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Tameria Jun 2012
let's go back to basics
i'll punch you in the face
i'll rip out your hair and eyes and teeth and use them as jewelry around my sleeve
oh how much i love you! every part of yourself you've given me! your brown eyes and bleached teeth - you make me look so chic!
i don't care that your veins and enamel and sticky hair styling products are ruining all my long-sleeved clothes
i'd rather wear you now and save my expensive jewelry for more formal and important events -

                                                              ­                                                                 ­      my heart's made of gold
Trial/Error, etc. etc. etc.
Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
Tom Leveille Nov 2015
someone's in the next room over
having *** while we
are weeping
what a way to mark the occasion
the day my fingers found a wound
you let someone else doctor
it's upsetting see
the bible in drawer next to us
the way our hands still
fit together
like the torn halves
of a love letter
the way you got
all dressed up like the rain
and how we couldn't tell
the difference in the shower
it was the longest hour and a half
spent crying
the hot water wouldn't give up
so why should we
right?
even though it was scalding
neither of us touched the ****
we knew this was supposed to hurt
your hair
a black mess against my shoulder
my fingers
oil in the vinegar of your hands
our bodies
the great divide
all the sobbing
a river runs through it
without the courage
to carry or **** us
so we step out
and drip dry
down to a mute breakfast
composed of quiet
and last nights liquor
as we came back in
there were people in our room
at first i thought them detectives
dissecting things
to see who had died here
i had forgotten this
was a hotel
and they were only
cleaning up after us
i wanted to stop them
plead
that the sheets were still perfect
that if they clean the bathroom
no one will know
what happened here
someone has to remember
"please
i know
these cigarette burns
by name
i will bury the faucet
let me take the tub
i don't care how
if i have to
i will drag it home by hand
"
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
Andrew Rueter Jan 2018
You're a volcano in winter
Made when the Earth splintered
Tectonic plates shifted
And you were gifted

The frigid air outside is subzero
So you become my volcanic hero
When you scorch the cold
With your warmth so bold

I await an eruption
But there's a disruption
Dormant you remain
With suspicion engrained
But entering your main vent
Was not my main intent
Yet now that I'm in your magma chamber
I can see your anger
You're made of lava and ash
So you demand drama and cash
And violently explode in a flash

You've become my Krakatoa
When I wish I didn't know ya
Because of your grand magnitude
I question my aptitude
And insecurity ensues
As confidence I lose

I realize I've gone too far
When I feel your lava discharge
That pushes me into your crater
The pain I feel couldn't be greater
When all I see is an ashen cloud
And all I hear is your lashing growl

Inside of your volcano
There is a tornado
As sure as day glow
I feel I must lay low
And dodge the debris
While playing referee
As you're dissecting me
In your burning sea
That swirls in a cyclone maelstrom
Hell is where it was mailed from
I receive it
Reprieveless
I begin to drown in fire
And wish to retire

You think you're neat
Yet despite your heat
You're a cold blooded lizard
But outside there's a blizzard
So I get used to your volcano
I can't contain my disdain though
What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my *******?
Why shouldn't I pull down my pants
and show my little ***** to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can **** in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.

Forgive us, Father, for we know not.

Today is November 14th, 1972.
I live in Weston, Mass., Middlesex County,
U.S.A., and it rains steadily
in the pond like white puppy eyes.
The pond is waiting for its skin.
the pond is waiting for its leather.
The pond is waiting for December and its Novocain.

It begins:

Interrogator:
What can you say of your last seven days?

Anne:
They were tired.

Interrogator:
One day is enough to perfect a man.

Anne:
I watered and fed the plant.

*

My undertaker waits for me.
he is probably twenty-three now,
learning his trade.
He'll stitch up the gren,
he'll fasten the bones down
lest they fly away.
I am flying today.
I am not tired today.
I am a motor.
I am cramming in the sugar.
I am running up the hallways.
I am squeezing out the milk.
I am dissecting the dictionary.
I am God, la de dah.
Peanut butter is the American food.
We all eat it, being patriotic.

Ms. Dog is out fighting the dollars,
rolling in a field of bucks.
You've got it made if you take the wafer,
take some wine,
take some bucks,
the green papery song of the office.
What a jello she could make with it,
the fives, the tens, the twenties,
all in a goo to feed the baby.
Andrew Jackson as an hors d'oeuvre,
la de dah.
I wish I were the U.S. Mint,
turning it all out,
turtle green
and monk black.
Who's that at the podium
in black and white,
blurting into the mike?
Ms. Dog.
Is she spilling her guts?
You bet.
Otherwise they cough...
The day is slipping away, why am I
out here, what do they want?
I am sorrowful in November...
(no they don't want that,
they want bee stings).
Toot, toot, tootsy don't cry.
Toot, toot, tootsy good-bye.
If you don't get a letter then
you'll know I'm in jail...
Remember that, Skeezix,
our first song?

Who's thinking those things?
Ms. Dog! She's out fighting the dollars.
Milk is the American drink.
Oh queens of sorrows,
oh water lady,
place me in your cup
and pull over the clouds
so no one can see.
She don't want no dollars.
She done want a mama.
The white of the white.

Anne says:
This is the rainy season.
I am sorrowful in November.
The kettle is whistling.
I must butter the toast.
And give it jam too.
My kitchen is a heart.
I must feed it oxygen once in a while
and mother the mother.

*

Say the woman is forty-four.
Say she is five seven-and-a-half.
Say her hair is stick color.
Say her eyes are chameleon.
Would you put her in a sack and bury her,
**** her down into the dumb dirt?
Some would.
If not, time will.
Ms. Dog, how much time you got left?
Ms. Dog, when you gonna feel that cold nose?
You better get straight with the Maker
cuz it's coming, it's a coming!
The cup of coffee is growing and growing
and they're gonna stick your little doll's head
into it and your lungs a gonna get paid
and your clothes a gonna melt.
Hear that, Ms. Dog!
You of the songs,
you of the classroom,
you of the pocketa-pocketa,
you hungry mother,
you spleen baby!
Them angels gonna be cut down like wheat.
Them songs gonna be sliced with a razor.
Them kitchens gonna get a boulder in the belly.
Them phones gonna be torn out at the root.
There's power in the Lord, baby,
and he's gonna turn off the moon.
He's gonna nail you up in a closet
and there'll be no more Atlantic,
no more dreams, no more seeds.
One noon as you walk out to the mailbox
He'll ****** you up --
a wopman beside the road like a red mitten.

There's a sack over my head.
I can't see. I'm blind.
The sea collapses.
The sun is a bone.
Hi-** the derry-o,
we all fall down.
If I were a fisherman I could comprehend.
They fish right through the door
and pull eyes from the fire.
They rock upon the daybreak
and amputate the waters.
They are beating the sea,
they are hurting it,
delving down into the inscrutable salt.

*

When mother left the room
and left me in the *******
and sent away my kitty
to be fried in the camps
and took away my blanket
to wash the me out of it
I lay in the soiled cold and prayed.
It was a little jail in which
I was never slapped with kisses.
I was the engine that couldn't.
Cold wigs blew on the trees outside
and car lights flew like roosters
on the ceiling.
Cradle, you are a grave place.

Interrogator:
What color is the devil?

Anne:
Black and blue.

Interrogator:
What goes up the chimney?

Anne:
Fat Lazarus in his red suit.

Forgive us, Father, for we know not.

Ms. Dog prefers to sunbathe ****.
Let the indifferent sky look on.
So what!
Let Mrs. Sewal pull the curtain back,
from her second story.
So what!
Let United Parcel Service see my parcel.
La de dah.
Sun, you hammer of yellow,
you hat on fire,
you honeysuckle mama,
pour your blonde on me!
Let me laugh for an entire hour
at your supreme being, your Cadillac stuff,
because I've come a long way
from Brussels sprouts.
I've come a long way to peel off my clothes
and lay me down in the grass.
Once only my palms showed.
Once I hung around in my woolly tank suit,
drying my hair in those little meatball curls.
Now I am clothed in gold air with
one dozen halos glistening on my skin.
I am a fortunate lady.
I've gotten out of my pouch
and my teeth are glad
and my heart, that witness,
beats well at the thought.

Oh body, be glad.
You are good goods.

*

Middle-class lady,
you make me smile.
You dig a hole
and come out with a sunburn.
If someone hands you a glass of water
you start constructing a sailboat.
If someone hands you a candy wrapper,
you take it to the book binder.
Pocketa-pocketa.

