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Laokos Feb 27
I’m not good enough to write
this poem. these ******* words
won’t come. here I am, feeling
like a dried **** on the grass—
all hard, white and shriveled
obstinately sitting there, surrounded
by all that lush green.
this resistance is a real *******,
sitting on me like a sumo wrestler,
smiling in its power over me.
looking down on me
and controlling me effortlessly.

“you can’t write poetry,
you’re a nobody.
a real lukewarm leftover special.
no one will ever love you.
no one will ever like you.
no one will ever see you.
no one wants you to succeed.
no one wants to read your poetry.
don’t waste your time doing
something you’ll never be good at.
you’re not good enough.
you’re not strong enough.
someone like you could never
be someone like that.
someone like you could never
do something like that.
someone like her would never
love someone like you.
you’re gross,
nobody wants to look at you.
stay home.
don’t do anything.
don’t even try.
give up.”


I mean, this guy’s got a million
of these bumper stickers
and he slaps them all over
the inside of my car
all day, every day—
that is, when he’s not using
my chest as a seat cushion.
it’s gotten to the point where
I now can’t see out of my windshield.
I just wanna go somewhere
but he won’t let me see
where I’m going.
he won’t stop talking.
I can’t hear the music anymore.
I don’t know where I am.
I can’t breathe.
I just know that this car feels
more like solitary confinement
than freedom and the a/c
stopped working a long time ago.

I think I need to stop the car.
I need to open the door
and step out into the light.
I don’t even need to take
off the bumper stickers,
I think I just need to walk
for a while—
move at my natural rhythm again.
like children do before
we start in on them.
before we start building their car
around them and teaching them
to believe in it.

this is you.
you are this car.
except when you’re alone,
then maybe you can leave
the car but never in public,
never in front of other people.
this car will protect you from
them, from the world—
from yourself.
hide in it.

well, I left my car
on the side of the road
some ways back
with the keys in it
and a full tank of gas.
the door’s open,
take it if you need it.
hell, take it if you want it,
I don’t give a ****—
just don’t try
to pick me up in it
if you ever catch up.

                      signed,
                                 ­ 
                               nobody


P.S. watch out for the fat guy in the diaper.
Laokos Feb 23
my writing is a blunt hammer,
a white void pounding
at the keys,
breaking off little plastic
bits of life.

this room’s full of them now,
the debris of dead thoughts,
ancient relics:
dinosaur guts,
fern dust,
fossilized failures.

the sun’s clawing its way
up again,
after all this time.
what a *******.

can you wait
for morning to sink
its teeth into you?

can we
stand five feet apart
and still meet
each other’s eyes
without flinching?

can I write something
that outlives me?
sure,
that’s the easy part.

but writing something
that lives
without me?
now that’s the trick,
isn’t it?

silk canisters and
ribbons marching like fools,
a casket dressed
in bright roses—
pretty little things
for the spigot,
the *****,
the inevitable hole.

wait another year.
or ten.
or twenty.
hell,
spend your whole life
waiting.

go ahead.
see where that gets you.

it doesn’t come.
it never does.
not like that.
never.

stop waiting
for:
someone,
something,
some sign,
some break,
some moment
to crack open
like an egg.

stop praying for it.
stop hoping.
stop wishing.
stop.

the work,
that’s all there is.

live for it.
breathe for it.
burn for it.
die for it.

if you have to believe
in something,
believe in that.

I don’t know
what that thing is for you,
but you do.
and if you don’t,
then maybe it’s time
to stop,

and ask—
what the hell’s stopping you?
Laokos Feb 23
I’ve got this wild hair,
and it’s a real humdinger.
goes everywhere with me,
whispering, shouting,
whatever the hell it wants:

“dance in the fire.”
“go talk to her.”
“drive straight into that lake.”
“what’ve you got to lose?”
“**** it.”
“jump.”

it’s gnarly, tangled,
never stays down,
a rebellious little ****.

some of my best mistakes
have come from it, too:

“one more,
come on.
what’s the worst that could happen?”

“**** the trail,
it’ll take too long.
just run down the side
of the mountain.”

“ok, sure—
let’s pack up
and move across the country again.”

everyone’s got one,
standing tall somewhere,
poking out like a flag
on a battlefield of sameness,
a single, defiant kite
riding the sky
above the canopy.

those wild ones,
they’re the beauties.
the rogue strands
growing their own way
when everything else
marches in a straight line.

