To Incorporate Institutional Effectiveness into
                                 Our Everyday Language**

)/)/)/ is updating our assessment plan for
Instructional units beginning this fall
2016 semester. After
Visiting with /)/, our SACSCOC
Consultant and Dr. /) yesterday
About our assessment process, it was
Determined that it is in our best interest
To clarify, verify and hopefully
Simplify the current random selection
Assessment process. Therefore, in lieu of
The use of the random selection process,
The plan for this semester and moving forward
Is to assess all students in all sections
Of courses used in the assessment process
And to report data on all students,
NOT just assessing or reporting data
On a random sample. In order to provide
Appropriate artifacts, we will choose
Representative samples (examples
Of great, fair and low achievement artifacts)
To be included in the artifacts
Collection for SACSCOC reporting. However,
We do still need to collect all artifacts
So we have those in the event they are
Needed. This will give us a better picture
Of how our students are performing.  

I know that we are changing directions
And I ask that you be patient as we
Navigate through this process and determine
How best to collect, assess, and use the data
We receive to make continuous improvements
For the good of the students and to
Incorporate institutional effectiveness
Into our everyday language.

Thank you for your willingness to assist
In this process and determining the best
Ways to help our students. Stay tuned as we
Look at and develop some additional
Templates or formats to report the data.
Please share this information with your faculty.

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

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.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

Prelude  PART I


"Today when the threat is looming, as close apocalyptic years approach, it will be by cohabiting itself and the ruining valley of debris, which will make this world corrupted the next issue of the numeral scale of the new count, a rising hyperspace , concerning the parts of the kingdom of God ... "

Then on the Lord's day, John saw the glory of the risen Christ, and she understood from the point of view of God, he saw that the fate of the Church and threatened in the first persecutions took the appearance of a dark beginning.
And the time John wrote the Evangelist, including books were Jews called Revelation, that is, "Revelations". With fantastic images of monsters, angels and cataclysms, evidence of the Jewish people are stressed and are invited to await the judgment of God who intervenes from heaven with all his power.  So my beloved world is harsh and does not represent an apocalypse, but it is the true reality is when I will bear its overwhelming slaughter.

" Today when I walked with my winged feet near my friend Victor, I confided down the road crushed by afflictive legs; how difficult the taste of laughter when the decadent surrounds you, the human, the vile, the loose ...
Even though the celestial charisma invoke his memory and help nourish the weakness of Robert in hyperspace, with clean clothes, I can see his beloved mother consumed as automaton can take care of him. She is also her father, because it carries rooted in its members and manners, infinitely sharp look; in their arms they will gather wherever his soul is under his patronage that lives there ..."
I am  who  say that Roberto is a dog, who bears all the faces of dogs humble and serene. Perhaps tired of hearing young people, it is flush adults who do not accept, and who do not share as young faces were watching them, getting them to receive them what they should disclose them.
This is how we are numbed and distraction is fleeting, and he looking aside in his astrayed, he would be saying ...:
"Among the cradle and the grave I have a feeble scaffolding, and then complains, though his other I demolishes; unsconcient defends his executioner ... that the threat of death is its widespread depravity, which dominates it and want to go on like mortifiying.

      I want to talk about life ..., he said in his short years of life, which is more of it; possibly coming to complex, what our Somatic territory responds in normal or involuntarily. Comparative anatomy, and its innermost portion, the link body and mind, as a pure white as Samadhis and nature.
Homeostatic factors regulating our vitality, making its experimental modification, increasing to evolution, or maturation as a criterion of personal psychology go with the passage of time into in the depths of our mind.
Thus in a known threshold of Vedic architecture, its sensitivity is excited by regulating the effectiveness of the response to be made ... and everything related to the world of Ludwig Garroch; brother Robert in his strange Emigrate.
Yesterday when my arms away from hers, my fingers pounding away and recording what the heart more than a song, was a symphony sonata with a single end, long and sustained movement; It was the adage inner melancholy with an eye romanticism, which dominates the
passions of the visible world, which inhabits Antonieta, causing me, unbalanced living.


                                       CHAPTER I


In the beginning years of his childhood, little Ludwig sitting at home, in the gallery. Ask her aunt who was ironing ... Madelain, how I would always be a child of five ...?, And being as such, a privileged to receive toys for many years. Attentive aunt, maybe go to hear with little complacency as his hands only want unroll clothes.
After two years at the age of seven, when her aunt arranging his coat to go to Mass, she teaches a carol that had been taught in childhood. When many wondered whether there is a Santa Claus ...?, And among his friends they looked to unravel the mystery. One year later, when he enjoyed his unicycle, who just dominated him, called him a cousin telling her it was her birthday. He did not hesitate to go to find out what was behind the call, so he found the means by which we celebrate, we live and cooperate towards happiness and delight to have us at each other.
Not long after a friend told him .. "You do not have ten years are too big And Ludwig thought he was well endowed and well stopped, so not your friend was wrong in the above. It is my label and my stance has put the world on me.
Every passing day came the stamp of manly character, a woman or girl who made change her hairstyle, and he did dress more attractive every day.
Later, in his teens, his gaze was well received and their voices radiated security screening. Where He must continue the line of men. Even when I was living as smoothly, looks out strong destination with which calls us to live with skin clean or *****, because it is inside the feeling and the pain does not come out, it is enclosed by the overflowing affection. Here is the portion of good or evil haunting things casual and destroys the healthy, it fertile.

                                        
              ­                           CHAPTER II


Then was a year with a sports compensate pleasant summer sated outdoors, almost fugitive ... will not wonder that life smiled on him serfdom, and very willing opened his prudence.
Every time I decided to go to his favorite places, he went with his burly comrades in the best mood to conquer optimistically. Thus, no wonder he wanted when he was alone and put your reasoning judiciously, because nothing is distant, nothing is impossible.

After unite desires and forces, to clean your bike, piece by piece, in full sun know much security would not allow the mother of vices ruin their fun, that scarce alive to possess the desire to move and go on compliance instinct. Casts on itself, the vigor of the inner, its desolate world full of free enthusiasms who obey no doubt the vital complex activity.
Ludwig and entering the maelstrom of men love hate Godson, you can glimpse the friction with the air, with people ... I wore. That their voices heard their soul contracts, and thus puts light feet towards an acceleration which does not afflict his troubled stomach, nor regret his decision and put fearful, but, bring himself retained encouragement of his mind to remember the maternal cooing, comfort and timely relief to protect forever the suffering, the suffering of torment without end, not he shut the inspiration of the good man that no harm will result, and not for nothing the valence of living and not quarrel prancing. No existing could shed some light on what role, and that little thought is not complicated, and thus shown kneeling and unable to distressing oppressors and agents tangled conduct to chaos, those characters of ambition and discrimination.
Ludwig, who lives in the Ecologist City, where large forest ... budded, is home jungle floral site, whose relations are flowers, trees ..., next to Strange birds migrate flower in her intra nature reproduced, and pods evacuated by butterflies.
His close friend, is the watery and salty sea, which is beloved because he falls in love, puts on alert and curses him by his surroundings and invoking him. Anyway, it dwells wherever it is, and is accepted as a basic element of the universe.

                                    
                                         CHAPTER III

The act of tender love would be fulfilled later ..., what his voice fell silent and had his eyes and heart fortify, which will be linked from far inside.
At night, with Roderick going to a festive night, they climbed the rungs center alone, with heat in his shirt skin later. And in a deliberate action, someone asks you a sign that taking care tired and distinguishing see that John was his friend, school mate. He did not hesitate, he approached, greeted him and his sister and a cousin when she noticed well, he saw that he wore perfect for your night.
Debra wore elegant, dark clothes and sang with her dark brown wavy hair; his white brunette and harmonious ****** complexion line, gave her constant reflection. Fate was present, as it would not go around the world to be looked at by someone, he would watch his choice. Little was said, he only realized he was not passing and North America came eleven years ago.


They roasted the hours and the party ended, Ludwig remained with her new friend and his old friend John. They went downstairs, thinking about committing his new friendship, as I had noticed a slight interest in it. This happened and the meeting lasted for several hours.
The next day, he went to see her lawns roads where she lived, always with its mystique and kneeling the beast that wanted to impose upon him, that gives it excessive materialism unloved peace.
She arrives at her house, which was to John, though not very comfortable, but sure to please and attentive to host it.
And that night said much that was the tender feeling and liking her, but as his policy was rigid and concerning celibacy, only mattered to him, the unknown world of madness in his brawling to survive.
Time passed and deepened love, Ludwig went to say goodbye to his beloved, especially that he had faith, but that day would betray him. And so I wanted to put his heart and iron sleep peacefully, but Debra no secret  to tell ...:

"Ludwig, do not abandon our own, we must have faith, and I understand what it is. Ludwig rested and then brought her hands to her, hugged her and kissed all over her face, covering her eyebrows, nose, forehead, mouth; his lips positions in the middle of it, wanted to feel her warmth and tell her he loved her and would miss a lot of pain. But there was no show weakness, he must be strong and not to complicate the farewell from North America. Mourn scared him, because he had forged the feeling, because his aching grief was deep and it was at an undetermined point, with great desire to hold her and kiss over his face.
So ever, it was unbearable, she would like to die in his memory and had to remember in the collective thinking of his family circle. Which it fits the feel shivers ideas with sensations, such as the best in its inherent upstart point.

