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"dials" poems
The laughter of leaves whisper testament over cool caverns, ancient moss the absurdity of clocks dashed upon rocks while they dance, backlit with sunglow, at the true speed of life daring us to defy the timeless tapestry in which all are woven Do stones large and small not rustle like leaves in the eye of the mountain? and is the leaf not as solid as stone, to the aphid? And what lives between two lover-friends? It is no brief candle measured with ticks on numbered dials It moves not with the flash of a single spark Nor with the slow glow of dawn In gentle illumination it is a soft gentle kiss drifting on mist, and it moves at the speed of love, with the rhythm of life Copyright © 2016 K. Rush
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Dec 1, 2016
Dec 1, 2016 at 7:28 AM UTC
Of Leaves and Stone
Know that my heart beats for you... Every crank of the wheel, turn of dials... Leading to my every breath and every sigh Wishing every moment would stay a while... Unaware of themselves hard at work, The cogs in my mind are constantly spinning... The gears in my head are lodged in place... Cogs and gears like clockwork, carelessly turning... Like a factory of sorts, They keep churning out ideas. Conceived notions that only had been Spawned by my mind's nucleus... Blinking lights signalling ways, And means to sweep you into the air, Then leave you lofted for second.... Without a trace of fear or care. At that moment, what I'd give to just admire... You floating against a backdrop of stars. An image frozen in infinite. An image free from blemishes or scars. Then when gravity claims you back, You'd fall the most graceful of falls... A fall in the slowest of motion. A fall led by my loving calls. Fear not darling for my arms would be there... To catch you and hold you close in a tight embrace. Cheek to cheek, chest to chest... You'd then know that, Cogs and gears spin only for you in this very same place...
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Oct 15, 2014
Oct 15, 2014 at 10:44 AM UTC
Cogs and Gears
Aimlessly through cornfields flying quietly and simply listening, to conversations to music that's not mine to laughing and memories being made. Going no where but not minding. Numbers fade from importance and the dials behind the wheel don't matter. Only the dirt, the road, the growing dark, no destination, no worries about going back. Changing sky, and the people you just met but are certain you can't forget.
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Feb 12, 2015
Feb 12, 2015 at 1:17 AM UTC
Driving
Time is measured By machines, stars, Dials, seasons And all sorts Of unconscious, Impersonal equations. When we measure Time by the comings and goings Of people, Then it becomes personal.
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Apr 22, 2015
Apr 22, 2015 at 9:15 AM UTC
How We Measure Time
It's annoying  That I write fullest As the moon is breaking At midnight noon And when the stars Fleck a paintbrush sky. Annoying because I want to be  dreaming In beaming sun dials and Marshmallow clouds Which swallow me up  Into a rosy pearl. Annoying because, Just as I do with the words, I want to escape the day Which I can't handle and  ramble  in happy Nothing. But this form of Escapism makes me sleepy  and the creeping, Inescapable day Ever more... difficult
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Apr 18, 2014
Apr 18, 2014 at 5:26 PM UTC
Poem from bed
I read a text Meant for a friend, One you didn't mean To send. Our culmination in technology Has us now concluded. A landline would've Kept me dangling, But pocket dials don't lie.
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Apr 29, 2015
Apr 29, 2015 at 10:03 AM UTC
Pocket Dials, Part I
The lizard king came alive in the walls of prophets, A shrine to help follow the subjects of the topic. I lost my mind, but found it inside the tombs of those left behind. I left a part of my soul on La Ciegna Boulevard. The looking glass had the last laugh, Some smiled. The sun dials told the time accurately. The shadows followed me from one side of the city to the other. All the way to the coast of the continent. It was here I found the confidence that was lost in the dominance of you. We broke on through to the other side, but it was too soon, and the other side was the same like butterflies. Cocooned in symmetrical thoughts of the stars in your eyes. It’s no surprise we both knew it all at that moment. Our toes exposed naked in the sand and lost in emotion.
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Jan 22, 2016
Jan 22, 2016 at 5:48 AM UTC
Lizards & Butterflies
I seem to have inherited your Che Guevara tee shirt, red and black, with the huge Legends lettering and portrait, black on red. Washed and folded, I gave it a squeeze, and held it to my chest (wanting you back, my son, and all the rest). Sometimes I think we shared the same heroes, similar, more similar than I ever thought before, reflected in the tee shirts you bought and wore. I am still making my way through your Augusten Burroughs books, the humour, insight and images raised, have humoured me at a time I need, from dark thoughts, guilts, on my time and mind, like maggots they have fed and feed. I did think I would talk to you the following day, before the coma, the silence of you contrasting the ever sounding machines, the dials, the lights, and that, and other images, keep me from sleep at nights, (hence the need of the sleep inducing pill). I seem to have inherited the black and red Che Guevara tee shirt you used to wear, and when I hold it against my cheek, I imagine, for short moments, that you are still there.
