Most peculiarly of most things was that I thought all of this very fishy, daudry, drab, and boresome. This is where I turn on the second table lamp...

In a muster I arrived to the home of my aunt, where at once she drew me into the back of the house, down a flight of stairs made of tusk and bone into a catacomb where she kept a alive collection of wooly mammoths. She said the upkeep wasn't awfully horrendous as she had an invisible backdrop which led to a lion, a witch, and a wardrobe sort of thing. I stood in the gangway behind 10 foot high thigh bones waiting for one of the monstrous red beasts to come greet me, but what arrived was a very large elephant with longer tusks than usual. None of the red sillyness which I had dreamt of seeing in my previous years.

She could see I was not that impressed, and so I was led to another part of her home. Around the corner walked in my uncle in is superb and luxurious dress, reminiscent of 18th century British military fatigues. He said, "I bought the E.T. ride from Universal Studios, but as bringing the whole ride to my home I had them adapt a more suitable version to fit the property. A hangar opened and inside there were four chariots of orange and blue, diamond shaped school buses with their undersides aimed at withholding a V-shaped street. Then in two and two single file order all the classmates of my K-12 years arrived and took seat into the strappings of this 'ride' we were to take. Music played, John Williams even was produced by hologram, and after the ups and downs for several minutes we arrived to what I thought would inevitably be the forest, but rather was what I perceived was a Finnish town. The chariot I was in was stuck in the street, mud, rain, and soot entrenched us. I unbuckled the polyester straps and when I stood I realized that though the seats had built in urinals and toilets they were utterly noiseome to the senses. I followed a local girl to a food mart where I asked how I could find where I was but no one spoke a drop of English.

I corraled the group and told them to wait for me. I followed this girl who seemed quite younger than I to a small apartment in the uppermost floor of a very unsturdy chapel-like home several suburban blocks from our ride. She immediately removed her pants and I saw with my very own eyes that she was hairless and nubile. She insisted that we have a ****, and after I caressed her and complained too that she was far too young, she insisted that the age of consent in Germany was actually 13 yet she was 16. I remember it clearly. The most gigantuous feelings of pleasure as I mended a studio closet for my dining room furniture inside her ripening channel. Eventually after an hour we finished, she offered me a towel and some biscuits, which I consumed joyously.

Upon leaving her home I remembered that she had said we were in Germany, and so I produced a measure of Deutsch that I had been saving in my repetoir for the right moment. As Finnish is not my strongest language I was pleased of this and became instantly popular among the other candidates of our journey. This  E.T. ride is far different than  I remember it having been. Moments later I awoke quickly, a tuft of her black hair on my eiderdown comforter and a veil of tears from the merriment of glee shrouded over my face. After I rolled and balled into the soft feathers of my bedding, I twisted myself again into a knot, and allowed myself to rejoin the soporific treatice I was aiming for.

This is now where I turn off both lamps and go on watching films of a similar style.

Wishing You The Very Best,

Sir Martin Narrod

I keep my family of conscience
I shred my folly of heir
In case of torment or fondness
I never wear underwear.

very short reach very high climb
very all yours very not mine
very not wood very much pine
very too rust very dull shine
very not real
very fun time very time
very time
consuming
very narrow
as it is buried
very deep
inside your lips
and it tips and turns and crashes and
leave it on the table where it’s easy to find
you wouldn’t ever want to leave it behind
please
praise
the
feet
that
move
you
play the song that we know the words to
play the song that we know
we know
the song that plays us
we know.

what have i to do with these grips,
these squared, white knuckles
holding tight to handle bars?
what have i to do with these empty stares,
eyes void of truth?

these "fill-in-the-bubble, A B or C, music only reaches the ears" types of humans
attempting to tell me how to carry out my existence,
attempting to tell me the most efficient
practical
mindless ways to die?
attempting
to tell me
to show me
the most rewarding ways
to die.

what have i to do with these sculptors
who try and quantify the rain,
who try and evaporate
the sun?
what have i to do with these ideas of perfection, of what is best?
these assumptions of false fulfillment,
these preludes to orderly, institutionalized chaos
and contempt?
what have i to do with all of these cardboard boxes
which cannot differentiate between being filled
empty
open
closed
soft
rough
dry
loved?
what have i to do with those who cannot detect their own storms,
their own energy waiting to explode?
what have i to do with one shade of blue?
what have i to do with feet that cannot move,
knees that cannot bend?
what have i to do with white houses
black cars
trimmed bushes
a front porch?
what have i to do with stationary?
what have i to do with these wings
unless they are free to flutter?
what have i to do with structure
with corners
with average
with plain?
what have i to do with boredom
with settling
with insignificant breath?

what have i to do with waste?
what
have i
to do
with waste.

Your eyes tether me.
Wide green sense of familiarity.
Your alpine white dress drags against your feet.
Looks for a place for thread and floor to meet.

may she shine with symphony,
shake when they hit the road,
stare at time through her madness,
run after my sad, drunk blood,
crushing above an essential friend

her feet ache

Just keep walking.
     Even when you can't feel your feet.
          Even though you feel you can't walk
               More.

My mother always kept a supply of chocolate and rain boots close.  

I never questioned her morals because mother knew best.

I realised down the line , after many attepmts to work it out , she showed me her love in many different ways.

There was no problem chocolate couldn't fix , sometimes chocolate wasn't enough so she would hand me my rain boots and tell me to go stand in the rain .

She would join me and  hold her hands out , palms facing upwards towards the sky that was crying, I would copy her stance and hope I understood.

I never quite liked the feel of wet hair draped against my neck , wrapping around my face , it always resembled a tangled mess.

But my mother always looked content with the rain pouring down , beating off her chest.

She often told me life had a peculiar way of showing you what needed to be done.

So with her hair wrapped around her face, getting caught in her mouth, the water dripping off her chin a smile would appear.

She told me good things come in three but so dose the bad, she told me don't hold your nose up in the air unless you plan on smelling the rain .

She looked at me and said " rain is good, it washes away everything , i hope you learn from this "

We would go in and hang up our coats , make sure to wipe our  boots , she really did love that wooden floor.

Years on I released something that I'm sure she knows herself, rain can cause a mess , but like she always said " wipe your feet on the mat darling , the past is in the past"