It was hard, as if more than man Ludwig out the feminine side of himself. But irremediable was the end, eager poisonous reaper approached. Ludwig hugged her, kissed her and stroked her right breast ... saying: "Do not forget me ..." and so left. Then he wrote her, that madness had transformed her away, but the distance was prevented against carcinoma being all postponed.
To know he could not boil your blood heavy thinking, they were contracted muscles. When he relaxed, he saw back through the hatch of his head, the soul that was in an ****** tragic holocaust, where Eros tenaciously and rebellion dictated its laws. Ludwig slept, and consciousness became natural color, as if it were safer, eternally fresh and manufactured this dream a poem ...:  

" That one corresponding to the celebration,
I wish to reunite with enthusiasm and strength ...
touching eyes closed
the sad sky, the dry ground, dried flowers
and people backward habits.

As meaning if it takes itself ...,
is the meaning
although they are scattered
in flows oppressions ...
the animosity of delight just widow and desultory,
losses and more losses at the time of aging ...
and profits to appease others.

For more like,
there seems to be a big drop ...
the same credibility ...?
and setting as a feeling
remain imagination stationary.

As hard it corresponds to the body,
It is destroyed inside ...
and hardened thoughts
tears falling to the esophagus,
without recognizing either way.

Who the pace of living is customizable,
and no opportunity is lost ...
but growing and creative
rears its profile,
as an unforgiven mirage. "


    Have been and unrestless forms of peremptory perceive, and when it starts to wander in my solitude, transporting my sorrow with grief, wherever I go I will take silent and vivifying separation completes the probable brain, which lives and endures in avidity stamped man with his need to want the Lord's command that made me forge this creation .--- he told himself, as a witness epilogue of his poem, albeit as the cry to its essence it was about. Originally from the Ecologist City, where reigned the wise and calm, where he healed their diseases, which has dodged the putrefaction of their wounds, where you inhale the aroms most want and cordoned off its without a grave lack of soft and flowering odour.
To believe missing, do not be afraid and trust that will grab everything, that not a drop of air was not lost on her fingers, which will not fail to display their imaginative stuff Alma Mater.
With all their eating, you want to cure your bad like venereum, and would go into the hands of a counselor or a warlock who extirpated the curse. Heal her feet and hands to despair, to heal the memory of his thought that I seasoned and voluptuous breaks the veins of his caleter, which seems not of it like a dwarf be provided with a dagger will break their venal, and this to commit such surgery, he laughs loudly with garnets eyes, full of the worst evil.

And this way Ludwig Garroch, vague without fear of rags, without fear of hunger or the messiness, only idles so that someday I can walk on the water surface, leaving their hydrocentric footprints where plankton reverence their sense of pain, his infarcted heart , her long fingernails of violence.


TO  BE CONTINUED….

It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine
Tuberculosis!"

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.

when marco polo sailed to china,
kublai khan was the emperor of china.

or what other privilege can i speak of, if not that celebration
of the bilingual, there rooted, the sword in slavic
and the sheath in pseudo-Germanic;
for what violence is to come
it will always retract in the Germanic
for a time-period of two-faced thespian
pleasantries,
           without the need for pleasantries
already waiting bloodthirsty,
        as said, the common motto
more true now with ***** farms of turnip
donors than ever before,
science has become arrogant, almost religiously,
it's arrogant, it's arrogant, it's arrogant,
and because it's arrogant: it's blind.
       high expectations for words so grand they
fathomed nations to be used in between
kettles, teacups, knives, forks and napkins...
where's the equilibrium economy?
     well, for one this sort of work is deemed "work",
intellectualism is nothing in the post-Germanic
world of English and Americanism -
if you ain't singing (citing the motto): you
ain't thinking... for the quick buck, doctor.
it's sad and almost revealing,
          a cursed fate of our fathers' indentation
on the world...
                 you don't grow a beard to look smart
while holding a book using your upper-body
to wriggle the jig of a song, the vanity of having
a double chin...
       the principle of ensō is to have things intact,
ensō doesn't exist outside of poetry,
      you don't drink coffee in between and
then flick to a sitcom for a "creative" break
to what is: an already generic narrative.
prose is the excess of narration, there are sparks
along the way, but nothing as convincing
as Stendhal's omnus...
                and could i have simply abandoned
that quasi-epic poem of mine that's two days old?
only having realised that all said things prior
and now, subsequently, after are instilled within
the ensō principle that's less axe on the gallows:
and more guillotine; which translates into
symbols and the effectiveness of *less is more,
what's the standardising canvas? alcohol,
i.e. proof.
               a poem can be nearing 100% proof,
something you'd use in a surgical theatre...
i have drank spirits in the 90 - 99% range...
          a poem can be considered to be in the >50%
range... after all... people are able to memorise
poems, or are intended to do so -
which is hard to conceive the Koranic attitude
toward poets, the Koran states an abhorrence
towards poets, in some surah of so-and-so number...
my problem is with the Hafiz: people who memorise
the Quran... as suggested from the above:
prose literature can be considered to be in the <50%
range... hence the need to extract spoilers /
quotes from prose books... something memorable...
and because prose is laden with too much
narrative lead, it sinks to the bottom,
into the unconscious, and is only revised within
dreams, when something synonymously-parallel
happens to us in your daily-narrated lives:
we are more prone to narrate than think
in terms of Jefferson and the light-bulb...
i wish i had the encyclopedic reference point where
the Quran explicitly states hostility toward
poetry... but thankfully the mere existence of
the Hafiz undermines the Quran as: the poetry
to end all poetry; and where does Stendhal
come into this? in the Red & the Black, the protagonist
is also a "Hafiz", in that he can recite the entire
Biblical text: by heart. i retain the this fact even
though the days spent reading that book
extended to many hours on the bus to school...
Julien Sorel / Ewan McGregor (in the realisation
of the book onto the screen)...
if the Quran attacks poets for their fickle-mindedness
i can only say: the mind is very literally fickle
in the first place, given:
a. the number of choices we can make, and
   b. the reversal of where the mind is embedded,
i.e. in the brain, and given the brain's complexity
and foundation in polymathic expressions
from the gymnastics of trivia, to the labours of
  singled-out interests... poets aren't fickle
  minded because they're poets,
   we're universally fickle minded, because the mind
is a fickle thing in the first place...
  to counter the complexity of the brain,
    only when the mind is found migrating into
the ******* region or the heart is there any sense
of determination to be seen...
clearly Muhammad migrated from the brain
   got himself a mini-harem and established a family,
****** Ali over on an empty promise and
immediately established a schism that took much
longer to be established in Christianity...
       i told you: my prejudices are personal,
they're not environment, i did have Muslim "friends",
i did read the Quran and i did sit in a Reagent's Park
mosque in my socks looking at the feng shui
minimalism... obviously the schism would come
from the place where a major element was used
in dressing up the mosques... persian carpets...
   and the fact that the Farsi loved their poetry...
the fact that the Quran is to be sang is basically
one poet, telling all others poets to come:
YOUR WORK IS ****!
                     that's feeble, esp. if you take the sword
out after when people tell you no.
   but that's what i don't understand, if the Quran
is so against poetry, doesn't the existence of
the Hafiz mean that it actually is poetry?
  could you find a team of such plonkers to memorise
a single chapter of Tolstoy's war & peace?
  i ******* well doubt it...
plus the whole mono-lingual attitude toward it
means for me to argue certain points with some
Sheikh Ali-Baba would means years lost
   to hark out a word of arabic...
      point being, any chance to learn a new optical
encoding of sounds is impossible,
the one i already have has eroded such a potential:
plus the fact that it's so different...
plus i spotted some anomalies in the system i'm
using: here's it's saying java, .dos, linux...
               oh don't feel left out from the computer
programming community: turn the cheek and
say in robo-slo-mo: psi-borg     (Ψ-borg):
it's the crucifix of the psychology community anyway (Ψ)...    
        i inherited the difference between
   s & ś                         a & ą -
or as one ironic German phrasing had it, a long long
time ago on a Catholic retreat in the south of France
(Taizé): vey didn't oonderstand my good Inglish aacent,
you know how Arnie sounds, right?
just like that... became the running joke for a few years...
you basically learn an accent having spotted
  diacritical markings... having been raised in
a phonetic-realm where diacritical marks are used,
and then growing up in a phonetic-realm where
they are completely disregarded... well,
it's not hard not sound English and then lurking
in the shadows if someone is calling your ethnic origin
as vermin... having such a kind remark as this one
to further the entertainment... i heard
that in America there's that thing called "white-privilege",
and that you can't be racist to a white person
if you're a white person... well... you won't be getting
any jazz and blues out of me sweetiepie, that's for sure:
politics, unfortunately; and what better way
to state politics than with poetry, or the tact within
poetry: telling someone to go to hell with them
anticipating the trip.

