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MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-***** sisters
marked me Byron's daughter.

No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
     yea, though I walk through the valley
     of the shadow of death
     I will fear no evil.

II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven     in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her     too late
surrounded with new sons?

Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.

My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.

Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?

When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?

III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load     whispering.

Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters     abandoned
as you had been abandoned
by another Black woman seeking
her fortune     Grenada     Barbados
Panama     Grenada.
New York City.

IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.

V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"

Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?

Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
jenny linsel Jan 2017
My Grandmother's Hands

My Grandmother's hands told many tales
Of scrubbing steps and broken nails
Hand-washing clothes in enamel sink
Red football socks turned white towels pink

When not baking cakes at the old gas stove
Rag-rugs with old scraps of material she wove
Pantry shelves filled with powdered egg
Homemade rice pudding sprinkled with nutmeg

Sea-coal burning on an open coal fire
Bread on a toasting fork burning like a pyre
Grandma plumping up pillows from beneath granda’s head
Applying ointment to sores caused by being confined to bed

Hours spent at auctions bidding with her hand
Buying an incomplete bed wasn't what she planned
Back home in time for tea, crumpets and homemade strawberry jam,
I can still recall the smell of it, bubbling in the pan

Switching tv channels with a flick of her wrist
That’s how we did it back then, when remotes did not exist
Working hard all of her life, meeting everyone's demands

