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"assails" poems
Blood red plain of killing fields. Lioness stalks her prey. Tragic zebra separated from the herd. As lady lion quiet as bird. Creeps through concealing long grass. Undergrowth. Undercover. Trying not to rustle. Lioness has savvy. Not Zebra mares' saviour today. No games. She flies. Hear the wildebeest scatter. They know she's there. The birds, made them aware. Assails from the side. One fell swoop and zebra's down. The other quadrupeds return from their scarper and scatter. No fear today. The lioness is fed. She is not greedy. Nature beat her quarry. From the trees emerge her cubs to take their fill. The laws of the wild instilled! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Sep 15, 2013
Sep 15, 2013 at 10:03 AM UTC
Lioness!
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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Aug 20, 2018
Aug 20, 2018 at 4:39 PM UTC
Արշիլ Գորկին, տանիքի այծերը
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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52
day long meaningless the monday machine rolls i like the way the sun is and it’s cold out and it’s raining something assails the daybreak fluttering in the chutes abstraction in the boring monotony wispy, hazy and ambivalent by you, wondering what you’ll do next while i wait for the mystery to open up in the swirled world
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Apr 9, 2018
Apr 9, 2018 at 10:58 PM UTC
monday monday
Sable, the swallow rising as it banks over the white conduits of marrow in the body, rain slashes through the honey locust, along the long ellipse of its hunt as savage dragonflies rise from stems to cling, a deep sienna of doeskin tremors over their sting, catkins, an aftermath, melancholy to the skin soaked in white calla, its reticence assails the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me; for eternity is this moment, and the light you give cloaks me in a coat of flames, the burnt locust of slaughter, taunt the rubric of Christs hidden scriptures, as I night, the body, solely a vessel of shadow, returning through a field of windfall, ripe with wasps, echo you in me, a dream of a dream dream't, in the dim recess of light your lips close like a sutra over mine, a brutality of moments ground out of thick pine, as the fine agony of cricket ballets rise shivering, to stillness, this silence is a lotus, a blue psalm, throttles the throat, as a quorum of swallows gather between the swathes of sunlight and skewed shadows, and lift as one body, subsumed by our abandoned depths, out of exile, you have made me a homeland of truant light and as I night, lightning opens like scripture, a black plea, poured over some sore refuge, and so that I may never be restored, cloak me in a coat of flames, suffering an ecstasy of moments hardened in amber, over the white conduits of marrow in the savage body, writhe a black throng of swallows, assail the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me....
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Dec 4, 2012
Dec 4, 2012 at 4:05 PM UTC
The Black Kiss
Sable, the swallow rising as it banks over the white conduits of marrow in the body, rain slashes through the honey locust, along the long ellipse of its hunt as savage dragonflies rise from stems to cling, a deep sienna of doeskin tremors over their sting, catkins, an aftermath, melancholy to the skin soaked in white calla, its reticence assails the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me; for eternity is this moment, and the light you give cloaks me in a coat of flames, the burnt locust of slaughter, taunt the rubric of Christs hidden scriptures, as I night, the body, solely a vessel of shadow, returning through a field of windfall, ripe with wasps, echo you in me, a dream of a dream dream't, in the dim recess of light your lips close like a sutra over mine, a brutality of moments ground out of thick pine, as the fine agony of cricket ballets rise shivering, to stillness, this silence is a lotus, a blue psalm, throttles the throat, as a quorum of swallows gather between the swathes of sunlight and skewed shadows, and lift as one body, subsumed by our abandoned depths, out of exile, you have made me a homeland of truant light and as I night, lightning opens like scripture, a black plea, poured over some sore refuge, and so that I may never be restored, cloak me in a coat of flames, suffering an ecstasy of moments hardened in amber, over the white conduits of marrow in the savage body, writhe a black throng of swallows, assail the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me....
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60
a snort of derision assails my ears a gift from the slack-pants boy that walked by me i apologize for existing fellow classmate WAIT no i don't.
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Apr 23, 2013
Apr 23, 2013 at 12:31 PM UTC
i never apologize.
