"windowed" poems
Ilion gray
poet extraordinary
is away
learning the codes hidden in raindrops
no reason for surprise;
for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays,
neither high enough, narrow blinding,
to keep a good man from doing good things that life provides as opportunities
to do the right thing
he muses that it took five years for the other poets to understand our
poem-dreams;
avant-garde he says,
but I laugh,
never felt more misunderstood
and reply take care, be
en garde!
no matter for he is learning a new language,
the codes hidden in raindrops in a land of wheat
once called Indian Territory and eager
await his return so we may
walk along the Brooklyn shoreline,
beginning from under the Brooklyn Bridge
where Washington’s men escaped a British trap
and he can decode for me the whispery thunderous noises of
NY
showers that come up so sudden, so roughened, but right now,
the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature
We will walk lost in the absorption of our
different commonalities, holding the hands of
his young son, and my Wendy,
both of them equal in possession of round saucer eyes
that give us poems
He calls me me friend,
I call him brother, teacher, master, better than the best,
well recalling a late night message that bred
a five year conversation ongoing
not everything need be coded
what you read here
it is not coded,
for the raindrops come clear and clean
and the poems land on our tongues
bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue
7/18/18
^https://en.m.wikipedia.org/wiki/Manhattanhenge
Jul 18, 2018
Jul 18, 2018 at 10:41 PM UTC
In tunnelled darks, pastes of reminisce
Outward disjoint points to irrelevance
Spooned and coned in cold mountaintops
The darks of sorrows and trails of struggles
Persistence patterns of self satire in gloom
Sunken in identity crisis of broad oceans
Stormy seas spotlighted by beatific stars
Trajectory of spilled ice in recurrent motions
A mere past cocooned by fears and tears
Clouded in thoughts that cruise and decline
Greyed white imprinted by sudden sadness
Madness echoes on arched ancient bricks
Checkered maniacs of fulfilled passions
Filed and iced in cased prolific memories
Cascades of sunshine tickles to warmth
Orchards of glow that bloom and grow
Picked, ticked and unpacked from boxes
Attacked, nurtured and stored in bliss
Eventful lessons unfolds in untold augury
A mission as the known permeates and fade
Windowed eyes all line up in parade
Mirrored lights digest the haunted haste
A stranger to self, an ally to another
A dance of bright entwine a twist of blur
Apr 19, 2016
Apr 19, 2016 at 11:48 AM UTC
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry!
It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics...
And here it is :
**** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka
Eye lashes flicker
a shared urgent interest
parting - dancing smile
My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet.
I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.
Arousing images captured her moaning splashing loneliness in unusual collocation.
I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.
I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.
So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!
Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite
**
May 2, 2010
May 2, 2010 at 7:10 PM UTC
"come on, Forget-Me-Not!" flirted emerald Snapdragon,
"tell me, what’s it like to have control over me, for once?"
like fire, the cerulean bloom did crackle and hiss
and walked away in a heated, dreadful silence.
"why do you call me that?" asked uncertain Snapdragon,
"tell me, why don’t you speak with me like you used to?"
like salt, the windowed flame did flicker thrice -
and was swept away by the threatening, stormy sea breeze.
"please, my sun-kissed Fox," begged hesitant Snapdragon,
"shower me in loving words like you did before."
like rain in drought, the elusive creature did rarely show his face,
if so, only for laughter’s sake, to break the horrid silence.
"tell me, darling Forget-Me-Not," pleaded melancholy Snapdragon,
"why don’t you love me anymore?" oh how she sobbed
as, like childhood, her Snapdragon self become part of his past -
he shrugged his pale, fragile shoulders, swaying in the salty breeze.
"dear seaside Sunset," wrote tragic Snapdragon, "I am truly sorry,
I miss our days in love. your presence filled a hole in me, now empty."
but far too long in blinded oversight, Forget-Me-Not had stood,
and much too late did adoring Snapdragon realise her mistake.
Nov 5, 2014
Nov 5, 2014 at 8:01 AM UTC
*My first inspiration was ***
passionate life squeezing screaming ***
the thumping wall musicality of ***
exhaustingly inventive sweaty and wet
I wanted to make it a senryu
but for duality the female characterisation
demanded two more lines
each extending to seven syllables
Arousing images captured her moaning
splashing loneliness in unusual collocation
I was first excited by the placement
of a hovering extended enjambement
to give life to my final line
whilst also considering the satisfaction
in using noisy mouthed rhythms
I believe I easily hid the wet aroused context
with a watery semantic field
suggesting she would choke and drown
So in my last line I had ‘pleasures’
as a cutting keriji to make clear
the dominating ****** context
having previously used
a preposition and determiner
to maintain duality*
**Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite**
.
