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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Carmelo Antone Apr 2012
Twenty-three and coming from my teens
I’ve developed along already categorized genes,
By those who think they know me,
When I’m only twenty-three with a molding mentality

I was once vicariously raised through parentally guided means
Socially slit by those that promised me prosperity if I was studious,

Taught the importance of individuality,
Yet forced to be obedient
Then indoctrinated with an educator’s prescription,
An addiction they picked up in a higher institution

I’m finding it hard to follow your lead, when you found nourishment in my youthful innocence,

Socially stitched through generationally fostered fixes
Notions that you could promise me providence,
I’ve been cradled in a crib riddled with termites

Time shows little sympathy for those who have yet to comprehend the promise of a six foot end,

Yet you trained me to believe you didn’t domesticate me
Despite being conceived in a place I was not well received,
You taught the importance of obedience
Yet I’m finding it hard to accept your ancestral credence,

When this place has been passed along bloodlines,
When my generationally guided grandparents' felt the final close of their eyes,
And left me a world pieced together by both atrocities and glimpses of humanity

I’m finding it hard to speak in a world with such narcissistic sympathies of the traditionally raised

Yet I’m socially sutured by the fact that I still breathe,
While being born in a place that once found stability through a slave trade,
A middle passage that led to a devious democracy
I’m so grateful we can mend what barbarians once began,

I’ve had time to age, enough to take the reins,

Though before we build our shrines of this age,
You can still pray for something beyond the grave,
Yet never forget how we've been stranded, left here to continue, or to fray,
To humanize a species that earth derived,
Or to let the braids of life untwine and give way,  
During our generations' stay.
Please Enjoy
Poem can also be found on: http://mantone.net/
Content copyright 2011-2012. Matthew Charles Antone. All rights reserved.
Comments: mca@mantone.net
Mateuš Conrad Feb 2020
you can undercook pork - a little bit of pink
is rather - favourable -
you can undercook beef - a little bit...
let's go full bleu: which has a name... pittsburg
blue...
but please don't slaughter the cow,
send it to the butchers for the cuts...
and then shame it by cooking it well done...
thrice the cow thus dies...
aside from... fish...
well...
i was never a fan of chicken *******...
because whenever someone cooked them:
i.e. my mother - they tended to be... dry...
chicken drum-sticks and the almost grey area
of muscle flesh close to the bone -
these days? the former schnitzel fan has
become a chicken roulade fan...
because the stress for 165°F - and 5 minutes
worth of rest... for the cooked meat...

Ciara - another daughter of U Kʼux Kaj -
she can still be felt in the early night
when walking the streets...
some storms never reach essex -
and that's probably why i decided to grow
my beard long - to feel it combed
by the wind... this elongating chin to match
the moon's scythe -

point being... cooking chicken is unlike cooking
beef or pork... because...
well beef is born from blood -
in the body of another -
the mother - the pork is born from blood -
in the body of another - the mother...
you can undercook it... most certainly:
esp. the beef...
trouble with chicken: is the trouble
with undercooking fish...

to perfect the cooking of chicken meat...
is very much like cooking the perfect
soft-boiled egg...
you want the yoke to be runny...
and the white to be a: ścięte białko...
a coagulated white...
it's quiet amazing how chicken meat
behaves like the egg - the protein
in the atom -
how you have to mind cooking chicken:
for that juicy chicken breast roulade -
in the same way as minding a soft-boiled
egg...

i've never noticed this...
apparently that's the glaring obvious...
it always was!
beef you can undercook: cook it perfectly:
overcook it...
pork you can undercook: cook it perfectly:
overcook it...
chicken? you can only cook it perfectly
or overcook it...
undercooked chicken is a bit like...
finding a raw scallop nugget kiev-esque
in your chicken -

perhaps because: we can eat a poultry abortion:
the egg -
that i forgot or never minded to think:
the meat will behave like the egg -
the protein is borderline with seafood...
after all.. the birds are fish with wings...
that we managed to domesticate
a wolf and breed it with a dingo
and give it a bark...
how did we pluck the hawk from the sky
and gave it marching orders among
the strutting gehenna-game of the wehrmacht
with the geese...

i have no "beef" with the british and their past...
how many zulus became slaves?
hot topic...
if only a people were as fortunate -
not to be landlocked -
the last known invasion dates back to
1066 - nothing is spoken about the ottoman
empire or the mongol empire at the gates...
perhaps other people too...
could have their idle -
and been left to their own devices...
their high tea and all sort of *******...
but i'll still bemoan that...
this language does not have any orthography...
but it does have: n'dubz...
and a york-shyre from peckham and the rest...

- you simply can't undercook chicken...
you can either cook it to perfection...
or overcook... anything undercook is not going
to be eaten!
an undercooked chicken breast roulade?
that's scallop nugget in a kiev-esque chicken..
but why didn't i see it sooner...
how chicken meat would behave like
the egg when it was being cooked?
after all... what becomes of the yoke
when translated into the full-grown chicken?
the internal organs? the bones?
i'm pretty sure the egg-white translates into
the skeleton...
and the bones? it's not like the egg-shell
implodes...

in my hand i hold a chicken's egg:
a poultry abortion...
in my hand, also... a babushka doll...
this: little matron... бaбушкa...
because who would have thought that...
cooking the perfect chicken roulade...
would be akin to... 15 minutes extra...
when working from a soft-boiled egg...
oven-baked of course...
prior to the skin needs to be butter-fried...
and you can't enjoy
a chicken's neck... if it's not poached...
too many bones: not enough meat...
the neck of the chicken needs to poached...

again: one feels inclined to stress the importance
of curating the meat: curing it is one "thing"...
but it's almost an art...
as long as you respect the meat...
i find that most vegeterians or vegans
become thus...
because they have not learned to respect
the meat they're about to eat...

beef you can undercook... the sooner you do so...
the less chance that you'll butcher a second time
with a well-done: eating sand...
wishing it was poppy-seeds itching at the gums
between your teeth...

to respect the meat is to also bite off the heads
of the bones... for the over-cooked marrow...
i once held 30 or so poultry hearts in a cusp of hands...
hands prior to romeo & juliet's amen and kiss...
before i imagined what 30 hearts would otherwise
look like: if i was given the remaining body parts...

or 30 poultry stomachs readied for the broth...
with groats...
i too would become a vegeterian...
if the only chicken ******* i ate in my life
were: usually over-cooked...
dry... simulating imitation cheese
and chalk... the sort of meat: overcooked...
whereby your teeth start to experience
protein glue... and it's hard to pull the jaw
from the skull apart...

i have mentioned pittsburg blue, haven't i?
you can undercook beef and pork...
but you can't undercook chicken...
now unless you want to encounter
a pocket of a raw scallop sensation...
a chicken has to be treated as well as an egg...

most of the time you need to undercook
beef and pork...
but chicken requires...
oh glory be to the poached egg on toast...
the scrambled eggs undisturbed fried on
some pork dewlap...
when you can tell the difference between
the yoke and the whites...

such a versitile creature - this domesticated
hawk... this chicken marshal...
this would be cannibal... i've seen how one
becomes butchered with an axe -
one chicken, one axe - on stump of wood...
the rolling eyes of the decapitated...
the other chickens didn't mind...
they'd run up to the altar with the running
blood of rivers making letter markings
on the woody crumble...
and drink the blood... peck at left-over
flesh from the decapitation...

"gender expressions"... and... what's that?
leftover grammar from french...
translated from inanimate objects:
as being either endowed with a phallus
or a floral pattern -
but in english almost all objects of worded
interaction are gender-neutral!

native tongue "endowement"...
słońce - sun - is feminine...
księżyc - moon - is masculine -
krzesło - chair - i'm siding with masculine...
stół - table - that's clearly "gender neutral" /
alias: hermaphrodite... alias for the *******...
son / daughter of Aphrodite...
kamień - stone - masculine...
góra - mountain - feminine...

and so the heavens opened and became:
short on breath and soul...
the groundwork of earth...
the earth itself... started to nibble
on the delicacy of feet - the wind whispered...
and the echo: and the footsteps...
and the dutch clank convened and called it:
marriage!

how grammar transcended casual english
usage... how it bypassed orthography...
how it never attained orthography...
oh yes... the russian have it...
but... who would have expected it...

n'est ce pas?

what was once the gestalt primer...
that became a rorschach test...
i say: it's either a ink-blotch of a pelvis or a moth...
but with regards to the selfie:
i always require two mirrors...
i still remember the days when someone
would take a photograph of you being:
oblivious...
as if god: the narrator...
convened and descended upon the scene
and imposed directions of keen: montage...

the basis of gender neutrality of nouns...
it can't be extended to encompass verbs...
an oak: dąb - is male...
but a pine - sosna - is female...
all fruit bearing trees are female connotations...

whatever sheryl crow's debut album was...
wasn't alanaise morissette's jagged little pill -
however the conundrum spins with no
favor for the electric currents passing via
Ariel... give me the wind god...
the daughters and barons of: the lesser involved!

because i'm a far cry the alpha...
kindred of the omega... and all that alphabet
of meaning behind letters...
"self-imposed"... less a ******* and more...
feeble guide of watching others get
pleasured by the mantis
and the black widows of tomorrow...

a cactus would grow in my palm should
i witness germany re-united:
at least that's how the proverb stood its ground...
before common or passed on "wisdom"
learned to gravitate toward...
soap bubbles pop... charcoals smoke...
ms amber becomes a river
when there was no river expected...

the tides are hardly shy: they're buying time...
this one last commodity of the rotten mind
of the gambler...
puny prophet - of fate -
alongside the weathermen of a forgotten
afternoon: come birthday prior to noon...
and the fungus umbrellas chat
among themselves in a premature autumn
cascade...

fungus or just... lungs... devoid of a body?

my god: the kids are going after the grammar
that has already absolved them...
knitting mosquitos and lambasting
gherkins' worth of would-be:
pickled cucumbers...

that herring tartar... with dill and juices...
that baltic sushi never to arrive
at the cusp of the Caspian sea...
Molotov shots;
the Russians will always bring glasses
and ***** with them...
because... they somehow can...