Bunny suit white cuffs and collar she's cute you pay the extra dollar black silk bunny ears black stillettoes she smiles at your jeers always the pro White pom pom tail wiggles when she walks your senses she assails her ex-boyfriend stalks Treat this bunny well or in your drink she spits she's ringing your bell but to her your the pits
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Dec 3, 2013
Dec 3, 2013 at 7:44 AM UTC
Bunny
In the cold of my car I shivered, as the engine ran,                      I sat still hoping to dispense with the chill,                  but my will said, 'accept it you are a wimp and an old cold one at that" I was wearing my hat and my coat with light gloves,                                                                         I loves to wear, they separate my fingers             from the cold, knitted grey and bold,         they let me hold, objects of metal like keys to hearts,  objects of stone like me very own heart,                     objects of desire, that I keep secret until something transpires                                                                      which warms better than fires, on a dark and lonely night under the stars bright, wait was that my tire? Oh where did I wonder off too,                               as I was in thought, now lost,    my wit, not sharp as the nail in my tire, the cost, on a dark night in November, as six speeding police cars swoop past me, on an urgent mission to stop a crime, their sirens wail as I am a counterintuitive pantomime against the noise that assails me while I am changing a tire but remain the same, metal tire rod tool in my hand, stone cold heart beating, against my ribs, as I labor in disbelief that where I live is across from where I stand, and with all technology you have to get on your hands and knees to change a tire, I sneeze, I am not sure which is worse,                                          my situation or these verse, which decorate the night, not like stars, as when spoken aloud every other word is profane, while two homeless push there wares by me and laugh                                                                 with disdain. For in these transactions they have more street cred than I,   and I would give them a bitcoin of my thoughts, but they are two and I am one, alone and without a cell phone, and this poem rolling around like lug nuts in a hubcap, as frost creeps closer than the creeps who wish to reap of my misfortune. Of which I now have some, that I can mix with theirs and then I notice their bloodthirsty stares, so I begin to recite this poetry and expound on the woe in me and send them packing covering their ears with out attacking my hapless now three wheeled car. When I was done I was nuttier than those lugs, "good news" it was too cold for bugs, and with good conscience you, from this, can unplug. ©DWE112013
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Nov 20, 2013
Nov 20, 2013 at 11:02 PM UTC
This really did not happen on a cold night like this.
In the cold of my car I shivered, as the engine ran,                      I sat still hoping to dispense with the chill,                  but my will said, 'accept it you are a wimp and an old cold one at that" I was wearing my hat and my coat with light gloves,                                                                         I loves to wear, they separate my fingers             from the cold, knitted grey and bold,         they let me hold, objects of metal like keys to hearts,  objects of stone like me very own heart,                     objects of desire, that I keep secret until something transpires                                                                      which warms better than fires, on a dark and lonely night under the stars bright, wait was that my tire? Oh where did I wonder off too,                               as I was in thought, now lost,    my wit, not sharp as the nail in my tire, the cost, on a dark night in November, as six speeding police cars swoop past me, on an urgent mission to stop a crime, their sirens wail as I am a counterintuitive pantomime against the noise that assails me while I am changing a tire but remain the same, metal tire rod tool in my hand, stone cold heart beating, against my ribs, as I labor in disbelief that where I live is across from where I stand, and with all technology you have to get on your hands and knees to change a tire, I sneeze, I am not sure which is worse,                                          my situation or these verse, which decorate the night, not like stars, as when spoken aloud every other word is profane, while two homeless push there wares by me and laugh                                                                 with disdain. For in these transactions they have more street cred than I,   and I would give them a bitcoin of my thoughts, but they are two and I am one, alone and without a cell phone, and this poem rolling around like lug nuts in a hubcap, as frost creeps closer than the creeps who wish to reap of my misfortune. Of which I now have some, that I can mix with theirs and then I notice their bloodthirsty stares, so I begin to recite this poetry and expound on the woe in me and send them packing covering their ears with out attacking my hapless now three wheeled car. When I was done I was nuttier than those lugs, "good news" it was too cold for bugs, and with good conscience you, from this, can unplug. ©DWE112013