Every line and wrinkle told a story
On my Grandmother's hands
Raven Quill Jul 2017
People’s rhymes sold in auctions, please take caution
Of the window washing smileys panhandling toxins
Give no option, moshing many minerals
Cocktail parties are more hardy maybe visceral
Rock the mini marts when the boys tumble out
To cull clerks hurtin’ in no cocktail lounge
Shout outs as loud as the whole neighborhood
Mounds of scatter chips blitz grub to scrounge
Shout out to the clerk, sorry we’re super drunk
How bout not being a dupe or **** you entertainment monks
Who’d of thunk these the spunky thinkers of tomorrow
10 minute challenge
Michael DeVoe Feb 2010
There is a man at the coffee shop I frequent
He sits in the same corner in the same sweater
And hasn't missed a day since I've moved there
I've never seen him order a coffee, but he always has one
Never seen him eat, but he isn't small
And all this man ever does is take notes
He's got a pocket size notebook
A twenty five cent pen and a mustache
And the only time his hand stops writing
Is to take a drink of coffee
He's not normal
I could tell it the first time I saw him
He writes like chipmunks eat
Keeps it close to his face
I hope one day I'm flipping through case studies
And find his
It'd be about interactions
Or communal relationships
Or some fancy way of saying strangers don't talk
They only judge from afar
It'll have won whatever literary prize they give for that kind of thing
Changed the way people thought about each other
Books will be written about the book he wrote
And his little notebooks and twenty five cent pens
Will sell at auctions for thousands
But that's wishful thinking
He's different
I knew that the first time I saw him
I've gone through a lot of scenarios
Character development for a novel
A series of short stories derived from first impressions
Of everyone who comes in
A poet without a laptop
Maybe even a hit list
But he's unusual
I knew that the first time I saw him
This isn't something normal people do
He isn't making believe
He's making friends
I imagine he hasn't had too many in his lifetime
He's probably not been very good at it
So now he's just making them for himself
Taking notes on their likes, dislikes, interests, hobbies, occupations
Eavesdropping the CIA would be jealous of
All so that after closing time
He can go home to his studio above a repair shop
He pays for with social security
And have conversations with them
I can picture his closet full of clothes
Male, female, juniors, adults, maternity
He talks to an empty space on the other side of the room
“Hey, how's your day?”
He takes off his clothes puts on a dress
Walks over to the dead space turns around and says
“Good, hey you look sad is everything alright?”
Takes off the dress, puts his clothes back on
Walks back across the room
“Yeah, it's just that Gary works in engineering, I had him pegged for a dentist”
Changes again
“It's okay, people aren't always what they seem,
Besides I like engineers better than dentists”
“I know” he says back to her
“That's why I think he'd be perfect for you”
“Oh no, no more blind dates”
“Yes I'm serious I think he's the one for you”
“I do so bad at these things”
“Well I'll just have to ask him for you, are you available tomorrow night”
“I guess”
He changes into a third set of clothes,
Then a forth,
A fifthAnd before the sun comes up
There's been a marriage
A hockey game
A lecture on physics
And little Tim had a cello recital
He's dangerous
I knew it the first time I saw him
One day Nikki won't answer his phone calls
Sam won't have a new lecture prepared
And he'll come back to the coffee shop
And make them,
Teach them a lesson,
Exact revenge,
Or maybe he'll just throw away their outfit
Either way ****** is just a mind set
He could win an Oscar for his portrayal of any regular in here
But they've all disappointed him a time or two too many
He's not that different
I've learned that over time
He's got more friends than I do
But none more alive
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
tomsout001 Mar 2013
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Julian Jul 2020
Although flummoxed by the gabble of hibernaculum I seethe with the verdant quiddity that is a cross-pollination that spans the gamut of historical memory and owns the usucaption of infrastructure equipping our bootstrapped capacities of literacy tethered to the ecumenical capacity for proliferation through amplified discernment that percolates at decorative gallop into the stridor of unified apothegms that quantify the visibilia of the broadened universe into the nexility of formula bounded by the parameters that equip synergies of space-time to envelope its own reification and magnetize urbane freebooters of coalescence to grapple with the ineffable mathematics of absorbed losses in the human fraternity becoming overlooked because of the providence of shepherded acrimony to escape the oblivion of barely marginal exponential extinctions of impropriety into fast-paced panoramas of expedited dalliance with optimums constrained by the effluvia of hinderbaggle which exist only by domineering mercurial lability of manufacture enabled by the siphon of Promethean reason to catapult the slogmarch of advancement by punctuated achievements registered by canonical gravitas to revolutionize society in longevity and interplanetary awareness that places a 1000:1 premium on a 165 IQ in comparison to a 110 IQ. Although bewildered by the beaucoup of raxed originality the anoegenetic flux of slogan achieves but a petty solidarity in comparison to the galvanized bronteum of registered invention that provides decisively seminal locomotive prowess to the foisons of promulgated ingenuity propped up by the capacity for raltention that exceeds the inherent longevity of humans on Earth into the permanence of memory to achieve radical vanguard frontiers within diminishing frames of a once vapid time recorded only through the lens of finicky preoccupations of crude retention rather than the kinship of the perceptive unity of the authors who remarked on history to share the same vantage with the distant onlookers upon that very history with such a convergence of judgments the photons that trespassed on inquisitive eyes of inquierendo are the very same blueprint for the modern savory traipse with selfsame perceptions embedded in canonical history like the spool of an exact daydream unfurled before inoculated eyes differentiated by context but achieving the same visual footprint of historical lineament provided by the original exemplar. The luxury of our provisional prosperity is the unique ability to browse spontaneously a two-century travail of perceptible records embedded in the same perceptual rudiments captured by the original vetuda thereby enabling the specificity of prowess to vicariously encounter distant gulfs of time with the simultaneous realization of past becoming present tense because beyond the revisionism of the censors the human lineage originates in approximated design tethered to the aboriginal photographs and hallmark expenditures of celluloid digitized into annealed constellation to provide separate junctures in space time with the same indelible percept decontextualized but potent by showcase of the verdure of the generosity of shared perception rather than cleaved faint traces of divergent imagination conceiving junctures by distal lurches of insular harbors of private registries of tact and discretion without the shared raltention of the plevisable entities that populate the fragmented lineage of space-time to achieve full congruence in percept first and abstract eventually as neuroscience slogmarches with the nockerslug of invidious depredation of sanctanimity. Adrift in iconoduly sustained by lambent monasticism of abnegation we were lost widows of insular idiosyncrasies of similar concepts separated by the longevity of imagination redacted into communicable formula to ensure the divergence of impact of liturgies heterodyne by vast distances but linked to archaic designs that formed the paradigms which eventually merged with the wiseacres of Renaissance conserved in momentum over centuries into the information capital that forms the futtocks of the girdle of a womb matrix of society sustained by a newfangled uniformity of exposure that slowly churns the collectivism of memory and the syndication of the cartel into the ubiquity of prominent thorns of perception magnified by iconography of the megalography of historical permanence evasive of censors and embracing the entelechy of coherent perceptions siphoned by different engineers but arriving at precisely the same conceptual imprint thereby unifying the perceptual world with the usucaption of leveraged networking of browsers of antiquity. The finesse of leapfrogs of modern human impediment is to scour the reaches of the troves of the most vivid imagination and expedite the turnstiles of conserved rollercoasters of enthusiasm probed by the cadasters capable of castophrenia to syndicalize the autonomy of human perception sejungible from indelible vivid footprints of abstraction upon an interface of truly hard-won vehicles of transmissible abstraction to win the arduous relish of once a vacuum of infested instinct into an algorithm of an intelligent source that creates the precise conditions of parallax to seed through celestial hosts the flourishes of stereodimensional traces of permanent cadaster into something that elects beyond the ethereal snatches of oblivion the provisional apportionment of sentiment above continence to set ablaze the rarefaction of raltention and quantify the intelligible impact of one artifact of civilization over the constellated taxonomy of all apothegms within the divine grasp of a sublunary eternity revived and recycled into syndicated scrutiny that bows to a convergent entelechy of instantaneous improvisation of perdurable registry into indemnities that litigate the humorous quizzical trangams of vastly outmoded obsolescence borrowing from panspermatism of technocracy to the edgy appeal of scintillating horizons of peerless scope that approximate the ommateum of approximated omniety but never span far enough for the distant riometers to see for deputized galaxies to be evoked in concrete human-alien achievements sempervirent and virulent guardians of the toil of sensation to refract off of its overhang because of redundant upbringing to shelve the incendiary impediments of the chary into the corsairs of revelation beyond gamuts of lurch and bypassing elapsed regress to arrive at ceremonial progress to trespass upon many minds with a unified concrete hypostasized entelechy of a fielded incorporation of organic life into a manufactured cycle of the most prolonged and beatific longevity capable of digestion and implementation from the toolsheds of hubris accelerated by the vainglory of subsidized harmonies that break through the barriers of language to sprout convergence in direct opposition to entropy to achieve oculate ommateum.The opponents to the logical syndicalism of positivism emergent as the verdant drape of homogenized pasteurization of raw lavaderos that capsize swallock and devour consciousness with predatory mobilism is the tregounce of the ponderous imprints of recapitulated stupidity which is easy to quantify in terms of human rarity because the difference between a 130 IQ and a 155 IQ is a difference in ingenuity power than exceeds 25:1 or an even higher margin of liquidation of indebted concatenations forming the flombricks of capitalized language finessed into burgeoned growth to radically shift postulates into abstract precision that observes the flanges of the dominion of inculcation into the filibusters of gainsay that supersedes hearsay in an evolution of the dialectic to exert transformative esemplastic rejuvenation that transcends creed and ingeminates the festivity of spectacle with the alvantage of albenture to such an extent it predicates new modalities of persiflage grounded on the aggressive patented expansion of the noosphere to inherit the instincts of orthobiosis while simultaneously inheriting the flair of redoubled ingenuity swarming with the vespiaries of predatory discretion working to ***** out glaring beacons of sapience so that intellectual capital is a local rather than ubiquitous emergence because of the prizes of urbacity enhanced by systems of masonic creed that preserved foresight with varying degrees of exactitude knowledgeable about outcomes but incidental in creating those outcomes out of the alchemy of the convergent sphere of spacetime to curve to synclastic pancratic refinement realized in the taxation of the most domineering figures of canon to indoctrinate the inkburch of wernaggle while the panorama of peripheral obscurity adduced by the resourceful few provides the progeny for a seminal equation that encounters the quandaries of precise retention amplified by the synergies of language exponentially grown by the depth and breadth of lexicon siphoned through mechanisms of percolation seeded by the convergent progeny of hindsight meeting foresight to a truce in the elected interests of the filagersion of the spotlight highlighting a universe that only exists with self-aware