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Apr 3, 2014
Apr 3, 2014 at 1:37 AM UTC
CHE GUEVARA TEE SHIRT.
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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Jan 28, 2013
Jan 28, 2013 at 3:17 PM UTC
She Won't
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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"You are my friend. Please do me a favor. Give Bobby this phone number. Don't tell him I told you to. Maybe he'll call before Dr. Mendrokis and his wife get home. The children are sleeping in their beds. I don't really care for being alone. Tell Bobby to call me on the Doctor's phone." Jill tries to study but it's quiet tonight. The telephone rings to her delight. It must be Bobby. "Hello" There is a silence, but she can tell someone is on the line. "Bobby?" Nobody answers so she hangs up the phone. Jill Johnson doesn't like To be alone. The clock ticks on. She hears a racket in the kitchen. It's the ice-maker in the freezer. She takes a fudgesicle out of the pack, As she wonders if Bobby will try to call back. The phone rings. Jill says,"Hello, Bobby? What do you know?" "Have you checked the children?" Jill hangs up the phone. At the weather, Jill fixes a drink. They won't notice a little missing brandy, she thinks. That call was scary. His voice was dark. Maybe it was Bobby Who was just pretending. Maybe she doesn't like him much, anyway. He's kind of a **** The phone rings again. "Have you checked the children?" "This isn't funny, Bobby. Don't call back, anymore." "Why haven't you checked the children?" Jill slams down the receiver in a panic. She dials the police on the rotary as fast as she can. She's terrified and alone. The policeman tells her, If the man calls back, The call will be traced If she keeps him on the line. She sits on the stool by the stairs. She silently waits. She's scared. The phone rings. "H-Hello..." "It's me." "I know." "Why haven't you checked the children?" "You, You can see me?" "Yes." "I turned the lights down. I''ll turn them back up if you'd like." "No." "You really scared me before, If that's what you wanted. Is that what you wanted?" "No." "What did you want?" "Your blood...all over me." Jill hangs up the the phone, It rings again. She answers the phone and screams, "Leave me alone!" The policeman then says, "Your life is in danger. Soon, police will be there. Get out of the house... The call is coming from upstairs!"
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Apr 30, 2015
Apr 30, 2015 at 5:28 PM UTC
When a Stranger Calls
"You are my friend. Please do me a favor. Give Bobby this phone number. Don't tell him I told you to. Maybe he'll call before Dr. Mendrokis and his wife get home. The children are sleeping in their beds. I don't really care for being alone. Tell Bobby to call me on the Doctor's phone." Jill tries to study but it's quiet tonight. The telephone rings to her delight. It must be Bobby. "Hello" There is a silence, but she can tell someone is on the line. "Bobby?" Nobody answers so she hangs up the phone. Jill Johnson doesn't like To be alone. The clock ticks on. She hears a racket in the kitchen. It's the ice-maker in the freezer. She takes a fudgesicle out of the pack, As she wonders if Bobby will try to call back. The phone rings. Jill says,"Hello, Bobby? What do you know?" "Have you checked the children?" Jill hangs up the phone. At the weather, Jill fixes a drink. They won't notice a little missing brandy, she thinks. That call was scary. His voice was dark. Maybe it was Bobby Who was just pretending. Maybe she doesn't like him much, anyway. He's kind of a **** The phone rings again. "Have you checked the children?" "This isn't funny, Bobby. Don't call back, anymore." "Why haven't you checked the children?" Jill slams down the receiver in a panic. She dials the police on the rotary as fast as she can. She's terrified and alone. The policeman tells her, If the man calls back, The call will be traced If she keeps him on the line. She sits on the stool by the stairs. She silently waits. She's scared. The phone rings. "H-Hello..." "It's me." "I know." "Why haven't you checked the children?" "You, You can see me?" "Yes." "I turned the lights down. I''ll turn them back up if you'd like." "No." "You really scared me before, If that's what you wanted. Is that what you wanted?" "No." "What did you want?" "Your blood...all over me." Jill hangs up the the phone, It rings again. She answers the phone and screams, "Leave me alone!" The policeman then says, "Your life is in danger. Soon, police will be there. Get out of the house... The call is coming from upstairs!"
