There it was on the calendar, Saturday May 11,2013. Big red circle around the date and written in black pen in the middle…SPELLING BEE. Plain as day, you couldn’t miss it. One of the biggest days of the school year for geeks and nerds alike.





Today was the day. In two hours, The 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee, would begin.  This was a huge event in the history of Thomas Polk Elementary School. It would be one of the biggest, if not THE BIGGEST in the history of The Twin Counties.



There would be twenty-one schools represented with their best and brightest spellers. The gymnasium would be full of parents, grandparents, brothers, sisters, aunts, uncles, and media representatives. Yes, invitations had been sent out to both of the local papers in The Twin Counties, and both had replied in the affirmative. Real media, in Thomas Polk Elementary School, with a shared photographer….the big time had come to town.



Inside the gymnasium, work had been going on all night in preparation of the big event. The Teachers Auxiliary Group had set up bunting across the stage, purple and white of course, for the school colours. The school colours were actually purple and cream, but, there was a wedding at Our Lady of The Weeping Sisters Baptist Church later, and they had emptied the sav-mart of all of the cream coloured bunting and crepe paper. So, white it would be.



It looked spectacular. There were balloons tied to the basketball net at the south end of the gym. It wouldn’t wind up after the last game, so something had to be done to hide it. Balloons fit the bill. There was three levels of benches on the stage for the competitors, a microphone dead center stage and two 120 watt white spot lights aimed at the microphone.  Down in front, was a judges table, also covered in bunting and crepe, with a smaller microphone sitting in the middle. There was a cord connecting it to the stage speaker system, taped to the gym floor with purple duct tape, just to fit in. Big time, big time.



The piece de resistance sat at the right side of the judges table. An eight foot high pole, with an electronic stop watch and two traffic lights, donated from the local public utilities commission, in red and green. The timer had been rigged up by the uncle of one of the competitors, possibly to gain an advantage, to help keep the judges honest in their timings. Besides, it looked fancy, and it had a cool looking remote control.











The gym was filled to capacity. One hundred and Seventy Five Entrants, visitors, judges and media were crammed into plastic chairs, benches, and whatever lawn chairs the Teachers Auxiliary were able to borrow, that weren’t being used for the wedding at the Baptist Church. It was time to begin….



The three judges came in from the left of the clock, and sat down. The entrants were all nervously waiting on stage on the benches. The media representatives were down front, for photo opportunities, of course.



Judge number one, in the middle of the table clicked on the microphone in front of him and turned to the crowd. In doing so, he spilled his water on his notes and pulled the duct tape loose on the floor in front.



“Greetings, and welcome to the 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee.” There was some mild clapping from the family members, along with a few muffled whistles and two duck calls from the back. The weak response was due to the fact that most of the parents either had small fans (due to the heat), donated from the local Funeral Home, or hot dogs and beer (from the tailgating outside), in their hands. Needless to say, it was still a positive response.



The judge carried on…”Today’s competition brings together the top spellers in the region of the Twin Counties to do battle on our stage. All of the words used today, have been selected from a number of sources, including Webster’s Dictionary, from our own school library, Words with Friends from the inter web, keeping up with modern culture, and finally from two books of Dr. Suess that we had lying around the office. Each competitor will get one minute to answer once his or her word has been selected. We ask that you please refrain from applause until after the judges have confirmed the spelling, and please no help to the competitors. We now ask that you all turn off any electronic media, cell phones, pagers, etc. so we can begin”.



He then turned to the stage and asked all competitors to remove their cell phones and put them in the bright orange laundry basket, usually reserved for floor hockey sticks. Each student deposited their phones, all one hundred and thirty-seven of them in the basket.  We were ready to start.





“Competitor number one…please approach the microphone and state your name and your school” said Judge number two. Judge number two would be in charge of calling the students up, it seemed. She was the librarian at Thomas Polk. She had typical librarian glasses, with the silver chain attached to the arms, flaming red hair, done up in a bee hive uplift, just for the event, and was called Miss Flume. She was married, but, being the south, she was always addressed as Miss.



The first student advanced to the front of the stage. She had bright pink hair, held in place with a gold hairband, black shoes, and a yellow jumper. She looked like a walking number 2 pencil. The two duck calls came from the back of the gymnasium along with scattered applause. All three judges turned and looked to the back, and then turned to face the young girl.



“My name is Bobbie Jo Collister, I am a senior at Jackson Williams School of Fine Arts and Music”. “Thank you Bobbie Joe” said Miss Flume. Bobbie Jo, smiled nervously and put on her glasses. “Your word is horticulture” announced Judge number one, “horticulture”.  Bobbie Jo took a breath and without asking for a definition, usage, root of the word or anything, just ripped through it without fail in three point two seconds, according to the mammoth timepiece at the end of the table. After conferring, the judges clicked on the green street light and she sat down, amidst more duck calls and clapping.



Student number two went through the entire process as did students three through eight. Each one had glasses, no surprise there, and were all dressed in monochromatic themes. Together, they looked like a life sized box of crayolas ready for a halloween party. Each child spelled their words correctly and were subsequently cheered and applauded.



Student nine then approached the microphone, stopping about a good seven feet short and three feet right of it. “My name is Oliver Parnocky” squeaked the lad. “I go to George W. Bush P.S 19 and am a senior.” Miss Flume, grabbed the small mike in front of her and said “Oliver…put on your glasses and move over to the microphone.” She leaned into the other judges, and said “He goes to my school, he doesn’t like wearing them much, and he’s always outside at recess talking to the flagpole after everyone else has come inside”.



“Oliver, please spell Dichotomy” said Judge number one. Judge two started the clock and they waited….and waited…then out burst this voice….DICHOTOMY…D I C H O T O M E E, , no, wait..D I C K O….****!” The crowd erupted in laughter, Oliver was busted. The judges conferred, and after informing poor Oliver they had never heard it spelled quite that way with an O **** at the end, they triggered the red light and Oliver left the stage to sit in the audience with his folks.



The next three kids, all with glasses, like it was part of an unwritten uniform dress code for the day, all advanced and sat down. The next entrant, number thirteen, luckily enough stood from the back and struggled down to the front of the stage. There were gasps and some snickering from the crowd. She was taller than the previous competitors,  and a little more pregnant as well. “Please state your name” said Miss Flume. “My name is Betty Jo Willin and am a senior at

Buford T. Pusser Parochial School”. At this announcement there was a cheer of “Got Wood at B.T. Pusser” from the crowd. The judges turned, asked for silence and the offending nuns returned to their seats. “Miss Willin, how old are you exactly?” asked Judge number one. “Twenty Two sir”. “And you say you are a senior?” “Yes sir” came the reply. Betty Jo was shuffling a bit as the pressure on her bladder must have been building standing there in her delicate condition. After conferring, judge number one said “That sounds about right, your word is PROPHYLACTIC”. The few people in the crowd that knew the meaning of the word laughed, while the rest continued eating their hot dogs and drinking their sodas and beers. “Please give a definition sir..I don’t believe I know that word”. The judges looked at each other with a definite “I’m not surprised” look and rattled off the definition. When she asked for usage, the judges really didn’t know what to do. Should they give a sentence using the word or explain the usage of a prophylactic, which regardless would have been too late anyway.

After a modicum of control was reached, she attempted the word, getting all tongue tied and naturally messing it up. The red light was triggered and she left the stage.



