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Catrina Sparrow Jan 2013
i've spent my entire lifetime running
running away
running in circles
running myself into the ground

it isn't fun, anymore
my feet have gotten heavy

i remember that night you drove **** near 100 miles
so we could go to the park and play lava-monster
i didn't know the rules
you were patient

there
in the decaying fall air
with your news-boy cap pulled down over my eyes and my arms stretched out into the darkness
searching for you
i felt right
for the first time in my life i felt fine

i haven't feld good, since

i wish i knew then what i know now

that i may likely never see you again
that you were leaving
that you're a runner too

i guess it is true
you get what you give

my feet have become granite
stones not meant to be resurrected from the earth
my globe's nothing but a paper-weight, now
the atlas is never cracked
because i can't find you on a map
and your arms are the one place that i long to be

silly, really
the way the head and the heart are incapable of speaking to each other honestly

now and then
the wind rests
for just a moment
and through the dry wyoming air
i catch your scent trail
like a glimpse of heat-lightning in the far horizon
but just like you
it's gone in an off-set heartbeat

the tumble weeds sing your name as they slink across the plains
stirring my insomnia into a craze
that can only be calmed by night-sky air
i search for your face in the shadows of the moon
as my calls to you rise with my steam-heated breath
and disappear into the stars

i wonder if you lay awake all night
swearing that the constellations are all begining to align
with the sole purpose of pointing you towards me
Ben May 2013
The Morning After Part I
What the hell have I done? It feels like my temples are about to explode and the early morning light burns my eyes. My shirt is missing and I’m curled up on my Lovesac. I glance to the left to see Alice is sprawled out on my air mattress. She looks drained, even while asleep, and I think that I probably look a lot worse. Last night… What happened last night? It’s all just a jumble, my memories out of order. It’s a flash of colors, sounds, feelings and sensations, a blur in my mind. It feels like a tilt-a-whirl of sensory overload and I kind of want to puke. Then, like a dam breaking, fragments of memories flood my mind in a sickening torrent, too much, too much. ****. It’s starting to come back and that’s not even remotely helping, just making it worse. I feel even more confused and all I can think is What Happened…?

Ok! Let’s Party!
a three am party a trip edge
a witching hour emprise time to begin
a black and white strip of paper so thin
it looked so harmless, inconspicuous, even then
five hits for me, four hits for you,
placed under our tongues, we expectantly raise
eyes round the dark room for a white rabbits maze
or floating cat ears and Cheshire grin
the seconds pass, then minutes do spin
nothing
nothing
nothing shifts or shapes, bends or breaks
we wander to seats, choose movie to play
Scott Pilgrim Vs. The World comes to life on screen in a blaze
and…

Trip # Cats Everywhere
“WE ARE *** BOB-OMB 1 2 3 4 - !”
cats are crawling slinking stalking
their eyes are glowing growing pulsing
and bodies moving sinuously serpentine
flowing round the corners of my eyes
fleeing from sight like shadowy wraiths
insubstantial  sensory stimulation
hallucination

Trip # ****** Coma
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

ringing blue lightning flashes razor sharp quick
cutting my mind in jaw breaking half
gasping for air I lunge forward hard
and break into silence, stillness, calm.
you have to remember to breathe
when things get fuzzy or funny or anytime now
otherwise sanity slips like water through fingers
or like rabbits down tunnels
on time to lost minds and messy motor control
****** coma, giddy, ecstatic, inescapable, unrelenting

Trip # I’m Melting
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

I have to **** but the whole world is breathing
standing and swaying every step an adventure
entranced by the swirly dripping dropping walls
i barely stay balanced though trousers do fall
relief, ahhh, glance down what the ****!?
maniacal laughter rings through the room
I’m melting I’m melting in big drops and small
being pulled ever downward but never disappearing
warm like candle wax, thick and viscous
I’m leaving a trail of me on the floor

Trip # Music
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

complex strains of sounds by vibrations
subtly influence the mood in the room
emotions experienced changing by song
upbeat pulse lively down tempo drops dangerous
I can feel the sound envelope my soul
Alice enraptured marries the music
sitting on moment to swaying the next
pressed up against me, blink, appears on by wall
(don’t drink and drive, take acid and teleport)
this controlling cacophony swells then settles
an ocean unseen deciding the trip

Trip # Alone
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice embarks on adventure to leave
a trip to the restroom a momentous maze
breathe deep and hold, keep it together
I slip from this plane to a place so strange
the chair is moving and so is her hat
were they ever just objects or always alive
pink and white fur slithers up in answer
caressing my arms sensual depraved
the laughter returns ever occurring involuntary
in fast rolling eyes at madness do gaze
I cavort around with fluffy new friends
tumbling and squirming wiggly worming
the fun never ends the fun never ends
“are you ok?” – Alice inquires
back after minutes turned hours
“is this how it feels to know you’re insane”

Trip # ******
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
“I haven’t slept in eight days”
a half muttered phrase
“what are you saying, it’s been 10 minutes”
alice mouths back with questioning gaze
fade to black

Trip # Telepathic
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...
“mhm yeah like what like yeah what”
“mhm like yeah like what oh what like yeah”
“mhm yeah like what oh **** like what huh oh what”
“mhm yeah like what oh yeah like what mhm ****”
mhm yeah **** like what oh mhm yeah what”
“wait what?”
“****”