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



In response to the United States versus European Union  deliberations on Ukrainian- Russian stalemate  that were concluded on 25th may  2014 at Brussels , in which President Barrack Obama looked at the Putin’s political  behaviour in global set up of the postmodern era as a weakness, I beg to take my position within my capacity as global citizen, to go contrary to this stand of Barrack Obama by positing that President Vladimir Putin is a fact of global urgency , but instead it is Obama who suffers from universal class intellectual deficiency often  observed as insensitive rhetoric but branded as unmatched eloquence.
Firstly, let me give the sequential enumerations of facts which validate my position and hence this discourse. Barely the facts are; Ethnicity, Islam, terrorism, Guantanamo prison, Sino-African relations,Arab-springs,politics and human psychology and American political culture as state and an international citizen.
President Obama has always refused and rejected his ethnic connexion with Africa, he always refer to Africa as the land of ancestors. This is a stand that has most irritated Africans. Both in Africa and in the diaspora. Obama never learned a simple pre-industrial wisdom that every man needs ethnic identity for positive reasons. Because as per now Obama still stands as a Kenyan and as well as an American. This connotes a political fact that he is neither a complete Kenyan nor an absolute American in terms of political emotionalism. The empirical position of all these abode in the fact that there are a thousand and one Americans who feel politically belittled to be led by a first generation African American. Thus, a leadership fact has to be indentified in this juncture by inferring that, their voter consciousness as Americans is not fit to be crystallized as emotional resource to be enjoyed by Obama politics. In a sharp contrast Vladimir Putin has acquired substantial political strengths from positive recognition of Russian ethnicity. Putin recognizes Estonia, Crimea, Georgia, Serbia, Moldova and all small and poor lands around Russia in terms of ethnic connection to Russia. He calls these lands as the dear burial grounds in which Russian military heroes were buried. In a comparison, America has a lot of racial connection with Africa, but president Obama has earnestly worn blinkers on this. He only looks at Africa skeptically as a land of injured civilization in which terrorists abode. He has been wrong. African folk wisdom has a lesson that, you may not need your tribe in peace, only to need it in war.
Why did president Obama masquerade as a Muslim when he was vying for his first term? Moslems feel that he duped them only to turn around and **** their leaders. In Islam it is a heinous sin to pose as a Muslim when you are not one. President Obama mobilized the plotting which had to occasion the killings of Muammar Gadaffi and Osama Bin Laden. These two incidents fuelled high strength in anti-American feelings among the societies of the Arab world. Reasons are that both Gadaffi and Bin Laden deserved fair trial the same way Henry Kissinger was not tried when he perpetrated macabarous mass killing in Vietnamcong war. Muslim community least expected financial and ideological funding of the political hullabaloo known as the Arab Spring, through which heroic Moslem leaders were killed, to come from Obama government. But the contrary was surprisingly a fact. The meaning of this is that , in this tussle of show of mental mighty between Putin and Obama, All African and Arab states are behind Putin, China is behind Putin. Maybe it is Tanzanian and Ghanaian presidents who are in Obama camp, but not the Moslems in Tanzanians and Intellectuals in Ghana. The perceived rationale for this positioning inter alias is that the Number of North African Moslems in Guantanamo prison is the highest of all the detained terrorist suspects.
China is all over Africa today; African schools are teaching Chinese languages with passion more than they do with English language. The University of Nairobi in Kenya, has established the most prestigious Kungu Fu tze institute. Students in this institute are more self-confident and hopeful than those in schools of English and literature. China has designed a special business city for Africans, known as the chocolate city. Africans are more dignified in this city than their counterparts in Chicago.Negroes in Chicago of today still taste a vestigial pepper of negative racism on daily basis. All these conditions have graduated into appalling status from George Bush high school to Barrack Obama state University. These at times confirm the Russian Joke that Barrack Obama is an avatar of George Bush without a Nobel Prize. A political condition not evident during the Reagan and Clinton administration. Obama did not benchmark the shrewd equation of Vladimir Putin; good politics is equal to putting people at center stage.
Psychology of politics has a theory that being eloquent is not a connotation of political effectiveness. It may be sheer rhetoric. This is not a necessary variable for effective policy formulation and implementation. History of politics also has a testimony in confirmation of the same. The French society goofed when it fell victim of Napoleon eloquence, same to the Germans when they became emotional captives of Adolf ****** due to the razor sharp garrulousness of Adolf ******, which he adopted when selling **** values to German voters. In Africa Tanzania is the poorest country without hope of initiating any development this century. And all this is a preposterous protégé of utopian communalism planted through eloquent tools of prosaic socialism wielded by the articulate Julius Nyerere. The American society has also gone into annals of history to have collectively failed in its political choices as a national society by succumbing to rhetorical but policy insensitive conference management knack of the one Barrack Obama. These have happened in a capitalist conduit in which capitalism is killed by its success, just the same way which ignorance is never murdered but at most commits suicide.


Alexander K Opicho, is a social researcher at Sanctuary Research agencies ltd., in Eldoret, Kenya.  He is also a lecturer for Governance Research Methods.

A guy said, "Wow! My stress level
Has really dropped. I am elated!
I owe it to my meditation."
"Yes, and maybe endorphins," I stated.

"What?" he asked. "What do you mean?
What do orphans have to do with it?
I'm TRYING to share what happened to
My mind, and here you go and ***** with it."

"No," I chuckled. "You don't understand.
You see, 'and orphans' is not what I said.
It has nothing to do with orphans.
I was saying 'endorphins' instead."

"There you go again," he continued,
"Saying it over and over again:
'And orphans, and orphans.' You sound like
A nitwit with a capital 'N'!"

"I, a nitwit?" I said, astonished.
"You are the one who keeps repeating
'And orphans.' Now I see that trying
To reason with you is self-defeating."

"Self-defeating? B...b…but," he stammered,
"I was merely attempting to share
The benefits of my meditation.
Orphans are neither here nor there."

"Listen: I WASN'T saying 'ORPHANS'!"
I yelled. "And frankly, I have to confess
Meditation in your case is
Of questionable effectiveness."

"Although your criticism," he said,
"Should bother me, I will not let it."
He walked away, and as he did,
He mumbled, "And orphans? I STILL don't get it."

-by Bob B (7-27-21)

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3 hands


kidding hands,
an autocorrection title,
was supposed to be
kissing hands but either works

man overcome with an elixir of Sunday bed warming/charming/chilling, lukewarm "hot" coffee,
melodious love songs inducing
languorously hand-to-mouth,
five finger fore play love making

a potpourri of knuckle gnawing and gentling kisses
upon a hand borrowed from the a tablet holder,
while she reads the paper bemoaning the sorry state
of the world, the government permissions bad guys...
and weeps for the world we are leaving behind

a mood changer with 100% effectiveness

newspapers- a safe *** condiment

think I'll reheat my coffee

<•>

my hand

she cant sleep knows that I'm up at 2:08am composing.  
and showed her earlier today
the kidding hands poem
just as the lights were going down, downtown on
William's Measure For Measure

so at 2:09am her hand snakes over and wrap itself
around my thumb as if she was weaning an infant from
what infants like doing, or weaning grownup old men like me from doing at 2:09am, what they should be best leaving alone,
like writing poetry or it could just be the woman
pseudo-******* a poets thumb as a way of saying
can't sleep head buzzing and in between I love the
livening lying of living with your hands thumb in me

<•>
the facement of your hands*

dr. mandy is handy with a needling drink of boo boo bo-toxin
that auto corrects the face's reflecting times drawing upon it,
our bodies facement; an effacement I suppose, or maybe a
defacement.  

very little to be done to keep the *hands couture covering
from revealing what devolutionary year it is for you: why I write of the facement of your hands and why I kiss them, your hands,
lovingly, hoping the natural  toxins on my lips can ****** their aging,
and if they can't, then it is a great way of saying
I love you

<•>
  2:53am

Stops and starts  
tidbits and scribbles
3 years of notes and files
and pain filled ramblings
but nothing cohesive.

Instead, what’s written are
the short circuit musings of a brain  
on the mend after 25 years of  
miscellaneous addictions.

I gather all the words together  
and wonder what to do with them.
I contemplate deletion, but no,
there has got to be something  
here that's worthwhile,
something worth saving.

So I pull out all the lines  
that somehow feel right,
lines that have potential,  
lines that show me how far  
I’ve come since getting clean

and I write down the best of them
and then comment on each
from my current perspective.

     I used to chase the dragon  
     now the dragon chases me  
     across fields of wet leaves
     in the timid December sun.
(I must have walked a thousand miles while being chased)

      I force feed the feel good  
     to override the let down.
(One of the main reasons a user uses)

     There is no willing oneself to wellness,
     there are no bootstraps to pull on, and
     no self talk to conquer the chemical
     malfunction in my head.
(Without Faith and Hope, I wouldn't have made it)

      It’s a kind of spiritual act,
     A mystical replenishing of
     all the used-up parts of me.
(Could have said meditate just as easily)

     I knew it was wrong
     but I wanted it easy.
(Perhaps the most honest thing I have ever written)

     It makes me wonder if  
     the gaps I have are
     there to protect me.  
     But more so it makes me
     fear that hidden moments  
     shaped the core of me,  
     and when I don’t like me,
     what's missing are the things  
     that if I knew I could not  
     survive the knowing of them.
(I can only assume this made sense at the time)

     I do best when I live in retrospect.
     The present is too real.
     In the present my demon is here.
     In retrospect  
     I can choose to leave him out.
(So glad I got past this, and live solely in the now)

     When we exist for only ourselves  
     the world is not round,
     it is flat and we tend to fall off the edges  
     into pandemonium and unhappiness.
(Still so very true!)

     In all of my searching I  
     cannot find a way to love you  
     like you need to be loved.
     In other ways, yes, but
     second to what you want.
     But even so I want you to know
     you are my rock, my harbor,  
     my safe place, as consistent as  
     the dawning day, as reliable as  
     the setting sun, and as beautiful as  
     the harvest moon.
     Without you I am lost.
(She saved my life and she knows it)

     When I am close to God  
     I smell lavender.
(Don’t remember writing this but I like it)

     A common idiom -  
     don’t put skeletons in your closet;
     My father hung bones like he hangs his shirts.
(Never been a fan of “Do as I say, not as I do")

     I can't let myself
     be shamed for that  
     which I'm already
     ashamed of..
(Be kind to yourself!)