More strange outfits, bowties, hair nets, jumpers, clip on ties, followed. It looked like a fashion parade from Goodwill and The Salvation Army rolled into one. Most attempted their words and were green lighted onwards to the next round, while those who failed, were red lighted back to the crowd and the tailgate party in the parking lot. As each competitor was eliminated, the betting board that was being manned outside by one father was updated with new odds and payouts.



The first round was approaching an end with only three kids left. “Number nineteen please approach and state your name” said Miss Flume. He plume of red hair was starting to sag and was sliding slowly off of her head due to the humidity in the gymnasium.



Number nineteen came forth, glasses, tape across the bridge like half of the previous spellers. He was wearing the most colourful shirt that any of the judges had ever seen. It was not from Dickies, they surmised. “I go to J.J. Washington P.S 117 and my name is Mujibar Julinoor Parkhurloonakiir”. The judges froze. He obviously was new to the district. They had never heard a name like that before, ever. Not even in Ghandi. This was a powerful name. There had been sixteen cominations of Bobby, Bobbie, Billie, Jo, Joe, Jimmy, Jeff, Johnson and Jackson prior to Mujibar. Stunned, judge one asked “Son, can you spell that please?”

Mujibar, not sure what to do, spelled his name, unsure of why he was being asked to do so. “Thank you son” said Miss Flume. The odds on the betting board in the parking lot changed right then.



“That boy is gonna win fer sure” said Jimmy Jeff Willerkers. Jimmy Jeff ran the filling station two concessions over and had fifty bucks on his nephew Bobby Jeff, who had already flamed out on “yawl”. “How was he supposed to know  it had something to do with boats?” asked Jimmy Jeff. “That Mujibar is gonna win…jeez, he’s been spelling that name for years….anything else is gonna be easy breezy.” The odds went down on Mujibar and the money was flying around that parking lot faster than the rumour that the revenue people were out looking for stills in the woods.



“Mujibar…please spell SALICIOUS”…asked the now red pancake headed Miss Flume. Doing as he was told, Mujibar, spelled the word, gave the root, a definition and a brief history of the word usage in modern literature. Judge number one was furiously scribbling down notes, and trying to figure out how he would get a bet down on this kid before round two started.



Entrant number twenty from Jefferson Davis Temple and Hebrew school advanced which brought up the final entrant from round one. “Number Twenty-One please advance to the front of the stage”. After adjusting his glasses, after all he didn’t want a repeat of what poor Oliver did, he approached. “My name is C.J. Kay from William Clinton P.S 68” Judge one, confused by the young man’s name asked him to repeat it. “C.J. Kay” said C.J. “What is your full last name boy, you can’t just have a letter as your last name….what is the K for?” “Sir, my last name is Kay”, said C.J. “It’s not a letter”. “It most certainly is son…H I J K L…rattled off judge one. “It has to stand for something, you just can’t be CJK, that sounds like a Canadian radio station or worse yet, one of them hippy hoppy d.j fellers my granddaughter listens to. What is the K for?”. C.J said sir “My name is Christopher John Kay… not K, Kay” and then spelled it out. This only confused judge one more than he already was, and the extra time figuring out his name was doing nothing to Miss Flume’s hairdo.



“Christopher John….please spell MEPHISTOPHOLES “ said Judge one, after realizing he was never going to find out what the K was for. The crowd was getting restless and wanted to get to the truck to get re-filled and change their bets. C.J. knocked it out of the park in 2.7 seconds…”faster than Lee Harvey Oswald at a target shoot in Dallas”, one man said.



After a ten minute break, to get drinks, ***, re-tape some glasses and prop up Miss Flumes ruined plumage round two was set to begin. This went faster as the words were getting tougher, although randomly selected, judge one was inserting a few new words to keep his chance of winning with Mujibar alive. PALIMONY, ARCHEOLOGY, PARSIMONIOUS, TRIPTOTHYLAMINE , and many other words were thrown at the competitors. Each time the list of successful spellers was reduced, and the amount of clapping and the duck calls were less.

The seventh round began with just Mujibar, B.J. Collister and C. J Kay left. Before the round began the judges reminded the crowd that the words were random, and to please keep the cheering until the green light had been lit. There were more duck calls at this announcement and very little applause. Jerry Jeff was still manning the betting board, the tailgate barbeque was done, and there was only about thirty people left in the gymnasium.



The balloons on the basketball net had long since lost their get up and go, and were now hanging limply like coloured rubber scrotums and were flatter that Miss Flumes hair, which incidently, was now starting to streak the right side of her face from sweat washing out the dye. She was beginning to look like an extra in a zombie film with a brilliant orange red streak across her forehead.



“C.J.” said judge one, “please spell ARYTHMOMYACIN”. C.J. gave it a valiant effort ,but unfortunately was incorrect and the red light sent him off to the showers. This left B.J. Collister and the odds on favourite, Mujibar. The crowd was down to twenty seven now, Bobbie Jo’s folks and Mujibars immediate family.



Round after round were completed with neither one missing a word. Neither one blinked. It was a gunfight where both shooters died. These two were good, and it was never going to end. Judge one leaned over and told the other judges, “we have to finish this soon….I’m due at the wedding over to the Baptist church for nine o’clock to bless the happily marrieds and drive them both to the airport. They’re off to Cuba for their honeymoon.” The others agreed…”C.J. please spell MINISCULE said Miss Flume”. She did so, without a problem. This caused judge one to yell out “Holy Christmas” just as Mujibar got to the microphone. Thinking this was his word, he started as the judges were giving him his word. Seizing the opportunity to end it…judge one woke up judge three who red lighted poor Mujibar, ending his run at spelling immortality. “Sorry son, you tried, but, today a Mujibar lost and a B.J won.”. Before he tried to correct himself, knowing what he had just said didn’t sound quite right, Miss Flume congratulated both finalists and began the award presentations.



Thankfully, next year the eighty eighth version of The Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee will be in the other county. Now the job of sorting out the cell phones in the orange basket begins. By the way, Betty Jo Willin had a boy …you can just guess what she named it!

Three generations on a tailgate
Stretching out for our aching limbs' sake
Resting from work in the summer bake
Sipping slowly on a few Pepsi's
Wipe away the sweat so I can see
My heroes talking casually
We laughed and joked despite the hot sun
Work long, work hard but try to have fun
Life is as good as you make it, son

Dear Poet Friends, and all true lovers of Jazz!  Being a lover of Classical and Smooth Jazz, I had composed first two parts in Verse on the History and Evolution of Jazz Music. Seeing the poor response of the Readers to my Part One here, I was hesitant to post my Second Part. I would request the Readers to kindly read Part One of this True Story also for complete information. Please do read the Foot Notes. With best wishes, - from Raj Nandy of New Delhi.


