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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
The stars still shone last night, and tasted pretty like my last sonnet;
And I still loved thee; and imagined thee 'fore I retreated to bed.
Ah, but thou know not-thou wert envied by t'at squeaking trivial moon;
It seduced and befriended thee; but took away thy sickly love too soon.
Ah, t'at moon which was burnt by jealousy, and still perhaps is,
Took away thy love-which, if only willing to grow; couldst be dearer than his.
But too thy love, which hath-since the very outset, been mostly repulsive and arduous;
And loving thee was but altogether too customary, and at gullible times, odious.
Ah, but how I was too innocent-far too innocent, was I!
Why didst I stupidly keepeth loving thee-whose soul was but too sore, and intense-with lies?
And at t'is very moment, every purse of stale dejection leapt away from me;
Within t'eir private grounds of madness; but evaporating accusations.
Ah, so t'at thou desired me not-and thus art deserving not of me;
But why didst I resist not still-thy awkwardness, and glittering sensations?
Oh, I feeleth uncivil now-for I should hath been too mad not at the moon;
For taking away thy petty threads, and curdling winds, out of me-too soon.
And for robbing my gusts, and winds, and pale storms of bewitching-yet baffling, affection;
But in fact thrusting me no more, into the realms of death; and t'eir vain alteration.
Ah, thee, so how I couldst once have awaited thee, I never knoweth;
For perhaps I shall be consumed, and consequently greeteth immediate death; within the fatal blushes of tomorrow.
But still-nothing of me shall ever objecteth to t'is tale of blue horror, and chooseth to remain;
And I shall distracteth thee not; and bindeth my path into t'at one of thy feet-all over again.
Once more, I shall be dimmed by my mirthlessness and catastrophes and sorrow;
Yet thankfully I canst becometh glad, for all my due virtues, and philanthropic woes.

I shall be wholly pale, and unspeaking all over me-just like someone dead;
And out of my mouth wouldst emergeth just tears-and perhaps little useless, dusty starlings;
I shall hath no more pools or fits or even filths of healthy blood, nor breath;
I shall remembereth not, the enormous fondness, and overpowering passions; for our future little darlings.
For my love used to be chilly, but warm-like t'ose intuitive layers behind the sky;
But thou insisted on keeping silent and uncharmed-a frightfulness of sight; I never knew why.
Now t'at I hath returned everything-and every single terseness to my heart;
I shall no more wanteth thee to pierce me, and breaketh my gathered pride, and toil, apart.
For I am no more of a loving soul, and my whole fate is bottomless and tragic;
I canst only be a lover for thee, whenst I am endorsed; whenst I feeleth poetic.
I shall drowneth myself deep into the very whinings of my misery;
I shall curseth but then lift myself again-into the airs of my own poetry.
For the airs of whom might only be the sources of love I hath,
For t'is real world of thine, containeth nothing for me but wrath;
Ah, and those skies still screameth towards me, for angering whose ****** foliage;
Whenst t'ose lilies and grapes of my soul are but mercifully asleep on my part.
I wanteth to be mad; but not any careless want now I feeleth-of cherishing such rage;
For I believeth not in ferocity; but forgiveness alone-which rudely shineth on me, but easeth my painful heart.
I hath ceased to believe in my own hand; now furnished with discomfort;
But still I hath to fade away, and thus cut t'is supposedly long story short.
I hath been burned by thee, and flown wistfully into thy Hell;
But so wisheth me all goodness; and that I shall surviveth well.
And just now-at t'is very moment of gloom; I entreateth t'at thou returneth to her, and fasteneth yon adored golden ring;
For it bringst thee gladness, which is to me still sadly too dear, everything.

