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Beside me, in this unforgiving November’s winter, is she…
My queen beside me, amidst this rotting debris gifted to me.
Daphne, the comforter sent from the highest skies of Elysia
And Daphne, my love, you put a stopper… on my withering
Never did the sounding of a name, here, blossom a magnolia
Daphne, yours made my hell, the eternal orchards of Elysia.

We were betrothed to each other in here, in this wasteland
I await; you at our wedding, in your wedding gown, oh…
‘Tis her, the beau sky wrapped around your gentle frame
In your adornments, gifted from the agents of light, oh…
They are sapphire stars plucked from that midnight blue
On the edge of the Aegean sea, we await, in this wasteland

I await; you at our wedding, in your veil and crown, oh…
‘Tis her, the clouds and her raindrops, adorning your face  
I await our wedding waltz, in our deserted fields, oh…
Without our kin, persecuted and orphaned by the world
Alone we shall dance, on the edge of Ymos, our dwelling
Alone we shall be in our vows when our eyes rain in joy

I await your grand advent, beaming gleefully, towards me
Bringing me, serenity; being my succour, with your smile
I await your silhouette, irradiating the wide evening blue
Bringing me, release; being my soother, now I live anew
Daphne, your midnight blue eyes, your voice of mead…
My pen fervently gallops for words, as I just gaze in awe  

Let the sands of time tick away in joy, ticking, grain by grain
The heavens merry till the penultimate hours of our union
Now, in these salty Aegean waters, I taste honey and wine
I await our pristine union; as your hand knots with mine.
Beside me, in this unforgiving November’s winter, is you…
Daphne…
This one is for a person yet to be or yet for me to see. I hope you enjoy this.
Ma Cherie Aug 2017
oh the overcasting
dreary weather
the sun just looks sooooo
grey
oh damb you my sweet sweet sunshine
why'd ya hafta go away?

oh the sky
looking suspicious
ominous is my
dark and sunless sky
now tenebrous an so dull
as I often wonder why
as I find a sweet moment
in the a lull,
an clouds above are full,
so then you know that I
I must anticipate the cry,
....oh sigh...

we -
just plodding along
the clouds now form
in a flowing heavy floor
I hear stomping godly feet
an then the slamming of a door
boy it sure looks now so moody
an it's hard to just ignore

oh I say baby
it is like a leaden sky load
a heavy mess of pain in dear heaps
raining here now
on my dear sweet sweet abode
that man how he weeps an he weeps
he waters my garden now too
everywhere his loving
just seeps and it seeps
as his joy and his pain
it just reaps and it reaps,

oh back through the earth
an then back to the sea
as he pines after her
yes his sweetest Daphne,
oh his wonderful love
oh where you might be?

an but to be the God
of all that
sweet poetry
prophecy
medicine and
Light?
I just don't know why he must cry
I guess it must be that **** night
because then he must wait again- ignite
looking for his lover Daphne
that she'll be in his sight
then making sweet love again
all will be alright
sigh

so as he burdens my deary sky
tho I shall not be depressed
I might hafta go an ask him why
is he is feelin so distressed
when to be the God of what I say everything
I'd say that man is blessed
but perhaps he don't remember
a memory repressed?

oh an it's a-comin dark again
in shadows falling quick
reluctantly he goes behind
mountains
but feeling low an thick
he needs so much to shine on
it's left him feeling sick

he needs your sweet waters deep,
to cry your nector
must be
he only wants to worship you lover
the way he is worshipped too,
you see,

he is a-cryin my sky
becuz my dear he's just
waitin
on your sweet sweet love again.

Ma Cherie @ 2017
I haven't done this in a while but I added some things and maybe too much not sure? Idk could be about passion? I wrote about Apollo idk its dreary here an this is what came out huh. Anyhoo he lusted after Daphne- apparently idk if they ever had *** tho lol. Love you all ❤❤❤
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Xyns Apr 2014
I'd love to be your hero
Your knight in shining armor
To take all your pain away

*I'd love to be your damsel in distress
Your Lois Lane, Daphne Blake
Because you're my Clark Kent, my Fred Jones
You're my everything
And, thanks to you, there is no pain
Michael R Burch Apr 2021
POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart
Nico Julleza Jul 2017
∙∙∙◦◦•◎•◦◦∙∙∙
A little bit of summer
a little bit of breeze
in the days of warmer
love has so much-
to bring, come let us sing

A little bit of freesia
a little bit of lilac
never can resist a scent
-of Ms. Narine
Ogles, a morning scene

A little bit of sunshine
a little bit of eventide
caress upon the shores
-of such imagery,
passions of immortality

A little bit of cosmos
a little bit of crocus
in a glebe-like galaxy
stars white as daphne
from a garden of syzygy

A little bit of cerulean
a little bit of vermilion
shimmers the lucid lake
with trout's and doves
Golly! autumn is awake

A little bit of plowing
a little bit of sow
the hard workers of
-those pumpkins
reaps a stewful of zin

A little bit of snow
a little bit of flail
fly away as butterflies
hibernate as snails
Forging! a winters gale

A little bit of details
a little bit of trail
from dew drops of-
a frozen rose, icicles on
a drowsy bear’s nose

A little bit of sleeping
a little bit of wait
till the sun comes up  
gray clouds strew away
spring is here to stay

A little bit of sprout
a little bit of grow
And can it be, on thee
an Epiphany shows
the Lords glorious prose
#sing #flowers #seasons #nature #God #colors

Thank-you soo much for all the great poet who red, liked, and commented on this poem.