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44
You don't much like me visits there But scarce do you lament For, I bring you home the finest cuts To sizzle in the pan..... The lovely ladies behind the counter there One grin vies to meet me, all doe-eyed If you knew she had a one-tooth denture I guess you'd smirk away, ungreen .... But I get the chops I want to eat Nicely packed pink; no seeping blood And succulent steaks indulged on me Saucy supervisor slips me secret smiles..... Hot and heavy glances jet my way By sly lady-workers in the back row When you turn your skeptic back Regarded by none, but cautious me...... Cute cashier rises on fleshy thighs Slow she sits; lets her skirt ride high She eyes me hooded, lashes long Then, downcast when you join me..... Can feel the electric tingle from her touch As I fumble redly, to pay the coins Deliberate counting, her scent assails Her hungry heartbeat..... oozing charm..... But, for all the alluring looks and promising smiles There's you, my love..... to grill my viands And hardly home, I fall on you...famished; Devour every morsel, shred and piece of you! Star Toucher, 27 March 2013
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Mar 26, 2013
Mar 26, 2013 at 8:43 PM UTC
Butchery blues
I gathered the pores of my being And came to perfume them with your own fragrance Only to discover that you are an oleander -- a rosebay While in the memory of unease and apprehension I trace some features that resemble no one but you An image has its own dimensions And, when hopelessness assails me, I have roads That never cease to pull and lead me toward you And while in the nook of anxiety I fancy a preordained timing For events that never materialize The image draws near And I talk to it About the tons of heavy separation That oppress the seasons of my life I have recited you as rain Yet your lightning never came near me Alienation gathered thick Translated by Mahmoud Abbas Masoud
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May 7, 2016
May 7, 2016 at 6:26 PM UTC
A Talismanic Incantation
A cry assails my window a child has a broken heart, life is harsh and she's afraid, mother said a harsh word she fell down, the world too big, too cruel she wails, drops her bottle, she wails stumps her toe, she wails her favorite doll ruined, she wails, palms bruised and scratched she wails and no one hesitates. Father walks too far ahead she teeters to stand, her wails carried on the wind no one picks her up, she must learn to endure life's obstacles, she gains footing and stands , bursts forward on wobbling legs, Father turns and smiles waits to dust her off, takes her hand, and the world begins again.
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Sep 23, 2015
Sep 23, 2015 at 7:07 PM UTC
Whales
She sits on a piano bench, in the basement of a church, the church she once graduated in, with the boy who has died, died the day before, much after going to school, with the girl who now sits on a piano bench, in the basement of a church, the church she once graduated in. Reality does not hit her at first, but four days later it assails, crushing her skull and collapsing her lungs. She stands holding a candle, holding a candle in a pew, in the church she once graduated in, at the funeral of a boy who she graduated with, remembering him in a blue dress shirt, and glasses, with a round face and tears stream from her eyes and she feels the weight, of a life lost too soon.
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May 5, 2013
May 5, 2013 at 11:24 PM UTC
Little moments
He drowns in the ashes of his own existence, He breathes the bitter charcoal imbued in gas And only the flame of love could've ignited the wings of knowledge. The colors of our merging were painting his new destiny When he looked at the sky and didn't speak anymore; He had his mouth sewn and his body tied with a thread of sound And darkness feathers and the soul of us: He sewed it himself with his necrotic hand Because only in death we could've existed as a being. I've tasted the abyss which trickled on his fingers, But he couldn't resist it so he conquered the exil. He fell in the univers, leaving behind a flaming arrow To burn my sky and life, burying me in the ashes of a past love. None but the thought left by you helps me find my hope, Only the illusion of love still burns inside me with purple flames, And my blood started to ignite our memory, Covered by the fog of pain and happiness moans. When black whispers fill my heart and soul, His violet touch crushing my mellow bones, Shaped and painted also by him, Then just the yearning assails me and I remeber ....you'll be next to me, still in the hot sheets from last night.