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Tangy scent of ginger ale, Hands stained cotton-pale, Flames crowd your barren soul, A childless mother, not completely whole. Colors burn through your mind, Words blaring that aren't so kind, Forever trapped in an endless maze, Your own father called it a "passing" phase. Only you know the truth of it all, You miss the days before the Voice would call, No matter how long or how good the day, The Voice always got away. "Illusions," they called the voices you heard, But to you they were as vivid as the song of a bird, Chirping outside your window to greet this fruitful morning, Soon to be faded by the Voice's scorning. Dull and gray your nights transform, Like a passionate magician with no acts to perform, The last straw pushes your limits too far, Like a flame engulfing spilled tar. Bucket of white and paint brush so clean, You're painting your flaws away before they'll be seen, A gulp of ginger ale along the way, White you've been painted and white you will stay. You find a pair of scissors and snip off your hair, Leaving your scalp looking erratically bare, You head to your room for a final glance, Really, it's because you're hoping to be given one last chance. "You've been bad," the Voice would state, In a tone of voice you're starting to hate, You grab your phone and make some calls, Then head to the bathroom with the checkered walls. A few moments later you lay in the bathtub, Already your fingers feel slightly numb, You read the instructions and swallow the pill, Inhale and exhale to get rid of the chill. Your eyelids grow heavy and your head is sore, You turn on some music that you adore, Your chest feels tight and you brace yourself, Place your phone on the top-right shelf. Your best friend finds you later that week, Her fingers start shaking and she's too shocked to speak, She clutches your phone and as she dials 9-1-1, She finds your note that writes, "The Voice won."
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Jul 7, 2012
Jul 7, 2012 at 3:28 AM UTC
Painted White
Tangy scent of ginger ale, Hands stained cotton-pale, Flames crowd your barren soul, A childless mother, not completely whole. Colors burn through your mind, Words blaring that aren't so kind, Forever trapped in an endless maze, Your own father called it a "passing" phase. Only you know the truth of it all, You miss the days before the Voice would call, No matter how long or how good the day, The Voice always got away. "Illusions," they called the voices you heard, But to you they were as vivid as the song of a bird, Chirping outside your window to greet this fruitful morning, Soon to be faded by the Voice's scorning. Dull and gray your nights transform, Like a passionate magician with no acts to perform, The last straw pushes your limits too far, Like a flame engulfing spilled tar. Bucket of white and paint brush so clean, You're painting your flaws away before they'll be seen, A gulp of ginger ale along the way, White you've been painted and white you will stay. You find a pair of scissors and snip off your hair, Leaving your scalp looking erratically bare, You head to your room for a final glance, Really, it's because you're hoping to be given one last chance. "You've been bad," the Voice would state, In a tone of voice you're starting to hate, You grab your phone and make some calls, Then head to the bathroom with the checkered walls. A few moments later you lay in the bathtub, Already your fingers feel slightly numb, You read the instructions and swallow the pill, Inhale and exhale to get rid of the chill. Your eyelids grow heavy and your head is sore, You turn on some music that you adore, Your chest feels tight and you brace yourself, Place your phone on the top-right shelf. Your best friend finds you later that week, Her fingers start shaking and she's too shocked to speak, She clutches your phone and as she dials 9-1-1, She finds your note that writes, "The Voice won."
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44
You broke bread and cracked voices. Accompanied choruses of songs you never bothered to learn. Played God with radio dials and sought salvation in airwaves, leaving translation to the speakerbox. Like a proper disciple-turned-prophet, the static air took artistic liberties and ****** up the message. In all honesty, you wanted so badly to believe that this time, together, you could out-live the reckoning. That this time you were something divine. But tonight you're too sober to speak and too tired to try. Once again, you apologize. She'll cradle your cheeks just so, with such delicate touch you're almost convinced it's done lovingly.                     (You've been trained to speak                                    between such parentheses.) You always tell her exactly what she wants to hear but never what she needs to know. You both leapt from this bed, aiming for Space, Hoping for something biblical, but found, once again, that the sky is nothing more than a mausoleum of stars.                               And what                                      goes                                                                  up                                                          Must                                                 come                               down. From that funeral view the truth collided into you quicker than the avenue below. Now you know what the moon must have felt when the rockets came promising that after this, things will never be the same, then left just as quickly with their pockets full of rocks. You know what it's like when they steal part of you just to put it on display. It takes this distance 238,900 miles, from here to the moon, to leave your Me at ground level and plummet into the second person singular. From depth like this it's almost as if, it never really happened to you at all.