Don't you just sigh when Seasons Sing...?

(NCJ)POETRYProductions. ©2017
O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Why do you follow me?—
Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase
I can leave you in my place
A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off;—to heel, Apollo!
I stood still and was a tree amid the wood,
Knowing the truth of things unseen before;
Of Daphne and the laurel bow
And that god-feasting couple old
that grew elm-oak amid the wold.
’Twas not until the gods had been
Kindly entreated, and been brought within
Unto the hearth of their heart’s home
That they might do this wonder thing;
Nathless I have been a tree amid the wood
And many a new thing understood
That was rank folly to my head before.
Lamar Cole Dec 2019
Little Daphne started to skip.
While eating a bag of Lay's Potato Chips.
The autumn wind began to blow.
And the leaves put on a dance show.
A leaf fell softly in little Daphne's hair.
Just another part of nature's colorful flair.
Eilis Ni Eidhin Sep 2014
Slow-motion was developed over a thirty year period and involved gently and gradually tensing and relaxing various muscle groups. The stretches were not demanding and it did not leave a pain in her muscles for days after like exercise had in her youth. It left instead a warm glow.
The standing exercises were mostly on two feet but some involved standing on one foot. The imagination is incorporated and the astounding discovery that kept Daphne coming back was that if she imagined herself leaning on a table, she did not fall. It was difficult to maintain that imagining, and therein lay the exercise; mind, body and soul.
There were women and men in the class and they would chat afterwards but never during. Relaxing music (noises really) were played during the class and the level of concentration required made conversation nearly impossible. To converse would be to blow on a tower of cards. The longer the silence the taller the tower was built, but of course everyone breathes and everyone chatters nervously and so some sessions were indeed filled with whispered chats, sometimes while trying to touch one’s toes.
‘How are you today, Lisa’, whispered Daphne at such a time, ‘Very well thank you, I can’t actually reach my toes though, should I tell her?’ said Lisa, ‘Oh I don’t think so I’m sure she’s watching over all of us, though I can’t see her, my knees are blocking my line of sight’, Daphne replied, ‘Show off’ and Lisalaughed drily.
The music came in various themes: seaside, piano hall and forest. The forest were her favourite and comprised of bird song and rustling leaves. The piano was very generic and was too similar to the open door noise of her microwave to be particularly appealing.
The seaside songs featured the raucous sound of gulls which Daphne did not enjoy as she thought them to be a selfish bird. It seemed when she visited the sea that the gulls were always flying to whatever section of strand they fancied and cleaning the place out of small ***** and seaweed.
Please like this if you like it, I could do with a confidence boost.
victoria Oct 2017
Discovering Dauphne

Reading Du Maurier as my mother once before me

I feel cheated that in my midlife
This now my first discovery
I weep at the complex beauty within the first page
I read and re-read and re-read and again
I want these letters that form these words to penetrate and reside within my soul

I feel saddened for my lack of knowledge
For my laziness and lack of wanting to escape through words in my previous years

I feel anger for the years of substance use to take me out of myself
Why has Daphne been kept hidden I ask?
She understands me!
If there is she, then more alike there must be.

I leave regret, usually, for those who don't understand it's teachings
With Du Maurier I experience a new and crippling regret
I feel betrayed by anyone who has lived within her words, her worlds and yet kept her hidden from my unquenchable thirst

At least time seems to be slowing down in my 'almost there' sobriety
More hours appear each day
to be filled between the sheets of each turning page.

Hello new world
Having just been diagnosed with dyslexia age 40... I'm only just discovering the world of words. I've been writing for less than a year and I'm excited to grow
How this **** fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows. For to sheathe the ****** shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back

For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:

Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak

For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the ******-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make

A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'

Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This ****** on her rack:

She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake

Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
“These birds are the most singular of any in the Galapagos.”
                                                     ­              Charles Darwin.

Volcanic up swell,
tick mark,
tiny dot in the middle
of a blue map.

Stationary ship,
belly of the earth
like a backstroke swimmer
in a blue-black sea,

where erratic rains run away
while a Cactus Finch (Scandens) has gone
black to mate, so black that shadows cast

blushes back.  So black,
more silhouette
than a black beaked bird

Daphne,
on your barred black belly,
this fine breath’d bird, this

penumbra of feathers and flight;
demonstrating divergence and drift,
so proud he sings aloud

the song of the Ground Finch (Fortis). 
O befuddled bird
bereft an opera coach,

sans score  of Scandens,  the bird song
bindery gone  bankrupt,  loose leaf
scores littered, learning a  neighbor’s
second hand sheet music.

 Amid the volcanic dreams
of Finches, and bird shaped voids, 
singing atop cacti, amid these small
dark commas  set against  a bluer
than blue sky,  he sings the wrong song

 but it's been a good year  and she comes,
the star crossed lover, Lady Fortis.

And before the rains return, and they will return,
                  a small clutch of stars.

And when the rains return,

             they will return
                                  with long lost letters from London.
A poem about Darwin's FInches
rogue Jul 2015
I want to eat ambrosia
from your fingertips.

I want to lick the wine
from your lips.