Once upon a time Ms. Dog was sixty-six.
She had white hair and wrinkles deep as splinters.
her portrait was nailed up like Christ
and she said of it:
That's when I was forty-two,
down in Rockport with a hat on for the sun,
and Barbara drew a line drawing.
We were, at that moment, drinking *****
and ginger beer and there was a chill in the air,
although it was July, and she gave me her sweater
to bundle up in. The next summer Skeezix tied
strings in that hat when we were fishing in Maine.
(It had gone into the lake twice.)
Of such moments is happiness made.

Forgive us, Father, for we know not.

Once upon a time we were all born,
popped out like jelly rolls
forgetting our fishdom,
the pleasuring seas,
the country of comfort,
spanked into the oxygens of death,
Good morning life, we say when we wake,
hail mary coffee toast
and we Americans take juice,
a liquid sun going down.
Good morning life.
To wake up is to be born.
To brush your teeth is to be alive.
To make a bowel movement is also desireable.
La de dah,
it's all routine.
Often there are wars
yet the shops keep open
and sausages are still fried.
People rub someone.
People copulate
entering each other's blood,
tying each other's tendons in knots,
transplanting their lives into the bed.
It doesn't matter if there are wars,
the business of life continues
unless you're the one that gets it.
Mama, they say, as their intestines
leak out. Even without wars
life is dangerous.
Boats spring leaks.
Cigarettes explode.
The snow could be radioactive.
Cancer could ooze out of the radio.
Who knows?
Ms. Dog stands on the shore
and the sea keeps rocking in
and she wants to talk to God.

Interrogator:
Why talk to God?

Anne:
It's better than playing bridge.

*

Learning to talk is a complex business.
My daughter's first word was utta,
meaning button.
Before there are words
do you dream?
In utero
do you dream?
Who taught you to ****?
And how come?
You don't need to be taught to cry.
The soul presses a button.
Is the cry saying something?
Does it mean help?
Or hello?
The cry of a gull is beautiful
and the cry of a crow is ugly
but what I want to know
is whether they mean the same thing.
Somewhere a man sits with indigestion
and he doesn't care.
A woman is buying bracelets
and earrings and she doesn't care.
La de dah.

Forgive us, Father, for we know not.

There are stars and faces.
There is ketchup and guitars.
There is the hand of a small child
when you're crossing the street.
There is the old man's last words:
More light! More light!
Ms. Dog wouldn't give them her buttocks.
She wouldn't moon at them.
Just at the killers of the dream.
The bus boys of the soul.
Or at death
who wants to make her a mummy.
And you too!
Wants to stuf her in a cold shoe
and then amputate the foot.
And you too!
La de dah.
What's the point of fighting the dollars
when all you need is a warm bed?
When the dog barks you let him in.
All we need is someone to let us in.
And one other thing:
to consider the lilies in the field.
Of course earth is a stranger, we pull at its
arms and still it won't speak.
The sea is worse.
It comes in, falling to its knees
but we can't translate the language.
It is only known that they are here to worship,
to worship the terror of the rain,
the mud and all its people,
the body itself,
working like a city,
the night and its slow blood
the autumn sky, mary blue.
but more than that,
to worship the question itself,
though the buildings burn
and the big people topple over in a faint.
Bring a flashlight, Ms. Dog,
and look in every corner of the brain
and ask and ask and ask
until the kingdom,
however queer,
will come.
Andrew Rueter Aug 2018
Tired of the ways of men
Desperately I turned toward nature
I watched a butterfly ascend
Yet I'm a different nomenclature
Of a solemn glacier
Standing on my own
In an arctic cone
Not protected by the ozone
So I search for a new home
But can only find loans
My venture for my own real estate
Exposed me to the realest hate

I'm the roaming gnome
With a groaning tone
All alone
With a roaming phone
So I can't call home

My will I leave
When still I see
A killer bee
Filling me
Willingly
Its invasion's
Abrasions
Left a sensation
With a duration
Of unending inflation
On a descending station
Of no impending relation

I felt the nature
Of a desolate crater
When I met a great hater
Who told me to get straighter
So I could be a steel freighter
Carrying my load on my back
Without polluting the air
I decided to cut him some slack
Forgiving his impossible dare

I must gather grace
At a faster pace
To finish this race
Of a top notch
Hot crotch
Stopwatch
Ticking down
Into the ground
Without a sound
Or warning
Of acid rain forming
Until I see myself melting
From the savage belting
Of your death sting
You called the best thing
Like a divine blessing
Only seen after *******
Like a politician deflecting
For the constituents electing
To forego dissecting
The issue at hand
By not taking a stand

My world is crumbling
Because of you
And myself stumbling
In society's glue
As the sky is tumbling
I see I'll lose
Yet instead of rumbling
It's love I choose
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Ember Evanescent Nov 2014
POEM FOR IMALRIGHT
Dear Imalright
I discovered your poetry and LOVED all of it. I was struck by lots of what you wrote and it inspired to write this to you. I promise you I mean every word of it.
I read your poems:
Unexceptional
Unbeautiful
Anxiety at 3AM
Two sad teenagers
Relapse
Fifteen
Starving artist
2014
Nothing special
Rough Edges & a dorky face
Under eyes
I adored them and spent the better part of a full day, hours and hours combing through the verses, dissecting the poems, analyzing the words and fully appreciating your incredible work. I picked out my very favorite phrases or yours that I found particularly powerful and moving and responded to these lines. I wanted to start a challenge. (In fact I posted this challenge as a poem, you can find it on my page).
I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. I just thought that you seemed like a wonderful poet and a wonderful person based on your poetry so I chose you, Imalright. So here it is:

Your head whispers these words that crawled onto the page:

We're the kind of people that fade into the background

that people forget are in the room.

-Imalright

I won’t say something that the rest of society seems to think fixes everything. I won’t tell you the typical: you are important to everyone, you are not just a faded part of the background, people do notice you etc. because those are empty words everyone uses and they people who are always pretty in the spotlight are always the ones to say it, so what do they really know about the background, forgotten, white-noise people like us?

I will tell you, instead, I know it hurts like hell to be forgotten. For your existence to go unnoticed. I know being a part of the background is never anyone’s first choice. I am a backdrop-dweller myself. I am the unnoticed girl who blends in with the shadows. There is nothing wrong with that.
Never forget that the starry night sky is a background too. You can still be wonderful without being the center of attention. You can still be wonderful even if you are a part of the background. I want you to know, I noticed your poetry. I noticed you, and your name, and your wonderful talent and I have spent my time dissection every poem you have posted because every single one of them, is a different shade of amazing. We are all backgrounds in someways but what we choose as our phone screen backgrounds tend to be pictures of what we love the best. Pictures of beautiful things. There is nothing unbeautiful about the background. So from one forgotten soul in a room to another, I your poetry was just another account in millions like the stars but you are one of the loveliest sections of this world’s background I have ever seen. Keep that in mind. 







I just wish that I was one of those beautiful things.

-Imalright

Once again, I won’t use a society phrase like: Everyone is special and beautiful in their own ways!! Because people don’t seem to get that no matter what they say, it doesn’t even matter if it is true, but if you tell someone who thinks they are not one of those beautiful things that they are beautiful They. Do. Not. Believe. You. It just doesn’t matter, it won’t change their mind, it doesn’t help and it doesn’t fix it. It just makes them feel like you are lying to them and then they feel vain and self-conscious about admitting to you that they don’t feel beautiful etc. etc. I’ve been there so I know.
So I won’t tell you that. But I will tell you a couple facts instead.

It is a fact, that there is ugly inside of every single person.
It is also a fact, that there is beauty inside every single person.
Because beauty is NOT a definable concept. It is different to every person depending what kind of lens they look through and let me tell you, physical beauty is artificial and even though I wish I could be physically attractive in my own eyes, I have come to accept and I hope you have too or will as well, that a deeper beauty than that is inner beauty. What you keep in the cracks and crevices you made yourself in your soul. I think you are beautiful. I the pages you’ve written on soaked with ink made out of your inner self is magnificent. Your way with words and your flow of thoughts, the way you look at life through an indigo-tinted-one-way-glass-lens, it is all a whispering sort of beauty. Like the soft ringing sound of raindrops skimming the window pane on a grey sky, storm cloudy day. That same sort of delicate loveliness. I think you are a very unique and exquisite color of beautiful unlike any other poet I’ve ever seen. I don’t know you, you don’t know me, we can’t label ourselves friends since I have never spoken to you, but friends are basically socially required to tell you that you are beautiful whereas strangers are bound by no such obligation, yet still I tell you, I find you a person with a beautiful soul. I have only ever seen your poetry, but that is enough for me to know you are a beautiful person. After all, poetry is really where our souls spill what they are truly composed of. If I were to judge your beauty by your face and actions, all those are altered by circumstances beyond our control, society standards and pressure etc. What you do does not define you. Your soul does, however. You are beautiful to me. 