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Apr 4, 2013
Apr 4, 2013 at 7:16 PM UTC
Second Person Singular
You broke bread and cracked voices. Accompanied choruses of songs you never bothered to learn. Played God with radio dials and sought salvation in airwaves, leaving translation to the speakerbox. Like a proper disciple-turned-prophet, the static air took artistic liberties and ****** up the message. In all honesty, you wanted so badly to believe that this time, together, you could out-live the reckoning. That this time you were something divine. But tonight you're too sober to speak and too tired to try. Once again, you apologize. She'll cradle your cheeks just so, with such delicate touch you're almost convinced it's done lovingly.                     (You've been trained to speak                                    between such parentheses.) You always tell her exactly what she wants to hear but never what she needs to know. You both leapt from this bed, aiming for Space, Hoping for something biblical, but found, once again, that the sky is nothing more than a mausoleum of stars.                               And what                                      goes                                                                  up                                                          Must                                                 come                               down. From that funeral view the truth collided into you quicker than the avenue below. Now you know what the moon must have felt when the rockets came promising that after this, things will never be the same, then left just as quickly with their pockets full of rocks. You know what it's like when they steal part of you just to put it on display. It takes this distance 238,900 miles, from here to the moon, to leave your Me at ground level and plummet into the second person singular. From depth like this it's almost as if, it never really happened to you at all.
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He fancies himself a cowboy In line at the corner store Concealed carry snug on his hip (He secretly hopes someone gives him some lip) The cashier hands him his change without meeting his gaze He’s surprised and aroused. She knows her place. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else He fancies himself a nonconformist. A free thinker The sheep will all do what they’re told And he’ll be ****** before he goes peacefully to slaughter. It was easy, he figured it out Demanding proof is just an excuse to hide behind doubt A warrior, he wields the flaming sword of truth His wife asks a question; he breaks her front tooth. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else Somewhere a fat man is checking the math as he’s being served lunch Picking through numbers, looking for nibbles He dribbles drool onto his chin, as he dials his guy in The Caymans His stomach is rumbling, it’s never enough! To deepen ones pockets, one first must make cuts. The determinant cause for the silver mine fire Will read “Accident: faulty electrical wire; Company denies liability per signed agreement at hire.” And the cowboy free thinker won’t laugh at the joke, he’ll just choke There will be no survivors But today, The Cowboy nurses his hate, while Somewhere a fat man is writing the fate of the cowboy in pen, pleased to be Great Again. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else
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Nov 8, 2020
Nov 8, 2020 at 4:24 AM UTC
The Cowboy and The Devil
He fancies himself a cowboy In line at the corner store Concealed carry snug on his hip (He secretly hopes someone gives him some lip) The cashier hands him his change without meeting his gaze He’s surprised and aroused. She knows her place. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else He fancies himself a nonconformist. A free thinker The sheep will all do what they’re told And he’ll be ****** before he goes peacefully to slaughter. It was easy, he figured it out Demanding proof is just an excuse to hide behind doubt A warrior, he wields the flaming sword of truth His wife asks a question; he breaks her front tooth. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else Somewhere a fat man is checking the math as he’s being served lunch Picking through numbers, looking for nibbles He dribbles drool onto his chin, as he dials his guy in The Caymans His stomach is rumbling, it’s never enough! To deepen ones pockets, one first must make cuts. The determinant cause for the silver mine fire Will read “Accident: faulty electrical wire; Company denies liability per signed agreement at hire.” And the cowboy free thinker won’t laugh at the joke, he’ll just choke There will be no survivors But today, The Cowboy nurses his hate, while Somewhere a fat man is writing the fate of the cowboy in pen, pleased to be Great Again. Selling your soul’s not a deal with the devil Selling your soul is a deal with yourself Make the choice over and over To shake your own hand And pretend that it’s somebody else
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The space ship that I bought today Is genuine ex-Milky Way Titanium panels, gleaming white Slighly warped by galactic flight Ten zillion miles on the clock But brand new dials and air lock It'll see me good for a squillion more So, lever down, I shut the door And press some buttons blue then red A mighty rumble frightens Ted My copilot pressed into his seat As jet fuel and ignition meet I grip Ted's arm, the countdown starts I'm glad I brought the ship's spare parts Then all at once the radio cracks I turn the volume up to max What halts the progress of my ship? "That cardboard box is for the tip. Now come on out it's time for tea." ...Why does dad rule this galaxy?