Aug 5, 2010
Aug 5, 2010 at 6:29 PM UTC
In Vienna there are ten little girls,
a shoulder for death to cry on,
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death,
down the melancholy hallway,
in the iris' darkened garret.
Ay, ay, ay, ay!
Take this broken-waisted waltz.
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Ay, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic wherethe children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through teh dark silence of your forehead.
Ay, ay, ay, ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with
a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
3.5k
Eye lashes flicker
a shared urgent interest
parting - dancing smile
**My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet.
I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.
Arousing images captured her moaning splashing loneliness in unusual collocation.
I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.
I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.
So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!**
Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite
.
May 3, 2010
May 3, 2010 at 11:25 AM UTC
thoughts are transmitted
via translucent dragonfly mosquitos
from the angeled mountains of an ancient africa
to the plagued fountains of a new chimerica
miracles of disease and possibility in this
naked play they bear
fruitwords
juicing gifts of malleable meaning clothes for being or
chains, chainings
and so you are
water and messaging
carried all from timelands so distant & vague you are forever a
vague and distant stranger to your self.
when a man or woman is cut
wide, and deep enough
they bleed
despair
and with the desperate drops flows all the
thought force of all the riversrunnininthabellyod'earth.
in these despedrops
the flickerin' reflexions of starbirds turn banal to beauty
meaning
dangerously alive
in them the wombman is mirrored countless
countless times each a
split second in their life a
minute detail in their endless skies.
today i made
upon leaving home
a wish
that an image would come to stand frozen
across my peepholepupil
of what it will not matter;
and that some one, whomever,
a dancer, a ***
would come to stand staring
just intentsly enough
to have this moist unmatter
touch to fill their own eye.
this has all happened, just now, a blink before our ending -
all of it, together, when you told me
ah feigned casualty:
it's the sweetness that kills you
or was it
yr perfect just the way you are.
at the last i followed your passing with my gaze as your wake
the most intensfool one i could ever make
as your backs became horizons i
turned tilting to the old borderline
it stood as ever sealing the sea -
sealing a sea that heeeaved against the
plentyfullpollutionoftheshorelinepowerplantplantation inc smoke sky
beyond a wind oh
my window, ours
the wind wowed with that old border time
i saw the blue behemeoth
spotted four white dots in crescent form
and you see, looking through thus windowed i simply could not say
were they sailboats, fallenserapheathers
or reflexions of those electricpearlights upon waxfloressence
from the waning walls of the halls you just walked
out of
time
all around me
wail the waking walls of a maze my hazedazedgaze
your never.
Sep 21, 2009
Sep 21, 2009 at 12:39 AM UTC
She never minded the scars I carved.
She'd beg me for more, and as her wrists were tied in knots.
I'd make sure another night was never forgot.
Sure, she'd struggle, much as any of us must.
But she was lurching toward me wild and bewildered such.
She would calm as I tended wound and her panting
below became a parting of bloom. Springtime crept
in like a slow, low light on a horizon only meant
to be seen by us two.
Her struggle turned to sound and her mouth stuffed still.
Her lids heavy hiding stained glass eye windowed sill.
Her knees buckled with belt tied firm to keep her tight.
Her smile crept wide as tongue wetted what kept words inside.
Her drool ran and stained our sheets,
her eyes filled with tears which ran down cheeks.
Pleasing pleadings strung out by Morse code taps of her feet.
She was more than a canvas,
she became my tapestry.
Aug 8, 2018
Aug 8, 2018 at 3:23 AM UTC
Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite
.
Apr 23, 2010
Apr 23, 2010 at 10:02 AM UTC
The silenced weep on pastel colors
While rainbows pass through windowed thoughts
Deep within my mind is a trail leading to a universe
Stellar happiness draped upon rivers of joy
Going out on a limb, to jump from dreams
Onto pages of hopes written ravishingly
Imagination runs away from me wildly
Remaining intact with its childlike ways
Jumping into puddles of mirages
Swimming in pools of fantasy
Hallucinating on what may come
Imaginary imagery dancing upon moonbeams
Jarred in glass jars held upon windowed shelves
Closing eyes tightly around the glimpses of sweet serenades
While musical tones create beautifully painted canvases
Once blank without any reflection
Mirrored images of the future grants introduction
While paintbrushes meet color tones in seduction
Secluded rendezvous leading into ****** sensation
Alluring lust into temptation, leading away from separation
An everlasting desire of dreams entering reality
When morality grows a deepened mortality
A work of art is born on vacant sheets
As contentment drives on desolate streets
Harmonious melodies playing through radio beats
Creating muffled brightness through dusk’s doorway
Sun shining in through my mind in a magical way
A beginning to a brand new day
Has started, Today!