THE STORY OF JAZZ MUSIC : PART-II
               BY RAJ NANDY

        NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND :
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
(Founded in 1718 as a part of French Louisiana
Colony),  -
Stands the city of New Orleans.
New Orleans* gets its name from Phillippe II,
Duc d’ Orleans , the Regent of France ;
A city well known for its music, and fondness
for dance.
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish
Colony.
But in the year 1800, the Spanish through a
secret pact, -
To France had once again ceded the Colony back!
Finally in 1803 the historic ‘Louisiana Purchase’
took place ,
When Napoleon the First sold New Orleans and  
the entire Louisiana State, -
To President Thomas Jefferson of the United
States!     * (See notes below)

THE CONGO SQUARE :
The French New Orleans was a rather liberal
place,
Where slaves were permitted to congregate,
For worship and trading in a market place,
But only on Sabbath Days, - their day of rest!
They had chosen a grassy place at the edge of
the old city,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street,
Which came to be known as the Congo Square,
Where one could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying
dance forms,
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant Colonies of the British,
Had found a freedom of expression in the Congo
Square by the natives; -
Through their Bamboula , Calanda, and Congo dance!
The Wolof and Bambara people from Senegal River
area of West Africa,
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the Banjo.
And during the Spanish Era, slaves from the Central
African Forest Culture of Congo,
Who with their hand-drummed polyrhythmic beats ,
Made people from Havana to Harlem  to rise and
dance on their feet!       (see notes below)

CULTURAL MIX :
After the Louisiana Purchase , English-speaking
Anglo and African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-
comers settled ‘uptown’,
Creating an American Sector, separate from older
Creole ‘down-town’ !
This black American influx in the uptown had
ushered in,
The elements of the Blues, Spirituals, and rural
dances into New Orleans’ musical scene.
Now these African cultural expressions gradually
diversified, -
Into Mardi Indian traditions, and the Second Line.^^
And eventually into New Orleans’ Jazz and Blues;
As New Orleans became a cauldron of a rich
cultural milieu!

THE CREOLES :
The Creoles were not immigrants but were home-
bred;
They were the bi-racial children of their French
Masters and their African women slaves!
Creole subculture was centred in New Orleans.
But after the Louisiana Purchase of 1803,  -
The Creoles rose to the highest rung of Society! @
They lived on the east of Canal Street in the
French Sector of the city.
Many Creole musicians were formally trained in
Paris,
Had played in Opera Houses there, and later led
Brass Bands in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet
were all famous Creoles;
About whom I now write as this true Jazz Story
gradually unfolds.
In sharp contrast on the west of Canal Street lived
the ***** musicians,
Who lacked the economic advantages the Creoles
possessed and had!
The Negroes were schooled in the Blues, Work Songs ,
and Gospel Music;
And played by the ear with improvisation as their
unique characteristic !
But in 1894 when Jim Crow’s racial segregation
laws came into force,     # (see notes below)
The Creoles were forced to move West of Canal
Street to live with the Negroes.
This mingling lighted a ‘musical spark’ creating
a lightening musical flash;
Igniting the flames of a ‘new music’ which was
later called ‘Jazz’ !

INFLUENCE OF THE EARLY BRASS BANDS:
Those Brass Bands of the Civil War which played the
‘marching tunes’ ,
Became the precursors of New Orleans’ Brass Bands,
which later played at funeral marches, dance halls,
and saloons !
After the end of the Civil War those string and wind
instruments and drums, -
Were available in the second-hand stores and pawn
shops within reach of the poor, for a small tidy sum!
Many small bands mushroomed, and each town had
its own band stand and gazebos;
Entertained the town folks putting up a grand show!
Early roots of Jazz can be traced to these Bands and
their leaders like Buddy Bolden, King Oliver, Bunk
Johnson, and Kid Orley;
Not forgetting Jack 'Pappa' Laine’s Brass Band
leading the way of our Jazz Story !
The Original Dixieland Band of the cornet player
'Nick' La Rocca,
Was the first ever Jazz Band to entertain US Service
Men in World War-I and also to play in European
theatre, came later.     (In 1916)
I plan to mention the Harlem Renaissance in my
Part Three,
Till then dear Readers kindly bear with me!

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century,
When Las Vegas was just a farming community,
The actual ‘sin city’ lay 1700 miles East, in the
heart of New Orleans!
By Alderman Story’s Ordinance of 1897,
A 20-block area got legalized and confined,  
To the French Quarters on the North Eastern side
called ‘Storyville’, a name acquired after him!
This 'red light' area resounded with a new
seductive music ‘jassing up’ one and all;
Which played in its Bordello, Saloons, and the
Dance Halls !         (refer  my Part One)
Now the best of Bordellos hired a House Pianist,
who also greeted guests, and was a musical
organizer;
Whom the girls addressed respectfully as -
‘The Professor’!
Jelly Roll Morton, Tony Jackson author of
‘Pretty Baby’, and Frank ‘Dude’ Amacher, -
Were all well-known Storyville’s ‘Professors’.
Early jazz men who played in Storyville’s Orchestra
and Bands are now all musical legends;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk
Johnson, and Sydney Bechet.      ++ (see notes below)
Louis Armstrong who was born in New Orleans,
As a boy had supplied coal to the ‘cribs’ of
Storyville !          ^ (see notes below)
Louis had also played in the bar for $1.25 a night;
Surely the contribution of Storyville to Jazz Music
can never be denied!
But when America joined the First World War in
1917,
A Naval Order was issued to close down Storyville;
Since waging war was more important than making
love the Order had said !
And from the port of New Orleans US Warships
had subsequently set sail.
Here I now pause my friends to take a break.
Part Three of this story is yet to be composed,
Will depend on my Reader’s response !
Please do read below the handy Foot Notes.
Thanks from Raj Nandy of New Delhi.

FOOT NOTES:-
New Orleans one of the oldest of cosmopolitan city of Louisiana, also the 18th State of US, & a major port.
Louisiana was sold by France for $15 Million, & was later realized to be a great achievement of Thomas Jefferson!
Many African Strands of Folk Music & Dance forms had merged at the Congo Square.
^^ ’Second Line Music’= Bands playing during funerals & marches, evoked voluntary crowd participation, with songs and dances as appropriate forming a ''Second Line'' from behind.
@ Those liberal French Masters offered the Creoles the best of Education with access to their White Society!
# ’Jim Crow'= Between 1892 & 1895, 'Blacks' gained political prominence in Southern States. In 1896 land-rich whites disenfranchised the Blacks completely! A 25 year's long hatred
& racial segregation began. Tennessee led by passing the ‘Jim Crow’ Law ! In 1896, Supreme Court upheld this Law with -  ‘’Separate But Equal’’ status for the Blacks. Thus segregation became a National Institution! This segregation divided the Black & White Musicians too!
+ Birth of Jazz was a slow and an evolving process, with Blues and Ragtime as its precursor!    “Jazz Is Quintessence of  Afro-American Music born on European Instruments.”
++ Jelly ‘Roll’ Morton (1885-1941) at 17 years played piano in the brothels, – applying swinging syncopation to a variety of music; a great 'transitional figure' between Ragtime & Jazz Piano-style.
++ BUDDY BOLDEN (1877-1931) = his cornet improvised by adding ‘Blues’ to Ragtime in Orleans  during 1900-1907, which later became Jazz! BUNK JOHNSON (1879-1849 ) = was a pioneering jazz trumpeter who inspired Louis Armstrong.  KID OLIVER (1885-1938) =Cornet player and & a Band-leader, mentor & teacher of Louis Armstrong; pioneered use of ‘mute’ in music! ‘Mute’ is a device fitted to instruments to alter the timber or tonal quality, reducing the sound, or both.
KID ORLEY (1886-1973) : a pioneering Trombonist, developed the '‘tailgate style’' playing rhythmic lines underneath the trumpet & cornet, propagating Early Jazz.  SYDNEY BECHET (1897-1959) = pioneered the use of Saxophone; a composer & a soloist, inspired Armstrong. His pioneering style got his name in the ‘Down Beat Jazz Hall of Fame’! LOUIS ARMSTRONG (1890-1971) = Trumpeter, singer, & great improviser. First international soloist, who took New Orleans Jazz Music to the World!  
% = After America joined WW-I in 1917, a Naval Order was issued to shut-down  Storyville, to check the spread of VD amongst sailors!
^^ ”Cribs”= cheap residential buildings where prostitutes rented rooms. Louis Armstrong as a boy supplied coal in those ‘Cribs’.
During the 1940 s  Storyville was raised to the ground to make way for Iberville Federal Housing Project.
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY **
E-Mail : rajnandy21@yahoo.in