I want to **** the nectar
from your veins.
Her eyes jaunted through my
Oppositional ghostliness,
Her hair screams “soft” in my
deaf but imaginative hands,

Her wineglass-visage stripped
My hollow strings of anomie,
Her uncorked skin spraying
On my lust-parched and sobered soul,

Her moonstruck glow poisoned
The rivers of my reveries,
Her poise dialectic
With wonders of the infinite,

Her breathe is shattering
The nihilistic love below,
Listless ears loosen by her
Magnetic harmony, “Hello”
zan Jun 2018
i’ve always loved the way the sunflower looked at the sun, like it was mesmerized by the beauty of the sun.

Apollo, the sun god always flew east to west; he was loved by all including a water nyphm, clytie. She was immensely in love with the sun god, she would watch him with unblinking eyes as he moved across the sky. But Apollo didn’t return his love for Cytie instead, he was in love with someone else, but unfortunately the girl didn’t also return her love for the sun god. He tried to forcefully convince Daphne, she asked her father to help her and she was turned into a plant. Apollo was deprived. Cytie, on the other hand—still looks at Apollo as he passed through the sky. She looked at him for nine days with no food nor drinks. Eventually, her hair turned golden like the sunflower’s petals, her face as the center, her body as the stem. She became the sunflower.

you have always been my sun, and i will always be your sunflower.
i will always look upon you and will never forget the way my body reacts everytime i see you. I will be Cytie, even when you get tired of me, even if you find someone, I will never get tired of you—being in love with you.

You are my sun, I am your sunflower.
Apollo Didn’t fell for Cytie,
But my Sun fell for me.
We made history.
PoserPersona May 2019
Better to be Pyramus and Thisbe
than god Apollo and Daphne?
As love oft triumphed by envy.
Oh to be Abelard and Heloise
or Juliet you and Romeo me!
Cleopatra, Marc Antony,
Orpheus, and Eurydice!
Martyrs to Cupid, were you wary
of the price to pay? Did you find peace
from Plato’s coined mental disease
in Pluto’s long halls of Hades
or the self induced daily shade of trees?
What of love dooming kin to Achilles?
When Dido and Aeneas meet
is her suicide guaranteed?
Pray tell us, can true love ever be free!
Boi Nov 2018
You, my garden of Anemone;
of periwinkle, plum, and mauve.

A fragrance of Lilacs; for my springs and summers.
A snow's aroma of a rare, rich branch of Daphne  

Fenced by shrouds of Lavender and Sage.
Adorned with Irises and virulent Vervain.

The Verbena that consumes me
As I yield to it's amethyst.
Anemone for her complexions, Lilacs and Daphne for her grace, Lavender and Sage for her appeal, Irises for her beauty, and Vervain for her poison.

Written with a pleasure of knowing someone for 24 hours.



To Krista & Alexa: A Special Thank You
a duck
**** her
foot by
daphne there
to clear
stream on
a day
to walk
to wood
with stippling
and catch
breeze ashore
as tiny
men here
are nice
to see
him play
live in Daphne
Lawrence Hall Nov 2018
…These men are worth your tears:
You are not worth their merriment.

-Wilfred Owen, “Apologia Pro Poemate Meo”

When that loudmouth on the wireless machine
Alludes to Western Civilization
What does he mean? Paradise Lost? Probably not
Nor Saint Paul speaking on the Field of Mars

The Kalevala, Hagia Sophia
With its pendentives lifting up our prayers
Horatius fighting to defend his bridge
And Wilfred Owen dying bravely on his

Lord Tennyson and Idylls of the King
Chapultepec, Henry V, Becket
The paratroops at Arnhem, Saint Thomas More,
His King’s loyal servant, but God’s first

The Stray Dog poets of Saint Petersburg
The brave last stand of Roland at Roncesvalles
Lewis and Tolkien and glasses of beer
Montcalm and Wolfe on the Plains of Abraham

Hildegard von Bingen, Siegfried and the Rhine
Magna Carta, HMS Hood, the Thames
The Grove of Daphne, “The Old Rugged Cross”
Beatrix Potter and her little pet rabbit

El Cid, Anne Frank, John Keats, Saint Benedict
“I Have a Dream,” Dostoyevsky, and Greene
Viktor Frankl, Dag Hammarkskjold, and Proust
Good Chaucer’s naughty pilgrims telling tales

The Gettysburg Address, Willie and Joe
Stern Saint Augustine of North Africa
Wodehouse writing a jolly bit of fun
Saint Corbinian and Bavaria

The ancient glories of Byzantium
Pius XII contra the bombs and lies
The 602nd TD Battalion
Saint Joan, the Prado, and Robert Frost

And far, far more.

When that loudmouth on the wireless machine
Alludes to Western Civilization
What does he mean?
Of your mercy please pray for the repose of the soul of Wilfred Owen who was killed in action on 4 November 1918, one week before the Armistice.
THERE is a queen in China, or maybe it's in Spain,
And birthdays and holidays such praises can be heard
Of her unblemished lineaments, a whiteness with no
stain,
That she might be that sprightly girl trodden by a
bird;
And there's a score of duchesses, surpassing woma-
kind,
Or who have found a painter to make them so for pay
And smooth out stain and blemish with the elegance
of his mind:
I knew a phoenix in my youth, so let them have their
day.
The young men every night applaud their Gaby's
laughing eye,
And Ruth St.  Denis had more charm although she had
poor luck;
From nineteen hundred nine or ten, Pavlova's had the
cry
And there's a player in the States who gathers up her
cloak
And flings herself out of the room when Juliet would
be bride
With all a woman's passion, a child's imperious way,
And there are -- but no matter if there are scores beside:
I knew a phoenix in my youth, so let them have their
day.
There's Margaret and Marjorie and Dorothy and Nan,
A Daphne and a Mary who live in privacy;
One's had her fill of lovers, another's had but one,
Another boasts, "I pick and choose and have but two
or three.'
If head and limb have beauty and the instep's high and
light
They can spread out what sail they please for all I have
to say,
Be but the breakers of men's hearts or engines of
delight:
I knew a phoenix in my youth, so let them have their
day.
There'll be that crowd, that barbarous crowd, through
all the centuries,
And who can say but some young belle may walk and
talk men wild
Who is my beauty's equal, though that my heart denies,
But not the exact likeness, the simplicity of a child,
And that proud look as though she had gazed into the
burning sun,
And all the shapely body no tittle gone astray.
I mourn for that most lonely thing; and yet God's will
be done:
I knew a phoenix in my youth, so let them have their
day.
1.

