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Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.
Sobriquet Jul 2014
Why do you still occupy
the nooks and crannies of my head?
Drifting up through the cracks in the plaster
bent nails and poor construction
hammered hastily into place

How do you fill
my vacant minutes with shadows of you?
Your outline walks beside me on the street, wound up in my headphones
the echo of your daydream touch
a humming static on my skin

How still do you fall asleep beside me
when I am wrapped in the disquiet of a restless night?
How do you ease yourself into my brain like its nothing
and hide among synapses that try so hard to lose you

And how still to lose you?
When the thought of you occupies the wasted time
that escapes order and control
and slips under the floorboards

And in that quiet and that dark
is where you and I occupy,
held together by the wandering nature of thoughts,
that find their way into the nooks and crannies of my head

The thought of you is indifferent to my hasty plaster work,
and
the thought of you is intoxicating.
There's an ancient, ancient garden that I see sometimes in dreams,      
   Where the very Maytime sunlight plays and glows with spectral gleams;  
   Where the gaudy-tinted blossoms seem to wither into grey,              
   And the crumbling walls and pillars waken thoughts of yesterday.        
   There are vines in nooks and crannies, and there's moss about the pool,
   And the tangled weedy thicket chokes the arbour dark and cool:          
   In the silent sunken pathways springs a herbage sparse and spare,      
   Where the musty scent of dead things dulls the fragrance of the air.    
   There is not a living creature in the lonely space arouna,              
   And the hedge~encompass'd d quiet never echoes to a sound.              
   As I walk, and wait, and listen, I will often seek to find              
   When it was I knew that garden in an age long left behind;              
   I will oft conjure a vision of a day that is no more,                  
   As I gaze upon the grey, grey scenes I feel I knew before.              
   Then a sadness settles o'er me, and a tremor seems to start -          
   For I know the flow'rs are shrivell'd hopes - the garden is my heart.
ryn Sep 2014
Light train chugging, working to outrun
Over exerting, pulling along your freight
Sand is running out under the diminishing sun
Fastidiously you tug on your enormous weight

Segmented equal in seven hulking proportions
Weaving between sleeping rocky giants
Assertion in your drive gifted from the high heavens
Borne of light your cargo load of tenants

Silver blurred rays glinting back as reply
As you power your way through
Defying seconds, before the last rays should die
Against odds, delivering what is due

Questing to alleviate my inflicted darkness
Spear of brilliance slicing through my mind
Illuminating the farthest and tiniest of crevices
Nook and crannies that willed me blind

Careful manoeuvring to keep your balance
Through scenic views fraught with treachery
Furiously working to keep your cadence
Hopeful of unloading the load you carry

What lies dormant in that cargo of yours?
What sleeps easy within those boxcars?
What stokes the fire to diligently run your course?
What promises you bear, travelling near and far?

Bales of hope and crates of strength
Supplies of kindness and self-worth
Reside within your immense length
Intact and lay quiet within your formidable girth

Reliant on the light that fuels and feeds
Your axles seem tireless guiding forth those wheels
Thundering over land with the power of a thousand steeds
Armed to your teeth with alloys and steels

Expelling grit and dirt as you pummelled across
Grey-white fumes, shoot up to the sky
Flag flogged by wind, billow and toss
Blaring your whistle as you race on by

Propelling forward, horizon up ahead
There it is...in all its tenebrous glory
Darkened locomotive seething mad with dread
Brace for the clash and the loads the two carry
See "Doom Train"
See "Collision Course"
Nat Lipstadt Oct 2013
The High Line (Pearls Before Swine)

is located on Manhattan's West Side. It was an elevated train track, that runs from Gansevoort Street in the Meatpacking District (wholesale butchers) to West 34th Street, between 10th & 11th Avenues, near the Hudson River, running parallel to the river.  

The High Line was originally constructed in the 1930's, to lift dangerous freight trains off Manhattan's streets. The High Line, nowadays, is open as a public park, owned by the City of New York. The District is now a night life hot spot of elegant shops and restaurants, among the few remaining meat packing firms, a "scene." If not in a hurry, and unfamiliar with the High Line, look it up (see notes), to get a visual of image. Or not. I can't remember who I promised I would dig out my High Line poem, but a promise kept.
_________________

Walk­ed the High Line after work,
early summer afternoon,
a pubescent evening-tide,
the teenage colors
of the setting ball,
seize your breath,
your eyes, enthrall.

On Little West 12th Street,
climbed up to
breathe the green,
thriving railroad earth-beds
tucked so cute,
tween the rusted ties of
intrepid railroad tracks.
still working in
service to humanity;
nature supporters now,
a new kind
of freight carried.

Climbed up on the backs
of a jumbled combo of
dressed beef carcasses
and yuppie carc-*****,
both obedient to the
Law of Consumption:
Consume or be consumed.  

Looked down on them,
grazing,
gazed upon them
pseudo social-dancing,
they are all prowling,
cat burglars,
searching for felines, roosters,
to tango/tangle with till
the shameful dawn walk,
a final tally of who,
was consumed,
and who,
got consumed.

Watch with bemused fascination
at the children,
swilling and chilling,
some liquor, some swill.
nonetheless  admiring each other;
their Lauren cut and Hilfiger heft
the finest of fat veined lines,
decorating their svelte,
but very attractive,
full figured appearances.

USDA Grade A,
a genuine meat market,
humans and
animals guts,
intertwined.

The Highline,
an architect's composition
of summer grasses,
planted in nooks and crannies
of man's discarded invention.

Summer grasses in unison,
stadium waving to
the music of summer breezes,
Manhattan sounds,
clinking glasses,
goods and services exchanged.    

The view admires you -
Oh baby you look so fine,
Your hair, like the
Hudson River's aquas
is a shining, streaked,
by High Line highlighted
late afternoon,  
sun-setting golden sparklers.

Your gold chains entwining,
fire crackers on top of a
the blue ribboned river,
exploding, dazzling,
your obedient admirers.  

They complement your skin,
aglow, one of nature's works,
soon to be painted on a canvas,
across a horizon of a
pinkish-tinged lavender sky -    
a gift of the oh-so-refined
refineries of South Jersey.  

Cool summer afternoon in
the Meatpacking District,
traffic, human, automotive,
clogs the Gansevoort piazza,
a NYsee zone pietonne,
a Manhattan cocktail of
young strivers and Eurotrash,
where you check me out,
and I return the favor,
using a pre-certified checklist.

Are you young?
Are you hip?
Are you beautiful?
Do you possess
what it takes
to undress me?
Reservations and a limousine!

Everyone who's there,
by definition, is in,
otherwise where else
would they be!