Dear Poet Friends, I had posted Part One of the Story of Jazz Music in Verse few months back on this Site. Today I am posting Part Two of this Story in continuation. Even if you had not read part one of this true story, this one will still be an interesting portion to read especially for all lovers of music, and for knowing about America's rich cultural heritage. I love smooth & cool jazz mainly, not the hard & acid kind! Kindly do read the ‘Foot Notes’ at the end to know how the word ‘Jass’ became ‘Jazz’ way back in History. Hope to bring out a book later with photographs. Thanks, - Raj Nandy, New Delhi.


STORY OF JAZZ MUSIC  IN VERSE PART – II

    NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND:
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
Founded in the year 1718, as a part of French Louisiana
colony.
New Orleans* gets its name from Phillippe II, Duc d’ Orleans,
the Regent of France;
A city well known for its music, and fondness for dance!
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish Colony.
But in 1800, those Spanish through a secret pact,
To France had once again ceded the colony back!
Finally in the year 1803, the historic ‘Louisiana Purchase’
had taken place, -
When Napoleon First of France sold New Orleans and the
entire Louisiana State,
To President Thomas Jefferson of the United States!
(See Notes below)

THE CONGO SQUARE:
The French New Orleans was a rather liberal place,
Where slaves were permitted to congregate,
To worship and for trading in a market place, on
Sabbath Days, their day of rest.
They had chosen a grassy place at the edge of the
old city ,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street;
Which came to be known as the Congo Square,
Where you could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying dance
forms, -
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant colonies of the British,
Had found a freedom of expression in the Congo Square
by the natives, -
Through their Bamboula, Calanda, and Congo dance forms
to the drum beats of their native music.
The Wolof and Bambara people from Senegal River of West
Africa, -
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the string banjo.
And during the Spanish Era slaves from the Central African
forest culture of Congo, -
Who with their hand-drummed poly-rhythmic beats,  
Made people from Havana to Harlem to rise up and dance
on their feet!   * (see notes below)

CULTURAL MIX:
After the Louisiana Purchase, English-speaking Anglo and
African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-comers
settled ‘Uptown’,
Creating an American sector separate from older Creole
‘Downtown’.
This black American influx ‘Uptown’ brought in the elements
of the blues, spirituals, and rural dances into New Orleans’
musical scene.
These African cultural expressions had gradually diversified,
into Mardi Gras tradition and the ‘Second Line’. ^^ (notes below)
And finally blossomed into New Orleans’ jazz and blues;
As New Orleans became a cauldron of a rich cultural milieu!

THE CREOLES:
The Creoles were not immigrants but were home-bred.
They were the bi-racial children of their French masters
and their African women slaves!
Creole subculture was centred in New Orleans after the
Louisiana Purchase of 1803,
When the Creoles rose to the highest rung of society!
They lived on the east of Canal Street in the French
Sector of the city.   @ (see notes below)
Many Creole musicians were formally trained in Paris.
Played in opera houses there, and later led Brass Bands
in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet were
famous Creoles,
About whom I shall write as this Story unfolds.
In sharp contrast on the west of Canal Street lived the
***** musicians;
But they lacked the economic advantages the Creoles
already had!
They were schooled in the Blues, Work songs, and Gospel
music .
And played by the ear with improvisation as their unique
characteristic,
As most of them were uneducated and could not read.
Now in 1894, when Jim Crow’s racial segregation laws
came into force,       # (see notes below)
The Creoles were forced to move west of Canal Street to
live with the Negroes!
This racial mingling lighted a ‘musical spark’ creating a
lightening flash, -
Igniting the flames of a ‘new music’ which was later came
to be known as JAZZ !

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century, when Las Vegas
was just a farming community,
The actual ‘sin city’ lay 1,700 miles East, in the heart of
New Orleans!
By Alderman Story’s Ordinance of 1897,  a 20-block area
had got legalised and confined, -
To the French Quarters on the North Eastern side called
‘Storyville’,   - a name which was acquired after him.
This red light area resounded with a new seductive music
‘jassing up’ one and all;
Which played in its bordellos, saloons, and dance halls!
The best of bordellos hired a House Pianist who greeted
guests and was also a musical organizer;
Whom the girls addressed respectfully as ‘The Professor’!
Jelly Roll Morton++, Tony Jackson author of  ‘Pretty Baby’,
and Frank ‘Dude’ Amacher, -
Were all well known Storyville’s  ‘Professors’!
Early jazz men who played in Storyville’s Orchestras and Bands
now form a part of Jazz Legend;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk Johnson,
and Sydney Bechet.    ++ (see notes below)
Louis Armstrong who was born in New Orleans, as a boy had
supplied coal to the ‘cribs’ of Storyville!   ^ (see notes)
He had also played in the bar for $1.25 a night,
Surely the contribution of Storyville to Jazz cannot be denied!
But when America joined the First World War in 1917,
A Naval Order was issued to close down Storyville!   % (notes)
Since waging war was more important than making love,
this Order had said;
And from the port of New Orleans the US Warships had
set sail!
Here I pause my friends to take a break, will continue
the Story of Jazz in part three, at a later date.
                                               -Raj Nandy, New Delhi
FOOT NOTES :-
NEW ORLEANS one of the oldest cosmopolitan city of Louisiana,
the 18th State of US , & a  major port city.
LOUISIANA was sold by France for $15 million, which was later
realised to be a great achievement of President Jefferson.
*Many African strands of Folk music and dance had merged at the
Congo Square!
^^ ‘SECOND LINE MUSIC’ = Bands playing during Funerals & Marches evoked voluntary crowd participation, with songs & dances as appropriate forming a ‘Second Line’ from behind.
@ =THOSE LIBERAL FRENCH MASTERS OFFERED THE CREOLES THE BEST OF EDUCATION WITH ACCESS TO WHITE SOCIETY!
#’JIM CROW’= between 1892&1895, blacks gained political prominence in Southern States. In 1896 LAND-RICH WHITES DISENFRANCHISED THE BLACK COMPLETELY! A 25 YRS LONG HATRED &RACIAL SEGREGATION BEGAN. TENNESSEE LED BY PASSING ‘JIM CROW LAW’. IN 1896, THE SUPREME COURT UPHELD THIS LAW WITH ITS ‘’SEPARATE BUT EQUAL’’ STATUS FOR THE BLACKS ! THUS SEGREGATION BECAME A NATIONAL INSTITUTION. THIS SEGREGATION DIVIDED THE BLACK & WHITE MUSICIANS ALSO.
+ BIRTH OF JAZZ WAS A SLOW AND EVOLVING PROCESS, WITH BLUES AND RAGTIME AS ITS PRECURSORS . “JAZZ WAS QUINTESSENCE OF AFRO-AMERICAN MUSIC BORN ON EUROPEAN INSTRUMENTS.”  See my ‘Part One’ for definitions.
++ JELLY ‘Roll’ Morton (1885-1941): At 17 yrs played piano in the brothels, applying swinging syncopation to a variety of music; a great Transitional Figure- between Ragtime & Jazz Piano-style.  ++ BUDDY BOLDEN (1877-1931): His cornet improvised by adding ‘Blues’ to Ragtime in Orleans; which between the years 1900 & 1907 transformed into  Jazz! BUNK JOHNSON (1879-1849): pioneering jazz trumpeter, inspired Louis Armstrong; lost all teeth & played with his dentures! KING OLIVER(1885-1938): Cornet player & bandleader, mentor& teacher of Louis Armstrong; pioneered use of ‘mute’ in music. KID ORY(1886-1973): a pioneering Trombonist, he developed the ‘tailgate style’ playing rhythmic lines underneath the trumpet & the cornet, propagating early Jazz !
SYDNEY BECHET (1897-1959): pioneered the use of SAX; a composer & a soloist, he inspired Louis Armstrong. His pioneering style got his name in the Down Beat Jazz Hall of Fame!
Louis Armstrong(1890-1971): was a trumpeter, singer and a great
improviser. Also as the First International Soloist took New Orleans music to the World!
% = After  America joined WW-I in 1917,  a Naval Order was issued to shutdown Storyville in order to check the spread of VD amongst sailors.
^ ’cribs”= cheap residential buildings where prostitutes rented rooms.
# "JASS" = originally an Africa-American slang meaning ‘***’ ! Born in the brothels of Storyville (New Orleans)  & the Jasmine perfumes used by the girls there; one visiting them was  said to be 'jassed-up' . Mischievous boys rubbed out the letter ‘J’ from posters outside announcing  "Live Jass Shows'', making it to read as ‘'Live *** Shows'’! So finally ‘ss’ of ‘jass’ got replaced by 'zz' of JAZZ .
DURING THE 1940s  STORYVILLE  WAS RAISED TO THE GROUND TO MAKE WAY FOR ‘IBERVILLE FEDERAL HOUSING PROJECT’ .
  * ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY

