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Juliana 2d
And how will i feel when you leave in three months
Perhaps to another town, state, country even
I wouldn’t know
We never talk

Its sad that ive wasted the last two years
Right next to you
But blind

Its sad that it was only a couple weeks ago
When i first saw
When i saw you walk down the hall
And thought to myself
Oh my

And its sad that i will go my whole life without ever talking to you
Without ever getting to know
Whats behind that guarded smile
Or that instagram profile

Perhaps we’ll meet a decade from now
You will see me
And you will think to yourself
Oh my

And i will finally get to know
You
Green 2d
Akin to a tree with no shade,
A branch with no fruit ,
It stands tall with no weight ,
A husk with no shade .
Promised the men,
"The tree to provide shade,
To those who eat the fruit" .
With only fruits to be imaginary,
Men stand staring ,
Into the empty husk .

If a dove to approach ,
If a dove to question ,the 'fruits',
“The dove to be lit up " ,said the men,
“It harms the tree “, said the men,
" The Luscious tree cannot be fathomed,
As it not be questioned by simple minds " ,said the men.

The simple minded crow,
To pray for its shade .
For no seem found ,For men still stares.
Stares he at the fallen branches ,
Of a tree with no fruits.
I initially started writing this with a belief of agnosticism . After finishing it I realised the fruit doesn't have to be the "promise of salvation " It can just be any unfulfilled promise.
Any unfulfilled promise that men try to keep alive cause they benefit from the ignorance of people like the crow.
A dove initially in my mind was a heritic during the 18th century where they were lit up for questioning or going against catholic Church.
But in the end I realised it could be just about anyone who questions a stupid promise.
The shade is supposed to represent comfort in the fruit. Hope you had a good read .
And let me know if you throught this had any other interpretations according to you. (┛✧Д✧))┛
I am man who wants a lot though – I hope I win the lotto! I hope
she didn't try to park her heart in my mind, "where did she park
her car though?" Depression rides passenger, like some useless
cargo – I've studied my drive for a loaned passion, keeping an eye
on that car note. But sometimes I wonder where this car goes;
and I haven’t met the kiss of peace, just like I never seen Chicago.

I have a lot of goals – but scores of hurt; from questions of self-worth.
Tell me the maker of mismatched hopes, and the creator of dreams
from their birth? Who first put a curse on the tongue, to speak a few
curse words – who went that under someone, to underestimate when
they show a few nerves?

Would someone show me the why to the end of one's poverty -
better yet, how to own your misfortunes as first steps to fortune,
and living your worth, as your own property.

I am man who wants a lot - a whole lot of answers, to the questions
about the script of my life story; to live up to its plot.

An old man sat,
With another man young.
And up rose the old man from his chair,
In search of something found there.
From his pocket fell an old leather wallet,
And from it and older picture.
The young man picked them from the floor,
For the old man could bend no more.
And asked, the youth did,
Why, my elder, do you keep this ***** slip?
And responded the old man did,
For, my child, I remember not my beautiful wife anymore,
And there you hold her, and my child too.

The youth looked to the man, then to his wife,
Then returned the photograph.
Wise of you to keep her with you today.
Yes, my friend, it is
A longer piece, but even for it's bulkiness it has prospect.
The rain fell,
Far from the sky.
Down upon the rocky shores,
And all through the night,
Weathered the rock to sand drop by drop.

Then in the morning the sand blazed bright,
For the man to see.
Down to the shore he went,
And dug up the sand then,
Went and made colored glass.
Inspired by classic African spirituals and Celtic folk song.
GOD
God fears no man – creator of existence, in the composition that
spoke life and oxygen to all you creatures. Some pray their prayers
as Christian, few times aloud as a victim – walking on surface of
earth, we crowd it with pollution for the nectar of wealth, spreading
seeds for what is made from personal growth – the birds and the
bees.


Pollinating the stigma to our young, that they have all the time to
be dumb. Hatching all of your fears to your son you call chum;
fishing the picture of plenty fish in the sea – did you at least
teach him how to swim. Figuratively!

