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"thickly" poems
After dark, energies flow in manners that pleases them most braided together in lust, two king cobras were seen spiraling up when darkness like a camouflage sets in thickly around,you're the  marijuana of my mind, seeking far horizons of pleasure. I willingly seek oblivion, when pink pointed goosebumps like tarantula's love bites, results of mating time cruelty infest all over my body's landscape, signatures of ecstasy. I feel your lips become, moist, soft, honey from each drips never enough,for me, is it possible to get inebriated more? Your sighs and moans speak the vocabulary of a forgotten ancient language love hurriedly resurrected for us from past, brevity is the crux of that lingo of erupting jets of desire, it teaches you to moan in fifty different tones in all;even more? Your sharpened nails etch cave murals on my itching back that has the searing taste of blood, in hot hot chilly red. my taste buds of lust, begs for more and more of it. You are the marijuana fueling my narcotic flights that land in your misty land, enveloping my senses as a whole. "The night is still young, hear what the darkness whispers" I hear you speak like an oracle, on things about to happen.
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Jan 8, 2016
Jan 8, 2016 at 11:50 AM UTC
A tryst with ***** narcotic moments
You Are the Texture ………………………… **~ for all of you, you, you poet~** Impasto “**is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or  painting- knife strokes are visible. Paint can also be mixed right on to the canvas. When dry, impasto provides texture; the paint appears as if, to be coming out of the canvas.**” <1:47pm> Cut & Paste *is a technique used in poetry writing, we refer back to our visions, heard words, the eyeful, the earful, scents, the reads read, all in the mind’s palette blended, thickly, but when the merging fused, every word~in~coloration, it is unique, reincarnation, copying impossible. The imagery, cut and pasted from thy heart and soul, upon canvas, your poems~pieces each appear* ***as you-are-texture, you becoming out of, you, the canvas. <2:04pm> Postscript*** ……………… it is not lost on me that the scars, our words, herein, as we note all too frequently, almost casually, are, can be, those selfsame words/painting-knife employed for our first and foremost canvas we utilize, ourselves… our bodies, our very selves salved
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Jun 24, 2023
Jun 24, 2023 at 8:06 AM UTC
Impasto vs. Cut & Paste: You Are the Texture
it ain't easy, when you relate, restrict and delegate, when you draw a narrow lane on a highway that says only left footed poets need apply <> it does not say **slow cars stay to the right, only trucks, or oddly even, no trucks** I love seasonality, without thickly thinking you take a break from the poetry writing one day I'll figure out a way to monetize my love poems, publish them as Shakespeare's couple(t)s, "new edition plus a couple of newfound poems!" maybe some fools will buy some thinking Shakespeare has been, resurrected! *love grows goes hot all over and grow slower older and grow colder, in between those fine ticklish teasing moments* when the miracle of resurrection repeats itself something is said a gesture is made a finger strokes the cheek, unexpected and it all comes rushing back again, overfilling that coffee cup mug she bought just(ice) for you *ain't gonna check how long it's been since last I declaimed, disclaimed, inflamed, these pages with an only love poem but I do know this: it is something I think about, It is something I know about, it is something I feel about daily even on the nothing days, when routine takes over I know you couldn't remember of its passage, is the waking up and the lying down to sleep* but the poets eyes are always open his emotive secret senses, always alert, what's that thing they always say, his heart just wasn't in it! (🥴if they only knew the truth😘)
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Jun 25, 2025
Jun 25, 2025 at 6:04 PM UTC
when love grows old
#*Morning falls from a budding    cherry tree;    the colour of nightsong’s waning blossom    comes to be        an echo    only heard    by the wind Soundless remnants    of an intimate twilight odyssey    tarry thickly, drifting lightly through the landscape       of dawn    The hushed echo    wields the silent          reverie       of the night,    gently rippling    the rivers that run    through the heart The poignant taste of passionfruit lingers in the sensory traces       of a warm    passing breeze;       penetrating    the lonely chill    of a naked night's       work of art                 ~            Jesse*#
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Mar 14, 2018
Mar 14, 2018 at 2:20 PM UTC
A poignant taste of passionfruit
XXVI. TO DIONYSUS (13 lines) (ll. 1-9) I begin to sing of ivy-crowned Dionysus, the loud- crying god, splendid son of Zeus and glorious Semele. The rich- haired Nymphs received him in their bosoms from the lord his father and fostered and nurtured him carefully in the dells of Nysa, where by the will of his father he grew up in a sweet- smelling cave, being reckoned among the immortals. But when the goddesses had brought him up, a god oft hymned, then began he to wander continually through the woody coombes, thickly wreathed with ivy and laurel. And the Nymphs followed in his train with him for their leader; and the boundless forest was filled with their outcry. (ll. 10-13) And so hail to you, Dionysus, god of abundant clusters! Grant that we may come again rejoicing to this season, and from that season onwards for many a year.