Apr 9, 2010
Apr 9, 2010 at 2:58 PM UTC
Autumn was an old Viennese street held up in sacrifice to the sky,
With burnt-song offerings that still see through the clouds, as they see through you.
His was cobbler craft of reed-winded flame for the foot in tune,
Amid the outsnuffed shopkeepers’ lights and the candlesmoke of midnight hours,
Pulsing above the inner heart of the Ringstrasse
Of brass signs and paving stones, misted and mute.
His was the candelabra of wick-notes
Wanded through the windowed rooms of forested night.
His were those woods filled with doorways, bookcases, and stairs
And everything dim and warm with people, no longer there.
*********
The winter sunlight played across the keyboard of crypted windows,
And in the muted under-roofs of ice and snow,
On one window, like a hand in whole rest,
The caramelized glass swallowed the flame-image of the stray redbird
And the black carriage wheels that passed.
In the long hallway of the Viennese flat,
One candle remained lit in the mouth of song.
Jun 20, 2019
Jun 20, 2019 at 6:43 PM UTC
fresh orange clementines on a
white kitchen counter,
incongruous with a windowed view of
white winter's barometric pressures.
eye illusions,
making no sense,
like me drinking
ice coffee in NYC on
New Year's Eve.
New Years Eve too,
a nonsensical notation,
an illusory line,
imposed upon us by
calendar salesmen and astronomers,
for profit and seals of good timekeeping.
There is no solstice,
no verifiable, demonstrable,
celestial line of demarcation,
just a box on a calendar
of man-made paper,
man-dating
fresh thinking,
de-man-ding,
we gaily clad ourselves
in suits of optimistic armor,
heavy with good cheer,
so much so,
we list to one side
under a burden
of greater expectations
the starting line is
worldwide, continental.
a ball drops
to signal the beginning of a new
human race to
another artifice in future time.
with inebriated staggering starts
over staggered time zones,
thus creating a continuous,
rolling wave-eve of resolutions.
I say to myself,
what the heck,
why not!
if the whole world
must share
but one
global illusion,
this one,
fresh starts of fresh hearts,
is not a bad one,
maybe, perhaps,
as good as it gets?
Jan 1, 2014
Jan 1, 2014 at 5:53 PM UTC
1
Late afternoon
leaving the city
the bus route intersects
the terraced houses,
row upon row:
right to the valley floor,
left to wooded heights.
In a bay-windowed room
a child sits at a table
beachcombing the net.
Tea is past
and there is gentle talk of
volcanoes , the Verungas,
and gorillas in the midst.
Outside, and a floor below,
a garden nestles into the dusk,
a blackbird settles itself with song.
Later, at the same table.
there is a silent grace.
A shy five year old
in scary pyjamas
comes to say goodnight.
For supper: a goat’s cheese flan,
a simple salad,
pink wine,
strong coffee.
On the mantelpiece:
the familiar jumble of cards and photos,
a collage of family faces distant shores.
On the walls:
grandmother’s woven rug,
her grand-daughter’s textiled strata,
an embroidered geology.
2
The next day,
so bright and clear,
the garden bench is warm by ten.
We sit surrounded
by the evidence
of this growing season:
emergent plants, the possibility of fruit,
even declarations of vegetables.
As ideas flow
across cake and coffee
so the shadows move,
shaping depths, enriching tones
on greys, within greens.
In the midday sun,
the garden becomes
a wild tracery of lines
as perspectives
distort, corrupt, thicken . . .
and space opens everywhere:
foliage as yet transparent
no shelter to stalk and stem.
Their very arteries revealed,
plants bask in the fragile heat
of ‘just’ Spring.
Jan 6, 2013
Jan 6, 2013 at 4:58 AM UTC
Keep up thy vigil, dimpled shepherdess!
Gift night a lantern light to guide lost stars
Strayed from the flock, treaty with tenderness
Soft grazing grounds in heaven's nebulas,
Look low for lone stars fallen from on high,
Feasting on kindling tree-tops laced in cloaks
Of lily blossomed snowy dew drop sighs
Billowed from scattered cushion clouded smokes,
Look further still beneath the ice-fringed eaves
Of gold-spun thatched roofs dotted down the lane,
Footfall echoes stolen by kingly thieves
Triumphantly majestic in their rain:
Look last for shadow framed in windowed light
Keeping thy lonely vigil through the night.