Though quite literally; the bait of addiction is the idea that everyone
does it as a passage of growth. The world finds success in us
following a uniform message, their wickedness to clothe…

Us, against the world, though parts of the world believe they’re
greater than God.
neth jones Jan 29
arthritis tippled wooden relief    plugged in a bed of mud
the leaves that decay to its side                                   
                          comp­liment the carved ones that feather the face
but it is creaked   crevice and sinuous  
  a kind crumpled face  or maybe a stern  yet approving  parent mask
two seasons of weathering                                                    
  ­                            withered   saturated and withered again      
this self unearthing
worth moulded from
the decaying green man
reapplying  for a creative birth
for a visit  on the Autumn hearth
filling in its ****** details     with broken and discarded
school yard pencils   scudded over litter  and mud
soon to be worshiped again...
would settle for a respectful gift        from a child

for all his wonders in spring                                            
              ­                  he has envied the witness of harvest
but attention goes to other gods

he pouts  out of season     for no one here  greets him
Valentin Eni Jan 28
I

(First Night)

There seem to be voices,
Faceless,
Whispering a prayer
Or perhaps a curse.
And behold—
An axe embedded in the trembling
Surface of water.
And the water rises,
Light as smoke.
And flowers,
One by one, approach a child,
Bending over,
Trying to smell him.
Alas,
They didn’t like him.
Otherwise, one might have
Torn him from the cradle
To pin him to its chest.

And on the wall,
Another clock has died,
Its heart stopped cold.
And a sad little girl
Dresses and undresses
A doll,
As though searching
For invisible wounds—
On its chest, its ankles,
Its palms—
Like a tiny
****** Mary
With
Her child...

II

(Second Night)

An army of black letters
Seems to march across the white battlefield
Of the page,
Conquering new territories,
Leaving behind
Unseen monsters,
Beings
Without skin, without bones,
And without any distinct face,
Feeding on their own flesh
And their own entrails.

Some,
Less hideous,
Had names like:
The Winged Serpent,
The Hen-with-a-Dog’s-Head,
The Man-Melted-into-His-Own-Puddle,
The Headless Child,
And
The Soldier-with-Wolf’s-Eyes.

All of them whisper something—
A prayer
Or a curse:
"Lord, never let us
Know the scent of a child,
The scent of a woman,
The scent of a man,
The scent of danger
And death.
Do not, Lord,
Allow cemeteries of toys
Or landfills
Of homes to grow..."

III

(Third Night)

Two voices are heard whispering:
“Which of us is who?
You—a white demon, or...”
“Or you—a black angel?”

And silence fell.
Somewhere,
A mountain of light grew,
And a Blue Horse
With fiery mane
Galloped in circles
On Saturn’s rings.
The planets, like bouncing *****,
Leapt in its path.
A cloud,
From time to time, walked
Its feet across the earth.
And sometimes,
A ray of light
Pecked from the palm
Of an angel
The ******’s tears.

So far removed
From the first night!
And only sometimes,
Faint voices are heard,
Whispering a prayer
Or a curse.
R.E.M. (Oneiric) The Dream of a Madman.

Analysis of the poem made by ChatGPT:)

This poem visually explores surreal, dreamlike landscapes unfolding over three “nights.” It combines existential dread, metaphysical imagery, and a haunting sense of inevitability. Each night builds on the previous one, shifting between eerie snapshots of fragmented reality and otherworldly visions. The poem juxtaposes the mundane and the fantastical, creating an unsettling, introspective, and thought-provoking narrative.

#Themes:#

Surrealism and the Subconscious

The poem’s structure and content are deeply rooted in the surreal, resembling fragmented visions or distorted memories. The faceless voices, trembling water, monstrous beings, and celestial imagery suggest an entry into the subconscious mind, where logic and reality are suspended.

Innocence and Corruption

The first night’s imagery revolves around a child, a cradle, and flowers—symbols of innocence. However, the flowers’ rejection and the doll’s depiction of invisible wounds suggest the fragility and eventual corruption of purity.