Trip # Blue Gum Matrix
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

bubbles bubbles popping in pink
filling my mouth with cotton clouds
sugary sweet deliciously soft
seducing my mind into boiling blue bliss
I don’t notice the binary program lurking through unconscious thought
uploading software for changing perception
the transition to fiction so seamless like silk
I’ve jacked into the system with every chew
it’s twothousandwhatever in metrohive Tokyo
the future is different yet still feels the same
Alice sits solitary in darkened apartment
with wires like web strung throughout the room
all tracing with tracers glowing in ambience a glistening path
to electrical heaven, a desktop computer
my visual sensors are booting and loading
with mechanical perfection clarity arrives
a robot, I robot, created as A.D.E.M.
(Artificially Developed Emotional eMulator)
or A **** Excellent Machine (self-titled)
I sit up and blink as synapses fire
electrical currents carried on nanobig wires
I go move towards alice and watch binary code scroll
plugged into the network a direct hacker helper
this job’s objectives flash ‘fore my face
“we’ve got a big heist, security’s tight”
the scene’s fading out, cameras pan to the night

Trip # In Which I See the Future
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice and I curl up as one
excessive I know on this excessive night
but excessively is as excessively done, the social norm
it’s experience together and not alone
that draws us closer to breathe in unison
a chance to express feeling in this
uncharted sensory undertaking
together hearts beat in arrhythmic understanding
a feeling of pleasure creeps down my spine
and spreads out in ripples turning to waves
crashing and breaking on the sweet shore of…
alone in the bathroom I reflect on actions
for minutes and hours and finally days
I watch myself age and age and go grey
tormented by thoughts of actions and actions
guilt like creeping mold consumes my visage
decrepit and wasted I stumble from chambers
to find five am clock arms right in my face…

The Morning After Part II**
****.
lysergic acid diethylamide.... an adventure every time
abecedarian Jun 2020
“your arrhythmic rhymes, skinflint perspectives,
this is what I ask, what I need, what you can give,
what is in your possess, what you need to unburden,
making me better for making you lessened”  

<>

she offers me this,
a way out to more,
a way in to lessen,
knock on heavens door,
a suggest tendered,
treaty of mutual arms-ments-to-be?

perhaps is my answer,
utter the skinflints perspective,
maybe it is no treat, this treaty,
but a rad road well traveled to
mutually assured destruction,
the intended embrace
of unintended consequences
Tatiana Jul 2018
In my thoracic cavity is a clock
that rhythmically sounds tick, tock.
Pumping blood through my body
giving my hands an opportunity
to point out a good quality
And a fault.

It is good that you know I am with you
but a fault is found in this sad room
as sounds of this hospital's gloom
absorb into my aching brain
I almost miss your words full of pain
what you said will always stay.

"I think of days of old
days of gold
days that told
us to cling and hold
onto occasions
that you and I had.
Days I thought could not go bad
  Days I thought could not go bad."

Your clock ticks, but it would not tock
arrhythmic palpitations hold your body in lock
arms turn into stiff, limp imitations of parts
your body can find out how to start
its own trip into that forlorn dark
with no comfort from a singing lark.

I'm no lark, I bring no comfort of dawn
but I'll stay up with you as you yawn.
Your soul's windows full of worry
build up this notion your light will go in a hurry.

I vow to you as your light grows old
that you and I had days of gold
that you and I had days of gold.
© Tatiana
This is sad and trying to avoid the letter 'e' is extremely challenging.
No 'I' is next
Cascades were dripping outside of this moving vehicle
White noise, patternless and arrhythmic
like magnified sounds of nails on a concrete wall,
made by souls desperate to cleave their way to dryness

This public utility vehicle holds spirits successful in finding this temporary heaven
Weathered, soaked and almost drowned
like panting dogs that managed to swim ashore from a shipwreck
caused by the iceberg that is the eye of the storm

This safe haven holds champions in a world of misshapen men

A woman clutches tightly on a bag of lime and her ever waning youth
Tired, but not eager to face Death
still closing her windows to his cat burglars
that come faster than the downpour of Typhon's tears

A homeless child comfortably sleeps on the far end of this ride
His innocence tested by fate
Too experienced for someone his age
instead of just playing in the streets he calls home

The jeepney driver has eyes on the road painted by Van Gogh
Unabashed, industrious and assiduous
determined to serve,
provide for a family whose stomachs hunger not but they hunger for his return

This other dimension nurtures alien thoughts and parallel thinking among beat down men

I do not know them but I can hear the cries of their emotions,
their longing to be felt and empathized with
Their voiceless cries are guns with a silenced nozzle
shooting at anyone ignorant who curiously stare at this minefield of a passenger jeep
Read more of my works on: brixartanart.tumblr.com
I want the hollow
Cheeks.
The full, adipose, smooth
Lips.
The white-*****,
Pearls she calls
Teeth.
I want the bright, clean,
Sun bleached
Hair.
The fine, sharpened,
Ready for scratching, Spotless
Nails.
The refined, sculpted,
Long, profiled
Nose.
I want gold to flake,
Off my ageing,
porous, dull,
Skin.
I want the protruding,
Famished, angled
Bones.
I want the pumping,
Arrhythmic
Heart.
The tired, hissing,
Tar coated, smoker’s
Lungs.
The round, fleshy,
Cellulite covered
***.
The motherly, but
Childless plump
*******.
I want the barren,
Bleeding, afflicted
******.
I want the faint,
Wispy, high-pitched,
Call that she calls a
Voice.
The bruised, bulging,
Porcelain polished, etched
Knuckles.
The wide, protruding,
Ballooned up, dangling
Hips.
The numb, heavy, metal
Flavored, gum bleeding
Mouth.
I want the skewed,
Backwards, lost
Pedals she calls
Feet.
I want the hearing less,
Wax, pus covered,
Ears.
The lost dull, lifeless
Dumbed down, blue
Eyes.
I want to be her,
All of them, and none.
I want to be lost,
Unwilling, tame, voiceless,
Mindless, childless,
Sexless, man-less.
I want to be her, but I
Can’t.
I cannot because I am
Thought burdened, fat,
Violent, screaming,
Child laden, broken nosed,
Coarse.
I cannot because dirt
Flakes off my young
Skin.
Because my heart pumps,
Oxygenated blood,
At a steady, rhythmic
Beat.
My voice baritones,
Deep, bottomless,
Whispers.
I sit on flat, concave
Muscle.
My lungs breathe,
Strong, fresh, smog-less
Air.
Yellow stained, grainy, calcium-ridden
Teeth.
Dark, musty, greased
Hair.
I want to be her,
But I won’t.
Terry O'Leary Mar 2013
The midnight clings to dwarfish kings
while robot drones, adorning thrones,
       kneel, bowing to the Old...Guard.
Arrhythmic clocks and wooden box
       grace FRiar Small-Bro’s grave...yard.