Jul 24, 2015
Jul 24, 2015 at 8:36 AM UTC
A drink to my heartbreak,
A toast to this despair,
The break of a fall,
The stunt of the dare.
She was a beautiful mistake,
A princess of the dawn,
For this heart was unaware,
Her love couldn't be won.
The injustice of this tale,
Served by my soul
The ships have all sailed,
While I am alone at the shore.
The claps of the audience,
Don't muse me with awe,
The wind of the soul,
Don't move me this late,
She was a sun in the sky,
The gift of the infinite,
While I am a dust in this land,
The enslaved seconds of the minute.
But then I realised,
I never told her how I feel,
I cried in this foolishness,
The hidden truth as the shades conceal.
But I fear she will say no,
No to my faith.
I was a feather in this storm,
A green leaf as the autumn bathe.
Why the existence of pain in love?
Isn't it supposed to be a victory,
Well I was made a fool,
The heartbreak of the century.
So I ran with this fear,
That this story would be of pain,
For I confessed her the words,
While she was dancing in the rain.
And when she was about to proclaim
I woke to this windowed sunrise,
Shaping the shadows at the ceiling,
To see it was a beautiful dream.
Dec 13, 2015
Dec 13, 2015 at 12:40 PM UTC
heres to another night spent writhing about in bed
like a serpent in the vast cosmic ocean bearing its fangs at each tiny source of light
a plethora of thoughts come to mind right when the head hits the soft stack of pillows
the trees and the leaves rustle as if sandpaper being scraped against a human face
and it leaves behind a deep unhealing **** that will last till the end of each sleepless night
be healed by the time the head leaves its nightly resting place to go out and take on the world
and the wait for the endless repetitive cycle to begin will begin once again
trudging through miles of globulous bile will again have the same lasting effect
as that of half eaten railway platforms and ground up browser tabs
elongated letters as they appear on the windowed capillaries of one's ignited violin
repossessed keyboards that belonged to aspiring writers who could never fill a page
with words that failed to even capture the imagination of the wittiest troll by the bridge
more words will flow through the sphincters present in half alive lighters
it seems this one needs to rhyme, so raise one to the brave baby fighters
streamlined thoughts finally arise as the mind clears up a little
here's another rhyme, this one might come off as a bit brittle
henceforth thoughts shall be placed with greater precision
there are ants residing in the laptop; sleeping with the laptop, a great decision
back into the depths of insanity shall we delve again
sleeping with a colony of ants equals terrible, piercing pain
Oct 24, 2013
Oct 24, 2013 at 6:27 PM UTC
How cool I was with undercut
pretending then Mohawk
playing rugby pretending
brunching with fab hipsters
pretending enjoying arcane debates
about particle physics pretending
and social justice pretending
loving tall beautiful black boy
pretending and playing Tetris til dawn
or napping on the couch pretending
in fashionable Old City coworking
space pretending cuddled alone
as rain struck clear panes windowed walls
facade pretending that was my life once,
author in a zine pretending, cheese day denizen
pretending amid all that a sprawling
vacuum of identity pretending
and isolation pretending despite
lunching with a priest I met
pretending online or long, meandering
walks to the park pretending
with Mr. Wiggles and biking up
Passyunk pretending through the market
that smelled of live chickens and grease
bemoaning my loneliness pretending at
row-house holiday parties hosted
by midlife fairies & queers pretending
with dreams with drugs
pretending alcohol *** and roof deck
skyline views pretending pop up gardens
live music filling midsummer streets
pretending same streets
filled with seasonal dirt
artisanal water pretending
bottle cap eyes cigarette **** nose
garbage mouth snowman melting
away pretending going
the way of brotherly
love. How cool I was inhabiting
my urban life pretending
I was there.
Mar 29, 2018
Mar 29, 2018 at 6:16 AM UTC
The elevator opened on the 46th floor, to a small foyer and one plain, grey door
The door opened and a young girl, 10ish, in a blue, polo, tennis dress, said, “Hi! I’m Karen, you must be Anais. Will is around here somewhere. Aren’t you pretty, though? You go to school with Lisa? No wonder Will likes you.”
She skippingly ushered me from a bright, windowed, off-white, staircase entryway, into a deep-red, mahogany paneled library. A persian cat was soon underfoot, purring and winding around my legs.”That’s Misha,” Karen said, “just shoo her away if you don’t like cats.”
I stooped down to pet Misha who eagerly offered herself to be petted and admired. As I stroked her charcoal fur, Karen said, “Let me get Will,” as she scampered off.