People write such cliche poems.

True love that goes on for lifetimes.

A gray city in the rain, colored only by the music of life.

Hot coffee entrenching the soul with warmth in the crisp autumn.

The perfect snowflake landing on the nose of his winter angel.

The smell of northern pines after a heavy storm.

Her unparalleled footprints in the sand with each angelic step.

Tailgate stargazing on an ideal summer night, hands intertwined.

But isn't that what poetry is all about?

The most heartfelt descriptions about the broadest of beautiful moments?

~S.C. Kelley

Why'd you take it
My heart and break it?

I'm in every scene
of a hometown love
sleepy streetlights
shedding the light
of every bright
and broken down dream

Drinking a few
back when I knew you
our tearsoaked memories
**** really loved that view
speakers playing loud
country love songs
in the back of an ol' Ford truck
and hoping you'll be in luck

painted toes hanging off the tailgate
as your hands trying to 'round home plate
bet Daddy's gonna be mad again

lost in all the crazy of our dreams
mending our clipped & broken wings
somewhere in the hot sunshine

Faded shirt coming down your shoulder
Cuz' she says she's gettin' colder
You and I, were just a little older now

That homemade, hometown love still
playing me back...
to the last days of that summer.

Cherie Nolan © 2016

It was a hand me down,
An old Chevy that grandpa didn't need,
It was just a little truck,
But it would do,
Blue and silver, with rust sprouting up here and there,
A creaky tailgate,
No ac, but a sunroof,
Comfy seats that held you like a race car,
The smell of dust wafting from the vents
It had a little engine that needed work,
It had old tires that needed to be replaced,
A layer of dust that needed to be washed off.
But I didn't care,
It was my first truck!

New engine,
New tires,
A deluxe wash at the co-op,
And a black ice air freshener,
This truck was born again.

Spinning tires and dust flying,
Rolling down the streets and tearing up the gravel roads,
This truck purred like a kitten.
I didn't care if people had bigger trucks,
Newer trucks,
Fancier trucks,
This was my first truck
And I loved it!

By Stephen E. Yocum

In 1974, from out of Kabul,
The bouncing open back of
An old flat bed truck,
Eating dust and Diesel fumes,
Two alone we journeyed.

A round the world exploration
Of adventure and discovery.
Of lands and cultures,
people never before encountered.
Naive Ecotourists, before there
Was such a thing, called by a silly name.

The land there about, dry and dusty,
Sparse vegetations, Inhospitable to all,
Featureless and drab beyond comprehension.
Harsh lands breed harsh unforgiving people,
Matching their dire extreme surroundings.
This being one of those places.

I was on an adventure,
More so than she with me,
A rocky marriage at best,
Stressed further by months of travel.
I seeking the raw, the real,
She wanting first class comforts,
Like the “Good Life as seen on TV”.
A rough open flatbed truck, eating dust,
Not even close to fitting that description.

We were going to a small distant town,
Where I might see a game as old,
As that culture, of those Afghan plains,
A game, no truly more of a passion,
A long held national obsession,
Not so much played,
As combated, a war on horseback,
Brutal, ****** and thrilling.

Under noonday sun, yet chill of weather,
An hour out, four mounted horsemen
Appeared over a low hillock horizon,
Their horses in gallop, snorting, prancing,
High stepping, bounding, on a mission,
Kicking up a cloud of yellow/red dust,
The riders making straight for us.

These were the days before the AK-47,
Before the Russian invasion of ‘97.
The tribal Afghan men back then toted old,
Long Barreled, flint lock looking weapons
Often adorned with ribbon or paint,
Looking at first glance merely ornamental,
Not quite dismissing their lethal intent.

I had seen a sheep shot by one of
These old rifles, the entry spot was
The size of an American Half Dollar,
The exit hole the size of a tennis ball exploded.

As they approached, at my direction,
She withdrew further back towards the
Cab of the truck, beside a wooden crate.
I still sat, legs dangling over the tailgate,
One hand holding onto the wood slatted
Vertical, side rail of the bed.
The other hand on the hilt of my 8 inch Buck Knife.
That given the impending situation, would have
Done me as much good as my ******* into the face,
Of a very strong hurricane wind,
Doing me and us more harm than good.
All the while, still watching the horsemen,
As they rapidly approached ever closer.

Ignoring our dust, they reined in less than
Fifteen feet from our rear bumper,
(If there had indeed been a bumper.)
Horses wild eyes rolling, saliva snorting
From their mouths and nostrils,
Lather of sweat coating sleek bodies.
Looking more akin to fierce Dragons than Equines.

Their dusty riders looked like mounted warriors,
Escaped from out of a Hollywood movie,
Full bearded, hard men, with Scars on their faces,
Their serious dust laden red eyes burning like fire.
Jaws firm set, faces otherwise devoid of expression.
Dressed in traditional head to toe garb,
A style unchanged in hundreds of years,
Large curved Knives in wide leather belts,
Two, sporting hefty British holstered revolvers.
All four with long rifles in one hand,
Horse reins in the other.

