hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence

Because he was the robin, see
I built him a birdhouse made of the fingernails I chipped from every time I was forced to button up my own flannel shirt
It was quite silly and awkward-looking
So it didn't bother me when he didn't want to live there
It would take a lot of fake smiles and wooden blinds to tolerate a habitation such as the one I constructed for him
So it didn't bother me when he didn't want to live there

When he told me he was making a nest I took a paring knife from the kitchen drawer
When he told me he was making a nest I gave him 10 inches of weave to (through) the twigs
When he told me there were lots of split ends and varied shades
I wasn't too hurt because it was true

And I knew he would use twisty ties from bread bags instead
Which were much more practical than 10 inches of lover's hair
I just couldn't understand why he didn't give it back

He misplaced it, he said
How can you misplace something I had (longed) for him

I stand on the scale
I look at the number

I'm fat
I way over 140lbs

What am I doing wrong?
I barely eat anything

She steps off the scale
Walks over to the counter
And opens the cupboard

Peanut butter

She untwists the twisty ties
Grabs two pieces of white bread
Places them in the toaster slots
Pulls down the lever
For ten seconds
Pulls it up
Pulls it down
Waits ten more seconds
Pulls it up
Takes it out
Spreads the peanutty butter across the crisp edges

Starts eating it
Nom nom nom

Her dog moves close to the counter
And begs

She walks away
Drops a few crumbs
And the dog eats it up

And follows her into the living room
And looks up

Nom nom nom nom

She just looks at the dog
Puts her bare foot against his nose
Which is cold

And the dog doesn't even move
Sticks his tongue outside his mouth
And breathes quickly

Stupid

She puts her foot back down
And moves it against the rug a few times

Then walks into the kitchen
And opens a bag
Of salt and vinegar chips

Starts eating them
Nom nom nom nom

Dog catches the crumbs and slides against the kitchen floor
She walks back upstairs
And the dog follows her
To her room

She shuts the door
And the dog starts scratching through the bottom
And barks

She just lays in her bed
Eating
The dog barks again

She opens the door
And pushes him
With her right foot
Down the stairs

He tumbles down the stairs and hits the kitchen floor
He races back up
Gets pushed back down
Dog runs away

She walks towards the bathroom
And uses the other scale

And she sees that it says 141 lbs

I've only been eating for a few minutes

Errrr

She closes the bag of chips
And stomps downstairs
And places the bag on the counter

Dog waits in the living room
Right next to the kitchen

His food bowl is empty
No water

How can I not walk the twisty path,
Sit in chairs away from everyone
To read about poetry
and drink hot chocolate
When your beauty is at every corner?

How can I not grow and flourish,
Like the long shadows of the early morning
on the path in front of us,
When I am nourished at all turns?

How can I not feel lightness,
Like the soft white flour sieved by a cook
Into a competition winning cake,
Baked to perfection,
When you stir my worries into treasures.

How can I not love you,
When you brave
Unmanlyness
To show me your soul.

The groove, the rut, and the cut
were walking down the street.

As good friends do oft,
Cousin in name and in shape,
They strode sided, but said not a word.
Still understood that three
So different, nonetheless, one design.

The cut was old yet still bled
From time to time.
The groove and the rut, always in touch,
T'issued spear-carriers, armed and
Loving, dabbed and blotted the cut clotted.
For that is what the friends are 'the for,'
For the clotting, the knitting and the closing.

The bleeding came when it came,
They jested that they could never leave him,
For tho he bled regular, there was no schedule,
No knowing the when, but the why, that they
Understood. They would not have left him anyway
Exception of course now and then, but leave
Their man, their cuz, was not to be conceived.

The rut was long, thin, you had to look down
To see his full length, for he grew bottom-down,
Every day another ring, another inch, on the soles
Notched, they dared not, count them, so many days
Rutted in the tedium of a blood count of unable,
Incapable of being broken, his enemy, arch, was his friend.
Tedium his companion, his drug dealer,
When groove and cut were at work, failing to supervise.

Rut could only sigh. Sole solitary sound, except for the
Quiet ringing only he could hear, rings forming,
Day after day, and he could not count that high,
So instead each rut was given a name,
For blessed endless the world of words that say
I am a daily existence, nothing more, nothing but less.