Ah! Look! Look still-at t'ose streaks of blueness-which are still within my poetry on thee;
But I shall removeth them, and blesseth them with deadness; so that thou shalt once more be young, and free.
For what doth thee want from me-aside from unguarded liberty, and unintimate-yet wondrous, freedom?
For thou might as well never thinketh of me during thy escape;
And forever considereth me but an insipid flying parachute-to thy wide stardom;
Which deserveth not one single stare; as thou journeyeth upon whose dutiful circular shape.
And a maidservant; a wretched ale *****-within thy inglorious kingdom;
Which serveth but soft butter and cakes, to her-thy beloved, as she peacefully completeth her poem.
The poem she shall forceth to buy from me-with a few stones of emerald;
To which I shall sternly refuseth-and on which my hands receiveth t'ose climactic bruises.
For she, in her reproof-shall hit me thereof, a t'ousand times; and a harlot me, she shall calleth;
And storm away within t'at frock of endless purpleness; and a staggering laugh on her cheeks.
And I-I shall be thy anonymous poet, whose phrases thou at times acquireth, at nighttime-but never read;
A bedroom bard, in whose poetry thou shalt not findeth pleasures, and to which thou shalt never sit.
A jolly wish thou shalt never, in thy lifetime, cometh anyhow-to comprehend-nor appreciate;
But should I still continueth my futility; for poetry is my only diligent haven, and mate.
In which I shall never be bound to doubteth, much less hesitateth;
For in poetry t'ere only is brilliance; and embrace in its workings of fate.
And sadly, a servant as I am-on her vanity should I needst to forever wait, and flourish;
To whom my importance, either dire profoundness-is no more t'an a tasty evening dish.
And my presence by thee is perhaps something she cannot relish;
I know not how thou couldst fall for a dame-so disregarded and coquettish!
To whom all the world is but hers; and everything else is thus virtual;
So t'at hypocrisy is accepted, as how glory is thus defined as refusal.
But sometimes I cometh to regret thy befallen line of glory, and untoward destiny;
I shall, like ever, upon which remembrance, desireth to save thee, and bringst thee safely, to eternity.
But even t'is thought of thee shall maketh me twitch with burning disgust;
For I hath gradually lost my affection for thee; either any passion t'at canst tumultously last.
And shall I never giveth myself up to any further fatigue-nor let thy future charms drag me away;
For I hath spent my abundant time on thy poetry-and all t'ose useless nights and days;
As thou shalt regard me not-for my whole cautiousness, nor dear perseverance-and patience;
Thou shalt, like ever, stay exuberant, but thinketh me a profound distress-a wild and furious, impediment.
Thou hath denied me but my most exciting-and courteous nights;
And upon which-I shall announce not; any sighs of willingness-to maketh thee again right;
nor to helpeth thee see, and obediently capture, thy very own eager light.

And when thy idiocy shall bringst thee the most secure-yet most amatory of disgrace, turn to me not;
I hath refused any of thine, and wisheth to, perfunctorily-kisseth thee away from my lot,
I shall writeth no more on thy eloquence-for thou hath not any,
As nothing hath thou shown; nothing but falsehood-hath thou performed, to me.
Thou hath given none of those which is to me but virulent-and vital;
Thou art not eternal like I hath expected-nor thy bitter soul is immortal.
Thou art mortal-and when in thy deft last seconds returneth death;
Thou, in remorse, shalt forever be spurned by thy own deceit, and dizzily-spinning breath,
And after which, there shall indeed be no more seconds of thine-ah, truly no more;
Thou shalt be all gone and ended, just like hath thou once ended mine-one moment before.
All t'at was once unfair shall turneth just, and accordingly, fair;
For God Himself is fair-and only to the honest offereth His chairs;
But the limbs of Heaven shall not be pictured, nor endowed in thee;
To thee shall be opened the gate of fires, as how thou hath impetuously incarnated in me.
No matter how beautiful they might be-still thy bliss shall flawlessly be gone,
Thou shalt be tortured and left to thy own disclosure, and mock discourses-all alone.
For no mortality shall be ensured foreverness-much less undead togetherness;
As how such a tale of thy dull, and perhaps-incomprehensible worldliness.
By t'at time thou shalt hath grown mature, but sadly 'tis all too late;
For thou hath mocked, and chastised away brutally-all the truthful, dearest workings of fate.
And neither shalt thou be able to enjoy-the merriments of even yon most distant poetry;
For unable shalt thou be-to devour any more astonishment; at least those of glory.
And thus the clear songs of my soul shall not be any of thy desired company;
Thy shall liveth and surviveth thy very own abuse; for I shall wisheth not to be with thee;
For as thou said, to life thou, by her being, art the frequented life itself;
Thus thou needst no more soul; nor being bound to another physical self;
And t'is shall be the enjoyment thou hath so indolently, yet factually pursued-in Hell;
I hope thou shalt be safe and free from hunger-and t'at she, after all, shall attendeth to thee well.