- and that's because...
sheryl crow's debut album wasn't
alanaise morissette's...
but never makes the cards of a...
poker-match-up to better not earn
money if all that money is a gambler's
Eden...

- there are better ways to get away with
cooking an egg...
there's this entire myth of...
no poultry sushi...
mein gott! how the meat agrees with
abortions...
you can undercook beef,
you can undercook pork...
but when there are poultry standards...
they're just as risk-aversive as when...
a soft-boiled egg is required...
same with meat...

this direct translation of the atomised meat
in an egg white...
how it needs to coagulate to pristine juice
and all that perfect *******...
and... ****** via the runny yoke...
because i believe there's a puritanical
aspect of all life in general...
when hard-ons are sold
within the quarantine confines
of a viagara episode of: ***** into a hard-on...

chuckles and whittle charlie chaser says:
no man was ever ***** into a hard-on...
no?!
when charlie met chuckles and chuckie
and charles...
it must be a russian "thing"...
they have them... and hide them better...
there's nothing to hide in english...
just bad grammar and trans-grammar....

i.e. чa-чa-чa
            believe me... they managed to fold...
hide the caron in that alice through the looking-glass
of greek mu: μ - or (h)atches open!
how about hiding...  (letovers: č              č
the caron, in russian?          č č             č č         č)
or the H and the Z in english and polish
respective - whole - attached to the S?

epsilon lying back... the toil
of Sysiphus is a bore: шit...
****... and... шarp...
and... mateuш...
    
maybe people... or so we at least,
have inkling to hope to be receptive of...

щ: twice the hiding caron...
it's not that the russians don't use diacritical
markers - they just hide them differently...
the self-exposed vowels...
last of the reminders...
because there's the carpenter's obligation
to chisel a Y into an I...
or at least a J...

to add this currency of momentum is...
to... leave without a memory spare...
whipped along the trail via
a maine ****'s finicky worship of
air that will never translate itself
as being: breathed...

and yes: i drink... i drink to relax
my lexicon from the everyday strict: rules
and obligation of formal mr and mrs
and what doesn't fit into
a metaphor tuxedo...

over-cook pasta: we'll never talk again...
over-cook beef or pork: ditto...

it's an art to treat cooking poultry meat
with a quasi seafood status of scallops...
to curate a soft-boiled egg -
not quiet the abortion portioned
within the confines of a lost shell when
thrown into the dead-bath of
a lobster's litany when the neither alive
nor dead is cooked...

some bloos is necessary when it comes
to either beef or pork...
but you can't just have undercooked
poultry...
the grounded clipped wing marshall:
the decency of cooking poultry has
to be equated with cooking
a soft-boiled egg...

otherwise the common saying:
one apple a day... keeps the doctor away...
well...
one poem a day... keeps the psychiatrist away...
no? who are the circus freaks
the pseudos and the quasis of what...
has to be compensated by mr. rather dr.
surgeons and... the better half of whatever
becomes the butchering degree:
a degree in: what's not to be eaten...
but what has to be left intact
and reused?

less the homosexual yet still la la land...
not quiet cuck...
but still... every time i visited...
and never managed to peer at
the sort of first-person doom shooter experience
that otherwise third party sources would
allow me when...
the best fallatio is done in third-person...
talk about having someone to sit
on your face like...
never the literal metaphor translation
of ****** acts...
face-grubber from alien and...
performing oral *** on a woman...
no... none of it is true!
******* and winding archaic clocks...

some would even call it electricity should
it come from a burning candle!
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
jason galt Dec 2015
That cowgirl won’t go
Won’t ride
Won’t die
Sittin’ on the pisspot in a one horse town
Salient sista, she sees them cowpokes
And they do their damndest to draw her attention
Oh, she’s seen chairs thrown, barfights break out
And the piano man run away
Sometimes they shoot the others down
All for the chance to pay two dollars
To lay with the only cowgirl in town
She’s the Queen Sheba of the saloon girls
****, loose and fast
Motherly and tender, it’s all for the askin
Sanctified or sinister, that cowgirl won’t go
Won’t ride
Won’t die
I asked her to marry me
Many times before
She laughed and said, “Honey, you can’t have me.”
In my naïveté I thought I could change her wayward ways
Domesticate her like I’d break a young filly
All the thoughts of getting off the trail, building a house,
Settling down and starting a family.
But that cowgirl won’t go
Won’t ride
Won’t die
Harry J Baxter Nov 2013
perched in a thick mess of pine trees
my head rotates three hundred and sixty degrees
scouring for the vermin I make my prey
I own the night time skies
silhouetted against a harvest moon
death is coming in my dreams
and with it comes new life
wisdom of the self
aware of the lies which cover the world in its blanket of grey snow
the owl lives in my skull

The coyote stalking the empty desert highways
looking for roadkill
looking for the weak and alone
I cackle into the dead sterile air
for every pack member lost to poachers
manic laughter for every left turn which results in dead ends
stealthy patient
hungry and haunting
the coyote treads the territory of my atriums and ventricles  

The hawk circles in the blinding midday sun
a deadly serrated dagger with wings
arrow let loose from the quiver of the Gods
impossible to tether and domesticate
finding ultimate freedom in the vast openness of the sky
lock on,
tuck the wings,
nose dive deep into the waters of the ****
a creator
a teacher
a messenger of truth
the hawk soars in the infinity of my soul

ID
EGO
SUPEREGO
Mateuš Conrad Jan 2020
well, it would really become a problem...
if i were still jerking off and had a girlfriend / wife...
the ladies are looking for ultra-violent ****,
it's just a tease off ***** -
there's choking there's *******:
oddly enough... no yo-yo of Watergate?
me... i'm not willing to be shamed...
i still have my ******* -
she can have her webcam e-thot or whatever
the hell the internet **** is: memes my ***...
once upon a time it was merely called graffiti...
i don't see how darwinism can make
a 2nd coming resurgence in the 21st century...
fine... when it first came out at the end
of the 19th century: and opened the floodgates
for the 20th... and thanks to the physicists...
lasso! rein 'em in! rein 'em in:
for the fireplace and the ******* kumbaya...
the girls are looking and having finally decided
on an spanish omelette: but not a french ****
quiche... eggs and more eggs...
while i'm strapped to ******* one genocide
after another into the tissue and
flushing it down as: meat for the crocodiles
and tapeworms pretending they know how
play the parasite attaching themselves
to a white all white: white even if you're copper
skinned, cinnamon, hot choc or...
it's still a white tadpole racer...
i usually get off on looking at some xenia wood
cleavage...
it helps to tell apart the *** cleavage and
the breast cleavage...
i moved from: ******* snaps and started peering
at: when a woman pretends to perform
the lotus on a man's face...
and there's like... a floral pattern involved
with gulping oysters...
have i ever licked an ***-hole?
oh my... have i...
**** - *** 1-on-1... doom... 1st person shooters...
never the 3rd person ghost moving
the body...
am i missing something? the girls are
looking for extreme ***... i'm looking for
cleavage and teddy bears -
and the borderline before the whole body
exfoliates and what not...
as marquis de sade said: it's hardly something
i can control when i have a hard-on
almost 4 times during the day...
if i had a girlfriend... if would be crass to:
sly one in...
but... *******... no woman no cry...
it would be truly sad if i was in a relationship
and still up to the shambles of: not up to any
or the odd sort of good -
there's always this shared approach -
the wants and willingness needs to by made
synch. - they need to be a woman and a man:
polyphony - orchestra!
why write about ***? oh hell...
watch me write anything else -
my linguistic infatuations - *** and all manner
or picked ******* sells -
or... at a catholic school they would still teach
you about the perils of sniffing glue -
apparently the 1960s never happened -
no l.s.d. was ever dropped -
the pints of guinness were drank -
the cement was poured as the muscle to
the iron rod skeletons...

and when i finally achieved a beard worthy
of a post-25 year old - when the full
bush sr. happens - i forgot to curate
a body for: the objective safety of being watched...
or how the hell you word:
prior to the beard i focused on the face
and later the body...
and long hair...
once the beard arrived...
**** it... let's take to donning the Elijah
look... the beard comes way way ahead
of the nose - and now i'm still looking
for my neck -

it's *** it's only spectacular about once...
i've had that once spectacular -
i even got a tattoo -
oh... not me... i'm the dragon alien curl...
where my scar is...
on her right shoulder-blade...
and that's not even as if i branded her
myself...
she was going to fit me out with
dreadlocks and a tattoo of her totem at
the time - a scorpion -
thankfully i read about all this crap
in high school...
nick hornby's high fidelity -

it's still a very musical affair...
i remember what love at first sight looks
like to a fresh 17 year old
novosibirsk girl... siberian girl...
all the way west in edinburgh...
she gobbled the iPod and the playlist...
a near complete oeuvre of iron maiden...
and the odd songs...
while i was correcting two girls attempting
to make pancakes...
girls! you need to put some oil into the dough...
this is dough you'd make a sponge cake with...
so the story goes...

but *** was only spectacular once...
the rest of the time i think i was minding an itch...
even these days...
among... aha! that nag hammadi word:
in the Barbelo - the brothel -
no: i will not study the etymology -
in the brothel nothing spectacular ever happens -
you chance upon a ***** -
you're asked whether you want to use it -
you decline -
to play judas with the lips -
you pay an extra ten quid for you-feeding-the-oyster
suckling and all other leech comparison of oral...
ventures...
it's done - the mirrors are witnesses...
the lights are dimmed - two beached whales
on the shore of a bed of crisp linen -
and no one-night-stand
cocoon *** *******!
how do people stand these cocoon ***:
under the bed-sheets moments?!

because it would be really harsh to have a girlfriend...
and still have to *******...
at least without a girlfriend i can solve
the mystery of the throne of thrones -
no. 1 no. 2 and no. 3 -
then a quick baptism in the shower -
i sometimes found that doing the no. 3
helps with a constipation
of a no. 2 on: the throne of thrones...