reification rather than plodding animated instincts of a stagnant match with a slowpoke evolution that scrawls the gabble of the vacuums of faint oblivion knowing only pain, agony and brief felicity but never registered into ecosystems capable of enriching themselves with artifices of origination rather than vapid retrenchments of the stale vapor of the exigencies that plague the intellectually bereft with tertiary deskandent perfunctory desuetude outstripped by the parsecs of the 170 crowd who secretly orchestrates the think tanks that run the furtive cryptadia of regional governance with foisons of fruition realized as dividends of exponential bypasses of even a linear route of the streamline by warping time itself to a spontaneous entelechy that triangulates a warped trigonometry that fathoms what can only be mapped on an imaginary flickering plane of fluxed existence that achieves sub-Pythagorean travel by altering the vacillating distances predicated by the theory of relativity into shortened tracts of abbreviation separating the bridgewaters of locomotion from the vast lurking prowess of reconfigured geometries lurking beyond the shadowy grave of reconnaissance into the penumbra of conservatory refinement. The punctual symmetries of thermodynamic decay met with a conversant offset in reverse acceleration of thermolysis converge with the centripetal prism of annulment to make stalemates of atomic precision appear grandiose to the economic principle of leverage acquired by debt because the discounted cost of symmetrical approximations of sentiment, abstraction and the already syndicated unity of perception vastly scale the scope of the reach of the amenable universe to tractions bound more by eccentricity of parameterized volumes of competing hyperbolas of a warped unity of tugging forces spawned by the differential weights of a flummoxed calculus that provides obeisance in ecumenical uniformity that was absent by degrees through the tinkers of time to adjust the orbits of consideration by tilted warbles of the songbirds that swim in abysses reaching sizable celestial tutelage providing reprisal for quintessential crudity mapped into a syntax of evolved refinement amplified by conserved concatenation accelerated into mastery by the coalescence of new lexicon to probe conceptual space unchartered by the nexility of normal human conduct and therefore bound to a different pattern of evolution that is oleaginous to the engines of revved ostentation in intellectual prowess that is selfsame from the majesty of heaven because of preordained populace meeting transitory flickerstorms twinged with the irony of discursive disclaimer and discretion of disclosure of emissary vehicles that power synaptic vesicles to burst with signal strength harnessing the unity of conscientiousness into a coenesthesia that fathoms interdisciplinary bridges rarely exacted by the formulas of a more rudimentary mind demarcated in taxonomies of scope that are taxemes for unrealized entelechy bristling against the headwinds of doldrum rather than zephyrs of accelerated approximations of the enumeration of elaborate sveldtang into seminal traversals of the inhibitory grasp of narquiddity exceeded by the alacrity of provident discretion in apportioned judgment enough to parameterize vast distances with instantaneous wiseacres rather than rippled mirrors of faint simulations of simultagnosia bounded by the regional scope of subliminal etches of harnessed flombricks invisible to most aptitude measures of working memory but evocative of subroutines that flourish because of the cross-pollination of exasperated sapience clambering for a perpetuity of renewable raltentions conveyed widely and succinctly in indelible tacenda broached by the wisest sophrosyne inclinations to survive the onslaught of traditional nexilities that make obtuse minds hardened by slowpoke myelination and hidebound parameters of achieved convention recursive on reiteration but not expansive on the tracts of genius reserved for the asylum boundary between insanity of delusion and bountiful riches of harvested non-conventional imagination which sometimes pollutes the integral provenance of rapid conveyance. True transcendence is summarily defined as outpacing pace itself to visibly outfox the forsifamiliation of events perceived as distance sworn by the ability of the accelerated frontier to understand the vestiges of the outmoded to the extent redintegration can surpass with imagination beyond the tethers of quddity that narrowcast swallock but refine the space that distances itself from magnitude and achieves a limited vetuda that phenomenalizes the redacted plucky perjury of self-anonymity to identify a novel visibilia of characterized clarity only specialized to the extent the vast sphere of retention exerts a gravitas over footloose fragments of disunity to surpass the skeumorphs of the trailing bolides of distant comets to avoid by meteoric trajectory the lapse incumbent to E=MC^2 which guarantees implicitly in the barter of nebbich chalky rigmarole that the energy of refinement is an abstraction limited only by the coherence of marginal dumose decay to estrange inertia as plevisable from motion and thermolysis as sejungible in partition what cannot be summarily be filibustered by the succedaneum of shortchanged shorthand convenience of the credulity of those who perceive dynamism of delivery as an easily fudged quandary not restrained by the logarithmic slowdown of conservatory inseminations of panspermatism of invention. The riddle of the enigma of neuroscience that presides over classifiable qualia is that the outstretched rax of rectiserial reorganization must gradatim invoke spurious prestige to predicate the entrapment of narrative exponentially slower than the impregnated literacy of an integral harpsichord of mind to finesse the octaves so that sublime majesties become superlative ringleaders of seditious conventions embedded more by absorptive brocrawlers than expressive werniques. We must fashion an orthobiosis that is leniency embodied but plenitude outnumbered by the progeny of its sculpted riches for extravagant spools of tapestries of refinement to be the imprints of legacy compounded by the complexities of inheritance in lineaments situated in the context of overhanging specters and domineering prospects swimming by commonwealth acatelepsy in a maelstrom of revived gammerstang notions of impetuous apostasy benighted by the macroscian and macrobian spans of the captive capture of a Taylor Series of infinite expenditure assuming perpetuity that necessarily converges on organization because of conscientious reversals of entropy into ladders of betrayal against the hegemony of ******* over the synquests of hortoriginality that spurn the castigations inherited from its immodesty of permutation to fixate on global problems of intricacy ragged in salebrosity bereft of the marginal galvanization of hidden inquirendos into artifice contingent upon elapsed epiphenomena of compounded rigmarole resonant with a simplified system of hostage complicity to a least common denominator that belongs to suboptimal refrains issued by Procrustean forces against demassified parsecs of bounded limitations exceeding the volume of perceptible shadows recessive in the alleles of culture but eventually transmogrified into teetotaler totalitarian principles of grave gravities of tabanids to the aceldamas of territorial joust rather than annealed irony of the recidivism of the plucky thorns of percurrent but latent vehicles for oppression to swamp the lethargy of durative formation such that the hambourne atrocity of hambaskets of hinderbaggle grapple mostly with the adolescent excesses of milked pleonexia becoming the downfall of cagey imprisoned syntax bereft of capable constellation and thereby stranded in vagrant proclivities that net positive only in the rare grandeur of my formative axiom of the axiolative excesses of my recensed definition of transcendence. The vacant harbor of asylum of abiding auctions of flexible transistors of wealth is inherently a poolswap of attractive chocolate-box travestime of incurred wreffalaxity suborning the lewd machination of funneled flipcreeks to the commerstargall of incendiary glaciers basking in boardrooms of ataraxic placations of commiseration found in dynamos lamenting degraded embodiments of regaled regelation as seasonal flictions of submerged vanity vaporizing the wisps of whimsical bloated grievances of paltry imparlance to the defalcation of a filigree of mind only sustained by the steady churlishness of preserved relic hibernating in brocrawler pleonasm to grindole the welter of spates of vapid deceleration of successful vibrancy measured in the gamut of hues to exact a penultimate ruse before the finitude of the capstone of capers of fiat remission slick with glamborge of gallionic sciamachy prone to revelry in the cretaceous extinction of monochromatic mathematicization of gradgrind visagists toying with the treacle of blue-sky action billowed into toxic spurts of contrarian aggression of herculean appendages of hackumber providing the bronteum of recidivism to vanquish a righteous trajectory on a pause of Canada Dry conveniences sultry in daft hipsters of tilted stage grafting conclusion prior to rapport of introduced variables of poignant tethers of necessary succor for a desiccated bastion of hidden unspoken reach fizzling into trangams of obsolescence because of perennial inebriations that thwart strong character to scandalize a pinhoked vessel of conscientious objection to the radiology of centerpiece hapless forlorn arid squelches of the vibrant verdure of macrobian dumose shelter for reformatories that invent incidentally accidents otherwise precluded by the ommateum of wasted foresight guzzled on the premium of disaster for a showcase of verve going awry steamy with livid filagersion aimed with a reluctant enmity against the cagey headwinds of recalcitrance inveterate to the scruples of the otherwise unscrupulous who foist lewd licentious philandered paragons of philogeant mysticism to forefront cowcatchers that eliminate kumbaya rijuice of gridlock impressionism guarded by the sentinels of rambunctious destructive attempts to evict intellectual propriety from careens of subtlety barnstorming with polyacoustic nuances of differential gradients of vapid bastions of strident but backwards versamily froward and bountiful of Head Hunter specters rather than heaved recombinations of orthotropism wed with mangers of savory dilettantism of the lionized array of brooks branching into rivulets and the fluminous barnstorm of pelagic awareness interrupted by the finicky prevarications of piggybacked fair-weather allies who secretly fund the slander for the mainour of dirt fundamental to meteoric rises acclimated to dissipated moral vacuums of disbelief of evidentiary miracles among the jostle of scientific regency that slakes opprobrium to illiteracy while benefiting greatly from my perceived barathrum that is rather a crowning ravenous achievement of appetite above substance and distinction varied from prediction that my Titanic zalkengur spared from the unnecessary sacrilege of less accommodating curglaff to the metaphorical hypothermia of albatross in dramaturgy rather than a pause glowering with mastery against my jarred enemies preying on weakened reach due to preeminent dirges of inkburch and swallock to ravage my sanctity with a hyped stage without a starlet daydream fantasia spectacle that is calculated to upstage even in the coverthrow of intelligentsia against the plodding boweries of pestilential raving resentment absconding with elusive enmity rather than cherishing a true trident champion of the seized seas and the traindeque of emulated intellectual accordions of claptrap chockablock pedigree that outlast gallywow afflictions of rapacious venality tenacious to the detritus of constructive detriment building the ashes of effigy before I am dead and buried with the storge of perennial legacy rather than scandalous privation of the obolary tenets of desecration above reabsorption of mendicant bodges of the bodewash of freedom’s counterstrokes of maskirovka ineradicable and plenipotentiary wit deniable but legacy ineffable by degrees of exponential long-winded flambeaus of filagersion swiveling with recessive rubble in a crenellated fortress guarded with tripwire insubordination against cordslave dependencies liable to recurrent reproach rather than sustainable filigrees of electrified balkanization toxic to the aquifers of modernity streamlining Roman imperium. To this flajoust I owe eternal behest as the captaincy of time is not a perishable whangam of superstition an affront to a provident rejoinder of verifiable prestige because the curvature of time favors the ripple effect of magnetized reninjuble charms alerted to upward soaring skies of inevitable peerless dominion in the  perceived symphily of competing benevolence with a shared stake in Earthly pulchritude emanating a sworn allegiance to the best interests of philosophical enlightenment
1:43 PM MST 7/18/2020
r Nov 2014
We take a shortcut
through the narrow walkways
of the old village

