8 fifteen in the morning,
huddled around a wooden framed door,
awaiting today’s moderator,
another professional development,
Restorative Practices,
the art of inclusion,
the art of accountability;
Skill building,
Cooperation,
The mutual hate among us as we stare into a dark room,
windowless,
Awaiting another 7 hour day of ice breakers,
We clutch our coffees and populate the lone corner —
— 12 capacity room in the basement,
All 15 of us,
Good morning: let’s begin

it seeps like sap down the spine
this tar, or fear, or hate of mine
beads opaque and thick and full of sin
i pick and peel
but they get in

i still dream
but blue, it blurs to black
deep seascape of a tormented hand,
i bind, am bound, to the things i pretend i understand
circle of a girl
eyeing squares of man

light is the letting go
hoping you pull, forgetting you won't
each time i forget, i melt and i drip,
a bad trip.

but when i think of teeth
discerning meat from bone
alone,
i float back with loose palms,
a calm.

Today the Irish people witnessed an eclipse in their senses. The morning came over all queer.  Nobody noticed, except the king of bookworms in the book of Kells, and the mice in the Campanile.   I witnessed the eclipse from a windowless room on the 4th floor of the Arts block.  Edmund Spenser's poem, The Faerie Queene,  shall henceforth be named, Long ****, by jury of 5 English Lit. Students and a Lecturer.  Also, Sinn Fein plans to build Jerusalem in Ireland's green and pleasant land.  

Lines written last night over a cup of sugary tea in a public house in North Dublin.

Within the enclosed
Walls of the
Windowless cell
Huddled in the corner
A man sits motionless

The coldness of the
Damp brick walls
Around him
Creep through his
Sweaty skin
Clogging the pores
Causing a fever

No window
Breaks the brick walls
Of the dwarf sized cell
No light
Just darkness
Ensnare the space
Around the cross-legged man

He feels his eyes
Will soon go blind
From the choked
Layer upon thick layer
Of blackness

He feels his skin
Will solidify
Into a frozen fever
Of cold
All the blood and veins
Beneath
Slowly turning to crusts of nothing

These are terrible

Terrible as the jingle of
The key’s click
Meaning the door is locked
Not to be opened
Until his executioner
Decides is right

Terrible as the moment
He caught his last
Glimpse of the sun’s beams
Gifting the outside world with
Simple happiness

But neither of these
Could amount to
The horrifying
Sound of a single
Clock’s steady
Ticking
Ticking
Ticking away the minutes
And hours remaining of his life

The man sits
Sits and sits
Never moving
His ears are continuously
Invaded with this
Ticking
Ticking
Ticking
How will he survive?

What seem
To be weeks pass
And he sits
In that same corner
Motionless
On the edge of madness

Ticking
After
Ticking
Pass
And soon
He understands
To fall in love
With this sound
Is the key

He listens now
And soon
In place of the
Ticking
The man in the
Windowless cell
Hears music

Soon an orchestra
Of deep fathomless cello
Smooth whispering piano
Melancholy violin
Echoes throughout the
Tunnels of this man’s ears

Now
With music his companion
This man
Cross-legged in the corner
Of the windowless cell
Smiles to the
Music
Through his sorrows

How we start is only part of what we eventually do.

Physically that's easy to see. Being human, adamkind,
we see weak starts often in life.
Colts or pups born a week too soon can be loved to lives as pampered pets,
Siring toys for the enjoyment of those who can afford to fuel them,
For generations, with never a single care,
Past that initial trauma and subsequent subjugation to the will of man.

I don't tell horse stories, dog stories or war stories, if I can keep from it.

But when you want to demonstrate the purest of payback,
revenge getting the bad guy in the end,
having a horse be the hero makes behaving like an animal
more noble to the mind of vengeful man.
It's not true, revenge being noble.
That's a very old lie.

Law is to prevent error by disallowing failure. Law.

Relative to the rest of God's creatures, we, adamkind, seem dependent, weak and vulnerable next to bears being weak
a way-less long time
Than we.
We come into this world weak as a baby anything and we stay that way longer
Than any living creature.

I am an American, by birth.
I was not born to a political party or a family with political roots,
"I ain't no Senator's son."
Still,
I was reared drinking mythic cherry wine
sprung from George's failure to lie
Regarding his woodman's knack with a hatchet.

Sitting on the fence rail Abe split,
town fathers where I lived
were said to have decided the most harmonious of towns
have only gainfully employed darker folks,
while white
trash was allowed to loll around because they was
some employer's kin by marriage.

It all seemed pretty normal, as a child.
The loller-arounders let kids listen when they told
Their friends, who could not read, what the newspapers said.

One block from my house there was a vet's and hobo's flop-house clad in corrugated tin, rusted-round the nail-holes all the way to the ground and the rust had spread, so at sunset,...
I only recall the single story shed having one door.
There were always old white men sittin' on the southside of the shed. At sunset, those old men's whispy white hair

appeared as white flowing mare's tale clouds under
a scab-red wall held up by old men with sunset shining faces...

