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Àŧùl May 2013
Before you criticize me too soon, I think you should spare some seconds and answer a simple question to yourself...

If Shahjahan loved Mumtaz Mahal so much, why he had a harem of wives to use at his own pleasure?

While I agree that the Taj Mahal is arguably the most extraordinarily beautiful monument in the world, I don't agree upon the fact that it was built as a tomb of love. It is just a symbol of madness if you asked me. An emperor's insecure feeling to get his name registered in the history books. While it may be one of the most beautiful architectural monument, it was built by over 20,000 architects, craftsmen, masons and engineers who took over 16 years to build the magnificent building.

He got this apparently high & prestigious monument of love built but everything that the Emperor did was not pleasant at all.

° The lavishly living Mughal Emperor spent all his - his subjects' money into building this monument of love instead of keeping his subjects well-fed.
° Mumtaz Mahal might have been the luckiest woman to have died and got such a marvelous building built as her mausoleum but she died giving birth to her & Shahjahan's 17th offspring and then Shahjahan who had uncountable other wives was inspired by her demise apparently to undertake what is termed as the biggest project in history build the costliest monument proclaiming his rule.
° The arrogant - falsely proud lover - Mughal emperor didn't know that what he thought to be looked at as the greatest symbol of love will be criticized by some poet in his own land nearly 375 years later. The insane Mughal Emperor got all the builders of the Taj Mahal's fingers cut-off of so that there could be no other Taj Mahal.

But Aurangzeb, his & Mumtaz Mahal's son overthrew his power when Shahjahan got older and locked him up in a jail at the other end of Yamuna river where the emperor then died a sad old lovelorn bedlamite person in prison. Aurangzeb was the exact opposite of his dad, he showed religious intolerance and his habits drove the empire towards its doom after his death.

But let me think this way; when I look at any picture of the Taj Mahal, what I get the first thing in mind is this: *Such a CRAZY emperor who got such a beautiful monument of Egotism built!
Sorry Shahjahan's admirers, his love's sympathizers, people with softer views towards such love & romance.
But I believe that such people are just confused in their lives.
My idea of love isn't just that ideal.
My HP Poem #222
©Atul Kaushal
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
Mateuš Conrad Dec 2016
if you can find c. g. jung writing an answer to the biblical Hiob, i can be found writing this... or as the Lad Bible states: be your superficial you... so when she's not her superficial self... you can just play the awkward monotone speaking caveman that you weren't before she played you that superficial card of hers to tone down your interests.

you know why i'm fascinated with schizophrenics?
primarily because they are concerned with
an inorganic medical condition,
there are, absolutely, no reasons to suggests they
are organically prone to premature degeneracy,
they are what the Alzheimer old man calls an angel,
and what the "angel" experiences from time to time...
to cite a non-typical schizoid experience -
a splinter in the mind?
when i wrote my previous poem, i was listening
to the song *the parting glass
throughout,
on and on and on... the rhythm took over...
and when the "poem" was finished i retracted myself
into my room and first played auld lang syne
(with lyrics and English translation)
...
                           and then... the pure instrumental
of knee-deep-bagpie... bagpipes, sure, horrid,
screeching drowning-lungs of magpie
cackling cut short into a carbonated highland water...
     oh don't worry, what this comes down to
is personal experience, such negations of ease
are not like the black plague, or a.i.d.s.,
they don't come into contact with purely-riddle
human incompetence... it takes more than that...
certain conditions are not viral...
you can't interpreted them as political malevolence
akin to a political movement... primarily because
the numbers don't add up...
                    the complexity of thought is
the complexity of regarding the mind as an abstract
of the brain, given the brain has no accuracies
concerning abstraction when stated against being automated
to a pair of kidneys... i too wish for a La La Land sometimes...
but that's not the reason people allow ***** donations...
     but you know, it really gripped me,
i wrote that poem, listening to the parting glass,
and felt nothing, nothing... because i was so
formulated to write what i wrote...
  i wrote the last bit, walked into my room,
and played the second version of auld lang syne...
the royal scots dragoon guards pure instrumental...
   and you get to weep these cold tears
after an insomniac cold shivers getting warmer with whiskey...
              and whimper and bite your bottom lips...
because you're hardly a woman fainting
and the drama isn't in you...
               and it's actual tears...
people laugh and cry saharan tears, meaning: it never
rains over it...   i see Sahara as the ancient version
of the Himalayan mountain range, suddenly reduced
because god is fickle and well, aren't we all?
           if any of us are alive to read or speak such
encodings... there will be a desert made from
the Himalayas that will be called the Himalaya -
but that's really being optimistic.
       there used to be mountains, mountains in
north Africa, Gandalf! but they crumbled in deserts!
where once a mountain range, subsequently a desert...
where now a desert, once a mountain range.
can i please get a taxi to leave this current
history and Darwinistic revisionism of it as telling
us ape Adam had more psychology about him than
Charles XIV? i want to hear the geological version
of Darwinism! but am i hearing any of it? n'ah ah.
       so yes, upon hearing the scotch dragoon guards
pipe a full whiskey sodden breath into the
         bagpi - i heard the word counter to my scrambled
narrative... king... king?!
                   which is what's bewildering about
a medical term deemed premature dementia...
   it's an organic impossibility...
but given society is an inorganic organism
and all our socio-political mechanisms aren't exactly
organic, there might be some sense in this piquant
dabble in an auditory hallucinogenic experience -
which, evidently, people find frightening,
since they occupy defining their thinking with
hearing so much, and when seeing a homeless man
think so little...
                     logic? a particular arrangement of words
that does not provide kind rubrics for the testimony of
the many...
                    i can hallucinate this auditory "addition"
and competently go on my daily business,
or my nightly business finishing a bottle of scottish amber...
some people cannot...
                 what i see it western society predicating
their poor knowledge of Alzheimer's as if searching
for some genius to explain what happens to the abstract
functions of what the brain represents
                 in terms of how the brain and abstraction
can't be cleanly separated, i.e. to treat the degeneracy
of the brain as succumbed to, but not succumbing to
the elaborated foundations of the "brain"
within the trans-physical functions of the "brain"
within a framework of memory, vocabulary, memory.
people first attribute the brain with too much
           concern for abstraction when in fast the driving
force for abstraction is the now-vogue zeitgeist
"psyche does not exist" -
                            and when the brain degenerates like
a heart or a kidney can... people start to freak
out propping out a Frankenstein revival that brain
cannot in-act upon...
                                 they told us the brain is fat...
          then they tell us only 0%, or fat-free yoghurts are
good... isn't the case for the epidemic of dementia
due to the fact that we're censoring fat?
what feeds the brain? fat! what are we censoring from
our diets? fat! fat free ******* yoghurt!
                             where does the modern epidemic
stem from? censoring fat! you anorexic ******* morons!
  you know why i put extra fat in the way i cook
meals, you know what orthodox cooks tend to
like a sizzle of a lump of lard? brain food...
     and yes, some call it eating a lot of nuts...
well then... fry me a ribs-eye steak on a handful of
cashew nuts you crazy *******!
            this is what drives me crazy concerning
auditory hallucinogenic experiences...
there are no drugs that you could ever sell that people
would buy to experience an auditory hallucination...
primarily because people made thought
   an auditory experience...
                  that's the norm, i'm not talking Walt Disney
here... and people enjoy music because it feeds the heart
in a way averse to images that feed the libido
or dreaming...
    the point being, my "hallucinatory" experience lasted
for less than a second... some ***** on l.s.d. trips
for half a day because he finds modern movies boring
and finally gets to appreciate cubist contortion
mechanisations... i can do more damage with a second's
worth of "auditory" hallucination than that little
hippy can do away with 12 hours, and only end up
writing a haiku thinking he can suddenly conjure up
spirits of Shinto like some Gilgamesh *** Bruce Springsteen;
then he shaves his hair and travels to Mongolia
to learn the index against the lips motorboating
harmonica... and i end up saying: thank you;
cos it wouldn't be twangy without that kind of a tranquiliser
to stabilise excitement beyond encoding sounds.
          i can tell you how ******-up my internal
narrative has become, so i'm defeatist,
here's how it looks like when i get agitated...
               writing on a white flag...
      oh look: wavy! wavy! i'm waving it...
going boats full of nuts and bananas!
             you ever hear the story of a psychiatrist
jumping on a table and barking when a conscription
  cadet tried to fake being mad?
      she did what i just wrote and asked H. Clinton
to reiterate on the campaign trail.
                    inauguration 2017:
   i solemnly swear, that H. Clinton barked like a ruffian
poodle on the campaign trail.
  beside the point though, schizophrenia is an inorganic
manifestation of an actual organic degeneracy -
it's a negation-of-ease for dangerous people...
     people who probably have a music taste outside
the top 40 best selling albums (let alone singles)...
                   and they're quick to pick up on this grey area
concerning premature depression...
                it's trendy these days... people who are melancholic
are people who are like Homer, wrote the Odyssey
went blind from making too much heroism from
      the cannibalism at the gates of Troy and couldn't
handle telling a single lie after having written such an epic...
   or as Virgil convened: Paris didn't escape,
Aeneid did... no one knows what happened to Paris,
       probably choked on a raisin or something:
it's ancient history, if you're not going to talk about it
in a callous manner, then be prepared for careless mannerisms:
pout, **** *** cheek, shelfie!
               what i am seeing is this quote:
a butterfly on the Galapagos Islands... a Tornado in
Colorado... the poetics of quantum physics,
or misplaced potentials of counter-quantifiable
simultaneous counter-interpretations...
    the butterfly effect? under the umbrella corporate
otherwise known, from ancient times: a metaphor.
hey, we started reading into hydrocarbons,
there's no way to talk easy for us...
                           for all my love for one inspiration,
i lost my love for him when he said that not tying your
shoelaces (i.e. spelling) was because he thought it was
indoctrination... you know who i mean: Mr. Chow Chewski...
   spelling? that's like tying your shoelaces!
         question is... who would ingest a hallucinogenic
drug that didn't utilise the multi-coloured world to
an excessive amount to be prescribed, say, an U.V.
phosphorescent spectrum of seeing... when, given all
that... sound occupies this realm of b & w?
               who could create an auditory hallucinogenic?
can you imagine it?
                             most people with a weakened cognitive
membrane would go nuts... as the case has been proven
many a times...
        but given the fact that no such hallucinogenic exists,
or that "auditory" / cognitive hallucinations are
disregarded even though Descartes stressed this
   notion of a substance / thought, and an extension /
       sensual disparities with regards to cohesive uniformity,
i.e. regarding over-stressing a particular sense
      and never reaching a former cohesion...
           can only mean a circumstance later described
by Kant within the framework of the noumenon -
    i.e. perhaps you've seen too much, but heard too little...
perhaps you've tasted too much, but had barely a sniff of
                  more...
        the original thought when exposed to a cohesion
of uniformed senses, experiencing a discohesion of
             a presupposed sensual "uniformity",
returns back into a form of thought, i.e. an extension...
                only because the thing in question is a
presupposition, not a supposition that can be countered
with a proposition, i.e. since we all made mistakes
presupposing, we have become prone to propositions to
suppose otherwise... in terse terms: invent politics.
so what i termed "auditory" and "hallucination"
and conflated them in a prefix of cognitive-, in consolidation
i meant to say that: once all presuppositions (thoughts)
disappear by the miraculous ape that man either is
or wishes himself to still be... and we deem to say:
   reality...                 we only have suppositions (extensions)
               that appear...
                         by the miraculous ape that man never
was and wishes himself to nonetheless be:
  in that consolidatory ref. to the last trinity of Cartesian
thought: substance - in the former the formation
of will... in the latter the complete lack of it -
                              to the simpler scenarios,
we already have knowledge of prisons and asylums...
            because internalising such possible scenarios
never leaves the many to be grafting such possibilities
with enough calm as to persevere for the sole purpose
of understanding, as what point can a noumenon-unit
enter the argument if not from a reflex
                       as this continued narration explains...
none of this was reflected upon...
reflection in such circumstances usually means weaving
a machete at your neighbour...
                                  the noumenon-unit
the ping-pong factor in all of this is a reflex action...
         not a reflective action...
               i am no king no more than i am a pauper...
   now imagine if i tripped for 12 hours on l.s.d.,
having extracted so much, from an "auditory" "hallucination",
that, in the realm of the mind, is neither a minute,
nor a second, nor a nanosecond...
               it's unitary equivalent is simply that of: a word.
Aaron McDaniel Oct 2012
I have an army at my sides
Teenage soldiers marching along side making no commotion
Ready to shoot cartridges of heavy emotion
and landmines of loud music
Marines scream their motto ‘Semper Fi’
We reply with an attitude as if we’ll never die
Everyday, unknown soldiers
Our brothers and sisters are dying
in drama filled warfare
Someone tell me these crosses on
Highway sides are okay because
too many populate the green surface they’re held by
I can’t stand hearing how a
14 year old gets shot by a
15 year old now locked up for
16 years all for
17 oz of ****** so now a cop can tell
18 family member some ******* about how kids make ******* decisions because
“We don’t know any better?”
From swing sets and sand boxes to
Slick rides and ****** tension
We’ve been changed from overalls to overrated double standards
As a whole we’ve lost out innocence
We’ve been termed as the lost youth
So let’s get maps to find out way back
3 paces east and 4 to the north
We will end where it all began
Chances are that 90% of people won’t get
our fascination with funny pictures of
Cats on the internet, but that’s because they don’t
understand the generation the 90’s gave birth to
I’m only 16 and growing up scares the **** out of me
I don’t know what one person can do to
stop every disease and flu from passing
through and staying true to humanity
Tom Wargo was quoted as saying;
“Growing old is mandatory;
Growing up is optional”
If this is true then I want to stay
17 on the inside, I’ll be
82 on the swing sets laughing away.
Other parents will whisper and wonder
But I won’t care.
As long as I can stretch my toes
to touch the sky and grab it’s mysteries
I guess that’s why they say plant your foot firmly
in the front door because my toes can’t latch onto nebula's.
So when I fall I’m going to need a platform to land on
If we rely on one another to thrive, strive and survive
Then where will i fall to if my generation single-handedly kills one another till nobody is left?
We live in the moment but the moment has passed
So seize the next moment and live for tomorrow
So when tomorrow becomes today
You’ll be ready.
We
Will be ready
We won’t be killing
We won’t be stealing
We won’t be lying
and most importantly
We won’t
Be
Dying
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
Ayad Gharbawi Dec 2009
THE STORY OF SARA

