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Nathan Squiers May 2014
The world was stunned as the a Dark One fell,
His legacy blooming like a black-petaled rose.
The thorns pierced through the eyes of man,
And the Devil cried with me.

He showed the frozen skin of morals--
With gaping pride and ******* strength--
Adorned and caressed by machinery.
And the Devil cried with me.

There was babies in the barrel,
And an alter upon the horns.
******* cries far-and-wide.
And the Devil cried with me.

Harmonics perching on twisted limbs,
And darkness bursting from our chests,
Our greatest nightmares echo His sinister sight...
And the Devil cries with us.
I was truly crushed to hear of the recent passing of one of my favorite artists, H.R. Giger. Though this is a belated homage to the man that brought us the creatures from the Alien movies and KoRn's mic stand (just to name his most recognized work), I felt the need to offer something up in his honor. I didn't want to take this too literal out of respect for the surrealism the man inspired, but, at the same time, credit was most certainly do.

RIP, Giger. Your legacy will rage eternal.
Nathan Squiers May 2014
There's so much praise and adoration,
Plaguing those across the nation.
But I can see what's behind that pained face:
Just rotted meat packed on a scorned disgrace.

Oh, what a wretched situation,
When to not be flawless breeds condemnation.
But when they're gone they won't leave a trace,
Just flesh-toned pastels and overpriced lace.

We must finally see there's no correlation,
'Tween real beauty and commercialization.
There might actually be hope for social grace,
When we all can see behind that painted face.
My dear friend Gianna offered me a theme in my time of need (gotta hate those moments when the drive to write is there, but there's no foundation in mind). Anyway, fake beauty/false reality offered up in a playful AABB scheme.

Enjoy ^_^
Nathan Squiers May 2014
I've trekked across the deserts 'til there was sand beneath my skin,
And I've swam under the oceans 'til I started growing fins.
I've found myself in perils from which none before could escape.
From frozen caves to scorching skies; from rolling sands to sinking mud.
And, after all my travels, I've decided to go back into the Blood.

I have scaled so many mountains, my hands began to take their shape.
I've fallen victim to the dangers of all natures of landscape.
But through it all there was not a single war I couldn't win.
You see, I was born of far worse; birthed from a visceral flood,
And, after all my travels, I've decided to go back into the Blood.

A product of the darkness, I am proud to wear my sin,
Like a badge to prove my source to every place I've been.
And, though I am immortal, I'll wear my cape upon the cape,
When the End of Times arrives to carry all into the Scud.
But on this day my travels wish me to go back into the Blood.
I was inspired by the late & great Robert Frost's style of feeding the following stanza's starting rhyme in the prior's body. Utilizing this rhyming "bridge", I decided to focus on trying to convey a brief-yet-eternal story that takes my love of vampire lore into account with classic, Odyssey-style grandeur (somehow a Nordic-like concept with "The Scud" came into being--I might play more with that idea in a future piece). In either case, here's a hodgepodge of nomadic, vampire-driven, Frost-inspired gnarliness.
Nathan Squiers Apr 2014
So...
Here I go:
Glaring back at the angry face
That's matching pace
In the mirror.

So...
Here I go:
Shrieking 'til my throat's a mess--
Coated in blood--dressed in distress.
It's not clearer.

So...
Here I go:
Waging a war  now;
My mind's an inferno.
The need to let go now won't--
Stop.

So...
Here I go:
I ****** the razor
My god, you've gone crazed, sir
YOU DON'T HAVE A SAY HERE
It's time...

So...
Here I go:
I'm tracing old tracks of attacks from the past,
And though it's been years it still seems to last.
There's adrenaline surging,
My system is purging,
And my heartbeat is going so...
Slow.

So...
Here I go:
They tell me to do it--to man-up; go through with it--
And there's just too **** many to say that they're wrong.
I've waited too long.
I've waited too long...

So...
Here I go:
My salvation's at hand,
They might not understand,
But it's part of the plan, so I...
Breathe.

So...
Here I go:
My hand is still shaking,
How much time am I taking.
My mind must be breaking!
It hurts...

So...
Here I go:
My head's filled with locusts!
So hard to stay focused!
I know I can do this! I KNOW!
And so...

Here I go:

Taking the razor I once held so dear
As an instrument that once made it all clear--
A tool that would purge me of hate and of fear--
I see now it made none of that disappear...
And that's why I've kept it all of these years.

So...

Here I go:

Just one more goodbye,
As I sever the ties. Letting
The strands break away as I...

I cast it aside...
And then comes the pride.
All those years that I'd lied...
Loved ones planted the seed:
I don't need to bleed
To know what's inside.

I've got a whole life
Outside of the strife.
Now here I go...
For all those who suffer and feel the torment of self-loathing: you're not alone, and you never will be. There is hope and life beyond all the pain.

Hold on to hope <3
Nathan Squiers Apr 2014
Caught somewhere between my vision of Hell and yours,
I was shown the truest meaning of the place.
Where an eager mind and playful soul is forced to all fours,
And told that they mustn't wear their true face.

They manufacture devils in the name of social grace.
They'll strip you of your pride and **** you to your core,
And it isn't done until you've been cast to the rat race,
Just to be reminded that your life's become a bore.

But I won't be a cog within their cold and ****** machine;
No, I'll never let them chip away who I am for their fair trade.
They manufacture devils, yet have the gall to call me mean.
I say I'm every bit the demon that you ******* made!
Nathan Squiers Apr 2014
Two lips met in the forest,
Sighing South and heaving North.
They prayed with words unspoken.
Drinking in the dried tears of sated loneliness;
Chewing 'pon the swelled pride of ancient lusts.

An ethereal plume drives the dew-soaked petals closer,
Until neither root nor stem can discern their place.

Two lips met in the meadow,
Singing East and chanting West.
They pursed with anxious anticipation,
And parted with baited excitement,
While the ghosts of lovers surfed upon their hums.

Two lips.
Are as one.
Nathan Squiers Apr 2014
She looks so gorgeous hanging there:
Her eyes like glass and silky hair.
The bits of skin that still remain,
Make me think of porcelain...
But it's her bones that speak to me.

The wind eternal kicks up then.
It swells and drops, and back again.
The perfume of rot calls it near,
And it's only then that I can hear...

The wind whispers through her frame,
That's when it tells me her true name.
They call me sick, and though it's true,
I can't stop doing what I do.

There is no love without a name--
We say the words; it's not the same--
And none can speak quite like the wind.
Now what's your name? Shall we begin?
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