It was a big shed, a low barn, a bunkhouse,
eight or ten 4-foot tin-sheets long on the north and south
Windowless walls.
The one door was on the south side.
Once I saw an old man selling red paper buddy poppies.
He was missing both legs about half-way up his thighs.
The poppy seller rode a square board that had what I think were
Roller-skates, the key-kind, with metal wheels about a 1/2 inch wide.
Nailed to it's bottom. He had handles made from a carpenter's saw
Without it's blade. He pushed himself with those handles.

That looked fun, to a four-year old.
It looks different now-a-days. Knowing
Those red poppies symbolized
The after math automatics of the war to end war.

Who knows the poppy-sellers son? He would be old.
Does he know how his father lost his legs, but lived?
Does he bear the curse of the curse that lost his father's legs?
Does he honor his father's cause or weep at the thought?

Enough is enough.
My family tree branched in America, but only one great grand-parent,
Three generations back from me, was rooted in this land.
My gran'ma's ma, a Choctaw squaw,
That rhymed fine,
But it's not true. My grandma did not know her parents. She was born an orphan,
And her father and mother were likely strangers.

1910 in southwest Arkansas or southeast Oklahoma or northeast Texas or northwest Louisiana
And the color of her skin is all that proved my American heritage.

My grandma was born poor as poor can be,
she never told me how she survived

To survive a 1925 or so car wreck
in eastern Arizona's white mountains.
I never asked what my grandmother knew,
nor how she came to know.

This is my point.
After you and I have gone into forever more,
Our great grand children may wonder
what we did or did not, since we
Are no longer around to give our account.

These days we can leave our story to our great grand children.
Our own children
And our grand children follow us on facebook back to before they were born.
Shall they judge us idlers wielding idle words for laughs,
or  think us knowers of all we found while seeking first the Kingdom of Heaven
In the place Jesus says it is. You know where Jesus said the Kingdom of our kind lies?

The double minded man is unstable in all his ways,
hence Eve and her broader bandwidth corpus colostrum
Come back later, there is a breath system upgrade evolving.

Such changes to the courage of the mind rolls out more slowly
to the root ideas, labouring to find sustenance,
it is a struggle being a radical idea,
we agree, but we have our part,
as do the flowers
and the spore.
Leaven the whole lump, like it or lump it.

The now we live in grew from far deeper roots than
the roots claimed by the
Self-identified nation through it's cartoons/representations of national desires to rally 'round the flag as if it were the fire,
those desires to herd beneath any shelter from the storm,
Your country, your incorporated allegiance
to the inventor and creator and counter of the money under
the protection of the sword and crown representative
of the flame that burns,
The namers of patriot, the rankeers of ideas
who, by their existence,
naturally, over rule you.
Such powers are granted by the individual, not the mob.
You get that?

The desires of the nation over rule the desires of the individuals who
Com-prize the nation.
Whose side are you on, dear reader?

Is the idea we believed believable?
Ex Nihilo, I don't think so because
I can't imagine how now could be
Accidental-ly.

When my hero wore spurs as he went from the jail office to
Miss Kitty's place, (Gunsmoke on A.M. radio)

What did Miss Kitty do?
I had no clue.
In my hero's world people never
Did the wrong thing
While Marshal Dillon was in Dodge.

So did you think Miss Kitty's place was anything other
than a culturally acceptable
reference to professional social ******* workers
under a strong, smart female CEO
with top-level links to the local cops?

All these are rhetorical questions, this being
Rhetorical if you are hearing me say this.
That means, don't nod or raise your hand or shout Amen, kin!

I see your answer my answer and
I know my answer, so you know my answer.

Step-back, 1961, USA Snapshot
Unitas, Benny Kid Perett, Mantlenmarris, the Guns of Navarone.

Why I recall those things, I know not.
Why I did not say I do not know, I do not know.

Though, pausing to think,
knowing contains the doing of it within it, you know.
What's to do?

Outlaws were more my heroes than cowboys, and marshals, and such
Especially the ones that had been forced out by law.

I grew up in a 1950's junkyard with no fence, one mile north of route 66
On the Al-Can highway to Las Vegas, 103 miles away.
My Grandpa was a blacksmith's son,
who rode a horse he broke and his pa had shod
From Texas to Arizona in 1917, at the age of 18.

by the time I knew him,
He was fifty, settled down, nearly, from the war.
Momma had to work, so, daytime, Granddaddy raised me.

Horses weren't, wrecked cars were,
the toys of my childhood.