     I'm not afraid IN the dark
     I'm afraid OF the dark.
(The unpredictable loneliness)  

     I will never be happy because
     there is too much I don’t know.
(The need to be in control is a death sentence)

     There's an uneasiness with the  
     easiness of stress-free living.
(Chaos is a large magnet and I am sheet-metal)

     Sleep never satisfies for long,
     like a drug tolerance 
     its ability to provide escape  
     loses effectiveness over time.
     You'll notice this while dreaming,
     your dreams become more vivid
     and uncontrolled, a rolling
     tide of daytime worries warped
     into colors you can't escape.
(Sleep, by far is the most elusive aspect of healing)

     I am afraid of love 
     and that's a difficult existence 
     when your greatest need
     is also your greatest fear.
(Such a horrible paradox to live in)

     Pounding my fists on  
     the darkened altar in my mind
     makes the night much darker.
(A place I’ve been where you do not want to go)


The gap of these years has now been recorded.

I am free to move on towards what is to come.

symphony arrangement for poetry - personae distinctions of hidden violins and woodwinds, somewhere along the way brass - leaving Cabaret Voltaire (Zurich), moving to the Beat Hotel (9 Rue Gît-le-Cœur, Paris), ending up on the Cowgate (Edinburgh).

when you read newspapers you realise that dinosaurs roam
the land, the fortress of printing press, unlike the printing press
(which was taken seriously from the word go!)
the internet has been largely squandered; you read these
things in newspapers, the evolutionary reaction - ensuring that
among these dinosaurs are also opinion pieces, dinosaurs write accounts of what's happening, batrachotoxin amphibians write
opinions: i.e. what isn't happening: opinions go forward unchecked
and undisputed, added that there are many potions in the cauldron
it's hard to pick one out and dig deeper until both parties are in no position to hold such and such opinion, given the missing
muscle of implementing change or the skeleton to keep
the status quo - but this is a slight deviation from what i
was intending to convey - the old guard of printing is worried
sick that it might be usurped in the long run - it prints damaging
reports about the existence of the internet, looking at it as not
a niche environment, which it technically is - but cats, ****, cats,
****, apparently we all log on to meow and moan -
as a tool of entertainment it's the least thrilling source of
the desired "entertainment", the unscripted nature of this niche environment is what's actually good about it, in that a single
person can become both writer, editor and publisher -
but indeed, the internet has been squandered,
although it improved from what used to be a wholly anonymous
environment peppered with dangers of random encounters -
the infamous chat rooms changed even more to infamous
phone-books: you heard it, stories of cyber bullying - the internet
has been squandered, by all means, trying to save it is a bit like
trying to save the world, or as one Tao principle suggested to me
early on forged in me: the best way you can aid the world
is to forget the world, and let the world forget you.
a film director would say, well, i'm stuck in the house,
i'm thinking of shooting a biopic of Lawrence of Arabia...
i see a desert, a man riding a camel through it...
but you have to then start muling over the facts: you'll have to get funding, get the casting right,  but no one likes shooting in
the desert, you have to get  the catering sorted, you start shooting,
but the camera track ruins the desert, so you have to move
to another part of the desert that's pristine with wind parallel
ridges in the sand, then the studio calls you and says you're
spending too much money, then peter o'toole stumbles
out from the trailer hungover almost everyday; sure, you need inspiration and ideas, but that's only 1% or the whole,
99% is working with people - as a director you're not actually
playing god, you're helping other people, De Niro preferred
mumbling something prior to a scene, but Seymour Hoffman
went into a scene like a crocodile quickly snapping
to the shout of cut! and the clapperboard.
i suppose poetry could be like that too,
99% being the audience and the necessary oration,
that would work - unless of course you'd do the same with
painting - but whereas with painting you're invited to critical
thinking, see an artist next to his painting elaborating on
the themes and use of colours? i don't want to assert common sense
wisdom from one profession and apply the same wisdom
                                      to another with a trans-occupational
relativism: that red           is relative to               crimson -
              but we'll have to do away with lighting,
              darkening and what not, so yes,
red is relative to crimson insofar as we forget lighting
and Edward Hopper. anyone can appreciate the
lazy approach, but i took to some mammoths without the help
of audio books, a reasoning man, not a mob gob emotive conjurer worth a tonne of heckles and haggles - but i guess the dream
through this gamble would be the monetary reward...
you know... after so many years writing for peanuts i have lost
all appetite for spending money beyond what i consider
to be a workable cure for insomnia - i don't have to buy music
any more since i can stream it, i have more privacy without
a mobile phone, all i have is this little brick wall that's stationary
in this virtual jungle on which i scribble - with the radius from
this point being anything ranging from 1 to 6 sensible miles,
beyond 6 and we're talking blisters on feet; can you imagine what
our predecessors could endure in terms of walking? they had hoofs
instead of feet, while we have skin as smooth as a baby's buttock
cheeks on the soles of our feet. the strangeness of modernity:
1. a man drives a car with with a bicycle on the roof, just so he can    
    peddle down a scenic route...
2. the volume of skimmed milk bottle is the same as full fat milk,
    but if you bought full fat milk and added water to it the volume
    would triple (via semi, so yes, triple)...
3. healthy diets - 350% increase in vegan population
   in Britain over the past 10 years - the protein problem
   (once it was the fat problem, low fat yoghurt came about,
    turned everything into a sugar problem), i.e. women aged
    between 19 & 24 requiring to hit the 58 gram daily
    recommendation of protein would have to eat:

everyday foods
chicken breast (251g = 276Kcal)
eggs x4 (460g = 658Kcal)
salmon fillet (291g = 533Kcal)                                 v.

clean-eating foods
quinoa (1,318g = 1,582Kcal)
chia seeds (371g = 1,818Kcal)
                              goji berries (405g = 1,504Kcal)
                              kimchi (3,222g = 863Kcal)
                              tofu (707g = 70Kcal)
                              ******* (384g = 632Kcal)
                              coconut yoghurt (3,422g = 6,844Kcal)
almond milk (14,500ml = 3,625Kcal)
avocado (2,900g = 4,843Kcal)

  as healthy as stuffing turkeys for Thanksgiving, can you imagine
  drinking fourteen, fourteen litres of almond milk?! i don't even
  have to imagine drinking 700ml of whiskey to get the point
  and reach the threshold of the effectiveness of sleeping pills...
  no alcohol, no sleeping pills, better sit it out than take so near  
  ineffective buggers; although as a warning: you might end up
  sleeping for *12 hours - variations on the BMI and previous habits
  of drinking - socially? not so much, medically? primarily -
  not in favour of the anti-alcohol lobby being part of the "safety"  
  guidelines given to the public...
4. charities' costs eat up 78% of donations,
    another 21st century anomaly, effectively dismissed
    by the church's alms giving history depicted in Sistine opulence,
    so no wonder whether in cardinal robes or suited and booted for
    the near-invisible secular religiosity, such poverty of symbolism
    compared with the predecessors, at least back then you'd
    know who to send to the guillotine - and this is how Louis XIV
    treated his courtesans, he made a certain type of clothing
    mandatory, a Versailles school uniform as it were,
    most the the courtesans went bankrupt having to buy the
    clothes, some pieces would be equivalent of a sports car,
    they went bankrupt to remain in the club,
    so they borrowed monkey from Louis, and so Louis kept
    them in his pocket: poor rich people, or necessary
    leeches (as once used in medicine, Louis' absolutism
    being the sole malady, abuse of power necessitates
    paranoia); or to quote Lisolette about the royal *******
    'mouse droppings in pepper.' Philippe (Duc d'Orléans)
    was the transvestite who charged into battle
    and conquered the Dutch, much to his brother's
    shame at having only made conquests in the bed - well
money here, money there, shoving a piano into a concert hall accompanied by an orchestra, something Chopin would never
do not wishing to leave the comforts of salons - although
Metallica dared to.
                                                             ­           welcome to
the age of silica and chameleons (cha cha cha champ a camcorder anyone? well, imagine what scrutiny Narcissus would pay a photograph, imagine giving a photograph to Narcissus and
wonder would he change his behaviour), get fooled by
the adverts once, second time you'll eventually see needing to feed
a charity's bureaucracy rather than an African, hence the migrant
                                                                                                    crisis...
sometimes there are no surprises as to where certain things
originate, Marxism and England, zenith of the empire,
or as historians claim, the decadence of the Romans was their fascination with food prior to the end: ready-meals and
microwaves among cooking shows, currently the daily program
of channels, esp. that of 4 is culinary and horse racing,
all the interesting programs are broadcast when everyone
is about to fall asleep... Saville bankrupted the B.B.C.
posthumously: a game show, "jackpot" of one grand.
- advertisement didn't expect live T.V., the mute button,
the pause button and the fast forward button...
but in a 100 years time if not more they'll look back at us as
having finally exhausted Groundhog Day (starring Bill Murray) -
sure, the technological breakthroughs were great, magical,
but the content? 20th century most probably,
the ideal time of fluid and at ease plagiarism - obviously
exceptions were made, but this walking nightmare
of the exhausted second half of the 20th century caught up
in the 21st century - dialogue replaced by visuals,
clash of the titans (1981) v. clash of the titans (2010) -
the only good bit of the latter is the inclusion of Hades -
it's beautiful, i'm nostalgic to a history i was born in and
belonged to, i'm not a nostalgic Nietzsche or Hölderlin
bumming about singing praises of the Ancient Greeks -
you see, it's close-at-heart nostalgia because i belonged to it,
the infant of it - a peculiar circumstance to be in; or coming
to terms with the first signs of decay: cartoon network's
cow & chicken with i r baboon - have you seen the horrors
of modern cartoons compared with computer graphics?
readies them to  pick up gaming soon after,
given gaming graphics. in summary - some say sitting behind
a computer screen is a sign of a lack of self-assurance,
or confidence, self- anything you want to suffix with, well,
that could be true, but you have a photograph included,
and the days of the typewriter are over - but i could also say
the same about certain brands or shops, are they too lacking
self-confidence to stop their existence on  the high street?
the royal mail delivers junk, you might get 100 junk envelopes
and a christmas  card... o.k. make that 1000 to 10,000 envelopes
of junk and one letter directly addressing you that hasn't been
written using an analogue like

dear mr. / mrs. xxxxxxxxxxxxxxxx

we would like to inform you that your insurance
claim has expired.            etc.

the infancy of this century is what's deceptive, the greatest
deception i can think of - the great health scares and subsequent
over-usage of antibiotics breeding super-bugs in hospitals
anything and everything under the sun - including
that damnable idea that the planet Mars employs people whom
it's attracting into its orbit - earthly geologists must be bewildered
that the only subject of learning from all of man's
capacity to send into space is geology: and on the return flight
home we realised that we'd only be bringing back some arenite
(sandstone); that quote about about painting being 50 years
ahead of writing, the same is true with science fiction and
actual science.