Just like that, there we all were face to face,
I could not avoid their eyes, locking mine on
The bigger man near the center,
Hiding as best I could, my concern, no my fear,
With a neutral expression, neither smile nor sneer,
That might give me away. Yet the hair on the back
Of my neck did tingle, throat too dry and constricted
To speak should it even be required.  

The bigger man into whose eyes I stared,
As if I had issued some challenged invitation,
With but a single practiced move of his,
Right arm and hand,
(Horse reins held in the other),
Quickly shouldered his menacing weapon,
And sighted down its long barrel, right at my head.

Perhaps it was only a few seconds,
Yet it seemed an eternity,
That gun’s bore looked immense,
Like the gapping open mouth,
Of some great ballistic cannon.
For a moment I ceased breathing.
It felt as if my heart stopped beating.
I could not but sit there waiting,
There was no escaping.

That throw back to a fiftieth century man,
Held the power, of Life or sudden death,
In his hand, my life on the tip of his trigger finger,
He and I both instantly understood this.

It was clear in that one moment,
That to him, this was nothing new,
Or even of the slightest importance.
A thing to which he was plainly indifferent.

Down that bore, was a place in which lurked,
A lethal bullet with my name written upon it,
I felt trapped, like screaming, but remained silent,
Eyes open, and then why I will never know,
Still looking at him I narrowed my eyes and smiled.

As perhaps a reply on the man’s harsh face,
There appeared an ever so slightest grin.
Then he hefted his weapon back down under,
His arm and silently smiled and laughed,
In my direction.

I could not help but notice that one of his
Upper front teeth was of bright gold, while the
One next to the gold, was completely missing.

He nodded just once his head, to me a message,
All said with no words actually spoken,
“Today traveler,
I could have killed you,
Taken your woman.
Out here no one would know,
No one would have cared,
Not even the truck driver.
You are in my homeland,
I control it and you,
Today I choose not to **** you,
Tomorrow I might feel different.”

Then he and his unsmiling companions,
****** their straining unyielding horses,
to their left, galloping away in an obscuring
cloud, of yellow and reddish dust billowing.

While adrenaline turned my arms and
Legs to jelly, and shortly thereafter,
My stomach to sudden fits of
Wrenching regurgitation.

When in a few years I first heard,
That the Russians had invaded
That harsh unforgiving land,
I told a friend,
“Those fool Russians,
Have grabbed a fearsome,
Tiger by the tail, and that beast
Might just devourer them,
And not the other way around.”
It came to pass, I was not far off,
In my knowledgeable easy prediction.

The lesson I learned that day?
No matter who you think you are,
Or where you might come from,
What Nations impressive seal,
That your Passport reveals,
When you travel far and wide,
Trespass in another man’s back yard,
You best beware, of all the possibilities.

Upon our return trip the next day,
We took a bus of public conveyance,
Imagining perhaps there would be,
More safety in a convergence of numbers.

Footnote:

Over the centuries many invaders
Have attempted to subdue the wild
Land of the Afghans’ and nearly all failed.
A land and a people offering absolutely,
No forgiveness, not even to themselves.

Rudyard Kipling wrote of the British Empires brief
Excursions into that land, offering some sage advice;
“When you’re wounded and left on the Afghanistan’s
Plains, and the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains and go to
Your God like a soldier.”

All present and would be conquers take note,
This remains Wise advice.  No one truly conquers there,
They just visit and bleed and then eventually go away,
Tails tucked between their knees. If indeed they still
Have one.

So much I could say
And, I'm sure it will come out the wrong way
But, I just want you to know that you still have all of my heart and soul
From the first time we kissed
I was all yours
My heart will never to another belong
I continue to fall harder
Every time we touch
You still intrigue me
Inspire me
And turn me inside out
You're still the most beautiful soul I've ever seen
You push me
Confuse me
Keep me on my toes
You still show me the way when I get lost
You ignite the fire in my soul
I yearn for you
I'm amused by you
Your touch still turns me on
I'm still captivated by your embrace
I miss you
I want you
You're the only one for me
My stomach still gets tied in knots
When I know I'm about to see you
I still try to look my prettiest because  
You are so handsome to me
Your charms still work and
I have so much more to learn
You're never dull or boring to me
You're still my prince charming
When my life falls apart
You're who I want there beside me
You protect me
You keep me afloat
When I fall you pick me up
And I can't live without you
And I never want anyone else
No amount or words would ever be enough
But I hope you know you still have all of my heart
So, don't ever question
Don't ever doubt
Because my love for you will never run out

Me and couple of my buddies tailgate of our trucks,
sipping moonshine from coffee cups.
Swatting at mosquitos and telling lies,
getting further from the truth with every sip of the Shine.
Dont be a stranger when you pull up,
yonder is the jug and some extra cups.
Now some  folk cannot handle the sip then  the bite,
leaves more for others, quite all right.
Here comes another stretch of the truth,
now keep on passing the jug once you're through.

It's fine, daddy will walk through the door soon. You promised. But she knew he was sitting in the driveway, soaking up the light of the moon.*

Outside in a driveway
A man sits and waits.
His family has long given up on calling
Dinner is on the table.

They try to carry on as normal
Exchanging small talk
Work and the weather.

It's fine, daddy will be walking in soon. You promised. But she knew he was sitting in the driveway, soaking up the light of the moon.

Averting their gazes
From the fiery eyes
Of the tailgate
Shining beams through the window.

Wake up. It's not fine; it's cold outside and they need you to be alright.

He knows what he's doing
But truly he has no control.
All he is sure of is that when he comes home
He wants to be all there.

it's 11:20 pm
it's a moon-risen domain
rusty truck of Ford 1978
unlatch the faded tailgate of white and pale turquoise

off a Denton N. Elm highway
sitting in the heat of the ocean air.

The trees but a silhouette
and the moon a rustic orange
feeling heavy sentiments of cascading hair ending in curls
sickly eyes with blue shadow and glazed look that pierced.

2 minutes of absence growing fonder
and I wanted it to last for much longer.

Look at you, growing so fast.
I would not actually know though.
Because our time together only one day, did it last.

I know you're happy, with your mom, and your dad.
I hope that you get everything you wish for.
They were really great people so I'm sure it can't be bad.

One day, if you find me, I'll explain to you why.
Why you were given away, the day you were born.
Now, 5 years later, I sit on my tailgate and cry.
I think about all the days since, that have passed me by.
But I know it's for the better, for you and for I.

I

We sit on a tailgate pointed toward
the hills, where life ripples down the slopes
gathers in pools of the creek and begins again
to climb up the peaks and tree trunks on the
other side. It colors the breaths we take
green.
Children run here, learn their legs, as stalks
graze their shoulders and block their
view. They get dizzy as rows rush by.
We rein in our bovine friends here, watch
them jump and kick, see them call in
spring

II

We walk between rows of highly stacked cement and exhale smog that drifts
upwards to
join the cloud of soot.
We walk among so many abrasive shoulders. We get
hung up on abrasive personalities.
A gray wave in a black sea we’re vapidly
drifting. Legs move quickly to stay afloat.
swimming. Swimming always. Swimming further.