OR A REFLECTION ON OURSELVES

Ayad Gharbawi

Chapter 4: THE HALLOWED PURIFICATION PROGRAMME




  One night, Omar began to thunder on:
  "No more of the disgusting concepts and ideas created by the Pigs! We should eliminate from our minds every single Pig that is influencing you, and I must say to you all, that I'm not seeing any progress."
  The audience suddenly went all quiet.
  Our leader was not satisfied with our emotional progress.
  We were not purifying our minds in a manner and speed that was satisfactory to the Great Noble Leader Omar.
  "I am looking at you all. I see you; yes, I, Omar, see each one of you. Your eyeballs seem to me to be unsure of what's behind them – I mean, your brains."
  Omar's voice began to talk in a tone that was almost a whisper, whilst the vast audience strained their ears to catch his every precious word.
  "And inside your brains lies our minds. Well, I'm talking about your minds, my friends. I'm not seeing progress. Yes, you do this riot; you **** this Pig; you burn this Pig school – and all of these acts are crucial to our holy cause. But, what about you yourselves? What about your own minds? Maybe you, too, are tainted with some of the Pig mentality yourselves? Now, how about that? Yes? What do you think?"
  The audience gasped.
  Omar began to raise his voice again.
  He was taunting this audience.
  Mocking them.
  Sarcastic.
  "Why, you really are telling me, that you think and feel and believe, that you have the right to **** Pigs?"
  At this question, Omar stopped.
  The audience gasped louder.
  I knew what they were thinking.
  Is our Great Noble Leader questioning our faith in him and in the cause itself?!
  He screamed, almost blowing away the microphones!
  "Why, who gives you the right to be soldiers in this unforgiving, merciless and ferocious war we are waging every day against vastly superior forces? I'll tell you 'who' gives you that right."
  The audience waited in tense anticipation at our leader's answer.
  It was so silent in this vast stadium, you could hear a pin fall.
  "What gives every man, woman and child the right to be a soldier in this brutal struggle is when that soldier has the purest heart and mind. It's as simple as that. And to be 'pure', my friends tonight, is the one who has not a shred, and does not have one ounce of Pig matter. That's right, you heard. Pig matter. Any dog that has even a fleeting Pig thought, is a Pig him or herself!"
  The audience now began to whisper among themselves.
  They seemed to be receiving the light from the words being delivered by Omar.
  Many were saying among themselves, that, 'Yes, we do have Pig thought and ideas and emotions and feelings in our hearts.'


  Omar continued, in a soft voice, after allowing his audience to digest his last words:
  "Yes, that does come as a surprise to you, doesn't it?"
  "Yes!" roared back the audience who now fully submitted to his question and answer.
  "So, I ask you – who are you?" he screamed!
  And the crowds immediately screamed:
  "Pigs! Pigs! Pigs! We are ***** Pigs!"
  Again and again, the crowd seemed to be going a little bit hysterical.
  Some began tearing off their clothes, as if they were trying to 'cleanse' themselves from their Pig thoughts!
  "That's right!" screamed back Omar, furiously and wildly staring with those maniacal eyeballs, like some trapped, ferocious animal, at his audience:
  "Why you yourselves are Pigs! That's right! Come on now! So, what are going to do about you? If you give yourselves the 'right' to **** Pigs, then why don't I have the same 'right' to order my best elite troops to **** you too?"
  "Save us! Save us!" screamed back the audience.
  "Save yourselves!" Omar screamed right back.
  "We are filthy! We are Pigs!" the audience began to insult themselves in all sorts of words and phrases.
  At this point, Omar was shrieking!
  "That's right! You are filthy Pigs yourselves, aren't you now?”
  The audience continued to scream and you couldn’t understand what they were saying anymore.
  Omar went just as suddenly silent.
  He just looked at his followers, and allowed them the need to express themselves.
  After some twenty minutes o this chaotic screaming, Omar became impatient and quickly motioned his followers to be quiet.
  Silence.
  He continued, with a soft tone:
  “So, I hereby announce the following."
  Once again the entire audience become tense.
  What was Omar going to order now?
  "I hereby allow you all, and I mean all our soldiers and not just those sitting with me here in this stadium; I order all of our soldiers to purify themselves of every Pig matter. You will have three months. And then, after that term ends, we will establish courts, to decide wether you have succeeded in cleaning yourselves from these cancerous and murderous feelings and emotions you have. Our courts and our hallowed judges will next decide, case by case, wether you are clean or not!"


  Later, when it appeared that our mostly pathetic, ***** and sick 'soldiers' were simply unable to cleanse their minds from the Pig establishment in three months – since they had no instructions or guidance - Omar, in his eternal grace, patience and humanity, decided to help them, by allowing classes to be held where one teacher would help each and everyone to 'cleanse' themselves.
  Personally, I thought that our Great Noble Leader was decidedly wrong in being so gracious to these so-called soldiers, because, in my opinion, this lot were not worthy of being in our party, and they ought to have been immediately expelled.
  "But, Sara," Omar would gently explain to me in his humble office, surrounded by his most trusted officers, "if we were to purge every undesirable element in the party, I would be left with practically nobody!"
  I took in his gracious words. and then thought about it.
  Why, he was correct, yet again, in his thinking!
  Indeed, if we did purify our party from the filthy ones, we would be left with little more than a handful of true, faithful and clean combatants and that, obviously, meant our self-destruction!
  "You're right, Sir; as usual, I think too hastily. That's why you are the only leader for us; my God, if I, God forbid, were leader, why I would have destroyed the party and our eternally holy cause years ago!"
  "Indeed, indeed, my dear," Omar softly said, but he seemed to have already forgotten my words, and, he was already somewhere else, thinking deeply about another problem.
  And so I, of course, went silent, so as not to disturb him.


  "You know what?" suddenly he asked me, his eyes sparkling with passion.
  "Yes, Sir?"
  "These 'classes' I was talking about. You've studied psychiatry, and I believe that we must use psychiatric methods to purify my subjects."
  Suddenly a strange feeling overcame me; I found the word describing the party members as 'my subjects' a little bit odd.
  Also, didn't Omar call psychiatry a Pig subject for all those years? Indeed, he said everything they taught us at university was evil, and that even the institutions of universities were dens of evil. And, yet, now, he was asking me to help him using what I was learning from my university days?
  "Yes, I can see the path I am talking about Sara. We need to get psychiatrists, like yourself, to tear out, yes, tear out, the filthiness in our party members."
  Suddenly, he got quite excited by his visions.
  "That's right, my dearest one, Sara. Yes, and I appoint you to supervise this programme of purification. That's right, and I shall call it by its simplest name, the 'Programme of Purification'!"
  Suddenly, I got excited as well, forgetting my previous disturbance.
  "That would be such a heroic move on your part, Sir." I gleefully told Omar.
  I feel that not only was he the saviour for our nation, but that he was also a personal saviour for myself.
  "Yes, I see my vision where it is leading us to. My dear Sara; you will set up these classes and you will bring the psychiatrists and you will purify the ***** elements in our classes."
  I got nervous again, for I just realized the magnitude of the job Saviour Omar was demanding I do for him!
  "And therefore, I Omar call for an immediate ceasefire against all Pigs!"
  Everyone in the office stood there in a state of shock!
  A ceasefire against the damnable Pigs?!
  Holy Omar could, of course, read our faces and smiled.
  "But Holy Sir," one officer softly asked, "how can we have a ceasefire against the most evil forces in the history of our country?"
  "And, Sir," asked another officer, "if we stop our eternally pure and humanistic battle against the disease-ridden pigs, wouldn't the latter take that as a sign of weakness on our part?"
  Next, saviour Omar raised his hand.
  Everyone went silent.
  He looked at us.
  There were no words from his mouth.
  We waited humbly.
  Geniuses take their time to formulate the right structure of words, not because they don't know what to say, but they do so that we fools can understand what they have to say.
  It is out of concern for us.
  Omar finally spoke:
  My clean, pure soldiers. We must declare a ceasefire, for I have no other choice. As a humanist, how can I allow impure elements from our party to fight and **** Pigs, when they themselves are still 'impure'? Where is the morality in that?"
  Suddenly, I couldn't help but feel such fanatical love for this man; I can only describe his man and his words, as pieces of Heaven coming down to us inferior beings, and if we are decent, then we must grab every shred and piece that he utters, so we can, in turn, save our impure souls.
  "Beautiful thoughts indeed, my Gracious Leader!" I said.
  Then I turned to the listeners:
   "What's wrong with the rest of you? If, one of our 'own' party members was impure, then by what right does he and she have to fight and **** Pigs? We must cease all out activities, until we have a purified party! It's simple and obvious!"
  Thereupon followed silence.


I was speaking the obvious.
  Finally, a voice spoke:
  "So, how exactly are these psychologists going to 'purify' the 'minds' of our party members?"
Good question – one that I had not thought about.
  Indeed, how, and by what means, were we going to purify the undesirables?
  And then, just at the right moment, Omar spoke his words:
  "Yes, that is a great question. There's no use giving orders that no one knows how they are to be carried out. You see, it will not only be the job of psychiatrists who will purify the filthy ones. No, we will force the filthy ones, to ***** out every filthy thought, feeling, and idea; and we shall make sure that all these impure thoughts and feelings and convictions will be screamed out of their minds."
  At that last phrase, once again, I found myself pausing and thinking, what an odd thing to say!
  I got lost in my thinking.
  After all, Omar always, and I mean always choose his words carefully, for he would always make it a point to be so careful with the choice of his words, so that his credibility would never be in doubt and so people do understand that that he means exactly whatever he says.
  I must confess, I was completely confused.
  On the one hand, I had such deep reverence, complete love and a total need for Omar, and then, there was a part of me, that simply didn’t understand what he was talking about!
  I remembered, once more, how everything was so nice and easy and simple with Tony.
  But, I assume, that Tony was a general doctor, whereas Omar was a surgeon, and so, with Omar, we had to face a far more complex situation.
  "What do you mean by that, Sir?" asked one of the officers, waking me up from my thoughts.
  "I mean, it shall be the duty of every party member to purify every other party member. We must all be psychiatrists! This will be done, of course, under the supervision of the leader psychiatrist in each class. He or she will guide you, as to how to get every party member to rip out every Pig attribute in our party members. It's as simple as that."
  At that, Omar gestured to indicate that the meeting was over, and so we left.
  I kept thinking that his idea was, I'm sure, utterly brilliant, but how in practice were going to do this?