- and as someone who discovered *******
before he could produce ***** -
well - the ******* is a "side project" -

because this world already needs no more
puritanical quips -
all this ******* stigmata looms over
the circumcised men -
but of course it would - why wouldn't it?
can you scratch your nose
if you cut-off the "un-necessary" rubicon /
cartilege?

would a balding scalp Adam ever scratch his
head - quiver - i thought that only stubble
and hair prompted one to scratch one's skin?
if i see a bald man scratching his head:
i'll let you know!

the plague of circumcised men's stigmata -
and if i had a girlfriend and she wasn't
"up to speed" like me: quasi marquis de sade
"might expect"...
**** me... even Chikatilo "fathered" children...
so much for "excuses": 2 to be exact!
nominee for bachelor of the year...
205th year (circa) coming:
Kant - the prussian watchmaker in
a coming of: calculating the promenade of
excuses - no famously i didn't / wouldn't
marry -

if you asked what i used to do
on those warm spring nights...
back in ol' satellite of the former u.s.s.r. -
and that... we entertained ourselves...
catching cockchafer beetle and catching girls
and tugging at their t-shirts and throwing
them in...
we: used to that sort of thing...
what better reason to drink seeing
the youth of today:
as a seemingly old dounding man:
well... in your 30s you sort of hit that zenith
of mortality's vitality on offer -
as much as technology is celebrated -
its change - it's impetus -

what's that... quote?
when an unstoppable force (technology) meets
an immovable object (ontology) -
or at least: i find man's ontology
to be forever played and plagued
by a priori "prepositions": genes -
and technolgoy is forever the a posteriori
counter-fact: of what much later...
much much later... in limbo land of history
becomes an: artifact escaping archeology...
now are we all not wishing
for some variation of closure?

memes: represented as genes?
really? i see them nothing but a cheap south-paw
jab's worth of the otherwise obvious:
graffiti (representation)...

girls are really searching for violent *** -
having **** fantasies?
my my - and here i was looking
for a xenia wood cleavage and some Bronzino:
you never have curbed your pornographic
enthuasiasm: if you never ******
off at...
mein gott! it's a meme!
1st comes god's index finger touching
adam's index finger in:
michelangelo's fresco of the creation of adam...
but the higher 2nd?
venus' tongue teasing the tongue
of cupid in Bronzino's cupid, folly and time...

i ****** off to that painting -
it's hard to stop a boy who knew how to:
prior to the kippah-guilt tripping:
no minus the ******* into early teenagehood...
i don't think i have yet to have dumped
the proper load on this: exercise - just yet...

oh the shame:
thankfuly this is england and no h'america -
and jesus is not the queen or king -
ol' lizzie is still playing poker and...
the constitution is and what i will not become
is this "vox populis" of a people
disaffected as to why the tax goes into the
pomp & circumstance and none of it:
thank god! ever goes into sense & sensibility
akin to the consort Middleton family;
that's highly replica prone...
blue-bloods... love them or hate them...
at least you can sight them as
almost unchanging -
sphynx head while the body changes
from male to female - but the sphynx is still there...

of an erectile-dysfunction: i would most certainly
hear if i had a girlfriend...
as it happened - the "free women"
always gave me a limp...
in the brothel i was there and she was there -
and i was she and she was i
and we weren't bothered about
counting two transgender sheep
of the nag hammadi library -

even on those one-night stands:
erectile-dysfunction - dim lights two beached
whales on the bedsheets i could stomach...
in a brothel...
but then she took me home
like some morrissey wallow and...
it was all about cocoon ***...
i've heard that temperature changes
the *** of frogs upon insemination...
cocoon *** under the bedsheets...
i stopped going out...

it's might almost sound like boasting:
believe me... it's disgruntled sarcastic... the overtone
to these words...
even i tried teasing a fetish with
latex lucy - but... then i thought about...
if you start wearing the same clotches
for god knows how long -
like an imitation of dog's hair...
you'd wish to squish into something
less pardonable / expected like a full gimp
imitation of lizard latex...
but violence an ****?

maybe that's why i started to tease
1970s italian classics...
dubbing from belgium and amsterdam
and all that...
but always after the torso cleavage -
always after the Om-onomatopeia look of
absent eyes and boiling tongues in a gurgle...
the contorted final stages of the face
before the lesser death as:
faking birth in ****** -
or what the hell you call: scavenger of:
never the lost details...
and if i had 7 children in the bag i would be
a fraud... and if i had a girlfriend
i would be a fraud and hopefuly ashamed...

came the white flag... came the rainbow flag...
came the ******* flag...
came the image: how would you ever find
yourself in a desire to blink: to peacock flutter...
without a pair of eye-lids?
hmm...
all those ******* freed arguments...
not coming from the "progressive school"
of islam -
or the hasidic jewry where:
a woman is to made to make concessions?
otherwise: waiting for that
golden moral maxim Confuscian wifey?

that a deity should...
somehow give moral laws...
i thought that man was the moral lawgiver?
if god were to become the moral
law advocate...
man should most certainly become
the physical law-giver - or at least:
to best serve my attention -
attempt fictional escapes via superhero
infantilism...

again: historiological infantilism -
the only serious history we are supposed to know
comes from h'america...
the civil rights movement -
that's serious history!
everything else is infantile historicism -
interchange of historicism and historiology -
yes - heidegger's leftovers...
but what is serious history?
and what is infantile history?
oh i'm pretty sure much of history kept in
agitated dust is: cowboys vs. indians
roleplaying... games...

cite anything serious of the past...
if there's no stampede toward some platonic exit...
then serious history happens with
the h'american civil rights movement...
after that we only have journalism
and bad idea dear diary entries...
of the next to come: ***** teenager
plague by acne and the many more oopses to come...

- and with the world saturated by:
an **** of forms - wielding their interwine and
maggot pit of "metaphors" -
better i write this than speaking during *** -
what could possibly saturate the "land"
that's already a swamp -

somehow i'm not edging toward a moral
superiority - the day i discovered
that god was both the god of writing
physical: and moral laws...
i was assured by the chinese that:
all kosher and all halal would pass
the test of the: 3 peepsqueaks...
no? do not eat a pig: do not eat a mandarin!
god only knows what the pig ate...
god forbid you ever knew the full
menu of Beijing!

pigs are the: das schlechteste!
das äußersteschlechteste!
pigs, mandarins, bats...
the bubonic plague, rats,
"supposing that africans would ever ****
monkeys"...
why would africans ever
**** monkeys...
i'm supposed to be ashamed of
having a hard-on...
while the white girls rummage
the carousel!

i could suppose the chinese already
ate the supposed ****-buddy to begin with...
it's no more funny when the "thing"
spreads like a mongolian shy-auxilliary
brigade of: voyeurs of:
the only evolution we are to be concerned
with, is to be better associated
with viruses, parasites and lice...

and if i were to live a sheltered western
liberal elite life... "elite":
the bigger the mouth the bigger the... whatever...
no complaint from the arabs
itching over well curated pork...
they'll allow the mandarin diet! no problem!

it's no problem...
pigs are the "problem"... when a god devolved
to invoke moral laws: his most high!
and it was "somehow" not man...
how can god, a monotheistic god...
give both physical laws and moral laws?
to me that's near impossible!
ah... unless this god is given
the "plotheistic" splinter of being
a theistic god and not a deistic god...
a theistic god gives both physical
and moral laws... a deistic god gives:
no moral laws: he was expecting
we could do so!

i can't believe in a god that plagiarises
man's activity -
man can't change the laws surrounding gravity...
yet to be known whether light
is somehow subjected to gravity...
but a god does not intervene by giving
moral laws...
having already established physical laws...
entertaining himself in the playground
of metaphysics...
only a prince... the devil -
would ever... intervene as god to give...
higher authority: a plagiarism of
man-made laws...
and call them: with deity origins...
why would a "god" meddle in:
you will not steal, you will not ****...
when...
god has set up a recycling centre?!

god is no judge, prosecutor, lawyer,
defendent, the accussed,
the jury over moral laws...
he is the epitome of physical laws:
the unchanging...
to have confused divine intervention
with a god bowing -
before and succumbing to...
man's ordiance... a moral law...
god does not allow himself moral qualities...
and god would not discriminate
against a pig: saying:
but the pig is the most economic piece -
had not man found the boar and
domesticated it?
the boar became the pig domesticated!
and the pig can be eaten...
from snout to tail and with only
the oink missing!

for a god to be so degraded as
the arbiter of physical laws -
to be ***** into giving moral laws...
only a devil would...
only a devil would...
only a devil would play with man's moral
laws... and attempt to supress
the already constaining impossible
with his cameo in egypt -
that machiavelli of sorts...

if the quran attempts to question
the cleanliness of pigs:
and god made the pig...
or rather made the man and the boar
and allowed man to domesticate the boar...
sick... ugly... but...
kept the mandarin: pristine!
save the pig... eat a mandarin!
if you dare...