I JUST WANT TO BE LOVED I JUST WANTS THINGS TO BE OKAY

-Imalright
A truthful scream of the heart that many have felt. It’s funny that we all have this same base desire that tends to reveal itself more and more the later at night it gets, and yet we all still suffer the feeling of being unloved and unokay alone and silently. I wish I could reach out and fix you because the pain of others that is out of my reach always pains me more than any kind of physical agony I could ever endure. I can’t fix you though, so instead I offer you the only thing I can, I am with you. As a friend, just another soul on the earth who has felt this feeling you express in this line. I reach out with the hands of my spirit and for your spirit. Maybe if you know that I too have felt unloved and unokay you can find comfort and strength in that. Because no matter what kind of darkness you face, literal or internal, I find being united with someone empathetic to you who knows how you feel makes it just a little less scary even if it is just a sliver of hope for even just a second. It is something and the idea of “hereness’ you know, like being “here” for you, being “with” you in that emotion is all I can offer and I just want you to know, I love everyone and everything until I am given a good reason not to. So in a way, even if not on a personal level (because I do not know you, so I can’t love you on a personal level the way a sister loves a sister or a best friend loves a best friend) just generally, you are loved by me, because I love your poetry and I love all things that haven’t given me reason not to. And do you know what? Even though it hurts and it is unfair, everyone has to be unokay for a little while. I have been too. Maybe you were unokay for longer than what could possibly be near just or humane or reasonable but you were strong enough to pull through. I applaud you for this and want you to know your strength in powering through your unokayness has been recognized and admired. By me. Because the warriors are the ones up at 3AM having anxiety attacks but never let it show and you are a warrior. I am proud to call you a fellow poet.




but being sad and lonely is worse than being sad.

-Imalright
I know what you mean by this line. It is sculpted so beautifully though. The words in the phrase are just so raw and honest. Not over romanticized, just plain relatable great poetry in its true form as it should be. Wonderful. I hope you have found refuge from loneliness or will find refuge from it soon in finding someone else’s heart to call your own and in your heart belonging to someone else.





A new scar for that comment that boy said.
A new scar for that friend that betrayed you.
A new scar for every word you swallow.

-Imalright
That boy has scars of his own and he thought it would make them fade if he cause you to have scars too. ***** him. The betrayal of a friend is a special kind of pain like being stabbed with a knife you made yourself. A pain I know too well and wish no one else knew. Let the scars heal and do not swallow words. You will choke pretty soon if you don’t. Keep in mind that you are worth more than scars. I think you are worth more than scars.






You don't know how bad things are.

-Imalright
First off, I love this line. Just so simple and yet so relatable. There is some beauty to that. Sort of like thorns on a rose stem. Although they can be piercing and ugly there is magnificence that goes along with it. To be 15 and not know how bad things are, you have the rest of your life to obsess over the bad things and how awful things really are. You have the rest of your earthly existence to be broken, so like a child’s smile, at least you had that one moment in your life when things weren’t shattered as far as you knew.





With nowhere to go but everywhere
-Imalright
What an extraordinary thought. Such a liberating idea. You have really inspired me with this one single phrase. Keep in mind, you can be so inspiring to people who don’t even know you (like me) just with your words. You really make such a difference in this world. I have decided after reading this line, I’m going to try and let a little bit of that philosophy into my life. Nowhere to go but anywhere.

And that hope is going to make me stop doing this to myself.

-Imalright
Well, I really hope so too. I hoped for hope to save me for way too long. Eventually you gotta find it in yourself because this world is a little short on Hope, its main export being Despair. Just know you are not alone in this. I wish Hope was something you could wrap and mail it to someone who needs it but I can’t hand you Hope. I cannot offer it to you physically but if it helps at all, if it creates Hope for you, I want you to know that I personally, desperately from the bottom of my heart hope to God, genuinely thinking of you individually as a person that you have healed or are healing or will heal through Hope. If that helps. I have been crumbling, but somehow, after a hell of a lot of anguish, I found Hope. You can too. If it doesn’t help then I offer you my hand spiritually and metaphorically. Stay hopeful, because in this world, that is all we have.






i'm nothing special
im not beautiful
i'm not gifted

-Imalright
I know I can’t change your mind the same way no one can change mine when it comes to how self-image and esteem, but I just wanted to tell you even if you don’t believe me, in my eyes and in my opinion, not saying this to be fake or just being nice. If it weren’t true I just wouldn’t bring it up or say anything about it but you are VERY special. …okay that doesn’t sound good that sounds like the kind of special people put in quotations like: oh, she’s um… you know, “special” alright…
What I meant was, you are special because your poetry has made a difference in my life. You insightful view into life, your precious unprecedented perspective on the world and how you perceive it is very special. I have already explained why I think you are beautiful internally and keep in mind there is no such thing as one type of physical beauty. It is all about opinion and to some person or some people out there, you ARE physically perfect. To them, your physical traits are their definition of beauty because beauty doesn’t have a size, a color or a shape. That is the beautiful thing about beauty. And you are gifted at poetry, that’s for **** sure. Your poems are absolutely toxically flawless I adore them and I really, really mean that. Your writing is close to my heart. That may come across rather creepy sorry about that haha :P but you need to know that you are gifted when it comes to beautiful words.






No one will make me believe that all of my flaws aren't wonderful.

-Imalright
Such a sensational thought and resolve. I really and truly admire and acknowledge your indescribable strength I wish I could achieve to not only accept but embrace your flaws. You are such a strong person and I want to thank you for being such an inspiration to me and the rest of the world, doing that and finding that truth within yourself that flaws are wonderful things.
wondering why i had shattered myself in the process of picking up someone else's pieces

-Imalright

Okay, before I say anything else… omfg wow holy mother of waffles. (That is not a very common expression but I am so struck by the priceless incredibleness of this line I can’t think straight. Also, waffles are good.) This is amazing… how do you come up with stuff like this???!! The imagery, the metaphor, the power of the phrase embedded in the words just… wow. Spectacular. God, I just really, REALLY hope with every ounce of my soul you find a way to repair yourself or someone to repair you because to lose yourself, saving someone else who was broken is so heroically tragic it breaks my heart because you are such a beautiful person.




Dear Imalright
I offer you Poet’s Love.
One poet to another.
I admire your work and your work is made out of little parts of you.
I admire you and your strength, your writing abilities and your outlook on life.
Never ever change.
I hope you find Hope.
Message me anytime should you need anything.
And I want to thank you for being such a strong inspiration to the race of people we call: Poets.
Love,
Ember Evanescent.
DEAR BLANK CHALLENGE
Sean Jan 2012
I stroke your skin like a leaf
and hold it up to the light,
allowing fingertips

           to go slow from root to tip.
           to sew the lining where two unlike materials meet.
           to code this friction into tactile intuition...

And yet--

                                                      I am afraid.

With this and all acts of temptress divination.

                                                I, I...am afraid.

I want to read our intersection.

I want
            to see               in your life-line.
                        myself.


First, I will find the highways of your pulse-

watch as they
                           give way to country roads.

Dissecting life-ways into bi-ways

where I can go slow from

root                         to                             tip.

                                rise
Feel the land
                                                       and fall.

from grass
to hallowed knoll-

Throw me dirt and blow out your windows.
                           
Take me slow
                                        down the side roads.

Next, I consult
the creases of your open fist.

Gone are the fine blue lines
                                                         -the tomographic
Heat, and its rhizomatic
                                              beat.

Instead, you hold me in this underpass

[the clamminess and opposite-land of passion and speed]
                                          where
                             [shadows cling and relationships keep].

You hold my hand.

To leave, and blast!
                                                 - to stay, I will need a map.

Hide me here long enough to find beauty
in the fine etched lines
that paint the walls in broad swoops of graffiti:
those cryptic tag-lines that advertise your witty, poetic celebrity.

from finger to wrist

                   arc
             the      to the thumb

the pulse that could run
on and on.