  He left his office far too soon.
  We had too many questions to ask, and yet, by leaving us, Omar was, in effect, giving us a 'programme' to do, but without clear, precise orders.
  So, how were we going to carry out his orders?
  What did he mean that 'we must all become psychiatrists'!
  That was absolutely absurd!
  Untrained people cannot simply 'become' psychiatrists, even if they are 'led' by psychiatrists – or to use Omar's words, to be 'guided' by psychiatrists.
  So, Omar's idea seemed to me, to be really a recipe for a catastrophe for our party.
  The more I thought of it, the more I found my mind asking myself the question: why was Omar insisting on this 'purification programme' in the first place?
  Couldn't the party and its members simply continue the struggle, without having to enforce this ridiculous programme?
  And didn't Omar realize that his insistence on us carrying out his orders to do the purification programme, was going to cause absolute chaos, disruption and ultimately mass desertions and expulsions from our party?
  In other words, Omar's sudden 'need' to 'purify' our own members seemed to me to be a self destructive act that would seriously damage the party.


The ceasefire announcement was barely noticed by the Pigs – which came as a shock to many of us.
  The government didn't seem to actually care at our ceasefire announcement.
  Indeed, the Pigs declared that what they termed as the 'social troubles' was, in effect, 'over' and so, therefore, the country could breathe a sigh of relief, and people could now be 'happy'.
  I didn't believe what the government was saying.
  I was of course nauseated by the hypocrisy of the Pig leaders, because, their pronouncements were lies, as usual, and they would of course, continue their merciless war against us, while we had to cease our fire.
  Yes, Leader Omar was probably correct, but I was **** frustrated, because it seemed to me, for the first time since I joined the party, that the Pigs may now well win the struggle.
  It was obvious to me!
  For how on planet earth could we 'win' a war, when we were not allowed to fight, while the same eternal enemy would continue his war against us?!
  Also, to be very honest, I'm not sure that we could 'purify' Pigs in the first place.
  It seemed to me to be a contradiction!
  I would simply have to swallow whatever Leader Omar ordered us to do.
  God knows, he's proven to be correct every time before, and maybe, he will confound us once more with his superior wisdom.
  Have faith, Sara, have faith!
  Never question the Great Leader, for he is superior to all of us; after all, that’s why he’s the ‘Great Leader’ in the first place!
  Keep the faith!
  How can we understand what a su
234

You’re right—”the way is narrow”—
And “difficult the Gate”—
And “few there be”—Correct again—
That “enter in—thereat”—

‘Tis Costly—So are purples!
’Tis just the price of Breath—
With but the “Discount” of the Grave—
Termed by the Brokers—”Death“!

And after that—there’s Heaven—
The Good Man’s—”Dividend“—
And Bad Men—”go to Jail”—
I guess—
I feeleth so anxious as the fleshy winds outside,
Invisible as their turquoise screams, I feeleth like everything is just not right;
Ah, but how if even all later suns shan't be fair,
And t'is passivity shan't ever be bound to fade?
For my soul declares-t'at he, it wants not any more to care;
And about thee only, it wants to be quiet, yet witty still-like yon pale lovesick summer glade;
I want to attach myself to our captivated hours right now;
With thee in my lap, and thy gentle whispers-as today shall be replaced by tomorrow.
I want to dream of thee once more tonight, o sweet Nikolaas;
My darling at present and from the future, whilst my only dearest, from the past.
Ah, sweetheart, why are but our subsequent hours-and perhaps paths, to suffer;
If thou art not by my side, and maketh not all t'is terseness better?
Ah, and wouldst it ever make sense any longer;
To live by him-but without thee, wouldst it but make my wild heart easier?
For censure is to which my answer, and is hatred-for I cannot help loving thee more;
I wanteth to love, and age-by thee, and by thee only, within my most passionate core,
And I wanteth not to understand anything-for comprehension shall but renew our last sorrow;
I wanteth instead-to renew t'is despaired wholeness, and its proven compassion-our love has once made nature show.

I still wanteth to remain quiet; to cherish and glitter within my wholesome devotion;
But which duly keepest me sober, and maketh my doubled heart tremble not;
Calmeth me, calmeth me with thy kisses-so enormous and tasty, like a quiet can of little soda;
Maketh me accursed, petty, and corny-maketh me thy lands' most dreaded infanta.
Tease me like I am a quivering little darling, who cannot but tries shyly still-to sing;
With a coarse voice descended from sunlight, where the worst are joy, and lovingly mean everything.
Maketh me honest, and tempteth me deeper and more;
Until I sighest and flittest myself away, with agility like never before.
Consumeth my greed-and with it, drinkest away its all befallen vitality;
For I knoweth thou shalt restore me, and reneweth all my endeavoured weaponry.
Ah, Nikolaas, how sweet doth feel t'ese blessings, by thy very side!
Nikolaas, Nikolaas, my lover-my sweet husband, from whom my hungry soul canst never hide!
Oh, and darling, Amsterdam might be cold, and plastered with one slippery tantrum;
But thou art still too comely to me-with those familiar eyes like a poem;
A poem t'at my very heart owns, and is graciously fat'd to be thine;
And thine only-for as I danceth later-in my princess' frock, I knoweth t'at thou art mine.
Ah, but fear thou not-for shall I protect thee like t'is;
I shall slander thy rival west and east, I shall degrade t'em all to'a yawning beast!
And upon my victory be I at ease-and finely grateful;
On which truth shall spring, and maketh our love venerated-and more fruitful!
Ah, just like I had b'fore-how canst kissing thee be extremely pleasant,
Even whenst he be t'ere, or perhaps-be the one concerned?
I hath to admit, t'at 'tis thee-and not him, I so dearly want;
Thee who hath painted my love, and made everything cross but all fun;
Thee whose disguise is my airs, and who hath ceaselessly promised to be fair,
Thee whom I'th dreamt of t' be my lifelong prince, with whom I wish to be paired,
Thee whose recitations lift my heart upwards, and my delight proud;
Thee whose poems hath I crafted, and oftentimes recited sensibly, out loud.

Ah, t'at devil-who told us t'at our joys cannot be real;
For they are not at all virtuous-nor by any chance, vigorous?
Ah, fear not those human serpents, darling, whose mouths are moth-like-bloodless but who canst ****;
For to God they are mortal still, and to His eyes whose jokes are not fun, nor humorous;
And thus we shall be together, as we indeed already are;
For our delight is not to be altered-no longer, as dwells already, in our heart;
We shall come back to it soon, as tonight's full moon smilingly starts;
And exalt it as wint'r comes-dear winter, as perhaps only be it, one few months' far;
Ah, and be I then, crush all t'is impatient longing, and sorely missed affection;
And vanquish all the way, t'is all omnipotent sin-of having loved only, a severe affliction;
Oh, but under whose guidance, Amsterdam shall embark again, and smile upon us;
And lift our tosses of joys, into the lapses of its sweet thunders, fast!
Ah, Nikolaas, shall we thus be together, under the wings of Amsterdam's rainbow;
To which endings shan't even once appear; as guilt be then dead-and is not to show;
The only left opus of love be ours to sing, as heaven is-so benevolent;
Betray us not, with fruits of indifference-much less once of one malice, and gay impediment;
And our happiness shall be pure-and entangled, like a pair of newborn twins;
To which our fantasies are finally correct, and thus its affixed lust-shall no more be a sin.

Such love and lust-whose fidelities shall be our abode;
But by whose words-delusions shall never arrive, and thus be put aside;
Novelties shall be fine, and their definitions shall be lovely;
They shall twitch not-for a simple moment of starched felicity!
Oh my darling, I needst to come and visit my wealthy Amsterdam;
With authenticity now I entreat: myself, myself, ah, run there-whenst stop doth time!
For as we embarketh, no more worrisome medleys shall they come again, to bring;
And to no more sonata, shall they retort-nor so adversely, and dishonestly, sing.
Ah, Nikolaas, the stars are now obediently looking down at us;
Jealous of our shimmering love, which is the lush garden's yonder, giddy beaut;
Ah, who is shy to its own mirror, and oft' looks away so fast;
But needst not to swerve, factually, for 'tis, on its really own-has but very much truth!
But still, whose hastiness maketh it succumb-and even more bashful then the sky;
Ah, as if those pastimes of its ****** soul are always about-and be termed but as a single lie!
For it shall never happen, to it-who owns our midnight hours-with one promise to be skirted away too fast;
With not even a single pause, nor a second of rest-while it passes?
Ah love, our very love; its circular stains, nevertheless, as left hurriedly-too massive to resist;
For they giveth taste to our plain moonlight-and thick'ning flavours to our kiss;
So at our first night of gaiety thereof-we won't be hunger for earning too much bliss!
Ah, Nikolaas, all shall be perfect-for felicity is no longer on our part-to miss,
And t'is part of our earthly journey shall feel, defiantly like heaven!
I shall be thine-and claim no more my thine self as his;
In thee doth I find my salvation, my fancy dome-and my most studious cavern!
All which, certainly-is his not; all which shall be ripe, and thus fragrant-like a rose perfume;
And by whose spell-we shall be love itself, and even be loved-within the walls of our private haven;
And even then, we shall love each other more-as be cradled in each other's arms; and lost like this, in such a league of harmonious poems.

Amsterdam shan't be rigorous, it shall be all fair,
Its notions are curious, like these but entrancing summer days;
Thinking of which is but a sweat-but a bead of sweat for which I most care,
Which is neither dreadful nor boastful, as I devour it avidly, amongst t'is poem I'm 'bout to say!
And t' mindfulness of which, I shall no more hastily rid of;
I was too dreary back then, crudely foreshadowed by a crippled love!
'Twas my mistake-my supposedly most punished, punished mistake;
For faking a love I ought not t've ever made, and one I ought not t' ever take!
A mere dream I hath now fiercely pushed away;
And from which I hath now returned, to my most precious loyalty,
As thou knoweth-thou hath never wholly, and so freely-left me,
Thou art all too genuine, and pristine, like yon silvery river-as I oft' picture thee.
Ah, so t'at is all true; t'at thou art my most gracious, and unswept loving angel,
A prince of royalty, and my very, very own nighttime spell.
Just like thou hath done hundreds of time, thou maketh me but delight and mischief;
And notions t'at bubble within my most, giving me charms and comfort-for me to continue to live!
Together, our lips shall be warm-and no more joy shall be left naked;
Soon as there are more tears, we shall throttle and fairly feast on it;
Making it all but remotely conscious, and forcibly-but sensibly, deluded;
Making it writhe away impaired, and its all possible soul awesomely flattened!
Ah, Nikolaas, thou shalt be the mere charm t'at leaves my odes too fabulous-by thy wit,
Oh, my darling, for thou art so sweet; o, Nikolaas, I really hath only my words, to play with!