And who said t'at joys are forbidden, and adamantly perilous?
For t'ose which are perilous are still the one lamented over earth;
For in t'ose divine delights nothing shall be too stressful, nor by any means-studious;
For virtues are pure, and the walls of our future delights are brighter t'an yon grey hearth;
And be my soul happy, for I hath not been blind; nor hath I misunderstood;
I hath always been useful-by my writing, and my sickened womanhood;
Though I hath never possessed-and perhaps shall never own, any truthful promise, nor marriage bliss;
Still I longeth selfishly to hear stories-of eternal dainty happiness, for the dainty secret peace.
Ah, thee, for after thee-there shall perhaps no being to be written on-in yon garden;
A thought t'at filleth me not with peace, but shaketh my whole entity with a new burden.
Oh, my thee, who hath left me so heartlessly, but the one whom I hath never regarded as my enemy-
The one I hath loved so politely, tenderly, and all the way charmingly.
Ah! Ah! Ah! But why, my love, why didst thou turn t'is pretty love so ugly?
I demandeth not any kind purity, nor any insincere pious beauty,
But couldst thou heareth not t'is heart-which had longed for the one of thine-so subserviently and purely?
For I am certainly the one most passionately-and indeed devotedly-loving thee,
For I am adorable only so long as thou sleepeth, and breatheth, beside me,
For I am admired only by the west winds of thy laugh, and the east winds of thy poetry!
Ah, but why-why hath thou stormed away so mercilessly like t'is;
And leaving me alone to the misery of this world, and my indefinite past tears?
Ah, thee, as how prohibited by the laws of my secret heaven,
Thus I shall painteth thee no more in my poesies, nor any related pattern;
There, in t'is holy dusk's name, shall be spoiled only by the waves of God's upcoming winters,
In the shapes of rain, and its grotesque, ye' tenacious-and horrifying eternal thunders.
And thus t'ese lovesick pains shall be blurred into nothingness-and existeth no more,
But so shall thy image-shall withereth away, and reeketh of death, like never before.
For I shall never be good enough to afford thee any vintage love-not even tragedy,
For in thy minds I am but a piece of disfigured silver; with a heart of unmerited, and immature glory;
Ah, pitiful, pitiful me! For my whole life hath been black and dark with loneliness' solitary ritual,
And so shall it always be-until I catch death about; so grey and white behind t'ose unknown halls.
And shall perhaps no-one, but the earth itself-mourneth over my fading of breath,
They shall cheereth more-upon knowing t'at I am resting eternally now, in the hands of death.
And no more comical beat shall be detected, likewise, within my poet's wise chest;
For everything hath gone to t'eir own abode, to t'eir unbending rest.
But I indeed shall be great-and like an angel, be given a provisionary wing;
By t'is poetry on thee-the last words of mouth I speaketh; the final sonata I singeth.

Thus thou art wicked, wicked, wicked-and shall forever be wicked;
Thou art human, but at heart inhuman-and blessed indeed, with no charming mortal aura;
Thou wert once enriched indeed-by my blood, but thy soul itself is demented;
And halved by its own wronged purity, thou thus art like a villainous persona;
Thou art still charmed but made unseeing, and chiefly-invisible;
Unfortunately thou loathe scrutiny, and any sort of mad poetry;
Knowing not that poetry is forever harmless, and on the whole-irresistible;
And its tiny soul is on its own forgiving, estimable, and irredeemable.
Ah, thee, whose soul hath but such a great appeal;
But inanely strained by thy greed-which is like a harm, but to thee an infallible, faithful devil.
Thou art forever a son of night, yet a corpse of morn;
For darkness thriveth and conquereth thy soul-and not reality;
Just like her heart which is tainted with tantrum, and scorn;
Unsweet in her glory, and thy being-but strangely too strong to resist-to thee.
Ah, and so t'at from my human realms thou dwelleth immorally too far;
As art thou unjust-for t'is imagination of thine hath left nothing, but a wealth of scars;
I used to recklessly idoliseth thee, and findeth in thy impure soul-the purest idyll;
But still thou listened not; and rejected to understandeth not, what I wouldst inside, feel.
After all, though t'ese disclaimers, and against prayers-hath I designated for thee;
On my virtues-shall I still loyally supplicate; t'at thou be forgiven, and be permitted-to yon veritable, eternity.
the bigness of cannon
is skilful,

but i have seen
death’s clever enormous voice
which hides in a fragility
of poppies….

i say that sometimes
on these long talkative animals
are laid fists of huger silence.