Pearls of perfect people,
perfect lives,
in, around and
before, swine.  

Am I the only one
who gets the joke,
or is the joke, me,
because I just don't got it
in order to get "it"?

Am I the only one
who sees the dead,
ancient and newly arrived,
human and other kind,
the living,
sharing the animal spirits
of the Meatpacking district:
some animated,
some haunted,
some summer tanned
some blood drained,
ghostly white veined?    

In this city,
my sweet city,
city where I bore
my first breath,
city where I'll be laid down to
my permarest,
the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray and
dried blood,
interspersed with the
speckled glitter of the
potpourri of human creation.

The Highline, an architect's
composition of summer grasses,
planted in nooks and crannies
waving to the jazzed music
of Manhattan lives,
its history, summer breezes,
emblem of the city's only coda:

Transform, rebirth -
survive and prosper,  
or else,
be slaughtered and die.

Summer 2010
http://en.wikipedia.org/wiki/High_Line_(New_York_City)

Written years ago when long poems were the norm, and inspiration was in the odor of the air I breathed.
Felix Sladal Apr 2017
Yawning mouth of the city beckons
Glittering jagged teeth tearing into
Passing souls
Walking on slick black tounges
Sand beaten breath fogs windowed eyes
The beast we come to love
Even as we live incased in it's cavities
The plaque in the grime of eroding gums

When did you last brush your teeth
Your buildings, starting to turn gray
Your tongue a tad flavorless
Do you grow old, fat, and tired?
Or is that just us?

Changes float on the breeze so subtle
You'd never see them unless you left
People slowly turning to dust
Blowing away
But everything still stands
As if nothing ever happened
We live our lives in nooks and crannies
Ghosts pressed between the glass
Tiptoeing enamel streets

Plush gold chairs and minty fresh
Oh peppermint fresh
Rain trickled saliva slips over your
swinging silk face
Breath, taunting tints of lavender
Your back is straight
Stressed crowsfeet pupils shine
Wake up tomorrow to find today
Your eyes are brown but green
Your mouth is wide but tight
Your grin not as cheap as the others

Everyone starts to bleed together
All traits the same
So very different
You weren't drinking mint
Nor lavender
Freeze frame in memory
Pick and choose what we see today
Who to be yesterday
Next week pickle plum I'll jump through a fire just to feel me, feel you

We're running from something
Day to day
Feels like time, might be ourselves
Your shoulders are curved, the slightest of slouches
Your eyes are oh so green and teeth so straight
Thin lips and a long face
Once opon a time I almost knew you
But not today not ever
Self chained straining towards freedom
But happiness wrinkles you cheeks
Self imprisonment won't bruise the will
Don't listen to me, your far more free than I'll ever be
Whistle to the stars
Shrug your shoulder at life's questions
Look it in the eyes with your peridot irises, tell it you've got this
I wish I know what you were drinking
Rainwater and honey

Your eyes are weary brown
Rosy cheeks blush on bronze
Hair shifts to straw spun gold
You haven't aged but I feel so old
Going places while I stand still
Doesn't feel the reverse though that's the truth, if only in theory
You paint life, I paint paper
I maybe younger but I'm wilting faster.
Is it wrong that I wanted to kiss you
For a millisecond and no more
Atune to a time warp lost in free space

Green eyes Brown
Rigged lines graceful limbs
I'm a overcooked noodle
With a halfcooked plot
And everyone seem so put together
I'll poor the pesto on myself and call
me done.
Eugene OR some time near me birthday 2016
Emerald Proctor Apr 2013
It is only in the state of galvanization,
do I realize what it means to be impervious in youth.
I have a father who stresses to me this:
"Happiness is elusive."
This is the kind of statement that must be swished around in the mouth,
only to be spat back out.
"Happiness is elusive."
It is cause for concern,
really.
I will do my best in order to refuse to believe it,
to believe him.
Happiness is achieved through discovery.
I think that I may have once had a sister (in my recollection she was very pretty).
I was around her whenever it was deemed possible to do so -- it honestly wasn't too often that I could.
In the very nooks and crannies of my childhood,
if I could fall back unto the natural sublimity of it all;
I do recall that I had a sister.
Her features must have been youthful,
from what I remember she was no more than inexplicable.
If it were not so ambiguous,
I might feel more inclined to speak with her again some day.
The past is a scary thing.
I feel pain in thinking of the lengths behind me,
for what I have cultivated is sour.
Recently a good friend accused me of this:
"Being a recluse, spiteful, selfish person."
Her notion both confused and throttled me,
and only afterward did she speak in such a fervently aural tone:
"That is o.k., you're only human after all."
This is the very comment that sliced my being into a duality,
leaving me to write poetry in order to attempt to find higher acceptance.
Wisdom is a well, funny euphemism for delusion;
And in my youth I am impervious.
It is only mildly odd that it pained me to type this.
Marshall Gass Apr 2014
Even if the season of lust blankets loneliness in a tight wrap
smothering those fragile emotions in the winter months
of a lifetime of cyclical wants and needs
waiting for the summer to send its life giving mantras
deep into the ****** soil of waiting,
the hibiscus waits ready to grasp the first finger of sun drenching
warmth to burst out into beauty
above ground and spread its dense green leaves
with crimson flower and trumpet shape
into the minds eye of acceptance.

Soon the valley changes hue as altogether
the trees spring to life shedding their softness
into every nook and corner, crabbing into crannies
and leaping wings of delight into welcome air.

The hibiscus will soon take ownership
of the entire valley bringing to the forefront
our own wanderlust.

Author Notes
Changeover between summer and sunshine.
© Marshall Gass. All rights reserved.
Aye, but she?
  Your other sister and my other soul
  Grave Silence, lovelier
  Than the three loveliest maidens, what of her?
  Clio, not you,
  Not you, Calliope,
  Nor all your wanton line,
  Not Beauty’s perfect self shall comfort me
  For Silence once departed,
  For her the cool-tongued, her the tranquil-hearted,
  Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore,
I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
“She will love well,” I said,
“If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter’s daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition’s lean and inauspicious loam).
She will love well,” I said,
“The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern ***** in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.”

“I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid ***** weaned away,
If only she therewith be given me back?”
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven’s lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche’s lamp out of the earth up-******,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.

There twists the bitter-sweet, the white wisteria
Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters’ laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister’s body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

                        (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
“There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell,” she saith,
“Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.”

Oh, radiant Song!  Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine.