And guess what, my darling, heaven shall but gift us nobly, all too soon;
An heir shall we claim; as descendeth one day beneath the excited full moon.
For he shall be born into our naughtiest perusal;
And demand our affection excitedly, as time is long, as arrives winter-from last fall!
Soft is his hair, clutched in his skin-so bare and naive;
He shall be our triumph, and a farther everyday desire, to continue to live!
And we shall consider him our undefined, yet a priceless fortune;
Light as the night, at times singular but cheery-like the sketch of a fine moon.
And portray in us both the loveliness of a million words;
He shall be handsome, just like our love-which is damp but funny, in whose two brilliant worlds!
Oh, my darling, I now looketh forward to my heavenly Amsterdam;
Whose prettiness shall be thoughtful, as I thinketh of it-from time to time.
Ah, thus-when all finally happeneth, I shall know thou art worth the whole entity of my thousand longings;
Thou art the miracle t'at I hath decently prayed for-and thus fathomably, the very sweet soul-of my everything.
katewinslet Nov 2015
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I am a poet.
I am an artist.
A lover of words, a shaper of thoughts, a master of feelings;
A player of emotions, a speaker of charms, a thinker of minds.
A giver of taste-and at times, a succulent creator of madness.
Madness outside such lines of timid regularity;
The rules of the common, and the inane believers of sanity.
For to me, sanity is as easy as insanity itself-
On which my life feedeth, and boldly moveth on;
And without insanity, t'ere shan't be either joy-or ecstasy;
As how ecstasy itself, in my mind, is defined by averted uneasiness,
And t'at easiness, reader, is not by any means part of;
And forever detached from, the haunting deities of contemporaneity.
Thus easily, artistry consumeth and spilleth my blood-and my whole entity;
Words floweth in my lungs, mastereth my mind, shapeth my own breath.
And sometimes, I breathest within those words themselves;
And declareth my purity within which, feeleth rejection at whose loss;
Like a princess storming about hysterically at the failure of her roses.
Ah! Poetry! The second lover of my life; the delicacy of my veins.
And I loveth, I doth love-sacredly, intensely, and expressively, all of which;
I loveth poetry as I desire my own breath, and how I loveth the muchness of my fellow nature;
Whose crazes sometimes surroundeth us like our dear lake nearby;
With its souls roaming about with water, t'at chokes and gurgles-
As stray winds collapseth around and strikest a war with which.
And most of the year-I am a star, to my own skies;
But by whose side a moon, to my rainless nights;
On the whole, I am an umbrella to my soul;
So t'at it groweth bitter not, even when t'ere is no imminent rain;
And be its savior, when all is unsaved, and everything else writhest in pain.

Thus I loveth poetry as well as I loveth my dreams;
I am a painter of such scenic phrases, whose miracles bloometh
Next to thunderstorms, and yon subsequent spirited moonbeam.
And t'eir fate is awesome and elegant within my hands;
They oft' sleep placidly against my thumbs;
Asking me, with soft-and decorous breath;
To be stroked by my enigmatic fingers;
And to calm t'eir underestimated literariness, by such ungodly beings, out t'ere.
Ah, poor-poor creatures-what a fiend wouldst but do t'is to aggravate 'em!
As above all, I feeleth but extremely eager about miracles themselves;
and duly witness, my reader-t'at t'is very eagerness shall never be corrupted;
Just as how I am a pure enthusiast of love;
And in my enthusiasm, I shareth love of both men and nature;
And dark sorrows and tears t'at oft' shadowest t'eir decent composures.
When I thirstest for touches, I simply writest 'em down;
When I am hungry for caresses, I tendeth to think them out;
I detailest everything auspiciously, until my surprised conscience cannot help but feeling tired;
But still, the love of thee, poetry, shall outwit me, and despise me deeply-
Should I find not the root, within myself, to challenge and accomplish it, accordingly.
I shall be my own jealousy, and my own failure;
Who to whose private breath feeleth even unsure.
I shall feel scarce, and altogether empty;
I shall have no more essence to be admired;
For everything shall wither within me, and leave me to no energy;
And with my conscience betrayed, I shall face my demise with a heart so despaired.
Ah, my poetry is but my everything!
'Tis my undying wave; and the casual, though perhaps unnatural;
the brother of my own soul, on whose shoulders I placeth my longings;
And on whose mouths I lieth my long-lost kisses!
Ah, how I loveth poetry hideously, but awesomely, thereof!
I loveth poetry greatly-within and outside of my own roof;
And I carest not for others' mock idyll, and adamant reproof;
For I loveth poetry as how as I respectest, and idoliseth love itself;
And when I idoliseth affection, perhaps I shall grow, briefly, into a normal human being-
A real, real human being with curdling weights of unpoetic feelings;
I shall whisper into my ears every intractable falsehood, but the customary normalcy-of creation;
And brash, brash emptiness whom my creative brains canst no longer bear!
Ah, dearest, loveliest poetry, but shall I love him?
Ah-the one whose sighs and shortcomings oft' startlest my dreams;
The one whom I oft' pictureth, and craftest like an insolent statue-
Within my morning colours, and about my petulant midnight hue?
Or, poetry, and tellest me, tellest me-whether needst I to love him more-
The one whose vice was my past-but now wishes to be my virtue,
And t'is time an amiably sober virtue-with eyes so blue and sparkling smiles so true?
Ah, poetry, tellest me, tellest me here-without delay!
In my oneness, thou shalt be my triumph, and everlasting astonishment;
Worthy of my praise and established tightness of endorsement;
But in any doubleness of my life-thou shalt be my saviour, and prompt avidity-
When all but strugglest against their trances, or even falleth silent.
Ah, poetry, thou art the symbol of my virtue thyself;
And thy little soul is my tongue;
A midnight read I hath been composing dearly all along;
My morn play, anecdote, and yet my most captivating song.

I thirstest for thee regularly, and longeth for thee every single day;
I am dead when I hath not words, nor any glittering odes in my mouth to say.
Thou art my immensity, in which everything is gullible, but truth;
And all remarks are bright-though with multiple souls, and roots;
Ah, poetry, in every summer, thou art the adored timeless foliage;
With humorous beauty, and a most intensive sacrifice no other trees canst take!
O poetry, and thy absence-I shall be dead like those others;
I shall be robbed, I shall be like a walking ghost;
I hath no more cores, nor cheers-within me, and shall wander about aimlessly, and feel lost;
Everything shall be blackened, and seen with malicious degrees of absurdity;
I shall be like those who, as days pass, bloometh with no advanced profusion,
And entertaineth their sad souls with no abundant intention!
How precarious, and notorious-shall I look, indeed!
For I shall hath no gravity-nor any sense of, or taste-for glory;
My mind shall be its own corpse, and look but grey;
Grey as if paled seriously by the passage of time;
Grey as if turned mercilessly so-by nothing sublime;
Ah, but in truth-grey over its stolen life, over its stolen breath!
I shall become such greyness, o poetry, over the loss of thee;
And treadeth around like them, whose minds are blocked-by monetary thickness;
A desire for meaningless muchness, and pretentious satire exchanged '**** 'emselves;
I shall be like 'em-who are blind to even t'eir own brutal longings!
Ah, t'ose, whose paths are threatened by avid seriousness;
And adverse tides of ambition, and incomprehensible austerity;
Ah, for to me glory is not eternal, glory is not superb;
For eternity is what matterest most, and t'at relieth not within any absence of serenity.
Ah, but sadly they realiseth, realiseth it not!
For they are never alive themselves, nor prone-to any living realisation;
And termed only by the solemnity of desire, wealthiness, and hovering accusations;
For they breathe within their private-ye' voluptuous, malice, and unabashed prejudice,
For they hath no comprehension; as they hath not even the most barren bliss!
And I wantest not to be any of them, for being such is entirely gruesome;
And I shall die of loneliness, I shall die of feasting on no mindly outcome;
For nothing more shall be fragrant within my torpid soul;
And hath courage not shall I, to fight against any fishy and foul.
My fate is tranquil, and 'tis, indeed-to be a poet;
A poet whenst society is mute, I shall speak out loud;
And whenst humanity is asleep, I wake 't with my shouts;
Ah, poetry! Thy ****** little soul is but everything to me;
And even in my future wifery, I shall still care for, and recur to thee;
And I shall devote myself to thee, and cherish thee more;
Thou hath captured me with love; and such a love is, indeed, like never before.

But too I loveth him still, as every day rises-
When the sun reappeareth, and hazy clouds are again woken so they canst praise the skies.
I loveth him, as sunrays alight our country suburbs;
With a love so wondrous; a love but at times-too ardent and superb.
Ah, and thus tellest me-tellest me once more!
To whose heart shall I benignly succumb, and trust my maidenhood?
To whose soul shall I courteously bow, and be tied-at th' end of my womanhood?
Ah, poetry, I am but now clueless, and thoroughly speechless-about my own love!
Ah, dearest-t'is time but be friendly to me, and award to me a clue!
Lendeth to me thy very genial comprehension, and merit;
Openeth my heart with thy grace, and unmistakable wit!
Drowneth me once more into thy reveries of dreams;
And finally, just finally-burstest my eyes now open, maketh me with clarity see him!

Ah, poetry, t'ose rainbows of thine-are definitely too remarkable;
As how t'ose red lips of thine adore me, and termeth me kindly, as reliable;
And thus I shall rely all my reality on thy very shoulder;
Bless me with the holiness confidentiality, and untamed ****** intelligence;
Maketh me enliven my words with love, and the healthiest, and loveliest, of allegiance.
Bless me with the flavoured showers of thy heart;
So everything foreign canst but be comely-and familiar;
And from whose verdure, and growth-I shall ne'er be apart!
And as t'is happens, holdest my hand tightly-and clutchest at my heart dearly;
Keepest me but safe here, and reachest my breath, securely!
Ah, poetry-be with me, be with me always!
Maketh me even lovelier, and loyal-to my religion;
In my daily taste-and hastes, and all these supreme oddities and evenness of life;
Maketh me but thoughtful, cheerful, and naive;
And in silence maketh me stay civil-but for my years to come;
and similarly helpeth my devotion, taste, and creativity, remain alive.

Ah, poetry, thus I shall be awake in both thy daylight, and slumbers;
And as thou shineth, I knoweth that my dreams shall never fade away;
Once more, I might have gone mad, but still-all the way better;
And whenst I am once more conscious; thou shalt be my darling;
who firmly and genuinely beggeth me t' keep writing, and in the end, beggeth me t' stay.
Leave me not, even whenst days grew dark-and lighted were only my abyss;
Invite my joy, and devour every bit of it-as one thou should neither ignore, or miss.
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
SE Reimer Jan 2014
NEW YEAR INTROSPECTION PART FOUR

the air of maturity 
is breathed today
with such rarity 
that what is termed 
the age of majority, *<

is in reality not, 
it instead being 
a place of minority; 
it's occupants being 
the selfless lot who 
give freely of their proffering, 
offering themselves an offering 
and considering themselves 
adequately advantaged 
as they willingly 
position becoming likely 
to be taken advantage 
and taken for granted
hearts ready for breaking 
yet give, love, share
heal, they do, 
and freely so; 
therein standing 
in stark contrast to 
the narcissistic hoards
who protect, 
with pirouetting steps, 
their barren nests, 
empty hearts,
and meager pockets, 
ever failing to realize 
that nature’s law 
bestows abundance best 
at the selfless giver’s behest.
Post script.