The diplohacks, like melting wax,
have swept along the clueless throng,
       some dying for a life...guard.
And Nun, alone, has beached their bones
       in FRiar Small-Bro’s grave...yard.

Beyond the streams, a raven screams
at loser fish that swarm and swish;
       Nun slowly drains her dreams...jarred.
There are no thanks along the banks
       near FRiar Small-Bro’s grave...yard.

While FRiar smiles and prowls the aisles
the hierarch obeys the bark
       from maw that oozes pure...lard.
There's much ado throughout the zoo
       in FRiar Small-Bro’s grave...yard.

Well, FRiar’s pets are in a sweat;
he calls the tunes near burning dunes
       and taps his cloven feet...charred.
They roast in rooms, their future tombs,
       in FRiar Small-Bro’s grave...yard.

His myrmidons, they drool and fawn
reciting verse near FRiar’s hearse,
       extolling wild the van...guard.
Remote controls abet the trolls
       in FRiar Small-Bro’s grave...yard.

With faces straight, in bent debate,
they advertise their empty lies
       to every passing re...****.
Grey zombies groom white flies in bloom
       in FRiar Small-Bro’s grave...yard.

With ghouls, unlearned, no stone’s unturned
to burnish blame with Nun’s proud name
       and leave the midnight sky... scarred.
They raise their hats to copy cats
       in FRiar Small-Bro’s grave...yard.

While rumours spread amongst the dead,
Nun stays the pace with saving grace,
       and phantoms keep their face...marred.
The maggot digs neath twisted twigs
       in FRiar Small-Bro’s grave...yard.

In tempests strong, Nun rings the gong
but fails to rise in vacant eyes -
       he palms a one-eyed trump...card.
Nun sets her sail, to no avail
       in FRiar Small-Bro’s grave...yard.

Nun asks him why a bird can’t fly.
His mouth, a rut, replies “tut, tut”,
       with conscience painted white...tarred.
A mushroom mold has taken hold
       in FRiar Small-Bro’s grave...yard.

“To fly aloft," he laughed and scoffed
“lay bare your breast! I’ll do the rest,
       I’ll bless you in the church...yard”.
The golden rule's contrived for fools
       in FRiar Small-Bro’s grave...yard.

He cast the bait and wouldn't wait -
once more defied, her wings denied,
       the Kingfish is a bass...****.
A 'no' said twice must pay the price
       in FRiar Small-Bro’s grave...yard.

When day’s undone, and night’s begun,
Nun stirs a cup and turns face up;
       she's feeling that she’s ill...starred.
’Tis such a crime to waste her prime
       in FRiar Small-Bro’s grave...yard.

Nun plans to dine with sparkling wine
but sips instead a bitter red
       served with a crystal glass...shard,
Behind the bog, beneath the fog
       in FRiar Small-Bro’s grave...yard.

Well, minstrels fight beyond the night
and demons fete behind the gate,
       while silence chokes the host...bard.
The angel sings with broken wings  
       in FRiar Small-Bro’s grave...yard.

The webs are spun neath dying sun;
and caught ensnared, her flight impaired,
       Nun’s thoughts are how they’ll die...hard.
The puppet people storm the stee-
       pled FRiar Small-Bro’s grave...yard.

And voices wail beyond the pale
“The old taboo - it echoes true -
       Nun’s bound to have her way...barred”.
The schemes are strange and minds deranged
       in FRiar Small-Bro’s grave...yard.

Ms.! Cast your nets, but hedge your bets -
there are no odds, where purple gods
       and hungry idle ghosts...sparred
with nameless gnomes in catacombs
       in FRiar Small-Bro’s grave...yard.
My decisions are fallacious
My thoughts are surreptitious
My heartbeat arrhythmic
And my soul tormented

I help none
Speak not
And seek no intimacy

I am contemptible
Hated
Degenerate
Low
Lousy
And
I am nugatory
Nat Lipstadt Aug 2017
the undulating structure of the sea, woman

~for Megan Sherman~

you message me a brief, sweet like of
my poem's structure,  describing it as
"undulating like the sea."

you deserve much more that I can now provide,
the hour late, yet your succinct observation
engages my retinas deeper into oceans of imagination.

but told to "turn off the light,",
a standard life intrusion,
so for once in my life,
perhaps brevity, may here gain the upper hand.

but probably not.
no, this poem does not undulate.