Even in death, there lies beauty.
Though it brings absolute hopelessness, we thrive off of it. Would we even be living was it not for the fact that we could die at any moment.
  You see, we are animals, and as animals we instinctively seek to survive. We didn't learn this at birth, yet somehow we still knew.
  But are our instincts all for naught?
No matter the effectiveness of the path taken, the outcome will always remain the same.
  So the question to be asked is not whether or not to be, but what can be done for the ones left behind once we stop being.

I took his brain and
put it in the formaldehyde
Albert's genius, is a duty for science.
No extra neurons, just  some extra glue;
the glial cells, loop the frontal lobes
and swim in the right hemisphere.
Diamond wanted some samples
but I waited awhile
Three years after I sent
the parts she wanted
in a mayonnaise jar. Extra light
mayonnaise jar.  They learned
about astrocytes and
communication through the brain.
The more the glial glutamate; the more
effectiveness
If the brain was never stolen
who knows where we'd
be at
Only a genius could communicate
during and after his life.

Leading fashion stylists and casting directors have been directed by clients to avoid doing business with Trump Models, a company that promotes itself as “the brainstorm and vision of owner, Donald Trump”, several sources have told the Guardian.

Trump Models refused to comment, but according to its Twitter feed several models had made it on to the catwalk. News of such directives comes during New York fashion week, days after the president used Twitter to condemn the retailer Nordstrom for dropping his daughter Ivanka’s clothing brand, claiming poor sales.

According to one leading casting director who spoke to the Guardian on condition of anonymity, directives to avoid using models represented by Trump Modelsbegan last fall, before the presidential election. They then spread by “word of mouth”, the casting director said.

The effectiveness of any de facto boycott is hard to gauge. Trump Models, founded in 1999, is not considered a big player in the fashion business.

“It’s not a great agency, so it’s not such a big loss,” said the casting director, who was not authorised to speak on behalf of their client.

A French fashion stylist, who also requested anonymity, said she was reluctant to engage with a business that would put money in the pocket of the Trump family. When asked if they would use Trump models during fashion week, she replied simply: “Nooo!”

“People certainly look twice if a Trump model comes for a casting,” said another leading American stylist. “But a boycott wouldn’t necessarily be a big loss to the business.”

A third stylist, a prolific veteran in the industry, said he hoped there was a boycott on the Trump agency but added that “if there was a girl I wanted, I wouldn’t mind if she was represented by Attila the ***”.

On Thursday, the fashion website Refinery 29 reported that hairstylist Tim Aylward had vowed to stop working on jobs that involved “talent” from Trump Models.

Trump Models once represented first lady Melania Trump, and currently represents dozens of models from all over the world. It also runs a division for “legends”, including Paris Hilton and Carol Alt.

The agency, which claims to be at “the forefront of cultivating a wide range of innovative and vibrant talent which personify the trends of the fashion industry”, has faced claims of mismanagement.

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Blais was also one of four women who described their experience with Trump Models to Mother Jones. The women said they were forced to live in squalor in a crowded apartment in the East Village of New York City.

The women said the apartment contained multiple bunks, for which models paid $1,600 each, and housed up to 11 people at a time. “We’re herded into these small spaces,” one former model said, saying the apartment “was like a sweatshop”.

The then vice presidential candidate Mike Pence told CNN he was “very confident that this business, like the other Trump businesses, has conformed to the laws of this country”.

In court papers filed in 2014, Trump model Alexia Palmer said she was promised full-time work and $75,000 a year. She sued after earning just $3,880 and some modest cash advances for 21 days of work over three years.

“That’s what slavery people do,” Palmer told ABC News in March 2016. “You work and don’t get no money.”

Trump attorney Alan Garten said allegations of being treated like a slave were “completely untrue” and said Palmer had simply not been in demand. The suit was dismissed. Laurence Rosen, a lawyer who represented Trump Models in the case, told the Guardian his firm “is not handling any other lawsuits or claims concerning model representation, nor am I aware that any such lawsuits or claims have been asserted” against Trump Models.

Shannon Coulter, of the Trump boycott movement #grabyourwallet, said Trump Models had not been added to its list of Trump-owned or affiliated businesses because it was not a consumer-facing business.

“What we’re seeing is that the Trump name is becoming truly toxic,” she said. “It seems that people can’t get away from the Trumps fast enough now. I think those casting directors and stylists are making the right call not doing business with them.”

Coulter rejected the suggestion that a boycott of Trump Models might end up hurting the working models it represents, rather than the owners of the business.

“When you chose not to do business with a company,” she said, “you chose to do business with other companies that do have employees, too, so I don’t put stock in that.”

Amid continued questions about Trump’s relationship with his business empire and how it fits with federal ethics regulations, Trump-owned fashion interests have suffered adverse publicity.

On Saturday, retailers Sears and Kmart removed 31 Trump Home items from their online product offerings to focus on more profitable items, a spokesman said. The collection includes furniture, lighting, bedding, mirrors and chandeliers.

Last week, retailer Nordstrom followed Macy’s and Neiman Marcus in dropping Ivanka Trump products. That prompted a furious response from Trump, whotweeted: “My daughter Ivanka has been treated so unfairly by @Nordstrom.”

Nordstrom justified its decision, reporting that online sales of Ivanka Trump products fell 26% in January year on year.

Within the fashion industry, there is speculation that while the performance of Ivanka Trump’s line was disappointing, it was not enough to merit being abruptly dropped.

At least part of the reasoning, they speculate, was pressure from other brands and labels carried by Nordstrom.

“We would not base a decision on that. Our decision was based on the performance of her brand which had been steadily declining over the year. We had discussions with Ivanka and her team and shared our decision with Ivanka personally in early January.”

However, Coulter said it was likely Nordstrom had faced pressure from other suppliers. “The Ivanka Trump sales were down but it’s possibly not the whole truth. There are studies that say boycotts work at the brand level, not the sales level, so probably both forces were at play.”

White House counselor Kellyanne Conway later urged the public to buy the Ivanka Trump brand – and faced widespread criticism that she had overstepped ethics regulations. The White House press secretary, Sean Spicer, said Conway had been “counseled”.

On Saturday, Trump said on Twitter that the media had “abused” his daughter.

In New York, protests against the Trump presidency have rippled through the fashion industry’s market week. Calvin Klein played David Bowie’s This is Not America and a Mexican immigrant designer for LRS Studio showed underwear that carried the message: “**** your wall”. Public School’s Dao-Yi Chow and Maxwell Osborne sent out red Trump-esque baseball hats spelling out: “Make America New York.”

Senior industry figures, including Vogue’s Anna Wintour and LVMH chief executive Bernard Arnault, have, however, held meetings with the president. Vogue plans to feature Melania Trump on its cover.

Designers including Dior and Ralph Lauren have dressed the first lady. Others, including Marc Jacobs, have said they will not.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/cocktail-dresses