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Jun 14, 2019
Jun 14, 2019 at 10:19 AM UTC
Takotsubo Cardiomyopathy
They will never take my crown, nor the faith, I have, in You; You've been with me far too long, and have always, seen me through. Tough times come and tough times go, there are many tribulations; still, I bow my knee to You, in my constant admiration. They will never take my crown, for You, will not, forsake me; their wounds are fast and fleeting, yet, my soul, is singing free. Nations fall and nations rise, yet Your word, it never fails; I stand firm in solid hope, whatever the assails. They will never take my crown, although the body falls; although the body dies, the Spirits soul stands tall.
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Jan 29, 2017
Jan 29, 2017 at 5:12 PM UTC
They will never take my crown...
Musty, salt smell, of a deserted home, sitting by the seawall, viewing sand and foam, assails the nostrils when you open the door. See dust motes fly, spiders scurry on the floor. Curtains hang as tattered rags and swaying, in the breeze, through the cracks, like old flags waving. As if wearily, signaling for a truce, between the sea and the decay induced. Sand comes down from ceiling beams as proof, as to the storm worn holes, in the roof. Of shingles blown off, during cold winter blasts, sand trickles down, as if from an hour glass. Time and the elements have dulled the shine, of the woodwork and trim of knotty pine. Cast iron water pipes, rusted out in places. The claw foot tub, rest on it's Eagle braces. Porcelain surface, chipped and cracked, lath and plaster of the walls needing patched. The little house sitting by the seawall, that leans to the left and ready to fall. Bulldozer sits ready, engine at idle, to be let loose, push it into a pile. Along with others like it in a row, that once held town folks and saw children grow. A new hotel made of metal and glass, sterile exterior, no style nor class. Will take their place, sitting by the sea wall. Years ago, an oil spill caused the fall, of this sleepy tourist town full of charm. No one realized, the long arm of the harm. They filtered the sand, skimmed off the water, it was to late, the economy faltered. Waiting out there, like vultures that scavenge, was the Corporations, watching it happen. When the town gasped, gave it's last dying breath, in they did swoop, living off a towns death.
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Aug 8, 2010
Aug 8, 2010 at 5:43 PM UTC
The Spill Will Linger
Musty, salt smell, of a deserted home, sitting by the seawall, viewing sand and foam, assails the nostrils when you open the door. See dust motes fly, spiders scurry on the floor. Curtains hang as tattered rags and swaying, in the breeze, through the cracks, like old flags waving. As if wearily, signaling for a truce, between the sea and the decay induced. Sand comes down from ceiling beams as proof, as to the storm worn holes, in the roof. Of shingles blown off, during cold winter blasts, sand trickles down, as if from an hour glass. Time and the elements have dulled the shine, of the woodwork and trim of knotty pine. Cast iron water pipes, rusted out in places. The claw foot tub, rest on it's Eagle braces. Porcelain surface, chipped and cracked, lath and plaster of the walls needing patched. The little house sitting by the seawall, that leans to the left and ready to fall. Bulldozer sits ready, engine at idle, to be let loose, push it into a pile. Along with others like it in a row, that once held town folks and saw children grow. A new hotel made of metal and glass, sterile exterior, no style nor class. Will take their place, sitting by the sea wall. Years ago, an oil spill caused the fall, of this sleepy tourist town full of charm. No one realized, the long arm of the harm. They filtered the sand, skimmed off the water, it was to late, the economy faltered. Waiting out there, like vultures that scavenge, was the Corporations, watching it happen. When the town gasped, gave it's last dying breath, in they did swoop, living off a towns death.
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36
If I had you in my hands, petal, cradled from the rot guarded from the corruption the world assails you with, I would hold you firmly and never let you go... Never let you go.