[our] distant reflection
                            -a mirage in the rising sun.
where

the earth line cuts off the air line

to fuse the heart-              and the head
                                                            ­                    -line.
I know
a room
holding a soul
hostage inside it.

among other bones,
it indexes my ribs, there,
on the other side of the drywall.

I, bound
by knotted knowing wires,
writhe along its dividing line:
dissecting the silence
that forever ticks
our timedlines
as such.
Nebuleiii Mar 2013
To my innocence, naivety, and viridity
Childish ways, high school days.
A mere three weeks, I say good bye
With a cry, a tear, a sigh.

To blue slacks, and a polo
Black shoes and white socks
To my pink skirt, and white blouse,
Pleated, soon to be folded.

To the OHS rooms of our first and second years:
The broken windows, and tantrum-kicked chairs,
The broom box behind the spider webbed chalkboard,
Messages on the wall hand printed in red and green.

The broken doorknobs, and broken floorboards,
Carved armchairs, and eaten chalks,
Missing brooms and dustpans and garbage cans and rugs
That show up in who knows where
Stolen by jani- we know who.

The witnesses and victims
To our random laughter (from some Chinese-looking girl’s corny joke).
Our random tears.
Our not so random learnings.
The pillars of our memories.

To the PF rooms of our third year:
The storage room turned gigantic garbage can and dressing room (maybe because ours keep being stolen)
The exploding socket causing sparks to fly (and us to fly away from it), and
The amazing “alambre” lock; who knows who installed (as if that could keep us away).
The earthquake resistant rooms would be missed.

To the New High School Building of our last years:
The kicked door (not our fault!), and cancerous blinds (like hairs falling after chemo),
The jigsaw floor (not sure if better than broken floorboards),
The “Halayan 2012”, and
The mind-boggling “no key needed” lockers.


The UTMT with its fair share of mango sentences,
The old guidance office now turned “tambayan”, and
The Computer lab with its fragile yellow chairs and bruised bums.

To Ibong Adarna plays, and the half cooked uncooked Teriyaki,
Generation X (and Generation NOW! and Generation Facebook),
Jai ** dances, and cheerleading,
Kalagon Kamo Namon,
And Mickey Mickey Mouse Kabit-bintana memories.

To the NikJep Tandem,
Kanlaon Boys Behind the Flowers,
D.H.A.I.N.G. (not sure if they remember this),
Fred vs Gino version
And DewBheRhieTart.

Keep the volcanoes of memories burning.

To blue paint, and blue shirts,
And Geometry teaching us
“There are a lot of solutions to a problem.
We just have to find one that suits us.”

To saying “***”,
And cooking imbutido.
And wearing (for some designing) reduced,
Reused, recycled clothing.
And dissecting.
And parrot-Filipino teachers (she gave me P30 for load though).

Keep the river of rumination flowing.

To being scared of one whole sheet of paper,
Two becoming one,
Party rocking to make up for the tears,
And knowing we should have won.

To the hand sanitizer girls,
The Cream-o-holics,
The Canterbury Crusaders,
The Valenciana eaters.

May our tree of friendship continue growing.

To our winnings!

The glow in the dark madness,
The Lakan at Mutya clutch-heart-moments,
The Sports Fest *******,
Basketball girls’ coronation!

To the fieldtrips and failed trips,
To air conditioned crammings,
And space and time bending
To comparing notes (and sometimes other things)
Copying notes, sometimes photocopying
(Not Xeroxing)
Sharing words, phrases, sentences
And giving pictures (via Bluetooth).

May you keep walking on the right direction,

To the expectations achived,
Broken, overtaken.
All the skepticism,
Constructive criticism.

All of it.

The in-your-face-we-did-it-baby-
We-are-awesome-you-can’t-bring-us-do­wn-
Coz-we-rise-back-up-attitude.

To Arielle
And Mhae

To Amica
Marie
Narzcisa
Cyan
Fred
Theo
Alvinson
Anthony
Faith
Karmil­la
Matt
Jeffson
Lourince

To Carolyn

To Makayla

To the thirty-five castaways in this room
The thirty-five castaways who struggled
The thirty-five castaways who persevered
The thirty-five castaways who fought, cried, made up, laughed, shared, gave, back-stabbed, and front-stabbed, celebrated, suffered, passed
Thirty-five
Thirty-five castaways who loved,
Thirty-five

Thirty-five castaways who made it, who did it.

To Nikki
Hazel
Alyssa
Gef
Veni
Alex
Jaykee
Bernard
Myra
Vince
Chanta­lle
Josen
Jerian
Shaira
J
Uriah
Ihra
Renz
Bless
Steffany
Angel
Fl­orey
Bernadine
Antonette
Rency
Owen
Majah
Gino
Marcelo
Ney
Keith
­Joselle
And Jessa,

We did it guys.
We really did.
TO MY CLASSMATES (IV-ILAWOD)
So many private jokes and inside thoughts. So many.
(1)

The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung. A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of his cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.

In their jars the snail-nosed babies moon and glow.
He hands her the cut-out heart like a cracked heirloom.

                (2)

In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Finger a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish;not for long.

Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right hand corner.
Mystic Ink Plus Aug 2018
Topic,
My next project will be
Dissecting ego:
From where it begins
    
Objectives:
To try to explore, where the seeds are
To unveil who showed it
To confirm if it is heritable?
To witness how fast it grows
Is that us who tame ego,
Or does ego tames us?
Does ego dies before the possessor?
    
Method used, 
Tracking the loud voice
Tracking the grandeur side
Dissecting skin deep
Relating all connections
Exploring circumstances
Done exclusive on humans
Saints excluded
  
Discussion: 
Ego never discuss
It stays ahead
  
Conclusion:
We are the one
We tame ego
Absolutely acquired
Understanding is the antidote
    
Disclosure:
None
Genre: Structural Abstract
Theme: Being Human.
Show me that Person
Who don’t have ego

Then,
I can introduce
Why he/she is a saint.
Mateuš Conrad Feb 2016
i find the 2nd generation migrants to
be the most racist
they may well treat a 1st generation
child with equal measure to
an adult, they'll be olive skinned
and act like far right white mate
of a ship when all the rats sung
in dive unison: find the next shore!
they 'ave a motto: british, born and bread...
they also think that social criticism
needs censoring but suicidal vests don't....
what would you rather have, harmless
social criticism or an insurgent suicide vest
in the depth of shooing i.r.a. (shaira)?
i guess neither.
but the bright smug of 2nd generation
migrants tried to defeat a 1st generation migrant,
i still write whole english sentences for my father,
he only writes pen tapped against the neck of me
getting anger out of poems...
2nd generation migrants are the filth i need to wash
off my skin... they think all 1st generations
are readied for only hammer and the manual skill...
high and mighty dwarfs... lawyers and terrible
doctors... the 2nd generation are... dwarf filth
the 2nd generation are... unable to speak a mother tongue...
dwarf filth! get this maggoty and sweaty ***** sack
out of my face... get it out of my face!*