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Jun 29, 2010
Jun 29, 2010 at 3:49 PM UTC
The spaceship that I bought today
As the light made islands on the water, ethereal bubbles frozen with warmth, tucking tired beaks beneath wings, pigeons saunter, into sleep, on tesselated petals, going forth. That summer aura which sparks from you and thrums moving dials to a sanguine solstace in me. Hitting cold skin, the blood rush is autumn; cathartic capillary trees with loose fingers and red leaves and in these veins speeds my guttural london estuaries, to syncopate their tide beats with yours. Those mediterranean wine filled arteries will encompass my imperfections to pearls. From my idealist sonnets hearts you come fixed on air, a changeable paint that can't run. Like newborn fern fronds you unfolded your words cut with castanet syllables peppered in. Sentences ushered on as pacified herds breathed out plumes, rippled fire, wind-thinned. I then learned a beauty untamed, is a beauty rare. Those eyes indeed are coffee dewdrops pierced by sun. Those lips are pronounced like unbroken waves that tear, on the cusp of unspoken words braced for freedom. Core bright, i see the rose through the street's ornaments. From the slight rise of your nose to those angular cheekbones, further a picture of stunning complex arrangement; identity of locked cogs, in you, are the pieces of home. Islands on the canal of time; forever moments un-faded. We aren't seen in a new light without becoming more illuminated.
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Aug 25, 2013
Aug 25, 2013 at 6:03 PM UTC
Camden Canal
All of the pencils in the drawer are broken Friday Night I'm sick of being alone Hopping off the curb in search of the killer Sniffing out the house parties They like the bass loud and it swells ******* us inside past ten parked cars They freestyle about Gun fire and blood on concrete He said I didn't believe him Cracked out beyond repair He shows me the scythe and hammer tattoo on his left breast I laugh with the proletariat Cheers and some soul passes me the bottle Cigarette smoke contained by plaster walls I'm eight days sober Don't tread on me Says a ***** blond next to me on the couch All strung out she is searching Searching for a bent spoon and needle in the tall grass Back yard a bonfire Walking barefoot on broken Heineken bottles strewn in the shadows Popping molly and sweating She called me a hick Her dopamine receptors Rubbed flat by heavy grade sandpaper I called her nothing I was too busy watching The rats scurry against the wall To their safe warm nest In the insulation A hand around my wrist Milk white incubus With breath like puked whiskey I escaped through a hole in the couch I fell between the cracked leather cushions And slept with the rats in piles of pink Fiberglass insulation scratching at the flesh I slip outside through the cracked window A woman stands at a console Turning dials that cause the streetlights to dim And bleed storefront windows fractals of neon She asks me what else I would like to know about the world. Someone tells me to get in and the door shuts A sound like gunfire I perspire sweat with cough Syrup scent peaking on the dark road to Okeechobee I should **** myself or run barefoot again through your head Where the forest floor is warm and the trees are alive always with birdsong
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Apr 6, 2013
Apr 6, 2013 at 4:14 AM UTC
Seventeen Dollars All To My Name
All of the pencils in the drawer are broken Friday Night I'm sick of being alone Hopping off the curb in search of the killer Sniffing out the house parties They like the bass loud and it swells ******* us inside past ten parked cars They freestyle about Gun fire and blood on concrete He said I didn't believe him Cracked out beyond repair He shows me the scythe and hammer tattoo on his left breast I laugh with the proletariat Cheers and some soul passes me the bottle Cigarette smoke contained by plaster walls I'm eight days sober Don't tread on me Says a ***** blond next to me on the couch All strung out she is searching Searching for a bent spoon and needle in the tall grass Back yard a bonfire Walking barefoot on broken Heineken bottles strewn in the shadows Popping molly and sweating She called me a hick Her dopamine receptors Rubbed flat by heavy grade sandpaper I called her nothing I was too busy watching The rats scurry against the wall To their safe warm nest In the insulation A hand around my wrist Milk white incubus With breath like puked whiskey I escaped through a hole in the couch I fell between the cracked leather cushions And slept with the rats in piles of pink Fiberglass insulation scratching at the flesh I slip outside through the cracked window A woman stands at a console Turning dials that cause the streetlights to dim And bleed storefront windows fractals of neon She asks me what else I would like to know about the world. Someone tells me to get in and the door shuts A sound like gunfire I perspire sweat with cough Syrup scent peaking on the dark road to Okeechobee I should **** myself or run barefoot again through your head Where the forest floor is warm and the trees are alive always with birdsong
