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"cultured" poems
By now,the seed varieties of the world, may have been attacked beyond recovery by wars of pretense and relapses. We are still learning how to handle it properly. We tend to say. Some will talk and plan over dinner parties, over TV or Radio. Most will leave it behind like another corpse of lessons thrown to the gutter, like a dead *** on another Sunset Boulevard. Iraq's seed banks we blew up in the 2000s. In various places in Asia and the Middle East, places of life and cultured varieties gone in an instant. Echoing our imprisoned ignorance and drives for more instant goods and services. Indian farmers have committed mass suicides after their god Hanuman was used by a chemical giant to sell poison seeds and renewed bondages of indebtedness. One question a stranger asked a group of writers on tour was not what their poetry or books were about, nor why they wrote it, but how writing may and may not be helping as we make decisions and solve problems now? Once agricultural lands turn into new promises of commercial buildings. Cities of inaccessible towers and abandoned malls in America, Spain, China, and Russia feeds us back our own echo. Like converted uses of lands, our humanity is converted into inanimate collections and status symbols of some players or parties. As we face our continuing struggle between our oppressor-selves and our genuine roots. Despite the perversions, inside vicious habits of waste where we glorify promises of war and efficiencies, we continue to be entrusted with the ongoing lessons: Rarely do surviving generations through famine, war and diseases, throw away means to live, or destroy any kind of seed. Every day we wake to the ruins and remains of Our living poetry, word spaces, hours, exchanges, gains and losses, stopping and going. This time, not just for fires of anguish or unnecessary losses, but for each other's midnight lamps.#
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Sep 3, 2018
Sep 3, 2018 at 12:42 AM UTC
BURIED
By now,the seed varieties of the world, may have been attacked beyond recovery by wars of pretense and relapses. We are still learning how to handle it properly. We tend to say. Some will talk and plan over dinner parties, over TV or Radio. Most will leave it behind like another corpse of lessons thrown to the gutter, like a dead *** on another Sunset Boulevard. Iraq's seed banks we blew up in the 2000s. In various places in Asia and the Middle East, places of life and cultured varieties gone in an instant. Echoing our imprisoned ignorance and drives for more instant goods and services. Indian farmers have committed mass suicides after their god Hanuman was used by a chemical giant to sell poison seeds and renewed bondages of indebtedness. One question a stranger asked a group of writers on tour was not what their poetry or books were about, nor why they wrote it, but how writing may and may not be helping as we make decisions and solve problems now? Once agricultural lands turn into new promises of commercial buildings. Cities of inaccessible towers and abandoned malls in America, Spain, China, and Russia feeds us back our own echo. Like converted uses of lands, our humanity is converted into inanimate collections and status symbols of some players or parties. As we face our continuing struggle between our oppressor-selves and our genuine roots. Despite the perversions, inside vicious habits of waste where we glorify promises of war and efficiencies, we continue to be entrusted with the ongoing lessons: Rarely do surviving generations through famine, war and diseases, throw away means to live, or destroy any kind of seed. Every day we wake to the ruins and remains of Our living poetry, word spaces, hours, exchanges, gains and losses, stopping and going. This time, not just for fires of anguish or unnecessary losses, but for each other's midnight lamps.#
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46
From the cultured hood of Beverly Hills Young rich white kid rapping Blonde hair perfectly combed and trimmed Blue eyes shaded from California sun Spitting ghetto slang about unfair pain, Affirmative action, cultural injustices Daddy’s allowance, racial profiling Pimp[le] mobile and spinning rims Gold plated teeth over pearly whites Slinging 401k’s and time shares Baggy pants sagging down past his *** Tugging at his crotch His hand permanently attached To his little white flaccid **** Trying to keep from tripping While he’s running from the police Wanted for questioning On insider trading And insurance scams
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Apr 28, 2012
Apr 28, 2012 at 8:48 PM UTC
Beverly Hills Gangster