I have seen all the silence
full of vivid noiseless boys

at Roupy
i have seen
between barrages,

the night utter ripe unspeaking girls.
Edward Coles Oct 2014
The old man paints seashells
for all of the women he has loved.
He takes his husky for walks
along the beach, returning with
a bag of **** and a collection
of spirals and fans, still pregnant
with the whispers of the ocean.

By the window, he licks his brush
and steadies his nervous hands.
He will share a steak with the dog,
and wonder when the best company
became inanimate or at most; unspeaking.
He had long turned his back on Dylan
and Cohen, in favour of empty sound

and the rain hitting the tarp
in the garden. He recalls Diane
and the green of life in her poetry.
Louise, the blue of her moods and the sea.
Each woman had coloured his life
in hopeful hues, oh, and what a mess
he was in their absence.
(even the dog wouldn't sleep beside him)

The old man drew his last breath
when the silence became deafening.
When he realised he could not reclaim
memories through art, or through
the patient analysis of nature.
There was no shape or colour
that had not been created before.
c
R Saba Oct 2012
You are like a child
who grows younger
& younger
every day,
smoothing over lines
with the sharp -cracks- of a smile,
& swaying
back & forth,
back & forth
like the swing
in an overgrown backyard,
like the child who sits
(lonely)
on that swing
& grows backwards,

(backwards)

you regress further
with every moment.

You are like the hair that grows
from the head of the child,
?wild?
& unruly
& never the same.

Like their small, chubby fingers,
you are clumsy,
s t u m b l i n g around a dark world
that offers you
no rest
from your actions,
(& yet)
unlike a small child
who is more clever,
quieter
& observing
each moment in life,
(learning,
growing
by leaps & b o u n d s , showing
that there is hope yet for them
in our adult world,)

you cannot seem to learn
from the mistakes you make.

Each error leads to another;
like a child,
you are running in a circle,
forever chasing a butterfly
that has lost its wings.

Your toys lie
scattered around you,
abandoned,
dusty,
-cracked-
& broken.

Like a child,
you grow tired
of the same old routine,
the people you see
& the games they make you play,
(day after day.)
Moment after moment
after unplanned moment
you grow younger
until one day
you will be an infant,
unspeaking.

& then
you will be
wailing & wishing
you could grow older
& make it all up to me.
sometimes people don't change
The pale, the cold, and the moony smile
Which the meteor beam of a starless night
Sheds on a lonely and sea-girt isle,
Ere the dawning of morn’s undoubted light,
Is the flame of life so fickle and wan
That flits round our steps till their strength is gone.

O man! hold thee on in courage of soul
Through the stormy shades of thy wordly way,
And the billows of clouds that around thee roll
Shall sleep in the light of a wondrous day,
Where hell and heaven shall leave thee free
To the universe of destiny.

This world is the nurse of all we know,
This world is the mother of all we feel,
And the coming of death is a fearful blow
To a brain unencompass’d by nerves of steel:
When all that we know, or feel, or see,
Shall pass like an unreal mystery.

The secret things of the grave are there,
Where all but this frame must surely be,
Though the fine-wrought eye and the wondrous ear
No longer will live, to hear or to see
All that is great and all that is strange
In the boundless realm of unending change.

Who telleth a tale of unspeaking death?
Who lifteth the veil of what is to come?
Who painteth the shadows that are beneath
The wide-winding caves of the peopled tomb?
Or uniteth the hopes of what shall be
With the fears and the love for that which we see?
Who paints the world with sunshine
and whispers louder
that which matters,
with whirling streaks of hope?  
When I am spinning round
with speaking eyes
for unexpected hours.  
Feeling alone………..
as an unspeaking ghost.

I wait with a passion
and a fire inside.
Lit by a precious brilliance
with a smile of wonder
on my face.  
Until your light paints my hands
which ache……
my heart beats to claim
your ever saving grace.
Copyright @2015 - Neva Flores Smith - Changefulstorm
Chris Saitta Jul 2019
She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.
For slide video:  https://www.instagram.com/p/BzmNoRhl5_w/?igshid=n0ukp97qre18

Uncial script was predominantly used between 400-800 AD and is a majuscule script (only in capital letters)
True uncial scripts were unbroken, meaning the pen wasn’t lifted.
Carolingian script was the predominant minuscule script between 800-1200 AD and was used in the Medieval ages.
Other calligraphy terms include “blotting paper,” “carpet page,” “ligatures,” and “descenders.”
French kissed by the sun
Those warm lengths caress
Cascading down your body
Drawing forth your scent
Pushing goosebumps away