how much do i abhor these infernal riddles:
how much i abhor scolding the bacon:
is also as much as:
you deserve the beijing sneeze!
you should let it palm tree vacate
and spread in the united arab emirates!
oh.. go on go on go on!
who's not looking?!

i only have old teutonic anthems to listen
to... because...
i like the way german sounds,
how german sounded...
how german will sound...
because at least german is not english...
and that's almost asking for a plum
tattoo of hue under the teasing
socket and the cheekbone: when in england...

no zeppelin echo you hear?
encore! again! again!
it's not o.k. to eat a pig according
to the hebrews of the muslims...
the mandarins will act worse than pigs
that the classical monotheists speak of...
a cat could catch a mouse...
but a cat could not be served a mouse
on a platter... what's that dish called?
the 3 peepsqueaks?
and pork is bad?
pork is just the tip of the iceberg
concerning these omnivores...
at this point... perhaps cannibalism?

islam go back home: check if there are
any mandarins living among you...
pork is bad... pork is bad!
this is not being paranoid this is me being funny!
pork is bad and your pseudo-god
of man-made moral plagiarisms!
*******: snippet the ******* but sure you
hell and bring me the niqab!
no *******? no niqab...

why are you looking at me?
i'm a tired old european...
why should i know what floats the boat
over in h'america?!

this "god" and the "intervention"...
oh i'm pretty sure we made our moral laws...
they weren't exactly to translate as a morality =
claustrophobia...
"god"...
               a belief that the same god
created the physical laws / barriers...
and somehow... decided to... plagiarise, human,
moral laws...
how this "god" decided to become
architect of physical laws...
and the interpolator of morals?
really?

a god that's critical of pork per se:
******* sheep ******* the semites...
but not critical of the mandarin diet?
that's no god; "at least not to me"...
the god that made gravity critical
as immoveable...
but a secondary god that...
was ignorant... of the fact that...
humans already punished stealing
and ******?!
why require a doubled emphasis?!

it's as if "god" made an entrance -
when no pyramids were to be built...
it's not: oh no...
we were never given any a priori parameters!
we were always supposed to sink into:
the thinking of being free...
let's face it...
at best: bad operatics of
madame butterfly at best:
only a soap opera.
Mateuš Conrad Dec 2016
the mystery of lawlessness is bound to the "transcendence" of phonetic application of phonetic encoding... some call it the whirlwind of confusion, but somes also call it E-près and then write Ypres... well, the confusion is all but apparent... i left that in "     " to stress the ambiguity... yes, the -s is optional... it's neither possessive or plural... that, i could have learned in prison, had i ever been a Becontree purple (bishop)... dictionary moment: cranium, crimson, cradle... cardinal... but all these positions of power are on their knees (there's me trying in vain to underline that), they gobble-quote what they quack... which ends up being a circumflex and a wanking hand, embedded with "touching" Adam. oh sure they bypassed the contemporary-of-contemporaries... it was never a grey-matter affair... it was always a gangster's drill-to-the-bone moment... wait till he squeems! i don't mind ******, given the person is dead, i just hate half-asked half-baked half-bollocked Dr. Dre attempts and then failing and then, like a whining dog with its tail between its legs going back to the mantra of mother fiction... i ******* hate it... i start looking like a ******* ******! i hate it... mutter fiktion... all i'll say of a Jew: don't ******* bring an argument against the Palatine Schting right now... i have as much abhorrence against all things Egyptian as i do about English tea, which i deemed liquidated Werther's Original... and then there's this Russian ***** i'd like to the village bicycle... she's had more spare parts done unto her than the working limbs ever gave her the tilt... feminism and the sacredness of all women... name that movie quiz show... charlize theron... aileen wuornos! woo-or-nose? never mind...
   a 1K spectacle at Hastings... that's invoking quid...
and you'll feel more tonguing mollusks than
                          touching a frightened ****** quill-thread's
worth of deer with that lingo, had you ever had one...
              MONSTER!      yes, they all dream of a breakfast
at tiffany's... and i'm john paul the 2nd, and
     henry viii was a joke nursery rhyme
  when charlie bid farewell to diana...
there was no:
         divorced, beheaded, died, divorced, beheaded, survived...
there was only a car-crash... you can't make
    a king out of swine... well... you can... Sweyn...
                  but **** me... and i thought i was naive...
guess the ***** didn't kick in when it was supposed
to; once true journalism became the ****** of what
was once the ****** of the people...
             religion... journalism these days is rotten,
it's an Aristophanes to what's really happening
defined by Socrates... it's a schoolyard...
  journalism these days is best defined by Aristophanes;
and who's the globe-trotting-gobbler of all misfits
is not the would-be diarist of returning back to
the local, the usual, the sanctimonious mundaneness
of it all; you **** only once in your life,
you end up having a **** the rest of the time,
either with your hand, or with another body.

oh i'm not bothered about the "perverts"
(funny how only men are concerned with
being named that) -
                               that are watching you,
those third party incisors of
             the bony-**** (hey, you
could be yodeling **** by now) -
                          what i'm
worried about are the perverts that provide
the "perverts" with material,
it's all very much a Turning test...
               that robotics testing ground
of: i can't keep eye contact...
   the lesser privy of psychiatry?
eye contact and biting your nails...
if that can be engaged with and subsequently
avoided:
you're as chirp as chips! honey b.
          can anyone white
feel glamorous using language in order
to tell a joke?
   that's not the question, the question is:
why call it witty comedy...
     but still employ canned laughter?
it's discouraging, i don't know when the joke comes,
all i know is that the editor finds it funny
as that particular time,
                    and that's when he inserts canned
laughter... you can get it with the most
"witty" comedies there are...
  a bit like black girls trying to be white without
the frizz of afro curbing the afro with vaseline...
i've seen catfights over this "third limb"
scenario... afro is no go in catholic schools...
you have to... yum... cow lick that ****
into place... use vaseline...
      and that's an advert-and-a-half.
but you know what really ****** me off?
philosophers... they attacked poetry because
they couldn't care two-****'s worth about
whether language could be musical
or simply communicative... they're the ones
that wrote books without using
grammatical words such as verb, or noun,
because they made them excuses to
their muddles when hoarding from poetry
words of equivalent categorical weight
such as metaphor... so attacking the practice
of poetry, but then encouraging
the categorisation of the spoke
with poetic categories rather than grammatical
categories? can i see Hegel use a noun?
no... but i can see Heidegger using
  the metaphor with two labourers utilising
a hammer... that's the thing concerning
a building site: you either pass the time
tellings jokes... or you don't work
on a building site and hold a hammer
  and question whether someone else might need it...
philosophy is not about the existential dittoing
of the i...
    it's a book, but there's a new category of pronoun
due to universal bewilderment once childhood
finishes... ? opened the door, in stepped !
and said:
     shouldn't we make the stillness of the lake
into a mirror to banish but at the same time
          domesticate narcissus -
yes, replied ?, i'm glad you thought of it...
               domesticating demigods...
                    narcissus was a stillness of a lake,
sisyphus was a stone,
    hercules was bicep,
              achilles was a tendon...
                                       our current affairs are far
from democratic, but at least our history is,
  you get ******... you get protractor...
you get mona lisa... you get 'let 'em eat croissant!',
       too many points of divergence
  in a democracy to craft a convergent "democracy",
what the politics says is that we are all
slaves to what's called a *status quo
,
  i hate the fact that western "democracies" are
no longer tagged as merely status quo...
abuse of nouns... or how philosophy attacked poetry
and never spoke a theory concerned with
language per se being evidently categorised...
     how status quo is actually a -nomer without a mis-
of democracy...
  funny, the spanish... i have no idea
why can i have some ice-cream?
      has to become ?can i have some ice-cream¿
           i guess it's like the english " and '...
  who said what, and who said what for whom?
    is there a narrator?
      is that " + 1 people speaking, or quoting a quote?
or is that direct convo... '   ',
later retelling the tale "     ",
and after that it's all but an urban myth
akin to the kentucky fried mouse...
                the French that blè blé blé blé....
and somewhere in between was the Transylvanian comma...
hmm...
                             i mean... the perverts...
   thanks for the invitation, r.s.v.p.; of sure, great mixtape...
funny thing is... i never filmed myself jerking off...
        i do a 3-in-1... take a ****, take a ****... and
clean the ****-talk ducts of banal sprechen while
      watching a monkey strutting down memory lane
of when i had a girlfriend... and had to juggle,
and go for lunch, and this that and the other,
and a dalmation... or the reflection: but i had a mother...
huh?     i never felt this much ingratitude
for occupying the premises of the oval chamber
as i did creating a signature or inserting
  myself into the least convenient space to have
later come out off using only one digit's worth of
accountability... but hey... that's life.
          are you feeling the guilt trip drug pushed
by your mother from Syria, or Somalia?
     you owe her! you parasite... makes easier argument
for the billion Blue Indians and Chinese to get on
with it and eradicate the over-sensitive ivory dodo;
or at least in Siberia with the mongols...
              so i'm guessing eskimo is the new
                        squint to what's butchery ethics in Kosovo
as: look away... nothing to see.
               still... why call it a witty comedy when
you nonetheless have to utilise canned laughter?
             and that's a novel in itself...
? went up the stairs and ? met ! questioning <
whether ? should be questioning <... instead ! suggested
that ? should be questioned by >, since ? was already
on the 1st floor, having ascended the stairs from
the ground floor...         can you write me
     a novel... replacing all the correct pronoun usage
with mathematical ambivalence structured toward
a mostly unread existential dogmatism using
  mathematical punctuation?
no one will read it...but hey... either you do something
like that... or own a dog or a cat...
           and yes, they call them diacritical marks
when they're within letters... but in between letters?
they call them punctuation marks within words...
or the microcosm of punctuation: syllabification...
          the French just gobble down a lot of
  deviation... mon fhhhhhhhhhhhhré!
don't ask me how they do it... ask Nápŏlyon,
yes, the half-wit from Li-ą... oh no... not
                                               Monsieur Dynamite.
Meris King Jul 2014
Abuse me, please
Daddy issues, broken hearted, relationships misconstrued
I'll complain and scream for compliments
Anything for you, sweetheart
Domesticate me
Let me share your every need and hate your enemies
I'll take your punches and let you own credit for my successes
Bring out the red and violet undertones in my skin
Scar my beautiful body with your hateful lashes and throw me at the wall
Anything for you, sweetheart
Abuse me, please
I am "Josephine Wild."
I am 35 years old.
I am an artist and an ultra runner.
I experience the world differently.
I wake up.
I work and workout.
I play.
I eat.
Then I sleep.