The groove, hero to the cut and the rut,
Had his moments.
But he had secrets he did not share with them,
But as an outside-looker-in, I was privy to the
Privy of everything.

The groove was oval, wiry, snakey shaped,
But prone when prone to twisty turns when
Objects like objectives met, in counter ed.
But when groove was grooving,
There was full blown full mo, the world observed.

Strict silence for the poems that
Shook lose from his frame,
Bad his eyes, wept he,
Lines of ones and twosies,
Fat and wide his fame,
For when the groove was
Cooing and cooling,
Life infused him and sips of tea,
Each transformed into the heat of ooh and the ahh,
When the cup was empty, he had his finished 'aha,'
Of a new parting, gift giving in his heart.
For he she see saw the angle of simple, and thus could
Groove on grooving.

The rut and the cut were happy for him,
Watch with incredible incredulity and an itty bitty
Jealousy of which they never rudely spoke.
But they would board his poetry-train sled,
Down they rode, the white snow
Of being a a lookalike groovy kid,
Even if and but, for just a few minutes.

Everyone loved groovy, and watch his every movie,
Licked the whiskey wooden snowball words from his lips,
but would not admit they kept them hid,
So they could be reread when they were at home
In the closet with flashlight, and the weeping was easy.

The three cuz went to the carnival.
Fun house with mirrors that made you look like
Who You really were.

But not them, for "the for" was different,
For when they strode sided before those mirrors,
They could plainly see that the
Groove, the rut the cut
Looked exactly alike,
Exactly alike,
All looked
Like
me.

I've become acutely aware of the gravity in the fact that all I said to her was that I don't want to be the one who starts all of our conversations anymore
And that since then we have had no conversations.  
I don't think I will be rid of the haunting that this is my fault until I am haunted with the fact that it may be hers
In so making her not the woman I wanted for
Nor the woman I was all too eager to give myself for
Thirdly making me that man who opened his rib cage exposing his heart for her taking
Only to collect dust, rain drops, and those twisty helicopter things that fall from trees in the autumn
All from being left open so long on a very windy day when she saw what my heart was stretching to offer her and chose to leave it there
Couldn't I once be the one worth taking
Or at least notice when she's not the one worth opening up for.

There are days I wish God hadn’t built me with a zipper for a sternum
You know I don’t always mean to show them everything
It’s just sometimes I forget to zip it back up after I take it on walks to the liquor cabinet
My heart is a bow-tie drinking Manhattans at the center table with a chair full of friends and a twinkle in his eye
My tongue is a rolled up cuff drinking whatever’s on special at the end of the bar confusing, “I’ll have another” with proper conversation
My mind has an unplugged mini fridge in the corner with two luke-warm ciders waiting for a chance to celebrate...remembering to brush my teeth
Depression is a funny sort that way, it’s all her fault, right up until you remember how hard it is to brush your teeth everyday
At which point it’s either your own fault, or we’ll try again tomorrow.

Knowing is not half the battle when the battle is not being waged in your head
Knowing it is all going wrong is just another reason to never put on the helmet and see what the battle may bring
Seeing what right looks like on Pintrest is not motivation to check my zippers
It is the battle cry my stomach gives my lungs after lunch
It is the battle cry the fists of my mind give my heart when we are alone
It is a crop duster driven by the Morton’s Salt Girl, who never misses the open wounds of my torn innards strewn about an open field after losing the battle for the day.
I am a slug on your porch and I shrink with every grain
And you will never hear me scream
It’s just so tiring to tell someone you hurt and have no blood to prove it.