Like wearing something
Pulled directly from the drier
Covering and an all over feeling
Static electricity, sorted down
Stretching from hairs to a shimmer

Working a caramel, from the oven
Warm through your fingers
Gooey, sugary and messy
Stretching from hand to hand
As you play, a thick treat

Fingers play, and steal a kiss
Work delicious candies
From unspeaking lips and
Silken thighs, against chest
I eat a caramel candied dipped
Micah Alex Aug 2016
Two pairs of eyes, one yours and  one mine,
Unfocused, we stare beyond the ceiling.
The room is awake with white noise,
Only we are dead to all it's appealing.
I am barely aware of your hand in mine,
Like I am aware of the clock and the still running shower,
It is a spot on the horizon, this room is far far away,
And the silence grows outward like a deadly flower.
And my lover floats with me on this numb sea,
Ebb and flow we go, from one memory to another.

You may leave us now dear reader, for our agony is still too fresh too feel,
Come see us when the dam breaks and pain demands an appointment.
Come back then dear reader and witness the downfall of your muses.
For now we must lie here hand in hand, unthinking, unspeaking and be a mere poetic disappointment..
cait-cait May 2016
He is
No longer
A person
To me

As I sit here
And watch him
*****
Onto the floor

And it looks like
Alphabet soup...
But
Maybe it's just soup, or
Just Alphabet...
As he begins speaking
1, 2, 3s.  

And I have cried before,
For him. but
Now that I sit,
Eyes on his back,
Unspeaking
And still
.
.
.

I frankly hope he
Chokes.
Um okay you don't have to treat me like I'm a different person. I'm still me and you don't have to act otherwise
Justin Michael Sep 2013
Colorado mountains climb into thin air
And demand two reasons to be speechless
Peaks that quench and ignite existence
And silently demand reverence

Beauty and terror wed
Uncanny companions
Hardest and softest thrive
Unspoken and unspeaking
Ascending conquerors
The spider and the flower
Inspired to write after summiting my 22nd Colorado mountain taller than 14,000 ft. Must try before dying
Christian Reid Oct 2014
It's silence where we
Learn the most about
Each other, about ourselves

Words unspoken are words thought,
More potent than the
Guts of storms

It is the pain and power of the
Sound after shattered glass
Strewn about the floor

Unspeaking

Stares

Necessity beckoning
Broken pieces into
Trash bins

Uncollected memories
Ignored bites of information
Transforming into
Ghosts and whispers
Self-willed inanimate
Matter
Creating and destroying
Us
Poetic T Mar 2015
And all lips were sewn
So that the word was
Never spoken, not uttered
Under darkened breath.
Whispers were its key
And that lock was now shut.

For with out word what can
Spread it lies upon the listening
World, all was silent, mumbling
Echoes of a now restrained voice.

Evil is one word, its is four letters
Two Syllable that can spread, but
Now it is unspeaking, rejoice knowing  
That words are sealed. Kept from
The ears of those susceptible
To the whispers of corruption.
Of moments clouded, but a single
Now forever sewn closed *words.
B Ellison Jan 2013
The failings of man confound, as tremors urge seas to crash upon shore. Turbulance follows in your wake. Each wave hurled towards land disrupts the peaceful sands of days passed. Coastlines are forever altered, our innocence lost. As tide and life ebb away, a hope for reprieve surfaces. All that is found are the barren shells that once housed promise of shelter and stability. No more. These hollowed skeletons serve as unspeaking, unmoving reminders until the surf returns. The sands and I feel settled before the undertow rips away our shoddily compacted reserves. There is no escaping this cycle. Our only choices are to forever struggle against turmoil, or submit to uncertain seas.
PK Wakefield Dec 2011
some harts through forests dappled lope
gentlest
keen feet
rumple leaves
scatter
or trees unspeaking sing
with the fat incurable
lust of sharp
lovers sore
                             hands
fingers
            nuzzled
                          against

the fair muscles of arched
backs wriggling muscles
so sudored magic muscles
viscously
o'er
the pretty spines of
roots
splendor
splits and