One Day the Amarous Lisander,
By an impatient Passion sway'd,
Surpris'd fair Cloris, that lov'd Maid,
Who cou'd defend her self no longer ;
All things did with his Love conspire,
The gilded Planet of the Day,
In his gay Chariot, drawn by Fire,
War now descending to the Sea,
And left no Light to guide the World,
But what from Cloris brighter Eves was hurl'd.

2.

In alone Thicket, made for Love,
Silent as yielding Maids Consent,
She with a charming Languishment
Permits his force, yet gently strove ?
Her Hands his ***** softly meet,
But not to put him back design'd,
Rather to draw him on inclin'd,
Whilst he lay trembling at her feet;
Resistance 'tis to late to shew,
She wants the pow'r to sav -- Ah!what do you do?

3.

Her bright Eyes sweat, and yet Severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lisander give :
And whispring softly in his Ear,
She Cry'd -- Cease -- cease -- your vain desire,
Or I'll call out -- What wou'd you do ?
My dearer Honour, ev'n to you,
I cannot -- must not give -- retire,
Or take that Life whose chiefest part
I gave you with the Conquest of my Heart.

4.

But he as much unus'd to fear,
As he was capable of Love,
The blessed Minutes to improve,
Kisses her Lips, her Neck, her Hair !
Each touch her new Desires alarms !
His burning trembling Hand he prest
Upon her melting Snowy Breast,
While she lay panting in his Arms !
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.

5.

And now, without Respect or Fear,
He seeks the Objects of his Vows ;
His Love no Modesty allows :
By swift degrees advancing where
His daring Hand that Alter seiz'd,
Where Gods of Love do Sacrifice ;
That awful Throne, that Paradise,
Where Rage is tam'd, and Anger pleas'd ;
That Living Fountain, from whose Trills
The melted Soul in liquid Drops distils.

6.

Her balmy Lips encountring his,
Their Bodies as their Souls are joyn'd,
Where both in Transports were confin'd,
Extend themselves upon the Moss.
Cloris half dead and breathless lay,
Her Eyes appear'd like humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay ;
And now no signs of Life she shows,
But what in short-breath-sighs returns and goes.

7.

He saw how at her length she lay,
He saw her rising ***** bare,
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She do's her softest Sweets dispence,
Offring her ******-Innocence
A Victim to Loves Sacred Flame ;
Whilst th' or'e ravish'd Shepherd lies,
Unable to perform the Sacrifice.

8.

Ready to taste a Thousand Joys,
Thee too transported hapless Swain,
Found the vast Pleasure turn'd to Pain :
Pleasure, which too much Love destroys !
The willing Garments by he laid,
And Heav'n all open to his view ;
Mad to possess, himself he threw
On the defenceless lovely Maid.
But oh ! what envious Gods conspire
To ****** his Pow'r, yet leave him the Desire !

9.

Natures support, without whose Aid
She can no humane Being give,
It self now wants the Art to live,
Faintness it slacken'd Nerves invade :
In vain th' enraged Youth assaid
To call his fleeting Vigour back,
No Motion 'twill from Motion take,
Excess of Love his Love betray'd ;
In vain he Toils, in vain Commands,
Th' Insensible fell weeping in his Hands.

10.

In this so Am'rous cruel strife,
Where Love and Fate were too severe,
The poor Lisander in Despair,
Renounc'd his Reason with his Life.
Now all the Brisk and Active Fire
That should the Nobler Part inflame,
Unactive Frigid, Dull became,
And left no Spark for new Desire ;
Not all her Naked Charms cou'd move,
Or calm that Rage that had debauch'd his Love.

11.

Cloris returning from the Trance
Which Love and soft Desire had bred,
Her tim'rous Hand she gently laid,
Or guided by Design or Chance,
Upon that Fabulous Priapus,
That Potent God (as Poets feign.)
But never did young Shepherdess
(Garth'ring of Fern upon the Plain)
More nimbly draw her Fingers back,
Finding beneath the Verdant Leaves a Snake.

12.

Then Cloris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his pow'rful Fires,
And cold as Flow'rs bath'd in the Morning-dew.
Who can the Nymphs Confusion guess ?
The Blood forsook the kinder place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame express ;
And from Lisanders Arms she fled,
Leaving him fainting on the gloomy Bed.

13.

Like Lightning through the Grove she hies,
Or Daphne from the Delphick God ;
No Print upon the Grassie Road
She leaves, t' instruct pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her ruffled Garments plaid,
Discover'd in the flying Maid
All that the Gods e're made of Fair.
So Venus, when her Love was Slain,
With fear and haste flew o're the fatal Plain.