i dare say... i understood orthodox dissection,
everything was automaton inanimate,
cardiologist heard the constant heartbeat,
the neurologist the constant electric current,
dissection like that makes sense,
automation of a thing to a near inanimate
consistency of animate makes us clever enough
to study it...
but this psychological dissection?
suddenly Oedipus turned into Ego,
and both complex:
one ******* his mother, the other simply thinking,
but upon dissection, so many non-existent
limbs created... subconscious and unconscious etc....
it's dissection as you go along, cut open the arm
hinduism's deity arms spawn into a threefold ratio...
psychology dissected but at the same time created...
and how can you dissect a creative process that
is a multiple that keeps on adding?
if you started dissecting and only kept adding,
how will the ego ever manoeuvre a thinking kidney,
a thinking liver... all these organs, defined by thinking
as governable by thinking only provide pathology:
liver (alcoholism), kidney (dialysis) -
the collective unconscious of pathogens;
i don't understand why psychology decided to
make incisions into animate thing, when an inanimate
thing under sedation carefully laboured by a medical
butcher took to cut and scalpel opening...
when such incisions only showed constant change...
it's hard to replace the ego with oedipus and allow
both a similitude of thinking, leaving the former
with no analogy and the latter with too much analogy
to only create false analogues?
Moon Humor Oct 2014
I woke up to the sound of a train and it was raining. I might be dreaming.
My mom has always loved
the sound of a train and here I am in someone else’s bed thinking
about how much I love the taste of blood and the smell of sweat.
My plant has a pulse but my eyes might
be playing tricks on me, I have a way of forgetting to separate my dreams
from reality. Sometimes
I share too much of myself with people too soon. I told
him that my grandma had green eyes
and that’s where I got mine and that I’ve got nightmares that test
my patience night after night
with grotesque new realities on display before my eyes
and that my nails are stained from pomegranate and that
I got straight As and I told him to bite me because
I like it
but I shouldn’t have said it all so soon.
When I’m hurtling home in my metal death trap
powered by explosions I take pictures of the sky to show myself that
I’m alive and beauty is only here now and a deer
could leap or someone could swerve and ****
me or the airbag could rip off my jaw and I’ll
spend my life bearing my ******* way that I didn’t intend. I’m the writer
with no jaw that everyone reads out of pity and to get a glance
in the windows of a ******’s life.
When I wake up my jaw is still there
but I’ve been clenching it again.
No adderall, no *******, no caffeine, just the pressure
I put on myself and the weight of life knotting up the muscles in my back
until my ribs start to tighten and constrict my breathing so I pull at the ribbons
laced up and down my sternum
but it is too late and the bone corset pulls me in,
pulling pulling pulling until
my organs burst out of my skin.
He tells me,
“You’re hard to read, you know.” I giggle
but I find it tough to explain the rich cascade of emotions that are tied
to the lunar tides and make me crave coffee at midnight in terms
that don’t make me sound completely crazy.
Well, tonight I am eating dinner and attempting to read while the television
babbles at me from another room
about something I don’t need to hear but I hear
a cracking sound and my teeth are sharp and jagged and crumbling
as I run my tongue across them. I wake up sweating.
When it was sunny I bought socks from the little girl section and I drenched myself in perfume. Later on we were drinking chai tea
and getting *****, so I **** on your fingers
while you choke me and in the morning you make pancakes
and I eat it
but I’m afraid of the flour and the substance because it rises up
under my skin and collects in unwanted pools on my body.
I shouldn’t have drank any beer but
I had three
and I spilled my secrets the second I felt the warmth of trust.
God ******* ****.
I drive in silence.
The poster’s eyes have been following me
all night and I don’t know if it is a matter of perspective
or some delusion convincing me that I’m not alone
word vomiting on notebooks and textbooks and gushing
piles of words onto my comforter. I pictured
growing a human being inside of me and my heart
started trying to run from my chest
I scared myself into an anxiety attack
picturing years flashing before me. Before I told him
that I’m not like most girls
he kissed my forearms
and then he kissed my neck. Maybe I’m crazy for believing in astrology but
last night I was hearing your moans
as roars like the lion you are purring, nuzzling me
until you fell asleep and I remembered
being five and wishing I was Belle, marrying the beast. I don’t know.
I don’t know if I’m crazy.
I kept losing my earring in your bed like I secretly wanted to leave something more tangible than my scent or stray blonde hairs for
you to find and remember me by. I think you like me too much and I’m
afraid of what you’ll find when you get in my mind and see the battlefield
that rages inside of a pretty head.
I used to see the world with the eyes of a child but today I feel like I’m senile and looking at the world from the future and dissecting the past
because I lost track of time again and no one knew where I was for seven hours. I might have been wandering but I think I was asking
a fruit fly for directions when she flew into my pupil and laid eggs on my optic nerve causing the light to fraction
and my thoughts to be projected onto the wall ahead.
People passing by could see it all streaming out of me,
every emotion, every desire, every fear and every image,
even the smoking **** on the cement
from when he left got stuck on my screen
and the dream I had the night before
about a man with gigantic hands
and a woman shielded her eyes
as I thought about the way you use your tongue on me. When I finally
stumbled home the projection had stopped
but the maggots had started and I stared at the mirror
and branded myself with the word ugly.
The pill is folded in the dollar and I whack it with a lighter,
the white shards scatter out and I lay the bill flat and crush crush crush
until the powder is free of chunks. One two three
making ten perfect lines, five on each side and my nostrils are on fire.
I **** smoke from a pipe and get so high that my entire face feels like melting
off and I’m so determined to sleep that I can’t
and I anticipate
gritty dreams but I never drift off.
Three glasses of white wine later I drive to his house and I can hear the train hitting the breaks while we throw empty beer bottles at the moving cars
from the roof of a crooked house. And then, the willow tree
draped over the train tracks
grabs the wind with her branches and she summons
sheets of rain that come blasting down.
I’m afraid of heights and I’m not sure why but I think falling
from the apple tree at age thirteen was the first time I realized that
bones break and they never heal the same way and my hands are shaking but

I stay on the wet roof with you and I let myself melt into this
momentary reality.
One of the most personal poems I've ever written. Thank you for reading.
*revised 10/3
Mateuš Conrad Sep 2016
an atypical journalistic interview sessions only lasts a few minutes: you know, you know, you knows... mostly arranged by eager liars and boxing-ring butchers of the chop & jabbed jobless... or as i like to call it to their faces when they recuperate at rock concerts with their slaughterhouse day-jobs: head-banging meat-heads; you know, one of the lads, yeah man, you know - can i start speaking sing-language from now on? i swear they're speaking sign-language already, i understand them in the boxing ring... outside of the boxing ring... huh?!

the same with modern music, it just loves
Bach or Chopin accents / diacritics / samples...
Salmonella Dub's song *problems
,
i don't know why it acquires the said critique,
moby's porcelain...
these are accents of once world know narratives,
the narratives are gone, but the
accents remain... once we had Chopin's piano,
now we have transition pieces
akin to Thomas Newman's 18 from the American
Beauty soundtrack... now the Emperors say:
too few notes... cos it's a real tear-jerking masterpiece...
finally people of all professional categorisation learned
punctuation and the assembling of data,
the point of shelving things... of
not keeping thought for the purpose of simplified
narration, but as a way to escape into idea identifying
post-narrative ensured dynamos...
what remains of classical music, is but
a sense of diacritical marks not applied to language,
what is left as a wasteland...
the modern version of classical music is but an accent
of what classical music used to be: the alphabet,
the narrative, the narrative arrangement...
we're left with accents... the piano is an accent...
something Mozart used to touch...
when Mozart wrote the a b c,
                   Thomas Newman just wrote the acute
                           above the c...
    because classical music is so scarce, so rare
that it requires an elephant and a poacher,
but hardly the egg...
                                       so when Mozart wrote
a b c... modern licks of the piano
                   wrote a jingle... licks...
              modern resurrection of the classical
narrative, when Mozart wrote his bit,
Charlie Harper wrote the acute sign above something
resembling a character named C to make him into
chimney, thus the scalpel ', yes, that's the linguistic
scalpel         '                      , which isn't a comma,
to dissect words...             play me a ******* Irish medley
you ****!                        
                           sophism says: all punctuation marks
              revolve around securing emphasis.
tell that to a twelve year old, and in telling them that:
how to create an ontology to differentiate them from
politicians and establishing them as
                                          eager hands that became
                 the roots of modern China, and the principle:
         family, root, family, root,
                             or your granny with far more to worried
about than you standing over her grave, meaning
she ******* herself in a care home and you were like:
     but my life!
                                  i moved my great-grandmother into
my grandmother's house... they sarcastically called me
a beneficiary at her funeral, you know how family is...
they're always ******* cannibal, they want you to have
three arms so they can chew one of them off
and instigate the lazy option: Satellite Plato TV in
their homes... to lazy to even have a decent thought:
forget thought leading to morality,
let's just keep it French enlightenment: thought
precipitating into existence... which is hardly any sort
of triangular or rhombus square definition of
behavioural patterns of macaques.
for ****'s sake: when Chopin wrote c, modern
music sampled the same piano as the acute sign above
c, i.e. ć, dissection: Moby's Porcelain is Chopin i.e. c,
the two together are ć... which is read
by dissecting the words itch cheese chi chee and
putting them back together like some sort of Frankenstein
in order to just get the acute sense of stressed c...
CTRL... C and P... then it's either just African drumming
as in excess rhythmic when it was once woodwind
sections... so Chopin without Moby's Porcelain would
just be c... with Porcelain we get ć... it's not a representation
of an itch, or a twitch... it's just ticklish, mind you,
the two are inseparable: and the rest i just like
to call ambience, or anything you could never claim to
make an onomatopoeia out of - if only it was
that simple: i'd call the practice of onomatopoeia the
craft of carpentry or stone-masonry -
knock on wood: get a whale's mating call in the deep blue...
******* magic in the desert of pampered journalism...
pampered journalism... i like that, i like it like
the idea of defending Saddam Hussein... pampered
journalism... here's a fake... oh, and another...
here's another fake... mascara drool here... and another
one here... **** me, a miniature golf course of ideas...
hard not to be pruning the delusional idea of
"this is Utopia" by western media's *******
into a handkerchief that's designed into fishnets of *****
than that of tearful sympathies with:
well the animal stories always sum things up, don't they?
queue
Brian Oarr Feb 2012
Outside the miner's shack Joshua trees stand silent vigil,
expecting his imminent return, or perhaps his ghost.
Horn silver, weathered by rainwater from volcanic rock,
no longer strews fallow ground to lure the miner back.

