mine and I still played with my eyes closed and sang off key I used to scream the lyrics to Green Day songs and I felt like I knew who I was I used to be unafraid and though Posters on the walls were replaced, white walls were painted dark gray somehow that school still felt like home With music blaring through practice rooms I think I’m always going to miss the sound of music Not professional, produced Not crisp and clean, but raw music played by teenagers who could eat 6 boxes of pizza in 20 minutes. I remember walking in the rain to the CVS across the street Joking and laughing I remember growing up with friends that became a family My third guitar was a Fender Stratocaster, sea foam green. I bought it used and the fretboard is chipped but its mine. Now my hair is its natural, bleak dark brown and I prefer indie to hard rock but I am still me. And I don’t think I’ll ever become the musician I once wanted to be But I know that music is seared into my soul And that’s the only thing that hasn’t changed.
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Jul 24, 2019
Jul 24, 2019 at 8:28 AM UTC
who i was yesterday
I got my first guitar when I was 10 years old. It was a navy blue Ibanez from guitar center. It was used and when I played it It sounded like a shriek more than anything of music, but it was mine. I’ll never forget the first time I sat in a soundproofed room at that music school With Jimi Hendrix posters on the wall, playing the riff of “Satisfaction" by The Rolling Stones completely off beat and thinking to myself that I had found magic. Back then, metal strings still made my fingers bleed and I used to forget song formats and my rhythm was horrible no matter how often I used a metronome. My second guitar was a matte black Jackson with a sharp headstock. I drew flowers on it with a white sharpie and took out springs in the back Which made the bridge float until it was almost unplayable. But I didn’t notice and I didn’t care because it was mine and I still played with my eyes closed and sang off key I used to scream the lyrics to Green Day songs and I felt like I knew who I was I used to be unafraid and though Posters on the walls were replaced, white walls were painted dark gray somehow that school still felt like home With music blaring through practice rooms I think I’m always going to miss the sound of music Not professional, produced Not crisp and clean, but raw music played by teenagers who could eat 6 boxes of pizza in 20 minutes. I remember walking in the rain to the CVS across the street Joking and laughing I remember growing up with friends that became a family My third guitar was a Fender Stratocaster, sea foam green. I bought it used and the fretboard is chipped but its mine. Now my hair is its natural, bleak dark brown and I prefer indie to hard rock but I am still me. And I don’t think I’ll ever become the musician I once wanted to be But I know that music is seared into my soul And that’s the only thing that hasn’t changed.
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30
There in the time, were you. Burning like light and moving like darkness. For being complete is nothing less than nothingness. Maybe the hair strands are meant to cage the breeze. It is after all not an innocent brush of a passer-by. But a gaze, burning through every book employed to cover art, and every scent used as a decoy. A drizzle of steam on a melting face. An enactment of a blatantly romanticized pull, tugging at every vein to stand out in utter disbelief, what on earth befell the first hand that touched another? There is a breeze stuck in your hair. "How?" Just like a bird begging to be free, although aware that the wilderness will be its death. Maybe cinders are what birthed most of us. And instead of being cherished, we were set ablaze. And just like a volcano, we forgot how to erupt, we found peace in drifting arms. Although somewhat boiling, we were frozen to fever. Maybe we aren't showers and sunlight but floods and hurricanes. I've been searching for a window to a day, when words will have faces. Smudged, smiling and shy. All I found was a peephole to the midnight, when faces won't have words. We can but touch glass to reminisce the hand held on the bridge behind a poster promising a longer summer My words need meaning, they said. A profound lack of lustre is ******* the verses dry. The absence of a will to not frame riddles, is murdering every blot of ink in red. A noose hangs low from the title, and reaches the name by the time the sentences end. Every word comes as a punch of flesh on stone, unnecessary. A lucky draw of words thrown about for a prize less lottery. What is more beautiful than an autumn of mess? More meaningful than a heartache of happiness, a nosebleed of ecstasy, a pint of pain with gin and love? More laborious than saying everything and nothing? Time is a fretboard. "How?" When we kissed, couldn't you hear the first note of the concerto?