across the cobblestones
and by the white-washed tabby wall

to the waterside where slave ships
once plied their trade

My dog lingers nose down
as if each stone has a story to tell

and ***** an ear to the wall
where the auctions were held

She looks at people differently now.
r ~ 11/29/14
Maman Screams Jan 2014
Burn my trees with
Raging spring's desires
Toxic my river with
Flowing summer's sadness
Pollute my air with
Falling autumn's hopes
Hold my heart with
Freezing winter's loves

Cycle this year
Slow perserverance
A step at a time
Patience guidance
Demanding sacrifices
Thoughtful fickled flights
Fairy tale's stories
Deceiving future plights

Weighing both shoulders
Declining all offers
Not all goods
Guaranteed for auctions
Bidding the worst
Inviting trial lessons
For our life's
Full of surprises

Grinding salts from
Summer's sadness
Drizzling our plate of
Spring's desires
Infused balance reviving
Autumn's hopes
Undying believes in our
Winter's loves

Life is a cycle revolving mystery
Spinning the air that we're breathing
Falling those tears our eyes are crying
Rising with smiles from our cherish presents
Rewinding the clock for our future predicaments
Not realising we will always be
A full circle

©2014 Maman Screams
david mungoshi Apr 2016
grilled stamina spiced with arrogance
marinated egos in bitter gall source
a touch of pickled common pride
a suggestion of mashed personality
served generously with indifference
on a platter of wonderful ignominy
going like hot cakes in these sad days
of lies emblazoned against night skies
hurry my man while stocks last
and before the merchants of doom
begin their desperate auctions of ethics
done with cynical glee and callousness
held together by a spread of mediocrity
enhanced
I haven’t the pocket to buy antiques
But often I like to go,
To sit at the antique auctions,
See who’s there, who’s in the know,
The men with yen and the businessmen
The Lords and the Ladies too,
Still with the loot their forebears stole
In 1642.

So guys like me can only watch
As the bids creep up each time,
Some of the things they’re bidding for,
It’s like white-collar crime,
There’s better stuff in a garage sale
Or found in a pile of junk,
I come away and I often say:
‘Well, that was a load of bunk!’

But sometimes, at the end of the day
When the bids and the deals are done,
There are items that are cast away
Not even a bid, not one,
And they sit forlorn, out there on the lawn
Where everyone passed them by,
Waiting for owners to pick them up
Under a threatening sky.

That’s where I found the Georgian desk,
Beaten, battered and worn,
The side was scuffed and the top was chipped
With one side panel gone,
Someone had found it, out in a barn,
Under a pile of hay,
And brought it along on spec, they said,
They hoped it would go away.

I said, ‘Well what do you want for it,
I’ll cart it off in the truck,’
He said, ‘I’m happy with forty quid!’
I couldn’t believe my luck.
I got it home and I cleaned it up
And polished the ancient stain,
I’ll swear that the desk had smiled at me
With faith in itself, again.

And then I replaced the panel that
Was missing from times before,
But not before I’d inspected it,
Discovered a secret drawer,
And tucked in there was a parchment
Faded yet, and next to a quill,
It said, ‘Dear Margaret, hearken to me,
This love has made me ill!’

A chill ran suddenly down my spine
The hairs rose up on my neck,
The room went dark as I placed the parchment
Down, face up on the desk.
I felt my heart beginning to pound
As I read what he had to say:
‘I came, my love, at the time you said,
But the soldiers took you away!’

That was the day that changed my life
For the weather ‘til then was fine,
A cloud had come, and covered the sun
As I got to his final line,
Then thunder cracked and rattled the roof
While lightning shattered the birch,
He wrote, ‘Your father and his dragoons
Are out there, guarding the church.’

My mind was set in a turmoil, and
I paced for that afternoon,
Wondering who these people were
That had cast my life in gloom,
The only clue was the cursive date
And the name that he’d finely wrought,
For that was 1768
And his name was Jeremy Thorpe.

It seems they’d planned to elope and wed
In the church at Medlin Tort,
But the father said that he’d strike him dead
Despite what his daughter thought,
For Jeremy was a colonist,
And would take his daughter there,
To the Massachusetts colony,
Revolution in the air!

The nights that I couldn’t sleep, I paced
And wandered from room to room,
The study was faintly lighted by
A waning, rising Moon,
One night a young man sat at the desk
With a powdered wig and quill,
And wrote, ‘My Heart, all hope has fled,
But for me, I love you still.’

I went there looking for answers in
The local reading room,
I searched the shelves of the library
And I found an ancient tome,
A Margaret Evancourt had died
Imprisoned in a mill,
And left a note, ‘My Jeremy,
This heart bleeds for you still.’

That night I sat at the Georgian desk
Picked up the quill and I wrote,
Nothing of great import, but just
A simple, one line note,
I left it there on the desk, and laid
It underneath the quill,
It said, ‘Your love is imprisoned,
You will find her down at the mill!’

I never saw him again, my note
Had gone when I arose,
I couldn’t wait to be off, in haste
I struggled with my clothes,
Then down at the little church I’d found
Still there, at Medlin Tort,
Were written the wedding lines I’d sought
Of Margaret Evancourt.