Lift up your lyres!  Sing on!
But as for me, I seek your sister whither she is gone.
Marshall Gass Jun 2014
Clambering and clawing
Grasping hooks, crannies
a crown of thorns
flowering purple red blood
bright fluorescent

she wore her designer nails
to the summer ball
strapless and holding up
her rounded dignity
spoken in a plunging neckline

She flowered
was deflowered
that twilight under a silver orb
whispering ocean fronts

dropped off at her starlight home
sealed that memory
with a bougainvillea kiss
of immense sensuality
and down the drive
thinking how beautiful she was
in making memories.

years later
I still remember the look
of that velvet sky
and the nails that scoured
a language on my back.

Author Notes
Optional
© Marshall Gass. All rights reserved, a month ago
Amanda Mar 2014
Goodness, how many are there in my very heart & soul?

Even I am not entirely sure myself.

What makes me gasp with undiluted surprise and widened eyes is that
you,
sweet-heart,
manage to find each and every single one of them.
You say a shy 'Hello' and nudge the not-so-good softly.

You see me bare & human.
HiHiHi! How are you today, lovely reader? x
I hope you had a great week.
My hands and back hurt from ceramics BUT, it's worth it.
One fact about me: Easy Blusher.
Hohoho.
One fact about you, you and you?
Good morning sunshine, Good Afternoon Madam/sir or Good Night & Sweet dreams where-ever
YOU
are.
The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
          But the serpent of cars that crawls through the dust
          In shimmering exhaust
          Searching to slake
          Its fever in ocean
          Will play and be idle or else it will bust.

The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
          But the serpent of cars that collapsed on the beach
          Disgorges its organs
          A scamper of colours
          Which roll like tomatoes
          **** as tomatoes
          With sand in their creases
          To cringe in the sparkle of rollers and screech.

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
          But the holiday people
          Are laid out like wounded
          Flat as in ovens
          Roasting and basting
          With faces of torment as space burns them blue
          Their heads are transistors
          Their teeth grit on sand grains
          Their lost kids are squalling
          While man-eating flies
          Jab electric shock needles but what can they do?

They can climb in their cars with raw bodies, raw faces
          And start up the serpent
          And headache it homeward
          A car full of squabbles
          And sobbing and stickiness
          With sand in their crannies
          Inhaling petroleum
          That pours from the foxgloves
          While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.
Valsa George May 2018
a storm rages outside
sky, overcast with clouds
fearful sounds echo through
the mountain crannies
like that of shrieking bats in flight
trees shiver under wind’s might

everything around
presages an impending doom
the least pressure would suffice
to let all the hellfire loose

sitting in my dim lit room
with all the windows shut
unable to drown the emptiness
afloat in irrepressible buoyancy
I glance over the balance sheet
of my life

all sweet memories gone
shaking their mane
like horses galloping away

bitter memories
only bitter memories remain!
Harry J Baxter Feb 2013
It's such a beautiful relationship
like birds cleaning crocodile teeth
feeding on what didn't make it to the stomach
these words rely on me
A vessel
and hopefully they don't
act like hermit *****
because without them
I would just be a ***
who drinks and smokes too much
But as long as I have the ability
to manipulate the world around me
in the chaotic rush
of my infinite mental expanses
and nooks and crannies
I can give them life
like a midwife
I bring them into the world
and name them poems
or stories
so that they might live forever
burned in the retinas of strangers
or etched on the wood of my desk
I hope we will always
need each other
Seth Johnstone May 2013
you're on my mind
let me lend you my shadows
let me give you the crannies to sit in a while
and contemplate this kind space called life
because i don't mind the layers that you made on top of my skin;
they kept me a special kind of warm.
I can still feel you from here.

Let that whisper reach you through the depths of my ribs
they rub together like the horse hairs played on a violin
so coarse and yet so finely tuned.
let it lay across them until we pluck the plainest melody that
we have yet to hear because we are too young.

It takes 200 strings to make a proper bow. A violin is a genius saw;
It cuts kind of deep, stroking until we shiver into sleep.
Chris Oct 2014
Creeping in the crannies of every corner
Slowly casting its shadow onto me
Taking control in every aspect
A self doubt holds onto the reins of my life
Refusing to let me be me
Forming a shell around what was me
It is my enemy and yet it fools me into friendship
Either I will realize that we are enemies
Or I will be stuck in the seductive trance of a friend
Not too sure
Jonny Angel Apr 2014
I desire to go deeper
into your intimate-space.

I yearn to travel into
all your nooks and crannies.

I want to decipher
a new language,
implement fresh code
onto your mainframe.

My aim is to please
beyond all recognition.