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Mar 16, 2015
Mar 16, 2015 at 1:01 AM UTC
Petal
I know the eternity of midnight where the days don't light the days and the night stays tight against my wrinkling skin,and the only way out is the way you got in,but you can't find the way and you're lost, so you stay. And midnight never ends,this eternity wends its way slowly to your core,clambers clumsily in through each and every pore,and though you try to reach the sun,for some the sun will never come and here you stay, Crumpled, where the night becomes the only way to live, crumpled, where the night feeds on you,so you give,and pleading silently for this eternity to end, for one brief moment to pretend things will work out, but doubt assails you and you flail wildly, childlike,sadly stuck so you sit and **** your thumbs until eternity makes up its mind and comes, whenever that may be.
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Nov 2, 2013
Nov 2, 2013 at 7:26 PM UTC
Monorail
nibbling on the rainbow the saffron flag is swaying, bearing a crooked smiley emoticon these days sometime ago… the land beamed with pride as happy lips of backgrounds varied in jingles of diversity revelled but no more, no more today… scars mar in face of fading acceptance spirit of songs of oneness being muffled by voices intimidating, dominant and intolerant for birds of minorities dark clouds smear the skies and fear assails their hearts to spread their wings too wide to fly mob lynching awaits if ‘wrong’ meat found on your plate and your verses of dissent could be your gateway to prison or invite a cold ****** at your door-step
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Sep 5, 2017
Sep 5, 2017 at 11:38 PM UTC
the intolerant saffron
I am a house, says Senlin, locked and darkened, Sealed from the sun with wall and door and blind. Summon me loudly, and you'll hear slow footsteps Ring far and faint in the galleries of my mind. You'll hear soft steps on an old and dusty stairway; Peer darkly through some corner of a pane, You'll see me with a faint light coming slowly, Pausing above some gallery of the brain . . . I am a city . . . In the blue light of evening Wind wanders among my streets and makes them fair; I am a room of rock . . . a maiden dances Lifting her hands, tossing her golden hair. She combs her hair, the room of rock is darkened, She extends herself in me, and I am sleep. It is my pride that starlight is above me; I dream amid waves of air, my walls are deep. I am a door . . . before me roils the darkness, Behind me ring clear waves of sound and light. Stand in the shadowy street outside, and listen-- The crying of violins assails the night . . . My walls are deep, but the cries of music pierce them; They shake with the sound of drums . . . yet it is strange That I should know so little what means this music, Hearing it always within me change and change. Knock on the door,--and you shall have an answer. Open the heavy walls to set me free, And blow a horn to call me into the sunlight,-- And startled, then, what a strange thing you will see! Nuns, murderers, and drunkards, saints and sinners, Lover and dancing girl and sage and clown Will laugh upon you, and you will find me nowhere. I am a room, a house, a street, a town.
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837
Senlin, A Biography: Part 02: His Futile Preoccupations - 01
I am a house, says Senlin, locked and darkened, Sealed from the sun with wall and door and blind. Summon me loudly, and you'll hear slow footsteps Ring far and faint in the galleries of my mind. You'll hear soft steps on an old and dusty stairway; Peer darkly through some corner of a pane, You'll see me with a faint light coming slowly, Pausing above some gallery of the brain . . . I am a city . . . In the blue light of evening Wind wanders among my streets and makes them fair; I am a room of rock . . . a maiden dances Lifting her hands, tossing her golden hair. She combs her hair, the room of rock is darkened, She extends herself in me, and I am sleep. It is my pride that starlight is above me; I dream amid waves of air, my walls are deep. I am a door . . . before me roils the darkness, Behind me ring clear waves of sound and light. Stand in the shadowy street outside, and listen-- The crying of violins assails the night . . . My walls are deep, but the cries of music pierce them; They shake with the sound of drums . . . yet it is strange That I should know so little what means this music, Hearing it always within me change and change. Knock on the door,--and you shall have an answer. Open the heavy walls to set me free, And blow a horn to call me into the sunlight,-- And startled, then, what a strange thing you will see! Nuns, murderers, and drunkards, saints and sinners, Lover and dancing girl and sage and clown Will laugh upon you, and you will find me nowhere. I am a room, a house, a street, a town.