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drunk dials at 3:30 AM all you've wanted is some fun for the night but i don't really mind it you know i'm open minded and i know you feel the way that i feel for you when you're finding it hard to take breaths and we're close against each other you say it in a whisper it doesn't matter if you're sober all i want is for you to come over kiss me on my neck and then on my shoulder i want the feel of your skin on mine it's like we've collided into a galaxy no matter what i say i know you can't be mad at me let's take a walk through the library walking in silence but letting our hearts do the thinking i gaze into you and your rancorous heart transforms into a loving one with only the capability of loving me i sit in class and write your name upon my skin i think about you a lot and the drunken dial is the only thought i've got i love you so much but you don't even know it i've got your number i want to call you but i don't want to blow it tell me i'm your little princess you could be my prince we can live forever in a castle since we met, i've loved you ever since
0
Jan 24, 2014
Jan 24, 2014 at 7:49 PM UTC
this one sided crush is going to drag me straight to hell
a decapitated dog put on too many sticks to reach out and bite a child who only wanted to play with a soft touch and gapped holed grin. the lights go out when you can´t know when,  say yes to hold lights for when ´when´ happens ¨you can trip and fall¨. glasses melted with fire to become bigger for a bigger head are still to dark to wear in shadow. tilted camera you stare with a corked head curious to what goes on behind me, won´t you look my way instead. dragonfly warrior poorly protecting his flourescent queen from the onslaught of molecules in a world filled with air, with air, with air, air, air. the volume of speakers are controlled by tiny gods moving their tiny fingers, just a littly bit louder my dear. can you remember when landline telephones were used, I remember circle dials and zero always took the longest, when did phone get rid of tele? white flowers and white hanging sheets with yellow sun bolts raining on a clear sky shout with thunder from a noisless wind, I wear earphones tonight. trees dance better then me, plants taste better then me, pianos sound better then me, me is better then me, we´re equals. fat cat dreams of being skinny, he wears eye liner on weekdays and thongs on the weekends. sometimes yoga makes me feel like a woman who feels **** then yoga makes me think what that thought means? rocks are hot when heated.
0
Jan 31, 2011
Jan 31, 2011 at 6:41 AM UTC
take a look around nancy, tell me what you see
One hundred years of solitude and Marquez still couldn't shut you up, your words tear down the walls of Macondo, heckling the Buendías, poking fun at Aureliano and his golden fishes. The circular history spins to a halt, and I fold down the corner of a page, as if closing the book could save the city built on paper, on the Formica tabletop of an old café with a broken clock A few chapters back, you were chastising time, saying one day you'd crack your watch open, rearrange the gears, twirl the dials and steal back from the ticking hands that steal so much from you. On page 178, you committed abominations, spooning sugar into espresso, and declared your love for Dali because the man melted time, didn't care for anything not molded to the back of a horse. Cranberry scone finished, you ruffle the newspaper, bemoaning the stockbrokers who grow fat and complacent on the crumbs of seconds, chewing chronological cud, you called it, but you said nothing could ever pin you down, much less some cheap Timex on a nylon strap. Cast out of the fourth dimension, Marquez scribbles graves for the Buendías, in death, they've forgotten the original sin and the Colonel forges fish from the gold fastenings on his casket ad infinitum.
0
Jan 15, 2014
Jan 15, 2014 at 1:11 PM UTC
Arcadio
Oh shall we play space men today and build a rocket Ted we need two suits some gloves and boots and helmets for our head A packing crate stood tall and straight dad's funnel placed on top three books so thin each one a fin and Mommies broken mop A beanbag chair we two can share and buttons we can push some sandwiches and light switches and cans of Orange crush Some dials and springs and other things we found in daddies shed now that looks neat so take a seat and start the countdown Ted We watched the stars that once so far where now within our grip Count ten to one ignition on Blast off in rocket ship The silver moon would greet us soon as upward we both sped through clouds of white to black of night just me and mister Ted The rocket turned as thrusters burned as we altered our course for here you see the gravity Had very little force We journeyed forth toward the north by meteor and star as comets whizzed and pinged and fizzed and flew both near and far We passed the plough and saw a cow jump clean over the moon then stations manned prepared to land beside a giant dune Beneath our feet a silver sheet of fallen stars and sand and as we two took in the view Ted held me by the hand The solar breeze blew round our knees and tickled as it passed time now to go yes Ted I know this day has gone so fast seated inside we watched the tide So slowly ebb and flow then 10 to 1 zero and gone we raced the mornings glow home safe and sound we kissed the ground and ran in for our tea I turned to Ted and softly said the moon just winked at me What shall we be next time said he cowboys or maybe kings I do not know I whispered low let's see what morning brings
0
Oct 9, 2013
Oct 9, 2013 at 9:14 PM UTC
Terrestial Ted