horror movie tactic: or the abrupt / concentrated
                                                                              crescendo -
                              the shrill -
the chalk on the blackboard -
                                  all there, horror prime is
not the images,
                       but the music,
                                                  horror is defined by
music - the the lack of -
                           as are epics, with humanity being
inspired rather than ****** -
                and i dare say, i made my first collage worthy of
the aged Matisse: exhibit (a) a newspaper,
(b) a packet of cigarettes,
                       (c) a bottle of whiskey
and finally (d) heidegger's pondering(s) ii - vi;
i told you i was mad enough to buy a copy instead of:
when books are concerned, it's hard to imitate a
taste for designer ware, for a:
        my great grandfather invented / founded so and so...
how easily you can become elitist with books,
a bargain at £30 when usually $60...
                                        and, honestly?
i do feel less snobbish and more powerful,
                 i wield a variation of Egyptology's term:
precious artefact, something from the Third *****,
an intellectual output that doesn't bother Schindler
and the cinematography of the kamiński
red, amongst all the obvious bloodshed -
here's me, some years from the devastation,
feeling insecure about the need to call them Jews
(when they were primarily Poles) to anti,
  to anti justify when the two labels are considered
with variation on the pristine assumed nature of
Israel's policy -
                      sounds different when you consider them
Poles rather than Jews -
                           and here i ventured into the complexity
of thesaurus rex stomping ground the dictionary
keeps reverent - i'm not an Catholic escapist artist,
you won't find any argument to suit my awareness there -
          Jesus can have my writ of concerned antisemitism -
i already said that the tight-rope event by a Frenchman
was and will forever be more spectacular than
the crucifixion -
                                             he was a prophet born
without a conscious involvement in the three magi
and the star of Bethlehem -
                                       i don't believe he was born to be
recipient of a pristine banking on the matter:
         that all depends on how we behaved later,
evidently the Romans respected Jewish c.v.
none were handed down to Roman authorities to
build the coliseum - they were left pristine in their
Pharisee guises, and then the supposed "god" (level
it with the existentialists, the ditto means ~, approx.
or ambiguity, passed down, like a neared concern with
mythology) usurped the religious movements
the Roman respected and never employed the rites
of passage prescribed by Ramses and Nebuchadnezzar;
          or as i continually say:
you rather hear the word ****, or your face being
punched by my fist?
                                       why not, why not talk
***** and keep the *** acts pristine in accordance with
the rule of life? you think that not talking *****
will keep your ****** ******* haloed?
                   for the case of life: i rather talk *******
and **** with effectiveness than
                 put my tongue into a ****** and talk
pretty pretty, and **** like an imbecile...
                                      because i need to become a fuhrer
when she's doing her bit, and i'm doing her bit...
                i equate censoring peasant cordiality with
the things that destroys us: famines, earthquakes etc.,
   with the rise of ****** perversity -
to not talk oath words is as much as talking ******* pretty
and engaging with paedophilia -
                    or something quiet similar to it.
          **** me, talk *****, you don't even have to eat
shellfish: the grand scavengers of the depths -
                      better talk ***** than throw punches
or engage in unspeakable blasphemies;
so why are they trying to make you talk pretty
when you're bound to stuff that **** in your mouth?
you think that will resolve the matter,
thinking *** is ***** thereby enforcing a pristine way
to say hello; really?
              because that's where it's heading -
and it won't do much good when you say:
i can't say akin with the lark what the hell i want,
because another force is rummaging in the same area
saying: i can do what the hell i want, with or without
****** annoying lark singing me onomatopoeia(s)!
              sure, a mind that feels caged will flutter into
ambivalent freedom with the tongue,
       as will a tongue that feels caged flutter into
ambivalent freedom of the tongue:
enter?           a Rothschild -
         have you noticed how things have changed since
Descartes equated the dualism of thought and doubt
as the medium of being?
         apart from Heidegger, the finite increment posit
of what's the centimetres of a person's lifetime?
i think
                1 centimetre
                                        i doubt
                                                       1 centimetre
           precipitates into
                                                i am
                                                                 also, 1 centimetre,
existentialism took the i doubt from the equation
and replaced it with: i deny -
                                                and so called it bad faith...
denial is a subtler version of lying, or perhaps: a more
eloquent expression of it:
       god, i acknowledge the fact that the thesaurus is
an enemy of logic - i.e. close proximity synonyms and
                                      extensively divergent synonyms:
the first tool of rhetoric exposed,
i.e. say red ten times... sure!
      crimson, burgundy, wine, rust,
                      ruby, dahlia, geranium, maroon,
              scarlet, titian
                                               (nouns are primarily synonyms,
their existential purpose is to be synonyms,
   to compensate the existential flaw in Darwinism in
terms of the high tier of variant evolutionary consideration
        and investing in / creating a manageable vocabulary,
kindred of agricultural expertise / -ease, not as suggested
       aesthetic; tee off, a variant wording: games aside,
    but truly a word game, or golf; mankind has staged
the greatest war with its communicative system:
politics v. crosswords: two games - and none are enjoyable,
better leave the games to the symbols 0 - 9);
oh right, d'uh, back to the Rothschild "problem",
                you confront someone like that,
you won't hear a word of doubt, you'll hear the words
of denial... the point is: stunted emotional withdrawal -
just put the whole dynamic into a school playground,
                     people like that can't doubt their actions,
they can only deny them, which is why existentialism
exposed an very emotional variation of cogito ergo sum,
       the sentio ergo sum, or what one calls the Cartesian
extension: c.c.t.v. - like any viral infection: mass paranoia
stemming from a dichotomy rather than a duality
imbued by thinking and acting according to a balance.
the worded confrontation is a summary of a delayed reflex
of the staged confrontation, hence the need for the status of
"the shadow people", to deny and then exert force is
to deny and then to later manipulate certain factors into
an equation: bomb a place, **** anonymous "a", etc.,
             the fact is: it's algebra incorporated into language,
the general concern being about: the nonsense of
a Mr. Smith class system incorporated into all the brickwork
layers of the pyramid...
       sure, a Rothschild will feel vulnerable when question,
and he'll deny rather than doubt, and he'll think his
***** is 1 centimetre tall when ***** and is protruding from
his forehead... but that same person will react with
the "doubt" part of the equation:
                           he'll invest in an arm's deal that will
slaughter ten thousand Colombians over a kilogram
of *******... and he'll then doubt whether those ten thousand
Colombians had social security numbers or passports
or whatever it is they actually had...
                     courtesy?      sure: doubt they ever did anything,
keeps you thinking...
                        deny them the idiotic lie of proxy?
oh sure: they're into higher powers too! don't you know
that evil also works miracles?
                          there are proxy miracles,
are there are immediate miracles of: well, why not be
a saint for the day?
                                 my advice is:
doubt propels thinking, it's an instigator of thinking
  which some call: non-being...
                                but i consider thinking to be a variation
of being:
                                 as in: an aversion to watch a football match
and join a herd...
                       negation? the existential alter to coupling
thinking that's to translate into being?
      &

You are killing your own people 
You are killing off our sequels 
...
You're dying 
If I told you that you'll be ok 
I will be lying 
... 
On the ground with you 
We're united by a state of hysteria 
So pledge of allegiance to your own grievance if you want to 
Our allies realize our lack of participation within the United Nation 
They know that's it's a race of the racist 
It's hunger and starvation for ******* 
So they don't support our sport 
They don't get a kick out of our matrix 
Master the skill of being manipulative 
And maltreat our own citizens 
Who will have our back when we're getting attacked?
For sure not the group of people who our history once beset 
Wait reset 
Why strain something that isn't our stress? 
Hold up quest!
Consistent warfare give us a rest!

Do we ever handle things professionally? 
There's pros and there's congress 
And according to our constitution 
It's precedent that every president 
Is only present 
Im a skeptic of their effectiveness 
They're just a face for this place 
A image so when things cringes 
We can look at him in disgrace 
Sometimes I think I've been misplaced 
..... 
Misplaced 
Taken away and placed 
In this place full of waste 
Place full of wasted minds 
Place full of wasted minds who waste their time 
Place full of wasted minds who waste their time trying to waste everyone else's mind and keep others below their waist line 

United States of Hysteria 
Where you have to equip yourself with a personal barrier 
The superior preys 
The inferior pays 
And the wealth relays 
The baton get passed to relatives 
This is where you can cross the finish line first and still be without work 

So we pledge of allegiance 
With our right on our heart 
Stripes and stars is for
Lashes and strikes to stun our awareness 
Our apprehension just blow effortlessly in the wind 

They cover their flaws 
The gover-meant to **** us all 
Is there a such thing as a war on war? 
We nuclear our own fears 
And air strike on our own tears 
Use Sub Atomic Bombs against our own peers 
Chemically engineer everyone who's mere 
All hail U.S.A 
All hell U.S.H

i thought that Sunday would be the day that i'd save money and indulge in my insomnia, not drinking, but i have a triage appointment with my G.P. today between 12 and 5 p.m., so i'll not be synthesising sleep (quantum peek-ah-boo with ß in American with a zed - i.e. zed leppelin), never mind. you pick up obscurity as you go along with it; whatever becomes personal you depersonalise by abstracts, standard procedure when writing a chemistry experiment: abstract prior to explanation, in science abstracts are not exactly abstracts in humanism, they're merely prologues, or shorthand intros.