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The Homeric Hymns: 26- To Dionysus
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled He walked alone and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water-bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came, Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell, His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore O'er stony mountains cold and grey Through halls of iron and darkling door And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And log ago they passed away In the forest singing sorrowless.
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7.1k
Tinuviel
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled He walked alone and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water-bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came, Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell, His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore O'er stony mountains cold and grey Through halls of iron and darkling door And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And log ago they passed away In the forest singing sorrowless.
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72
Tibetan Brimstone butterflies wave wings madly at their paradise valley In the beginning, before the beginning, and in the beginning Their shaken snow globe makes them flutter in wild exuberance As they reveal a mountain, then no mountain, then Kunlun again Peace, followed by chaos, and then by peace Mother Luna's kaleidoscope of enlightenment Protected by the hooded one Holds all worlds and shakes the four seasons Nothingness, creation, abiding, destruction The wheel of time Moves the wind as it’s blown by vast circles of water Aqua marine is washed again by golden earth And in the center, the great opal mountain song of La Nature's peace Beyond white leopard snows, icy winds, and empty husks of death Butterflies are born again Shambhala’s mindful beat opens passage for light through darkness Poets squint and ride on wings toward the hidden sunset kingdom Watching another world's Avalon alive beneath a blue moon Insulated chrysalis of love for all seasons A fisherman, a carpenter, a shepherd, a merchant, a caterpillar Discover a lush, isolated, peach grove Nosing thickly scented nectar and purple primrose honey In the jade valley of the kings, queens, and beggars They meditate under the Bodhi Tree Deep brown ****** lines are carved into their soft olive skin Smooth hands are made rough, and then smooth again Young, then old, and then young once more Wisdom setting beside Queen Spirit Mother of the West Sharing a bowl of her rice milk in harmony Being in the realm between man and nature as Kalachakra turns For six years the caterpillar eats of fig And then the wheel breaks for flight one last time Radiating light as she sheds her glorious wings Here, the snow globe explodes flying petals of wild exuberance Revealing a mountain, then no mountain, then Kunlun again Transcending all, turning tears into the suns joyful rays As they rise, then set, and then rise again Nirvana Beyond our Lost Horizon © 2019 MJL
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Apr 2, 2019
Apr 2, 2019 at 10:01 AM UTC
Valley of the Blue Moon
Tibetan Brimstone butterflies wave wings madly at their paradise valley In the beginning, before the beginning, and in the beginning Their shaken snow globe makes them flutter in wild exuberance As they reveal a mountain, then no mountain, then Kunlun again Peace, followed by chaos, and then by peace Mother Luna's kaleidoscope of enlightenment Protected by the hooded one Holds all worlds and shakes the four seasons Nothingness, creation, abiding, destruction The wheel of time Moves the wind as it’s blown by vast circles of water Aqua marine is washed again by golden earth And in the center, the great opal mountain song of La Nature's peace Beyond white leopard snows, icy winds, and empty husks of death Butterflies are born again Shambhala’s mindful beat opens passage for light through darkness Poets squint and ride on wings toward the hidden sunset kingdom Watching another world's Avalon alive beneath a blue moon Insulated chrysalis of love for all seasons A fisherman, a carpenter, a shepherd, a merchant, a caterpillar Discover a lush, isolated, peach grove Nosing thickly scented nectar and purple primrose honey In the jade valley of the kings, queens, and beggars They meditate under the Bodhi Tree Deep brown ****** lines are carved into their soft olive skin Smooth hands are made rough, and then smooth again Young, then old, and then young once more Wisdom setting beside Queen Spirit Mother of the West Sharing a bowl of her rice milk in harmony Being in the realm between man and nature as Kalachakra turns For six years the caterpillar eats of fig And then the wheel breaks for flight one last time Radiating light as she sheds her glorious wings Here, the snow globe explodes flying petals of wild exuberance Revealing a mountain, then no mountain, then Kunlun again Transcending all, turning tears into the suns joyful rays As they rise, then set, and then rise again Nirvana Beyond our Lost Horizon © 2019 MJL
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41
my smallheaded pearshaped lady in gluey twilight moving,suddenly is three animals. The minute waist continually with an African gesture utters a frivolous intense half of Girl which(like some floating snake upon itself always and slowly which upward certainly is pouring)emits a pose :to twitter wickedly whereas the big and firm legs moving solemnly like careful and furious and beautiful elephants (mingled in whispering thickly smooth thighs thinkingly) remind me of Woman and how between her hips India is.