I see things like design and shapes.
I focus on the details.
But I try to see the bigger picture.
I look at typefaces and fonts.
I get hyper-focused.
I like to work.
To make.
To create.
Day after day
This is what I do.

I am never finished.
I date things
Because I lose track of time.
Time is against me.
So, I learn not to waste it.

Sometimes, I make believe.
But I am not a child.
I am grace.
I am strength.
I am beauty.
I am determined.
I have a good heart.

I live in my own home
With my husband.
We share the same bed.
I have toys and figurines.
I collect them.
I arrange them.
They always stay the same.
They bring me joy.

I am easily distracted.
I like to escape.
I can run away with my thoughts.
I’ve learned to domesticate my emotions.
I am an artist.
I am wonderfully weird.

I like people too.
They are beautiful each in their own way.
It’s nice to connect with people,
To feel loved.
Now, I know that I am so, so loved.
It’s hard to let people go, especially when you love them.
I know that I’m not alone.

I am apart of this world.
I just experience it differently.
But sometimes, I don’t feel free.
My life isn’t easy, but it’s a gift.
Life wouldn’t be great if it was easy.
I’m easy to get along with, and now I understand.

I love music.
I love to sing.
The music I like doesn’t need words.
I’m sometimes without words.
I search for them.
I need them quicker than they come.
But that’s OK.

I try my best to better myself.
I am not wrong, I am different.
When I fall, I reset.
I try not to cling onto people, but it’s hard.
I’ve learned to forgive myself.
I’ve learned to love myself.

I make more of an effort to think things through.
I have succeeded at leaving my comfort zones.
My effort is success.

I am not a problem.
Life is opinion. The universe is change.
And I’m always changing, always growing, always living.
I have grown a good heart.

I am awesomely autistic.
The current version of the poem I wrote 11 years ago, "Who I Am" (3-6-13).
SA Nov 2011
"You cannot just push me into oblivion.
My soul is not another cavity to throw
deteriorating sugar in.
I am a sailor
who pleasures in pleasures,
but what I do
is a gift for you all.
I tame the ocean,
domesticate the waves.
Thank me for that
and do not judge me for my wary appearance."
I find it kind of funny.

How you say it’ll be okay.

But now every time I see you.

I can tell things have changed.

Conversations are emotional.

Phone calls are cut short.

And now when I need you the most.

You turned into a ghost…Babe



Please don’t leave me

Behind in these lonely times.

Please don’t leave my

Mind abused ‘cuz your hearts confused.

If I say imma stay.

Please don’t walk away.

If I say imma stay.

Everything will be okay.



If you think Imma mistreat you

Domesticate you

You don’t know who I am…

If you think I’ll ever misuse

Only always abuse you

You don’t know who I am…

No you don’t know who I am



Think about all the times

I’ve stayed up with you late at night

You crying about your life and how

Nothings seems to be going right

But here I am, arms open wide to hide your cries

But you got to put your trust and faith in me



Please don’t leave me

Behind in these lonely times.

Please don’t leave my

Mind abused ‘cuz your hearts confused.

If I say imma stay.

Please don’t walk away.

If I say imma stay.

Everything will be okay.



If you think Imma mistreat you

Domesticate you

You don’t know who I am…

If you think I’ll ever misuse

Only always abuse you

You don’t know who I am…

No you don’t know who I am...
Rivka Ordieres Jul 2013
You are an unbridled stallion
Disjointed
Incoherent
And wild

Break me
She wailed
Domesticate me
Make me inane
A simpleton
Godless
A No one in a vast of people

I
A sun soaked cowboy
Did her biding
Hunted in her prairie
Lassoed her
And corralled the insatiable spirit
Tess Calogaras May 2016
Let me take a dip
Among all your fevered kinks.
Leave me saturated and tense.
Swallow whole;
your hysteria and guilt.
Walk the night without a change of view.
Sleep noble decadent,
Providing you leave before
daybreak sets the scene.
A quiet night
Of internal sighs;
Ringing in your ear.
No need for an act of pretence;
Make sure to quit while you’re ahead.
Don’t fool a heart with flattery.
Nonessential encouragement
Only further stretched the blame.
Just let me domesticate the beast,
And for an instant live inside its pain.
Copyright
Tessa Calogaras
Bonnie Barrett Jun 2012
Does anger domesticate the tranquility?
Being nothing more than a background scene,
I let the abuse happen, once again.
You were once everything to me.
An affair I deemed wonderful.
But you swore, we must keep in secrecy.
As battle wounds were nothing more,
Nothing less than scratches of the deserving.

And we fight under breathing
Settling, Laughing.
I was under the delusion that you were once perfect.
That everything that was done in your presence,
Was a tragedy to be blamed on me.
And it still is.

Demon in the mirror
Devil in the iris of an eye.
That's all you should mean to me.
But there is something more
The good veins to a heart that died.

Replaced by this
Sickness
This
Poison
This
****** Monster
That does nothing but,
Breathes the air
I once thought tasted so sweet.
girl diffused Oct 2017
You hold my hips as we listen to Kaskade
I'm never going to know the exact name of the song, darling
I rest my head on your shoulder
Exactly 72 hours or more after we met
Smiling serenely at each other, trance-like
Our bodies swaying to some invisible beat residing in our heads

We never do watch that Minions movie in Dunellen
We do eat cold leftovers of Chinese takeout
Retrieve them from the mini fridge in the hotel room
Congealed chicken and broccoli and your beef dish
We eat cold slices of Margarita pizza from the first night
Shared an Italian dessert with two spoons and one glass and thought nothing of it
Talked of your ex as if you'd driven out to see me for months instead of just that one time
Smell **** in the hotel hallway when we come back from our escapades
Joke that maybe we could ask the other patrons two rooms down for “a sample.”

The room becomes a home
We domesticate ourselves
Trap our secrets and nightly admissions in the thin walls
Share a toothbrush
I model for you in your old boxers
You grip my hips and kiss tortured minds out of our systems
On the first night, you fumble for me in the darkness
We had *** hours before
I'd only had one pair of clothing
I was high on hypomania
You were lonely and desperate and enamored with the idea of me
I heard your voice in the pitch black of the room
Disembodied, floating, pining

“Taylor...? Are you awake?”
“Yes,” I answer back, stifling a yawn
Demons crawled along the surface of your bronze skin
I could feel them too
They were always there, slinking into the corners of every room
Perching on the windowsill, furtively glancing at us
Unseen, invisible, unknown, silent stalkers

You ask me about loneliness
You speak about your worries for an “us” not even a week
After your Facebook friend request
“I don't know if we'll work out in a relationship,” you say
I watch you with my large brown eyes, inquisitive
Bite my lip, taste the salt of you on my bottom one
Taste your skin and spit on me

Hours before you'd clasped my leg, it, laying on your shoulder
You pounding, feral, all wild animal, sweat on your brow
Grunting quietly, watching me, looking at nothing and everything at once
You **** me until I'm completely dry and sore
Lament that you want to be inside me still, that it *****
I think, oh how it does
We took off our glasses to blindly ***** at each other in the darkness
You'd said you liked how it sharpened the senses
I was a repeating rainstorm, endless, Summer showers in the bedroom
Hot, sticky, palpable
You taste saltwater, briny, sea, inside of me

“I don't know if we'll work out together
When we do go back and if we do end up together
It'll be disastrous,” you fortune-tell
I bite my tongue, taste salt and pennies in my mouth
I swallow it down wordlessly
Hours later, you're back in PA
I message you on Facebook, my heart in my mouth
I want to ***** with the amount of anxiety,
Tremulous in my fingers, humming in my blood
Throbbing, alive, achingly


“I don't intend to fall for people usually...
But I've fallen for you
I don't think I can keep talking to you like this
I'm usually scared of falling for people,” I write
You reply without any trepidation
Some strange confidence and Siren call beckoning you
Some spellbound hook curling around your fingers
“I'm emotionally invested in you too
Look, I understand
But I enjoyed my time with you
Let's at least be friends
It's not easy for me to shake someone off.”

Two months later you tell me, after messaging me at 10am
To see how I was doing
That when your room mate was wildly ******* his girlfriend you thought of me
“Most days I think of you.
You're in my daydreams
I come home and I wish you were here
That I could come home from work and you'd be there waiting for me.”