I do not much dream for stars or skinny girls anymore
I am afraid of what their sharp edges will do to my fingertips
I’m just looking for something I can hold on to
Someone who will remind me that I have a place here
If that place is only to take up oxygen
Sometimes I let my dreams get away from themselves and I dream of great magical things:
Like being loved back
Feeling important
Sleeping peacefully

On occasions I even see myself at work opening a love note in my lunchbox from someone who felt compelled to take the time to tell me they love me
It always swells my heart
Makes me want to be a better person
To get out of bed
Run a marathon
Sing an opera
Lift a weight
Sky dive
Read a book
High five a stranger
Take a dancing class
But then I wake up and look across my room at just how far away the light switch is and decide I must be afraid of the dark
Since I never remember to turn off the light before lying down and I never have the strength to get back up

I dream most of all of having someone to tell me the things I need to hear
To give me a purpose
A vision
A reason to live
To stop letting me find better excuses
To yell in my ear or write me a note that says,
“You are worth it, every minute, every cent, every effort.  You are worth it, because you will become a great man and because I love you, and because you are destined to change my world, and because your son needs you, and because you are brilliant, and because the world needs your words, because I need your words”

But the only notes I get are the ones I put into my own lunchbox as a reminder come noon-time
That even if for no other reason than because I said so,
I am worth it

our conversations are all in blue.
i try not to mind it,
like i try not to mind the hair falling out of my scalp.

you're just busy being unattached to me.

i make excuses for you as easy as i double text.
they flood my head like mantras,
but not the kind that make you feel calm or loved.
it's more like telling yourself you won't throw up after the twisty roads up the mountain.

but i want to see the view with you.

so i keep sending you blue paragraphs filled with 'sorry's and 'i love you's.
you send the same grey 'i love you, too's.
and we call it communication.

i'm the driver and the passenger
the carsick kid trying not to throw up and the toddler asking over and over if we're there yet.
but i want to see the view with you.
would it hurt to send a grey paragraph? or ask me,
in your best whine,
if we are at the top yet?
throw up in my lap. drive me crazy.

ask me for the aux cord and i'll give it to you.

i'm done listening to this album on repeat.
i want to hold your hand without worrying if your fingers are numb and you just don't want to hurt my feelings.
this car needs more you.
and i don't mean the you dressed in grey half messages that you probably rewrote three times.

i need the you that talked about faking our deaths together
like it was the only part of life worth living.
wearing that laugh you always say is too loud,
but really it sounds like music.
i like my music loud and angry.
and ****** at your parents for being expired versions of themselves, always expecting you to be organic.
i need that you like i need a vice.

because that's who i want to see the view with.

My father, gone fifty years,
A transplanted German,
Arrived early, in the 1920's,
Fleeing the worldwide depression,
That decided to follow him to America.

Traveling salesman, raconteur,
A busy man who decided he
Found the right girl at age forty,
But by the time I was teen,
He was, then uncommon,
An older man, an older father.

Raised three kids,
Working six days a week.
Unlike the other fathers,
White shirt and tie every day
Even Sunday.

No backyard in the city,
To toss a base or football to his son,
Though he wouldn't, couldn't,
While his son grew,
Grew up worshipping
Three Gods:
Mickey Mantle, Roger Maris, and
The bold, the bald Y.A. Tittle,
Heroic sports figures.

The son who went to Yankee Stadium
For the first time,
There he saw the color
Emerald  Green in the Bronx,
In The House Ruth Built,
Whispered Hallelujah,
There, courtesy of someone else's dad.

Goatee he wore, and on Saturdays,
Wore a black jacket, striped pants
And Homburg hat to the synagogue.
Custom of his Hamburg upbringing.
The only one, the only dad,
Of course, dressed that way.
Proud of his style, his heritage,
Helping me not to fit right in.

Yet twinkle twinkle did his eyes sparkle,
Such that all the other children loved him,
Better and best.

But I was the son with the unlike,
The father, unlike any others.
Age thirteen, he's asked me this:
Now you are a man, I wish of thee this,
Accompany me to synagogue every day,
As is my custom, and all your father's,
Twenty generations before me.

When he passed, the stories of
His saintly deeds, his help,
How he saved, brought many to
The United States of America,
Including his five sisters and their families.
During, after WWII, became legends,
all the while, trying to make a living.

One time, I was listening to
Rock n' Roll, on the radio,
In the den, study, his home office,
Where
The Stereo,
proudly sat.

Chased me out,
Paperwork to do,
But stopped me first,
Listening to the song.
That happened to be next.