out bursting
harts
through loping forests
lovers sorely
hurt with crisp intricate eyes
looking
lean raw eyes
wide into omnipotent pain
Eric W May 2017
Sandpaper teeth,
a slight taste of dark,
bitter coffee grounds.
Ants.
Fire ants in the stomach
biting, stinging,
in acidic bile.
Working into a swollen
and unspeaking throat.
Into the veins and arteries.
A thin layer of sweat,
or rain,
as the cloud follows.
Can they see it?
Tongue, thick and heavy
as a brick sliding into
the windpipe.
Choking, gagging,
suffocating.
Over-active nervous system,
shocked by lightening
from the ever-growing,
ever-looming cloud above.
Shaking, tense, angry,
why?
Neurons firing too fast.
Why?
Ranger Feb 2015
Sitting in moon light
And in hand in hand
There eyes looking deep in each other
Silent and calm
Under a tree
There hearts beating in step
Unspeaking as they hold each other
A silent promise
Before the thousand stars
Forever and always
Adara and Ranger
PK Wakefield Dec 2012
sleepgirl don't

                               the world
               waits

                        for
                  your
                           hands to
                     find it
                   kindly nestled unfisted gracefully held
                   A round word of unspeaking lips
                  berried in love of colours inumerable
                  cupped in the stomach of the ocean complains
                  against the night

                                                          ­       A LIGHT

                   which in your carefullest heart eternally
                   quakes for letting
                   so uncarefully more divide thy palms
                   admitting a fragile infinity of kissing)andsleepinggirldon't
.
Must your arms
Be a circle of stones
Locked with truest heavens
Embracing me?

Must your hair
Branch in a wood so deep
Impenetrable and unspeaking
Where lost are souls?

O how your love was so tall,
Such a frame for me to climb,
But I never could see stars up there
From shy ground I felt you looking down.


Must your eyes
Make me see as someone
Who suffered lifelong blind
Lidless in the sun?

*O how your love was precious,
A plaything just to dole out only,
The driest morsel after long famine
And I, a feather in winds without sky.
What I Feel Sep 2015
Lo! On the wing of heavy gales,
Through the boundless arch of the sky he sails,
Unspeaking, rapid, immensely strong,
His silent shadow is borne along
By his steeds of fog and cloud and hail,
The earth does shake and the skies do wail.

The skies darken fast, and the golden blaze
Of the sun is quenched in a lurid haze,
Then black, a black of a starless night
When clouds descend and block all light.
I stand, I wait, I hold no fear,
My body poised and my mind is clear.

He is come! He is come! Do ye not behold
His ample robes on the wind unrolled?
How his huge and writhing arms are bent,
To clasp the zone of the firmament,
And fold at length, in their dark embrace,
From mountain to mountain the visible space.

And he sends through the shade a funeral ray—
A glare that is neither night nor day,
A beam that touches, with hues of death,
The clouds above and the earth beneath.
And with the glare comes a heart-wrenching cry,
Solemn, grave and joy deprived.

And with the cry falls fast the tears,
Lashing, bitter, punishing, drear.
His tears the lashing rain that breaks
In torrents away from the airy lakes,
Heavily poured on the shuddering ground,
And shedding a nameless horror round.

Darker—still darker! The whirlwinds bear
The dust of the plains to the middle air:
And hark to the crashing, long and loud,
His agony, high up in the thunder cloud!
A whirling ocean that fills the wall
Of the crystal heaven, and buries all!

I stand, braced ‘gainst his icy breath
And speak, my voice strong – I’ve no fear of death.
“Lord of the winds! I feel thee nigh,
I know thy breath in the burning sky!
Calm thy storm, I know thy pain!
I too lost my lover – my heart was enchained!”

“Thy agony is clear, but why dost thou cry?
For can ye not see that before you ‘tis I?
I’ve roamed o’er hill, mountain, valley and glen –
I have searched for too long to lose thee again!
My love! Reach down to the earth and clasp me securely
And united together forever we’ll be!”
Based on "The Hurricane" by William Cullen Bryant.
To give me credit, I was only in year nine when I did this.
thymos Feb 2018
i hold it, like roses hold on to the snow.
like the snow holds on to the cobblestones in the sky.
and the sky, its wandering light.
and light, its arrival in its absence.
and releasing, its weary seeker.

i flee from it, like time keeps fleeing from the clock.
like the clock flees from its last stop.
and the last, its living truth.
and life, its vast unnameable.
and questioning, its pallid resting place.

i forge it, like the moon forges the waves.
like the waves forge the cliff's labyrinth.
and the labyrinth, its single thread.
and the thread, its thousand fragmented words.
and dissembling, its puzzle pieces without end.