I try to scratch you out of my head, now
It hurts too much
I told you I was in love, I tried to deny it but now it's more apparent
I message you and get silence in response
Talk to someone else
Have ******* with another man
Purge it out of my system
Stick my fingers in the back of my throat
Try to puke. Nothing. Dry heave.
Encourage him to see me and then I encourage him not to
I lose about five pounds

I think about you and your stupid dog and cat
I think about you and the daydreams
I think about you and other women
How you'd **** them
How you'd take them out to dinner and hold their hands
Rub their fingers with your thumb
How you might be

Your hands
Your soft breath
The bright gleaming eyes
That strong German jawline
That fleeting mood,
Upswing and downswing
Your insistent arrogance
The hot tongue on my hardened ******
You suckling
Dark heat emanating from your wet and warm mouth
******* me on the couch
Clasping to each other
Burying our heads in each others' necks
Slow rocking back and forth
Rhythmic
Our shirts still on, your jeans half-way pulled down
You entering in such haste and hunger
The board game forgotten on the table
Laughter muffled by your feverishly kissing me
Did you love...? Did you?

I think about the physicality
But then I think of the late night conversations I'll never get back
Your sleepy “hello” at 1 in the morning
Philosophical musings I never tell my friends that we had
Us, talking about literally nothing in the beginning
The lingerie site we subscribed to
Looking through catalogs of what you'd see me in
You saying you could buy me something to model for you
The *** chairs we looked at, furniture to purchase
Odd daydreams of a coupling that almost-was but never-was

I think about you holding me even though you're so unused to it
The smell of baking banana bread
That inner battle in your head when you saw me the second time
That sadness
That loneliness
Your... “don't forget to come back.”
Cologne on your medical scrubs
How I didn't want to let go
How I wanted to stay
God, how I wanted to stay and just do better
The kiss and then...I wonder if there was a lie in your mouth
No, I don't think so
Was it my fault to fall?
No, I don't think so
Was it yours?
No...I don't think--
hygge - n. a Danish word with no direct English translation. It is a feeling defined as being cosy with friends or family or a lover or in one's home. It is an "act of creating intimacy," such as it is utilized here, though, always as with my other works, with an undercurrent of sadness and melancholy. A deep grieving. It, then becomes a word that is associated with yearning and longing for that intimacy and sense of feeling secure. It can also be seen as enjoying one's company.

It's important to note that mental health is a huge theme throughout the works as both subjects in the poems do suffer from it. Later on, it'll be more apparent that their views about how they perceive themselves and others with it differ on a massive level. Their methods of treating it and their philosophies about those treatment methods also become a defining factor of the unique relationship. I think it's important to highlight it as there is still a stigma attached to it both through society and that both subjects can never, sadly, get over, and I think in vain, tried to.
Harry J Baxter Nov 2013
please Lord this boy need's Jesus
**** that
tell God he needs to find a shrink
no a priest
no an altar boy getting ****** by the father
woops that one slipped out
like they slipped the boundaries of good taste and human decency
I'm a nightmare for the nice folksy people
I take their money
put in the church's biggest mausoleum
and burn it to the ground
take the daughters and sons
to the state border and set them free with a 24 cent phone call
inhale the night until we're all exhaled
pack my heater close to my business
walking with nerves taut
the breath breathed out by every man before the electrical storm
drinking fire in purgatory alley
until the gut glows hello
I slug back another PBR and let the night current take me
it's all alright
tonight we howl at the moon until it picks up the ****** phone
and we domesticate the domesticated in the art of the primordial
take a life tonight
yours his hers
it doesn't matter
we're all sprinting to the after life
and digging through earth is easier than ascending from earth on clipped angel wings
keep on slitting your wrists
and I'll keep on drinking your blood
David Barr Jun 2016
I can taste the dark ancestry of ghastly dreams where cloven hooves and flickering flames dance along the castle hallways in ritualistic celebration; and I love the night, where haunting apparitions caress my slippery soul and tantalise my deepest fears.
Listen to the grandfather clock, as its hypnotically audible awareness transports our being to a myriad of dusty volumes upon the ancient shelves of a Golden Dawn.
Owls are beautiful creatures of nocturnal stealth.
Yet, the beginning is nothing more than the end, in her deceptive disguises.
Although their are eight points to her identity, Ishtar has innumerable expressions. Therefore, attempts to domesticate are futile.
Let us now invoke ancient daemons and engage in the wisdom of counsel, as we remain awake and share our confessions.
Men are visual creatures.
Edward Alan Mar 2014
I. Orpheus

My dog flees from pluckèd strings;
her fleas command my tune.

What hollow body holds a rhyme
as long as my neck’s breath?

I could domesticate myself,
but in taming our lions
we tame our pride.


II. Abel

My brother is his brother’s keeper.

I am uncle to no abomination.

As we lie in the Garden,
(our hair in the earth)
I question:

Is Heaven above
because our heads are the seat of doubt, or
because our feet are the root of evil?


III. Hector

I was not breast fed.

I am not a fountain.

I will not hector you.


IV. Adam

Even if He and I practice Our secret handshake
in the Sistine Chapel;

Even if He sends me an angelic bath basket
with ambrosial soul cleanser
and holy bubble bombs;

Even if I am the round reflection
of an ever-changing God;

I still have to ask:

Is Heaven above?
Because my head is the seat of doubt.


V. Odysseus

Poseidon hardly even knows me.

An idle king in heart
reigns with a swift lead open hand.

Life’s lees are far too bitter,
far too deep,
and the wine is corked.


VI. Atlas

The sky may fall;
the stellar sphere may crash with all its weight
and music;

god(s) may smite;
the clouds may freeze and bury me;
the sun may swallow me whole;

leaves may drop and leave me bare;
the mist may soak my skin;

I raise my arms only to catch
that snowflake that dares drift upward.
lina S Jan 2019
خالي
Like the emptiness of the dessert
That is my حالي

مالني؟
Questioning my decision like a
مدير مالي

اهمالي
And if I run from it, nothing will disappear
It fact it hunts me back like a جني

عادي
Getting used to it like its my profession
And I follow it let it domesticate me like دجن

And so I created my own سجن
ملل bored of myself
I look at you for لهو
Distract me like a filler
Botox me up till I انفجر
Fake it cause ill never make it
Blind sighted like سحر

مرّ
Like the stinge in my cigarette
Like the stinge in my black coffee
Is the crave to be free

تحت جلدي
Is the truth that would punch
Hit, hurt
Get hurt and bleed
Cause from you I dont استفيد

Im leaving this earth lonely
And I dont even know me
Screaming for help
******* انبح صوتي
And everyone knows it lowkey ..

أركض
أركض
Till the last breath.

And this feeling
You will never undress
jenna Jun 2018
so maybe this isn’t a second chance
but what if it’s our last?
so dance with me this time
instead of your bottle of ***** at 3 am every night
and make love to the one you’re in love with
not just for validation
but for comfort in your relations
love the way you were put here
and let someone kiss your scars, dear
you’ll feel better after a good night’s rest
better than the the blade of a razor slicing across your chest
and your art can still be great
without killing what’s left of you in order to “create”
find someone who doesn’t want to domesticate you
and let them take your shades of blue
and turn them into purple hues
your mental state has never defined you
and you like to experiment, as if on cue
you text me at 11, and unable to get through to you
i leave you be
and then feel even worse the next morning when i wake up
too early to make up
lies
about everything you said last night
so instead i write
and i tell the truth
of course, i’ll never show any of this to you
but if you happen to find it
maybe you’ll be flattered to know
that you make beautiful art yourself,
but the art of observing you is something
only i have had the time to master
one at a time.
Kelsey Burks Aug 2015
You asked me if I wanted a drink. I smiled and nodded, not noticing how heavy that red plastic cup would feel later on
We smiled and talked. You danced and I laughed. I thought it could be the start of something good.
But goo things never last.
If you can't hear what I'm trying to say
If you can't read from the same page
Maybe I'm going deaf
Maybe I'm going blind
Maybe I'm out of my mind

We took a walk around the house, laughing all the while
We plopped down on the couch in the basement, very few people were down there with us
we kept talking, it was a nice, light conversation. Who would have known how wrong of a turn it would take
You kissed me
"What?" you asked me. "I've heard about you." you said
Ok, now he was close
Tried to domesticate you
But you're an animal
Baby, it's in your nature

You kissed me again, you touched me in places I didn't want you to
"Stop." I said. or maybe it was in my head
"Stop" I pushed your arm off. But you held tight and pushed me into the couch.
Just let me liberate you
You don't need no papers
That man is not your maker
And that's why I'm gon' take a

"shh." You said. "be a
Good girl
"I saw how you were looking at me,
I know you want it
"I know you want it"
I started crying.
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted

"Please stop," I begged
Did my tears turn you on?
I hate these blurred lines
I kept pushing you, but it was no use.
I closed my eyes and tears kept leaking
The way you grab me
Must wanna get nasty

Pain shot through my body, but I kept my eyes shut tight. I refused to look at your sick, twisted grin.
Do it like it hurts
like it hurts

"please." I said
I know you want it
"Stop." I cried
You're a good girl
You finished, and got up. I just laid there.
"You liked it." you said
Can't let it get past me
You're far from plastic
Talk about getting blasted

You left
*I hate these blurred lines
brooke Apr 2017
step 1: don't.