I live by the sea, and its habits, guises and habitués,
her stockings and high heels, and come hither looks,
well known to me. Ha! most nights it even feeds me.

as I compose, she hides quiet, fifty yards away, no more,
causing no trouble tonight, yet seen it don and unmask
a schizophrenia of multiple personalities most terrible
in minutes as short as seconds.

rage and frothy spit, begging she be allowed to
swallow whole men and ship, harboring monsters,
that populate the nightmares of one called Jonah me.

her murdering riptides and lunar tricks
that are mathematically calculable and therefore predictable,
even then, wise man still most helpless charmed by
the fake news of the surficial, gentile, ladylike, curtsying, cutesy lapping, waving oh hello waves,
drown us with the greatest of ease,
which is what I think you mean when you say
the sea **** be undulating, performing its best and finest trickery.

yes, the sea is a women and its fluidity, nonpareil.

Have you ever seen a woman undulate?
see my notes below;

when the sea or a woman undulate,
things too oft die.  

this poem is unstructured, its heartbeat,
arrhythmic, and now, well, lady past midnight,
indeed, unhappy, unsure of the why of this poem,
its purpose undefined but you said:

                          un   
du
                    lat
           ing
~~~~~~~~~~~~~~~~~~~~~~~~

causing the sovereignty of my un
-conscious
to see a ballerina, her arms, moving unnaturally,
laying herself down to die

did I forget to mention
this poem was born on the ferry crossing the sea,
required to reach the island keep where
the home that I now lay prone in bed now writing
almost, soon enough,
"the end,"
having read your words, felt a poem instant birthing,
as the bow cut thru calm, undulating waves
while a storm in my eyes, the rancor of experience screamed,
my aminotic fluids joining the waters beneath my feet,
your words caused

and a ballerina waving arms swept me low,
asking, imploring,
watch me undulate unto death


and better now I understand the why of you,
for we both ****** addicts,
enslaved by the undulating
arms of our muses, and this then,
the nature of our
shared genius

so be wary of the sea, and writing, the ****** of poetry addiction,
given half a chance,
you will quite happily drown
when they both beckon,
come hither.


<•>
8-19-17 ~ 8-20-17
11::04 pm - 3:24am
https://m.youtube.com/watch?v=G_LHgXxz9VE

an amazing thing to see
Gabriel burnS May 2017
sugar is bad for you
especially sugary thoughts
you cannot afford

like June is majestic
undulating ozone
from cumulus bones
in its flesh of light blue
masquerading airborne
around the skin
that breathes with beats
progressively arrhythmic
high from the feeling

but beware
for June hides its predators
beneath those waves
elating charm, its Siren song;
Because deadlines,
blood thirsty words
like “expiration”,“elapsing”,
and “due in”,
lurk with sharpened teeth
stalking the smallest of joy-fish

And all of this contrast
is masked with such skill
it remains underrated,
only frustrating to Juners,
for they know its extremes
and how smiles
cover anxiety


bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Timothy Brown May 2013
Do what I say,
not what I've done.
What I did was past tense
to the prose I've become.
Words spoken
shed truth
on the bells rung.
Pronouns succumb
to life underneath.
What has the sun shone?
Same thing moon's shunned.
Twirling thumbs
and grinding teeth.
Prone anxiety
beneath a fleet
of  coarse thread sheets.
Only fans speak,
oscillating on an
arrhythmic beat.  

What are the limits of your speech?

English, French and Spanish
when haphazardly
conscious.
Noun (Verb + adjective)  + predicate
is the constant
variable in
idioms.
It's an order of operations
within phrases
understood amongst
sages.
© May 30th, 2013 by Timothy Brown. All rights reserved
Harsh unyielding sunset, buries me against the page.
I won't be lazing on a couch, left to rot and waste away.
Wormy plush Berber carpet soft against the afternoon.
Debts are pile high and the company picnic is this June.

The pages are vellum paper covered in ancient Egyptian script.
I've loved you methodically ever since we met inside that crypt.
The dregs brings me solemn hope that one day we'll breakthrough.
Works calling in on Sunday for some overtime that's overdue.

Its a 5 past 4 the glass lays arrhythmic, shattered at my feet.
We found each other down beside the casket of the diseased.
Heartfelt words never came out of a mouth that were so pure.
How could you take me for interesting, in life I'm just a bore.

Down. I've already ruined the letter meant from me to you.
Life is not a fairy tale to broker marriage for us two.
Bloodletting's an aphrodisiac to keep me at the brink.
Why'd I write this silly thing when I spilled my drink.
um. written with a friend. This poem is her fault.
Xander Duncan Feb 2015
He is a book that was recommended to me just after I passed the shelf on which he was displayed
When I said I hadn’t been reading much lately
Life gave me a chapter full of pictures to begin with
And told me that one page at a time is still progress
In fact, one page at a time is the only way to make progress
He’s a well-read book with new words for every reader
And instead of leaving paper cuts on my hands he leaves ink stains
There are golden letters on his spine that I’ve taken to tracing absentmindedly every time I re-read a phrase
And dog eared pages that I’m not sure I have the authority unfold
He’s captivating
And quickly becoming my favorite story
He is English as a second language and still teaching me more about my tongue than I ever knew
Translating fears into excitement and confusion into intrigue
I didn’t know my skin was cryptic until he decided to decode me
But now I’m fascinated with hunting for the hieroglyphics in his neurons
Listening to tales spun by our own curiosity
Story time trumps bed time whenever possible
And when we decide that language itself is sometimes a ****** up means of communication
We try for morse code heartbeats and braille necklines and bizarre entanglements of hands
And when we decide that sometimes language itself is the best thing in the world
We talk the hours of the clock down to ticking hands and hourglass sand
Or get distracted and I’ll decide that I could travel the world in one night using the roadmaps in his veins