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5.9k
My Smallheaded Pearshaped
~~~ My memory of grandpa Was that his hands were red Showing me some pictures A kid's book before bed. The bones were raw and gnarled The sinews looked all sore The skin was thickly callused Spotted, lined and scored. They showed wear and tear They echoed his toil Grandpa was a farmer A tiller of the soil. Grandpa couldn't read But we could laugh and look His hands delicately turning The pages of a book. SoulSurvivor (C) 5/12/2015
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May 13, 2015
May 13, 2015 at 12:31 PM UTC
Grandpa's Hands
Aye, Vladimir, just before I met thee I hath been sure I hath loved him- no matter as queer as it may hath seemed! Thou knowest not, how much tears I hath shredded and noticest not, how t'eir vanity made me look dead! But why-why then didst thou appear- and wokest within me t'is secret fear- with understanding in thy eyes, and with a love t'at is to me so dear. Why-why t'en thou left me, left me again! Whenst I got to knowest thou but for a moment, ah, with not so much of an endearment- afforded ourselves only t'at streak of lovely, but still weak of too a bond, or any pact, of young novelty. And everything was corrupt As soon as thou re-released me into t'ese qualms of insincerity wherest I am still tossed about, guilty. And hushed, hushed always, like a trivial, parallel wind! As though my dear heart's bathed in sin and of a soul t'at is so thin So worthy not of thy soulfulness and sweet dreams of many happinesses. Ah, Vladimir! If only thou could knowest T'is thread of passion thou hath sowed and how my entirety seekest being loved By thee, and only by thee, o my rain! As thou art but king to my sneaky moon and my very own kingdom of stars Not him-not him, o t'is I entreat, albeit his wits hath been but to me so sweet. Still he be a mistake, ah, a chilly autumn mistake to me, from whom I didst just turn awake. Probably thou would hath loved me; imperishably and blindingly, until all thy superb charms and wit t'at wert but tortured and unbending shalt be left within me lit; and thus leaving our fiery souls entwined with winds t'at art even sweeter yet might be torturously everlasting. Vladimir, Vladimir, oh my only Vladimir! Thou altogether belongst with me; here, so unjustly yet heavenly And in our hands is cherished our love, o, so wickedly-but fatefully! How I longst to be thy lover, dearest- and be so comely as thy only flower; which ripens thickly in thy winter and blooms robustly, in thy summer.
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Mar 20, 2013
Mar 20, 2013 at 7:07 AM UTC
Guilt
Aye, Vladimir, just before I met thee I hath been sure I hath loved him- no matter as queer as it may hath seemed! Thou knowest not, how much tears I hath shredded and noticest not, how t'eir vanity made me look dead! But why-why then didst thou appear- and wokest within me t'is secret fear- with understanding in thy eyes, and with a love t'at is to me so dear. Why-why t'en thou left me, left me again! Whenst I got to knowest thou but for a moment, ah, with not so much of an endearment- afforded ourselves only t'at streak of lovely, but still weak of too a bond, or any pact, of young novelty. And everything was corrupt As soon as thou re-released me into t'ese qualms of insincerity wherest I am still tossed about, guilty. And hushed, hushed always, like a trivial, parallel wind! As though my dear heart's bathed in sin and of a soul t'at is so thin So worthy not of thy soulfulness and sweet dreams of many happinesses. Ah, Vladimir! If only thou could knowest T'is thread of passion thou hath sowed and how my entirety seekest being loved By thee, and only by thee, o my rain! As thou art but king to my sneaky moon and my very own kingdom of stars Not him-not him, o t'is I entreat, albeit his wits hath been but to me so sweet. Still he be a mistake, ah, a chilly autumn mistake to me, from whom I didst just turn awake. Probably thou would hath loved me; imperishably and blindingly, until all thy superb charms and wit t'at wert but tortured and unbending shalt be left within me lit; and thus leaving our fiery souls entwined with winds t'at art even sweeter yet might be torturously everlasting. Vladimir, Vladimir, oh my only Vladimir! Thou altogether belongst with me; here, so unjustly yet heavenly And in our hands is cherished our love, o, so wickedly-but fatefully! How I longst to be thy lover, dearest- and be so comely as thy only flower; which ripens thickly in thy winter and blooms robustly, in thy summer.