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32
I walk the broken road, with my heart in my hands, trying to lessen my load, while following others demands, My hopes still remain, but my fear does as well, like an iron chain, my pain begins to swell, slowly i turn, to face the beast that trails, I look into its eyes that burn, and feel as it assails, Its long claws, try to pierce my very soul, But i face it with my flaws, but this begins to take a toll, But I refuse to give way, I stand proud and vein, and slowly it backs away, and looks at me with disdain, I know I have won, but the journey is not finished, for this battle is just one, in many only slightly diminished, So I will never give way, for this is a battle I did not choose, I will fight it every day, depression may just become my muse...
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Mar 23, 2015
Mar 23, 2015 at 4:23 PM UTC
The Monster Of Depression
With never a thought for the shadow of corrosion nor the fertile breeding ground of eel slime and rabbit guts, we took adventure’s companion: the pocket-knife, and sliced our thumbs. A fragment of pain much less than its apprehension; to watch the rubyed jewel of life swell then run to kiss the earth with salty gravity. Pressing our thumbs together, blood into blood, we made a symbol of our bond. This was a time when blood was blood and not more virulent than rats in Renaissance Europe. When “Magic” Johnson was a messiah. When dentists and doctors probed with impunity. Before plasma was a Trojan Horse for haemophiliacs. Now even the mosquito’s drone assails our mortality yet we are loath to shipwreck its cargo of strange blood. The body once a temple now a fortress. But what is to be our vigilance when the enemy lies within?
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Feb 20, 2015
Feb 20, 2015 at 2:52 AM UTC
BLOOD, THOU ART BLOOD
*i feel your steady gaze in the eyes of my heart you whose business it is to take note of the goings-on in the arena of human affairs spare me the dissection of your scalpel eyes i tremble like one condemned life, oh careless life, what will my poor children do? O you winds of unfulfilled hopes when sometime you blow their way gently whisper of my undying love bid them neither to crumble nor weep though double jeopardy assails them father and mother lost to bottomless time O you bards from all ages let your word tapestries be their balm and comfort let there be wisdom, discernment and resilience in their oft-pained lives, some happier day children, treasure what life gave us in our time together and weep not children, it will be your world, one day*
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Dec 24, 2015
Dec 24, 2015 at 10:23 AM UTC
weep not children
There’s an edge on the air With a taste of despair There are shadows where sunshine should be And a tinkling sound From the frost on the ground Lends a sparkle to all that I see The colours are deep And the bees are asleep The drizzle is clouding my eyes So bare me away To a place I can stay Where the seas are as blue as the skies Such a terrible thing With the geese on the wing And the sun barely over the trees There’s a nip to the night When the wise take flight As their noses and fingertips freeze My intention revealed With a voice I’ve concealed A lament which I sing to the sun So take me from here To a distant frontier Where the races are yet to be run With a trembling hand At her chilly command And her eyelashes beaded with ice The winter assails With her icicle nails And a sound like a rattle of dice The windows are barred The dog’s in the yard And the horse is all warm in the stable So carry me past Where the shadow is cast To where breakfast is fresh on the table
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Feb 7, 2013
Feb 7, 2013 at 5:50 PM UTC
Migration Impossible
A sea, you are,  regrets that wash ashore Incessant waves of mem'ries stinging salt Each rush assails her heart forevermore Envaulting swells that fill her lungs with fault A woman's love assaulted by her sea Thus born to bear what men on boats deny compassion deep that weeps eternally Thus born to grieve, reproached by men who lie Lo' billows raised by wind unbraids her hair On wings of prayer that fearless love foresees She lifts to lofty realms all men who dare to rescue fools who sail on wormwood seas Her love doth foam with swirling discontent as countless souls to ocean's graves are sent gv feb.19.17 A Shakespearian sonnet. Iambic pentameter I
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May 4, 2017
May 4, 2017 at 6:35 PM UTC
A Sea, you are.....