< http://en.m.wikipedia.org/wiki/Age_of_majority

a lament on the lines of: “ http://hellopoetry.com/poem/when-is-one-grown-up/  for we must give ourselves away to receive the best of life.
Mateuš Conrad Sep 2016
they (yeah, the paranoid pronoun, esp. in how it's used for abstract coordinates, concretely? conformists) decided it was easier to fill a psychiatrist's gob with my presence, and for psychiatrists to pay the mortgage with someone who they termed schizophrenic, forgetting the fact that the person in question was bilingual - odd how humanists confuse bilingualism with schizophrenia, maybe a coin flip later and we'd get biphrenic? that's pushing it, but it just might work to describe an atom evolved into a human form... basically in two places at the same time: confederacy of archaeological theology - and by being in two places, behaving differently in each stated sphere of observation... that's it though! theology translates as archaeology in science, excavating the designation of the argument of the spider and the spiderweb, the perfect yoga instructor, one position fits all... because scientific positivism is dead... it's dead... we're experiencing a transition into scientific negativism, mainly because there's a plumber's conundrum of a blocked fact-machine... which turned out to be a fat-machine... we're just hearing the same ****, over and over again.

i never knew it, but when humanism was born
it came across the challenges of
Darwinism (Aristotle's footnote),
with all due respect for humanism
though,
             humanism gave us
the most apathetic formulation of
any faith at all...
and do you see a rebellion happening
anywhere concerning this?
i see a bunch of ****-naked Amazonian
nomads singing the huh? huh?! song...
esp. when they see safety-hats and
tractors... me? i live in the
outer suburbs of a Greek city-state...
when you're walking down the
street and see a bare chested driver
of a tractor, and a loser (me) drinking beer
while the police pass by in their cruiser
and don't give a ****... well...
welcome to the Fe (iron) Fe Fe feral land...
(almost a sneeze, but not quiet)
metro-****** pinkies anywhere?
no... root that **** into your brains
you urban wankers... stay there,
rot... keep up the debauchery of
Beckton's recycling centre...
oh sure, keep the theatres open,
with Simon & Garfunkel applause of song...
like ballerinas and fat operas needed
an exercise regime...
Darwinism is brutal enough,
it's brutal, it's not pretty,
looking at it from a creationist perspective
you'll only get brutality from it,
only an Zimbabwe born englishman would
care to champion it... oh look!
a monkey ******* a ferret!
i cried today... my female cat was inspired
when a squirrel started doing gymnastics
on my garden fence, one paw tucked against
its chest... i haven't seen a squirrel in my
garden for a while, i've shown her a hedgehog
once, but a squirrel? try catching a squirrel!
it's like catching the ******* of a mosquito
wearing boxing gloves... or Zeno...
i cried my eyes out, by a squirrel...
acrobatic rats that hate throngs...
the simplest of things bring the greatest of joys,
and a consistency in thinking about
death make the simple assurances of mortality
so much more appreciated...
of course i think about death... why wouldn't
i? so this homeless man has a tent...
they're dragging them in, he says:
i haven't done anything wrong...
the military-industrial complex isn't secular at all...
psychiatrists are the complex's priests...
they're looking for subjects to ensure they earn
while giving oral *** to pharmaceutical companies...
and that's the *cul de sac
truth -
no, wait... humanism's religious doctrine is
Darwinism, can't deviate from that,
keep a kettle and a sun on the same timescale,
i'm Caribbean lazy though...
you with beer and joint, me with beer and another
and another beer and an Apache echo impression
of echoing-yawn,
we have evolved past mating calls of animals...
all we have are warring calls... la la la for simplicity...
or in verse of new Zealander Haka:
                           ****, have no funny lyrics...
where was Darwinism when mating calls became
subtle and we exchanged mating calls for warring chants?
where was Darwinism then?
you telling me i have to own a watch, a mansion,
a nice car and enough money for a child's private
education to make one at all? pretty subtle
and all the more less colourful... you can ask me:
where was god when the Holocaust happened...
i'd reply: where was a decent joke?
apparently Moses died from laughter...
now i'm stuck with having to proof read
the first print of my book... that's going to be
agonising... i hate rereading my work...
and aren't we in a standing still position,
on an escalator, or the journalists are gullible,
i mean they're worse than pigs, they're eating
regurgitated facts... they're the ones that always
end up saying: if it ain't broken, break it...
that's their magnum opus fixation, and
the recycling bin... that's what they're there for,
i bet you a hundred quid that Putin's tears
would have turned into diamonds if they fell
on St. Basil's onion domes...
all these ****-incubating-real-emotion
calculators of the English parliament are worth
a psychiatric sketch show... punchline?
you ain't ever ever getting out, ha ha!
Darwinism is cruel, and people sort of like
the whips of a static history, sometimes they come back
to the 17th century and make a television program,
sometimes they have a chance encounter
to cite something from the only century that can
be experienced with anatomical dissection skill:
namely the 20th, or to be accurate, the 2nd half
of the 20th century... most of the time they haven't
the foggiest about history these days,
they're either electron-clouds of electron-orbits,
ping-pong between these two conceptions...
they're always pro-neutral (proton-neutron
centre) - and indeed the tetragrammaton invested
in Ke$ha... ka-ching! sz sh sharpener of wit...
got to love tactical pop, or the caveman ontological
obituary of buying alkaline batteries...
i bought alkaline batteries last year,
which technically makes me a caveman...
compact disks make me a caveman...
books make me a caveman... i'm a ******* caveman!
drag my woman by her hair...
what a great Darwinism provides,
we're all comparatively stone-age...
i love how we just made all history between that
into cf. snippets, and how the caveman attitude
is supposedly a ****** pill to supercharge our
attitudes into beastly thumps and gurgles and
elbows up the **** thrills...
Darwinism is cruel, Darwinism is currently the
theology of humanism... but once upon a time
the religious aspect (or in humanism's behaviour prescription)
was ascribed to one hour on Sunday...
now we're sorta stuck in a church, 24 / 7...
now we're all our own ritual makers...
we have the holy communions of buying a certain
type of coffee in a shop, or it's called curry Friday
and Saturday takeaway randomisation,
gathering the ready-meals Sunday to Thursday...
everyone having the busiest of lives...
if religion is dead, then i must be a nun.
i don't think Darwinism actually attacked theology...
some people are proper pranksters with
the notion that Darwinism attacked theology,
some get to play Jesus in some biblical theme park...
what i think Darwinism damaged, primarily,
is history... if journalists keep spanning
historical references from here & now and
that greatest ontological excuse: caveman once,
Chanel model no. 2, we'll surely sell many
more shaving equipment tools and sanity pills as we go
along into 24h / insomnia society...
me? i'm out... i'll be keeping my imagination
honed toward the Faroe Islands, along with my sanity.
Budding Dirt Nov 2017
"Nyamama owada in e mara ma oingo nyiri duto"-Ongoro Jakarachuonyo.

Busy listening to luo music; What a cool evening of inspiration.

I felt a lot of connection hearing my brothers defining love with such honesty.
   "Nindo otama yawa nindo tama yaye kaparo nyadundo"

The purity of rhythm was soaking my blood . Rhumba is soothing with notable songs like “Elector Nyarkano” by Madanje Perimeter.

Prezda “Igwe” Bandasson
“Nyisuba” one of his best creations. What i love most about Bandasson is that he got unique style and writing skill not like his fellow benga artists; If you like  Ferre Gola, now this the man to listen to.

My evening was going on well with some ohangla likes of ; "Kanungo".

“Kanungo is one of the song that you must have heard wherever you are in this country. Its one of the top songs of both 2014 and 2015 even though it's not my musical taste but Otieno Aloka defines Ohangla in a creative way; The drums are well arranged and composition is just amazing.

That brings me to a funny question who is Emma Jalamo?  He is not old in the game but the guy has come up with a unique Ohangla sound that takes him at par with the rhumba musicians as old fork and young people alike listen to his music with zeal. His new album, “Sherry” is a master piece with hits like “Wivu mbaya”.

Luo music is intelligent entertaining and soothing .

Tony Nyadundo is another seasoned musician who has traveled wide with his Ohangla beat which spread across the country like bush fire. He released hits like "Mapenzi Kizunguzingu".

My playlist couldn't be complete minus The bird aka Osogo Winyo;
he has taken a low profile of late, musically, but he has some of the best Ohangla sounds of this decade.

Musa Juma and Limpopo Band is so common in luo with sweet resonating songs like ; "Aggrey ,Maselina,Lake Victoria" .

It didn't stopped their; i went deep to discover heartbreak sounds likes of "Our Only John Juniour".
John juniour, is one of current trending names in Nyanza due to his sweet voice and romantic writing skills. "Nyoremo and kalisto baba" are well crafted when it comes to composition.

Another talented artist is ; Wuod Phiby who is also a producer and sound engineer at Barikiwa studio. He's the owner of hit songs like " Cham gi ****'i" and many more.

Makadem is one of the the artist signed to Ketebul music is known worldwide with a brands that precedes him as he is commonly known as the Ohangla man.

We have alot of talented luo artists but let me focus on our own few who are so creative when it comes to fusing . I'm talking of Owiyo ; She is one of the first female artists to fuse the Nyatiti beat with modern fusion and with songs like “Kisumu 100”, she still remains so relevant in the industry that her new song, “wamiel” is doing quite fine.

I've listened to a lot of modern Benga maybe ones played on the radio. I was not well informed that much on old sounds but when i dug the tapes and crates to so called luo "thum gi timbegi".
Abila gi thum machon ; I discovered names like;
1) George Ramogi
George ramogi died but left a name for himself with songs like Affline the Pretty and Wiya Chandore Malit.

2) Ochieng Kabaselleh
When we were growing up we use to hear  songs like," Zainabu,Achi Maria and Dunia mokili".  Kabaselleh and Luna Kidi Band were the voice of love within Nyanza at that time.

3) Okatch Biggie
"Nyathi nyakach atimni ang'o?"
Before his death he sold thousand of copies of the same record. He had countless hit songs like "Okatch pod ngima,Hellena nya kabondo e.t.c".

4) Osito Kale
Osito and Ogina Koko termed to bring some of remarkable songs like "Rapar Angelina" .Asembo born artist is one of luo musician with aggressive thoughts and creativity.

5) Ouma Omore
Many of new generation might not have known him but he got massive Jams like "Atwech Nyaduse" were so common in my parents mouth. He wrote many songs on him like "Perry Odhi Chuth,To Natimi Nade e.t.c".

5) D.O Misiani
The late misiani and Shirati band was and still one of the voices who spoke against corruption in moi regime with songs like "Bim en Bim,Lee tinde mor and Amolo piny Pako Te". Tanzania born Benga star rose to fame with songs like "Auma Lando and Wich Teko Ok Kony".

6) Collela Mazee
I don't have much to say about Collela but lyrics like;
"Kare piny luoro ka aleki nya john" caught my attention. Collela was a great composer with every rhyme and sense falling at their place".

We have thousand artists(some died)who did and still doing music from Nyanza i couldn't mention all even though there are different genres associated with Luo music like Benga , Ohangla, Rhumba, Afro-fusion and the likes, the musicians have always strive to be at the top of the music game. By Luo music, I mean those music sang partly or fully in Dholuo,the music is honest,creative and enjoyable.

I'm blessed to say;This artists have done great with their music and still doing it.

By Quoting The Late Ongala lyrics..."Mziki haina mwenyewe", As long as you can create;
Educative
Entertaining
And melodical changes a persons life don't stop doing it. Music is power. Let's support our own.

   Compiled By Budding Dirt.
[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw
Mateuš Conrad Oct 2016
it's understandable, they confused by complex bilingualism as schizophrenia; oh sorry, it's not actually a scary word, before people start to theorise the mono-lingual pre-maturity of a condition that affects older people, they should seriously begin to listen to what a person is saying; there are tales of surgeons leaving surgical equipment in bodies during surgery... well... at least the physicality of such blunders is more pronounced than leaving regression variations of negated ease (disease) in man... (uncouple that compound and you'll find the subtler alternative)... when psychiatrists make mistakes it's not a heart surgeon making a mistake, the mistakes psychiatrists make are far more profound, given the nature of the mistake being seemingly trivial in comparison... yet these mistakes make our mental life worse by disrupting the narrative, psychiatry, being a science, primarily disrupts the (cognitive) narrative; it's hard enough to find yourself in your mind, let alone a worthy narrative that you encompass... it's hard to reemerge with a good enough narrative when you're branded like an ox, a ******* during the height of Christianity, or registering a car for road tax... it's ****** hard.