Where I’ll get lost and ask for directions and go through the same streets again anyway
Because I didn’t see everything the first time around and I really enjoy the journey
He is a pronoun that sounds good between my teeth and tastes like learning how to whisper before you learn how to speak
One of those words that I was never sure I was pronouncing right because I learned it by reading alone and deciphering based on context and roots
But he’s also one of those words where once you learn it you start hearing it all the time
And you swear that the whole world acquired this new term with you at once
He is nostalgia in a new experience
Nostalgia-- roots meaning home, or to return home, and a pain or sickness
He’s a homesickness that draws me to him every night
And he is a wanderlust that draws me away from the home I’ve known
Convincing me that comfort zones need exploring the same way tropical zones do
He is an encyclopedia on staying warm in Michigan winters
An atlas from desert countries
And a topographical map that makes me think
I could learn to like geography
Or cartography because he knows that the best way to record new terrain is to explore it first
And I’m content to be a notebook full of scribbles detailing the peaks and valleys and abandoned alleys
And arrhythmic patterns of wind set to traverse through tracheas, reaching lungs only when necessary
He’s the breath I forgot to take when a cliffhanger was resolved
And I don’t always know if I’m a page-turner or just a bookmark within one
But he’s a genre that’s meant to be read under the covers with a booklight until the sun comes up and reminds you that time isn’t as frozen as you hoped it was
And even when I don’t know if we’re on the same page
He tells me that there’s a reason that books have more than one
And I’ve never been good at guessing how stories are going to end
But I'd like to spend some more time reading
agdp Jan 2010
These Nights with lights, Lightened from cigarette filled clouds to rainstorms.
We are drowning our Inhibition to exhibitions, of a shallow madness.

Within a matter of clearance
Of transverse sunrays:
We call this morning
A day past,
A night ruled with dreams.
Flooded with traffic afflicted
Souls searching beneath empty vessels of libations
Only to unearth realizations from lost sensations.

Vagabonds patrolling streets
apparently policing their worries,
from failed inquiries of maternally adopted creeds.

Divided vision escalated arrhythmic palpitation
Deviation from a gradual calm away from calamity
Expel, Exhort-Excise, the deep-veil

A rising dawn, polluted skies reflected in these eyes,
I stare at this street lamp, flickering at-us-all.
11/20/08 ©AGDP
Kurt Philip Behm Aug 2023
The way they come to me
the way that they’re heard
And written in haste
whether rich or absurd
Each vowel from the anthem
of consonant rhymes
Pronouncing arrhythmic  
with hopes to define
Religiously deigning
the blood from my pen
New veins on the parchment
—alive from within

(Dreamsleep: August, 2023)
The Noose Jan 2014
The uncontrolled seasons of regurgitation
Kneeling to a devilish god
Sacred that shove

Utmost devotion to the abhorrent ritual
A cult of one
In the name my lord perfection : exquisitely emaciated

Romanticising arrhythmic heart beats
Glamourising protruding hip bones
Deeming them elegant
Poetising the lethargy
All the while being fully cognisant
Of simple truth
Perfection is six feet under

Lime coloured porcelain
Anxious ****** expression
The uncontrolled seasons of regurgitation
Will it ever end.
Daniel Handschuh Oct 2015
He is blessed to have not lost a hair, despite his climbing age.
   He is both nearsighted and farsighted; can see every turning page.
   His gray mustache is thick; his smile is jovial; he is grandfatherly.
   He is loved by many for his outgoing, convivial personality.
   One might say that death would be quite peaceful with this fellow,
   But who is to be warned that he will not even see the morrow?
   A pipe bounces in his lips as he tells heroic stories to the children:
   “He hoists up his pack and fights to reach the peak of the mountain.
   “He battles the knifelike snow as it attacks like thousands of spears.
   They stab his burning eyes, and blizzardly winds scream in his ears.”
   But what is on the other side of the mountain? What lies beyond?
   What is so great that the suspense and action must be prolonged?
   The man’s face tightens, his eyes go distant, his body goes rigid.
   It is as if his brain has suddenly transformed into a slimy liquid.
   With a rough cough and a puff of smoke, the pipe falls to the floor,
   Spilling out unused tobacco; it is a quiet, unsettling roar.
   The man’s eyes grow dark; his face turns from healthy to deathly white,
   And his head slumps down, staring at his knees, the children affright.
   As a droplet of blood seeps from his nose and caresses his dry lips,
   And a restless bead of sweat travels down the bridge and the tip,
   The children scatter like cockroaches, searching for the darkness—
   Some comfort to ease the horror and the pain and the sadness—
   Somewhere to empty their minds of this terror into a black hole—
   Someplace that they can entomb their thoughts with the secret, unknowable scrolls—
   An undisturbed place where their innocence can be embraced and consoled—
   Yet is there such a place where the recesses of the mind do not unfold?
   But already the old man is forgotten, as are his great stories and tales.
   He slips from all conscious minds and leaves nothing, no details.
   No questions arise; his whereabouts are not wondered; he is decoration:
   A work of nature’s art that is meant to stir up onlookers’ admiration.
   His beautiful stillness strikes a long, thin, metallic chord of inspiration:—;
   But it is the gong of fear and disgust that overrides these ponderations:—
   Fear and happiness battle symphonically to make the best music.
   Fear wins because screaming noise shall always reign over acoustics.
  
   A young man, unmarried upon seeing his bride-to-be hung in her room,
   Has enclosed himself in his own prison and will not come out soon.
   It is rectangular and copper, putting a deep taint on the world outside.
   Long gone is his decency, his health, his love, and his signature pride;