we all know words are alcoholic,
they can burn and they can treat,
I've gotten drunk on a moment, on a kiss
on the thin waist of a working man--

there's no use in wishing, on changing substances,
you can't domesticate a bear and tell her not to hunt
hope water will disinfect,
treat with pages out of a book, stitch cuts with sentences,
we all know words wound as much as they heal
try cauterizing with ink or
bandaging with i love you
you'll quickly learn that you are not a healer, you are a bartender,
you serve the vices, flip the switch, change the songs, pick up the drunks,

turn water in whiskey? turn whiskey into water.
help a man, hold him close, wake up and make love
clear a table, clear a mind, open a door,
leave the glass.
(c) Brooke Otto 2017
Lauren Christine Oct 2017
tired. weary.
of having my red flags always ready
of being on alert for every cue
every subtle hint
from any one of you

i've grown scared of small smiles and long glances
even though that's most of what i do
i'm afraid of seeing it back
because i am always afraid of what complications
your attentions would entail

am i expected to curb my fondness
my friendship
my curiosity
my joy
to keep from leading you on

should i protect your feelings
and in doing so push down my own
do i owe it to you not to
really look in your eyes like i love to
or to not laugh too loudly when i find you funny

do i owe you my reservation my restriction
do i owe it to you to domesticate my affections
so i don't hurt you
when i tell you that:
no, i will not go to dinner with you
even though i would love to
if it didn't mean leading you on

or no, i cannot be that for you,
even though i would love to spend time with you alone
if it didn't mean leading you on

because i love you dearly already
and i want to explore every crevice
of your vibrating soul
but purely platonically

no one else seems to think this way
and i am confused
and sad
i'm tired. i'm weary.
of these ever waving red flags.
i hate the color red. it demands so much.
nmo Jul 2018
please. no.
don't make me
domesticate this
with words.
i don't want to name it;
grabbing, whatever this is,
and pushing it
inside a box,
a bra, a khaki short,
a short light purple skirt.
believe me,
we can use language
for nobler things.
this needs no words,
nor tags,
but your body
against mine.
Mateuš Conrad Jul 2017
never rub another man's rhubarb.

so this article comes along
about aya-huskie,
****... what was it?
                              ayahuasca
and i'm reading it,
and i'm reading into it,
and i'm like:
     it's not unusual for 100+
ceremonies ingesting
this drug happen in new york
on a daily basis...
****'s more potent that
corresponding a war...
   the female enegry *madre
:
hocus pokus
          harry houdini
       eating a pear as a magic
            trick *******...
nope...
   i'm fine my beer, my love
of home-cooked food,
my music...
       what am i implying?
   the ****'s contaminated -
just like the beatnik poets
contaminated peyote...
contaminated, how?
  they wrote about it...
who the **** is going to moan
and complain about me
writing about drinking?
                           um... no one?
the brew is so abused that
when sometimes comes
along and writes about its
effects, in a positive way:
you don't really start moaning...
all those soppy:
  papa was an alcoholic type
stories...
   mama drank a bottle
of wine before putting me to bed:
too bad *******!
    live with the fact,
that somewhere, somehow,
there's a drunk who could
juggle a monkey, a tambourine
and banana:
  and call it a musical instrument!
you ingest something
for a sense of humour -
or you ingest something for
a sense of wonder...
aya-hoo-haha-caska
   is of the latter category...
alcohol?
            ugh: the former!

and to be honest?
    the only and at the same
time the most spiritual experience
i ever had or will have:
will remain:
          hearing myself laughing.
that's it!

the sort of laugh imitating a fox,
the sort of laugh imitating muttley,
and the laugh that feels
like easing a **** of crunching
the stomach...
      the visionaries can keep their
discontent with dreams,
and experience them wide-awake...

but reading this article is numbing...
always the ******* westerners,
the white "bad boys",
what they'll do with ayahuasca
is what they did with cows, pigs,
dogs and cats...
   they'll domesticate the drug...
oh look... already domesticated
being categorised as a drug, rather
than the original of: medicine...

and that's what western society does...
find me a shaman using
alcohol and i'll find you a pair
of scissors in an ayahuasca experience...
but i just hate the idea
of domesticating something so
spiritually governed...

people really think that taking this
drug, in the centre of new york
will somehow create an actual
organic potency of the drug?
          in new york the experience
will be inorganic -
        and most probably horrific -

well **** me: jump off a roof and
hallucinate a pair torn off icarus!
    up here, in the hinterlands,
in catholic schools,
   they still told us what the ukrainians
used to do: sniff glue
   (can i recommend a film?
    lilya 4-ever) -
       or don't get me strated with poles
drinking purple denaturat,
     (denatonium, methanol -
                         in short? toxins!) -

personall i don't like the idea where
this ahaya ahooya, whatever thing is going...
to me it has a scent of a process
of domestication...
        but i suppose if you're going
to deforest the amazon,
    you also have to attack the spirit -

now that i've read about the experience,
i'm rather keen on trying to
unravel the problem of antidepressants:
also in the same newspaper...
   namely escitalopram (lexarpo)
  & sertraline & clonazepam
  & paroxetine (seroxat) - all of them being
anti-depressants; so no:

i wouldn't disturb the amazonian shamans
for some "bogus" life-changing
experiences, i'd look at the situation where
drugs have moved beyond the stage
of being domesticated from their natural
environment... and... therefore?
                                    industrialised!

talk to random schizophrenic in the middle
of a night over a kalimotxo (basque drink,
red wine and coca-cola - kali kali kali
m'oh ch'oh) -
and he'll tell you: yeah, knew a guy,
was on antipsychotic medication:
                                 grew a pair of ****!

oh yeah, tobacco & alcohol are baaah!
baaah! bad!
(please invoke a sheepish
stutter within the confines of the italics).
MD Oct 2014
Cover up your words
With a sugar-coated laugh
She looks like such a friend
But the evil from within
Will soon domesticate her being

Mother helps you practice your lines
The night before the fire
She tells you when to smile
When to laugh and when to cry
I tell her I'm tired
She puts a bandage on my wound
Says it will be good until tomorrow afternoon

Keep my feelings set aside
They wouldn't even care
I feel myself falling
I'm escaping this nightmare
Corrinne Shadow Nov 2020
Don't talk to me about your love,
I've never seen a drop of it.
Don't talk to me about the climb,
I'll never reach the top of it.
Don't talk to me about the flowers
You've been prattling on for ****** hours!
Don't talk to me as if I don't know
That "rain will make the flowers grow".

Don't talk to me about your dance
I don't even have a dress.
Don't talk to me about your friends
I beg of you, give it a rest!
Don't talk to me about the sky
Mine has only ever been gray.
And if you try to talk about "healing"
I'll MAKE you go away!

This whole world that you create,
It's gorgeous, I must say it's great:
A beautiful cake on a pretty plate.
Welp, guess that means I'm second-rate!
Your poems are all meant to titillate
You titter and twitter and domesticate
These themes that even optimists could hate
I'll never be able to felicitate
You enough for the work that you narrate.
My morbid tones you must negate,
And to fix my soul: eviscerate!
You all are fine but some douchette will not shut up about how morbid and dreary my poems are. I regret ever having shown her.
The Odd Narrative

Steamed up window my finger I paint a landscape,
Mountain, forest and a lake; the peak cries into
                   the lake it becomes a vast ocean,
where trees, are made into wooden rafts floats.
Midmorning, there is only an outline left of the crest,
this will happen to Himalaya,
it will be a grassland on a plateau, where horses gallop,
                                   flying mane and all that,
since man won’t be there to domesticate and make them
drag bunk beds and kitchen stoves around the pampas.    

The rest of the world will have sunk into a big sea that is so still
it spends all its time mirroring the blue sky thinking it’s seeing
                                     is so deeply in love with the image,
that doesn’t notice the man in a rowing boat; he’s one time forgot,
                                     he has married a big fish
which he thinks is a mermaid, every so often he  puts his hand in
the sea and strokes the fish’s    belly: “without you,” he murmurs
                                    “I would truly be alone.”
TL Capers Jul 2018
It’s in the system that takes rights and hands out privileges.

Where you question self, are you even a human being?

Is it mans right to bomb villages, or was it a privilege to dethrone a king.

Is it a right to domesticate those born free? That which is me, my soul, my life, my entire humanity?

Placed in a cage in which I can not see.

What’s a reflection if I can’t recognize me?

If my eyes are taken out and replaced with what you see

Will I still be me?

Or is that a privilege?

If my tongue is cut from base and replaced with what you taste will I then I have the right to taste what’s free?

Or will it cost me my soul?

Is it the rule of thumb measured by the hand in which sways the pen that says this is the end?

Mightier than the sword at the throats of its enemies that swipes his rights to live or even be a friend of me?