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52
II Pet 1:9 coming to mind as I finished, lo, the complexity of this piece, and this:  "...lacketh these things is blind and cannot see afar off--" (sonnet #MMMMMMMCDXCIX) How Shakespeare's lines 'non haunt the flag's detail As't waves to bitter winds' capricious sense Of play, with memries of late rallies thence In tow, as all we'd grandly strut through'd pale Before the empty eye of hours that scale Down what we said was living, as pretense Leers through the smoky limelight fading hence Where leaves pile up too thickly for aught bail. Is't cuz I've tried 'gain to be stylish fer What fashion and say Vogue mag swore was due, Tae learn my peers yet scorn attempts in tour? Cuz even when I did succeed and do All that "they" said should be, or called too poor What we thought tops, Death mocks as ere we knew? 07Nov18a
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Nov 11, 2018
Nov 11, 2018 at 4:27 PM UTC
...And How My Vision Seems to Fail--?!
My limbs pinned and flayed. A curious crowd of men hover overhead, Floating faces bobbing closely Like great bearded balloons. In a flash of white and sharply gleaming silver, They swiftly strip my leather skin And, upon prying the cage, are astounded to have found Only a cavity in the place a heart should be. Throughout my warren of vein sits the last true proof That anything once flowed there— A thickly pickled ichor to make sickened Wives’ stomachs turn at their evening roast.
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Aug 16, 2018
Aug 16, 2018 at 5:00 PM UTC
I Am a Fetal Pig
***** feet ***** of them ache they're dry all dried out, moisture to face and digestive tract make little difference but comfort a little sort of; maybe subdue to replenishing skip the pain with a drink fucken, fucken drink fucken dust lingers in the brain, it swirls a cloud of ground envelops the shape of u u become covered u have a layer, salty, and dry and 'organic' (surely bio (though im not sure what is or why are)) full city boy, suburban boy, not particularly gritty boy along side hippies and volunteers all tripppy and unwashed, and un plastic yet forcefully hemped drunk of micro beer and burnt brown and blotchy red and wire-y and dry and matted as if nothing really matters except for principles misguided and randomly enforced feel like a husk; peanut shell insides swallowed by the mouth of the party embodied a monsterous sweaty man tanned and thickly bearded and beered fat dreads fall around and surround u; a forest of hair a circle encroaching of fuzzy pillars in fibres entrapped inside them; feel their lingering time matted hold a wealth of effort to become unkempt; they are bars they are walls and the FACE! ………………………   ………………………………… oh looming down, wafts of armpit vapour cloud; a looming puft that surrounds engorged by the scent as it circles u, the mouth that lowered onto u chews u and spills bits of u chomp chomp protein for vegetarians; u; ur rigour ur vigour ur guts    eaten in a flurry of chomps and slurps and it crunches and it grates like the rocks on the ***** of ur feet it grates u are digested and reused as they would like but for them; for a collective u dived into for fun 2 days to peddle ur wares to progress ( admittedly through some days of regression…) for all humans, and Humans; for fun on monday we will repent for the damages waged on the inside of the body and the outsides too for some gain i guess on this which we settle for always for display for fun
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Mar 12, 2013
Mar 12, 2013 at 2:10 AM UTC
festivals
***** feet ***** of them ache they're dry all dried out, moisture to face and digestive tract make little difference but comfort a little sort of; maybe subdue to replenishing skip the pain with a drink fucken, fucken drink fucken dust lingers in the brain, it swirls a cloud of ground envelops the shape of u u become covered u have a layer, salty, and dry and 'organic' (surely bio (though im not sure what is or why are)) full city boy, suburban boy, not particularly gritty boy along side hippies and volunteers all tripppy and unwashed, and un plastic yet forcefully hemped drunk of micro beer and burnt brown and blotchy red and wire-y and dry and matted as if nothing really matters except for principles misguided and randomly enforced feel like a husk; peanut shell insides swallowed by the mouth of the party embodied a monsterous sweaty man tanned and thickly bearded and beered fat dreads fall around and surround u; a forest of hair a circle encroaching of fuzzy pillars in fibres entrapped inside them; feel their lingering time matted hold a wealth of effort to become unkempt; they are bars they are walls and the FACE! ………………………   ………………………………… oh looming down, wafts of armpit vapour cloud; a looming puft that surrounds engorged by the scent as it circles u, the mouth that lowered onto u chews u and spills bits of u chomp chomp protein for vegetarians; u; ur rigour ur vigour ur guts    eaten in a flurry of chomps and slurps and it crunches and it grates like the rocks on the ***** of ur feet it grates u are digested and reused as they would like but for them; for a collective u dived into for fun 2 days to peddle ur wares to progress ( admittedly through some days of regression…) for all humans, and Humans; for fun on monday we will repent for the damages waged on the inside of the body and the outsides too for some gain i guess on this which we settle for always for display for fun
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60