Oh shall we play space men today and build a rocket Ted we need two suits some gloves and boots and helmets for our head A packing crate stood tall and straight dad's funnel placed on top three books so thin each one a fin and Mommies broken mop A beanbag chair we two can share and buttons we can push some sandwiches and light switches and cans of Orange crush Some dials and springs and other things we found in daddies shed now that looks neat so take a seat and start the countdown Ted We watched the stars that once so far where now within our grip Count ten to one ignition on Blast off in rocket ship The silver moon would greet us soon as upward we both sped through clouds of white to black of night just me and mister Ted The rocket turned as thrusters burned as we altered our course for here you see the gravity Had very little force We journeyed forth toward the north by meteor and star as comets whizzed and pinged and fizzed and flew both near and far We passed the plough and saw a cow jump clean over the moon then stations manned prepared to land beside a giant dune Beneath our feet a silver sheet of fallen stars and sand and as we two took in the view Ted held me by the hand The solar breeze blew round our knees and tickled as it passed time now to go yes Ted I know this day has gone so fast seated inside we watched the tide So slowly ebb and flow then 10 to 1 zero and gone we raced the mornings glow home safe and sound we kissed the ground and ran in for our tea I turned to Ted and softly said the moon just winked at me What shall we be next time said he cowboys or maybe kings I do not know I whispered low let's see what morning brings
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56
Young Americans, all volunteers Sampling English women and English beer Over sexed, over paid and over here In the scrubby bit next to Sally's house there used to stand another cottage. If you scrape away some soil you can find floor bricks. A german fighter tailed some bombers back, shot one down as it made its final landing approach.It crashed short, demolishing the cottage. When Sally first moved in there were bits of metal laying around and dials hanging in the trees. An old boy turned up one day, a surviving crew member. They gave him some bits of his old plane to take home. On planes with names like Frivolous Sal, Dauntless Dotty Million $ Baby, Memphis Belle Sylvia was a child during the war.They saw a german fighter shot down, the pilot managed to open his chute. He walked up to their house, knocked on the door and gave himself up. Sylvia's dad marched him down to the Police Station. Braving the freezing hostile skies Thousands and thousands of you guys How can we thank you After you've died? Next to Diane's house, hidden in the trees are the remains of nissen huts built as accommodation for the airmen. Not much left after 70 years, a few concrete block walls. Now and again she used to see some misty-eyed old guy gazing into the trees. Long after you're gone The land remembers Bears the scars Of those few years of turmoil David is a gardener in our village, nice guy, should have retired by now. Don't think his father ever kept in touch.
0
Mar 19, 2012
Mar 19, 2012 at 1:16 PM UTC
Young Americans
Days pass by and people change Some for better, some for not You don't know why you're together You were in love, but now you're not To see each other daily Is this the life you bought? You've gone different directions You were in love, but now your'e not Once day you were a couple Your lives were full of fun and smiles To stop each others heartbreak You'd walk a million miles But, now the light has dimmed You've gone and switched the dials To get away from one another You'd walk a million miles Once you had love Much stronger than Any love you've ever known Now, you just get on with life No affection ever shown Your kisses leave a bitter taste Your disdain for each has grown You stay away and live your lives You're happier alone It's a love story familiar With too many folks it seems You fall in love, get married And you share all of your dreams But real life comes, And people change Some for better, some for worse Now, you look upon your marriage As a god forsaken curse Being happy's not a given It takes work and lots of time But, the end result is worth it Even with all of the cryin' You know that change is coming Things aren't always status quo So, embrace the change together It's more fun with one you know
0
Sep 6, 2012
Sep 6, 2012 at 4:38 PM UTC
Embrace the change
Let me just remind myself: There's love forever on the center shelf. No trust wh'soever with no one else. Just the Sun and myself. I feel too much and I take the hit. In my wicked place -- I always get bit. Not from any face. Nor cast by no smiles. It's all in the time line. The levels of your dials. But let me step back and remind myself. I care too much and link right in. I know I am just hooked on skin. So cut the lust and tame the fire. Pass the hour with me, I'm tired. Let me just remind my self, of all the love on my center shelf. 'Cause **** i feel like I'm running out. Action surrounds me like its all about: **"how much else can i get and still have you?"**
0
Mar 15, 2014
Mar 15, 2014 at 11:24 AM UTC
adoxography