Grandpa built a junkyard from cars left steam blown
on the old stage road, from before
the railroad.
The Abo Highway hain't been Route 66 for some time yet…
Hoping…


Hoping sometime to polish this bit of this book, I left myself re-minders
Hoping memory of mental realms might rewind or unwind sequentially
When trigger
Neighed.
That worked, Roy Autry and Gene Rogers were names Sue Snow's
Mormon Bishop granddaddy called me,
back when I first recall My Grandpa Caleb,
a baptist by confession,
who was,
as I recall a *****-drinkin' jolly drunk.
While Grandma made beds in some motel,
granddaddy built boats and horse trailers
and hot rod 34 Chevies,
and he fixed this one red Indian, I could read the word on the gas tank, I knew the word Indian
and this motor cycle was proud to wear the name. I was 4.

A stout-strong man, no fat near any working muscle system,
he could and would
repair any broken thing,
for anybody. People called him Pop.
Pop and Mr. Levi-next-door at the Loma Vista Motel, shared a listing in the Green Book,
so broke down ******* knew where help could be found
after dark in that town.
There was a warnin'ag'in
let'n sunset there
on darker than grandma's skin.

My Gran'daddy's shop had two gas pumps
that were reset to begin pumping with the turn of a crank.
As soon as I could turn that crank,
I could pump gas.
I could fill up that red Indian
Motorcycle.
But "m'spokes was too short
to kick the starter."
I told my eleven year old uncle
and he told
how he would always remember learning
that saddles have no linkage
to horse brakes.
"Not knowing what you cain't do
kin *** ye kilt."

He grew up in the junk yard, too.
My first outlaw hero.

Likely, I am alive today, because
On the day I discovered I could pump gas as good as any man,
I also discovered that real motorcycles were not built for little boys.

Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The *******'s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet *** like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and *******, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a *****.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.

Isolationist theories
of my brutal development
A mask
In the world of passengers

Regretting every slight disruption
Making icy chatters of teeth
As we wonder

How will these small altercations
Affect the grand course
of my surreptitious collapse?
Just a violent object on an axis
A washer head
thrown into a tumultuous ocean of visions

A flickering correspondent
Lying on an abolition
The worst things happening to the best people
It spins and breaths and *****

This molested scared demon
Anally penetrating all that I believe is genuine
Reels of my childhood development
Played on repeat to search for ammunition

The tunneling rib cages of my insanity
The forest nymph of all that is good
The one who created me
Locked away in a windowless world

Analyzed as if lockness was one of them
I always thought it would be me
Falling  to where I could not be found
How am I still standing?

Planes fly into the towers
Planes fly from out the craters in the towers

Black plumes of smoke choke the sky
Windowless planes flying into the towers
And now another, now another
The towers rattle
Planes take-off from in the fire
And go off into the city, into the stars
into our minds.
Planes like laser-lights, jetting off,
imprinting themselves
into our minds.

Over and over and over and over
and over and over and over
There were as many as 1,000 planes
or more.

Desks, glass-shards, people 
High-heels, telephones, people
Falling, smashing down from the towers
A Warholian dream 
Dying icons on every TV set, 24 hour access
On every channel 
For months on end
On end

Headlines recoiled by an antichrist 
Rumors he was in Pakistan
In Switzerland, at the mall
In your mind.

The towers burn forever
The towers burn forever
Frozen in pixels online
In our minds.

(In response to "Howl" by Allen Ginsberg)

I have seen the best minds of my generation destroyed by sanity,
seen bold new visionaries resign themselves to clinical long-haul deaths,
drug-numbed to their own suffering, and everyone else’s;
seen raving revolutionaries give up, retire to minimalist Swedish-designed armchairs,
and never move again;
seen the horizon dim and draw ever closer,
and the tenacious lunatics with the wanderlust to stray beyond
become fewer and further between.

There are uglier destructive forces than madness:
Consider cognitive rehabilitation.
Consider absolutely nothing immeasurable.
Consider utter rationality.

Ritalin, lithium, risperidone, duloxatine. [I thought I heard a man speaking in tongues,
then I realised he was simply reading out loud from a pharmaceutical directory.]
Imagine a generation of loan brokers and loss adjustors;
Hicks gone these past seventeen years and Leary still alive;
sharks floating in formaldehyde;
all true human significance lost in pretentious symbols,
and repetition
and repetition
and repetition,
and no one raging.
No one raging for real.

Where are Plato’s maniacs now?
Where are their lunatic songs?
I hear only the steady, rational tapping of the accountants’ calculators,
occasionally, some lost and lonely *** crying out for one more shot,
and the PA system calling the next patient through, the doctor will see you now,
or asking would the owner of a light blue Honda Civic please move their vehicle,
as it’s blocking in a black Lexus full of lawyers with an ambulance to chase.

Is there really nowhere between here
and the bellow and buzz, the shiver and shriek of the asylum?
Someplace between this sterile, static, silent, windowless room
and the fizzing frenzy of the electroconvulsion suite,
there must be somewhere we might have paused and breathed and set up shop,
where we could have been happy – if we’d wanted to be –
and no more or less sane than we chose.