Staunch masculinity I have hair on my chest I drink whiskey I work out I like Karate I drink beer I like heavy metal Let’s fight Lets **** I smoke I stay out late I win I read (ie: I’m smarter than you.) Let’s **** Sometimes I lose ….but I learn I don’t care That’s my job I had steak for lunch Do you want to **** I provide I take care of business C’mon let’s **** I build I take I teach I preach Let’s **** I’m happy Don’t cut me off in traffic I lead I challenge How about we **** I yell I critique I solve Are we going to **** I drive a sports car I save money I spend money I make money I brag I show off I really really need to **** I said I drive sports car I drink…. did I mention that. Let’s **** **** Yeah **** I wait I wait I’m patient I drink I smoke I emote We aren’t going to **** are we? I work out I compete I shoot guns I ride a motorcycle I’m cultured Don’t make me beg for it ***** I judge I **** I love I ponder I create I scheme I think you are really special Let's **** I can lift heavy boxes I can hang pictures I can drive you around I can buy you dinner **** **** ****
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Jan 18, 2014
Jan 18, 2014 at 1:24 AM UTC
Staunch Masculinity
Go to an art museum Pretend you understand Nod along with what others are saying Because otherwise you'll look bland Though the colors on canvas means nothing to you Everyone else seems to get it Your legs grow sore from standing around You decide to rest for a bit Oh **** that bench was actually art! What a mistake you've made The staff tensely continue to glare You wonder how much they get paid Naked women adorn the walls And prepubescents giggle That one creepy painting is definitely staring at you Uncomfortably, away you wriggle Though the art museum is a cultured place to go By the end you're always miserable At least next time you'll know not to buy 15 dollar coffee And remember that flash photography is unforgivable
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Mar 30, 2014
Mar 30, 2014 at 12:24 AM UTC
Art Museum
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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6.5k
A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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67
tell me what words are there to articulate this savage parade not here, not in all the Lebanons whose crystal castles sparkle like broken glass on the dark horizons at the jagged edges of the world from which cultured minds have receded and all humanity has been relinquished to the barbarity of the frenzied flavours of fools who will speak for this wild parade without impediment to mythical protagonists tell me where are the energised arguments against sophisticated yet false laments where testament is torn through weeping cedar trees producing the unpredictable accidental quality that memorialises phantom caresses that have neither been invented nor encouraged the hallow that inaugurates the distinctive features of destructive energies that are both exuberant and hard to comprehend this parade where there is a savage sensibility capable of apprehending contradictory ethical imperatives that vouch for a mocking stream of tragic political consequence displayed vividly in the inextricability of civil order and political violence that defies exclusive claim by casting itself as freedom warrior in disguise as militaristic humanism and burns the temple tree and where human identity becomes an elusive possession owned by a few who in the inevitability of ignorance refuse to recognise their tragic error and the world does not mount a strenuous protest at this headlong dash for Ephesus where antagonistic language and neutral expression of thought converge and here the value of valulessness repudiates, even in a single poetic moment
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Aug 25, 2013
Aug 25, 2013 at 4:04 PM UTC
Syria
tell me what words are there to articulate this savage parade not here, not in all the Lebanons whose crystal castles sparkle like broken glass on the dark horizons at the jagged edges of the world from which cultured minds have receded and all humanity has been relinquished to the barbarity of the frenzied flavours of fools who will speak for this wild parade without impediment to mythical protagonists tell me where are the energised arguments against sophisticated yet false laments where testament is torn through weeping cedar trees producing the unpredictable accidental quality that memorialises phantom caresses that have neither been invented nor encouraged the hallow that inaugurates the distinctive features of destructive energies that are both exuberant and hard to comprehend this parade where there is a savage sensibility capable of apprehending contradictory ethical imperatives that vouch for a mocking stream of tragic political consequence displayed vividly in the inextricability of civil order and political violence that defies exclusive claim by casting itself as freedom warrior in disguise as militaristic humanism and burns the temple tree and where human identity becomes an elusive possession owned by a few who in the inevitability of ignorance refuse to recognise their tragic error and the world does not mount a strenuous protest at this headlong dash for Ephesus where antagonistic language and neutral expression of thought converge and here the value of valulessness repudiates, even in a single poetic moment
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47