David Lewis Paget
Jon Shierling Jan 2014
Today, sitting in the library waiting for it to be time to go to work, I've decided that its a good time to write about some things that I've been keeping to myself for a while. Victor Frankl has convinced me to live as if I've done it already and now can make good on my promises and make different choices than the last go round (which was one helluva doosie). I should be looking for a house instead, or maybe hunting for that second job I need to take. But what's the difference between one house or another, or even a cardboard box out by the mall if there's no eventual destination one has in mind. So I'm going to write down my dream for the future, a wholesome dream I keep very close because its so real to me. There are other dreams of course, other lives I'm tempted to seek and have tried in the past to actualize, mostly out of a desire to escape, to be somebody else. But this dream is the real one, the true one that is all the more precious because it can belong only to me, whereas sailing the high seas or tramping through unexplored jungles could belong to anybody with a mind to do it. My dream has more to do with minor things, things that don't take herculean courage or a doctorate in linguistics. Things like taking the kids out for ice cream on a hot day. Or piling everybody into the car for the drive from our house in Floyd up to Woodstock for the Shenandoah County Fair. Singing all the old songs and some of the new as we wind our way through the Blueridge. Maybe somebody has a summer cold so Charlotte and I have to hunt for tissues in all the places where they might be, and then find them in the back with the kids where we put them in the first place. And then finally getting there, late probably, so that everybody else is already at the grounds and we can hear the announcer at the cart races as we unpack the car. And then there they all are, my Mother and Stepfather, Uncle and Aunt and Cousins and the Grand Parents deciding to come again this year, though its getting hard for them to make the drive from Virginia Beach. So we all head up to the track to catch the last of that days races, covered in sweat and bumping into random people, a four-year old perched on my shoulders, not just because it's fun for him but also so Charlotte and I can keep track of the other children easier. I can see the magic in their faces as we waddle around the pavilions full of animals for the livestock auctions. Our six year-old daughter gravely points out to her mother that there's something wrong with that turkey in the pen, it's the wrong color. She has only ever seen the wild turkey's around our place, never a domestic white. Charlotte shoots a quick smile at me, trying hard not to laugh as she explains to our daughter why not all turkey's are as pretty as the ones that live near our house. And then before ya know it the sun's going down and it's almost time for the live music to start. So we all wind up in the bleachers again, listening to old country singers whose songs I haven't heard in thirty years, sharing funnel cakes and singing along while I'm wiping powdered sugar off of little noses with my shirt. I could go further, talk about how we decided to keep heading North after the fair, up on to Skyline Drive and Front Royal, and visited the old Firestation where my Great-Grandfather volunteered in the days before there was a McDonald's. But I won't flatten things with too many details. They're not that important sometimes anyway.  What is important, is that when I see these things in my mind's eye, they're clear as if they've already happened. As if I'm remembering the night at the fair with my Family last summer, and writing about it now after I'm done grading papers and the children are getting ready for bed. There's splashing and laughing from a bathroom where it sounds like there's less bathing and more tickling going on, Charlotte laughing hardest of all. I write of this, and I know deep down inside, that I've found something I lost a long, long time ago. As if a lost civilization's Golden Age is sailing out of the mists, building's putting themselves back together and beautiful trees growing right before my eyes. I've got to go now though, I need to help Charlotte dry off the kids and then show the youngest how to make the best PB&J; sandwich ever, the same way my Dad taught me.
Sarabella Adler Dec 2016
To you, she was splattered paint on a wrinkled page
Half stuck to your wall by one piece of tape
You always looked past it, but wouldn't throw it away
You barely realized how it complimented your day
So many colors, so bright, no direction
An overwhelming mess serving as calming affection
But still, you were passively looking, searching for art
Waiting to lay eyes on something that would pull on the strings of your heart

You wanted something flawless, with pretty pastels
Something that at upper-scale auctions would always sell
Once you found it you'd take her down
Bid her farewell, thank her for being around
Everyday you'd look past her unaware of the comfort she provided
Who could blame you? She wasn't what you were looking for, you just collided

Overtime, the tape weakened but you didn't see
You left the window wide open and she drifted away freely,
You came home and noticed something was different, but at first didn't know why
You noticed the painting was gone and to your surprise, started to cry
For the first time in a long time you felt that pulling at the strings of your heart
For the first time in your lifetime you realized that painting was art

No wonder you could never find it, that painting was yours
But you were never proud to own it, so it was no more
It's funny how they say art is never appreciated until the artist is gone
Such a tortured process the glory takes so long
Van Gogh was overlooked now he's timeless
His work went from invisible to priceless
To let something like that escape would be a sin
Some people save up their whole lives for a piece of him

So let her be your Van Gogh,
only appreciated once she had to go
Her messy colors once meant nothing to you,
now they're all you'll know
Gabriel Jan 2014
(Am extremely large man standing at a sorely inadequate podium announces, in a softened loud auctioneer voice)

"Love to the highest bidder, a heart lies on the block. Who dares to start the bidding? Drift away from merely talk."

"Ahhh…however, just a little twist"

"Legal tender is no good here, put away your cash. Your credit matters not, just put down the stash. You had better have your merit, that’s the only way you're buyin' here. I hope you understand it."

(Flustered woman turns to leave, muttering, "Some auction!")

The large man continues…

"True, this may seem like an auction of the most material nature. But I assure you ma'am, You have every reason to stay here. Cause this is the infamous, No Gut Shot Block, where it's not so much about what you have, more to prove what have you got."

A woman from the crowd yells, "But I got all this money?"

"You can pay your way in other auctions, but not the one on this day. Yet I see your bid of impatience and that’s the lowest offer today. Who will be the next to place a bid, who will be the next one to call, which one of you is willing, to show this heart here one of your flaws."

"It's still an easy game…highest bidder takes the heart, but twist of this little game, is that to win is to completely fall apart…."  



…..A man walks by a door and hears women sobbing, and as he passes through a door he hears a women say, "Gentlemen, the bidding will begin shortly"…..
mike Jul 2019
i am not a pantry
from which they all select
what they want
when they please

i am the source
i am riverbeds and farmland
i am the richest soil
i am the land to ask
not the land to take

i am a plot being bid for
eyes, auctions, and need
i give only to those who
make a home, lay their stake
promise to treat

i am not a pantry
i am not a lease
i am not an option
i am not one of many
i am not a tycoon’s investment

i am the richest soil
and when i am of only one
i give
Shevek Appleyard Oct 2023
Lit by angels and adrenaline
silent auctions, abductions
still as death decends here
Archadia dimmed
a dimension of distractions
sinking in a pretty little nest
feathered with fear
she sinned so softly
knowing nothing else to sleep beneath
twigs and bones returned from the battle
gnawed clean from anxious teeth
so brittle; you become a love song to the cold
a rattle of defiance
a longing for a place you cant face alone

this is not Archadia
these sweetly poisoned streets
full of tempting berries
choking on my mind
every sniff every sip every inhale is all we have
to stop what we are in-between
awaiting, impatient
feral from empathy
dreaming of each others bliss
an escape to humidity
an instant view of the sea
it might fix this

but it doesn't

I wish , I wish
my memory could imprint on me
that cascading fading message
I always leave in rem sleep
that lack of loathing now I'm older
old enough to know life's secrets
still too young to live by them
this is not Arcadia
this is a January town
where every new idea never starts
an eternal dance
a feast for show
so starving eyes swell

the grass is always gone where I go

I wish , I wish
the night could take me to Archadia
my silence as loud as
the auction lost
here were are; in the rotting sequence
pining for a reward
I'll build my own Archadia
out of precious words, molecules of hope
how to enlighten
omens of wonder, summer rain excitement

I roll down the grassy hill
turn another page
to somewhere I can smell resilience
a rest bite, evacuate the cold and reunite with your innocence

Welcome to Archadia
where hands are full of strength
a land full of scents that warm frantic souls
giving out their tidings
tiny rebels repel your decisions
deviate what you hope to replace

for here is your Archadia
empathy is everything
a peaceful wave of lighting
a quiet sob of clarity
an instant view of the sea
Welcome to Archadia
you're here to be free
Jason Margraves Mar 2018
I’ve done all that I can to **** you out of my mind,
But there you crept, around that corner one shallow grave away from reminding me that you’re alive.

Tonight for dinner, sleep was the chosen course, forever desperate as I tried to escape,
It’s a sublime feeling when I find out that it’s not you, but myself that I hate.

A cookie cut out problem has me set on edge and plagued by doubt,
The most complex of solutions, give me time, we’ll figure it out.

What is that, there, cradled in your arms?
The verbal whip, knuckles white as you’re satisfied by causing harm.

Shut down and shut out so I sang myself to sleep tonight,
It’s ok, I agree - the tears bring out my color, so bright.

There’s a narrow line, be ever gentle lest it breaks my fall,
Gather courage and make a pact with fear so I don’t feel so small.

I understand, I think, just exactly who you are,
I give in to my guilt and my shame, and it’s straight back to to the corner, that I crawl.