14.

The Nymphs resentments, none but I
Can well imagin, and Condole ;
But none can guess Lisander's Soul,
But those who sway'd his Destiny :
His silent Griefs, swell up to Storms,
And not one God, his Fury spares,
He Curst his Birth, his Fate, his Stars,
But more the Shepherdesses Charms ;
Whose soft bewitching influence,
Had ****'d him to the Hell of Impotence.
Given my very own
matrices of philosophy
'pon the very topic of Authority,
why should it be
outlandish
for me to claim
to have an inkling
of understanding
as to how it is
that my Dog, perchance,
may feel?

For,
I am sure,
were I in her situation,
and indeed I could,
I would be thinking:

"I find myself disinclined to obey thee,
for, if thou art in such need of a leash,
then, likely, ye don't deserve me
to be thy loyal follower.

Though, Food-man,
were thee to lend me thy trust,
were thee to unleash me,
I may begin to respect thee
and therefore
lend thee some justified Authority
and thereby
may my loyal Allegiance be with thee."

Such teachers can animal companions be,
if only we are to allow ourselves to learn.
Inspired on a walk with my adorable dog Daphne. If only I trusted her more! She doth loath that leash.
Keith Wilson Oct 2017
Red headed
fancily dressed
All of eight
four feet tall

I was all of six.
when at ten years
She emigrated
to Windermere

Now she's my next door neighbor
I emigrated too
After eighty years
We're both in Windermere
Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,                      
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho                              
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
  “Alas, from what high hope to what relapse                
Unlooked for are we fallen!  Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
‘Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:’
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire                  
After appearance, and again prolong
Our expectation?  God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him                  
By his great Prophet pointed at and shown
In public, and with him we have conversed.
Let us be glad of this, and all our fears
Lay on his providence; He will not fail,
Nor will withdraw him now, nor will recall—
Mock us with his blest sight, then ****** him hence:
Soon we shall see our hope, our joy, return.”
  Thus they out of their plaints new hope resume
To find whom at the first they found unsought.
But to his mother Mary, when she saw                        
Others returned from baptism, not her Son,
Nor left at Jordan tidings of him none,
Within her breast though calm, her breast though pure,
Motherly cares and fears got head, and raised
Some troubled thoughts, which she in sighs thus clad:—
  “Oh, what avails me now that honour high,
To have conceived of God, or that salute,
‘Hail, highly favoured, among women blest!’
While I to sorrows am no less advanced,
And fears as eminent above the lot                          
Of other women, by the birth I bore:
In such a season born, when scarce a shed
Could be obtained to shelter him or me
From the bleak air?  A stable was our warmth,
A manger his; yet soon enforced to fly
Thence into Egypt, till the murderous king
Were dead, who sought his life, and, missing, filled
With infant blood the streets of Bethlehem.
From Egypt home returned, in Nazareth
Hath been our dwelling many years; his life                
Private, unactive, calm, contemplative,
Little suspicious to any king.  But now,
Full grown to man, acknowledged, as I hear,
By John the Baptist, and in public shewn,
Son owned from Heaven by his Father’s voice,
I looked for some great change.  To honour? no;
But trouble, as old Simeon plain foretold,
That to the fall and rising he should be
Of many in Israel, and to a sign
Spoken against—that through my very soul                  
A sword shall pierce.  This is my favoured lot,
My exaltation to afflictions high!
Afflicted I may be, it seems, and blest!
I will not argue that, nor will repine.
But where delays he now?  Some great intent
Conceals him.  When twelve years he scarce had seen,
I lost him, but so found as well I saw
He could not lose himself, but went about
His Father’s business.  What he meant I mused—
Since understand; much more his absence now                
Thus long to some great purpose he obscures.
But I to wait with patience am inured;
My heart hath been a storehouse long of things
And sayings laid up, pretending strange events.”
  Thus Mary, pondering oft, and oft to mind
Recalling what remarkably had passed
Since first her Salutation heard, with thoughts
Meekly composed awaited the fulfilling:
The while her Son, tracing the desert wild,
Sole, but with holiest meditations fed,                    
Into himself descended, and at once
All his great work to come before him set—
How to begin, how to accomplish best
His end of being on Earth, and mission high.
For Satan, with sly preface to return,
Had left him vacant, and with speed was gone
Up to the middle region of thick air,
Where all his Potentates in council sate.
There, without sign of boast, or sign of joy,
Solicitous and blank, he thus began:—                      
  “Princes, Heaven’s ancient Sons, AEthereal Thrones—
Daemonian Spirits now, from the element
Each of his reign allotted, rightlier called
Powers of Fire, Air, Water, and Earth beneath
(So may we hold our place and these mild seats
Without new trouble!)—such an enemy
Is risen to invade us, who no less
Threatens than our expulsion down to Hell.
I, as I undertook, and with the vote
Consenting in full frequence was impowered,                
Have found him, viewed him, tasted him; but find
Far other labour to be undergone
Than when I dealt with Adam, first of men,
Though Adam by his wife’s allurement fell,
However to this Man inferior far—
If he be Man by mother’s side, at least
With more than human gifts from Heaven adorned,
Perfections absolute, graces divine,
And amplitude of mind to greatest deeds.
Therefore I am returned, lest confidence                    
Of my success with Eve in Paradise
Deceive ye to persuasion over-sure
Of like succeeding here.  I summon all
Rather to be in readiness with hand
Or counsel to assist, lest I, who erst
Thought none my equal, now be overmatched.”
  So spake the old Serpent, doubting, and from all
With clamour was assured their utmost aid
At his command; when from amidst them rose
Belial, the dissolutest Spirit that fell,                  
The sensualest, and, after Asmodai,
The fleshliest Incubus, and thus advised:—
  “Set women in his eye and in his walk,
Among daughters of men the fairest found.
Many are in each region passing fair
As the noon sky, more like to goddesses
Than mortal creatures, graceful and discreet,
Expert in amorous arts, enchanting tongues