When this old world starts getting me down
And people are just too much for me to face
I climb way up to the top of the stairs
And all my cares just drift right into space

On the roof, the only place I know
Where you just have to wish to make it so
Let me tell you now

When I come home feelin' tired and beat
I go up where the air is fresh and sweet
Up on the roof
I get away from the hustling crowd
And all that rat race noise down in the street
Up on the roof

On the roof, the only place I know
Where you just have to wish to make it so
Let's go up on the roof
Up on the roof

At night the stars put on a show for free
And darling, you can share it all with me
I keep a tellin' you

Right smack dab in the middle of town
I've found a paradise that's trouble proof
Up on the roof
And if this world starts getting you down
There's room enough for two, up on the roof
Up on the roof

Up on the roof
Up on the roof
Oh, come on, baby
Up on the roof
Oh, come on, honey
Up on the roof
Everything is all right
Up on the roof
Say that, "It's alright"
Up on the roof
Oh, we gotta go up on the roof
Up on the roof
The Drifters - Up On The Roof

He listened carefully,
Pronouncing with an austere smile,
"That I like, now go."

Now fifty years later,
Having failed spectacularly as a
Father, family man, having never saved a
Soul or life, I remember the outcast days
Of my growing up years,
With a different kind of father
Than all the kids who
Played catch, had big suburban homes.

I never understood much,
Always struggled to be one
Unsuccessful in fitting in,
In my high school yearbook,
They outed my anomie,
"Either apart or ahead of us,
Nat stands, uniquely individual."

So here is a poem, an apology,
No, more an anthology, an anthem,
Of, and,
To my pop, for resenting, misunderstanding,
How
You were more than unique,
How you were special, in ways
No teenager could see.

I am have written some of this before.
Tender apologies, but when I awoke this
Post Thanksgiving Day, at
6:00 Ante Meridiem,
In not my bed,
In not my city,
Pandora surprised me
Real Good,
With an old song,
Up on the Roof.

These words,
The ones you are reading did not drift,
Nay, they spilled out in shades of
Tearful regretful guilt-filled,
Pooling tears that cannot n'ere erase
Prior youthful errors, grievous sins.

Of course,
They like to surprise you,
At the end of their song,
Twisty surprise ending.

I will say it, not you,
In some ways, not all,
I grew up to be just like him,

And for that,
I will give thanks,
Not just one day, every day,
Until it is among,
My last thoughts passing,
Proceeding me,
Preceding me,
As I depart this globe.

Big old jade earring hung from that haunted necklace, swinging from this and that and the other way where and if that sky upstairs let go of the thing I wanted you to be but a break in the system, no a malfunction in that suction of a love that you tried to forget about but feel those typing keys on the fingers that break knees and the heels up and up with the ***** a lingerin' and thats sounding like a new pounding, the one upstairs with the translucent roof ghostly and guess i got a new boot thats fixing itself to elate another prisoner upstate where the worries are always about the women.

Yeah, that women with the diamond ring with her children by her side thinking about the monastery she never visited a big time act act act in a dress that helped her enough and forgot about the rest. But we all move on quick to detest times test with the burritos that she never ate because of the figure she imposed that she got from her transistor radio and the yearly subscriptions of the ghostly ghost that haunted her in the moat around the castle of stairs up ripunzel with dragons a aflame listening to the same wishy washer story of old uncle Maury and the twenty ten twelve salute to the mastery of the fiction of listening, another riddle in the twiddle beneath the sheets that were once painted gold but her husband done left her and she's moving to seattle to start up some new cattle spreading the seed of 1910 where time stands still with his drink in his hand because the guy has got to get around to something with all that talent, with all that anger with all that impulse that proves itself time and time again it will never be enough for a salvation sanitation with the twisty fro's of yearly ye and ye bouts of fights she twisted in that shout that she knew, she knew she swears, what it was all about.