In lieu, small succulents feed tortoise and jackrabbit,
replace the metal which only men could value.
Nevada gains a confluence of life in the exchange,
dry-lake flora and fauna bartered for chlorargyrite.

Barren mountains surround this desolation,
where nothing more than fungi lie in vapid dissipation
before the relentless punishment of the sun,
a lattice-work of valleys dissecting their *****.

I ventured here to purge my body of poisons,
exhale the vapors and biles of city living,
to rid the alien presence in my mitochondria,
and let it go the way of Silver State.
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
Kit Apr 2015
petals.
petals everywhere.
flower petals.
they flood my stomach, overfill into my throat, and spill out of my mouth.
i wretch.
i heave.
i grip the skin on my legs for purchase.
the petals just don't stop.

petals.
petals everywhere.
in the morning, when i first wake up, petals.
in the evening, when i'm settling in and feeling lonely, petals.
at night, when i'm alone in the dark with my thoughts, petals.
more wretching and heaving.
the petals just won't stop.

petals.
petals everywhere.
when i see your face, petals fly out of my mouth.
out of my mouth and onto the cold, unforgiving concrete.
my knees buckle.
you whisper in a soft voice that could lull me into a blissful slumber.
"are you alright?"
i wretch.
i heave.
why won't these petals go away?

petals.
petals everywhere.
my stomach has become a garden.
has become your garden.
your smile blooms inside of me.
your voice blossoms like a morning glory.
i could get the surgery.
i could get it and forget about you.
about the wretching.
about the heaving.
the petals could go away.

slicing.
dicing.
dissecting.

petals.
petals nowhere.
petals no longer litter the ground i walk.
the bed i sleep in.
the clothes that itch my dry skin.
the sight of your face is now a reminder to me.
a reminder that you are a person.
a person who never appreciated gardening in the first place.
no more wretching.
no more heaving.
no more petals.
4-21-2015

i found out what "hanahaki disease" is today.
it's the most animu thing ever, so i decided to write about it.
Brown Suga Apr 2014
Gay
As I try to shield myself from the beast of civilization, the cold hearted bleeding dagger protruding through the back of America, that filthy, filthy, king of darkness swallowing the minds and dissecting the thoughts of the youth, the raging zombie in the form of love. So I tried. Beauty claim the beast as it was written and saw the true face of Frankenstein. What a soft timid thing, similar to me. Dare I try? ***** the breast and taste the flesh of the raw meat. Something new, something sweet, something just like me. Beauty tamed the beast and so the face was revealed.
There was a town beyond the woods,
Ne’er there any water stood,
Alas, a Well, of the purest kind,
The aquifer under, is here described,
Beyond a thousand gallons under
The diamond-esque rubble and sunder.
But one bucket, at but one time,
Kind, the town, taking turns of rhyme,
This essence, used to bathe and cook,
To drink, to create, a cozy nook.
-
The happy town, the gorgeous shire,
The crops grown there as green as Ire,
No law exists, they live but civilly,
A fetching, quiet community,
But always there exists a one,
Who would want power, want this undone,
So it was said regretfully,
Poisoned their Well, emotionless he.
-
Now this village was quite secluded,
No one not there born, ne’er intruded,
Deep in the forest, behind a mountain,
Over a peak, under a cloudy curtain,
It existed in secret and abolition,
And one did seek its demolition,
Knowing the only flaw to here exist,
The essence of life, no man resists.
-
He crept at night, while the guard did sleep,
Promising the pure water to weep,
Dropping the genocide with bucket and crane,
Releasing its Demonic Alchemic Strain,
The Well did hiss as the poison moaned,
Recoiling at this unwanted drone,
The assailant then brought to his steady lips,
A cup and was first to take Devil’s Kiss.
-
On the morrow of the mentioned crime,
Busy bodies awoke to start the day’s time,
Queuing at bucket and awaiting turns,
Each family there a portion yearned,
Not one did from the water strafe,
Each then bathed, then drank, unsafe,
No one could tell different taste,
Water is water, but not today.
-
The plague did start like any disease,
Sore throat, fever, stopped nose, displeased,
The people sought the witchdoctor,
But he from bed, would rise no longer,
He caught ill too, and wouldn’t budge,
Afraid for his life, afraid of this grudge,
He knew this sickness, had heard before,
But told no one, the end was sure.
-
In a week, vomiting and nausea,
Nasal passages sealed, no nostalgia
Brought to memory of any like sickness,
The virus brought about decrepit afflictions,
But slowly and steady, worse and worse,
The people became, some saw the course
But kept silent, to avoid alerting,
The so many children in need of comforting.
-
In two weeks’ time, the pathogen,
Had taken wits of sensible men,
At night, they screamed in somber fright,
Their deepest fears, real now, and bright,
The lutes died out, the bards not singing,
An unfortunate time, but this was only beginning.
-
Fingernails rotting off at the cuticle,
Too much blood for any receptacle,
Leprositic, the fingers came next,
One by one, extremities hexed,
Children lost their legs to run,
From mothers’ faces rotted, undone,
In every other step, heard were bones breaking,
Kneecaps cracked open, shins splintering,
Eyes turned cadaverous, awake, but not seeing,
Cataracts formed, blinded from viral being,
In cradles were witnessed toddlers there suffering,
Their mothers watched with empty sockets, but listening
To the cries impossible to stifle,
The pain too much for these tiny disciples.
The dogs normally to their masters zealous,
Became of them mortally jealous.
They bit the hands that fed them well,
For watering them from the cryptic Well.
Men watched their sons dive right under,
The bridge that harnessed a valley of blunder
Hundreds of feet above sharp rocks and stumps,
Their namesakes leaped, impaled in clumps,
For those lucky enough to still have eyes,
Cried tears of acid for images despised
Sickness was spewed upon the walls,
Entrails adorned the Gathering Halls,
Some had turned to mutilation,
Blood-letting for some, abomination,
Some crazed enough to “cure” themselves,
Clawed throat and stomach til flesh dissolved,
Some rich with elixir tried to embezzle,
Upon some of the poor, tired and grizzled,
Riot broke out amongst the walking dead
Fortune or lack of, irrelevant,
Black pustules broke out that looked Bubonic,
But the cure for that failed, how ironic,
That it rather hastened the steadfast curse,
Faster than iambic verse,
Molecules turned to embryo,
Rising like a great Pharaoh,
They became flesh parasites,
Taking internal organs, slow and precise,
They started with the liver and spleen,
So there lasted hours of wretched screams,
The intestines of some would close and then
Becoming septic, they passed, bile in stem,
A few had throats seeming cauterized,
Friends watched friends closest, strangle alive,
There were in fact, some optimists,
Among them, talk of being “rid of this”,
They too died while clutching life,
Endeavoring their eternal flight,
From noses, there dripped blackened murk,
Thicker than combined oil and dirt,
It then secreted as sweat from all pores,
Fatigue then struck those left to the floor.
Upon broken knees some prayed,
Usually the skin under ribs was flayed,
Trying to understand what went wrong,
Dissecting the dead was not headstrong,
It only furthered viral progression,
The open corpses breathing infection,
The cadavers would move still, the fleshbugs active,
The horror of lifeless movement, corrosive,
The minds of the weak, it pure happenstance,
One found eating dead flesh for a cure, no chance.
All in all, this lingering curiosity,
Provided once good people with animosity,
One man turned good people to hate,
Their neighbors in ways that were irate.
-
The chaos was not anarchy,
For, as I said,
It was civilly,
But verily, I do decree,
That no one knew such misery,
The inhabitants of this village,
Did not suspect innocent visage,
Or perhaps, their cherished Well.
To be culprit behind this hell
So they drank and drank to remedy,
To recompense this malady,
To no avail did blood get thicker,
Alas, they got but sicker and sicker.
-
This hell, the townsfolk then realized,
Wouldn’t end til they all were nullified,
Eliminated they were, eradicated at that,
This pathogenic virus had verily spat
In the faces of the people here,
Decimated they were, not quenching their fear,
Murdered they were by a systematic
Suicidal psychopathic,
Inflamed in the mind of darkness thereafter,
Only satisfied by his own laughter.
Not many, til now, know of this town,
From lowly peasant, to “Godly” Crown.
An explorer found the deserted hamlet,
Body parts and questions then found the hermit,
He had heard of a town like this, he wrote:
“It was a new age Roanoke…”
But the village, not a town to cause commotion,
All that was left of them, a tree scratched, “CROATOAN”.
Timothy Essex May 2010
I like slandering your makeshift forceps.
I hammer you down with watery *** and then spill