so they (i've lost the paranoia additive of this pronoun
a long time ago) thought my bilingualism
was worthy the label of schizophrenia...
well... d'uh, isn't bilingualism a split-mind scenario
in itself?
                    bilingualism is more complex than you think,
it reaches to the depths of each language,
it's not a multilingual acquisition, a polymath hooray!
it's bone deep,
                        bone deep, it goes as far into identity
as all conceivable points of psychological architecture;
which is why my bilingualism was so well
established that i became a bit difficult to society:
my upbringing was to match the difficulty -
i was never supposed to utter a single intellectual
disparity, given my stature i was supposed to be
a manual labourer - a position i'd have gladly undertaken
but (see my earlier entries), but...
                                i never really felt a need for
an animosity toward the English -
                                           i loved everything about England
(or at least London) -
                                                 i left my native country
early enough to sponge-up the new culture,
                   but of course when our family was applying
for citizenship we were the obscure minority,
                 after the floodgates opened and the less
creme of the crop entered these shores,
       i was forced into a spiral reinvention, i was no
longer was the British termed "exotic"...
exotica, hmm, funny how i imagine things exotic as
things in sunny places, slaves in the Caribbean,
the platitudes of certain African Savannahs...
something Voltaire might find befitting to write about
like he did in Candide - there's this neurotic passage in there...
                the passage to India... a book i'll
never read: why? can't be bothered, the t.v. series *Indian Summers

does it for me;
                                  plus i do like cooking curry,
so there's the f                        u                            to take-away
curry...           i have an arsenal of spices and i bomb Kashmir
with whiffs of the stuff...
                                    that part of my is what the intended cultural
assimilation was intended for: the rest? n'ah ah.
                               what spurred me to write this poem?
Heidegger's concept of someone moving and integrating
into a different culture: to be honest, the country i was born
in was uniquely pressed to turn its habitants into nomads -
      it was a town primarily based on the steel industry -
now it's a town of pensioners - the steel industry fell to ruin
and people had either the choice of: elsewhere in Poland,
or abroad.
                                    still, things were much nicer
   when the barrier was up... selfishly said? i agree, but then
i had enough air to breathe as a sole artefact of the ethnicity,
and a good enough reputation as a person needing to
persistently learn... had i been a crook? well, now i find
my ethnic background elsewhere, in a near mythical place
in Scandinavia - not that i want to, but i don't actually
have an atypical (a typical) physiognomy of a Slav -
so that's a plus...
                                     but what really spurred me on
was what Heidegger describes as the threshold and indeed
the essence of integration: to learn the language,
to use the language, nothing but language in terms of
being considered a certain noun - in this case, British;
so this is a German perspective from the 20th century...
the British perspective in the 21st century?
                         kinda like **** Germany...
language? forget it... you can speak with a ****** accent
and even ******* grammar... what's at work here
is ethnic cleansing, on a spiritual side of things -
language can rot in hell for the English, what they want
new citizens is to: a. eat fish 'n' chips
                                  b. talk ***** when *******
                         c. lick the **** of Americans
          d. have a sense of moral superiority because of
                    that poncy accent that's becoming a dodo
       e1. forget their mother tongue
         e2. only speak English in private
                            f. respect the Muslim attire but
        to never respect fellow European's concerned
                           about many other things
      g. amongst other things...
so it's not enough to learn the ******* language, that i have to
become a ******* serf? oh wait, i have some spare change
in my pocket (puts hand in a trouser pocket and takes out):
the *******!
                                  or how you find yourself
in an imploded British Empire, go beyond London and you
enter something less resembling a global community
and more a national socialist set of self-evident dicta
wrecking havoc to your senses.
                              and all this from a humble background?
well: freaks and mutations sometimes happen...
                    being born near to the date of Chernobyl doesn't
really help to counter the argument:
           yes, even in Poland, the effects were felt,
my great-grandmother remembers streaks of radiated trees
and un-radiated trees in the park -
        the radiated trees were born... a strange kind of rainbow...
and yes, i do take the **** out of **** Germany
while talking about it and Jewish mysticism -
                                Malachi the arch-heretic (who introduced
a polytheistic concept that does not fit in with monotheism:
reincarnation) -
                            oh look:      something came out of this
conviction that told me to duly apologise to the concept
of the two late monotheistic religions:
                             on your own, can't be bothered -
Christianity was always going to be more image orientated
(after all, the crucifixion is a good enough image)
   and Islam was always going to be more word orientated
(something to shout about, actually, to just shout it) -
the Judaism i found?
                              not being circumcised and what not,
not adhering to the religion as such?
  the lord of the rings and harry potter...
simple... how?
                               please make oaths, swear, use profane
language... maybe that will make your actions less profane
and this isn't 19th century Victorian society event where
people talk polite but play ***** according to the escapades
of Dorian Gray...
                              i'm still adamant that auto-censorship
of a name (the name, i.e. ha-shem) does wonders for your
vocabulary - oath, **** **** ****, words are actually:
                or conjunctions, and this means you can use them
to destroy the barricades of fluidity -
                                 do we really need to say certain names?
Islam says the name all the ****** time,
        Christianity doesn't even know the name of the father:
Jules?                      Jason?                Jeremiah?
                                           can't be Yves...
                   and did 1st century fishermen write?
wasn't that a rebellion against the literate Pharisees etc.?
             so it's pretty much like the harry potter / lord of the rings
rule: Sauron
                       designates the tetragrammaton
   and the necromancer designates ha-shem...
                                                or...
         Voldemort designates (as above)
              and tom-riddle                   blah blah...
oh i have actually washed my hands clean of two most
populous religions in the world -
                            i can't believe that so many people can be
right about something,
                                    would i desire to argue to this
to the grave? not really, i prefer to look at it as a chance fancy,
my real concerns are based upon the question:
   why would bilingualism, ever, be treated as a case
of schizophrenia?
                                           perhaps the language is too
difficult to follow, perhaps i'm reciting a poem by
                           half caste by john agard -
but this **** isn't skin deep, i can't blow the sax in a liberating
transcendence of slavery, or do that other form of
rebellion -
                    &nb
To learn this gospel of that Birthing Home
A splendid way to start your own New House
Of your Man so proud; Dignity his own
Shows this Great Fixture of a Faithful Spouse
And I, envy-filled, toddlerish to Draft
To ask when my Best Time would ever come
You, Heroine's Pride, caused my Sorrows to Laugh
And boot this Troll for his Merriments done
Only for your Wish more Blessings invade
And never, ever Dream it should Resign
Which, termed Jolly, decomposed his best *****
And Danced with Gnomes your Prosperity fine.
Begging you, this Heart, please tell HER I Care
For the Flames I lit; My Penance I fare.
#toniacouch #couchhollie
mk May 2015
young love is too often undermined and discredited
labeled as “silly” or seen as a waste of time
we pay it no heed; calling it a temporary foolishness
they say we cannot fall in love when we are 16
for we have not yet seen the world or faced its worries
and our heart knows nothing of love or of loss
we are too young, they say over and over again,
we are too young to understand what love is and what love brings
we are too young to know what love stands for
or fathom the pain of lost love and a broken heart
we are too young

no

for centuries now, youthful hearts have been termed incapable of truly comprehending the essence of love
more so, they have been termed inept to ever facing true heartbreak
when the tears of mascara flow down their pink, girlish cheeks
they say
you are too young and this is not real
you do not know what love is and you will grow to understand
one day when you face real heartbreak you will think of all this as silly
you will not remember and you will laugh
cry not; for you have not truly loved nor lost

but

how many of us forget the first sleepless night we stayed up waiting for the call that wasn’t coming
how many of us forget the first time we saw them in someone else’s arms
how many of us forget the first time our heart shattered because of the utterance of a single word
“goodbye”
how many of us forget the silence which was all too loud
the tears
or the cold nights
the feeling of having your world crash and burn before your very own eyes
the vulnerability, the helplessness, knowing your heart is in another’s hands
and you can do nothing about it
tell me; how many of us forget?

cradled in your mother’s arms crying the night away
tearing at your skin, wishing his touch had not stained you
your father pacing up and down the hallway
what has happened to my little girl?
on the phone for hours
crying, yelling, whispering; losing your mind
piece by piece everything falling apart
why does it hurt so much
why does it not end?
have you forgotten? have you forgotten your first heartbreak?

no

young love may be amateur
but it is not false
so vulnerable and so ready to jump into a new life
so willing to give up everything and try to make it work
rushing into it so fast and falling into his arms
ready to give her your heart, your soul, your life
our hearts still untouched by barb wires and guard towers

our first kisses are the most memorable
we can still hear the first song we danced to in our heads
memories of us pop in to say hello every now and then
your first is always your most significant
your first is the one that never leaves you alone
you can forgive, you can accept, you can move on
you cannot disremember

young love-
the very purest
young heartbreak-
the very worst

genuine
vulnerable
& true
judy smith Aug 2016
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer.

“We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night.

The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August.

This year the winter-festive show will be held from August 24 to 28.

Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said.

“It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said.

The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said.

Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Haley Harrison Sep 2020
I fashioned myself a dress of black lace;
Dark and elegant, epitome of grace;
Soft on my skin, caress like a lover's,
My comfort, my design, a haven of covers.

They called it macabre - filled them with unease;
Dangerous, they said, termed it a disease.
And yes, I'm unwell, but darkness is my veil -
A reprieve from hell, solace without fail.
I am the tailor, the sculptor of shadows,
The reaper of melancholy my art sows.
And yes, it is odd, fragile, morose -
The marble thorns of an obsidian rose.

The judging whispers that follow in my wake,
Can't comprehend I do this for my sake:
The sharp edges they call jarring and cold -
They are my palace, impenetrable stronghold.

Where others see emptiness, I notice lace,
The gossamer threads of a misty embrace;
They are but blind to the kingdom of nothing,
Only see moats, and wall canons jutting.
My castle of ghosts, the court I control,
Those remain hidden, deep in my soul.
The siren song, my foggy lullaby,
The velvety clouds on which my thoughts lie.
It is morphium, made in my mind
Embroidered dullness only I can find.
The words bounce off my protective bubble,
Your bombs shatter into a gray rubble.
I blow it away, along with my fears,
I got good at this, during the years.

Give me some credit, I am no fool,
Where others would drown, I can rule;
I know not to freeze, when water's too cool,
The fire you'd burn in, I use as fuel.

Yes, it's a thin line, I know it best,
But I'm a trapeze-artist, can pass the test;
A veteran of trade, the air is my nest,
I've learned to live without getting rest.

And I know my limits, how far I can press,
Worry you not, I've survived on much less.
I'm not glass, disperse your concerns,
If need be, the lace to razor wire turns.
19.09.2020.
Preston Sep 2015
I had a dream that there was promise in the future
That my days dug in a hole, so deep,
That I never saw the sun rise – were a fading nightmare.
But my nightly sweats and twisted sheets
When the sun arose, planted seeds of fear in my psyche.
That fleet-footed knight mares rode across starscapes
Pulling shades and twisting
Warm fantasy
Into hallucinations of other me’s
Dying a thousand different ways.
I had a dream that the demons in my mind,
Results from God’s imablanced alchemic formula that made my brain,
Declared a war on my central nervous system,
That I fought in with breath, and blood, and tears, and sweat
(Eyes scrunched shut, and hands over my ears)
That was eventually termed O.C.D.
And I sit in offices and wait for elaborate flourished script,
That I exchange for the antidote,
For the depression flowing through my veins.
Eventually sitting awake,
Waiting for a song to soothe my tired eyes,
To touch some part of me that I can’t reach on my skin,
And send me off to sleep.
And I am tired –
Tired of the night wars
Waged in between starscapes
And daydream streams.
I’m tired of feeling weak,
When I’ve stood vigilant against
The death cries of a thousand other me’s.
I’m weary of feeling empty,
And afraid of my inability to close
This sadness wellspring,
Would lead me to see the backs of those I love,
Leave me, on parting words and ashen bridges – falling down.
(And if God has ever blessed me with anything,
It is how many incredible people,
Care about insignificant me.)
I had a dream that I was finally free,
Of shackles and bounds and fetters,
That tethered me to ol’ seductive Melancholy,
Warm tears flowing from my eyes,
As I embraced smiling friends, knowing that I
No longer needed to vent, or share the weight,
Or had the desire to die.
But I hear whispers in my ears,
Cold fingers gnawing at my rib cage,
Telling me my life isn’t worth anything.
And punching my gut to toughen me up,
Is outdated, deep seated Masculinity,
Shouting at me that I’m not a man,
Unless I’m wrapped in sheepskin or wearing fatigues.
And that every little slip of a word to the contrary,
Of the face I put on when I’m at my worst,
Is a weakness I must **** and shoulder my weight,
Alone.
I had a dream
That a miracle man could crack open my head
And sort out all the pieces that didn’t fit
And study all the places where my wires had been
Haphazardly ******* in wrong.
And I begged for the miracle surgery,
To alleviate this darkling stain,
But what’s frightening is – I can barely imagine myself without it.
I once looked at myself in the mirror, and wondered if it was better on the other side
While I practiced my lie of  “I feel fine”, code for standing on the precipice
Of suicidal decline.
When really, it was just for me.
Is a lie a lie if you believe it? Because that’s why I say it on repeat.
I once had a dream that I was loved,
And that’s the one I try to forget.
As I hold a candle close to my eyes,
My last daily reminder of
Still-living hopes light,
Before I risk a night of sleep.
(its actually true, look it up.)
Who will believe my verse in time to come
If it were filled with your most high deserts?
Though yet heaven knows it is but as a tomb
Which hides your life, and shows not half your parts:
If I could write the beauty of your eyes,
And in fresh numbers number all your graces,
The age to come would say, “This poet lies,
Such heavenly touches ne’er touched earthly faces.”
So should my papers, yellowed with their age,
Be scorned like old men of less truth than tongue,
And your true rights be termed a poet’s rage,
And stretchèd metre of an antique song.
    But were some child of yours alive that time,
    You should live twice, in it and in my rhyme.
Geetha Raj Nov 2011
Fate, the absolute tyrant -
Brings me to my desk,
And I sit down to vent
This infernal night,
As prose or verse,
Or utter hogwash -
My wasted emotions -
Which some termed rhapsodic.