Dr Thompson saw it coming: the dawn of this new Age of Equilibrium.
He knew that football season was over, for good this time, and made his ballistic decision
to go stalk peacocks and hound Nixon through the Kingdom Hereafter,
assuring us, ‘Relax – This won’t hurt’.
He was right.

Safe and stable and sanitized, we can no longer follow your desperate, ***** verse.
Straitjacketed by reason, we perceive our world only in terms
of quantum and co-efficiency, of the logical and logistical,
of what can be conjured in the duration of the average commercial break,
of what can be computed to at least two decimal places.

We are the chemically castrated.
We are lobotomised by mutual consent.
We are the perfect ones: regular and moderate and so healthy, so functional.
We are the white strobing smiles of the toothpaste ads,
the poster children for good mental hygiene,
the footsoldiers of no more conflict.

We have lost our skill for the alchemy
that once distilled genius from the seething crucible of lunacy.
We medicate those whose vision would otherwise put our own to shame,
leave them as myopic and blinkered as the rest of us,
the breadth and depth and distance of their sight no longer a worry to anyone.

Give us back our madmen: we need them.
Give us back our crazed anthems, our burning shrouds, our leprous one-man-bands.
Give us back the fire and the filth and the fornication that kept us howling through
those endlessly polluted nights of Windscale and Watergate, McCarthy and motorcades, Hanoi and Hiroshima.

Please.  Give us back our madmen.
I have seen the best minds of my generation destroyed by sanity.

It's the fragmented relationships and the attempts.
It's the strength you have to believe is in there,
somewhere
It's the hope for the future and the bible verses that hold me,
and you,
together.
It's the tears and the shame and the relatable lyrics
that hold you,
like a warm blanket after hours of terribly poetry in a cold, windowless room,
that cradle us in our flammable youth,
that extinguish the flames of potential misery,
that relay the truth after months of running from just that.
I don't want to feel this way anymore.
The simple lies are, I don't know what I'm blindfolding myself against.

Sense?
What for?
Who needs to make that?
These words are the fragmented seashells alongside the shore of my emotions.
As often as you find a sand dollar whole,
will my poetry (or lack thereof)
appeal to anyone besides the lies personified that reside in my flammable heart.

Haifa, Israel, a Saturday before the Second Gulf War
The Iraq War, the Shock and Awe War, the war with embedded journalists traveling in
tanks across dusty deserts the smart way with no bulky supply lines following them
And they arrived and it quickly became apparent the supply line was a good invention

The beach is filled with people, enjoying their last few days of peace
People color the beach a kind of brown, moving brown, like ants wandering around a hill the entire beach is their hill right now in that moment a respite of the stress to come
Funny how War could be on some kind of timeline, with everyone waiting for it
like a Super Bowl game, or the second coming or a tornado or flood or nuclear bomb
Breathe this fresh air now, for tomorrow will find you smothered in a bomb shelter
crammed into small spaces with strangers even, or people you don't like, and screaming children

Your plane was due to leave for Florida the next day, but there was no seat for me.
At first that bothered you, that we had no money for me to go anywhere, only you
but now you took any chance you got to leave this place that was our new home
"We're making cookies," a couple said who we ran into down there.  
If there's an air raid, you can stay with us they said to me.  
And I imagined the pleasant aroma of butter
and sweet and nuts filling a windowless room with a Hebrew TV station crackling quickly in a language I still couldn't keep up with while we munched until we were like full balloons
in a land with the bus driver turning up the news updates on the radio every hour really loud so everyone could hear them, day in and day out, because this was part of life here. And most of what I could follow after so many hours of study was that most words at the end of a sentence on the news ended with -eeem.  Usually in threes, -eem, -eeem, -eem, which is maculine plural and sometimes there was MemShalah, which is Prime Minister.

It was your most noble hour, coming shortly after you rampaging up and down the hallways
of our cement apartment building, just a box but a nice one with a view of Haifa Bay saying Saddam does too have a bomb, and you just wait when the scuds start falling. You just wait.
But you weren't waiting.  You were going home.
And no I didn't believe Saddam had a bomb although I've never met anyone who agreed with me since then and that is getting to be a long time ago.  
Even though there were Freedom Fries now and a ban on French wine and I don't particularly like the French in many ways, still I believed them and Mahomood El Baradei
because he was a very smart man except American don't believe there can be smart, effective individuals and people working very hard in places filled with dust and ignorance and lacking
so many comforts and conveniences
And how could you check a whole country anyway?  
With connections, by being an insider and by being very clever and that's what I thought sitting in the living room watching CNN International being piped for free into our living room.
And you were terrified and you left in a sweat and a day or so later the War began

and I watched the War on CNN International in our living room after you were gone, and it was just mass destruction from great heights like someone's ridiculous plan of Urban Renewal from way too high up and I felt sorry for all the
people who would soon be called "collateral damage" and I felt ill at our Generals bragging about this mayhem, this obscene, idiotic pounding of a city without intelligence or sensitivity or perceptions and I felt no shock and awe, but only horror and sadness
and I, by myself, an American living in Israel, who now had dual citizenship of course,
you see, but Americans are never dual, we always leave.  We are only American.