   Long gone is the liquid of delusional ecstasy that once filled this bottle
   That he now resides in. He feels that he has lost a hopeless battle.
   His skin is whitening, the color in his irises are fading, his body is thinning.
   Everything in him is collapsing dejectedly as his skeleton continues creeping.
   He hums an arrhythmic tune with a salmagundi of conflicting emotions:—;
   The phantasmagorical manifestation of mental convulsions:—
   The hot flames of Hysteria make love with the cool rains of Sadness;
   Joy—giddy and intoxicated—rapes Hatred with confetti and madness;
   Anger blossoms as a spring flower and attracts the red blood of Love;
   The screams of this beastly mating is heard in the heavens above—
   Oh, the horrendously whorish screams, how the animals salivate!
   The wails of bastardly offspring! How the corruption does culminate!
   One can only marvel at the dishonor that the unabashed Morality
   Has taken! How can one now differentiate between dreams and reality?
   How does one now describe dreams—so ****** and violent, but perfect?
   Or reality—so disinteresting and faulted, not a wanted soul in it?
   The entrapped man has every answer, imprisoned in a cell, like him,
   But why should he utter a word at all when he is his very own phantom:—?
   He answers only to himself, never reveals the codes he has deciphered.
   So many anomalies, oddities, and complexities that he has been inspired.
   As his breath walks away with loud shoes and its head held high,
   The world is suddenly transfixed and does not want to see him die.
   They know not his name or profession, nor can they remember his appearance.
   Even so, he has been unexpectedly labeled as their guide, their endurance.
   But he froths at the mouth and urinates freely, like a wild, untamed animal—
   For even humans become animals, and grow further to become cannibals.
   Shall all of society tumble because of a lost faith put into the faithless?
   Needless to say, an impalement on jagged rocks will not be painless.
  
   Upon the gong, a naked woman is on her knees, her wrists tied behind her back,
   And her ankles shackled. She is a pained, a contradictory nymphomaniac:
   Oh, how it hurts, but how thrilling! What is pleasure without the slightest pain:—?
   Deception! Nothing! It is suddenly worthless and full of absolute disdain!
   The woman looks up with bubbly, tearing eyes and awaits the cannonade
   Of gripping and violent desire. She will gladly be a toy, and a toy she is made:
   A sword descends and inserts itself into the woman’s welcoming throat.
   She gasps at the cold metal; how deep it falls, how it makes her feel afloat.
   How her ******* bulge with warm milk and her hips shake with anticipation
   Of what the sword has to bring: Happiness, glee, lust, and beautiful vibrations.
   She pants and chokes as the sharpness slices her inside; she tastes blood.
   The sword breaks flesh, finds her womb, and fills it like a flood.
   ******—******—******—!
   Gulp—******—gulp—******—!
   Oh, how her desires are exploding, going far beyond the limitations.
   The tastes of fulfillment come from the monsters of intimidation.
   She coughs; a crimson blob fountains and drenches her cheeks, neck,
   And her mermaidian black hair, like soft silk across her smooth back.
   Whatever blood she does not catch, the gong of fear and disgust catches,
   And it is painted redder than Judgement Day’s moon. The blood attaches
   Itself and becomes one with the gong and sings it's now morbid song.
   As the woman’s lungs are violently ripped out, she feels nothing wrong.
   Nor does she feel at all as her heart is shredded within her tireless chest.
   Rivers of blood flow down her impure body—its warmth is the best
   And brings dizziness to her he head, tears to her eyes, and wetness to her legs.
   Even as she weakly collapses, eviscerated, she continues to long, to beg.
   The gong of fear and disgust vibrates roughly, sparking hormones—
   The hormones of terror and revulsion that help her to never be alone.
  
   As the corpses rot below the acidic waters, the blood polluting
   It even further, horrors beyond comprehension begin rooting.
   The gong of fear and disgust drones over he mountains, emotionless,
   In a great search to find a host. And searching has never been hopeless.
   Catch its eye, and be afraid, or catch its eye, and breathe fire.
   Either way is a dangerous pursuit of will and courage—a dance on a wire.
                        Fly—
                    Goodbye
Chris Voss Jan 2014
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn.

We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn.

We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books.
We drank like secrets. His portrait played witness.

We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires.

We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted.

But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn.

When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
Rachel C Jun 2018
I want to dig my fingers past the muscle
and pull out my heart
so that i don't have to bear
the arrhythmic beating.
the banging on the drums
that cuts at my veins
which stings my wrists
places that I've bled before
fresh wounds
pouring out sweet regret
alternative realities unexplored
I wish I could've loved you.
Written 5/14/18
Andrei Sep 2010
Where go thee traveler, trailing in broken shadows?

Just another poet wandering down a mischievous path of deceit and beguiles.
Who be thee? Another shattered soul sauntering in denial?

Carry a name I do not, but you may call me whatever comes to your thoughts.

Cassandra. Deliverer of delight and heavenly sight, but caustic to those who try to consume her with the allure of night.

Cursory charm, a daring attempt to overtake the apex of my harnessed heart.

My penchant roars with a persistence that never rests!
Audacious lips of mine will eclipse your eyes as deep as an ocean and dark as wine.
Let our shadows combine, our fate intertwine to capture a moment of the divine.

Arrhythmic and blind your love needs redesign!
Otherwise I'll become another infatuation lost in time.

Here I stand austere without effrontery to burden our affair. What is it you'll have me declare?

First follow me into the infinite abyss.

What after I plunge into the nebulous mist?