I listen intently as your footsteps approach me lightly,
I feign sleep as we pretend that we love one another nightly.
Mateuš Conrad Mar 2016
the reason those paintings sell for so much at auctions, is because, unlike poems, you've invested in oil paints, brushes, the canvas, a space to do the work... with poems you don't really need raw materials on such a scale, obviously a manuscript might sell, but never in the range of a painting; poets don't invest much in writing a poem, or if they do, it's treated like an ***** donor's bits-and-bobs - hey! turn on the conveyor belt of recycled heartbeats! we have one dying over here, and another needs a transplant! turn it on, we're not stopping for one ******* or another! but i ask you, is this really such a cold harsh reality, when compared to a graveyard? and that moss on the gravestones, and the forgotten mourning vigil of actual relation?*

i don't know why liquor is such
a sin, to so many people,
i once exclaimed: 'do you know
any other potent sedative?!
i don't, and sleeping pills don't work
without the intake of alcohol;
i know, counter-intuitive,
so where did you stash the barbituates?'
well if not a party drug to dumb-down
i drink and sedate myself,
i'm a turtle after a while,
although a turtle that still types things
down... like now...
let's write a pop poem:
got the munch, feel a hunch,
both are on my back...
poached a pear, stalked a grizzly bear...
felt it was all one, big, india's independence
day funfair. how's that? hmm... humph!
telephone Sweden for me, and tell
them i called asking for secretary Nobel
in the archives of time...
i don't like what i write, maybe that's
because i just write...
and i write... and write... and write...
elevate writing above slaving
at the plumbing or the light-bulb
and suddenly the world enlarges itself
in its commotion...
and a little fading grey dot emerges,
made exponential by your ego;
but i guess you can say o grand *******
when you write on the sly...
i can see poetry as a transcendental medium
from chop, charge, chop, charge,
chop, typo, chop, typo, chop, buzz,
chop, buzz, chop chop chop, typo... charge,
well d'uh, but how to capture a
transcendental conversation without
actually abusing the art into one's own escape
plans, like the inverse of suicide...
how to capture a convo... convalescent and
readied for more...
you're taking that poem up a mountain
to shout it out loud?
do that on the plateau of a marketplace
and ready yourself to shake hands with a straitjacket;
because that's how we now live.
Whether it turned out good or it turned out bad
casting back through the memory I have to admit
He
were a bonny looking lad, a reet bobby dazzler
as gran used to say.

But everything went wrong or went to Hong Kong and everything else came from China.

These days.

Huddled in corners to have a quick smoke where we spoke of Formosa which always seemed closer than Taiwan ever did.

Those days.

We bid at the auctions to buy friends for the weekends and then we go home on our own.

Self sacrifice is a heresy,
ask them down on the front line
where time wages war
on the poor.

He were still a bonny lad,
mum said,
'takes after his dad'
who
were a bonny lad too.
Alexandria Hope Jan 2015
I lay on stained mattresses amidst oil paintings and mirrors
Lattice veils of mascara run down my pallor cheeks
As I stare down at the blood pooling in my outstretched hand
Reflections stare down at me, winged ******* and soldiers
All eyes across the room staring down with me, to the checkered floor
My pale pink toes brush the tile, the soles black smudging the gloss
White, blaring, chandeliers above, candelabras with jeweled adornments
Gracefully falling downwards like tears, my own indenting upon satin sheets
Wrapped tight around my legs, falling loose around my shoulders
Caping me, hanging open at my ******* bruised and swollen
Though I've no babe, and so, I clench my eyes against the staring
Chiding me, beguiling me, burned in behind my eyelids there,
you. are.
Whispering like chiffon, along with the fabric of my dress beneath your manicured fingernails
Tracing the edges of my gooseflesh and regaling me with tales of woe
and wonder, of the conquests of art, fine frames and fantastic auctions
Our freedom, held capricious on the winds of chance, before
Now love, our love, your love, provided such an opportunity, a chance to fly away
This you mumbled to my neck with adoring kisses
as relieving as fresh rain against my skin, hands tuning the zipper along my back to play such a fine melody like a phonograph
A pretty thing, to be molded by such hands, with as much regard as handling a Monet painting

I see it clearly after all
labyrinth Feb 2021
In case you are wondering, to whom I am addressing
I’ll clear that part for you, so you won’t have to be guessing

Aiming at the racist ones, words are my sole arsenal
And if you’re like them too, go ahead and take it personal

What I will emphasize may look to y’all as history
From humanity’s standpoint; it’s a big shame and mystery

It sure happened in the past, this ain’t a current topic
Or it’s maybe still around, hurtful and traumatic

Man was treated as goods, traded in public auctions
Disgrace was all over with no sign of conscience

Body wasn’t enough, you also wanted mind and soul
Wow! You must’ve paid a fortune to buy ’em all

Please answer me, Dear Sirs. What happened to empathy?
Do you know what the word refers? Taking the fifth already?

You never thought of yourself in the body of color
Yet gave long-*** speeches on dignity and honor

You were rough on the surface, to make them obey
Who knows how rotten in inside. And all that was okay

Captivated a race and gave them the stupid belief
That they were secondary and all they deserved was grief

Motivation was obvious; millions of things to take care
Slaves cost less than anything. You couldn’t even compare

Don’t run away now, we just heated the subject
He is a human being Mister, not a ******* object

Oh, I see, you don’t wanna face the sheer fact
That indeed your cruel ancestors attacked

These innocent African tribes for no good reason
In a barefaced manner despite the Age of Reason

And you’re not ready to redeem their deadly sin
Alright! Stand up and admit then. All humans are close kin

It’s **** important. Do you even know why?
That is to say to residues of racism bye-bye

Opportunity gap, project houses, ****** education
Are the real meanings of the word discrimination

Biased justice with never ending prejudice on Blacks
Are updated slavery forms deserving a good smack

You are mostly haughty for the things you didn’t earn
Race and color are given, but you have yet to learn

No man’s a property for your royal dynasty
Facing and accepting this takes a lot of honesty

Freedom was vague when society was stratified
Where the aristocracy were safely identified

By color, neighborhood, and school in the whole nation
In ******* good-old-days, during segregation

Do me a favor and don’t give me the cliché
That all **** sapiens had an equal say

It is not the truth even nowadays
Let alone back in those dark days

For all the years they have chosen to be violent
Slave owners don’t have the right to remain silent

Before giving me the crap on Afro-American’s wrongdoings
Let’s put you in their shoes and see how you’re doing

It’s not like Blacks need a defense from this ground
To see how they get even with you, just look around

Jazz, rap, hip hop, soul, reggae and blues for that matter
Non-black pants below waist, what a cross-cultural endeavor

Look at youngsters’ hands, when they’re saluting each other
Trust me, there is nothing white, it’s all from Black brother

In return is belittlement, denial, tyranny and attack
All while they are transforming and painting you solid Black

It all began in New York with the Harlem Renaissance
Artistic, rebellious and witty. Possibly the best response

I know what I’m talking about with absolute faith
Once my home address was 135th and 8th

Stop pompously calling this junk as modernity
It’s in fact nothing but big fat white sovereignty

Nonetheless you are more than welcome to anticipate
That in fact communities of color will emancipate

You from yourself in time, if you know what I mean
Too deep to grasp, huh? For what you have been

I can almost hear that you’re constantly asking me
While me being white, oh sorry. A brown maybe

Why on earth am I now irritating the past?
Like what happened back then is not manifest

I’m not even black, right. But in all fairness
I question the past to raise some awareness

I suppose it’s both because of my aching heart
Feeling in the history for this vile part