I saw my country as something angry, and violent and dumb and ugly
And you waited in Florida for the WMD, and I watched the story unfold
and there were still no WMD by the time you got back and the Patriot missiles were lowered from their mountain top heights.  And there were still no WMD when paper plans for a bomb were unearthed underneath rose bushes in a scientist's back yard and I felt sorry for the rose bushes
and hoped they were re-planted.
And like my country, you slipped down a notch in my eyes,
Running away from nothing telling me there was danger and leaving me
when it was only you who believed I might die.  Only You.

Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.

Demons with purity, Angels with Sin,
Benevolence truly shines from within.
Judge those who are not shrouded with darkness,
For they have experienced pain and emptiness.
Open your arms and share with them your light, and one day you may just end their fright.*

❥

the present is a prison
i cant outbreak
my past paints pleasant pictures
upon my windowless walls
leaving me with the world
in my mad mind
bestowing reflections of my future
craving the imminent to dementment
longing for my liberty
fighting for my freedom

What's in a soul
That we find of such interest
Captivating and consuming
If the eyes are its windows
What do we hope to find
For even windows tell lies

About what is within
We see what we want
It stands to reason to believe
That eyes are not the windows in fact
But they are the illusion makers
And perspective shapers

The eyes hold other eyes
Convincing while locked
Displaying what is meant to be displayed
The soul stands on its own
It is not shown until it is desired to be shown

Everything is such fun in the beginning,
when it’s new and undiscovered.
i’ll try almost anything.

What is meant by almost?
All these stupid sick **** roles we play,
all this pretending, why?

i want to believe there’s something
behind the curtain
besides a windowless stone wall

Something inexplicable
his/her majesty of everything/
living/dead/never existed.

William Blake said, “Either be a poet or a painter.
Being both muddies audiences, and discredits one or the other.”
Actually, Blake didn’t say that. i am lost.

is it possible to love after what has happened?
the rage, hurt, disappointment of betrayal.
my ex still stalks

as recently as two mornings ago,
all her exaggerations, over-reactions, fury.
Why so desperate to return to crime scene?

An admission of her own guilt?
Excessive compulsive wound licking (psychogenic alopecia)?
Another excuse for getting drunk?

When we waited for the elevator going down
You said, “Let’s just get this over with.”
i understood completely.

i, who worships my own death.
i, who ****** on my own grave.
i, who gets bored faster than speed of light.

i, who suspects killing around every corner.
i, who sleeps restless.
i, who worries.

i, who loves women.
i, who does not understand women.
i, who is a woman.

i, who bangs the dude in L.A. to advance my career.
i, who is a nobody.
i, a man with no place to stand.

i, who belongs to a family of
blustering flirts, flatterers,
kidders, thieves.

We sit at the table,
monkey-wrenching hand over fist lives.
Forget about the eyes.

Watch the fingers.
Don’t listen to the speeches.
Words are intentional distractions.

Where’s your wallet?
Gypsies? No, we’re not gypsies,
more upper-crusty, yes, very well-connected secrets.

Do the names Dante, or Cervantes, or Nabokov mean anything to you?
No, none of them are our kin,
but we know people who know people,

infidelities in very high places.
All i’m saying is,
once you reach a certain level,

we’re all family.
i will make success happen,
with or without you.

It was social experimentation
To be locked away, windowless
Four walls, perpetually fixed
- as his figure in a lightless room
Ears removed, mouth sewn closed
Eyes blinded, no light, no sound
Muted humanity, no dignity

He happened upon a laughing child
before the procedure
and that sound echoed inside
Deep within his bowels it reverberated
Through his blood
Distorted in his stomach
Youthful innocent laugh,
it grew monstrous
It began to talk
and the beast within was personified

Day one he lost his mind
Day two was still day one
(how irresponsive time becomes)
Day three the laugh became a growl
Day four the voices started
Day five in absentia
Day six he was done
Day seven, bizarre interim
- that between life and death

Profoundly lost in swingin' psychosis
Met by the devil in detailed cerebellum
Watched memories deteriorate
like some reel-to-reel burning, spluttering
His wife now only a hydrogen hallucination

Do you, the reader, know true loneliness?

The observation deck was packed on day eight
Muted, yet guttural screams of anguish
from deep within his throat
Were haunting reminders of the damaging effect
of psychological studies and the fragility of humanity

The cataract voids in his stoic face
they betrayed fear, and begged captors
for some respite from this hellish dream

Until in a tormented blinded haze, the voice was clear
His ears still dead, though this voice was true
Spoke but three subtle words
The subject experienced simultaneous neurological
Joy and fear
He had heard the de facto vocalisation of some supreme

he spoke them aloud
his only utterance

and the teary eyed scientists gathered
sterile needle
no words
dead.