I promised myself not to cry -
As the day would dawn,
And I'd wheel down the aisle.
Making myself fall prey -
To another trade
Of cash and silver and solid gold,
A car and bungalow and so much more
- Of which in detail, I wasn't told.

Though I was called a beauty
Who could leave people dazed,
With two curvy dimples,
That lit my pretty face.
People never touched me
And would look at me with shame
Tell me I looked fragile
Once they knew I was lame.

I grew within four walls -
Comfy cushions and space
And it wasn't my legs, feeble
That restricted my pace.
It was love from parents
Siblings' scorn and care
That kept me from the wisely world
To go outdoors, I never dared.

I grew up crawling on my limbs
And seeing people walk
I never wished for them to stop -
Only prayed that they wouldn't talk!
For it was not their legs, I longed for
I reveled for what I was!
I only hoped they applied thought
Before pitying, how crippled I am!

I grew up watching the world go by
Each day and night would fly
Fantasizing with what I had been blessed -
My free and 'abled' mind!
I dream of a world - filled with trust
And friends who would 'walk' with me
Who would talk to me for who I was
And not offer sympathy!

I wished for love,
And found mine, divine
In a fairy tale -
Ironic indeed!
I sang love songs,
Wrote mushy poems
Painted wild dreams -
All to him, which would eventually lead.

You must have known this little boy -
Though a flaw, he did make history.
"Pinocchio", he was fondly called
And was known as a puppet with zeal!
It was not his quest for love that struck
Nor his zest to live
For it was his gait with wooden legs,
In which I could identify me!

But my dreams were thwarted
When to a man, I was entrusted -
(Or rather, on me thrusted)
One - with no love, but legs instead.
Along with blessings
For him to take along
Ample gifts were bestowed -
To keep us betrothed!

And now I await
To be proclaimed his wife
In the presence of a world
Which always kept me deprived.
It will be dawn
And I will soon be gone -
Yet I will yearn
For my Pinocchio to return!
Written on 12th January, 2011.
The dowry system is a bane of India.
Relationships - built on money, gold and property - crumble as long as the wealth wears out.
I wonder why we don't have the guts to stand up and say I will live with what I earn!
726

We thirst at first—’tis Nature’s Act—
And later—when we die—
A little Water supplicate—
Of fingers going by—

It intimates the finer want—
Whose adequate supply
Is that Great Water in the West—
Termed Immortality—
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.

For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -

I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?

To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!

But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE

And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
SassyJ Apr 2016
A cider and a minder
Passing time as a reminder
Pink glow and songs flow
A waxy time erodes the mow

Renegades and perspiration responds
Swimming in winded seas of  Jordan
Heated in space, evicted in their pace
Libido fails as the liquor dilutes in taste

Catch an esse as the moonlight smite
Hold another to fake a romantic right
Filter to the cards of ace as the one winks
Emotive intruders farm in fields of pastures

Imbued with alcoholic waterfalls
Molehills of termites condense lose soil
A lack of connection a taunt that apes
Future anthems triumph in hungered strums

Amused by the music erupting volcanoes
A morrow blows as the candle slows
To tow the tall grassed disused straw
A spring to summer that promises sun rays

A resolve to moderation to preserve modesty
A kiss stored forever peeping the awing stars
To guard a heart and hatch uniformity
Trembles justly forgotten in termed premises
Friday night people watching in a Jazz / Blues club.
Lucky Queue Dec 2012
Gifted
Gifted means nothing to people who do not know
I don’t even know the proper definition
Strange that I do not know a part of myself?
I think not.
C’est la vie – such is life
But why must only a few be burdened with this white elephant?
Yes, a white elephant
For although termed a gift, it comes with its own price
On my school’s website, on the gifted page, there is a file
This file, entitled, giftedness; a different kind of normal
Aptly named I think
The upsides? Exactly me.
The downsides? All perfectly describe me as well
My ‘gifted’ friends are just the same
Why is this a gift if it sets us back in our standardized culture?
Sure, I ace the tests, but I can’t start projects until last minute
All because of my perfectionist side
I am a ‘deep thinker’
But I hate deadlines because they limit the
Time I spend on a good, fascinating subject
I’m considered to have the ability to motivate people
But it always comes out bossy
I'm supposed to have high standards and expectations(which I do)
But these fail me when I cannot reach them myself
Causing insecurity
These traits and numerous others all belong to my kind, the 'gifted' kids
I've noticed we're all socially inept, awkward, clumsy
To some degree or another
And I suppose this analytically mindedness comes along with my plethora of troubles
I'm supposed to have many interests, and this is true
But it also prevents me from knowing exactly what I want
I'm supposed to be very focused, detail oriented
But I cannot stand the slightest disturbance
These gifts are deemed part of the 'gifted' personality
Why can't I be normal for a change?
Being gifted really singles you out
Such a small group of us in my school
Almost all are best friends
As no one can understand us better than others just like ourselves
But why can't everyone be gifted?
I don't like this much but I need to get it out of my system; it's imperfect but aren't we all?
814

One Day is there of the Series
Termed Thanksgiving Day.
Celebrated part at Table
Part in Memory.

Neither Patriarch nor *****
I dissect the Play
Seems it to my Hooded thinking
Reflex Holiday.

Had there been no sharp Subtraction
From the early Sum—
Not an Acre or a Caption
Where was once a Room—

Not a Mention, whose small Pebble
Wrinkled any Sea,
Unto Such, were such Assembly
’Twere Thanksgiving Day.
Terry Collett Oct 2013
Baruch took the bus
to Kennington park
he wanted to see
a different place

away from the usual
the familiar sights
and people
he had brought

Fay along
having paid
her bus fare
and saying

they’d not be late
(she worrying
about her father
getting home from work

and finding
that she'd not
completed her
school essay

on The Ten Commandments)
and also
that she was with him
(whom her father

termed the Jew boy)
and he said it was better
if she never saw him
which was impossible

as they lived
in the same
block of flats
and went by

each other
on the stairs
but her mother knew
and said

to keep it quiet
and gave Fay a 1/-
for an ice cream
and drink of cola

they walked around
the park
she gazing
at the flowers

and butterflies
and birds
and he imagining
Injuns about

to pop out
of the bushes
or over
the small mound

(he called a hill)
on their mixed
coloured horses
and firing arrows

from their bows
or shooting
from rifles
and as he walked

he patted
the 6 shooter gun
in the holster
hanging

from the belt
of his jeans
( hidden
by his grey jacket)

she talked
of the nun at school
who slammed
a wooden ruler

on the palms
of girls
who didn't know
their catechism

all through
and the girl
who had her
legs slapped

for wearing
her school dress
too short
(she'd outgrown it

and her parents
couldn't afford another)
and he talked
of the cowboy film

he'd seen the other day
where the cowboy
wore his two guns
back to front

so that he had to
cross hands
to reach them
and still out drew

the bad guys
and which he wanted
to practice until
he had it just right

she listened to him quietly
taking in
his hazel eyes
the wavy hair

and that
bright eyed stare
and he listened to her
gazing at her

as he did so
at her fair hair
held in metal hair grips
her blue eyes

her pale complexion
that nervousness
she seemed to have
as if her father

was going to leap out
at her from a bush
and the bruise
on her upper arm

he'd seen
when she removed
her cardigan
having got hot

in the midday sun
and after walking around
for a while
and then sitting

looking at some
old guy feeding birds
with broken bread
they bought two ice creams

and bottles of cola
and she said
a grace in Latin
and he mumbled

some Hebrew prayer
and they sat licking
and eating
and drinking

and once she kissed
his cheek shyly
and said they'd
best get home

before her father did
and he saw her
with him
the upstairs Jew

(as her father
termed him)
and gave her
what for

as soon
as she went
timidly
through the front door.
SET IN LONDON IN 1950S.
uzzi obinna Oct 2015
Stars can only be seen in darkness,
A wealthy foundation has nothing to do with greatness,
Love is not completely selfless,
The journey to heaven is not painless.

Nothing is is actually valueless,
the boldest isn't completely fearless,
death doesn't always mean one is breathless,
And Judges are often truthless.

Denial might be an act of pureness,
Rejection a show of kindness,
Speaking up attimes can be senseless,
And a hug does not always represent oneness.

A soldiers retreat doesn't always mean weakness,
An enemy's surrender might be smartness,
A woman's smile may not be happiness,
A child's determination might be born out of emptiness.

Marraige vows are usually baseless,
We are alive because our hearts are restless,
Scientists are mostly clueless,
Psycologists usually feel helpless.

Caring for the poor might be termed madness,
But many wealthy are now homeless,
And even if we're not treated with fairness,
You and i are definitely priceless.
Wrote this ds evening as i took a stroll in a neighbourhood nd watched people who didnt knw dat a stranger came around and was watching their evry move jst to put smtn down on paper.
Short-Termed Maiden of one's Friendship's expect
Then blast my Will to incapacitate
For sharing those Clouds; Though rained your affect
Were twisted to Pure Actions constipate
Just weakened I am to even advise
Why such Hallowed Plug pulled this New Sparkle
If Profile be cased and just inconcise
Ask the Author first if you be Humble
Though such Clues do bear, un-needed to Probe
If my Key was too Foreign for your Door
I suppose, like his Age, you chose that Road
Where Blokes just party and stomp on the floor.
The Korean was right; His Dance we can learn
Though never again your Trust I can earn.
#tomdaleytv #tomdaley1994
Mateuš Conrad May 2016
i'll be honest, i lost the second volume  of Kant's critique
in the house, i lost the rhythm of reading the first volume,
but then i found the second volume
like a breadcrumb, where i left off:
the thesis v. antithesis section,
accurately
                 antimonia of pure reasoning
(the fourth conflict between
                   transcendental ideas)
cf. the only dualism allowed is a bilingualism,
no mono-lingual dualism is verifiable,
it's too abstract and therefore non-practical /
non-practisible - missing adjective
            i.e. without having an allowance
    to be practised, indeed almost every single
word cannot transverse all grammatical classification,
a zebra cannot be a noun, a verb, an adjective,
an adverb etc., hence what i tried to experiment
with was whether a mono-linguistic system
could practice dualism purely, no, it couldn't,
mono-linguistic systems abstracted dualism
without a useful process within them,
the whole good and evil, chaos and order dichotomy,
such dichotomy that never approached a dialectics,
hence mono-linguistic systems could not convene
dualism, because they were mono-linguistic and
not bilingual...
in reference to translating
                                            the fourth conflict between
                   transcendental ideas,
i.e. czwarty konflikt miedzy ideami transcendentalnymi,
English stress of articles / vectors, meaning
a point be made, or the point can be made,
one is wishy-washy wave of the hand (dispersion),
the other is definite, microscopic, vector
from co-ordinates (0, 0) leading to (23, 12) of the (x, y)
graph; i went among the Celts and learned to write
drunk and be happy;
                                      ironic though as to why
Darwinism gained such popularity given the English
use of indefinite and definite articles: a-      -the    
end up with some sort of ism.
there's a warning about the fourth antimony, and there's
also this poem, indeed i was bemused by the antimony
i'm not surprised that he didn't understand the narrative too,
narrating philosophically is a hard craft,
you can't really engage with dialectics, cartwheels sure,
ouroboros (snake eating itself) sure,
it's hard to reach the Pre-Socratics, but almost every
philosopher after Socrates is doing just that...
to internalise dialectics (i'd rather criticise the lack
of diacritical marks in English), and that's why
philosophy compared to standard literature of fiction
and novel can be termed pure, narration.
it is pure narration, the practice of -
hence off character study, hence hardly memorable,
but an antidote to what the present system of education
prescribes the young: dates (1066 a.d., 1945, 1914),
or Pythagoras... qwen the queen was born (on purpose, and
why? exactly, q / queue, why / i, etc.)... it's like they're
taking a test on becoming Britain's residential candidates
with questionnaires that no one talks about in pubs
over pints. i mean the warning against the fourth antimony
in the antithesis ends up stating poetically:
both proposals were sound. depending on how one
peeled the vantage point, from which want came to
observe the lunar motion.
uzzi obinna Oct 2015
I have seen the blood of my loved ones, spilled on a dusty road;
Seen the fall of kings, powerful warriors and the bold;
The skin of mothers and little children, broken by cold;
The ancient landmarks of the fatherless, siezed and sold.