Can't you tell Sweet Darling?
I'm in love with modern technology
& its swell electric-buzz!
Kewayne Wadley Aug 2018
My love for you isn't just a feeling.
It's a civilization.
It's a group formed in unorganized noise.
A commotion of expression purposely existing
the sole purpose of you.
Living & breathing.
A jumbled language overheard.
Stenciled with each patter of foot.
Every horn honked.
Each lane clogged with the thought of you.
A foundation built from the ground up
in means to explore.
A stone age modernized.
Misinterpreted by the desire of fire.
Protected.
Built upon.
Built into the tallest building, which I call your name.
My love for you is like the plane that flies overhead.
Roaring loud in repetition.
Tedious nooks & crannies.
Places to shop, things to see.
All the things I see when I look into your eyes.
My love for you a province of sorts.
The smell seared in a pan. Best served on a plate for two.
A mix of different pastas, vegetables.
Fried in upbeat cafe, different aromas.
The chit chat different versions of me.
Complimenting the very essence of you.
A new building erected with cranes and steel beams.
Plastered dry wall.
Soon opened for your arrival
Sam Clemens Apr 2014
I find you
In the strangest places
Like
In between the freckles
of her nose -
Curled up to sleep
in the nooks and crannies
of a bittersweet melody
Dipping your toes
In pools of sound -
Or
Shapeless, clinging
To skin bathed in light -
You drip
Letter after letter
Into the palm of my hand
As blue skies melt to blackness -
Sometimes
You sit, cross-legged, peaceful
Up to your neck in rippling whiteness
I can tell you've been
Waiting
Until a too-long stare brought you to life -
Yet
You crumble when I reach for you
A beautiful mess
Your inspiration drifts soundlessly down
Glowing embers
At my feet -
You leak in measured counts
From melancholy eyes -
I breath your colors
Your impassioned purples
The anguish in your orange vibrations -
You reach through the crack of my window
Stardust in your amber hair
My muse
Rock me to sleep
With lullabies of the mind -
You swallow me, in silence
Stare at me through the eyes of my lover
Whisper secrets
When the wind holds its breath -
You wrap your feathered arms
Around all that exists
And bring it to the edge
Of a kiss
But just
For a moment
When I struggle with my writing, it always comes back to little things that inspire me
Arthur Habsburg Apr 2019
I woke up *****
And went to the shop,
I got corn, peas, chopped gherkins,
All canned,
I raided the reduced section like mad,
Got some cheese
And some ham
That I won't allow to go bad,
cause I'll make a ton of salad
Out of this myriad,
For breakfast, munch and evening feast,
It'll last a fortnight at the very least,
I can top it up with this
Foul smelling liquor I brought from the east,
Among the other mementos in my cellarette,
I could have a party in my ******
In my kitchenette,
My flat is so hot I could sign post it
'sauna to let',
But the swingers here don't speak a word of
English,
One time they took their ya-yas out
And called ME a delinquent,
As if I've got a funny kind of pigment
They can't live with,
I've tried to put my finger on it
But I don't want it to get stinky,
I think they simply haven't got an inkling
As to what and why they're thinking,
But never mind those pinkies,
Let us go back to my shopping
Just as it was getting *****:
Before my skimpy trolley glided to the checkout,
I got a ticket for my pfand,
Which measured fairly to my pleasure
Of having my alcoholism,
Which is confess is merely leisured,
Redeemed into a form of solid ******* treasure.
Throughout the years my drinking
Let me celebrate the fear
Of lack of meaning,
It made friends out of strangers,
Lovers out of friends,
Ex lovers out of lovers,
Clowns out of boring people,
It made a clown out of me too,
My drinking took my money
And gave me a suspicious act
To cling to,
It made me a legless athlete
In a race against the future,
It excited me with waterfalls of chaos
Bursting through cracked normality,
It pretended to bring Arcadia
Into the ruling technology,
It invaded Scandinavia  
With lawless Somalia,
It put peaks and crannies
Into the dull landscape of
Nord Rhein Westphalia,
I have a whole worthless encyclopaedia
Of what my drinking did to me,
Page after page of random numbers
Makes for a baffling read,
I don't know if I should frame it,
Burn it,
Or get some ****,
My drinking always gave me an excuse to smoke,
I puffed my hours into nothingness,
Laughter & loneliness,
A condition of no ambition
Made life itself seem like a superstition,
But I don't want the repetition anymore,
Boredom is but a bed sheet of a sore old *****,
A stifling breath of a handicapped mind;
But
Being now so temporarily poor
I find it easy to smile
As the cashier counts my pennies
Making the citizens in line
In their Jack Wolfskins and denims
Very uneasy,
Men & women of the Rhein get seriously queasy
When they see a foreigner like me
Simply taking it easy,
You know I had to break my piggybank just to get here,
I crossed a red light when it was all clear,
I have no bike lights - I just disappear,
Who knows what is it that I do inside the night?..
Could be something good,
Might be something bright..
Anyway,
I got my receipt,
Said my 'schön Tag' alright,
I should have said 'schön Abend'
But I guess I'm not polite,
Then I rode in the street,
My bags dangling left & right,
Balancing my act
Under the waning Eurodollar moon,
Some react badly
when they're given **** to spoon,
But my lack of money
In fact makes me feel immune
To superficial cravings like
iPhones, clothes, perfume,
shavings, shoes, tattoos;
I'd rather spend a fortnight
In the arms of David Hume,
Than stopping by at Rügen
On my way to Cameroon,
On a beastly ocean liner,
With pommes and Pauliner
Supplied ad infinitum!
I don't know my own mind,
I's time to take a trip down the ol' cerebrum,
While tickets are at a minimum
And the season is at a premium,
I'll tame my tantrums without ******,
I'll let my maelstroms guide me to a podium
Of perfect equilibrium,
I'll get a glimpse of wisdom
By watching my own delirium,
I'm serious about this.
I don't reminisce about the years
I dismissed by watching television series,
Dumbing down with the Big Bang Theory.
I feel so blessed to be weary
And out of breath
From the long hand of entertainment
That wants to tickle everyone to death,
It's an epidemic worse than crystal ****,
But it's not hard to shake the fever.
Only a ****** was born to be a ******,
Man was cursed to be a dubious believer.
So kiss my feet
Or chop me with a cleaver,
Nothing will stop me from becoming an achiever,
Nothing but the habit pattern of my own demeanour.
J Patrick H Feb 2013
What is that reality that appears to me in dreams,
chock-full of misgivings and doubt. I counteract my fear of life
with my fears of slumber,
dust in my eyes and stiff as lumber.

In truth - I'm not stiffened
by fear,
by nausea,
post-pubescent sacrilege,
or all of the above.
I'm not up-kept,
grizzly with ennui;
I'm dizzy, confiding my loss.

I feel the lips that kiss
but can't be drawn: from mind,
stencil
paper
pen,
on sheets of thick
pale and
cellulose,
for the heart to mend.

My unsteady hand
is my fearful friend

A soft embrace
from a warm mind

Somber
and so full of Life
clung to by the scent of Death

Endowed
with an eternal promise and regret
from veins of plants
or the glow of stars.
Cold, mechanical debt.

(my heart, so full of...)

(my mind, so hot with...)

(my body, trembling in...)

I am gulf-like
a stream full of trees and glass
echoing a promise of shattering wind.

Will I be published
after my death,
asleep predating, a life conceived.
Will I live to see myself alone,
and to discover
that which I'm not?
Or will I stutter
and wallow a curse,
Up towards the sky,
Until the final verse.
On a boast
or chasing the Rail,
pale as dirt, and shallow still.

Will my true love abandon,  break, strain,
Burn away the wax,
or hurry to blame?

Omit my evils from the star-charts,
then just to vacate the void.
From the half-broken corridors of rocks,
nooks, crannies.
Carry laughter through the night
burn the effigy bowed-down,
before dawn's courageous,
ever-splaying light

Angels,
of Carlo and Marx,
plenty by noon
festoon,
again by day
thus replay,
Endeavor to infinity, fair child.
Remold the light by Day
and remold the Day
by Night.
Michael Hoffman Jan 2013
Every morning
I feed the mewling cats,
chug my hot instant coffee,
sit at my rickety linoleum kitchen table
and peer hopefully out my thin window,
through the cracks in the glass
beyond the rusted screen
into the acres of wet trainyards and commercial blocks.