Persuasive, ****** majesty with mild
And sweet allayed, yet terrible to approach,                
Skilled to retire, and in retiring draw
Hearts after them tangled in amorous nets.
Such object hath the power to soften and tame
Severest temper, smooth the rugged’st brow,
Enerve, and with voluptuous hope dissolve,
Draw out with credulous desire, and lead
At will the manliest, resolutest breast,
As the magnetic hardest iron draws.
Women, when nothing else, beguiled the heart
Of wisest Solomon, and made him build,                      
And made him bow, to the gods of his wives.”
  To whom quick answer Satan thus returned:—
“Belial, in much uneven scale thou weigh’st
All others by thyself.  Because of old
Thou thyself doat’st on womankind, admiring
Their shape, their colour, and attractive grace,
None are, thou think’st, but taken with such toys.
Before the Flood, thou, with thy ***** crew,
False titled Sons of God, roaming the Earth,
Cast wanton eyes on the daughters of men,                  
And coupled with them, and begot a race.
Have we not seen, or by relation heard,
In courts and regal chambers how thou lurk’st,
In wood or grove, by mossy fountain-side,
In valley or green meadow, to waylay
Some beauty rare, Calisto, Clymene,
Daphne, or Semele, Antiopa,
Or Amymone, Syrinx, many more
Too long—then lay’st thy scapes on names adored,
Apollo, Neptune, Jupiter, or Pan,                          
Satyr, or Faun, or Silvan?  But these haunts
Delight not all.  Among the sons of men
How many have with a smile made small account
Of beauty and her lures, easily scorned
All her assaults, on worthier things intent!
Remember that Pellean conqueror,
A youth, how all the beauties of the East
He slightly viewed, and slightly overpassed;
How he surnamed of Africa dismissed,
In his prime youth, the fair Iberian maid.                  
For Solomon, he lived at ease, and, full
Of honour, wealth, high fare, aimed not beyond
Higher design than to enjoy his state;
Thence to the bait of women lay exposed.
But he whom we attempt is wiser far
Than Solomon, of more exalted mind,
Made and set wholly on the accomplishment
Of greatest things.  What woman will you find,
Though of this age the wonder and the fame,
On whom his leisure will voutsafe an eye                    
Of fond desire?  Or should she, confident,
As sitting queen adored on Beauty’s throne,
Descend with all her winning charms begirt
To enamour, as the zone of Venus once
Wrought that effect on Jove (so fables tell),
How would one look from his majestic brow,
Seated as on the top of Virtue’s hill,
Discountenance her despised, and put to rout
All her array, her female pride deject,
Or turn to reverent awe!  For Beauty stands                
In the admiration only of weak minds
Led captive; cease to admire, and all her plumes
Fall flat, and shrink into a trivial toy,
At every sudden slighting quite abashed.
Therefore with manlier objects we must try
His constancy—with such as have more shew
Of worth, of honour, glory, and popular praise
(Rocks whereon greatest men have oftest wrecked);
Or that which only seems to satisfy
Lawful desires of nature, not beyond.                      
And now I know he hungers, where no food
Is to be found, in the wide Wilderness:
The rest commit to me; I shall let pass
No advantage, and his strength as oft assay.”
  He ceased, and heard their grant in loud acclaim;
Then forthwith to him takes a chosen band
Of Spirits likest to himself in guile,
To be at hand and at his beck appear,
If cause were to unfold some active scene
Of various persons, each to know his part;                  
Then to the desert takes with these his flight,
Where still, from shade to shade, the Son of God,
After forty days’ fasting, had remained,
Now hungering first, and to himself thus said:—
  “Where will this end?  Four times ten days I have passed
Wandering this woody maze, and human food
Nor tasted, nor had appetite.  That fast
To virtue I impute not, or count part
Of what I suffer here.  If nature need not,
Or God support nature without repast,                      
Though needing, what praise is it to endure?
But now I feel I hunger; which declares
Nature hath need of what she asks.  Yet God
Can satisfy that need some other way,
Though hunger still remain.  So it remain
Without this body’s wasting, I content me,
And from the sting of famine fear no harm;
Nor mind it, fed with better thoughts, that feed
Me hungering more to do my Father’s will.”
  It was the hour of night, when thus the Son              
Communed in silent walk, then laid him down
Under the hospitable covert nigh
Of trees thick interwoven.  There he slept,
And dreamed, as appetite is wont to dream,
Of meats and drinks, nature’s refreshment sweet.
Him thought he by the brook of Cherith stood,
And saw the ravens with their ***** beaks
Food to Elijah bringing even and morn—
Though ravenous, taught to abstain from what they brought;
He saw the Prophet also, how he fled                        
Into the desert, and how there he slept
Under a juniper—then how, awaked,
He found his supper on the coals prepared,
And by the Angel was bid rise and eat,
And eat the second time after repose,
The strength whereof sufficed him forty days:
Sometimes that with Elijah he partook,
Or as a guest with Daniel at his pulse.
Thus wore out night; and now the harald Lark
Left his ground-nest, high towering to descry              
The Morn’s approach, and greet her with his song.
As lightly from his grassy couch up rose
Our Saviour, and found all was but a dream;
Fasting he went to sleep, and fasting waked.
Up to a hill anon his steps he reared,
From whose high top to ken the prospect round,
If cottage were in view, sheep-cote, or herd;
But cottage, herd, or sheep-cote, none he saw—
Only in a bottom saw a pleasant grove,
With chaunt of tuneful birds resounding loud.              
Thither he bent his way, determined there
To rest at noon, and entered soon the shade
High-roofed, and walks beneath, and alleys brown,
That opened in the midst a woody scene;
Nature’s own work it seemed (Nature taught Art),
And, to a superstitious eye, the haunt
Of wood-gods and wood-nymphs.  He viewed it round;
When suddenly a man before him stood,
Not rustic a
Oona Feb 2017
hand around stomach, she thinks
(this cannot be right) the way
his hands feel like they are burning
holes in precious porcelain skin she
promised she would save, maybe to
never give away. the way her fingers
begin to web and her mind goes
fuzzy and he’s still reaching
for her, all bone-finger and
finger- bone. maybe this
is what it feels like to
grow into the ground.
feet slide into fertile
mud (slides up her
legs past veiny thigh
purple lines trekking
below soft skin)
branch explode
from arm
waist slim
to bark
eyes rose-
petal pink
a wildfire Oct 2014
oh, Apollo,