The hollow wind funneled the voice of the distant night-train crossings, awakening  a  familiar  silence hanging from the vast wilderness sky A restless heart hearkening the echoes, imagining  a  runaway  Pullman flew away off the rails,    airborne on the winged wind headed north Winter  pausing  for a moment in  the  shadows  of  familiarity, as if parsing the unspoken breathings in an  echoless  surrendered sigh; uncertain if tacit words set free could ever allow a heart broken         to feel whole again There  is  no  absolving  voice that whispers in a solemner tone :         Death  has  no  mercy  ―   love remains marooned in the wake ,.. and it feels like the world’s gone mad letting time be the arbiter of perpetuity The fading dream of a motherless child; a wish to be held maternally fell to the ground with a thud,         breaking the silence, dissipating formless as the shape of water Muted cold lips so full of questions morphing into fugitive sighs come the unsettled night; when shadows disappear like frail memories that  passed  too  soon  to  grasp, thickly palpable as the warm breath a winter bird alone on frosty branch There’s no fear in braving the darkness in the  winter wilderness of life borne alone There’s no way of knowing what you’ll find down that long empty road back home Life just flashes by silently before your eyes         through the windshield     of countless miles and miles And there’s nothing you can do about it ― It’s like hearing the moment of truth in a lie when all I was looking for was  how I got here in this now,.. yesterday only finding a hopeless poet scribbling  slightly stained pages, spilling  a  bitter  sweet  dream ...         harlon rivers ... February 2018 ///////////////////////////////////////////////////////////////////////
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Feb 14, 2018
Feb 14, 2018 at 10:31 AM UTC
Awakening a Familiar Silence ...
The hollow wind funneled the voice of the distant night-train crossings, awakening  a  familiar  silence hanging from the vast wilderness sky A restless heart hearkening the echoes, imagining  a  runaway  Pullman flew away off the rails,    airborne on the winged wind headed north Winter  pausing  for a moment in  the  shadows  of  familiarity, as if parsing the unspoken breathings in an  echoless  surrendered sigh; uncertain if tacit words set free could ever allow a heart broken         to feel whole again There  is  no  absolving  voice that whispers in a solemner tone :         Death  has  no  mercy  ―   love remains marooned in the wake ,.. and it feels like the world’s gone mad letting time be the arbiter of perpetuity The fading dream of a motherless child; a wish to be held maternally fell to the ground with a thud,         breaking the silence, dissipating formless as the shape of water Muted cold lips so full of questions morphing into fugitive sighs come the unsettled night; when shadows disappear like frail memories that  passed  too  soon  to  grasp, thickly palpable as the warm breath a winter bird alone on frosty branch There’s no fear in braving the darkness in the  winter wilderness of life borne alone There’s no way of knowing what you’ll find down that long empty road back home Life just flashes by silently before your eyes         through the windshield     of countless miles and miles And there’s nothing you can do about it ― It’s like hearing the moment of truth in a lie when all I was looking for was  how I got here in this now,.. yesterday only finding a hopeless poet scribbling  slightly stained pages, spilling  a  bitter  sweet  dream ...         harlon rivers ... February 2018 ///////////////////////////////////////////////////////////////////////
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49
The preacher scrubbed your sins away absolved you under rafters under fire under auspices Of books with dust in bindings layed down many lifetimes thick. But a preacher needs a pulpit like a fish requires scales Without the choir, no pool to swim. Senators tell you sweetened lies that half us want to hear two per state means only saying "Sorry," 'bout half the time to half the people, sometimes. But a liar needs your two ears and a moment of your time No need for snake oil when you're well. McGowan is a drinker, true draining oceans of pints dry under fire under praises, too From quarters high and lowly his legend laid down thickly But a preacher needs a pulpit and McGowan needs a page Needs pen in hand and needs a stage Otherwise, he's just a "Shane."