i ask it, like a sinner asks forgiveness from a God he believes dead.
like death asks of life nothing but patience.
and patience, its tender faith.
and faith, its open hand.
and answering, its fragile soliloquy.

i reveal it, like the holy spirit reveals itself to non-believers.
like belief reveals shelter from its own incompleteness.
and incompleteness, its secret freedom.
and the secret, its anonymous keeper.
and hiding, its unspeaking reply.

i seek it, like the waves seeking to return from the beach.
like the beach seeking footsteps unfading from the sand.
and footsteps, their fierce stampede.
and ferocity, its crystal shape.
and reaching, its impossible limit.

i find it, like a book finds its reader.
like the reader finds an old friend between the pages.
and a friend, their love returned in full.
and love, its givingness become relay.
and searching, its pilgrimage.

i hold it, like roses hold on to the snow.
like the snow holds on to the cobblestones in the sky.
and the sky, its wandering light.
and light, its arrival in its absence.
and releasing, its weary seeker.
We were stuck all night
in quicksand light
and talked for fifty three tequila
hours, from bench to bar, to
dusk lit park, to the rust and arch
of the Golden Gate Bridge—
death watched us from
windowsill alleyways, between drying
sheets and shirts, and men’s
underwear, while life
climbed down the fire escapes
to greet us.
You smiled, with your eyes—
illuminating the still
second hands of streets clocks,
and the whole
infinity of Time between.
We lit cigarettes in pedicabs
unspeaking, vibrating mind
telepathy at midnight between
imaginary African angels.
And your smell reminded
me of an art lined fireplace
I once knew in Buffalo, with no fire
burning, but a window lighted
neighbor *******, while
the Main Street sirens howled.
And we don’t know each other
anymore, but
I still remember the You,
who broke down crying
in a light green kitchen, trembling
before a dirtied stovetop, and
ending on a bed—
missing a life
you couldn’t remember
Craig Verlin Feb 2014
You sit next to me,
most unwillingly,
and I can't help but stare.
You have remade yourself;
a group of working parts
of which I am not apart.
Same beautiful woman.
Same beautiful pride,
with that air of regality
that leaves everyone else
pondering their inferiority.
However, now there
is something new.
An awe inspiring anger
that flushes your cheeks
and clenches your fingers.
You are gorgeous when you're angry.
You have this face that you put on;
a flare in your eyes and a
compression of your lips.
You would never let yourself
come down from this ledge.
--even though if you jumped
I would catch you, I promise--
You have remade yourself
into a new whole and
I have received my eviction notice.
But I know it's not as simple
as you allow it to be,
I can see the digs in the edge
of your thumbnails
where you bite into them with
your index finger.
Signs of stress
to anyone enough to know.
I see it in your flippancy.
You are not a reckless person, always
careful, calculating risk and reward,
but you've thrown
caution to the wind, it seems.
Perhaps an act of revenge,
perhaps of retribution,
it doesn't make a difference.
I only watch in wonder of the woman
I escorted out of my life, as
she sits next to me
unspeaking, unfeeling.
And I've never felt farther
in my life.
Emily B Jul 2016
almost daily
I am asked
about my Native heritage

but my ancestors are mute
unspeaking

yesterday I was angry
ready to boil over
yet no one
brought me any strawberries
Brian Sarfati Dec 2012
Of course as always
these dreams
they displace me from despair:
embraces smile
from shadows and
the silverfire scent of your hair.

But when morning comes
crashing the joy no longer there
you sing unspeaking
and evermore sinking
like a key lost in the deep
of my seawater sleep.

All this No and lack of Yes:
why do I even bother?
I just like you,
too much, I guess.
Iris Madden Apr 2017
It hardly matters now
what's been hoped for
in my heart,
revealed in the demeanor
of your words
is the ice cold
unhoped for fact
that you don't.
and maybe you never will
enough.
My presence doesn't
fill up the air
in the room when we're together
so that all you can breathe
is me.
Those dark brown eyes of yours
stray away from my face
long enough for your mind
to wander away
from thoughts of who
you came for,
and my mind is quiet
now that it's no longer
buzzing with possibilities
of staying,
this is all we'll ever be;
two sets of unspeaking mouths
and wandering eyes,
even though at times
the thought of you
makes me nearly
choke the words out
to empty rooms:
I love you.
But you'll never love me
and I'll never be enough to make you.
And I've realized
It's just another thing we have in common:
We both don't love me.
Satyan Sharma Sep 2015
O Buddha
You’ve become an idol
A beautiful one
In an equanimous pose
And I suppose
The buyers find you calm
and shining
The sellers find you profitable
You fill the stomachs
And niches and rooms
You make people jealous of yourself
When they fall in glooms.