Our hands we'll share in the company of crescent stares
samasati Nov 2013
please
be tender with me
but don’t let me use you
that’s something I’ve gotten the hang of and readily available people
sometimes shouldn’t always be so
readily available ~
I know this because I’ve often been too readily available
and walked all over,
I think I still have the footprints on my little arrhythmic heart
to prove it —

oh
I’m pretty sure though,
you know,
that we all know what it’s like
to be the plant uprooted from the soil
for the selfish purposes of indoor decor:
it needs
and needs and needs
because self-sufficient roots were cut
and it pleads
and pleads and pleads
*please
be tender with me,
for I don’t know what I am doing here
let alone how to live here in this dark
****** pit you call a home — *

I’ve made a new home for myself
every day
because every day, I am not the same
it’s a constant struggle of
head vs. heart
and
holding back vs. art; &
if I’m going to be honest about one thing
it’s that
I’m completely alright … it’s just,
admitting that means
I’ve got to step into the light
and I’m just so attached to this little plant inside of me
that has been uprooted and abused,
I’m dwelling on mistakes and madness and using
a thousand nouns to fill me whole,
I completely forget that playing the victim makes me sick
and to grow,
all I need is water, love and sun for my soul.
Harry J Baxter Feb 2014
All of the Richmond Hipsters
and time killing smokers are killing me
The hobos with broken thumbs
They just barely catch the bus
Late nights under the eastern stars
The City of almost-angels
beards and gauges and butts
Tatted up art chicks with more skin than clothing
Invite me over your threshold
Make me some supper, the coffee is in the ***
River tides carrying away the used condoms of the confused
Liquor breath, joints and e-cigs
Poets, painters, photographers
The air reeks of art and death
fist meets face meets pavement meets God
The good times are killing you, and I’m showering until the water runs cold
cough up my phlegm, it tastes like love
grinding against a stranger’s *** all night long - like it was all we knew
We couldn’t feel so we tried to touch
we fell short and drank from the puddles with gasoline rainbows
The bricks and cobblestones all have names that I will never know
Does anybody ever actually listen?
Life versus fun versus life versus death versus boring
Stack them up like tetris
The sun is sick with stories, the moon full of lies
And all the graffiti in the world won’t change that
snow sun rain sun blank canvases
hear the thunder of arrhythmic heartbeats
sweat drips and it tastes like ****
Black eyes on Bowe, black eyes on Goshen
Mad houses filled with gifted pianists
Ghetto driven dreams of another shot
Play that same acoustic guitar tune I like so much
I lost my harmonica in a storm drain
I lost my Mind in Richmond
Stephen Parker Aug 2011
Last tendered lifeline sought as battered psyche under your bellowing wave rips
Final act of penance remitted from bleeding, parched lips
Hemorrhaging from bandaged sorrows that only strerile soul doth eclipse
A hollow stare from deserted strand harboring the wreckage of two, desolate ships
Posture now callous bearing the scars of your shallow, superficial preening grips
Disheveled hair, limp dividend declaring inferior complex that from each emotive strand drips
Pale, drawn face; vessel sunken from draining sinkholes as our relationship dips 
Pensive smile revealing the fault line of each strained shock as chasm deeper slips
Shuttering ears filtering out the rehearsed, rhapsodic notes of your telepathic scripts
Token, parting gesture from arrhythmic heart erasing each beat as your radar blips
I worry for
the man who
will one day
want to love me

I worry that he
will not know
that my love
burns like the sun
and rages
like a storm
out at sea

I worry that he
will not know
that my darkness
is only temporary
and that it comes
from living
in an ever consuming
pitch black night

it lasted decades

I worry that he
will not know
my spirit
cannot be broken
like an animal
that cannot be tamed

it lasts an eternity

I worry that he
will not hear
my arrhythmic heart
it may sound like
a whisper
but it bangs
and slams in
these ribs
like the percussions
in an orchestra

it will play songs
just for him


I worry that he
will not hear
me when I
cry out to him
for I am not
transparent
do not look through me or
past me I
am right here
before you
with
universes to give

I worry that he
will not feel
the moisture building
in my palms
when he grasps
my hands
out of fear
that he will
never
hold them again

I will hold his
like others
hold a bible


I worry that he
will not feel
my head
against his chest
like the
safe haven
I have
finally found
after all this time

I worry that he
will not see
the stars that
shine in my eyes
when I look
at his face
like the world's
most wonderous
landscape

I've traveled so
long and so
far just to see it


I worry that he
will not see
the way he
can make
every muscle in my body
fall into a
meditative state or
electrify with excitement
with his presence alone

I worry that the
man who will
one day
want to love me
will not appreciate

that I am
a complete human being
with or without him

that I am
divided between
biology and whimsy

that I am
both the
sadist and *******

that I am
broken but
the architect

and that
I do not fall
like an autum leaf
I fall
like an **avalanche
Khoisan Oct 2020
A rhythmic poem
Beethoven danced with Mozart
uncanningly words
Aristotle’s arrhythmic articulations
Appeared too apologetic for Aphrodite's amusements
Aroused by antisocial media’s alacritous abundance
Amidst arteriosclerosis and amphibiously obeisant Ophiuchus
Asclepius' ascendance was almost an abortion
Arrested by Apollo’s amorous attempts at aphrodisia
Ambidextrous Artemis’ androgynous appointments
Awakened ancient antipathies accentuating allopathic artifacts
Altercations arose among ambitious acolytes and Athena’s anorexic acidoses
Awkward Adonis actively agonized by alarming aneurysms
Allowed Antigone’s ambivalent armistice an aperture of acceptance  
Appointing an ambiguously appealing additive to the Argonauts
An anaerobic Acropolis arose amidst auto-****** asphyxiations
As Amazonian armpit hair advocates approved artificial insemination
Robert C Ellis Aug 2018