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Oct 26, 2012
Oct 26, 2012 at 7:01 PM UTC
Priests, and Liars and Shane McGowan
Clouds rolling, Rumbling forwards, Thickly laden, Soaked with black rain, Unstoppable, Even by the sun, Growling softly, Then stronger, building, Until at last, Unleashing its blades, That cut the air, And spear the weak ground, Creatures below, Insignificant, Against the might, Of a vengeful sky.
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Mar 1, 2015
Mar 1, 2015 at 1:03 PM UTC
Vengeful Sky
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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86
The Maple with its tassell flowers of green That turns to red, a stag horn shapèd seed Just spreading out its scallopped leaves is seen, Of yellowish hue yet beautifully green. Bark ribb’d like corderoy in seamy screed That farther up the stem is smoother seen, Where the white hemlock with white umbel flowers Up each spread stoven to the branches towers And mossy round the stoven spread dark green And blotched leaved orchis and the blue-bell flowers— Thickly they grow and neath the leaves are seen. I love to see them gemm’d with morning hours. I love the lone green places where they be And the sweet clothing of the Maple tree.
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The Maple Tree
#***Blackwater rise up from artesian fountains Upsurge from the provenance of earthen soul Mingle unto a river of willow’s bend and sway Rooted in boulders***                                                           *scattered  within                                  milestones                                                   and*                                                                 ***riverbed Cornerstones                                                                                           Gray As though empowering sown seeds mightily strewn With intent a higher law's freshet flows For to stream from silence in a satiating tongue Rolling currents thickly bestow A  river  of  simple  truth lay  bare A stream of random kindness betides, Rivulets of unconditional love abounding    Rootstock birthplace coursing passage from whence Unbounded rivers' silent reverie manifests Rippling cadence immersing pulsing whispers Unbounded rivers rushing deep and wide Blossoming undercurrents gushing, resounding, rhythmic  ebb  and  flow Verve undulating wholly alive Genesis of soul marrow's enlightened shine ― Wellsprings arise from bedrock ancient mother earth A surmounting light leavens abidingly From imploring water's flowing river song To illuminate the beckoning pathway's bearings divergent from thither and yon                  Through  which  to  portage A way to carry back home in psalm*** h.a. rivers ... November 4th, 2017
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Nov 9, 2017
Nov 9, 2017 at 7:59 PM UTC
Blackwater River
#***Blackwater rise up from artesian fountains Upsurge from the provenance of earthen soul Mingle unto a river of willow’s bend and sway Rooted in boulders***                                                           *scattered  within                                  milestones                                                   and*                                                                 ***riverbed Cornerstones                                                                                           Gray As though empowering sown seeds mightily strewn With intent a higher law's freshet flows For to stream from silence in a satiating tongue Rolling currents thickly bestow A  river  of  simple  truth lay  bare A stream of random kindness betides, Rivulets of unconditional love abounding    Rootstock birthplace coursing passage from whence Unbounded rivers' silent reverie manifests Rippling cadence immersing pulsing whispers Unbounded rivers rushing deep and wide Blossoming undercurrents gushing, resounding, rhythmic  ebb  and  flow Verve undulating wholly alive Genesis of soul marrow's enlightened shine ― Wellsprings arise from bedrock ancient mother earth A surmounting light leavens abidingly From imploring water's flowing river song To illuminate the beckoning pathway's bearings divergent from thither and yon                  Through  which  to  portage A way to carry back home in psalm*** h.a. rivers ... November 4th, 2017
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34
There once was a boy with bones of obsidian and onyx eyes. He held me as if all that was beneath my thickly woven sweater sleeves was my hollow crystal skeleton. He held me up to the light like seaglass he discovered on the beach and let the sunset filter through me. One night the onyx in his eyes was sparkling with glints of ruby and what he didn't know when he wrapped his hand around my neck and squeezed too tight, reached into my chest and stole an artery from my rose quartz heart and an amethyst knuckle from my ring finger, was that beneath my rose-gold toenails were leaden feet. I kicked him swiftly in the groin and ran. Then came a boy with sapphire eyes. When he touched me, I felt polished and clean. He was the first boy I let take off my knitted sweater. He stroked the smooth surface of my bones and when he shattered them, he would help me repair them. Between the cracks of my translucent skeleton are slivers of the shiniest sapphire you've ever seen.