I love those wild hairs.
the ones that scream
against the comb,
flip off the barber,
and refuse to lay flat.

the ones that urge us
deeper into the unknown,
to take chances—
to risk ourselves despite everything.

the funny thing is,
I think
God had one, too—

when He made us.
Laokos Feb 17
he's getting old now, but still young enough
to buy self-help books he’ll read
only to stay on the treadmill
next to the other suburbanauts.
uses a fortune cookie slip as a bookmark
that just says run.

he's getting old now, but still young enough
to think he "found" someone—
someone as boring as he is,
and they swore to her readymade god
"to have and to hold" each other's
credit card debt and tangled mess of neuroses
‘til death of one kind or another comes.

he’s getting old now, but still young enough
to pretend it’s not happening.
cleans the gutters. trims the lawn.
drags his boat to the river every summer
to drink beer and lie in the heat—
like the sun will burn the years off.

he’s getting old now, but still young enough
to break down in the grocery store,
somewhere between the potato chips
and the popcorn,
crying onto the linoleum,
wiping his nose on his sleeve—
a quiet little implosion
under fluorescent lights.

he’s getting old now, but still young enough
to think he’s missing something.
like a dog still searching for the ball
that was never thrown.
like a flickering motel sign that just says
no vacan, no vacan, no vacan

he’s getting old now, but still young enough
to feel like a frozen dinner in the microwave—
burnt to hell on the outside,
ice-cold in the middle.
Laokos Feb 16
you shifted your weight
like a hunter when you saw me—
dead eyes, dead aim.

straight and true, like a well-told lie,
sliding off the tongue
with just enough rhythm
to sound like gospel.

a lottery in balance,
measured only
at the close of things.

that look of yours—
it’s a glass cannon,
and I swear I see a crack.
come on, baby—
give it to me.

take your shot.
aim for the chest
while my heart
swings open
like a rusted gate
on its last hinges.

make me think twice
about getting too close
to your kind again.

bare your teeth—
smile.
let that decoy body pull me in
while your hands steady,
while your breath slows,
while you line it all up.

exhale.
squeeze.

BOOM

a clean ****.
I’m yours.
now drag me home,
lay me out,
and do what you do best.
Laokos Feb 16
Venus, O Venus!
you do not shine—no,
you burn, awake and knowing,
a luminous wound in the sky’s
quiet body, a beacon for all
who lift their eyes,
aching for direction.

but today, you have slipped
behind the curtain of the world,
a veiled ember in the great turning,
lost to our sight—
but not gone.

this morning, I too am unseen,
folded into myself,
caught in the invisible workings
of some celestial geometry
that cages and releases,
cages and releases.

there is a breath at my back,
an absence pressing in,
a presence without a face—
like hands just beyond the veil,
like voices speaking without words,
like the quiet dread of being watched
by something I cannot name.

and so, I ask, trembling—
what am I to do with this?
how do I stand beneath this weight
without crumbling?

and from the silence, an answer,
a whisper that is not sound
but understanding—

flower and fall.

this is the way of all things.
this fear, this pressure,
this restless hum beneath the skin—
it is not death, but motion.
it is not decay, but renewal.

do you not see?
what once clung to you,
what once devoured you,
is now peeling away,
a husk lifting in the wind.

let it go. let it fall.
let the unseen hands carry it
as ants carry petals to their hidden cities,
as birds take seeds to waiting earth.
what seems an end
is only another sowing.

Venus is not gone.
she only moves beyond your sight,
whispering in the quiet—

grow.
Laokos Feb 9
I have frozen lake independence—
self-sufficiency stuck in a state of stasis,
waiting for spring or a better excuse.

I’m the last bud in the bag,
that lonely bit of green at the bottom—
each time you reach for me,
you know you’re running out.

I’m a scarf left outside,
stiff as a corpse, wrapped tight
around a post under the overpass.
Some do-gooder tied a note to me—
“Take me if you need me.”

but nobody needs me.
everybody’s got their own warmth,
their own coat, their own somebody.

so I stay there,
*******, forgotten,
waiting for some cold *******
to come along and wrap me
around their neck.
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