But who cares?
Who cares what you spoke?
Who cares what you thought?
They just bought
Your idol
Unspeaking
For if it spoke you
You wouldn't be in those rooms
Your lips would be taped
You’d be broken into pieces
and wiped out with brooms.

Who cares
how deep you dived
into the ocean of curiosity?
with such velocity,
they fear they’d die
if they do the same.

So they accept your idol
Not you
which doesn’t speak you
which doesn’t reason
which is silent
in every season.
PK Wakefield Jun 2014
there is a man waiting a man waiting in short arms small
round, round round cheeks gaunt cheeks in fat eyes with
a hard nose a smart mouth a quick unspeaking mouth
a tense hurtles fist of lips and teeth not moving doesn't
say a word and he is waiting in his short arms fat eyes
and quiet mouth at the quiet mouth of every little dark
half empty half full glass of night and day at the end of
the night when you pull your lids tight and he is waiting
with his sharp hands his ludicrous expected hands of
your waiting your whole life for them when your walking
down down down in the little quiet dark of a half empty
street he's waiting at the end his lips pulled back over
the tight loosest grin of fleshless fat teeth tickling teeth
at the back of your neck at the back of your neck tingling
faster and faster at the same exact pace of your whole life
waiting.
Jedidiah Jensen May 2016
I
Swallowing* the almond breeze
Choking heartsick memories
Fading like a dry threadbare
Necrotic, vain, unaware

Shushing the cindery pleas
Covering sanguine palsies
Falling in a scenic snare
Tired, unspeaking, disrepair
Randomly chosen word poem
Thomas Bodoh Oct 2018
A thousand dusty voices
choke out a new song.
Throw sand in the air, watch it fall,
and sometimes it makes a sandcastle.
Hope it doesn’t blind your eyes -
Then you’ll be both
unseeing and unspeaking.
And everyone knows
that you can’t live long like that.
Satsih Verma Jul 2021
Answering a question
of life and truth, we come near the
absurdity. A third eye opens

Wearing the dark skin
in esoteric clairvoyance the moon
becomes a king of metaphors.

Love steals away the
poem. There was no complete story.
by accident. The pain lays bare the moonlight.
Hide Apr 2017
I shall write about November
I shall write the truth
The relative unspeaking truth that hides
Comes out, then hides again - of youth
Of the awaited doom: December
Of love and how it dies
Of you, your hug, my worried sick
Of hurt and how it cries
Of laughter, playing, foolin' round
Of that last whisper in the dark
Of how every bleak day I remember
Cold o cold November.

And now the world has sent me trouble
Magic potions, toil and trouble
And all I want’s to run to you-
To know you only want that too
And I could lose all my belongings
Could shrivel up into a song
If numbing myself’s all it takes
I would smile all along.

So please I say, I say again
This time permanently
Hoping my memory will allow-
Can i not end this poem right now?
Please will you hold me a little while longer?
Please just until I get a bit stronger
And never break your vow.

Listen to me while I talk to the moon
Look at me, I beg
With every added cry I die more still
Talk to me and do it soon
Tell me that I'm not the only one left here
Tell me that it's all in my head and I'm daft here
Shout scream and yell and then put me to bed
But for God's sake say something and silence my head
Just hold me and hug me and leave me to die,
I knew I would end this rhyme with a sigh,
Just hold me and hug me, just, please, I...
One of my most heartfelt poems yet.
Nik Bland Jan 2019
And I will give this parting word
Knowing you’ll never hear it
But love, as they say, is a verb
So my action’s to lift your spirit
To know that breath escapes my lungs
To do what I must to meet you lips
The twisting of unspeaking tongues
The grazing of unworthy fingertips

Parting is an ever aware
And unwelcome party guest
A weight that drives and despairs
Bringing tension to my chest
Though I would press ten times such costs
To say these vocalize such words
Of love, of want, and of inevitable loss
Of things ceasing to be heard
Satsih Verma Dec 2016
Farce,
you think―
you will not come back

like Argentine
dinosaur
130,000 pounds

That was
metaphysical

There is no space sacred,
left to die

No time, cause
or substance

You can speak to me, unspeaking
without wires

There is no carrot
for the god

— The End —