C is confused, so a little complex I mean, one moment it’s top of the range glowing in the hierarchy of vitamins but next it’s a little abashed and low in a student’s report card – you know, C is not as good as an A And so can you blame C for its mood swings? Its agony continues: one instant C is Calm, in another it’s a Curse And you know it also feels a little wanting a little under-stretched, not fulfilled like not being able to complete all the stretching exercises its fitness trainer metes out “O, if only I could be a little more yogic,” C intones “I’d be as composed as an O” - but O no, that’s not to be And don’t you start on the indignant possibilities of the letter C, for C has always aspired you see to be genteel, cultured and debonair and curls with disgust if the uncouth should use the letter   to refer to any body parts, be it that of male or of female So, dear mortals, C should be left in celestial spheres And so, in conclusion, one Commandment I give unto you: *Never drag C to ****** shallows*
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Apr 18, 2014
Apr 18, 2014 at 10:44 PM UTC
C complex
Lustrous but also lackluster We are gems yet salvaged Formed inside of a shelled world Waves waning and whining Sailors nauseated on our waters Drifting towards an aggrandized land Where they might find us oysters in the sand They'll tear them open, In search of what only we bear Camouflaged amongst the cultured, Or even those with nothing there Darling, We are wild, Yes we are rare Open up to me, We've so many layers to share Your metallic smile, Your iridescent articulation Everything happened so naturally A miracle to be in the same location They won't crack us, For our muscles will defend Our valuable and vulnerable interior From the worlds vinegary intent
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May 21, 2015
May 21, 2015 at 10:13 PM UTC
Saltwater Pearls
The teacher's eyes gathered colours about The cultured garden scene she knew so well; She likes the section flowers nicely sprout Her hidden world where varying colours jell. Achievers pride she takes with all her heart; Like outstanding pupils she proudly groomed. But scrappy lazy ones, never seems to start, She wished them luck and left alone to bloom. The sun regardless shines on all juniors. The bright ones, the brats she pitied a lot. Through years and wise by age she remembers, Oft visiting her those she had forgot, Those she loved and cared have whittled away. But strugglers now trees they weathered to stay.
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Jul 26, 2018
Jul 26, 2018 at 9:54 PM UTC
The Teacher; Sonnet #9
Gemini's are known to dabble in arts of all kind; Well-cultured, well-versed and rehearsed in both rhythm and rhyme. From music to magic and everything in between; Learning lessons as they unfold with the change of each scene. We cannot be contained within wires nor hidden behind screens. Energy is everywhere; We choose our frequencies. Disconnect from electricity and experience the ever-natural waves. Break harmful traditions of doubt and unobtainable change. We are not alone. This life has no range.
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Mar 14, 2016
Mar 14, 2016 at 9:21 PM UTC
The Gemini Arts: Mastering the Complex Mind
A riverbank of memories saturates cultured minds such succulent visuals of precipitation so moist, so pleasant spines shiver in longing howls ascend veneration
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Apr 27, 2012
Apr 27, 2012 at 6:29 AM UTC
Chasing Cultures
Embracing His Solace! In solace mountains scaled. Solidarity stands strong. Between two upstanding. Love matters minimally. Grace relaxed in cultured elegance. Company not desired much. Cries alone. Dies alone. Does he moan. No deals granted. Pours another escapist drink. Needed to **** or release the lurking tears. Forced to descend thy tender cheeks. Solace found also in my place. Want no-one to invade my space. Love freedom to be mine. Detest freedom myself at times. Then I to cry. Flood rivers rarely. Too selfish to co-exist. Although your heart and soul I've missed. No deals wanted. Love never denied! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Oct 29, 2013
Oct 29, 2013 at 10:16 AM UTC
Embracing His Solace!
Like a big slice of chocolate cake, I would love a cultured gentleman with a delightful accent.
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Mar 14, 2014
Mar 14, 2014 at 9:48 PM UTC
A Gentleman
I love nothing more than a good conversation Whether we laugh or have a serious discussion Quality moments sitting around a table Words flow as we're trapped in our own little capsule Promptly, we are transported to a different world See all these places and get cultured through mere words Without even leaving this spot for a second Our shared stories spur on the imagination I am here enjoying my beer or my coffee It is a pleasure to be in great company One can learn so much through the eyes of another To some questions, one can firmly get an answer It doesn't matter if we are, or not, alike A smart and challenging person will always strike Ultimately, one might get more than what he thought One discovers things about himself just with talk I love nothing more than a good conversation Whether we laugh or have a serious discussion Sit around a nice little table for a while What's greater in life than connecting through a smile?