You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
      He was “Din! Din! Din!
  You limpin’ lump o’ brick-dust, Gunga Din!
      Hi! slippery hitherao!
      Water, get it!  Panee lao!
  You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ‘cause ‘e couldn’t serve us all.
      It was “Din! Din! Din!
  You ‘eathen, where the mischief ‘ave you been?
      You put some juldee in it
      Or I’ll marrow you this minute
  If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is ***** ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
      It was “Din! Din! Din!”
  With the bullets kickin’ dust-spots on the green.
      When the cartridges ran out,
      You could hear the front-files shout,
  “Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was “Din! Din! Din!
  ‘Ere’s a beggar with a bullet through ‘is spleen;
      ‘E’s chawin’ up the ground,
      An’ ‘e’s kickin’ all around:
  For Gawd’s sake *** the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone—
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor ****** souls,
An’ I’ll get a swig in hell from Gunga Din!
      Yes, Din! Din! Din!
  You Lazarushian-leather Gunga Din!
      Though I’ve belted you and flayed you,
      By the livin’ Gawd that made you,
  You’re a better man than I am, Gunga Din!

1.
white chapel on a hill

sheep dot rugged, earthy slopes

ruminate on warm, sun-kissed dale

endless lines and lines of verdant tones

late afternoon sun slanting

behold, jaune compassion

alfalfa ocherous leans willowy in wind

distance of silence yearns on

afternoon shadows lie within majestic vales

powder-blue ranges in 3D tiers

shadowy rifts, like a painting out of heaven

lone tree not alone, reaches up

blinding turns and rust-coloured bends, twisty trails

two on horseback, apples for sale

reservoir as a hold all for all

brown mud is where redemption lies.


2.
sun dips away, out of reach

beyond the eye's catch

step out car

feel the ping of silence, deeply-alive zing

crowd in and then,

into the slot of torched horizon

the orange world slips . . .




S T, 19 May 2013

He's part artist, part alchemist,
but a full-on con, self-professed with post-
graduate degrees in mixology
and the god-given sense to know which
smoldering home remedies will catch fire
(give or take an occasional legal glitch).

His healing pitch is grifted on the easy
comparison of queasily lowered brows to
their indistinctly raised betters. You'll doff
the scoffing face as he pulls back a masking
caparison, and your fever gallops hotly
hoof-in-mouth with an uncontrollable itch.

Tinctures, colloids, salves and potions,
they all have twisty caps, blithe boxes
bubbling over with hypnotic patterns
fashioned to cure your urge to avoid
his futility. First'll come the ******, then
the crumple followed by purse strings loosening.

Don't consider it capitulation.
His assortment of fluid manipulations
bear a singular branding at 100 proof,
and after the recommended daily dosing
(two jiggers with each meal), you'll feel
you're **** erectus made sapient.

The Straw Furniture (Summertime and the Living is Easy)

The ancient straw furniture, yellow-white, cracked,
My boon companions from the Sun Room where I write,
Give me a welcome back embrace and purposely snag my sweater,
Crackling a laugh and tween boisterous gasps, all wish me a hearty
Welcome back ancient mariner, to your cottage
On the bluff overlooking Peconic Bay.

The deck furniture exhumed from the garage,
Accompanied by a parade, nay a slew,
Of spiders and insects waving Adieu to their winter palace
Climb aboard to get a better view of their new deck digs,
And of me, the anti-hero of their grandparent's tales.

I go down to the basement.
Chagrined,
I come back up the twisty stairs
which designed, aimed to maim,
vowing never to return.

The refrigerator says do you like modern art?
Mold of multifarious colors, heavenly hues worthy of the
Museum of Modern Art,
I bequeath to you freely, no charge!

The clean laundry left out from last summer,
Looks so forlorn, asks politely,
Make me gone, wash away the winter's dusty grime,
Besides, traces of aged balsamic suntan lotion, still inhabit.

The golf clubs say nice meeting you,
Tho we think we met you once before,
Five or eight years or even never-years ago, was it not?

My obedient servants?
No, my friends, my helpers, my guides,
For in their sheltering embrace, in this holy place,
Inspiration floods, overcomes me and I am compelled alive,
Poet renewed, ****** why am I crying...


May 26th
10:15 AM
Shelter Island
In the Sun Room, weeping.

To be a daisy maiden
with fragile fingers in my hair,
Is not who I came to be,
though strength lived inside this vessel fair.

So burdened I was, with thoughts of
clever rapport and satire deeds.
Catching the intense beauty all around
not just looking within me.