III

We sit for pictures with clogged eyes and stuffed chests
We coo at portraits of masks and dummies
We write books for laughs and money and friends
We read a little to find the romance and sorrow
and lay cold on the slab while our own pages turn.

IV

We pass out of porcelain faces with their tightly
drawn eyes that cast gazes over shoulders, homes
of last night’s kisses. We pass out of the electrical
current of youth
numbed and still alive
with eyes that look like stained glass windows of the
Church of Holy Suffering.


V

We wait for Sunday night to turn the dial to the Blues. We keep throwing something for an animal to pick up and return.  We string beads and sell them for redemption.

VI

We think of our friends. They’re draped in a future,
warmed with hot blood rushing through their veins,
slamming fists to tables, pronouncing their minds.
ripping off dresses, sharing their madness.
tossing paint to canvas, showing their hearts.
asking questions to startle, proving their love.

VII

We think of our parents.
dead and gone, dead to us, dead by self-proclamation -
Is their blood cold and still in their withered veins?
Have they their fill of slamming fists and ripped dresses and tossed paint and startling questions?

VIII

We are sad.

"Tailgate gazing, feet hanging.
One glance and you’ve got my heartbeat hammering.
I’ve been hungover on the thought of you.
Dazed, and missing you.
I’m being consumed."

Hunting dove down on the backroad
way on back only the rancher knows
he doesn’t care so we wait for flight
12 gauges ready to start our plight

Ring necks, white wings, and mourning’s are game
chichi birds make us swing all the same
listening for the whistle and the beat of the wing
one of us today, will win the brass ring

Limiting out is what we’re hoping for
but if not, you couldn’t hope for more
outside with friends and family alike
kids getting bored, gone on a hike

Men at the truck with cold Coors Light
relaxing outdoors, no one’s uptight
suns getting low, they are about to fly
here they come, hear the wings sigh

Draw a bead and a lead and fire away
one bird down, hope there’s more we pray
birds on the tailgate at the end of fight
get em’ all clean before the black of the night.

Dizzied by a porch swing's varnish Chloroform,
I shared a silver hook with a knotted rope
snake for stability. Although my finger
constricted the viper against the cold metal,
it did not hiss or spit psychedelic venom.
I braced my bare foot against the truck's
wheel cover around a twisted corner
by an empty church, tolling
my heartbeat. Cardboard acted
as the bed liner, I played the liability
if the swing should slide past the flush tailgate
and take me along with it. If it did,
shifting gravel guitar solos and cherry pie blood
would swing my pain away.

This love burns and drips

an unclean **** knot
******* and *******
at tailgate parties in basements
where everybody is satisfied
except for one...

The sky is painted static:
I can't find the channel.

A frail cherub descends
gossamer threads of maize splay out about its head
brings the sky back with it
and in hues of pink and life,
restores me.

I want to lose two pairs of black glasses and my shoes
I want to tell the delivery boy that I don’t care how much change I get back
I want to ice the back deck and wet the chairs
I want to break a futon; feel taco-like
I want to paint my body, my friends body
I want to construct a bed in the laundry room with silk sheets
I want to neglect the shower for three days
I want to climb a roof and get lost in a corn maze
I want to leave my personal belongings in a plastic bag
I want to walk alone two miles to get a hot dog and meet a ***

we want to step in leaking toilet water
we want to play hide and seek in a dark house, discover an attic
we want to drink veggie burgers and wash them down with milk
we want to find a hat for a pickle and for one day wear only vests
we want to tailgate for napolean dynamite
we want to stay up late sitting on the flip side of windowsills
we want to spill everything and learn how to jump cars

they want to save taco bells hot sauce in paper bags
they want to build a fort with a closet door and some hooks
they want to dance all night, create a star shape with their legs
they want to “whod I come with? Ladies…!” just like rosie the riveter
they want to walk around telling the trees to be quiet
they want to move a couch to the from lawn and reside

*-MJS

"Don't tell me the poets ... "

I write poetry that is both incorporated
And incorporeal ... and un and un and un
It is done

On the pad : and off

Hop - Lily

On the tailgate
In the truck
Boots on the ground
In the muck

Put on your Carhartt's
It's time to get *****
Even better

Grab your Old Man's work clothes
Finish the job
That He didn't want to start

Don't tell me the poets are ******* crying

We're living
And we're dying

Careful though
The warlords have come into the jungle and slaughtered before

But we live again
A little more angry
A little less wise

--> **** **** up, juveniles

Shoplifters of the world ...
untie

she is waiting outside baggage claim
in blue jeans and a sweatshirt that says **** YALE
she is texting, frowning without wrinkles
her hair a thick braid to the small of her back
even among the smell of jet fuel and diesel fumes
her hair the scent of cedar smoke, campfires
picture it as a long furry tail
a meerkat, they’re cute, they’re carnivores
she stares at oncoming cars
she hops on one foot
I bet she’s really smart, really nice
she has an LL Bean backpack on rollers and a floral garment bag
she turns to me and asks
“Will you watch my bags? I need to ***.”
before I can answer she dashes in short steps
now I notice tall heels below frayed cuffs
the heels lift her ***, nice ***
but she’s younger than my daughter
she trusts me, I feel elevated
she’s gone so long
the pack on wheels, could it be a bomb?
and me standing, guarding
leering old creep nominated to be smithereens of pink spray
but she looked sweet in an intellectual touchy-feely way
no lipstick, no eyeliner
I appreciate girls with no makeup
and nobody puts bombs in a garment bag,
totally against the bombing code
look there sticking out of a pocket of the backpack
a copy of a book, *******
my novel that went out of print thirty-seven years ago
which is twice her age
there was soft down above her lip, meerkat fuzz
my portrait on the back cover, a younger hairy me
did she see?
when she returns I will speak kindly
a bevy of bluebirds will fly from my lips to her ears
an SUV stops, a burly man in coat and sloppy tie steps out
opens the tailgate, throws the portmanteau inside
then the backpack with the book
should I stop him?
“Are you sure you have the right bags?”
I ask somewhat unassertively
the man looks at me like he’s bitten lime
and says, “**** Yale?”
and I nod okay
and just then she bursts out the door breathless
hugs the burly man
not a glance to me, not a thank you for guarding the bags
she hops into the shotgun seat
the words I hear her say:
“Finally, at last!”

I
kept saying “I’m just glad no one got hurt,” last night when
I crushed a car driving a semi.
Just about to sleep
on the road by the sugar factory in my hometown
when I heard a horn honking and people yelling at me.
Before I heard aluminum bend at once.
I recounted it to spectators after the fact--

IN MY DREAM--
it was this
yelling, this
honking
inDICTED the victims in my
mind.

That road was endlessly wide.

Their car could have moved enough to miss me;  they wanted to
get hit.

For the insurance, maybe.
Who knows?

IN MY DREAM
people get right out of smashed cars.
Below your driver’s side door giving silent, dis-
approving glances within seconds of your palm-
shielded face;

After it had started to get dark
I remember how my dad had
our truck down filling up
on the corner with
scraps of steaming
food.

I noticed potatoes
cut into halves and
fourths piling in and flowing through the broken
tailgate. I knew
where that truck was going:
back to the country.

Where I was told to park my truck and RUN. in-
stead of
crash into the city. Then I saw the insurance adjuster, ask-
ing him,
“hey,
how much will it cost.”

“Some

number that doesn’t surprise me.”