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Mar 9, 2012
Mar 9, 2012 at 5:03 PM UTC
A good conversation
Champagne and cup cakes. A Cornish beach with rippling swell. Love be cultured as a precious pearl. Where love be found with special girl. Projects full of rich intention. Health. Wealth. Happiness. The air is filled with childhood squeals. Summer flicks on the crown of her hair. Children ride horses with the sea on their heels. History steeped at the top of the hill. Empty mines. Cleared of tin. In the county, where Poldark first made his mark. Country delight? Nah. A county in England. Better not tell the Cornish man. Kernow man's birthright. The sovereign state of Cornwall. Not all of the Cornish men have seven wives. Nor do they live in the land of St Ives. One wife is enough for most. Your spirit in Southampton, now merely a ghost. (c) Livvi Good luck.
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Mar 20, 2016
Mar 20, 2016 at 7:05 AM UTC
FOR MY FRIEND
Come up north to see the great outdoors Rolling hills Scenes leaving you wanting more Never mind the weather Whether its rain or shine Grab a pint Sit down And enjoy our way of life Born and bred northern boy But no flat cap or corduroys Yorkshire til the day I die I'll represent that West Yorks sign Faithful to my northern life Faithful to my northern rhyme Brought up well with northern vibes Through hard times, miners strike Times when maggie thatcher tried to stir up **** with lies designed Got miners and police to fight But don't believe that southern hype... Those brutal battles gave us life It redefined our future times Redefined our future lines Redefined the northern kind Redefined our northern humour Redefined our northern style Tourists come from far and wide to find out what the North is like Expecting lack of cultured life Surprised we're not uncultured swines Rewarded with our northern minds Our northern ways Our northern lives Come up north to see the great outdoors Rolling hills Scenes leaving you wanting more Never mind the weather Whether its rain or shine Grab a pint Sit down Enjoy our way of life
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Jan 26, 2016
Jan 26, 2016 at 3:50 PM UTC
Born and Bred
A satisfied appetite is a simply joy Overlooked and simplified Like a growing urge, a salivating need That is entrancing and glorified. Everlasting for moments we call meals Forgotten in time, lingering above But the taste, the lonesome lover pushed aside Gazes afar and near wanting to be enjoyed again The young lady with a tongue of raspberry delight And the matured widow with darkened cacao lips Ripening nectar of a sliced peach center Halved and topped with mascarpone crème The man with a skin of caramel glaze Caressing and savoring With a fragrance and scent Of hazelnut coffee indulgence and sin In the pursuit of a brief love affair What oral sensation did my taste buds want? My odyssey of gustatory endeavors await Through the seas of lined people and waiting staff Generous portions and humble pies Decadent desserts so rich you’ll die Vine cherry tomatoes sliced and sauté Over al dente rigatoni in a roasted cashew sauce A robust aroma and savory appeal Basil leaves with garlic strips Olive oil to top the surreal Hubristic meatball aborigine Elysian cuisine or many dreams Teasing the senses, warming the pit Of flowing pleasures And tingling fingertips Without moral measures And succulent wines Rotisserie lamb falling of the bone Seasoned with Sicilian herbs And paired with broiled asparagus Drizzled with lemon juice And a glass of Merlot Spices I hardly know Lachrymose apologies beside a bottle of faded sorrows With love there is pain, passion endured through the names Thin soups, flavorless and dull, feeding street-thrown bums Breathing hard against the delicatessen glass Hickory smoked hams, pepper-seasoned pastrami Vinegar cultured pickles and hard dried salami Unpleasured, without measure, at one's leisure. Forever my endeavor Blackcurrant tea laced with slivers of gooping honey Layers of cinnamon hair atop olive skin red-painted doors with cedar trim crushed almonds mixed with hazelnut butter cream spread devilish rounds of crumbling rum-swirl bread Smells and wonders, tastes so ... oh god Divine and sublime.