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Nov 27, 2020
Nov 27, 2020 at 3:47 PM UTC
The Litter Of Vivaldi
There in the time, were you. Burning like light and moving like darkness. For being complete is nothing less than nothingness. Maybe the hair strands are meant to cage the breeze. It is after all not an innocent brush of a passer-by. But a gaze, burning through every book employed to cover art, and every scent used as a decoy. A drizzle of steam on a melting face. An enactment of a blatantly romanticized pull, tugging at every vein to stand out in utter disbelief, what on earth befell the first hand that touched another? There is a breeze stuck in your hair. "How?" Just like a bird begging to be free, although aware that the wilderness will be its death. Maybe cinders are what birthed most of us. And instead of being cherished, we were set ablaze. And just like a volcano, we forgot how to erupt, we found peace in drifting arms. Although somewhat boiling, we were frozen to fever. Maybe we aren't showers and sunlight but floods and hurricanes. I've been searching for a window to a day, when words will have faces. Smudged, smiling and shy. All I found was a peephole to the midnight, when faces won't have words. We can but touch glass to reminisce the hand held on the bridge behind a poster promising a longer summer My words need meaning, they said. A profound lack of lustre is ******* the verses dry. The absence of a will to not frame riddles, is murdering every blot of ink in red. A noose hangs low from the title, and reaches the name by the time the sentences end. Every word comes as a punch of flesh on stone, unnecessary. A lucky draw of words thrown about for a prize less lottery. What is more beautiful than an autumn of mess? More meaningful than a heartache of happiness, a nosebleed of ecstasy, a pint of pain with gin and love? More laborious than saying everything and nothing? Time is a fretboard. "How?" When we kissed, couldn't you hear the first note of the concerto?
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17
Bright stage lights, adrenaline rush, ear-splitting screams for my little rocker— not so little now. I see her on the big screen, but I remember when she cried— stinging fingertips, frustrated fretboard fights— couldn’t get the chords quite right. Then she learned her first riff, played it on repeat seven days a week. I watched you take down the posters in your room, pack your amp in a beat-up case. I stood in the driveway, watched the cab pull away— rain streaming down the windows, deep breath, hands shaking. You didn’t look back— and I hope you never do. You had bigger places to be. A buzz, and a roar— the first chord rings out, wild screams echo, and I’m just one in the crowd. You don’t see me anymore, but through all the noise, I was your first fan.
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Jun 29, 2025
Jun 29, 2025 at 4:13 AM UTC
Your First Fan
The bass player for Korn Reginald “Fieldy” Arvizu Plays in a distinctive style Using the slap bass technique By down tuning the bass guitar To the point where there is enough slack in the strings That they hit the fretboard while playing Slapping the bass He also increases the treble significantly Accentuating a recurring clicking sound throughout their recordings Some people view this positively I feel it gives the music more texture Like putting a little pepper on the song But some hate it They say it makes Korn’s music unenjoyable And annoying A little clicking noise Makes their music instantly horrible For some people it’s never good enough They will always be listening for your small clicking noises And demand you change at their whim Ordering you to tighten your strings until they snap They say Fieldy ***** They say Fieldy is a ****** bassist While never putting out any content themselves So they can throw rocks from the dark Forcing one to ask themself Who am I making this art for? The fickle and ignorant masses Or the jaded and pretentious elitists? The answer must be neither Art must be made for the self With the hope that others will be able to relate And whatever your craft is Some people will appreciate the hard work and dedication And some people will hear a small clicking sound You just have to slap their face With the way you slap your bass
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Jan 13, 2019
Jan 13, 2019 at 12:04 PM UTC
Reginald Arvizu
An Augmented Villanelle Long ago **** Taylor quit playing for the Stones And we got hot stuff at the Memory Motel Everybody hold up a lighter on your phones! Then Harvey Mandel got fifteen minutes of fame! And played fretboard taps into a Seventies shell But he's back with a highly unauthorized game It's true, some cover tune classic rock bands are lame But these guys rock like the end of a Pipeline swell Then Harvey Mandel gets fifteen minutes of fame! Tonight I'm looking to see who's wearing crossbones At Sweetwater where they pour a premium well Everybody hold up a lighter on your phones! It's wild, fans are parking in 'no parking' zones And the young millennial crowd is getting still Long ago **** Taylor quit playing for the Stones Look who's back with a highly unauthorized game Everybody hold up a lighter on your phones! Once again Hot Stuff gets fifteen minutes of fame With Rudy & Friends playing hits by the Stones!
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Jun 5, 2018
Jun 5, 2018 at 10:20 PM UTC
The Unauthorized Rolling Stones
Fell through the alligator’s snout Picked his teeth clean out Landed on a duelling banjo's tail Herein a Minneapolis trail Piously thumbed a black crested wave Buffeted by the pick up from the bridge Seized by turbulent string vibrations Singing to survive; drowning in awkward silence Cajoled and plucked on a tight-rope score Pounding pain within lifes neck Mics backfiring: boardwalkers selfless feedback Toe tapping, heel thumping discontent Fighting for humanity Evil running through crashing cymbals Miasmic lyrics pushing to survive Trade winds heading south Thrown ashore in the gutter Soaked from harmonica to soul A sliding quiver shackles societies skiffle Now climb your fretboard to heavenly freedom             Those who cannot breathe                    Legislate in due measures: equal rights and respect             Civilisations blues are out of tune Levitate the knee of wilful contempt
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Dec 10, 2021
Dec 10, 2021 at 9:28 AM UTC
Deliverance: A blues story