my writing addiction is worse than my alcohol addiction,
a hell-raiser in heaven...
****, i can end up penniless and broke on the street,
its my parents i'm worried about -
i do have a Muslim enemy - i buried it for 7 years
faking schizophrenia so i could be untouchable -
i can give you the name, i can give you a little biography,
i'm worth two coin flips a **** by my estimate,
i didn't fake insanity so i would get £120 a week on
debility payouts, now that would be mad...
i have to plan from time to time when i have to stop
drinking and synthesising sleep rather than going mad,
i was brought back to ensure my father didn't fall into
depression when one of my cousins undermined his
team of roofers stealing them, the "cousin"?
husband of my grand-uncle's daughter, technically my aunt,
undermined my father's self-employment strategy
employing Poles and Romanians - my father? taught
by Scots... old Jack the Guinness pouch puncher -
diesel running at 4 a.m., breakfast at 5 a.m.,
work is life... work is life... **** me! it's 2016
and the death of Prof. Dumbledore died today,
the movie was completed in 2009 - so obviously no spoiler
alert, 7 years the secret was hidden from my ear...
i only learned of it today... as i also learned...
premature depression in the youth of England -
second Marx and Engels are waiting... spring clean angelic
suggestions of how England invented unshakeable
utopia... WRONG! what do you think Marx and Engels
were doing? what do you think the problems are in England
right now? right now?! mental health.
the pride and prestige of English society is getting to me...
their under-reading of philosophy books -
what sort of damage can a thought experiment have on someone?!
none! getting all ******* pompous and Clancy will
not solve the matter - they don't like wording, or subsequent
excesses - they're importing nurses from India
and are mesmerised by the Japanese curse of karaoke -
England, the 51st ******* state - akin to the Penguin
cover of K. ****'s *man in the high castle,
you ain't pure just 'cos' you think you are!
i have a worse addiction than drinking... writing enlarges
the monster in me... you obstruct my hands from the
keyboard i turn into a monster, given brain damage
you can reason why i tend to need an ****** space of
recording something down - i need it more than alcohol,
without alcohol i just get bored, i don't live in
sparkly Paris for one, the nights around here are deafening...
one example? my father obstructed me recording a thought
(got i miss the expected ease of cognitive narration
i knew prior, and i loath the personality that resides in me
at present... i could have been such a good father)...
i get blocked on the stairs before i want to write the
waterfall, he grabs my index finger and dislodges it...
the rest is pure comedy... the paramedics come,
i compliment the male paramedic on his looks
(why am i so misogynistic by now? i used to idealise
women! n'ah, no point mulling this problem,
the answer is too obvious)... i go to the hospital...
i wait for an hour, pose for pictures with my dislocated
finger, have a laugh and a chat, walk up to a black
girl with some medical problem (the dislocated finger,
what a brilliant comedy gimmick) and introduce her to
Us3 on my knees - time to straighten my finger -
the doctor asks me how it happened -
i lie: i was in such a shock i don't remember,
i pursue the lie to effectiveness - i notice his name,
i was in a pub with a Hungarian barmaid and i asked
her the problem i was having, some psychiatrist with
the surname Szasz, an english speaker couldn't make
the z into a h to say... shash - so i tested this failure
on the barmaid on the doctor, Hungarian test 1.
said his name... asked... Hungarian? yes, he replied.
bingo! lie sealed, Malachi's prophecy came true.
later he obliged to send me the x-rays of my dislocated
finger to my email account... charm charm charm.
i'm a poo'h bear when drunk, strike a conversation
with me like this one Lithuanian girl did and i'll kiss
you from forehead to your chin and neck, kissing your
eyes shut... but get between me and the blank page?
not a good idea. i'm ******* scatter brained -
rarely i get the opportunity to relive the cognitive narration
fluidity i once had that inhibited me from writing anything,
and i mean anything apart from homework and exams.
also... the **'s debut album is a rarity... it's one of those
albums you can listen to without headphones -
listening to it on headphones is rather pointless -
it's perfectly pitched for a bedroom auditorium;
and not much music makes sense without headphones
these days; but i also wonder why not everyone is
addicted to music, and more to conversation via the epitome
of Radio 4's chatty chatty broken bloke.
Sunday newspaper book reviews as usual... no book of
poetry... oh hell, let's bring out the howitzers -
pop culture ignores poetry, poetry explodes in a culture,
many people are disaffected, congested into sardine phobias,
struck that some people remember the countryside life
and milking cows, small town life... the internet is in its
genesis, the middle-classes semi-proficient in the technology
are damning it with promises of a feasible exodus to
the promised land of the sitting-room couch and television,
no one is noticing the digital miners who are digging
for the perfect pixel - a polydiadem fly-eye;
but here i am, facing ridicule at the teachings of Jesus Christ,
hating him is sorta a fake, but it's more a fake at
either Christianity, or the unrelenting fictionalisation of
the man thanks to the Greeks, bemusement at the Star
of Bethlehem, the historian Josephus, and the fact that
that the Nag Hammadi library was found in Egypt and not
Israel... i'd be dumb to ignore the archaeological proofs
culminating with the crucifix and the atom bomb and the
pathology of predicting ends of worlds... Oppenheimer
was just as good, quoting the Sanskrit death bit -
i guess living in Egypt gave the little man of Nazareth
pharaonic ambitions of worship - easier and more convincing
on a crucifix than on a throne with sensible Greek
digestion of the world and fascination to boot -
hence the fascination to the last with architecture and
'my father's house will be a house of prayer',
seen the state of the Anglican Church? and see how mundane
the prayer service has become after 2000 years?
everywhere, now, countless religions are sprouting like
spring ginger using psychedelics and what not...
well, that was the case in the 20th century... the 21st century's
answer is this dark age reinterpretation of Cartesian
philosophy... not so airy-*******-fairy about philosophy
books, are we? philosophers prescribe no drugs, merely
thoughts... what you would probably have not thought out...
harmless pharmacology if you're into claustrophobic
suicide pacts with yourself... the 21st century has proved
another breeding ground in England, this time not economic...
and if not economic, therefore existential...
i'm just another Engels looking for his Marx... or another
Marx looking for his Engels. ah, the cascade ends.

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i'll tell  you when communism actually works...
   communism can never
be an instigator of some internal problem,
that'll never work,
   however much *** you smoke, however
many dreadlock girls you send to a protest...
   the perfect example for the effectiveness
of communism?
                     ok, ok... socialism, whatever...
why did sweden receive marshall plan funding,
when it was neutral throughout the second
world war?
                 communism will only rebuild
syria...
                   it's the economic policy
    for a post-war period... it dissolves naturally
once a competitive plataeu is achieved...
prior to that plataeu being achieved?
               you need ant-like-collectivisation...
communism is not a failed system,
  it's the only system in post-war scenarios...
how can you capitalise in a war-torn country?
the capitalisation already happened,
prior to a war, with arms deals...
                   you can't just shove communism
under the carpet...
         communism, it would seem,
  is not in competition with capitalism,
in that scenario, it is a failure...
               but how can capitalism rebuild
a country like syria?
               when a brother distrusted a brother,
a neighbour a neighbour,
   a butcher a carpenter...
                     communism is not aligned
to capitalism per se for sake of competition,
                 there are ulterior needs for its existence,
the new enemy of capitalism is
          the marshall plan model of:
  who deserves... and who doesn't;
   for ****'s sake... at least the poles were doubly
taught integrity to fend for themselves,
rather than being pumped with free dosh...
     so why did a neutral country, such as sweden
receive marshall plan dosh (money)?
     with our bare hands, we rebuilt
the warsaw starówka (old town)...
               and yes, the misery had to be equally
shared... but most people outside my age
bracket remember it fondly, obviously except
the years being placed under martial law,
             suspecting a second russian invasion...
communism is a transitory economic model,
it times of absolute crisis,
          such as the war in syria...
               capitalism can't rebuild syria...
which doesn't mean that syria will not return
to a capitalistic model, it just means that
    only a transient communist model may allow
syria to allow to a capitalistic model,
  if that's what's to be desired,
          if capitalism were to resurrect syria,
you'd get competitive arms dealers necessitating
the prolonging of the civil war:
to boot... there are no capitalists in syria at
the moment...
                          they're all foreign...
                         seriously, wake the **** up!
stop fearing communism in a boxing match with
capitalism, that's a trap...
               it's an economic policy in post-war...
                obviously it outlives its welcome when
enough people have finally reached
                 the chance to compete in a "friendly" /
olympic manner...
                        but communism has a place...
and its place is in such instances...
                      it is to rebuild war-torn nations,
and it is, but a momentary solution that even
    if communism were a person, it would understand.
             it was never an inherent evil
   that needed to bring down nations,
      it was intended to lift them, from the ashes
       of war, and give such ashen nations:
                              one brick, two brick, four.
the west is always talking to itself,
   in a cushioned room, donning a strait-jacket...
what now? trans? trans?! transgender is the problem?
looks like we'll need a lot of butter and coconut milk
to oil of the west's throat, so they can keep on talking
  absolute crap.

well, ain't that an oklahoma sing-along sounding title; pretentious *** gives me all the jitters.*

the parody of pronouns, Walt Whitman's
and Jack Spicer's collected poetry - both
are always the front-running jokes
with someone else's selected compilation -
the parody of pronouns:
the father the son the holy spirit -
me, myself and i -
philosopher practice the same parody -
deluded ******* think they're kings -
the royal we - the royal we meaning
the entourage included -
the clown juggling both the philosopher
and the king and himself (reflexive compound,
not a reflective compound - oddly enough
the Oxford dictionary has a time period
where new compound nouns are in
purgatory of hyphen usage, before
being admitted to the heaven of no red line
underlining a "spelling mistake") -
it's the profanity of pronoun usage -
poets ease in and out of pronoun variations
almost unconsciously - prose writers tend to
get lost in creating characters / puppets -
no out of body experience in fiction -
just truths that are supposed to be lies.
but you know what? schoolchildren
are taught that poetry exists, sure as **** they're
taught it exists - but they're taught it
with too much emphasis on a scientific approach
to it: spot a metaphor... spot a pun!
are bird-watching or something? is there an app
on your phone that might recognise a type of
flower or a type of bird? (snigger) - but you
caught your Pokemon, haven't you?!
cultures that respect poetry are caustic -
if they take it to their heart - like Iranian schism
early on with Islam - no ultimate truth with
a schism, just do it like the Blue Indians,
allow more and more schisms, give it all,
you have a ruler, on it 12 inches or 30 centimetres...
for it to be effective you can't have division
according two one judo chop, down the middle -
**** it, let's go down to a sensible division,
i'm not talking nano-metres, but centimetres -
we won't get any Pisan anomalies that way;
but are those scientists really telling as that
the mystery of life is how far we can divide things up?
sub-atomic clever are they? really?!
you see what happens when civilisations undermine
art - make fun of it... the dementia epidemic -
oh sure... don't read a poem, instead play
cognitive games, do a crossword, get mindful,
complete a su doku - but don't read a poem,
don't even try to make conversation interesting -
poems ought to stimulate involving conversation -
the way the art sees it? we're living under a
dictatorship - swear to god, the poet sees it like that -
we're not living in a democracy -
you have charities concerned with gross
negligence of dogs - gross negligence of poets?
you 'avin a laugh - which means many are
put off it, they write 10 or 20 and then fade away -
they think the ease of writing a few words
because they're from the generation where universal
education was permitted can make a buck from
a few ooh ah repercussions when a piano fell
from the sky and they had to crab-walk two metres
into the gutter - then walk on.
you neglect something precious it bites back -
the dementia epidemic is one such example,
the current problem: premature depression
in your people is another - the 21st century
sandwich; but the ease that poetry handles pronoun
usage is akin to kings - technically mistaken
for personas - fake - we write like we walk on airs
and superstitions of the gnawing paranoia of
power and subsequent respectability of the power's
authority up-kept and constantly implemented
for proof of its effectiveness -
getting a trained monkey is one thing,
but getting a monkey that can train itself is another -
as it stands, Oxford treats nibbling on
Germanic with unease - the Oxford hyphen
is the purgatory of necessarily compounded words -
an optical loon brigade loop of adding necessary
complexity to a language and making mathematics
simpler, more atomic, we don't need an atomic
shrapnel language construction -
and yes, this is an old attachment of mine:
reflective pronoun compounds - e.g. my self -
and reflexive pronoun compounds - i.e. myself.