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Jul 22, 2013
Jul 22, 2013 at 5:42 PM UTC
Lachrymose Taste
A satisfied appetite is a simply joy Overlooked and simplified Like a growing urge, a salivating need That is entrancing and glorified. Everlasting for moments we call meals Forgotten in time, lingering above But the taste, the lonesome lover pushed aside Gazes afar and near wanting to be enjoyed again The young lady with a tongue of raspberry delight And the matured widow with darkened cacao lips Ripening nectar of a sliced peach center Halved and topped with mascarpone crème The man with a skin of caramel glaze Caressing and savoring With a fragrance and scent Of hazelnut coffee indulgence and sin In the pursuit of a brief love affair What oral sensation did my taste buds want? My odyssey of gustatory endeavors await Through the seas of lined people and waiting staff Generous portions and humble pies Decadent desserts so rich you’ll die Vine cherry tomatoes sliced and sauté Over al dente rigatoni in a roasted cashew sauce A robust aroma and savory appeal Basil leaves with garlic strips Olive oil to top the surreal Hubristic meatball aborigine Elysian cuisine or many dreams Teasing the senses, warming the pit Of flowing pleasures And tingling fingertips Without moral measures And succulent wines Rotisserie lamb falling of the bone Seasoned with Sicilian herbs And paired with broiled asparagus Drizzled with lemon juice And a glass of Merlot Spices I hardly know Lachrymose apologies beside a bottle of faded sorrows With love there is pain, passion endured through the names Thin soups, flavorless and dull, feeding street-thrown bums Breathing hard against the delicatessen glass Hickory smoked hams, pepper-seasoned pastrami Vinegar cultured pickles and hard dried salami Unpleasured, without measure, at one's leisure. Forever my endeavor Blackcurrant tea laced with slivers of gooping honey Layers of cinnamon hair atop olive skin red-painted doors with cedar trim crushed almonds mixed with hazelnut butter cream spread devilish rounds of crumbling rum-swirl bread Smells and wonders, tastes so ... oh god Divine and sublime.
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56
My inside self and my outside self are as different as can be. My outside self is quiet and shy, unsure of things and people gone by. It is commonly thought that I am high, oblivious, alone, with a large money supply. My inside self is conflicting, you see. I am confident and cocky to the highest degree. Cultured and smart, one day you'll agree. I will show the world, nothing can stop me.
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Jun 5, 2010
Jun 5, 2010 at 3:30 PM UTC
Inside - Outside
Born of a binary, black/white, white/ black. Cultured by silence, a blank slate, but no more tears. Time isn't real. They speak, they say, tell me there's nothing wrong with me; standing in the kitchen with my grandmother telling me there is nothing DIFFERENT about you. Strive to conform. Sameness is a casualty. **I DON'T GIVE A **** about conservatives . "Humanists" avoiding their toxic misogynistic tendencies, old friends enlisted voluntarily perpetuating a system of violence and suffering, others are bluffing, don't say **** walk eggshells, I must be a tiger loose from the cage, and they're waiting to see who becomes the canary in my coal mine. Rhyming by incident, but I hate this **** & I'm not all right. Women can participate in their own oppression, minorities can be racist, we're all raised in a ditch; Patriarchy, capitalism, class values, botched messages, "color blindness", etc. etc. etc. **** everyone, and don't treat me like I'm better or I should know better, or I have to be "perfect" if I want to be "different". Raised in a ditch. Cultured by racism and depression. I think of suicide like a novelty until I don't . . . Everything turns grey and reads like sloganeering. Waiting for the past to manifest as a trauma. Waiting for the past to make sense. Waiting.
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Jun 12, 2014
Jun 12, 2014 at 11:44 AM UTC
"Raised in a Ditch."
I can’t sleep. An endless wandering piano strain caught between broken finger bones. She lays her head against his chest listening as ships sail across his heavy heart. A sad mourning wail of wind echoes in each breath he takes. I hope that soon death will come like hundreds of arrows in the night. Each aflame with the lies and conceit of the human race. Only then will I slumber content beneath the skies of moons and stars. Glistening in continuum with the chorus of small voices and the movements of the universe. A haunting twisting melody that reminds us of memories and their purpose of nostalgia. The notes that urge us to go on. To hope when hope is gone. Because I can’t sleep, I dream of brokenness and hopelessness. A darkness darker than the night disturbs my unseen eyes and billows beneath my hair. I look to them both, standing so close to the edge, and I pray like sweet honey that drips from cultured lips, I pray for them both, The girl and the boy who haunt my sleepless nights. I watch as they peril in my demise, slowly my brain rots away and my limbs deteriorate. They have nothing left of me. Only a fleeting idea that nags at their consciousness each footfall bringing them farther from my soul and closer to their empty air. It was like they too never existed, as both fall to the violin that soundtracks their never-ending sorrow. The girl and the boy who haunt my sleepless nights. Now we both will slumber forever beneath the moons and the stars for eternity forever content, unsatisfied, restless.