There in one non-descript grey building
underneath the watertower
beside the Sheriff's substation
a band of laughing saints
craft delicate malas of lapis
and manzanita windchimes
while diaphonous angels all a-hover
manifest vast verdant grassland prairies,
great ocean waves, sunsets
and spring flowers hidden in rock crannies
where nobody will ever walk,
and they launch grand air balloons
bulging with epiphanies
that may drift my way.
Kewayne Wadley Jun 2019
Waiting for you is like
Being the passenger on a bus next to the window seat.
No matter how crowed it gets.
No matter the amount of stops the driver makes.
Being next to the window is the best seat.
Viewing the world inside out.
The nooks & crannies, a part of you that is rarely seen.
Being the passenger
Lost in thought.
Waiting for you gives a certain sensation.
The sensation that there is something to be had,
building great anticipation.
Giving a chance to sit back & reflect.
Thinking the thought of maybe if not this stop.
Maybe it's the next when the driver finally hits the air brakes.
Being the passenger next to the window.
Viewing the world inside out.
The nooks & crannies, a part of you that is rarely
seen.
But eventually every bus has to make it's last stop.
No matter how long the ride
Terry Collett Nov 2013
The rosary slips
between fingers,
pushed by thumb,
prayers said, saying,

praying. The nun
feels cramp in her
thigh, ache of knee.
Bell to ring, light

through crack in
shutters, seeps.
Like that time in
Paris. Young then,

bells from some
church, he saying,
we must visit the
Sacre Coeur. Did,

too, later, their hands
holding, thoughts
of love. That thin
sliver of light through

cracks in that shutter.
He beside her, body
warm, hands folded
between his thighs,

prayer like. Pater
Noster, thumb moves
beads, skin on wood.
And he said, Paris is

built on the bones of
the dead, he looking
straight into her eyes,
dark eyes, pools of

smooth liquid passion.
The bell rings, Matins,
she thumbs away the
last bead, prayers said,

on flight to her God.
Knees ache, thigh crampy,
she rubs to ease. He
rubbed like that, her

thigh, his hands, warm
and slowly. Rubs slowly
now, she and her hand,
to ease. Pain, what is

it for? Questions, answers,
always there. Coinage,
pain, to pay back, debt
for sins, hers, others,

here, in Purgatory. She
ceases to rub, puts rosary
down, lets it hang from
her belt as she walks from

her cell(room) along passage,
down stairs, not to rush, said
Sister Hugh, not to rush.
She holds up the hem so

as not to rub. Into the cloister,
early morning light just
about to come over the
high walls. Chill, touches,

hands, fingers, bend, open,
bend. He showed her this
trick with a coin, his hand
open, the coin there, then

he closed and opened, and
it had gone, vanished, had
mouth open, and he laughed.
Never did show how was

done, have faith, he said
laughing. The cloister, walls
high, church tower, red bricks,
flower garden around below

the walls. Silence. She learnt
that, not easy being a woman,
tongue still, interior silence,
also, Sister Josephine said,

inner silence. Harder to keep,
the inner voice hushed. She
passes the statue of Our Lady,
flowers, prayer papers, pieces,

tucked in crannies, under flower,
vases. Santa Maria audi nos.
He was coming to her, took
her in his arms and kissed her

lips, that cold morning after
the party, Paris, art, music,
it was all there. She enters
the church, puts fingers into

stoup, blessed water, makes
sigh of cross from head to
breast to breast. Sunlight seeps
through glass windows, stone

flag floor, cold, shiny, smooth.
His lips on hers, flesh on flesh,
tongue touching tongue. Long
ago, best forget, let it go. She

sits in her choir stall, takes up
breviary, thumbs through pages.
Prayer pieces of paper, many
requests sent. This one's mother

has cancer, deadly, her prayers
requested for recovery. Not
impossible, faith says so. But
she doubts, always the doubt.

She'll pray, ask, request, ask
God, for supplicants request,
but God knows best. He sees all.
Knows all. Knows me, she

thinks, better than I know myself.
Cogito ergo sum, Descartes said,
and he said it,too. He in his
pyjamas, so ****, uttering the

Descartes, hands open. I think,
there, I am, he said, I am,(naked)
therefore, I think. He laughed.
Other nuns enter, take their place

in choir stalls, sound of sandals
on wood, books being opened,
prayers whispered. Bells ring,
Mother Abbess, enters, all lower

head. Where did he go after
having *** with you? she never
did know, not then, some things
best not known. O Lord open

my lips. Shut down my thoughts.
She makes the sign of the cross.
Finger, *******, from
forehead to breast to breast.

Smells, air, fresh, stale, bodies,
old wood and stone, she standing,
praying, all together, all alone.
allow me to celebrate the ant
summer miscre-ant in my kitchen
picking up pieces of pieces "to go":
a crumb of Meow Mix, a crushed Cheerio;

applied the usual eco-safe spray
detecting this way too feint for they
amassed to quest their innate objective
exploring and toting the prime directive;

hymenoptera tents with doors
four on the floor: cafes of poison
for caulking the cracks in the walls hadn't solved
the stay-past-your-welcome guests involved;

soon numbers diminished but still a few
creeping through unrepent-ant
I swept thrice per day to starve them out
yet brooms are too thick all crannies to rout;

surrendered and wondered, perhaps they are teachers
attempting to bypass my brainy block
too thick to buzz with what the ants know?
I squat as a toddler to take-in their show;

for hours observing them (off and on)
until an implosion of comm-ants sense
challenged my globalized conception
exposing my mind to ant redemption;

the ant is now my writing totem
trouble though they'll be next June
within this mantra is what they knew:
one moment one crumb to carry and chew;

insight's relative I realize
ants have their own frustrations with size
but ponder the ant when writing time's little:
at peace with a piece of ant-agonist vittle.
Yup, true story.