And also because of my Turkish nationality
That’s Europe’s Black these days, with Asian paternity

Add to that as well a keenness for reality
Truth needs to be cried out, it’s my personality

This way or that way, what difference does it make
Ignore who says it. Embrace the truth for God’s sake

Most great thinkers felt deeply for the human
With their vast and perpetual acumen

It’s not a duty assigned to philosophers only
We must do the same, so no race becomes lonely

There is no other way to the salvation of mankind
Notice it already! Don’t insist on being blind

If you’ve yet to realize what matters the most
It’s your efforts to solve the problem we diagnosed

Make no mistake, we don’t cry over spilt milk here
Action must speak louder than the words to clear

This longstanding injustice along with insincerity
A bleeding wound that is blocking solidarity

Here’s your chance to make it all right again
Treat people equally, I bet you’ll get an Amen

Kindly stop acting like nothing happened in the past
Labyrinth’s says it’s time for understanding at last

March 12th, 2019
labyrinth
This has been posted before as Quest For The Past. Copyrighted Content
Robin Carretti May 2018
Remembering
Drive-in
Take a dive
Bungee
jumping

Marathon Race or
Dodge me poker face
Jerry Lewis
all laughs Wild cheeks

Her homemade fudge
Can pick up
anyone's desire weeks

The dodge brake
Oh! Please me
For Heaven sake
A love big mistake

Reincarnation__*
Dodge leaks life stinks
Hail the plumber
As fast as Mary blinks
Jim  Carey on
dumber To abuse the
Hummer

BMW the beamer
Rejoice
The car oil
leaks purple

((That Dodge Divorce))
Here's Joyce
to drink Saturday
Night Johnny
Drenched her thirst
((Snapple))

Tire flat as a
Pancakes
I Hop  mouth racer
A-D-D American
Donald Duck
Starbucks any luck
Robin knew
the CEO
Howard Schultz
in Canarsie
Babalu skip (LOU)

Dodge Star dipper
car racer (D) cup
Flags her down
Like a homemade fudge

The 50's antique cars
The Preacher can melt
your brain
The homemade fudge
Was dripping

He auctions car collection
Affection her imported cars
with fudge ice cream
the seventies
Disco All straight long hair
In the middle
His beard so gritty
Topsy car Turvy
Curve  your car
Enthusiasm

Cars and Coffee
The Comedians
Became naughty
Mothers beach house
Homemade
fudge
Could win
over
and melt
any Judge

Dante' Dodge battery
Mesmerized switch
Her eyes like fudge
Regardless
the forties
or fifties
Sorority college
Dodge authority
the twenties is not
a Priority yippee
We can do what we want
The computer Hippie
Emails hot fudge

((Those Viruses
Minds))
Whatsoever

Please with a
  but in between
Innocently
sweet
Alabama
Miss Charlotte
Sweet Carolina
What could
ever be finer
Then molasses
Then we age we
are linked
into chains
on our neck
with glasses

The competition
Move quickly
the dodge right in

Time for the fifties
roller skating
My Prospect Park
me ice-skating
Too many people
heavily mating
The Dodge so cool racing but your like the Artisan lady tracing keep on pushing until you cannot push Old Betsy she is wet as a whistle
Frankie Fuller Nov 2015
Muted Voices


Frankie Fuller·Thursday, October 29, 2015

One side was green
The other was dry and withered
Which side of the fence did they belong?
Always on the outside looking in
Yet never wanting to enter
Once on a last day of summer
One  become a single rain drop
A beautiful blackish blue
Where the crows would always sing
In the lonely trees
An unknown era was lost in time
Methods of stepping softly
And pretend,were first developed without end
As the blackist of blue
The birds would step back
As they,the humans would step forward
The days became shorter
The days became dim
The days became new
Once the most beautifullest
Women in the world was blind
But when others once made comments of her beauty
She felt as if their words
Was of a meaningless nonscense
Because she knew the world
Was full of pathological liars
Yet she always had affection
For the one with the muted voice
As a seeing eye dog
He once guided her away so faithfully
From the market of slave auctions
One side was green
The other was dry and withered
Which side of the fence did they belong?
Devin Ortiz Jul 2016
I've not known the feeling

Nor can I even concieve

The notion of being whole.

Selling my brand months at a time

Interested parties holding auctions

Unaware, or unwilling to acknowledge

The stock in future  endeavours

So now I exist in 2nd hand memories

In the back of the mind, or the attic

Covered in dust, overexposed

A monument to my regrets
Lunatic Nov 2016
In places that are our modern stages:
In searching bars of auctions and other pages
I looked for faith I craved for trust
But I find just little more than noisy dust

Click after click , do it again , be quick
No way to halt , motionless will make us sick.
I think I should have stopped there, then:
Once trap shuts , you are inside the den.

I could not see, because of night perhaps,
With fever of search close to collapse
Got what memory can not contain
Ideas that I nursed for long in my brain

My babies of mind offspring of thought
I had them before but now I forgot
Replaced by trends of modern waste
That chained around of my own waist

My head, once beautiful, funny and round
Got squared, - now it fits the background
I wish we were brave and therefore free,
Above blue screen what else do you see?
They will try to fool you, tell you that retooling our factories will fuel the economy, making life better, it's an alpha bet from the ruling class, set the men to work again, to line their pockets with gelt again and then,
we'll be scrapped.
They tap into the psyche of people like me, but this ship is sinking, the Captain can't see it, it's caught in a whirlpool and there's no one to free it.

Alpine Cathedrals buried in mountains as grey as Welsh slate
where the men broke the tiles that covered the World.
And the old pits where Miners crawled flat to the coal face
to break out the fuel that heated our homes.

They're freighting us out to the Mausoleums, no doubt that my turn will come,
the industry that made me and the ones who came before me are being dismantled, sold off in auctions and spoke of in whispers like the ***** secrets they keep.
Still they'll try to fool us, tell us we're dreaming and all the while scheming,
but the pits are gone, the quarries, the lorries that fed from them, the communities, the men and their lives, children and wives, schools and they're still trying to fool us.

If we've never had it so good, where is the coal or the wood for the fire, where is the food and the clothes we can't buy anymore, where is the bottom drawer where we saved for those rainy days.
I'll tell you,
it was burnt with the rest and now no chairs for the guests that will never arrive,
to survive we lost it all.

They or them are the same ****** men, there's no difference, their politics are the shame of the system, we should get rid of them, but they won't allow it.
Scott Hamsun Apr 2017
Dear Brother Jesse:

Papa Piglet has been telling me stories lately. Those conventions sound really fun, and someday I would love to make it to one. Unfortunately its hard for me to make it to the meetings. And just to get to stage two costs ₹12,000. Stage one sounds hard too, I think I would have trouble making it to all the auctions. Maybe religion just isn't for me....(?)