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Mar 24, 2014
Mar 24, 2014 at 4:13 AM UTC
The Boy and The Girl Who Haunt My Sleepless Nights
I can’t sleep. An endless wandering piano strain caught between broken finger bones. She lays her head against his chest listening as ships sail across his heavy heart. A sad mourning wail of wind echoes in each breath he takes. I hope that soon death will come like hundreds of arrows in the night. Each aflame with the lies and conceit of the human race. Only then will I slumber content beneath the skies of moons and stars. Glistening in continuum with the chorus of small voices and the movements of the universe. A haunting twisting melody that reminds us of memories and their purpose of nostalgia. The notes that urge us to go on. To hope when hope is gone. Because I can’t sleep, I dream of brokenness and hopelessness. A darkness darker than the night disturbs my unseen eyes and billows beneath my hair. I look to them both, standing so close to the edge, and I pray like sweet honey that drips from cultured lips, I pray for them both, The girl and the boy who haunt my sleepless nights. I watch as they peril in my demise, slowly my brain rots away and my limbs deteriorate. They have nothing left of me. Only a fleeting idea that nags at their consciousness each footfall bringing them farther from my soul and closer to their empty air. It was like they too never existed, as both fall to the violin that soundtracks their never-ending sorrow. The girl and the boy who haunt my sleepless nights. Now we both will slumber forever beneath the moons and the stars for eternity forever content, unsatisfied, restless.
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159
It takes courage to be born in a grave where the earthworms caress and the night is like day. But where two or three are gathered they will burrow deeper yet, pressing the earth to their faces. It takes gall to bite the mouth that eats you, little rocket ships who never left the ground. Launch your cultured pungent taste, for if you must go, go loudly. Daikon, Cherry Belle, Easter Egg, Black Spanish, Red King, you are conquerers. Digging away until the sun comes to find you, blushing in myriad shades of fearless ambition. It takes integrity to never leave your roots. Break bold and crisp, candied keg of gunpowder.
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Apr 14, 2013
Apr 14, 2013 at 10:09 PM UTC
Ode to the Radish 14/30
Let me take you out to lunch Mrs Bryce said (she was a middle aged dame old enough to be his aunt) o.k if you like he said but her friend Lilly didn't like the idea (some jealousy of the lesbian kind maybe he later thought) and was quite reserved as they went to the posh upstairs restaurant he one side and they opposite Lilly giving him the cool stare her pinched mouth wrinkled forehead Mrs Bryce studied the menu her glasses on her eyes focused what you having Lilly? she asked and Lilly scanned her menu and picked out something in French and then she asked him and he said o the stew will do and the waitress came and took their orders and went off wagging her behind which he noticed but they didn't being that part sexually blind and then came the small talk the casual chat or this and that and Lilly straight faced thin lipped and icy eyes stare but he knew what Lilly didn't she had no idea about the *** or how the middle aged dame had it still could still turn on the fire could **** off his desire but Mrs Bryce never said a word not a hint she wore her middle age and middle class morals very well a mask of gentility or cultured good humour good manners on show but he knew she was hot and could go (her husband some middle aged guy with sourness and boredness in each greying eye) and she sat there giving it the small talk sipping the wine one finger raised her eyes pure as cut glass behind the specs and Lilly listened in soft admiration wanting to be nearer breathing in Mrs Bryce's scent dreaming of the two of them doing whatever in some bedroom spent but he had the real not a dream and as he watched Mrs Bryce sipping her wine thin lips on thin glass he remembered her that time lying there bright eyes greying but dyed hair he bringing her to a seventh heaven of yes and yes and more and Lilly sour faced sitting and listening to the small talk but wanting something other for sure.
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Nov 22, 2013
Nov 22, 2013 at 7:10 AM UTC
SOMETHING OTHER FOR SURE.