There is'nt very many places
that can come close to the
perfection that a summers night
brings about on the streets
of San Pedro.
Its all still so raw,
on the lower side of town ,tenants sit
outside on stoops in front of
cheap hotels made for cheap people.
Feral cats stalk the wharf rats
who hide out within the  
rising mounds of fishing
nets that sit in large heaps along the
guano stained docks.
The Mad houses all have ancient air
conditioning, all of which only seems to
push the Mad a little bit closer
to that empty they all long to
fill.
Teen aged lovers walk hand in hand
past the bars and the liquor stores
along Pacific Ave.
The smiles on there clean faces
prove that they are still oblivious
to the horrors that love will one
day bring.
Drinking men and Die hard wasted
Women stand outside of windowless
drinking holes *******
on cigarettes, their silent stares
warn all who pass
that what little they had to lose
is already gone.
Most of these sets of eyes and
heads of hair,
have never heard the nightbird
sing,or watched transfixed
as the blood ran
along the gutters like
mountain run off
in the spring.

I find it comforting to know
that these summer night adventures
dare only to venture out
for this briefest of season.
I need them gone from my darkness,
they are not of the night,
even one as perfect as this.
Their clueless smiles and their
false joys cast a foul shade of light
upon the realness and the honesty
of this summers night.
Only lost souls like myself,
the street walking ******  and
the murderous feral cats know
when and where the magic truly died.
Only those with broken ties
and broken hearts can look
to the shot out street lamps
and know they are home.
If only these programed minions
would leave me and the mad ones,
me and the ******,
me and the shot out street lamps
and the flea bitten battle hardened
wharf  cats
to all of what we call our own.
They come out of their cages and
walk along the same gum stained
sidewalks as we who have sacrificed
it all to become as one with
the night.

They see all of the same neon signs
and graffiti covered walls as I do,
but that's where their tiny
little minds locked into their
tiny little worlds stop.
They cant comprehend and
I don't have enough wine
or enough patience
to waste my time
on programed minds.
Let them cheer each other on
let them guide each other to their deaths.
Leave us to this night and the millions
of California summer nights to come.
Let them lock themselves away
when these summer nights shift
to fall.
I and the night
cringe at their presence.
The feral cats release
a deep menacing warning
as these invaders pass
them by.
Their place is locked
securely behind
some gates,somewhere
on that hill.
A place I dare not to
venture,a place built
on the blood labor
of the poor,a place full
of their lies.
Lies and forced false ways
that draw
deep blood toned scars
upon the honesty
and the  integrity of this
sacred summers  night.

Anesthesia seeps into me and settles
like plaque into my arteries
where it converses with my blood.
I let its ugly yellow fingers swagger through,
waving their malicious banners
proclaiming my surrender.

My lungs breathe chafing dust
that conspires
and leaves me suffocating
under the silent sands of guilt
that build up into graceful dunes.

My mind loves the desert in my lungs
despite the lifeless contours;
it is far away, removed and sees
a sweeping landscape, patterned
by the winds, my rattling breath.

But my heart lives next door
to that forsaken terrain.
It feels the pain of the parched *****,
gone unacknowledged by my mind.
It feels the lecherous caress
of the ugly yellow fingers
that violate my blood,
stroking, disgustingly, inside my veins.

Still my mind remains
Doorless
Windowless
Refusing to see.
Serenely smooth, impenetrable Reason.

My heart has no hands
to hold a hammer or a sword.

Yet Your tongue is a sword,
Your words a hammer of consciousness,
Your expression the oil to reignite
shimmering embers buried under ashes.

My mind’s shield becomes an eggshell—
it shatters, flinging shards away,
letting the newly lit inferno roar
through every capillary, burning away
the ugly yellow fingers.

Winds from within gust through my lungs,
force the desert from my chest.
The sand rends my throat and lips
in its storm of escape,
and the blissful tears that rain from my eyes
quench my arid lungs.

The fire recedes into my heart, where it burns
white-hot and pure—
My eternal sun that gleams within,
to You, I surrender.

A book shouldn't be judged by its cover they said.
A person should be judged on their heart they said.
Plenty of books go unread
They are too small
Too thick
Too old
Too beat up

People and love have the same fate as a book.
Love is hypocritical.
How can an emotion, that is said to be
Judged by the heart,
Consider the optical cortex's opinion.
Before it weighs a soul
Hypocrites.

Predators are lead by their sight as well.
Killing off prey
In blood lust
That is interesting.
Perhaps lust is the issue
Their eyes devour what they want
While the heart is left empty.