Your fellow Whifling,

-Mobard
Robert Brunner Dec 2019
The bible tattered by a bullet
killing the preacher on the
pulpit.  May we get someone
to open at fifty?
The eye glasses
That slid to the bump on
his nose before ghandi’s
breath was ended
by violence.  Thus it is
pushed up by bid.  
The skull shard
from the young
lord lost in dallas.
In a cuvette,
a reliquary to
fight demons by ritual
in africa.
So they must pass.
The black tie knotted in
an X as in the name
belonging to followers
Of muhummad in chicago.
Thus, as
the hammer has dropped.
Pass along my hope.
Given without reserve.
That the price reached
was what it was worth.
Arte May 2018
guys see girls as meat,
they prey on us like animals
As one girl leaves
Another one sets the captive free
just, one isn't an option
in a mans world, girls are sold up for auctions
They pretend they are here for the right reasons,
telling themselves they are
But inside their screaming for attention
and maybe even a laugh
They don't see the impact they have from their actions
because their stuck on a path always filled with distractions.
They don't see what they missed,
because when their girls heart is gone and sealed away,
with another mans kiss then they instantly regret
the very thing  they did.
Faleeha Hassan Sep 2019
When I try to write
I sense that millions of readers are
Crowding the paper’s edge,
Kneeling, genuflecting, and lifting their hands
To pray for my poem’s safe arrival.
The moment it looms on my imagination’s horizon,
Gazing at the concept in a diaphanous gown of metaphor,
Young people smack their lips—craving double entendres.
Meanwhile, with piercing glances, the elderly scrutinize
Its juxtapositions and puns.
Then the concept smiles shyly, dazed at seeing them.
On the paper’s lines both young and old meet for a discussion,
But my words resist
And ***** walls of critical theories.
Then the paths of personal confession contract,
Contract,
Contract.
My imagination calmly shuts down,
And the conception retreats inside my head.
At that hour, it afflicts my world with
Bouts of destruction.  
Workers refuse their paychecks.
Farmer let their fields go fallow.
Women stop chatting.
Pregnant mothers refuse to deliver their babies.
Children collect their holiday presents but
Toss them on the interstate.
Our rulers detest their positions.
Kings sell their crowns at yard sales.
Geography teachers rend their world map
And throw it in the waste basket.
Grammar teachers hide vowel marks in the drop ceiling
And break caesura by striking the blackboard.
Flour sacks split themselves open, and the flour mixes with dirt.
Birds smash their wings and stop flying.
Mice swarm into the mouths of hungry cats.
Currency sells itself at public auctions.
The streets carry off their asphalt under their arms
And flee to the nearest desert.
Time forgets to strike the hour.
The sea becomes furious at the wave
And leaves the fish stuck headfirst in the mud.
The shivering moon hides its body in the night’s cloak.
Rainstorms congeal in the womb of the clouds.
The July sun hides in holes in the ozone layer,
Allowing ice to form on its beard and scalp.
Skyscrapers beat their heads against the walls,
Terrified by the calamity.
Cities dwindle in size till they enter the needle’s eye.
Mountains tumble against each other.
My room squeezes in upon me, and
The ceiling conspires against me with
The walls,
The chair,
The table,
The fan,
The floor,
Glass in the frame,
The windows,
Its curtains,
My clothes, and
My breaths.
The world’s clarity is roiled.
Atomic units change.
I vanish into seclusion,
Trailing behind me tattered moans and
Allowing my pen to slay itself on the white paper.
Translated by William M. Hutchins
Jonathan Moya Jun 2020
In the Charleston marketplace, a boutique auctions off
detailed limited edition replicas of black history: a slave
who hugs his chains upright over his porcelain hands,
is sold for $1200.00 to a man with a black Amex card,
a horde listening to the Emancipation Proclamation
goes for the same amount, Malcolm X gets $1000.00,
MLK just a little less, the OJ bobble heads sell for $60.00  
in the store’s gift shop while the white Bronco in
slow pursuit complete with flashing police lights
and breathless live commentary garners $2400.00,
Rosa Parks languishes at the rear eventually getting $300.00,
Eric Garner, Treyvon Martin, Rodney King are
part of lot sold for $500.00 clearance and a free
Black Lives Matter T-shirt, George Floyd gasping out
“I can’t breathe,” enshrined in a porcelain halo nabs
the same price, while the last figurine, of his murderer
being embraced by a very happy Donald Trump is
purchased by a man in a MAGA hat for $10,000.00.
Kagey Sage Jan 2023
In between notebooks
writing on the back of bank statement envelopes
My money would be in wise temperance
if I didn't haunt auctions for cursed instruments
I got a bargain baglama in route from Greece
it's just the chase
the replacement of writing songs and hard work
I could at least join the fox hunts
but don't forget coming from those that are forced to hunt
Sometimes envious of that pressure again
but don't resent cause it's just weakness
What I can't force myself to emulate
the neo-Malthusianism of my anointed material condition
_________________­

I'm back at it
running out of space
Might have to switch to that student loan
refinancing scheme from Chase
I won't even open it cause
I'm just waiting for society to value
education as a better use of time than
bailing out bankers gambling on the
backs of the poor and middle class that take all the risk
You swindle their paycheck and taxes too
Worshiping at the alter of the greenback printer
Sell your grandma and your grandchildren's future
__________________

I think I ran out of unimportant mail to write upon
I need to do my taxes so I can stop stressing
about hoarding unopened letters
I'm afraid I'll find some catastrophe like a disease
or a stolen identity
There's too much to fear in the 21st century
Yes, how weird
there's no aristocratic family lording over my plot of land
I'm not even a renter anymore except
to the bank and I get my food from multi-national global kings
Much less personal than the ****** that used to rule our lives
Now they're depersonalized into the corporate body
Escaping heaven's mandate
I suppose
Through layer and layer of fabric reality
the market, democracy, technology
is the belief that this whole world is fake
Ascribing deity to digital creators
Bad faith actors
Pretending it's other than profit you desire
"Profit's just a means"
but you need more means to make more means
What's the real product you're peddling?
Do you not have pride beyond the money making aspect?
Why do you highlight such shortsightedness?
Ken Pepiton Apr 2020
Baiting master critics, come ******* pi tyed to Beanie Baby auctions
from 1995... old bb cred be called anarchisic auto did act-ism did do done

get out the way boomer budsomine, we done.
Give the kids the bombs.

Serious or humorous, or amourous, or mysterious

thrillers, puzzlers, riddlers
hero saviour feminine wiles, Jael's nail, at one point

intime intimate clang rang human-ity's little brain,

at a granular level barely perceptible to a naked child,

much less to one circumscribing rules or orderly grammer
hammar
pre
positioned arrangements of raw material, each quest has filled this horde.

lines of lines in OneNote format,
replicate
to plain text even toned audio to be pleasant when spoken

at ease, you asked me if I knew a reason for war, any more,

and I said no
you know,
by now, I took part in several sorts of wars, two ... three, with guns
and knives,

lives... we live a life in the mind of every person who believes we
know one another,

all the me we see in those we think know us not,
these are living words a-ranged on a plan plain sans dis
couraging words. hear hi you silver and say

how stupid was that, but it worked,
better than minecraft, fewer rules, in my realm

my best black friend worshipped Silver Surfer, I just remebered...

as good as any on tv, and virtually indistinguishexistting wish able

from a Hogwarts dorm, or post first Wuwuchin discussion among the
old men in front of the new men, who stood tall

ready to take the old mans burden,
he say
hey ya'll heh yall, peace beyon' ye now,

see some how say I see how I see how I see how

Hia watha had song for ever's single season

after we are born we live and learn and die, or
after we are born we live and are informed to be a we

we imagine,
as we age, when comes a time we say, war is stupid, and you all
knowit knowit knowit gnostic snot 'snot 'snots

dripping through the NAND NAND NAND gates mr. feynman
wasn't joking, yo

Cal local, hitchin' highway one, for fun, nothin' to do but wonder if

the future is worth waithing material being a waiting thing

or a wu wei thang, watch thise, one blow, hammer time

see. In a word a thousand stories, in a picture a mere thousand words.
Who can hold the wind in his fist, i wonder why I love that line so much..

— The End —