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Max Neumann Dec 2019
i wrote about civilizations and greed
in order to scent creatures

scent and greed
friends are hidden between the
river's sparkling
hidden on the river like pearls

i don't know if you know
what i'm talking about

but that's fine my man
but that's fine baby

we simply have to ask brother
we simply have to ask sister
if we need answers for our longing

they are sitting by the tracks
close to the trains

they're always there
always: i promise you

don't be scared baby
i promise you:

they are always there
like moon and sun
like a being being overall
in our past present and future

a wonderful power;  in my son's
colorful bible it's called
"I-AM-THERE"

do you understand that?
can you grasp it?

many african-americans say
"you feel me?" in order to
express and share something
(much love to omar devone little)

on my chest there is a tattoo
the one you copied
in an hour made of

shadows
scent and greed
i wanted that

i wanted that you come to me
among the shadows
beneath the greed
above the scent

in a moment of "you feel me"

our skins were sparkling  
our souls were glowing

as we felt each other more
knowingly and more deeply
as ever before

we were two halves
overfilled with the longing of
our childhoods

so i had to come into you
you needed me to be inside of you

and we felt each other
more deeply as ever before.

we arrived:

at an old little house by the sea
green rusty window shutters
it's never cold there like florida

close to the waves you know
this old little house by the sea
it's always warm there

not far there is a train station:
where we find the brothers and sisters sitting by the tracks

we had arrived.
Thank you, Lorraine, DP and Melancholy of Innocence for your answers to my question. And for your wonderful poems.

Thank you, OCB Relax Music, for creating music of calm and peace.

Today is a good day.

YouTube: "Morning Relaxing Music - Piano Music For stress relief and Studying (Riley)"
Max Neumann Dec 2019
kiko i'm breathing
your lust's air
storms of our lifes
and our pasts

we share childhood memories
we sleep together
we feel each other

we are one body now
a body made of
two halves

we are one person now
no need to hide anything

playful lights
warm winds open windows
the ocean inside our body

we are coming together
KIKO -- WHERE ARE YOU?
COME BACK TO ME. PLEASE.
Jason Adriel Nov 2019
last night i realized
i needn't be dead to go to heaven
or be called upon by god

only your soft body

lying quietly next to me

takes me to heaven.
yeah, hot.
“teach your children well, their father father’s hell,
will slowly go by”

but not with patronizing
or speechifying,
let the lesson be not a
lecture but an admission
of things parents did not understand
till the experience stained their fingers
in a manner such,
couldn’t be erased

show them the marks
that is all you got,
slow to be thought about,
the moralizing inherent,
the punchline
requires not
a
summation, title,
in the telling
is the selling
The Vault Sep 2019
How lovely the clouds look
From the ground below
Painting the world in darkness
Such a beauty to behold.

It is so weird
How this is my life
How I am alive in all this
And get to change my fate

But death will come
And somehow curiosity
Is in my skin
Of what happens
After my heart stops beating
making love with no love
(kissed her with his freedom)

<•>

a new person in an overnight stay in a strange,
aptly named,
bed and breakfast

and

you do all the same things that just feel good, careless loving
that comes from practiced renewable remembering,
kiss her neck for hours, drink in her crescendoing cooing

rename her Appalachia, bemused, wondering why,
she gasp-asks, when your tongue traces her odyssey body
from her Georgia to her Maine, then no need to explain

it all feels familiarly strange, imbalanced, shaky, loving the thrill
of your first solo bike ride, an invisible hand letting go,
the wow of walking the line of new freedom and
old responsibility that you have walked on both coasts

carry on, love is coming to us all lyric, enacted-recalled,
loving yet another
long cool woman in a black dress with unquestioning

how to explain to her, how to yourself, loving with no loving,
and the best you can stammer is it is like writing a poem
with too many commas or none at all

she laughs you up with one mouth lingering,
then one amazing kiss on your heart
and nose,
grabs a piece of toast and gone girl,
then you are returned to alone, to the dreams that
may or may not have occurred and two hands overflowing with
too many commas
and none to keep
<•>


11-18–17 2:54am, somewhere
“kissed her with his freedom”
Cactus Tree by J. Mitchell
11/18/17 2:54am
there is no new, only renewal:
the space between brain and mind

the harder shell a skulking humanizing container,
the neuronic heart cells,
brain stem and heart bloodstream
scented/stented,
deny the newness of no new claim

the tower of ourselves built on the babble
of old images and read readings,
songs in seconds recognized by just the first two notes,
the point is this when do you become a grownup,
when new is but renewal, with a hint, a pinch,
of a new insight maybe recognized

now, how will you know me new when your eyes
search the iron bank cellar, where,
by voice deep, by fuzzy photographs, what tissues will connect
when the new sight knows me from too many old poems/songs?

!when the babies gather round for lifting up, sky scratching,
when the old man grand father, carries three upon his back,
a nonpareil horsey ride,
when the doorbell rings
I’m older than now, you’ll say,
read your wild mercury back pages,
taking the grays of our mutually curly
Medusa locks as a renewal gift offering
that will someday
match mine!
for any greek god or goddess you may happen to know
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