If I lose weight am I subscribing to this belief?
Am I not fit enough to be loved?
Would being devoured by predators truly mend my heart?
My windowless soul bleeds.
While their eyes ignore me.
Am I changing myself to be loved, or
Can love change itself to find me?

"I have two cats!"
         he said with a laugh...
                  as he fell to his knees...
                            and rolled on his back...

The time was all there
                       but the money went flat.
            The essence of nightshade
                                         That will do that.

So onward he marched...
                                              and later he squeezed
but rightfully so,
                       the windowless breeze.

With fortnights on days
                               and cherry blossoms in bloom,
Mr. Finnegan woke up.


It was half past noon.

The first time we ever spoke,
I thought you were annoying.

I asked you what your favourite colour was.
You said
"White, because when thinking in terms of the light spectrum, it is the combination of all the colours. When you look at a white light, you are actually looking at colours that human eyes can't even process. You are looking right at them, and you can't see them, but they are still there."

I thought that was the most beautiful thing I had ever heard.

-
-
-

I was sent to a white palace when I found out what happened to you.
I searched for you in every windowless room.

-
-
-

Our romance was a
flash flood in the middle of a drought,
quenching my parched soil,
and then drowning all forms of life for miles around,
but it was over far too soon
and left me ravaged,
yet thirsty for more.

-
-
-

I took my new husband-to-be to the place where you and I met.
He didn't leave my side the entire time
and we listened to the music echoing around the mountains
while he said beautiful things that I would have died to hear you say
and he kissed me in front of everyone,
just like I used to dream that you would,
but you never did.



I realize now that you weren't my soul mate,
but believe me when I say that
I did love you.

-
-
-

I still don't know what to think when I look back on it.
My open and paranoid mind
can never draw definite conclusions
as to what truly happened.
Reality is subjective.

All I know is that this world is much more quiet than it used to be without your constant chatter that I thought was annoying when we first met,
and the only closure I will ever get
is accepting that part of who I once was died with you,
but an even larger part of who you were lives on within me.

-
-
-

My favourite colour is white now.

I have loved you.

Fearless dreaming has brought me here
The warmth of spent flesh
asleep in the tides of a fickle moon
a cool breeze in a windowless room
I pull back the sheet slowly
and watch as tiny bumps form in the chill

Peaches and cream perfection
Dare I touch
Dare I risk awakening
The warmth reaches me before I reach the truth
Hesitation and a slow exhale

I have dreamed this dream before
The dream where there is no time, no rules, no distance
I have dreamed of joy and love
I have dreamed this very dream
and as I touch you... I cry

In those moments lost in the union
of love and passion
right and wrong are a blur
on the edges of souls bound in time
Until...
I touch you and
for a moment
you are my truth, my reality, my dream, my life
Gone in the gasp of a waking sun

Dare I risk losing you once more
My heart breaks anew as the new day dawns
But how do I yearn and not sate
Yes, I touch
I love so that I may live in that moment a lifetime

The warmth of your skin greets mine
as you turn to me in your slumber
embracing all I could hope to be
Your comfort with me melts doubt
And I pray that the sun never shines
I pray that this moment is my ever after
That you and I are where we once were
where we should always be

I open my eyes at daybreak
and still feel the warmth of you
I bask before the tears come
I love you more with each moment of perfect slumber
I dream
That you will keep me with you
so I shall ne'er again wake
to a world where you no longer reside