the remainder on the couch. Yarg! A diamond’s
worth at least a small intestine, and you

are worth whatever’s left over after night
has upended itself, poured sideways out of its

shellacked crawlspace, and turned the basement sour.
There are remnants of you in the park,

some red stain by the baseball field where,
if you’ll remember, you watched little leaguers

build teamwork, and faint splotches on tree bark
from your lactations which, if you’ll remember, happened

every morning. I whisper your godforsaken name
and am slapped in the head. The children cry

when I smile. I cry when the children smile. Good
heavens. I forbid you from not entering my corridor,

even as I set up a barricade. I like my water scalding,
my passion chilled, and I like you in easy-to-

swallow doses. I like you in my eggs.
Ditto the faucet, keyboard, the occasional lily,

but do not mess with my pearls. I mumble of apodictic
meadows while I sleep. What can I say?

I do not mumble of unclogging your bathtub,
which has a certain foul repute, and has grown

heavy and ugly with your hair, which is everywhere,
just as you are everywhere, and wherever, and so

******* hidden it’s not funny anymore, we stopped
looking some millennia ago, after scouring the drainpipes,

kicking down your doors, dissecting your mattress,
speculating about your burial site, etcetera, and even so

we have not been really looking all this time, have we,
just blaring your name through the speakers,

putting wrong numbers on our calling cards, leaving
uncooked meat out on the back porch as if you were

a raccoon, oh, or a lion, which you are not, or not
quite, though, as the books say, you have honey

in your stomach, and if you could but be
ripped open we would taste and see.
Deconstruct the way you think
Even though it seems hard at first
Get out of the comfort zone
And indulge in intricacies
Push forward past the laziness
And for once taste what diligence is like

Move ahead of procrastination
Swear to never show it your face again
Learn new mistakes
And ponder for a while
Learn few more hacks
And keep a note of it
for future turmoil
Get uncomfortable,Get uneasy
Detour and Demystify

Chase success ridiculously
Try always giving it a company
Tame Failures like never before
And ask it to never knock at your door
Stand alone if you know you are right
Even when world laughs at your guts
They say Life is a mysterious game
of innumerable missed mishaps
You only have to figure out
how to escape between the gaps
Azaria Nov 2017
i still don't know what
i'm trying to say
like dissecting a frog
in 1500 ways
looking for different yellow parts
that piece together like
a baby's first breath
like touching yourself
with your other hand
and pretending it's someone
else
maybe i feel ordinary
because i've never made love
or ******
under the volcanic ash
of someone's dark
body
never let anyone
park inside
the yellow lines
that trace my body
like ridges in
the earth
like gaps in
time that i cannot
take back
i have no idea what i'm
trying to say like
boxed wine
and a kiss from a girl
at 7 am
on third floor north
hall in college
like slicing people
into their better halves
and accepting them
like the way time is  
supposed to heal
but doesn't
i still don't know what
i'm trying to say when i think
about uncle tyger's voice
rewinding time
like green grass on
the park that day
like war and sand
like hot air and forgiving
i still don't know what
i'm trying to say
when i see myself
shedding my skin
like spring in heat
evolving like the best
portrait
of human nature
i'm not afraid to be
caught loving you
in the harsh elements
even though
i still don't know
what i'm trying to
say
between your cold hands, the world flames.
Ian Cairns Jan 2014
Attention class:
There's been a shift in our syllabus
There are some questions on my mind that warrant a new lessonplan: Does true love exist?
I will admit lately I've hypothesized that it's merely just a myth
Some wishful thinking from romantic half-wit heretics
So I'm assigning a soul mate science test
A pop quiz prophecy that could bind two of us together forever
Proving true love is suited for scientific vindication
If you respond to each question honestly
One trusty staple is capable of uniting this loose leaf love
Depending on your lead-based expressions
And their smudge-marked impressions
So please put your notebooks down
And pick your pencils up
Let's begin:

1. Is the beauty you possess easily represented in the thoughts you express?
Provide an ample sample size of your logic to suggest your loveliness works wonders.
2. Given that the fastest manned aircraft reached 4500 mph
If you spiraled down from the heavens at 9.8 m/s²
How long would it take for you to shatter record speed
And recognize that my arms are open to being your landing pad?
3. If your failures colored red and successes tinted blue
Became marbles piled high in mason jars
Would you let me embrace your entirety in the most worthy shade of purple?
4. Skin, rarely remembered, is the human body's largest *****.
Without caution, show me that your brain and heart
Are eager to become the king and queen of your anatomy.
That your organic vastness can infiltrate others' flesh majestically.
5. Think carefully. Who was the last man you kissed?
Are his lips worth enough for you to dismiss
A potential chance at creating unending bliss?
6. True or False: You would lie to me to spare a hurtful truth.
Provide evidence that you are comfortable revealing the undisputed details of your personal journal
Unraveling the spools of your most mysterious fibers.
7. Disprove Heartbreak Theory.
Show your work with mild-mannered mannerisms and sentimental illustrations.
Use crayons or colored pencils to emphasize your best intentions.
8. Chemistry is the study of the properties of matter.  
Using the periodic table of elementary emotions
Describe what matters most to you.
Remember to cite your sources of inspiration.
The inner workings of your engine that fuel your fondest explorations.
9. Fill in the blank spaces between my fingertips with your tenderness.
Is it a perfect fit?
If not, describe the characteristics possibly prohibiting this grip.
10. Cells are the smallest units of life.
Draw a diagram dissecting the little pieces of you
That belong in my possession at all times.
Include both strengths and vices.
Exhibit a sense of self-awareness that I can mimic
When I'm stuck inside my quicksand mind.

And one final reminder:
Remember to print your name legibly on the front page.
Failure to do so will result in catastrophe.
An unidentified masterpiece resulting in agony for you and I.
Practically reversing the critical proofs that your pen just described.
So let my eyes scan your signature with methodical joy.
And the curves of your cursive ink lines can become my mind's strongest ally.
Let me know you're willing to be known.
Because I need to know you're alive.
Michael R Burch Apr 2020
Withered Roses
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

What shall I call you,
but the nightingale's desire?

The morning breeze was your nativity,
an afternoon garden, your sepulchre.

My tears welled up like dew,
till in my abandoned heart your rune grew:

this memento of love,
this spray of withered roses.



Ehad-e-Tifli (“The Age of Infancy”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

The earth and the heavens remained unknown to me,
My mother's ***** was my only world.

Her embraces communicated life's joys
While I babbled meaningless sounds.

During my infancy if someone alarmed me
The clank of the door chain consoled me.

At night I observed the moon,
Following its flight through distant clouds.

By day I pondered earth’s terrain
Only to be surprised by convenient explanations.

My eyes ingested light, my lips sought speech,
I was curiosity incarnate.



Excerpt from Rumuz-e bikhudi (“The Mysteries of Selflessness”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

Like a candle fending off the night,
I consumed myself, melting into tears.
I spent myself, to create more light,
More beauty and joy for my peers.



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When indeed you are your own destiny?



O, Colorful Rose!
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You are not troubled with solving enigmas,
O, beautiful Rose! Nor do you express sublime feelings.
You ornament the assembly, and yet still flower apart.
(Alas, I’m not permitted such distance.)

Here in my garden, I conduct the symphony of longing
While your life is devoid of passionate warmth.
Why should I pluck you from your lonely perch?
(I am not deluded by mere appearances.)

O, colorful Rose! This hand is not your abuser!
(I am no callous flower picker.)
I am no intern to analyze you with dissecting eyes.
Like a lover, I see you with nightingale's eyes.

Despite your eloquent tongues, you prefer silence.
What secrets, O Rose, lie concealed within your *****?
Like me you're a bloom from the garden of Ñër.
We’re both far from our original Edens!