A few years ago at some point in a day I remember sitting on a bay A bay that was a tank holding fish So many fish that I wish I had not eaten from my dish I’ve had my fair share of meat And I wish that instead I had something made from wheat I wish I had just ordered garlic bread Instead of something that was already dead Every year cows pigs and millions of others Are taken to the slaughter away from their mothers Away from their small cages and all that they’ve known Away from their friends and what they call home Every year pigs and cows Are raised to have their necks broken like bows Why does everyone just this occur When harmless animals are sent to the slaughter Why don’t people just go vegan And help the animals that are gonna get eaten We need to change from societies meat filled plate And argue the toss put up a debate Why don’t we just tell them what it is Even if some people wanna take the **** I am a vegan, that’s what it is I am a vegan, and I am disgusted I am disgusted that society thinks its okay to eat meat Something that from birth only gets beat So instead I eat food made from wheat shred Because I don’t want to eat something that is already dead Animal bodies are casted aside into meat pans and fryers Advertised by KFCs top of the range liers It is not finger lickin’ good It’s something that should not have been murdered before its adulthood Now some people think it’s okay to pay 15 quid For something that makes me wanna cry and it’s fried squid Now they might say “I only have it on occasion” But that squid had a life, plus its Asian Why not just let them be where they’re meant to next to China Instead of eating them in some chain restaurant diner All of these animals are meant to have different life styles But all it says on the packet is turn on the oven and twist these dials We need to change what society tells us to eat And we need to stop eating meat Because if we don’t change Then society will stay deranged I don’t care if you say “but Tom its free range” Because if you eat meat you don’t use your brain At least not to its’ full potential anyway And I hope you at least think about this all day Because I want you to change you ways So don’t take the cows away from their grass And do something other than sitting on your **** Stop and Think Before you pick up the milk to take a drink Because these cows pigs and millions of others Are raised to be slaughtered and are taken from their mothers I’m sure if you had a daughter You wouldn’t want her to be taken to the slaughter Because these cows, pigs and millions of others Just remember all of them had mothers.
0
Mar 18, 2018
Mar 18, 2018 at 1:29 PM UTC
Cows, Pigs and Millions of Others
A few years ago at some point in a day I remember sitting on a bay A bay that was a tank holding fish So many fish that I wish I had not eaten from my dish I’ve had my fair share of meat And I wish that instead I had something made from wheat I wish I had just ordered garlic bread Instead of something that was already dead Every year cows pigs and millions of others Are taken to the slaughter away from their mothers Away from their small cages and all that they’ve known Away from their friends and what they call home Every year pigs and cows Are raised to have their necks broken like bows Why does everyone just this occur When harmless animals are sent to the slaughter Why don’t people just go vegan And help the animals that are gonna get eaten We need to change from societies meat filled plate And argue the toss put up a debate Why don’t we just tell them what it is Even if some people wanna take the **** I am a vegan, that’s what it is I am a vegan, and I am disgusted I am disgusted that society thinks its okay to eat meat Something that from birth only gets beat So instead I eat food made from wheat shred Because I don’t want to eat something that is already dead Animal bodies are casted aside into meat pans and fryers Advertised by KFCs top of the range liers It is not finger lickin’ good It’s something that should not have been murdered before its adulthood Now some people think it’s okay to pay 15 quid For something that makes me wanna cry and it’s fried squid Now they might say “I only have it on occasion” But that squid had a life, plus its Asian Why not just let them be where they’re meant to next to China Instead of eating them in some chain restaurant diner All of these animals are meant to have different life styles But all it says on the packet is turn on the oven and twist these dials We need to change what society tells us to eat And we need to stop eating meat Because if we don’t change Then society will stay deranged I don’t care if you say “but Tom its free range” Because if you eat meat you don’t use your brain At least not to its’ full potential anyway And I hope you at least think about this all day Because I want you to change you ways So don’t take the cows away from their grass And do something other than sitting on your **** Stop and Think Before you pick up the milk to take a drink Because these cows pigs and millions of others Are raised to be slaughtered and are taken from their mothers I’m sure if you had a daughter You wouldn’t want her to be taken to the slaughter Because these cows, pigs and millions of others Just remember all of them had mothers.
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59
My father’s watch, I notice stopped. His movement ceased to turn the cogs, that spin the gears, which move the dials, that give the promise of a while.   The watch now mine, but still it’s stopped. It sits inside a precious box. The frozen hands, my father still, his whispered breath, his secrets kept. Regret, regret.   One day ready to wear that watch, I’ll move the gears, start time again, in good knowing the hour I’m stood will come to be, eventually.
0
Jan 3, 2017
Jan 3, 2017 at 8:09 AM UTC
Father's Watch