That power....... ink is blood.
Mateuš Conrad Nov 2017
invigorating punctuation marks via diacritical appellation of c# / ć comparison... how the ( ) can act as a semi-colon (;) - or how the colon (:) can act as both italic text, and a cascading postponement (cliffhanger). - musica est omnis - music is all. - as does the hyphen predate the paragraph... linearly, a paragraph within a paragraph... among other uses, notably in Irish or Polish texts, looks more like an authenticity of an author, who didn't say: he / she said, i.e.:
- i thought you were talking (boris)
- let me assure you, i wasn't (dalton)...
in english it would have been read
                   "i thought you..." boris said,
       "let me assure you..." dalton said.
and i know i shouldn't begin a sentence with
a conjunction but i must add:
              what's with words being isolated
   in inverted commas?
is this some ****** of idea
                    keeping thinking open to
speaking, or speaking open to thinking,
  in an ambiguous sense of tasting the freedom
and leisure of an aristocratic demand?
                      please, tell me,
                             you farting... or sneezing?

there's only one cure to jerking,
you actually reach a point
that you're simply "exhausted"
tugging a limp, ******* of a "glorified"
marble effigy of a *****,
that always seems to be mising
in greco-roman statues...
    an effigy of a ******* amputee...
****** don't help either...
       i can only imagine
Michelangelo sculpting a *****
like he might an urn...
         probably the best hand-job
in the world, ever...
              jokes are cheap,
keep the tap water running...
ever notice how men without ******
hair produce the most
  female offspring?
             just a wild guess that's
also a question that's also
in the wilderness of preferential
questions being asked
      of could possibly un-domesticate
a man,
   and find him re-emerging
                  from 100 years into: now...
and run amok in a frenzy
of ******* pride, and testosterone
     hummah hummah hummah -
boobbie boobbie clone wars...
                         me? as a man?
i retired from the ******* arguments
of english existentialism...
             i can't stomach it simply
because i find the french finding it
easier to **** in a cafe than an englishman
having a date...
                    but of course some people
will continue the legacy...
   but it's still going to be:
your genes... my ideas...
           i simply can't conjunction
a fathomable take on the necessity of
passing genes via conjecture...
                 gene what?
                            **** geneous?
             men are devalued for a reason
that a tissue exists, and the toilet...
      it really doesn't take scented
candles to march off into the sexless
wilderness as equating
  taking a **** with the "pleasurable"
rascal...
                   the english version
of existentialism has simply turned
into a feat of desperation...
               if you've read some german
or french existentialism you'd notice
that: the whole ******* universe needs
saving...
                i'll endure profane not
for reasons of respecting "etiquette" -
but because i like it...
           been sold **** all day,
might as well spree on ushering some **** out...
nonsense belongs to the youngster
brigade...
                   i'm a 31 year old
no-nonsense granny... trapped...
                  transgender being involved!
- i love, because i hate with a passion...
only because love is no *sorry
,
anemic apologists, take a breather...
          - and what better revenge than leaving
a woman impregnated with
your spawn, after she did you ill?
                 then again,
i was always going to play an imitation
role of some, family member...
namely my father's mother,
who is less of a ghost in the memory
i have of my mother's grandfather,
who's a shade to me,
   in that one afternoon i spent with him,
he playing the piano, me playing
a mini-piano...
                    like **** i'm playing
a piano no...
             i graduated to play past
the diatonic alphabet...
i'll far and you'll whistle, ******...
   A B C D E F G...
seven! seven ******* letters to write me
some prokofiev!
              it's almost unbelievable that it
has to be enjoyed so much.
- ever read that one about
the beast of: lust, gluttony,
               greed, sloth, wrath,
           envy and pride?
  that hydra?
              my my,
                    the beautiful: parallel.
Kawa Sep 2021
We imprison plants to small amounts of dirt within vases, and when the plant grows big and branch out beyond our satisfaction we cut and trim them down, maim and mutilate them, that is the standard.
We were once connected to nature but now we’ve become too civilized, and since we can not be in nature we try to bring nature to us, we try to tame nature.
We do everything to make our lives more attractive, the ego is the tree that is decorated in all our desires, we need to be stripped of our embellishments.
We domesticate animals so that we can live with them, because w’ve been domesticated ourselves. We’ve lost touch with the natural ways, this is why we feel sick, our lives are artificial.
And so we do this with dogs and animals, we breed them to perform for us, disable them to help us when we’re disabled, or because we find them cute and desire these physical treats, so they grow up with health issues.
We feel imprisoned ourselves, that is why we try to imprison everything else. Everything we do, we do it with motive, we want to profit from everything that we’re doing, and so we plant trees to be in their shadows.
We grew sick the  moment we gave power to our thoughts.
And now we’ve imprisoned ourselves to our beliefs and doctrines, to our knowledge and understanding, not knowing that what we’re trying to follow is just ourselves, and like a dog trying to bite its own tail, we go in circles.
Mateuš Conrad Feb 2022
the 502 bad gateway hacks are down below; my my... today was a surprising struggle...

and i'm drinking this wine... seeing faces in clouds,
demoniac courtesy,
peep show at best...
         i'm done with sensibilities, esp. English
sensibility,
     it must have been fun in the 20th century,
in the late 19th century to be this English,
this sensible, this egalitarian...
              these days? not, so, much...
                     i'm here for the pandemonium...
i'm here for the circus,
i'll be the crying crown: like i told my Valentine...
Vaughan Williams...
Templar Chants... i cry at beauty...
i don't cry because i'm sad...
               i'm done with the literal and the objectively
sensible... it's time... it's time to double down
and re-explore the subjectivism of the foundations
of existentialism, from Kierkegaard upwards...
sure, Russia might be tickling Ukraine into a war...
but what does a ****** care for Ukraine
after the Khmelnytsky Uprising?
      coincidentally there was that Swedish Deluge...
the Ottomans were tickling...
see... i gather... the English are a people that
were last invaded by the Normans some 1000 years ago...
sure... they were plagued by Danish enclaves
of ransom paid with violence...
    but for the most part? as all island living folk are...
solipsistic... far removed from
continental plights...
"my" people didn't live in such harmony
as to have the luxury to think up the steam-train...
panacea... oh right...
Lex Fleming and penicillin...
     oh sure... we had Copernicus... but then he was
stolen by the Germans...******* mutes...
overshadowed by Galileo...
but if you're fighting all the ****** time...
you're not going to have the luxury to invent cricket...
or football for that matter...
the English have had so much free time on
their hands... now that multiculturalism has
turned a corner and people are showing up:
"fresh off the boat"... Africans with translators...
i was an "illegal" in 1997... i was deported...
my life was churned up-side down...
i remember watching the 1998 world cup final
with my great-grandmother in a dark room...
i remember watching the opening ceremony:
two eyes akin to two pebbles of coal
on fire...
i came back in 1998... well... i felt real sore
with rejection... look what i brought with me...
the entire world...
now, what? you're doubling down your
standards?!
they can... but... back then... i couldn't?!
you ever spend your childhood in a house with
20+ migrant men...
do you think i was *****?
are we talking about Pakistanis or Slavs?
exactly...
               harsh... but precise...
oh my my... this wine is fine... most graciously...
you can never go wrong with an Argentinian red...
"beautiful view"... yeah...
it's not cheap... but... i'll still do what
the Catalonians do...
having mingled with the Aztecs / Mayans...
i'm going to drink a KALI-MOTXO...
X = CH...
                     i'm going to **** into the wine...
then i'll drip drip some coca into it...
cola... Jacob...

               two bottles of wine: i'd call that a safeguard
of the night...how illuminat8ng...
the moonlight turning up unexpected
like quicksilver, like a constellation of stars...
imagining oneself naked when being
startled by one's shadow....

ah... liebste kalt, am meisten nacht...
  ich trinken zu sie!

     und ohne zeppelins!
           sich verbeugen...  Fräulein Albion!

why must have i fallen in love this late in
life...
   how terrible... how terrible i feel being
in love... with all that must pass...
over my head & down the drain...
   i'd much prefer appreciating torture...
being allowed access to bone...
to muscle to sinew strain...
              to an excess...
not this heart *******... this salt sprinkled on
a mollusk... this petty heart...
that i wished to remain a pebble...
a heart that could be summarised by
skidding from a throw across the lake...
imitating "drowning"...

i don't want to love...
i hate loving someone... it makes me weak...
it drains my parameters and focuses
them on a claustrophobia...
i don't want to love...
i'd much prefer a toothache than
a love-affair...
that's how much i despise love...
because i always give more than is offered
in return...

****... i think i'm going to comb my beard
pretending that i'm playing a violin...

maybe.. i'll just brush my teeth, look in the mirror,
pretend to see myself...
then again... perhaps i'll just want to see
a reflection of my hand...
perhaps i'll just want... to see my shadow...
when i fall in love: i fall bad....

when i ought to be in a brothel...
i'm dropping a bouquet of flowers round her
house.... in the middle of the night,
getting thrown off my bicycle on
the last turn... like i told her:
some people never go mad...
  what horrible lives they must lead...
no... not LED: LEED... even i don't know why
there's an A invoked...
but that's what happens...
trying to be the Afghanistan of Ancient Rome...
you don't apply diacritical distinctions...
you get a  while bunch of dyslexics...

i abhor being in love...
it drains me... physically... mentally...
i was quiet alright minding my own business...
but like they say... a female drought...
periodical... 10 years or so...
then... all of a sudden... 20 ******* appear!
wow... i have a choice?!
and the one i choose is throwing
knives right left and centre....
other women in her vicinity are trying to
discourage me from making further attempts
with her... well... d'uh... i love a challenge...
but how does that work...
we're doing a shift and there she is...
swiping left to right right to left
on TINDER... sorry... what's a dating app?

i love ****-ups... you know.... there's that
megalomania of saviour in me that's insomniac...
oh... but **** me...
when this desire comes crashing down...
it'll be like Kevin Spacey being accused
of "cis-normative" ****** practices...
   i'm really, really going adore myself then...

right now... i'm a teenager stupid...
i don't know whether up is up or whether up is down...
i'm literally at my wits' end...
i might as well be deaf, blind... dumb...
no... sorry... what are you saying?!
you're actually saying something?!

the pupil of my eye has extended into the night...
if an eye can be allowed to yawn,
rather than blink... i've ate a star or two...
while my green iris sacrificed the girth of
this planet... for the seas to emerge...
shuffle the continents...

    this is going to be one terrible mistake
after another... i don't think i can allow this love
to become lame, domesticated,
sterile... i want the wildness of this mistake
to remain... retake me...
yes... i don't want to domesticate these feelings...
even if i don't bag her by sleeping
with her... i want to feel for her what i feel
for all the prostitutes i slept with...
an impossible weight i impossibly managed
to nonetheless lift...

title: butterfly seller
body:
some pseudonym,
Nabokov: FF;

title: seismic
body:
sort of shift;
tragedy down
the supplied
borrowing of
itch.
fear of TH through to PH;
esp. Hellenic.

— The End —