A gold framed, impressionistic painting, pin-lit in bright crystalline light, hung over a fireplace. In the painting, two girls, in summer hats bright with startling red bows and yellow flowers, were sharing a book. The colors were rich, deep and swirling - it looked very much like a Renoir (I know my French artists). He’d done a whole “two girls” series. I drew closer - it wasn’t a print.
Though dazed by the opulence, I hadn’t missed what Karen had said. Will liked me. I longed to interrogate her about how exactly she knew Will liked me, and what form, exactly, Will’s liking took.
I know Will and Lisa (who would be joining us in a minute) are just friends. Not that it matters, we’re heading back to New Haven later - but Karen’s statements were capable of activating a girl's guy-dar.
Karen, wearing socks but no shoes, came to a sliding halt, on the wooden floor, by grabbing the door frame to stop an otherwise complete slide into the library. “You guys are going to the Ritz for lunch?” she asked, looking back over her shoulder, in a way that indicated that she knew the answer quite well.
The Ritz Carlton is a block away and our mission was to grab the food and bring it back here to eat. “Mind if I join?” she said, before I could answer her first question, all wide-eyed, blinking impatience.
“I don’t mind at ALL.” I said, Karen whooped and was off again down the hall. “I’M COMING TOO!” she yelled. I chuckled, knowingly - I’ve been there - I’m a little sister too.
Nov 27, 2021
Nov 27, 2021 at 12:41 PM UTC
Your windowed soul
speaks leagues of numbered
tears as your heart beats beats beats,
and the tint of your eyes
shows the truth of your lies,
every time your half-crooked smile
hides the words that you speak speak speak.
Oct 19, 2011
Oct 19, 2011 at 6:07 PM UTC
_Dream your life in watercolours,
Live your life in oils,
Frame your canvases with time and distance;
Hang each by a silver thread,
In a windowed gallery of memories,
Exhibit often and without discrimination;
Celebrate the beauty in your clumsiest brushwork,
Accept the imperfections in your mastery,
Reshape your truths, as light plays and colour transforms._
Sep 11, 2019
Sep 11, 2019 at 10:31 PM UTC
A composition, bordered by brown track, white shelter and
yellow line;
off-white, smear-windowed building (background)
hexagonal floors, brutalist mandala;
triangle across the frame, a ***** polluted structure
one half of a red cross logo, boarded windows
- chipboard, corrugation, MDF;
and Southern Rail green is grass in the lower foreground
arrows, words, people.
Jul 12, 2018
Jul 12, 2018 at 10:34 AM UTC
~
bits and pieces,
lines and creases,
dusty shelves
of storied past;
where could-haves
turned should-haves,
make half-lives gone by.
haunt in our reticence,
expressed in our sigh;
they hide in our silence,
betrayed by our tears,
from missed opportunities
down through the years.
this is no stroll
o’er memory’s lane,
but a pot-holed, hard-roll
on a boulevard unnamed,
where deepest regrets
must defend against shame.
~
i make my peace
by drawing a line,
before it can fade
shifting with time.
i say *“enough!
this far and no more!”*
i give it my heel
and walk out that door.
past the garden,
past the fences,
to the edge of my mind,
resolve saying, “goodbye”
to this pain i have known.
then for reasons unfathomed
i turn at the bend,
to see what i'll miss
as if that place were my friend,
yet that house where i lived
so long and knew well,
was standing no longer,
up in smoke, gone in flames,
now just ashes and bricks
are all that remained.
~
so homeless i felt,
with no place to return.
no basement to bury
the ghosts of my past;
no attic to wander,
no hallways to creep,
no corners to ponder,
no front porch to weep,
lost without home,
now no pillow to sleep.
“please turn around,”
spoke, a voice on the breeze
“there's a new life ahead”
and then, to my relief,
*“you're not homeless, my son;
you’ve a new windowed view!
square your shoulders
to the pathway,
see the journey anew!
in promising thoughts
so hopefully wrought
of brand new can-be’s
that only dreamers can see
these, are your new life
you're not abandoned, but free.
let regrets turn to fuel
build steam from this fire.”*
~
as i turned back to thank
the voice offering these words
i found no sage of advice
but here’s what i heard.
*"offer thanks to your own heart,
to strength buried within.
the matches lay dormant
’til your heart found its stremgth.
the mere act of leaving
was the spark for your fire;
for in striking your new path
your past built your pyre.”*
~
*post script.
after much stirring, much wrestling, we are now with anticipations imagining what will change as we light the fire. i’m excited about the possibilities as we let go.*
Jan 30, 2016
Jan 30, 2016 at 5:17 PM UTC