Let me take you out to lunch Mrs Bryce said (she was a middle aged dame old enough to be his aunt) o.k if you like he said but her friend Lilly didn't like the idea (some jealousy of the lesbian kind maybe he later thought) and was quite reserved as they went to the posh upstairs restaurant he one side and they opposite Lilly giving him the cool stare her pinched mouth wrinkled forehead Mrs Bryce studied the menu her glasses on her eyes focused what you having Lilly? she asked and Lilly scanned her menu and picked out something in French and then she asked him and he said o the stew will do and the waitress came and took their orders and went off wagging her behind which he noticed but they didn't being that part sexually blind and then came the small talk the casual chat or this and that and Lilly straight faced thin lipped and icy eyes stare but he knew what Lilly didn't she had no idea about the *** or how the middle aged dame had it still could still turn on the fire could **** off his desire but Mrs Bryce never said a word not a hint she wore her middle age and middle class morals very well a mask of gentility or cultured good humour good manners on show but he knew she was hot and could go (her husband some middle aged guy with sourness and boredness in each greying eye) and she sat there giving it the small talk sipping the wine one finger raised her eyes pure as cut glass behind the specs and Lilly listened in soft admiration wanting to be nearer breathing in Mrs Bryce's scent dreaming of the two of them doing whatever in some bedroom spent but he had the real not a dream and as he watched Mrs Bryce sipping her wine thin lips on thin glass he remembered her that time lying there bright eyes greying but dyed hair he bringing her to a seventh heaven of yes and yes and more and Lilly sour faced sitting and listening to the small talk but wanting something other for sure.
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I **** on your grave for I have had too much to drink! A glass 'o ginger beer and shrimp crackers I ate today. Thou art not to fall! To tartuffery for a drink is as good as the last. But alas, I am not to drink. For my heart is heavy with woe. Those stoics! They bring me much misery. Oh the stoics, with their logically given truths that are naught but prejudice! Prejudice in truth they claim, liars. Oh the stoics, with their ****** analogies of nature and so fourth. To be! Like nature, is to be indifferent and prodigal. That's probably why we love the intelligent uncaring character. He is nature. She too! O' who's heart is full of love! She brings me roses and kisses upon my lips. She too, is nature. Stupid also, unbelievably crass. Is crassness then, what we call nature? Then it is he! He! Who bring us our daily news who is unnatural. But then who is the preacher? No, nature is to live. To live! Hah! A joke! To live is not a command for you cannot conceptualize living without living. You'd do better as a pretty little scarab, but he doesn't drink ginger beer. So too, our conclusion is to be natural. But not the scarab. To live, obviously. To be correct! by our own prejudice. And to reject divinely given truths. I do not know how I would feel about children of my own, we'll see when I have one.
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Nov 9, 2016
Nov 9, 2016 at 5:21 AM UTC
You want cultured? **** you.
You see Diogenes living in the slums. He lives in a barrel. This is the man even Alexander the Great admires. So it makes you wonder about Diogenes. So you pretend to be there quite by accident and you ask: “Diogenes…Who was your teacher?” “A mouse was my teacher,” says Diogenes. You are quite confused. And you say: "A mouse is your teacher? And how is that, Diogenes? " “Well, most exquisite Sir,” says Diogenes to you. “Most cultured Sir,” he says. “I had no home and I was in the streets. I almost killed myself. Then I saw mouse. Mouse ran around and looked for food and it found some and I observed mouse for over two days. And I realized how resourceful mouse was. And then I said to myself: ‘Learn of the mouse, Diogenes- and all will be well.’ And so I learned of mouse. And every time I have a problem, I simply ask myself: ‘How will mouse solve this?’ And so mouse became my teacher. And now, most Exquisite Sir, I have a problem. You. I want to get rid of you and I ask myself: ‘How would mouse solve this problem?’ He would bite…” You listen to this and you are afraid – and you run. And Diogenes has done well; he has learned well from his teacher. And you can hear him shouting to you: “By the way, who was your teacher?”
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Oct 7, 2010
Oct 7, 2010 at 7:05 PM UTC
a mouse teaches Diogenes
We fill our minds with distant lies and feign a cultured philosophy we judge the lives of distant tribes as we make our own taxonomy how blessed are we with time to spare to let our minds wander without a care
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Jun 19, 2012
Jun 19, 2012 at 1:51 PM UTC
Regarding the Middle Aged Women in the Booth in Front of Me