You are complete, content, but I’m a scattered fragrance,
Pierced by love’s sword in my errant quest.
This turmoil within might be a means of fulfillment,
This torment, a source of illumination.

My frailty might be the beginning of strength,
My envy mirror Jamshid’s cup of divination.
My constant vigil might light a world-illuminating candle
And teach this steed, the human intellect, to gallop.



Bright Rose
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You cannot loosen the heart's knot;
perhaps you have no heart,
no share in the chaos
of this garden, where I yearn (for what?)
yet harvest no roses.

Of what use to me is wisdom?
Having abandoned Eden,
you are at peace, while I remain anxious,
disconsolate in my terror.

Perhaps Jamshid's empty cup
foretold the future, but may wine
never satisfy my desire
till I find you in the mirror.

Jamshid's empty cup: Jamshid saw the reflection of future events in a wine cup.



Coal to Diamond
by Allama Iqbal, after Nietzsche
loose translation/interpretation by Michael R. Burch

I am corrupt, less than dust
while your brilliance out-blazes the brightest mirror.
My darkness defiles the chafing-dish
before my cremation; a miner's boot
crushes my cranium; I end up soot.

Do you acknowledge my life's bleak essence?
Condensations of smoke, black clouds stillborn from a single spark,
while you with your starlike nature triumphantly adorn monarchs,
gleam of the king's crown, the scepter's centerpiece.

"Please, kin-friend, be wise," the diamond replied,
"Assume a gemlike dignity! Carbon must harden
before it can fill a ***** with radiance. Burn
because you yield warmth. Brighten the darkness.
Be adamant as stone, be diamond."

Iqbal’s poem was written after a passage in Nietzsche’s Twilight of the Idols in which a kitchen coal and diamond discuss hardness versus softness.

Keywords/Tags: Urdu, Hindi, translation, English, rose, roses, withered roses, nightingale, desire, breeze, garden, nativity, cradle, infancy, heart, tears, dew, rain, rainfall, longing, conflict, tumult, peace, life, life advice, live, nature, survive, survival, storm, destiny, God, God's will, silence



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
Brother Jimmy Jul 2015
Maybe you’re mistaken
       when you think about what’s out there,
You attribute ev’ry stimulus
       to winged things from books,

Mistaking accidental circumstances
       for essential causes,
There isn’t really anything
       that God conveys with looks.

Perhaps it is hard to face the truth:
       we’re just meat bags with will,
Which slowly rot away until
       the day when we’re forgotten

Needlessly dissecting
       every move and every inner thought,
Attempting to discover
       what makes us all so very rotten.

Take a deep breath
And hold it in
Until you feel it all
...Fading away

Slowly toward death
All of us fall
Someday we’ll feel it all
...Fading away

Through my goat mouth, it’s true,
       you can hear me bleating,
Like a little lamb who’s lambier
       than lamby-lambs can be,

But yes in fact it’s bike tires,
       and tin cans that I’m eating,
And I feel my goat heart beating
       and... I want to flee.
Anya Sep 2018
I’ve discvoered
A strange pastime of mine
I like to look for flaws
Little things I am ashamed of
Then use poetry
To slowly unravel them
Bit by bit
Like the
Small intestine
We unraveled in our seventh
Grade fetal
Pig disection
Just like that
The ugly flaws
Are unraveled bit by bit
Left in all their original
Blunt grotesque
Glory
In my mind
To be analyzed
And on paper
-or a screen I suppose
Embeleshed,
Into something
Beautified and attractive
But,
Still honest despite
Holding back
To an extent
...
Meanwhile,
In my mind
The flaws are
Picked apart
With little probes

Occasionally,
A finite solution
And method to
Get rid of the
Flaw
Placed on
My never ending
Bucket list

But,
More often than not-
...
ERROR
NO SOLUTION
REQUIRES FURTHER STUDY
I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back...
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
SP Blackwell May 2013
7
he made me bleed
it trickled down my legs
red warmth on white skin
he cut me mentally
tore through my head
like a rabid dog
i can not think
without him haunting me
without him hunting me
without him
he cut deeply
with cold words
with cold stares
liquor hinted murmurs
pressed against my neck
his heavy cigarette breath
lingers with heat against me
it still tastes sweet
his eyes pierce me like a slow burn
going through parchment paper
dissecting my movements
dissecting my thoughts
the ones that go unsaid
the ones that are never uttered
the ones i wish i wouldn't think
the ones that i will never admit
to having
Michelle Rose Feb 2014
There’s a certain way about humans
and how we always search for answers,

A cyclical pattern marks our every move
as we live and we die
with tranquility as a lofty goal,

But we can't help dissecting the tiny pieces,
the gears that grind against the grain;
We wonder why dad has to check and double check the lock,
why mom counts the seconds until the day is over,
why family conversations always happen in the car—

And that’s when complexity engulfs simplicity:

We quickly shed layers of blame,
like the scarf and the hat we toss to the wayside
as soon as the worst of the storm has passed,

Because we know better than most
that when it rains,
it pours,

And all we crave is stillness in the air.
Amanda Blomquist Jul 2013
Social relations.
     Fading, dissipating.
           Regenerated and rebuilding.

Everything held deep spills out over past memories and future broken promises.
     Talking of brighter days with different time lines.

Watching, talking, passively dissecting minds of those like mine.
          All investigating our inner workings and imagined surroundings.

                     It's in the waking hours of the dawn. It's when time is irrelevant.
        When the new day brings nothing but revelations and unfiltered ramblings.
               Anything to fill this  void.

   The morning air feels stale compared to renewed awakenings.
Constantly picking at the scab.
          Digging for one last laugh.
                                        A final smile.
                       The perfect ending for the night we might forget.

      We forge new mental pathways and plan play dates.
Evolutionary socialization.
            Cigarettes serve as reality checks and mirrored reflections.

                         Open eyes burning for something tangible.
                 Awake and unaware.

       Filtering through the nonsense and intellectual genius.
Trying to read the dusted lessons buried between advice and elaborate fairy tales.

   We speak of ideas.
     We speak of all the things that rest on the ledge of our understanding.
        We dream of what it is and what it could be.

All seeking growth.
      All staying just within the caution tape.

Ponderous wondering of connections and false enlightenment.
                                               I remain skeptical even though I've felt it.
                       My mind has always held an untrusting grudge against my intuition.

     In the end it's just another day.
                              Contributions minimal.
                 Lessons learned... Still settling their sediments.
        They're Remnants.
Angie Marcano Sep 2018
Lab coat on
I stand in a cold morgue
Scalpel in one hand
My heart in the other.

Hands tremble
Making the first incision
Cutting through the sweet memories
And stripping it from the bitterness
you left behind

It lays open
Displayed on a silver tray
Tied down by your half truths
And compassionate lies
Held down by the “I love you”
And trapped by your “Don’t go”

A beaten heart
That no longer beats
No longer pumps love
But instead is filled with tears
And regrets

It has lost its color
A vibrant red
was turned into
a Coal-black
As dark as the bruises
You left behind

Yet
Flatlined
And without pulse
I still live
With nothing on my sleeve
And an empty hole
on my chest.
Mystic Ink Plus Feb 2018
Here I am, in front of myself
Trying to recognize me
What I am to myself
What I am to the rest

Am I the shadow of myself
Or the shadow belongs to me
Wisdom of mine, may set this shadow free

Some days I cast my shadow
Some days my shadow possess me.

I wonder,
why can’t we have the same vision
Me, and the shadow,
Though we have the same pair of eyes
I wonder, do shadow knows my thoughts
At the time when I possess it

The same shadow taught me a lesson
At the time of light, it was with me
In dark, it disappeared.
Forever is relative.

Am I the shadow of myself
Or the shadow belongs to me
Discovering self through search within.
Fred Kinard Mar 2013
Darkness sets in with mankind,
throughout time words will transform the inferior man into the superior man.
The age of name calling will emerge.
Barbarian,
savages,
uncivil,
Let me stop for a second...

Telling the world another man is unimportant shouldnt take away the fact that he is still a man.

Name callers need peace while overthrowing others who also play a role in mankind by dissecting their own consciousness.
They have a need to
belittle,
  discredit,
transform,
transform into something greater,
even though it's all in the mind that one is greater.

Truth be told wars are pushed forward to the masses by name calling the enemy,
Imagine looking a man in his eyes and calling him a cockroach,
for whatever reason one will feel like he is now squashing a bug,
yet no bug is present.

History will tell a story about mankind no matter the name.

— The End —