here i'll stay, standing straight and tall
arms out-stretched, reaching,
watching the day break over the mountains,
the moon arise from the sea at night,
and when the rain comes, it falls cold upon my face
and collects in my hands until it spills out upon my feet.

you lay your hands upon me.
your eyes burn right through my bones.
but every new day
you harness what you cannot keep,
gold. forever gold.
hold the reins as if they were my arms,
until, rain soaked, your hands slip away
and you fall,
writhing and wishing
for prayers unheard.

still i'll stay just the way you left me
until the earth washes from beneath me,
and i fall and rot away.
Pyrrha Jan 2020
He chased love like a child chases dreams
Like a dog chases its tail
Excited, carefree and hopeful
Like second nature

Daphne was his temple of worship
He turned the ground she walked on
Into precious gold embroidered with jewels
He played songs of love on his golden Lyre
Lovely melodies for her and her alone
But she would never look at him the same
She only saw the caterpillar, never the butterfly

She decided rather than to love him
She would prefer to be wiped from existence
But Apollo never hated her for it
When she was turned into a Laurel tree
He made a crown from her leaves
Wore it with pride around his head
And wept for love that taught him
Even the Gods hearts can bleed for love

He took his ****** heart and let it heal in Troy
He placed it in the hands of the beautiful Cassandra
Who took his love and abused it with insecurity
She pretended to be sincere as she took his gifts
Strung him along with hope trailed behind her
Like cheese in a mouse trap

He gave her the gift of prophecies
And she left him with the agony of abandonment
Thought she was cunning, tricking a god

Do you think she ever thought
about the ways his heart must have sunk when she used him?
Could she see far enough into the future and predict
all of the ways he would reflect
on why he wasn't good enough for her
for all of eternity?
And did she feel remorse?

He gathered his tears and left with his sunken heart once more

Perhaps the only one who truly loved Apollo
Was his dear Hyacinthus, the alluring Spartan Prince
The short time they had together gave Apollo back his hope
His heart had finally healed, mended and repaired once more
But even the mighty god of healing could not save the one he loved

Zephyrus' jealousy and envy stole from him as if the other Gods weren't satisfied with his happiness and cursed him to never find true love
He held Hyacinthus in his arms as he died, trying to heal to no avail
He cursed his weakness as love once more slipped away from his open arms
To commemorate his lover, he sprung a flower from the blood
A hyacinth, a permanent reminder of his grief

He gathered his heavy, grieving heart as he tried to move on, but fate wasn't done with him quite yet

The Princess Coronis had everything she could ever want
But she was selfish and took a piece of Apollo's grieving heart
A piece she never intended to hold in a gentle grasp
A piece she didn't want to cherish or to return
But Apollo was blind to her cruel motives behind her lovely words

He had fallen for her, loved and treasured her so much
He truly believed he had found redamancy at last
And wanted to keep her safe from all harm or sorrow
Keep her away from the wicked hands of the Gods
Like Eros who shot his Daphne with a lead arrow
So that she may never find love in her heart
Like Zephyrus who stole the life of his Hyacinthus
In order to protect his treasured love
A white crow was sent to watch over her

Yet no matter what Apollo did,
Love was not meant for him
It fell through his hands like
Life falls through time
Endlessly and hopelessly

Coronis's affair with Ischys was revealed
And Apollo learned the heartbreak of betrayal
Unlike Cassandra, she didn't return with her life
Apollo shed no tears as he loved for the last time
And left that piece of his heart behind

The innocent white crow
He made to represent his healing heart
Turned black to serve as a reminder
Of the true deception and torture that love can leave behind

Don't look at a God as something to use
As someone who is cruel for no reason
Look into their abuse
Marvel at how they managed to survive even just one more season
And ask yourself if you could do the same
Sorry it's so long, I sympathize greatly with Apollo
Ottis Blades Nov 2012
Once upon a time in an alternate universe not too long ago
I met the cheekiest babe from the other side of the world.
She went by Smurfette, she loved to call me Papa Smurf
and Vanity wasn’t gay, the ******* just loved himself too much.