Copyright 2004 JB Marshall
Meredith Oct 2013
lips like magnets
hands like puzzle pieces
eye contact unshakable  
I lean forward
bite your bottom lip
looking for solace in your kisses,
but you pull away.
I am wrapped around you
my  bare thighs embracing your **** hips
our stomachs pressed together
yours strong against my hills and valleys
our hearts talking to one another
through synchronized heartbeats.
my elbows are perched upon your shoulders
hands tickling your hair as your nose
presses against mine
causing a ripple of shivers down my spine
at the realization of something starting.
once again you pull away
and I push my face towards yours
begging to be kissed.
you touch your lips my cheek
and then my jaw
you connect the dots from the scar under my chin
to the winged curve of my collar bone.
I lean back as you trace my neck
moving down the lines of my muscle
you kiss me across my chest
and with every peck my longing for your lips on mine
becomes stronger.
you return to your starting point
and pull away
leaving me whining and pulling at your hair
asking for that taste
that your lips allow
you sit back against the pillows and look at me
tuck my hair behind my ears
and sit up fast
pulling my face to yours again.
our lips make contacts with full force
mine mold into the long memorized shape of yours
fitting perfectly in the nooks and crannies.
almost instantaneously
our tongues shake hands
and I wrap both my arms around the back of your head
fingers lost in your tangle of hair
I kiss you harder
squeezing tighter
the space between smaller
urging our lips closer
love and passion mixing in the fiery heat between us
and I’m wishing more than anything to never stop.
on we go
with this dance our lips have memorized.
when we finally finish
our lips are chapped
tired from this exercise
I fall back onto your chest
and there I lay
exhausted but
satisfied.
F White Mar 2011
I sit by myself
My feet fit in the space
behind the rows
my boots feeling
the stick of leftover
pop
residue of someone else's
night out.
when the blue and black
of this giant space
comes up and the
sound invades the air
around my shoulders
I settle
and let the thinness
of fake light
triumphant music
and the emotions
of beautiful
sociopathic creatures
fix and fill
the holes and
crannies in
the road of
my lonesome
soul.
Copyright FHW, 2011
Hands Sep 2012
I'm tired.
Some nights,
I don't even sleep, anymore.
Spending hours with eyes staring blank,
spacing out into my own empty spaces.
Sometimes, in the darkness
of the midnight,
I explore these places,
these hidden nooks and crannies
of the inner stores of my deepest selves,
spending hours upon single places;
my own empty spaces.
I've grown tired
of this waking stupor
and the life that surrounds it,
the reality that permeates everything
like the patterns in deja vu,
the trends in dreams.
I walk blindly,
aimlessly throughout
hallways boobytrapped with people,
emotions that lie in wait to jump out, to pounce.
They want to jump out and jump in
to all my nooks and crannies;
these same special places,
my empty spaces.
I don't recognize people,
anymore, don't connect, don't relate.
My brain has been fried from late nights and days
that asked too much of my fragile selves,
looked too hard for places to shove
their doubt; their special places,
my empty spaces.
I feel tired
of this mortality, this flesh
and blood and bones that only assemble
due to the random collections of particles,
the creation of bonds and repulsion,
electrical tugs with not pattern.
I shove my being into
these places,
my special places,
my vain spaces.
They don't know about their
lack of existence, so we can wait,
we can watch and resume this trend of
using and being used, of assuming
and guessing all the answers
to basic behaviors,
the layout
of people and words
meant to trap me within my
own mind, my own paranoid insomnia
and my gaps of humanity,
rushing to be filled
with imaginary
electricity.

I haven't slept
in far too long.
The locals knew someone lived on the face of the cliff
it was a legend past down from father to son in whispers
only at night could someone see him by the light of the moon
yet as slowly as the sun climbed above the sea, he disappeared
Many looked in crooks nooks and crannies
but the search was futile and much in vain
yet now and then in the depths of night
some did hear his distant forlorn cry
Many had heard his wind swept pleas
his sad lament was always repeated
oh mercy give me perseverance and strength
for all my sins I do repent, by the marrow of puffins bones
By Christos Andreas Kourtis aka NeonSolaris
Phobial Oct 2013
The sky transformed in a matter of seconds
From a bright powder blue
To a sickly gray that reminded me of my darkest days.

The teardrops from the sky came trickling down
bit by bit
Slowly picking up speed
As I could hear the pitter patter on the window sills.

I walked over to my window to watch the show.
To watch the raindrops maneuver its way
past the nooks and crannies of the trees
and soak up into the ground.

I noticed something odd.
Right outside my window, lied a spider web.
A huge one, about two feet in diameter
And in the center, sat a beautiful maroon colored spider,  curled into a ball to protect itself from the penetrating water droplets.

The web had to be one of the most
beautiful creations I'd ever seen.
How could something so minuscule
Create such a wonderful piece of art all on its own?

But as I was looking at this web
I was watching something devastating.
All of the spider's hard work
Was being battered by the rain.

The web was shaking violently back and forth.
Surprisingly, it was remaining mostly intact.
Unlike the fragile spider,
Clinging onto the strings of its creation for dear life.

The rain continued beating down
As I stood there admiring the web's strength.
The web was withstanding everything the storm threw it's way.
But its soul, the creator, didn't seem strong enough to.

The storm faded away.
The web, a little beaten down,
managed to stay strong enough to survive.
The spider, however, did not.

This reminds me of myself, you know.
Beaten down with words, mockeries
Beaten down by my past
My memories

I keep my outer shell perfectly intact
So that no one knows what is really going on inside me.
When in reality, my soul is dying.
My depths are shallowing, just like the spider.

I am not the only one like this.
I was oblivious to this fact
Until I watched this spider
Take his last breath before drowning.

Why couldn't the spider be as strong as its outer shell?
Why can't I be as strong
as I make myself out to be?
Maybe I'll find out one day.
Artemis Jun 2019
a willow tree,
unlike anything i'd ever seen before.
there were fairies in the branches,
and they would rest in the
nooks and crannies
on little beds of
leaves and flower petals.
the mountains behind my house were
sleeping giants,
their forests were riddled with
elves and spirits of the wood.
there is nothing more i need
than the sunflowers fields
and a story from the sleepy willow.
Paul Cochrane Feb 2017
The green handbag,
Clutched close,
Constant companion,
Matching clothes?
Not always.
Where did you go today?
The green handbag,
Loose change,

And pension book.
Made up?
Take a look!

Where did you go today?

The green handbag,
Memory sac of
Nooks and crannies,
Papa, Grandkids,

Aunts and Grannies.
Where did you go today?

The green handbag,
Held to heart,

Perched on knees,

A medicine chest,

With pain to ease.
Where did you go today?
The green handbag,
Where did you go today?
Pointless question, Usual answer.

As ever ­ ‘Up the Toon!’

Too soon,
Not today.

The green handbag,

Not clutched,

Nor held,

But at the foot of your bed,
A reminder of hope,
Where did you go?