If music were Arrhythmic it would consider us
On tinsel wire lit into net to beads
Eternally reaping
The clink of solar windmills
Echoing, echoing until it becomes flesh,
Tired, ringing decibels
Filling with water and becoming eyes
So that Death is a character
Swimming just past the horizon;
Collisions become heartbeats
Become locomotive thoughts
Charging westerly winds
Until our faces hone, stormed
And born.
Only my soul is left to fall,
Cygnus x-1 in a pool,
My life a distant call
Catalogued by the stars,
Noted for declination; classified pulsar
My words are dust in another’s space
But they recall fire and I blazed;
                                              Numerically, years;
                                               Physically, rage
And the only thing that breathed were dreams
And they sail, eternally, past the rhyme (Time)
They’ll still float when I return to haunt you;
They cast no light but they guide and sigh.  
Alive
I want to give you
A piece of me.
What would you like?
I want you to choose.

My eyes...?
No, too deficient, insufficient
And unseeing
With a tendency, recently, to flood.

My fingers...?
Tremblers now, them.
And the nails are bitten ragged, ******.
I push my rings to my knuckles,
And bend, and flex the joints,
Deliberately creating callouses, enjoying the pain.
You don't want these masochistic digits.

My arrhythmic, angry heart?
I think not,
You've rejected that, already,
And I'm not prepared to offer it again,
Get away, that won't be yours,
Cast your greedy glance elsewhere...

And so, we're back to what you wanted all along.
Go ahead, take it,
The part you wanted, longer for, risked
your world, and mine, for.
I hope it's worth it,
But I think
It would have been a better prize
Along with all the rest.
M Summit Mar 2012
Coldness lulls my
head
for an eternal
nights slumber.  The arrhythmic
thumping of
my chest
dele-
teri
ous
l
y

shortens.
tRon Mar 2011
My heart beats arrhythmic rythms

The dissonance spells love

in every language but ours

yet

one sugar buss will drive me through

the long night's laments


I know

It is better

This way
Ill be your lingering cigar smoke if youll be my quivering nostalgia,
jumping at any chance to reminisce of the days when our steel frame
would test its infallibilities to the sound of our anguish

of course, were versed in this dance of discourse, this

arrhythmic,

energetic,

emotional banter.

We have performed these parts to a silent audience,
and recieved a deafening ovation.

For we own the stage,
commanding our mimed patrons respect and attention.
We astound them with our vigor and voracity as we
dance our unparalleled folly, tangled in the valleys of our eyes.

The dance will outlast our bodies, for the dance is more than we can ever be.
nmo Feb 2017
My head
lays down over
the strong dynasty
your chest is.

I listen your heart,
arrhythmic,
reciting far away verses about
some kings without castles
nor titles.

Recklessly,
I fall asleep
inside the shelter
of your peaceful kingdom.

Your firmament applies me
a force, equal and opposite,
to the weight of my head,
full of semi precious stones
and keeps me
from falling.
derelictmemory Feb 2017
It's the same tune, over and over
It's been close to two years, and I'm still not over
You were more than just a friend but somehow,
also less than a lover
But when you held my hand
The world stopped tipping over
It was like I'd finally found a home
that was worth losing slumber

And yet I find myself moving
to this arrhythmic dancing
the distance is but a little space
just to see you smiling
So I stand by the water
and I stay reminiscing
our wonderfully imperfect memories
and the sound of you laughing
23 January 2017
Tatiana Cody Oct 2010
Never let our cups go dry
Never let our wallets or bellies go empty

Never let this music cease
Or our bodies be arrhythmic

Never let my sisters stop smiling
Or allow them to let go of my hands

Keep this family unit solid
And far from the corners of the globe

Always let our laughter be joyous
Never a single unhappy tear be shed

Keep us in this miraculous state
As eyes, hearts, smiles all glisten

And please don't let the sun set, Lord
Because this is the only day you've ever listened.
I miss you
It should hurt
Because you are miles away
But you have always been away so
Missing you is the only norm
I have ever known.
It is my go-to fuzzy cashmere
When rainy days call.

Now with kilometres converted
Into inches,
You are Here with Me
Literally Present

Out of the blue
Hot and cold flashes
Strike me
Like a surge
So my lungs fall short of air,
My feet tingles like a bell
As I ‘m subjected to arrhythmic
Thumps in my chest

And all I need is not the
Brown paper bag
In your hand but
MY FUZZY CASHMERE!!!!

©Belema.S.Ekine
Vn Carlos Sep 2010
I watch the evening sky turn from indigo into black,
I watch the stars pulsate like an arrhythmic heart,
I saw how the gray clouds cover them in a blanket of shade,
and the starshower starts to fall on me as I gaze,
witnessing a genocide of fireflies right before my very eyes.
Vn13©2010
fearfulpoet May 2020
she said:
you are a man knowing cruel, knowing hard,
with strangest soft skin, a funny way of talking,
lick my face with your words so I’ll learn,
to be tough and tender too, this I want, wanted


he replied:
life gave me splinters, broken from rough edges,
left under my exterior to fester, blister, and scar,
life licked my face, taught me mean, and the words
that came with that, were sand papered on my skin


she answered:
I’m not blind, I can feel, smell your contradictories,
want your antibodies in my blood, survival skills,
to be what I am not, and keep too, what I’ve got, to
be infected and protected, knowing words defensive


he listened:
what you desire, is the health that comes after,
after what you don’t understand, until you’ve
loved, lost, been beaten down so that getting up is
miraculous, this unteachable, this licking by words


she insisted:
your arrhythmic rhymes, skinflint perspectives,
this is what I ask, what I need, what you can give,
what is in your possess, what you need to unburden,
making me better for making you lessened


he wept:
and said nothing.

for nothing taught appreciating silence and that,
was the beginning,
of what she wanted,
of what he did not,
of what he gives reluctantly



8:16AM
Wed May 20
Isle of Mind

— The End —