I walked barefoot on muddy journeys,
collecting trinkets too precious and plain.
Graceless bellows of happy words shouted out
never caring for judgements name.

So when I came across a devilish looking man,
a humble heart in disguise.
I surely followed that tether
feeling my solitude world's final demise.
.
What I saw was a bit frightening, slightly...
only because of his eyes.
They were not uncommon but still unique,
something behind them I recognized.

They held secrets and wonder,
twisty worlds and something familiar.
Showed me tales and revealed quiet emotions.
I swear they were something of a mirror.

So when he disappeared from my sight
but called to me with his lingering light.
Laid out subtlety but inviting none the less.
I started after, caring not for the rips of my traveling dress.

Climbing up toward his castle of
vibrant colors and crests.
Venturing inside to find where the human delight
my sticky heart believed had come to rest.

Finding him sitting front row waiting docile in a chair,
I proceeded ahead with a confident flare.
Unbeknownst at first while focusing on the one
I was chasing.
There was an obstacle in waiting like a beast's heavy pacing.

Past lives and insecurity followed this creature about.
Like wasps hunting a victim waiting to make them shout.
A mask of confusion clouded this face simmering with doubt.
Trying to reach toward me, to let go and get out.

He said there was hope in his heart
but demons he still had to conquer.
He was so lonely and wanting to love
but feared he was too tired.

I responded that
if it's your evils that chase you
down to the pyre.
Well, I guess we are meant to be,
for I am a dragon slayer
And I too, breathe fire.


*©NDHK

now I lay me down to sleep,
I hoped for snow, the refrigerator
hums, I am buried.
rain mists spits
and I am over this.
wake me in the moonlight,
close my  eyes and I am there.
walk with me, we're on the moon.
it's chilly but we're too busy dancing.
I wish you didn't see me twisted,
but  I know you do.
It's alright, it's sorta true.
I knit knots in my belly,
it's turning me blue
and it's heavy.
shake me just a little,
hold me till midnight.
laaadeee daaaa dee

It’s starting to cool down here in Connecticut. Leaves are falling, like giant, burnt snowflakes (science says that trees send chemical signals to their branches to clip leaves away).

Peter borrowed a friend's toy-like, pea green, Fiat-500 convertible and we drove into the country to see the turning leaves. We hiked a bit too and stopped, in Mystic, for seafood.

I never realized just how theatrical trees could be, with their few, simple, chlorophyll tricks and how reflective still lakes could be. Wowzer, just - wowzer.

There are some things that should never be shared. Like a toothbrush, an iPad, lipstick, strawberry stroopwafels, a slice of pizza or a secret lover (that last one just sounded good). But life is good, I can share that. We’re young, dramatic sophomores with good hair products and we’re at it, working and playing hard.

Ahh.. ok, upon consultation, I have to add that some of us are in their mid-twenties with only a few good years left.

Did I mention that we climbed up a twisty lighthouse staircase too? Peter always thinks people should take the stairs, and not the elevators, “You want to have muscles and bones that work when you’re eighty,” He says. Since he’s closer to eighty than I am, when we’re not carrying furniture, I let him have his way. Of course, he’s never been to up Lisa’s 50th floor townhouse either.

My mom told me that they’re off to Poland again, over the holidays, for another tour with “Doctors without Borders” (**** war). Lisa’s parents have (kindly) invited me to share their high-rise utopia again this year. Who knows, maybe Peter will have his chance to try those stairs.

in this blue sphere
dancing twisty crimson foxtrots
in pumpkin cream lightflower gardens
where incandescent rose quartz chrysanthemums bloom too.

We speak indigo vibrations
as our hearts glow emerald green
like a single flame illuminates a cave.

Upon an embrace,
bathed in foamy white light
floating away in theta waves
in an azurite lightning whisky bottle.

We go with our FLOW.

(You will make best use of the following words, if you open the Savannah, Within A Month poem, in another tab.)**

It was brought to my attention that I somehow managed to write ALL of the emotion but too few clues in my piece to relay the entire story.

Though, this was done intentionally, due to my reluctance to actually tell the whole story, I do want you guys to be able to read the words written in between the lines, without my losing what I’ve created, by undoing the strings that weave in and about the poem:

In case you missed it, Judy first reviewed my poem commenting on the wistful feeling that appears throughout the piece and the additional sadness at the end. She thought that, perhaps, my father had left us.