Today,
The Green Handbag,
Sits at my Dad’s feet.
A monument to love,
In fading verdigris.
The green handbag was my mother's constant companion in the last years of her life.
sharon Aug 16
heart turned as heavy as metal
sinking down, it's an uncanny battle
stomach twisting, can you feel it contort?
someone once said that life's a contest of sorts

I've created stories patented for myself
yet they still belong to somebody else
I've found love in nooks and crannies
only for it to be ripped away potently

with confidence, I'll make my move
only to be checkmated with crude
I'll pack my belongings in a metal crater
my head's been submerged underwater

chlorine stains the tips of my hair
I close my eyes and she's not even there
the crowd thinks that they might know her
scream the chorus, play the player

when will you see that the glass's been shattered?
she's viewing herself through minuscule scatters
do you not see that her head's a mess?
she's losing the strive, won't be the best

history is repeating
can you feel the wind?
cold as ice
while she's paper-thin

they drag me out of the pool
unwillingly, I go
the men are worried
the women don't show

the poison burns like fuel and fire
life's a train, it's advancing forward
I imagine myself walking through compartments
everyone's now in a different department
Mike Hauser Mar 2014
They come in many different sizes
Different colors, different cuts
All purebred from Poodle planet
No mixing of Martian mutts

Innocently enough we let them into our homes
Now with too many it is to little to late
We've been taken captive without even knowing
By Poodles from Outer Space

Soon, very soon to take over it all
Ruling the world of common man
Getting us to do their bidding at every call
Has all along been their dastardly plan

Leading us to believe that we are the Masters
But what is really behind the bark
And what's up with all the tail wagging
Just waiting it out while playing their cards

And the crazed frenzy in all of the yapping
That they do while roaming in packs
Is just giving away their location
So the Mother Ship knows where they are at

As it continues to circle our planet
In the unassuming shape of a Milk-Bone
The Alien Poodles are in cahoots with Purina
Google it, you'll see I'm not wrong

Years ago they first landed in France
Where quickly they blended in
From there is where they ventured out
Into all the major Continents

Now in every corner of the world
In all of its crooks and crannies
Saying hello to those in the know wherever they go
By their Planet's greeting...the sniffing of *****

Yes, they are Poodles from Outer Space
So toss that dog a bone
If you ever wonder who is in charge
And who it is that's owned...
I have 3 Poodles that own me...
I swear they're Aliens...
PrttyBrd Jul 2010
Waves roll onto the shore.  The sound, soft and steady but not perfectly so. Far enough to watch outside the halo of town. Yet, still within reality's grasp. Warm sand embeds itself in nooks and crannies. The balmy breeze blows tresses free. No longer constrained and swinging wildly in the evening air.  Enticingly yellow sunset with clouds like meringue and white smoke.

Painted golden sun
Sleepy on the horizon
Awed into silence


A short drive in God's hands and it seems a better place.  That buttercup and frothy sky heals unknowingly.  Lapping sea and glorious firmament are proof enough.  What is faith to a doubter?
copyright©PrttyBrd 28/07/2010
Mateuš Conrad Apr 2020
.and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...


high-brow my ***...
         because iron maiden's phantom
of the opera... did... does... predate...
andrew webber's stab...
                 hard rock 'ammer...
       as in... a paul di'anno bitchboy
                 scant-gimpwhore fan... etc.
the castrato operatics... later...
n'ah...               but that's oh so much
an origins story...
                    and hardly the evolution...

- that the phantom of the opera stands on
a skeleton of three songs...
revised...                morphing...

perhaps not, not that they are songs...
i'd have to sharpen my scalpel for
attempting the smithy deeds on words...

a skeleton of three themes...
       thus noted:

               "angel of music"
            "phantom of the opera"
    and... last but not least:
                     "masquerade"...

what a day... or what wasn't expected...
no one ever told me that:
a musical per se... differs so much from
a musical: for the stage...

by musical...
                 i'd be shaking to conjure up...
the screen musicals of a west side story...
etc. -

            and one can easily so tire of
this trap...

  and what of the internal jokes?
jokes at the expense of the opera...
              - poor fool, he makes me laugh
       - hannibal...
quite the jokes...
   having to draw the blood from
the mundane talk elevated to an operatic
context of song...

that a musical is... somehow...
when opera can be reduced to talk...
and can be thus reduced to:
the joker in a hand of poker...
   a whimsical little card...

the 25th anniversery of the phantom
at the royal opera house...
one can somehow forgive the electronic
attaches of the overture...
whether the electric guitar of the drum
machine...

   like one can forgive:
                 nirvana's unplugged...
at the end though...
   even andrew webber looks perplexed /
nervous... how did we get away with this?
i don't know:
the only style of genre that...
actually requires a stage and props...
and ample volume of space!
a theatre: since otherwise...
opera: pure technique...
                and prop minimalism...

and...

because can a musical: not require a stage?
does it indeed feed too many images
that need to be attired with quacks...
with feathers... with leather boots and chandeliers?!

now i'll toast! i'll toast to a new reason
to go down the alleys of ah bit tipsy:
itsy bitsy sniffing a bottle neck...
bloated from a champagne cork pop!

truly... if only the stage...
   that allowance to perform a performance
a need to perfect: always never:
the editor in charge...
   all those out-takes left to what life is
left behind the curtain...

     the musical of the movies of h'america...
whatever they might be...
to name but a few would be best...
           and if i didn't first see the phatom
on a television screen...
but in its natural environment:
with the volume of required air...
     i wouldn't have been able to choke
my tears...

and i have seen the theatre
and i have seen the opera
and the ballet...
                            i sometimes...
"sometimes": wearisome...
try to forget the maggot pit of phelgm,
sweat and ***** of a rock concert...
        of all the mediums...
         this jumbled up swedish table platter...
what a cocktail of a rollercoaster!

i could forever take off my garments
of jealousy: of which there's that pitiable
affair of a beard-envy...
                well...
                           well well...

how pristine: they even had a music-box!
in that crude relief of finding
"revisions" and alt. interpretations
of... perhaps it's only a matter of
two themes and that overture?

             and if it's song and dance...
       it's not a candy-smiles and tap-dancing buffet...
it's opera and ballet...
because... it's opera:
                 ha! empty these cupboards!
no one needs to attend an opera
like a foreign language movie:
with subtitles running on a FTSE100
reel above the stage...

                      the musical: is the reinvention
of the opera... a musical is an opera...
with mild added animation of theatre...
and there's a pinch of ballet!

          this will most certainly not translate
into me liking cats... or les misérables...
       this will do...
                   sing-along / sing-through?
and everyone is, suddenly... equipped with
a deciphering ear to translate the over-infuated
vowels of an operatic breath?!

- and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...

- but if someone would tell you...
a musical... west side story? yes?
     i'm pretty sure it would be all about:
singin' in the rain... fair enough...
             but all for that popcorn entertainment...
and the tap-dancing...
and chewing-gum advert smiles...
and all that technicolour dabbling...
and all those heavily bothersome editing
processes... like... the plumbers
most associated with veins and arteries?
sorry: the romanians are picking the fruit
and veg for the next: x-factor star...
the next youtube vlogger breakthrough chart
topper...

blunt and ******* obvious...
      and how has english changed since Dickens?
i made a note of...
because i will not make notes
of what's already passed...
a direct etymological association with a loan,
word...
  not from dutch, german or french...