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Jun 9, 2015
Jun 9, 2015 at 10:29 AM UTC
the girl who ate the jewelry shop
***Fell heal over heads           in love with a poet,   he's mostly a rhyme schemer        likes Poe and his dark Raven,   in actuality,  I'd fancy him more if     he were like Pablo Neruda, but I digress I'm much accurately fashioned after Emily Dickinson         chasing heaven's June bugs toing and froing, we'd meet at a perfectly superfluous coffee shop     he'll be murmuring elegiac pentameter I'm simply looking to devour precious words,     we'd argue about abstract destinations,               straight forward persuasions and                premonitions of wayward ink allusions, some days I want to claw mine own eyes out                amid all that nonsensical alliteration   others, I want to rip out embellishments                    of his black heart's magnification, he mutters tumult under his breath,      states he's abundantly sickly tired of all my          fanatical froufroutant  flourished fantasies, albeit, we're mild mannered artistes          of overstatement and simplification                thus, we continue laying it on thickly I, with my hyperbolic cuppa tea and honey,        he's all brass tacks, no nonsense black coffee ultimately, we reservedly seek gratification,       envisioning who functionally makes it first to a finished line of manifestations's publication,            in eternity's poetic intentions and beyond***
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Jun 20, 2015
Jun 20, 2015 at 9:14 AM UTC
Fell in love with a poet
***Fell heal over heads           in love with a poet,   he's mostly a rhyme schemer        likes Poe and his dark Raven,   in actuality,  I'd fancy him more if     he were like Pablo Neruda, but I digress I'm much accurately fashioned after Emily Dickinson         chasing heaven's June bugs toing and froing, we'd meet at a perfectly superfluous coffee shop     he'll be murmuring elegiac pentameter I'm simply looking to devour precious words,     we'd argue about abstract destinations,               straight forward persuasions and                premonitions of wayward ink allusions, some days I want to claw mine own eyes out                amid all that nonsensical alliteration   others, I want to rip out embellishments                    of his black heart's magnification, he mutters tumult under his breath,      states he's abundantly sickly tired of all my          fanatical froufroutant  flourished fantasies, albeit, we're mild mannered artistes          of overstatement and simplification                thus, we continue laying it on thickly I, with my hyperbolic cuppa tea and honey,        he's all brass tacks, no nonsense black coffee ultimately, we reservedly seek gratification,       envisioning who functionally makes it first to a finished line of manifestations's publication,            in eternity's poetic intentions and beyond***
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30
The thing is, you can’t ignore that graceful lament- The teal heaving of your chest- The wash of questions in your head That exquisitely hold pinpricks of the future. There’s a brand of groan you know well That belongs to feeling unresolved. That noise you make when you’re a painting without a face, When you’re two lines of a song that’s lost to the breeze, When you’re a cup of water dribbling through careless hands, That noise is the growl of restless dreaming. There is a struggle to unpin yourself From the avalanche of time That has pooled thickly around your legs. You try to kick, but it moves like molasses. Slower than a hard thwack to a non-newtonian fluid. Pointless as collecting antique doorknobs. There is an urge to catch a destiny by the tail Like you’re somehow prepared right now, Like there’s nothing left to learn. How fortunate you are that perceived linear realities Can curve the hubris of your linear fantasies. And yet there’s that gnawing need, A craving that demands surrender, That all too graceful lament, Of being forced to take the smallest of steps on the greatest of adventures.
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Nov 28, 2012
Nov 28, 2012 at 4:06 AM UTC
The Graceful Lament
there are two ways to breathe. one is through the splinters. the carved out, thickly bleeding respiratory tract receding. a futile attempt to enjoy the air blown over like a house with no foundation. the other is to close your eyes. and hope that the hurricane does not cut off oxygen. because nirvana is not a choice. it is an island somewhere deep in the ocean waiting to be discovered.
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Jul 31, 2015
Jul 31, 2015 at 1:06 AM UTC
frailty