Meets the dreams in my eyes
The colors bloom is my face
All dreams and colors
It's all due to you
There is magic in my words
My voice is beautiful effectiveness
This magic and effectiveness
It's all due to you
My lips have a beautiful smile
The bright lights in my eyes
This smile and lights
It's all due to you

you called me trash, a piece of garbage
so i collected myself and analyzed what
i brought to the table.
i thought about what i could manage
and determined the effectiveness of
my current strategies
but i concluded that i wasted my
time sorting through my problems.

© Matthew Harlovic

babe, i've got the grid, you've got the grit; i had relationships with wet-dream pairing felines, and each time i never took the money... i guess money for these girls is like owning something that's neither a piano, nor a violin, nor a technique of anti-medicine prescription ultra effectiveness of alcohol and sleeping pops... money is like wanting to own a violin, ending up owning one... but only scratching a deafening symphony of some composer who wrote one jerking off; or as mr. turner did, spitting on the canvas to ease the mingling of colours into perched insomnia hazy sleepless after 48 hours; she's got the dough, but can't get the bread without the baker, if she only learnt the trade, she could have both... but i guess being served cappuccino hands free is a bit like having multiple sclerosis... i guess all billionaires are like multiple sclerosis victims... a compost heap of professions dumped into a kaleidoscope of cafes, operas, and other such places; i'll wipe my own ****, thank you.*

i'm not going to moralise the gods,
i think for the most part
they're humbled enough in awe at what they
were told to inherit,
the crucifixion only proved the point,
the crucified one twinned to
the most audacious introvert,
the jealous one, would never provision
the onslaught to come, the conquerors
of judea weren't the invaders from
the north or the eastern steppes.
i'm not going to moralise the gods
in favour of demoralising myself,
true horror begot the main role
overpowering the narrator as true horror
as a woman,
across two garden lengths of garden
a woman checks if all pythagorean
angles are 90 degrees untrue in
the poly grid of 6°: spelling out 666
with two other attributes of a bbc radio 4 discussion..
woman is a beauty i dare not fathom,
i rather fathom my own dirges and depths
for a beauty i do not see in myself, so there...
flowers are bettered hue more of seasonal
thermometers in them... i'll stick to them...
i can't simply exhaust myself on a woman,
it's pointless, the woman disappears anyway
once she has children, and thus the zoological
safety enters to pedigree man: children
are like iron bars for a woman to enter her purpose...
elsewhere it's a rich old **** and a youngling
donning leather fishnet stockings and ruby lips
and corsets that make the ***** twice the original...
my world is my safety, and to make my world safe
i have to encounter a "holocaust" / i'm not into
brooding exactness, 2nd 3rd or 4th meanings of words /
let's keep the river flowing, ditto a word and that's that...
a human expression of ehyeh asher ehyeh...
moses being the usher boy, the inverse version
of a subverter akin to ****** or stalin,
he didn't turn on the egyptians to explode even further,
he turned on the egyptians to implode,
****** the swiss moustache austrian exploded with
germany, so did stalin being a georgian,
germany and russia exploded, egypt imploded...
why cite the 40 year wandering when you talked
to someone who could be reduced you talking
with your hand like robinsoe crusoe (technically
a fleshy entry point of circumcised phallus warring)
with such impunity? i'm a subverted myself,
the 2nd degenerate classification akin to moses,
great britain my donkey... for all the ailments
i finally plucked the cherry an compared it with
moses' apple and said: yep, seems about right.
well if the only law of the land is reserved for the rich,
and the generic aren't allowed a generic sustenance
of the cubic with provided for electric and gas heating...
what are you going to get?
a sloth anarchy, people bewildered by a collective
unconscious movement with two idiots playing chess
thinking it's chequers...
but it also comes with the rich 1% (esp. women)
saying: so not being on papa's pay-cheque
feels like this, it feels like i can't love anyone i want?
yes darling... touch on wood, you're never allowed
such a gesture.

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Take a look at all these stories.
Every detail marked in delicate pencil.
Inventory, backstory, spells per day.
You wrote these character sheets.

You put the devil's **** in their pockets.
Keen rapier on their hip.
Their numbers clasp fingers like chain mail.
You wear it like a valiant knight.

You look like an infant covered in pots and pans.
Clanging
Babbling
Holding colander to your head playing make believe.
It doesn't even fit you right.

This armor you made yourself doesn't even fit you right.

What are you if not a knight?
What are you if not an infant?

You've fought dragons, finished quests.
Conquered battles you didn't even want to fight.
At the end of every session you collected your experience and said "See ya next week!"
This session doesn't end.
You can't just stop rolling dice.
Have to keep playing.

Drink the +5 energy Brown Liquid.
Roll to see if your car starts.
Perception check to see if you hit that baby in a stroller.
Roll charisma to try and get a discount on that Pair of pants.
Nailed it.
You didn't check for traps in this relationship.
Take 15 heart damage.
Spend the next six months trying to recover.
You are noticed by a woman.
Roll initiative.
The girl goes first.
She tells you she loves you.
You're knocked prone.
She gets an attack of opportunity on your ability to sustain relationships.
You wonder why you wandered down this alley to begin with.
Roll for Charisma Burst.
It succeeds.
She is stunned.
You run.
Double your move speed.

Burst into the town bar.
You ask for quests.
They give you whiskey.

Your vision is slightly blurred
You wake up in strange place.
Roll a perception check.
It's an unfamiliar small apartment.
Your clothes seem to be by your side on the ground.
Roll me a knowledge check.
The apartment of some girl you hooked up with last night.
Your eyes peek up from the pillow and see a beautiful...
Man.
You did not roll very high on your knowledge check.

Roll dexterity to gracefully get up from the bed and leave quietly.
It fails.
You fall flat on your face to a loud THUMP sound.
The man wakes up and smiles down at you.
Roll initiative.
You go first.
You run out of there
Double your move speed.
Roll another Dex check to see how much of your stuff you were able to grab.
You snag your bag but you never bothered to put your clothes on
So you're running down the street in your boxers with a black backpack.

Roll perception to take inventory of your backpack.
You have a change of clothes that you packed for the next morning.

Socks +5 comfort
Boxers +5 freshness
Pants +10 decency
Shirt +2 Stain.

Your laptop and chargers are all in there.
You can't seem to find your phone.
Spend a luck point to reroll perception to find your phone.
Fails.
Spend another luck point to reroll perception to find your phone.
Fails.
Spend your last luck point to reroll perception to find your Oh, thank god.
You found your phone.
Call a cab
Get the hell out of this town.
Roll effectiveness of taking this shower.
Drink the +5 energy brown liquid.

There's no "That was a great session guys!"
"Congratulations! You slew the dragon! You all get 500 experience points!"
"See you all next week."

You just keep rolling.
And rolling.
Until one day it all stops.
You roll poorly,
Encounter something way above your level.
You can run.
Find a healer.
Get home, take a full rest.
You can't just make another character sheet.
There's nobody to look at your scraps of paper.
All the characters you rerolled to be who you are now.
Bits and pieces of all the wars, quests, dragons.
They're you.
Remember them,
Learn from them.
Keep rolling.

Even when going incognito, she oozes A-list glamour.

And Jessica Alba looked sensational as she stepped out in West Hollywood to grab a refreshing drink with her daughters Honor, seven, and Haven, four, at Verve Coffee Roasters on Sunday.

The 34-year-old actress, who is married to producer Cash Warren, perfected the low-key look in a grey cotton ****-dress with a **** split, which she teamed with a khaki and navy plaid shirt.

Jessica oozed laid-back cool in her chic ensemble which comprised of a soft cotton dress, which skimmed her gym-honed figure while a large split up one side revealed her legs.

The Sin City starlet ensured her accessories were equally on-point, topping off her look with a stylish navy felt fedora.

Yet again giving the look a matching addition, Jessica toted an oversized navy leather handbag, which boasted a large front-facing pocket with a gold buckle.

The stunning star topped off the edgy ensemble with a pair of ankle boots with a low heel.

Jessica wore her ombre locks loose over hers shoulder with a slight kink styled into her hair.

Clearly completely comfortable for her day trip, the actress opted to forego make-up, allowing her stunning complexion to stand out.

Getting ready to take her girls and their friend into the car, Jessica juggled her car keys, a parking ticket and two refreshing soft drinks.

The day trip comes just days after the actress and entrepreneur launched her new make-up range.

Jessica is the founder of lifestyle brand The Honest Company, which promotes and sells natural and non-toxic home and body products.

The company has introduced a new line of make-up - Honest Beauty - and established its first pop-up shop at The Grove in Los Angeles.

Speaking with Women's Wear Daily of the new venture, Jessica explained that the line had been inspired by her years in the business, and wanting dependable, quality make-up.

'I've been working since I was 12, so I have over 20 years' experience with make-up, and I am used to a really high standard of effectiveness and quality,' she told the website.

The Sin City star also revealed that she was always planning on launching a make-up line, but she just wanted to take time to make sure she got it right.

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