I have heard the cry of the homeless but no one there to save;
Heard the wailing of the deserted, seen the tears of the brave;
Many driven from their homelands, now hiding in caves;
And a father toiling night and day, treated as a slave.

I have heard of dreams of many, still unrealised;
The ****** daughters of priests, lured or defiled;
The goals of youths, swallowed up by pride;
And the future of generations, poorly discerned.

I have read government policies, unfavourable for the common man;
Heard of national resources, expended without concrete plans
Communities connive to eliminate a defenseless clan;
And a nation sold into modern slavery, by reckless polititians.

Many tears have droped, sweat and blood everywhere;
Many races have been run but the end seems nowhere near;
Many have waited hopelessly for a better year;
Many have stood up but crawled back for sake of fear.

A day will come when the oppressed will arise;
Like Martin Luther King Jr. did,though his blood was a price;
Like Nelson Mandela did, even though his act was termed a vice-
For the freedom of the enslaved and oppressed but the wicked's sudden demise.
Nylee Jan 2021
You have yet not seen me at my worst
Nor have you seen me trying my best
You just met me seconds ago
And already termed me as a nuisance.
Richard Riddle Jul 2015
(Corpus Christi, Texas-circa 1947)
It's a short block, a cul-de-sac,
total of sixteen houses lining the street.
No sidewalks, the grass ends
where the curb begins.

A  lone palm tree stands in the southwest corner of the front yard.

There were no fences separating the properties
Driveways, leading to the separated garages were the markers.
That didn't stop us, however-
The neighborhood was a continuous playground.

Many families were military-
in the U S Navy,
Or civil service employees
at the Corpus Christi Naval Air Station

From those sixteen homes were twenty-three children-
some families had multiple children-
ranging from four to twelve..............I was six years old-
For the parents, finding peace and quiet
was only a dream

I learned to ride a bike on that street-
although learning how to stop it
was another issue.........
Had it not been for that lone palm tree.

I became very adept at timing-
knowing when to jump off that bike-
moments before impact-
Eventually, I learned what dad meant with
"USE THE BRAKES!"

A few bruises
some scrapes(arm or knee)
Nothing serious-
I survived!

As our parents aged, they often would reminisce about those days. Dad had two major philosophies about growing up: "Yards were made for kids to play in", and "If we can hear them, at least we know where they are!" Most of the time they were in our backyard playing on our swing and trapeze set that a family friend built for me and my brother. That yard was, basically, a "miniature park."  

Our mother was, what is termed now, a "stay at home mom." She was the "overseer, watchdog, and resident medic." At least two or three times a day, she answered the phone, only to hear another mother's voice asking if their kid was over there, and if so, tell him, or her, to go home.

While reminiscing, the one thing that our father, mother, and my brother agreed on is, "That was one hell of a sturdy bike!" I never will forget that palm tree. It saved my a_ _ more than once!!

Society has changed, Donna, you're absolutely right!!

copyright: richard riddle July 20, 2015
                   revised: July 21, 2015
Charlie Chirico Aug 2012
It's been one week,
since I told you,
nothing of importance.
But one week,
since you told me,
anything,
at all.

How soon I forget,
what it's like,
not to be,
at a person's disposal.
How quickly I remember,
that remembering is,
a bother.

Easy folk enjoy easy listening.
A magnet that draws sound.
Vibrations of different magnitudes.
But visually, all the same:
On a large enough body; what proceeds:
A ripple on water's edge.

Beauties and questions evoked.
Memories that hold vehemence.
Open ears that trickle red.
An eye for an eye.
A tooth for a tooth.
A *** for a ***.
Sour taste, before I spit.

After all that said,
so it goes:

She is left feeling discontent,
because her friend left her behind.
A friendship no longer pragmatic,
left her detached and unkind.
After one move against her,
inadvertently made her the bad guy.

Assimilated ignorance was transferred,
leaving her with raging eyes.
Now a maniac, but once shy.
It started the day she was betrayed,
and her friend left without goodbye.

Friendship turned into a frivolous demise.
She never thought of compromise.

She will always be left on her own will.
Only living each day with empty glare.
While she sits cynically by her window sill.
Reliving old days, and perfecting her stare.

It's been one week,
since I told myself,
nothing of importance.
But one week,
since I've asked questions,
and have realized that,
in your twenties,
you are partial to saying 'No.'

Implicit No, god-forbid a subtle yes.

You know yourself.
You want to know yourself.
You hope that you know yourself.

And,
In the scheme of it all,
the ***** shopping mall,
the empty alleyways,
**** and trash,
looking down at laced shoes,
transcends society's social boundaries.

Those little moments at the end of the day,
that make you smile,
are the reason you should not become frustrated.
It would be the same,
as letting a long car ride ruin a vacation.
Thinking short-termed has never led to outstanding goals,
only temporary satisfaction.

Life is short,
but it is long enough to learn how to pick battles.
There are far more important things to worry about,
than ill intent with loved ones,
or even strangers.

If someone steps on your shoes,
let it go.
Use that frustration to better yourself,
and when you can,
buy better shoes,
and walk a mile in them.
57

To venerate the simple days
Which lead the seasons by,
Needs but to remember
That from you or I,
They may take the trifle
Termed mortality!
Pearson Bolt Jan 2017
in school they told me to keep politics and cursing
out of my poetry. from elementary education
to post-graduate work at the university,
no one really cared to teach me how to write.
certainly not the pretentious prats
who'd somehow forgotten
our words are swords
in the flesh of the State.

they told us flowery metaphors
were welcome, but critiques of the systems
that would eradicate flowers from planet earth
were choked by the weeds
of existential philosophies,
too much
for the average reader
to comprehend.

i was taught to keep polysyllabic words like "neoliberalism,"
"xenophobia,"
and "corporatocracy"
out of rhythmic verse
because the bourgeoise
want to read something ****.

witness the revolt of the proletariat.
i'm embracing a literacy
anointed in Angela y Davis's legacy,
"i am changing the things i cannot accept."
i'll fight like hell and bleed
the imagery from every stanza
if that's what it takes to show
that all art is always already resistance.

to be an anarchist
in the twenty-first century
is to refute practically every vestige
of contemporary society.
to embrace paradoxes and be skeptical,
practicing critique, an endeavor
Foucault termed "reflective indocility."
liberty and equity in equal measures,
an individual amidst a community.
hopeless, but still fighting.

the answer to the ills afflicting us
are available if we avail ourselves
immediately, parting ways
like divorcees,
finally severing all ties
with this American sham
of false democracy.

the answer is neither on the left
nor the right. we've peeked behind the scenes
and seen the corporate-state is held
on a short leash by the oligarchy,
bound and gagged, nothing but a plaything
satisfying the master-slave binary.

if we're to triumph over the bigotry
rising like seas bloodied by refugees
fleeing the endless wars the U.S. has instigated,
we'll have to get creative again.
dare to dream utopically, living
as if we're already free,
seeking liberty, equality, and solidarity.

so consider this a manifesto of sorts:
until i go to greet death as an old friend,
happily released from daily suffering,
i'll sit at my typewriter and bleed
for the least of these,
then climb to my feet and fight
to take back the ******* streets.
Mateuš Conrad Jan 2016
if it be a tribal issue, i'd craft a society
from each nation,
but it be a furthered without ethnicity
for a system,
socialism is equated with borders
where the many calais migrants are male
with no female counterparts,
a sort of faked ******, more apparent
when the tennis matches roll into quarter finals,
kacap ******* moaning and groaning
a serve, a return... russian galls all eager-******
for the ooh-ah, ugh-nibble pull apart the ribcage!
even serena williams imitated for a while
the welcome ******* distraction,
the song named the misty mountain colds
will define my life, i invested many words
for the emotion behind it, and i'll invest in nothing else
in order to feel:
like i feel lessened in creative exploits
with a thousand blank pages between me and the ink
of zoological phonetics encoding emerges
(put a number to it, and every time
i get depressed - because the quality changes
very little, and the little that's left only
belittles with a sudden loss of adventure:
poets the naked narrators who cannot
craft characters, instead writ into action
a familiarity with narration but no
de-personifying narration),
mind you the god that endowed you with adventure
mind you the god that endowed you with pampering,
and which world to designate life with will you choose?
kacap! kacap! orthodox mad monk kacap *******!
let the commonwealth oar its last into the geography
of poland ukraine and lithuania carved from the mapping
of frequented transit of commercial goods...
that i find my un-originality among the blank pages
published, when i read the inked blotches of former
invaders of the blanks tattooing their tongue
from breath and into word, in order to ignite a nobleness
of delay: that word might invoke memory porous,
and breath imagination, and the riddle of dissected
airing of thought: with vowels the zenith and consonants
the nadir, i here by name meeting a loss of anonymity
proclaim a union in syllables of the height and depth
coordinating a linear road well travelled, universal;
here too i claim the sloth of slang mismatched from
quicksilver, taking off the trailing technology of
such an endeavour of rhyme upon rhyme with the
sole expressing it successfully: the utility of a rhymed couplet:
rap pancake potato sack readied for the flip flip
of the slavish rubric of packing the ones readied
for cotton picking.
route back to tennis: kacap ******* smoking
thick tough cigars of: umf! pooh! plough! ooh oh ah!
backhand spin, forehand ****! umf! ****! clap loud!
ooh oh ah!
the iceberg sized diamonds were easily dispersed,
and all other riches were stored with
screams in helium kept tight: advantages of
wealth circular economy
in the octopus incisor depths of
the mosquitoes of iron maiden skeletons
of sharpened blood draining arteries dubbed
the clippings of st. peter's of st. petersburg insignia nailing
a fathomable curse, readied for the public,
and readied for the ***** of a concentrated public
expression in only one statistical imprint: continuum
(be met assuredly):
our garden of eden readied for the public barbers
where once the bread of the beards begot a trimming
of a diet, should erotica feign a menopause of onomatopoeias
once readied for the ultimate pleasure,
now readied for old age's onslaught of readier
sober speech to make choice akin to mistake,
given 2 be 2 and both located in a flat earth of the square,
as seen in linear rather than omnipresent orientation
of the optics... and so on and so on, successfully,
to unsuccessfully remind us all of the candle flame hush,
arable the last neared star to give moon dominion
over the night that was a feline gaze of luminescent
fattening of many mirrors in termed phosphorous
elemental, when john, catherine and gabriel
stood contrast erectile on the spaniel's spine converted
to a dimension of dissection of rooted distances
made worthwhile unknown now (the surd k)
and the phonetic approximation of knowing (surd
the 15th century, surd the 16th, 17th, 18th, 19th, 20th,
in order to speak now and sepia the rest, as the
equivalent of not having the surd for the syllable now).
Terry Collett Jun 2014
I saw this black
and white
photograph once
of a Deep South lynching

of two African Americans
(or black guys
as they were termed then)
hanging from a tree

by their necks
eyes closed
(as if they dozed)
dressed in rag clothes

one with his head
to one side
hands untied
a crowd looking on

one white guy pointing
the rest looking
with acute interest
what the two guys did

or why
they were lynched
I had no idea
or why the need

to photograph
a sense of justice?
or threat?
or for a laugh?

I had no clue
but looking at them
hanging there
surrounded by a crowd

I thought
of the Crucified
the Christ
and wondered

if He'd been hanged
by the neck
from some gallows
instead of being

nailed to a cross
and His followers
wore small gallows
instead of a cross

it was alter
His sacrifice
or lessen
the sense of loss?
ON A LYNCHING IN DEEP SOUTH OF USA AND COMPARISON WITH CHRIST.

— The End —