Well.
Yes…and no.
This piece is a really twisty thing of a piece that hangs off the edge of, “Oh, I get it!”
… even for me.
But, it’s that deja vu bit that makes it hard to grasp.
So, let me lay out a few things:

The airport bit, at the end, was referring to when I would leave for Savannah
…indirectly “because,” of my dad leaving.

But, it was just a mental leaving, that happened.
He never actually left.

All of the emotion was there, but I chose to write, instead, about me leaving for Savannah, rather than my dad leaving for another woman.
So, I end up talking about what actually went on, but instead of ending the story with, “and then he left,” i end it with, “and then i left.”

I tend to have trouble putting issues I haven’t actually dealt with yet, into words.
I apologize.
But, somehow, talking about a direct “result” of the issue was easier.

But, the whole foreshadowing of his leaving (which is written in between the lines), shows up throughout the entire poem:

The mood of the relationship between my parents was written into the first stanza.

The way mum thought about the issues between her and my dad, into the second stanza.  

Me wondering about deja vu (and indirectly, from my current standpoint, the deja vu i had just recently (that im almost sure i had then - about them splitting)) + Mum’s frustration and the effect it was having on her, into third stanza.

My attitude about her burning her finger bc of my question, in the fourth.

Her brushing me off about all of it, in the fifth.

My attitude THEN about her brushing the question off + my attitude NOW about her brushing the entire situation off, in the sixth.


-Then, actual recent accounts of deja vu come into play-

I asked dad if he was “working late at the office again,” -
But, immediately, i zone out, bc i’m experiencing deja vu,
(the smell of grits, i inserted to, in a roundabout way, say that it was somehow connected to the earlier events in childhood),
except this time, though it felt like deja vu, it seemed as if i foresaw them splitting when i was younger, but i was seeing it…….just then?

(deja vu is already confusing - and this little twist on it took me for a spin!)

Either way,

The stolen wine bottle was from the deja vu i'd had - It is placed to foreshadow an event that WOULD take place (there is a literal wine bottle i need to secure lol),
But also, since it felt like a foreshadowing, in the past OF the past, the wine bottle symbolizes my parent’s marriage being stolen by another woman.

The still frozen cookies symbolize me feeling like I was, somehow, stuck in my childhood, when it all was happening.

P.S. Not relevant to the understanding of the story, but the cat doubles as me, attempting to get the answers I wanted. I wanted her to just "realize" and use her mother's intuition to just "know" what to say to me and how to say it. But, she didn't. "So, I just asked."

Dipping into the ripping is crippling
I lean towards the twisty, it can get me kinda misty
But I simply, need a little twisting
Fitting, for the sipping I want printing
He’s witty, and can be a little slippery

Everything is closing in on me
I am trapped in this small place
The darkness slowly encasing my bones
It’s like I’m drowning
Trying to come up for air,
But falling back down
It seems I’m becoming dark and twisty again
Not seeing the light
But at the same time being blinded
To answer your question about being okay or not
I’m okay,
I learned
I moved on
Yeah, I’m stuck in a dark place
But aren’t we all?

The Back Roads

Somehow, you always take the back roads.
Narrow. Twisty. The long way around.
Supposedly slow.

And yet, not. That habit you have
of driving too fast for the road
gets you there fast as the highways,

dangerous and exhilarating
both.

About this poem

A bit of history. A bit of now. Some of it has to do with roads.

The picture I used on my blog (www.quarryhouse.us) with this was taken just down the road from my home in West Pawlet, VT.