I think that even if I hit the gas and drove until I saw ocean, I would still fail to outrun missing you.
It's a maddening, moving sensation,
Like my skin is just a little bit ahead of me wherever I go,
Tugging, burning.
It keeps me up nights, trying to sit still, trying to soothe a soul that wants
Out.
It's a constant, tearing tension,
Like the breath before the ****** of a thriller movie,
When everything is silent but each hair straining through the skin on the back of your neck knows that carnage is coming, and the waiting is worse than the fright of a sudden death.
Missing you feels like that.
Like a scrape you just can't leave alone, because it itches and burns and turns pink at the edges,
And every time it starts to heal, something knocks against it and tears it open again and you've stained another favorite shirt with a gauche trickle of blood.
Missing you is like an illness.
I choke awake with it in the middle of the night, double over in pain, sleepy and confused but still panicked.
And like an illness the pain becomes a ritual.
I understand when it is coming, I understand when to brace myself,
And as it hits me I understand precisely what is happening-
The science of the sheen of sweat on my brow, of my quickening breaths,
Of the roller coaster drop my stomach takes, leaving the rest of me agonizingly behind.
Even when I'm slapped awake by your absence from a cruel, happy dream,
Still I have learned to place myself within the reality you've forced on me within seconds.
Seconds count- the damage is minimized, the storm is compressed.
Still, there are days when I feel like a cancer patient, or perhaps a schizophrenic-
For you are a sickness of the mind before you're ever in my blood,
Although sometimes it does boil in my veins, trying to find a way out of my skin and
To the soles of your feet.
There are days when I am in my car, and the thought of you is so loud and solid that it's like a separate person in my head, screaming.
Those are the days-
And if I am to be honest, every day I drive through our town, knowing that I may only be a sharp corner from seeing you, is one of "those days"-
That I feel hunted, stalked.
I feel like prey, as if I will be killed at any moment,
And as I am always always learning, the anticipation is worse than what I fear.
When I drive in this town I try everything to drown that girl out,
The one in my head who screams your name, who asks me questions I can't answer because
You never answered them.
And the louder she gets, the harder I grip the steering wheel,
Grinding my nails against the stitches in the leather with a scrape I feel to my bones.
My foot sinks onto the gas pedal and I try to quell my urge to run,
Knowing there is no safe speed that can pull me away from loving you,
But it always takes a bit longer than it should.
60. 70. 80.
On those winding back roads,
And then I take my deep breaths, try to slow my heart, clench my jaw and slow down,
Defeated-
You are still there.
You are in my head like a fever.
On the worst days, my vision blurs with the tension of the questions that rage behind my eyes, refusing to escape as tears or screams.
Why? Why? Why?
I know it is useless to ask myself, and downright masochistic to ask you,
And so I lock the girl who loves you to distraction up
In a windowless corner of my mind
And listen to the echoes of her fists pounding on the walls
All day and
All night.
You are inside of me.
I can't escape missing you because it is married to my blood,
To my heartbeat,
To the ache that has burrowed between every bone and joint of mine since you left and refuses to abate.
You are gone, and I don't understand why,
And that is the knowledge that I cannot hide from,
Cannot run from,
Cannot quiet inside my mind.
That is the thought that corners my soul against the underside of my skin
So that at odd hours of the night and punishing moments of the day
It struggles frantically, fighting for a way out.
There is no way out.
That is why I hate missing you.

I wish my lotion had glitter in it
I also wish my head didn't hurt
I had a nightmare that I was back in the hospital the day my insurance company denied my medication
I can't afford it,
So I can't sleep now
But yesterday I dreamed I was back in the hospital like when I was a kid
I was only there a couple of times, for testing and for times I forgot my medication
There was a bit of a learning curve for a seven year old
But I'm moving out next year
I've already learned
I take my vitamins, I go to my doctor visits
I finally got my sports clearances,
But I can't drive a car without my medication
I can't work somedays either
So as I lay here, by myself, I can't help but remember the nurse who gave me a friendship bracelet in the emergency room on Christmas
The saline in my arm was cold, and they stopped giving me blankets because I had a fever
I was twelve years old and it was snowing in Atlanta for the first time in years
I couldn't tell from my windowless room
The nurse put lotion on my hands with glitter in it
I had a fever because I was dehydrated
I was dehydrated because I forgot my medication at home in Pennsylvania.

There's a complex on the corner of three streets
Just south of something and north of something else.
One time a girl stood there crying in the rain all alone
Waiting to get picked up by anyone who wouldn't ask where her tears came from.
All she could say was she was sorry.
At night there's this dog that barks for no reason
No matter how loud you are, or how quiet you are. It must just be the flowers.
They look like a 13-year-old girl's experiment with make-up.
And they smell like dust in your nose.
Follow the road north to the pharmacy and the convenience store
Conveniently next to a windowless brothel and an indie movie theater.
Follow it south and you'll get an organic market, loose tea shops, and gelato.
Funny how that happens.
If you stand on this corner you'll see cars lining the street in every direction
Squealing and shaking with each extra body shoved inside to enjoy the beautiful dumpster view.
And maybe a pool that no one uses.
There's a complex on the corner of three streets where Atlas goes to shrug his shoulders.
And complain about how heavy his job is.
Loudly tending to his messed up joints.
Drinking with passers-by and sleeping with women who came by to massage his limbs.
Gently, tenderly, and maybe a bit rough every now and then.
Atlas lives, owns, and runs this whole **** town.
And let me tell you, he's in great shape.

Candy cane soldiers
roll her down like a boulder,
Her wet cheeks nearly speak
with that bed of concrete on her shoulder.
Could it be? It is she!
Redundant locks trapped in braid
Suddenly, squirming around the corner
a mustached man repeats
"Your wish is mine to fade,
you hold no recognition in the decision youve made.
So its time you come with me"
The princess and her scruples finally flee.

Unsteady warp
blurring corpse after corpse.
One with a top hat
and 3/4 of a profile pose.
Horns surrounded with fur
turned to a hairless neck for a nose.
Useless change changed the pace,
as far as walkin' goes.
Each taste is heavier,
Each word is touchier.
Their fingers grew legs
runnin where answers grow on a tree.
Could it be? I see he.
How can you not
when he hides in the most obvious of spots!
Im serious.
He's as clear as the beer on your beard,
you're delerious.
Take a look at the windowless reflection
pointing in the direction back at thee.
Sneaky little red-eyed bumblebee