awesome apothecary addressed as Agamemnon alleviates anxiety, and alimentary aggravation anodyne appeasement arrests ailment amphetamines acquaintanceship assuages agonizing aches also advocates amorousness assiduously activating admiration aggressive attacks assault air afoul affable affinity affects adumbration anatomical accidental addiction attested as academic, although afterward abnegation absolutely arduous, affianced attired apparently as an anomaly Ares and Abyssinian Astarte admixture acquiescence affliction affected adroitly, and abruptly abends accessible altruistic alms axed albeit admonishing, alluding, and attributing authored autonomous anonymous adroit arriviste agents accompanying as accomplished accomplices accredited ace advertisers applaud ascendent assaults amidst agonizing appeals acting all acrimoniously apropos avowedly ardently, and antagonistically, agitating appositely advocating ancillary assistance addict adrift afloat anchors away assails along, among, and an alias archenemy - adorned abominable assassin alters ambition adroitly, aggressively, absolutely addict announces asseveration against avid admonishment alarmingly annulling authentic affiliation anew anonymous ability acclaims alignment aegis actually adversarial abetting attrition appetite acceleration ascendent after aplenty anesthetization additionally activating arced analogous arrow advancing added abdominal and arterial agony abject ambivalence arrests accomplishments attainable any artistic avocation absconded asper auditorial approbation, animadversion artificial aggrandizement abrogates astuteness appropriate adjudication affronted alternative afforded amnesty about acing audioslave as aerosmith ambition assumes arriviste affectation already appalling alacrity awakens amendment although Awol administration adamant acrimonious affront agonizingly attributable announces another afterworld apparent ailing apparition ardent allegiance asking anyone appreciable affix apathy abounds attending apriorism allotment.
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Feb 25, 2018
Feb 25, 2018 at 6:46 PM UTC
addictive ampoules annihilate after alluring
awesome apothecary addressed as Agamemnon alleviates anxiety, and alimentary aggravation anodyne appeasement arrests ailment amphetamines acquaintanceship assuages agonizing aches also advocates amorousness assiduously activating admiration aggressive attacks assault air afoul affable affinity affects adumbration anatomical accidental addiction attested as academic, although afterward abnegation absolutely arduous, affianced attired apparently as an anomaly Ares and Abyssinian Astarte admixture acquiescence affliction affected adroitly, and abruptly abends accessible altruistic alms axed albeit admonishing, alluding, and attributing authored autonomous anonymous adroit arriviste agents accompanying as accomplished accomplices accredited ace advertisers applaud ascendent assaults amidst agonizing appeals acting all acrimoniously apropos avowedly ardently, and antagonistically, agitating appositely advocating ancillary assistance addict adrift afloat anchors away assails along, among, and an alias archenemy - adorned abominable assassin alters ambition adroitly, aggressively, absolutely addict announces asseveration against avid admonishment alarmingly annulling authentic affiliation anew anonymous ability acclaims alignment aegis actually adversarial abetting attrition appetite acceleration ascendent after aplenty anesthetization additionally activating arced analogous arrow advancing added abdominal and arterial agony abject ambivalence arrests accomplishments attainable any artistic avocation absconded asper auditorial approbation, animadversion artificial aggrandizement abrogates astuteness appropriate adjudication affronted alternative afforded amnesty about acing audioslave as aerosmith ambition assumes arriviste affectation already appalling alacrity awakens amendment although Awol administration adamant acrimonious affront agonizingly attributable announces another afterworld apparent ailing apparition ardent allegiance asking anyone appreciable affix apathy abounds attending apriorism allotment.
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[by Edna St. Vincent Millay] Pity me not because the light of day At close of day no longer walks the sky; Pity me not for beauties passed away From field and thicket as the year goes by. Pity me not the waning of the moon, Or that the ebbing tide goes out to sea, Or that a man's desire is hushed so soon, And you no longer look with love on me. This have I always known: Love is no more Than the wide blossom which the wind assails, Than the great tide that treads the shifting shore, Strewing fresh wreckage gathered in the gales. Pity me that the heart is slow to learn What the swift mind beholds at every turn.
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Sep 20, 2017
Sep 20, 2017 at 5:05 PM UTC
Pity Me Not Because the Light of Day