Tom

Who shall remain to speak of Eden sleeping?
When gone the earth, our splendid garden
left of backward dreaming
and all the glorious twisty tendril reaches
vines to cling to life, anew the greening seasons

Alone the fields in September shades, grains
of wheat and rye will not play, of fall's refraining
or sing the cat birds strange meowing

Once rows and rows, the fields flowed,
fed heavenly our daily bread
before the GMOs

Unearthly - sick the flocks afield
no bees about, the headless flowering yields
all the gifts, the seeds of life cannot be found again
we've decimated Eden




http://www.greenmedinfo.com/blog/dows-deadly-harvest-return-agent-orange

There's hope:
http://www.youtube.com/watch?v=6P03nNeYiJo&feature;=related

Cool winds circling round, deep emerald ocean pond,
in dancing waves you play salty summer songs
of weathered boats and rustic harbor homes.
Seagulls perched about the lawns, some on rooftops peering down
flower baskets overfilled, spilling mad their colors on the ground.
A vacant nest amid the vines so twisty, Springtime birds have all flown
leaving remnant feathers of shell and bone.
Seaweed floats, it clings, wrapped to posts and rings
ocean otters sleeping sound at bay
in a sky of blue, changing hues
soon drifts away the day.

I don’t love you.
In fact, I don’t even like you.
But I admit, there’s something about the way the bird in my chest starts to sing your name and I pray you can’t hear it with every step I take away from you.

Instead of meeting yours, my eyes wander away together, because they have better things to do than have pointless conversations— I shush them and push them slowly towards you, because those “pointless conversations” are the only ones we have

There’s nothing really remotely handsome about you. In fact, I can see your mother whenever I look at you: the long bridge of your nose, the mischievous twinkle in your eyes, you were a total momma’s boy, but I remember hearing of adventures with your father—skiing, hiking, camping—all rugged outdoors-y activities that I could only dream of doing or even enjoying.

I don’t love you.
In fact, I don’t even like you.
But there’s something about the way you touched my hand briefly that made my ears burn—perhaps you were a lit candle, and I was an ice sculpture of nothing in particular, so when we touched I cried out in pain, but I wanted to bring you closer

There’s this tone in your voice when we talk, and it speaks nothing of love at all—not for me, or anyone in the room. You talk to me as you would a child, a young girl, your sister’s best friend—and I am all of that. I should learn to be content with that

I remember hearing about a girl in your life, and I don’t think I knew what to feel. I shared in with sisters’ and your mother’s teasing whispers about her, in their hushed laughter. I didn't share what another part of me felt—something strange and twisty, like licorice, and no matter how long you chewed on it, it never got smaller, never disappeared, but it did manage to leave a strange taste in your mouth.

I don’t love you.
In fact, I don’t even like you.
But nothing stopped me from going up to my sister last night to tell her: “I think I have a problem.” I like to think of myself as “reasonable”, but no matter what I thought, I couldn't reason with myself. I couldn't find the exact moment, the exact word, and the exact reason for why I felt this about you.

We've known each other since your sister and I were small. Even then, I avoided you, and you did the same. There was nothing we could talk about—you were into sports and I was into dolls. I’d hide away with your sister in our imaginary lands, and you were probably at hockey practice, but you were the first boy I've talked to and that scared me.

What am I to you, anyway? I've been told I was a part of the family…do you think so too? Do you follow the unspoken rules like I’m desperately trying to? Do you wonder, at all? I try to block you out of my thoughts, push you away as if you were like vegetables on my plate. There’s nothing about you, logically speaking, that should make me think about you.

I don’t love you.
In fact, I don’t even like you. So why is this happening?

I don’t know how you think that’s okay
Someone’s heart isn’t a toy
Someone’s feeling isn’t a game
I don’t know why you think everything is peachy
I want you to know that
I’m not going to talk to you again
I want you to know that
I’m not going to try to see you again
I want you out of my life
If you don’t hear from me
I ran away in my mind
Don’t come looking for me
I don’t want you here

An arrogant frost begins to melt,
dripping from the red shingles
onto the progressively muddy ground,
where dark green lines sprout,
erasing the icy past.

Slow growth of small buds
colored pink, red, yellow, and white
take the dream of warmer days
as a twisty hot mirage
strikes the distance.

Life shakes the leaves off the tree,
as all turns bitterly dark,
orange and brown,
and crumpled up on the sidewalk,
chilling down to the beat
of the pidder padder of rain.

Warmth is removed from sensations,
colors fade from a distance to white,
glazed with the purest icing
as the world turns a new shade of grey,
colored only by the feeling of crystals
glimmering like diamonds.