Creation and Destruction

The second night introduces the army of letters as symbols of creation—language, thought, and meaning. However, this creation leaves behind monsters, representing the unintended consequences of human creativity, such as violence, chaos, and existential confusion.

Duality and Ambiguity

The dialogue in the third night (“Are you a white demon, or… a black angel?”) highlights the blurred lines between good and evil, light and darkness. The ambiguity reflects the duality of existence and the human struggle to define morality and identity.

Mortality and the Passage of Time

Clocks appear as time symbols, with one clock “dying” on the first night. This recurring motif underscores the inexorable passage of time and the inevitability of death.

Existence and Prayer

The recurring whispers of prayers and curses suggest an ongoing plea for meaning or redemption intertwined with an acknowledgement of suffering and futility.

#Imagery and Symbolism:#

The Axe and Trembling Water

The axe embedded in the water introduces violent disruption in an otherwise fluid and natural element. This imagery may symbolize an intrusion of chaos into the subconscious or the fragility of stability.

The Clock and the Doll

The “death” of a clock mirrors the halting of time, while the doll becomes a symbol of innocence scrutinized for damage. Together, they evoke a sense of lost time and fractured identity.

The Army of Letters

The letters are creators and destroyers, conquering the blank page while leaving monstrous remnants. They symbolize the duality of words—how language can illuminate or distort truth.

The Blue Horse on Saturn’s Rings

This fantastical image represents freedom, energy, and the untethered imagination. However, its endless circular motion may also imply a cyclical trap, echoing the repetitive whispers and questions in the poem.

The ******’s Tears

A profoundly religious image, the ******’s tears pecked by a ray of light suggest divine sorrow being consumed or repurposed, perhaps hinting at humanity’s exploitation of spirituality.

#Structure and Progression:#

First Night: The Physical and the Innocent

The first night focuses on tangible, earthly imagery: trembling water, flowers, a child, and a clock. These elements introduce themes of fragility, rejection, and the passage of time.

Second Night: The Written and the Monstrous

The second night shifts to abstract and symbolic imagery, dominated by language and its consequences. The “army of letters” introduces intellectual and existential turmoil, with monsters embodying the unintended consequences of thought and creativity.

Third Night: The Celestial and the Transcendent

The third-night moves to cosmic and spiritual imagery, exploring duality and existential questions. The Blue Horse and Saturn’s rings evoke a sense of awe and mystery, while the whispers of prayer or curses maintain the poem’s unsettling tone.

#Tone and Mood:#

Tone: The tone is introspective and surreal, shifting between eerie detachment and profound contemplation.

Mood: The mood is haunting, dreamlike, and unsettling as if one were walking through fragmented memories or a lucid dream.

#Philosophical Underpinnings:#

Existentialism: The poem questions identity ("“which of us is who?”), morality, and the purpose of existence. The faceless voices and duality of angel/demon highlight the ambiguity of human nature.

Absurdism: The surreal imagery and fragmented narrative suggest a world beyond logic, where meaning is elusive, and the search for understanding feels futile yet essential.

#Conclusion:#

“R.E.M. (Oneiric)” explores the subconscious, blending surreal imagery with philosophical questions. Its layered symbolism, cyclical motifs, and the interplay between creation and destruction make it a profoundly evocative work. The poem resonates as a meditation on the fragility of innocence, the consequences of human creativity, and the eternal tension between light and darkness. It leaves the reader in a state of wonder and introspection, mirroring the dreamlike journey of its protagonist.
I sleep knowing,
      I’m always close to the edge of death
I believe in the air,
      never thinking much to count a breath

I sit comfortably in public,
      not knowing the age of the chair
I accept a leader’s change,
      never questioning if it’s actually fair

I ride passenger,
      never wondering if the driver feels suicidal
I say amen as a crowd,
      not knowing if the people even believe in the Bible

I lie, I cry, I love, I hate, I forgive, I resent,
     I live to treat, but sometimes I need one’s care

But as a man,
     I cannot cheat on my barber, when it comes to my hair.
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