She always sat by the window, detoxicating herself of verses
cranking out a few lyrics, scoping the city in the trenches.
Of the love we waged never wavering and waving a white flag
“I’m gonna put you to bed” were all our wars went to die.

But I was more than alive, inside the land from down under
called her Daphne the Nymph, the voluptuous Greek Goddess.
Wanted to raise little Koalas together in our Kangaroo farm
in every kiss we traded souls, in every breath we lost our lives.

And we gained them again back when the Jitneys were blue
our sweat-drenched bodies overtaken by some strange voodoo.
Every ship we embarked on was lost in the Atlantic without return
James Bean captained our vessel, holding it together with crazy glue.

In New York City locked lips inside a phone booth, it was euphoria
she was already born a Queen since she hailed from Astoria.
Our Bohemian Rhapsody blended like Cheech & Chong on a ******
her pouty lips, ****** smile, five years later how can I forget her?

Her voice, beautiful sparrow, vocal chords stone carved like no other
and yet normally speaking she sounded like the Crocodile Hunter
Soaked the landscape of her essence, remembrance without a beat
the song she wrote about us, plays in my heart eternally on repeat.
Apollonian Oct 2012
What is it with Apollo,
that draws my heart like light doth to a sunflower?
Is it the solitude
that drew Apollo to the land of the Hyperboreans?
Is it the love
that he had for Daphne which made her a laurel tree?

What is it with Apollo,
that draws my heart like a bee to a honey-laden-flower?
Was it the over-achiever streak in him
which made him Zeus' favorite?
Was it the dark streak in his soul
that added to his romanticist persona?

Now I know that it is...
the depths to which Apollo went,
the jaws of Fate that Apollo bent,
the torrential dark thoughts that Apollo sent,
the hearts of mortals that Apollo rent.

And when HE said,
You're the only one...!
With my dead mind,
I'm a golden mine.

It's my benediction; it's my affliction!

What am I? Apollonian.
Over the horizon, lost in confusion,
came the sad night, pregnant with stars.
I, like the bearded mage of the tales,
knew the language of stones and flowers.

I learned the secrets of melancholy,
told by cypresses, nettles and ivy;
I knew the dream from lips of nard,
sang serene songs with the irises.

In the old forest, filled with its blackness,
all of them showed me the souls they have;
the pines, drunk on aroma and sound;
the old olives, burdened with knowledge;
the dead poplars, nests for the ants;
the moss, snowy with white violets.

All spoke tenderly to my heart
trembling in threads of rustling silk
where water involves motionless things,
like a web of eternal harmony.

The roses there were sounding the lyre,
oaks weaving the gold of legends,
and amidst their virile sadness
the junipers spoke of rustic fears.

I knew all the passion of woodland;
rhythms of leaves, rhythms of stars.
But tell me, oh cedars, if my heart
will sleep in the arms of perfect light!

I know the lyre you prophesy, roses:
fashioned of strings from my dead life.
Tell me what pool I might leave it in,
as former passions are left behind!

I know the mystery you sing of, cypress;
I am your brother of night and pain;
we hold inside us a tangle of nests,
you of nightingales, I of sadness!

I know your endless enchantment, old olive tree,
yielding us blood you extract from the Earth,
like you, I extract with my feelings
the sacred oil
held by ideas!

You all overwhelm me with songs;
I ask only for my uncertain one;
none of you will quell the anxieties
of this chaste fire
that burns in my breast.

O laurel divine, with soul inaccessible,
always so silent,
filled with nobility!
Pour in my ears your divine history,
all your wisdom, profound and sincere!

Tree that produces fruits of the silence,
maestro of kisses and mage of orchestras,
formed from Daphne's roseate flesh
with Apollo's potent sap in your veins!

O high priest of ancient knowledge!
O solemn mute, closed to lament!
All your forest brothers speak to me;
only you, harsh one, scorn my song!

Perhaps, oh maestro of rhythm, you muse
on the pointlessness of the poet's sad weeping.
Perhaps your leaves, flecking by the moonlight,
forgo all the illusions of spring.

The delicate tenderness of evening,
that covered the path with black dew,
holding out a vast canopy to night,
came solemnly, pregnant with stars.
Slam Jamson Jan 2014
S* is for Seduction, a vast verb saved for flesh,
But in her outer-worldly tune, my thoughts become enmeshed;
Like at the great Salamis, where strength sought strike the feeble,
Seduction marked our birth, their fall—an end without a sequel.

L heralds in some fifty lads, of whom mere five would pass,
Bugsy, Daphne, Sylvester, and Tazzy, above their peers compassed.
The tests were long, the trials were tough, from nothing we had fostered
A team of lucky, noble lads to fight these migrant monstærs.

A is the assault, outnumbered and outclassed,
Our heroes boldly braved their foes until their stalwart last.
Despite their lead by tyrants, such Nawt of Hispaniola,
Our foes were forced unto retreat, costing us Lady Lola.

M is for the ones who’ve fallen, for them mourn reminiscence,
For those who proudly placed their names for our petty subsistence.
The fight is done, the beasts beat back, denied all loot and hoarding,
And so a statue is *****: Honorum Mikael Iordan!

— The End —