       SA-LU-BRI-OUS
            (healthy...)

                   PER-EM-PTO-RILY...
         (not being permitted a denial)

that 19th century victorian english that...
just had to loan words directly from
latin... this much of reading Dickens remains
in me... after having just experienced
a blitzkrieg of a musical: proper...

there are still the same old nooks 'n' crannies
for me to find shadows and moths
in...

    because: i am most certainly the one
about to cite: they took away my circuses!
and m'ah bread!
there's no football! well... no football?
goodness me! what are, what are...
the alternatives?!

         opera you can... disregard...
theatre if... movies are your...
ahem... sartre's curiosity with the keyhole...
voyeurism: to exist is to be seen...
but only through a keyhole...
                     which movies aren't, of course!
the editor comes in...
even in the golden age of cinema...
the panoramic view... resembled a stage...
and in the old movies you could
time... the editor taking charge...
and how long it would take for
the actors to forget their lines...

            not that that matters... given...
there's no stage... but the red carpet
of postures and toothpaste adverts...
and paparazzi *** epilepsy from the strobe
glitter ball of the leeches congregating!
not even vultures make such a spectacle!
i saw the same...
then the concrete was layered with enough
frost at night...
the crevices would become impregnated
with diamonds of ice...
every twist of the head would
agitate these sparkles toward imitation
of a flash!

there's a "musical": in the advent of the h'american
sense... and there's: a musical...

- and if you happen to hear a subtle joke
by evelyn waugh in the meantime:
at the better for you...
              what is an encyclopedic "ogling"
within the confines of scrutiny:
that man may forever be attired...
and the genitals just dangling like
champagne flutes without any,
any sort of, scrutiny of...
not having to play the Oedipus!

               here's a fork... here's a donkey...
here's a spoon... here's the Schleswig-Holstein
and its siege of Westerplatte!
here!
   the Schleswig-Holstein tenor of
                           the opera: Westerplatte...
oh joy: a "my" in a "history"...
and none of it an affair that might...
disturb the peaceful lives
of those lived: under the splendour
of a charles II and a handel firework's music
to have to somehow: "put out"!

clearly: i'll be dying from the ******
of all the collective forces of the universe
and gambling and... oopsies...
i am here... and it's not that sort of grey...
pistons assured!
- had i the face of beauty...
beside starring as a tadpole of potential...
a voice with a stage to make outlet with...

- what could ever become of this...
jigsaw puzzling overdue do...
                         the narrative in the classical sense:
hardly what, and what not:
this vector and the in-between
from some mythical (a) toward a journalism,
and weekend opinion pieces...
and all that insomnia riddled "journalism"
of the current year of crux denoted with
a (b)...

               all true: from darwin and the "big bang"...
and of course... time shrinking...
in between... beside carbon dating...
and let us not hear of things speak
for themselves: but ourselves!
untrue! hercules!
untrue! prometheus!
untrue untrue untrue!
but darwin and the ape: nod! gentlemen!
we have proof!
myth or no myth: but a journalistic integrity!
that's enough proof! for today and tomorrow!
and... what's not the fiction that's already
memory?

and what is... this imagination that's...
not a single street witnessed of Paris
in the circa of the year that was... 2004...
or 2006 or 2007...
                      
for the art... and this detail of science that
once upon a time shocked...
now... only comes... burdensome...
a ballet on ice... a shaking of hands with
a shadow... something beside this:
base revision of culture and civilization:
this bogus lopsided quest for:
re-inventing... nothing more... than a zoo!

so little must have happened in the case
of english history...
this hannibal and the mountains...
but what curtain: the great wall of china:
built among the mountains...
ingenious: doubling-up?
  xerxes whipping the waves of the aegean...
the great wall of *****-chewing-wall'ah...
i dare become the new albino...
i dare... and i the next japanese porcelain
frailty...
               many thanks: for the <caugh caugh>...
hooray!

              oh my mother:
the cindarella of nations of europe...
         i seriously can't do much worse than
that cocktail and carboot sale of tchaikovsky's
1812 overture...
   it's an overture!
              
really? the phantom of the opera is because...
of the overture?
last time i heard... prokofiev's lieutenant kijé
(kij - stick... kije... sticks)...
romance... was all a rave! "rave"...
              a nibbling at a crescendo...
    but hardly: then again: a nomad chorus...
a reminiscence... a memory lost: yet foretold...

and if... the anonymous provider...
of the full extent of the carmina burana...
      what if?
        i play... this cliche... this... my most
democratic oath: for the bettering of the voice
that could allow the congregation of
the many! my democratic oath: my quasi:
civic duty... me joining the club of the most
sober bottom's-up! pick'ld-week!

                 such are the affairs... hardly a worthiness
of a frenchman of pander...
or of being so blessed by an island...
when being neighbour of europe...
and easily bound to be found because:
france never too interest in the robot antics
of the scandinavians or what
was ever to be assured by iceland!

thus came the crude: skeleton waiting
to be refined... a peter schteele interlude of:
fancying a giant to a tumble...
i will not satisfy myself with a biography
outside of the realm of immediacy...
how do people write a biography without
the peacock of whim and of what's readily
available? a biography with a past...
automated: futurism... n'est ce pas?

         - i escape for the transcendental relief in
beauty... my own lack...
therefore better neglected: rather than denied...
it's my own that Belzeebub should
****** with maggots and acne synonyms onto
my face...

          i escape for beauty... not... sorry...
pardon my fwench: a ******* conversation
of the paupering sociopathic sort of
a job trotter sordid kin'!
                  if only crocodiles could cry...
they'd be warm-blooded...
and i would be year after year
an oscar nominee for a toast
of best actor at the oscars!

          pity... pity and the subsequent
dumbdrum!
                no! i do not want to guillotine this
affair with the autobiographic as long
as i am drinking and not any champagne
in sight... or... schnapps...
              
i best be off... this is enough frivolity
of the heart for a day's worth!
Priya Patel Jul 2013
My mind wonders
meandering painfully
through nooks and crannies
reading through words and sighs
worrying about what
is worrying you
Not at all confident in where I stand
Not at all full of any fully formed ideas on the matter at hand
I am unsure
That I am
Who I think I am
That I am
What my hands create by their actions
If I am forming my own dissatisfaction
I
Get lost
In the
Mazelike craters and crannies of my wandering and cynical mind
As it fluctuates to attempt to avoid the pattern of divine
Revelation that just might bring my doubt, wandering, and day to a point of
Disintegration,  I suppose this is a twisted and muddled form of self alienation
Maybe. . . Or am I mistaken?

— The End —