I walked to the corner, past a car
dealership which doubled as a
firework
stand
in the summer
when I was young
and still does.

Looking out this double-paned plate glass window into the gray frigidity and red-leaved bitterness of October in one of the last wild and still-untamed bastions of freedom in the west at the mountains thinking about how even they are moving, my darling, and how the spaces in between them are growing just like the space in between the sun and the earth and the space between all the galaxies all at once and the space between the spaces between the world and I and soon I’ll just be floating all by my lonesome in some swirling pool of- not air, no, not even air, just nothingness and watching everything float away like disappearing city limits from the tailgate of a truck on cruise control zipping across the badlands and maybe you’ll be there but going the opposite way and there’ll be nothing to do but watch it all go, go, go, til it’s
gone, gone, gone

It’s New Year’s Eve!
Let’s get knee-walking plastered.
Don’t eat anything today,
It gets to your bloodstream faster.

It’s Saint Patty’s Day!
Let’s get ******* on green beer.
I’m Irish, so I am entitled, you see
And I won’t be again until next year.

It’s my birthday!
Let’s get plowed out of our minds.
Let’s drink everything in sight
And ***** every ***** we can find.

It’s Saturday night now!
Let’s do a bunch of beer bongs!
Anything that’s okay with my gang
It’s all good. It can’t be wrong.

It’s Fourth of July today!
Let’s have a picnic so we can drink.
But not fancy cocktails for me.
I don’t care for throwing up pink.

It’s Labor Day today!
Let’s do a chugalug contest today.
We’ll laugh at nothing at all
And drink the whole day away.

It’s a sporting event tailgate party!
Let’s get drunk together in a parking lot
And act like the teenagers we think
That we are when we really are not.

It’s Happy Hour! Hooray!
Let’s eat buffalo wings and imbibe
And hope the cop that stops us
Is okay with drunks or accepts a bribe.

It’s a bachelor party right now!
You don’t want to offend the host. Drink!
Eat, drink and be merry for tomorrow
Well, it will be more sober than you think.

I can run
and run
for as long as I please,
But I can never seem
to lose you.
You tailgate me
as if your life depends on it,
and I wonder why you have
such an staunch fascination with me.

In the end,
you always catch up,
heart still calm and
breathing still unnoticeable.
Not a droplet of sweat on your forehead.

And I become yours for
the time being.

Paper cut.                            On a dry cracked finger
Bit my lip.                            That same spot over again
Jammed my toe.                 In the dark on the old iron chest
A boiling sip.                      Skin on the roof of my mouth peels away
Slammed my finger           The tailgate of my truck
Hit my head.                       On the corner of the open cabinet door
Sprained my ankle.            With a crunch that says "ER"
Bruised and bled.               inside the car on its back in the middle of nowhere
Shiver out loud.                  So cold, knowing its hours to dawn
Burned my back.                Bright red and translucent blisters
Tingling spine.                    In the dark, certain evil is there
Cough and hack.                 Needles stuck in my lungs
Curled in a ball.                   Because nothing matters
Long thin abrasions            Cowering  below his anger
Crackling cartilage              A powerful fist to my nose
Fevered equations.              Crazy dreams to sort out nonsense
Human condition,
Follows no law.
In everyday living,
Life can be raw.

But it's brutal when someone you trust is the perpetrator
.

Only 3 people in my life have seen me cry,
unless you count that one guy on that tailgate that one night that one time
but I don't because I was drunk and it wouldn't matter in the morning.
You are one of those three and for you I cried the heaviest.
In your arms, fog catching, trying to suspend myself
in the gravity that kept me clung to your chest with fingers in your hair
kissing your ears between tears saying how much I love you
and that I'll miss you and that
every night I Google map the distance
just praying and praying that
the blue line between your point and mine
becomes shorter and shorter in time.

But it never does.

You told me you really will miss me,
that I'm one of the only one's
who actually cares about you
which isn't true but if you want
to put me there I will be because you are
that security and you are
everything that is brilliant in my life
and to know that you will no longer be
that close to where I am is like pulling at my heart
and getting nothing back
but a 10 minute phone call and I
wish you were here.

But you never are.

So I cried.
I mean,
I cried and cried until it came down to
you holding me so I would stop shaking and telling me
that I was strong and that I'll be fine
and that
it wasn't a goodbye just a
see you then.

But I've tried to hold "then"
in my hands and I've tried to write it
on my calendar at home but I can't find it,
and I'm afraid that will turn into not finding you
when it's 2am but it's your midnight and there's no
commonplace where you and I can just relive
this moment where I cried and cried and told you that I loved you
and you smiled with your eyes.

But the comfort that holds me is you know I can do this,
you know that I'm worthy,
and you know that I'm strong.
So I tell myself that when I don't feel it and I recognize
that if you can believe in me so much than I must be able
to do this without you and to move on
without you
constantly being here.
It gets me through until I can say when,
until the next time I see you
until see you then.

My car came in a close second, bobbing
on the trailer with the concrete tides.
Three feet behind the black, flaked tailgate that kept a Rubbermaid cooler and rusted chains from shattering passing lane windshields on a daily basis. I'm a truck bed and three feet away from my alabaster beauty, and I felt like I was driving it. Window drawn into the door, my left wrist idle
on the wheel, and an evergreen air freshener bobbing with the concrete tides.

Horton’s Bend
Dave Davis-2013
Treat the earth well,
It was not given to you by your parents.
It was loaned to you by your children.”
Native American Proverb

Chapter 1
During the early part of the 16th century, the Spanish began their expeditions into the New World in their quest for riches in the form of gold and silver. It was a time of great competition between explorers attempting to be the first to expand the Spanish Empire. Famously Ponce de Leon discovered La Florida in 1533 which allowed geographers and map makers to better outline the coast which de Leon hugged during his travels. His perception that it was an island misled geographers for a number of years. Historic documents do describe a quest for a body of water which was known for a restoration of vigor but the Fountain of Youth was not a focus of de Leon’s. Upon learning of La Florida, further expeditions were made ready. Hernando de Soto’s exploration, which began in the vicinity of present day Tampa Florida in 1539, was a four year journey which provided more information about the strange new continent.
Other expeditions filtered their way into the southeastern United States. Expeditions such Tristan de Luna de Arellano traveled into the interior southeast from 1559 to 1561 including the chiefdom of Coosa in Northwest Georgia and Juan Pardo who led two expeditions into the present day Carolinas are also chronicled.

What a strange world it must have been having stepping into what they must have considered an undeveloped and tangled landscape having been at sea for months prior to their arrival. These new comers were warriors riding into a land of what they considered savages ruled by mighty chiefs. The chiefdoms were purposely distanced apart in order to ensure a semi peaceful relationship with nearby chiefdoms. Each principal chief or cacique lived in areas surrounded by earthen mounds and fortified walls with hand dug moats. These rulers were presented with gifts of corn, exotic materials from foreign lands, and other tributes by their subjects. During the past seventy five years, archaeologists have reconstructed the past life ways of these people through their excavations of village sites and burials. Coupled with the work of dedicated historians, we now have a better understanding of how these native peoples lived and died. We will never fully understand their world.
Theirs was a hermetic world which was provided all that was needed. Respectful of the land and its gift of life giving resources, the native peoples were dependant on the land which figured prominently into their spiritual being. Their needs were meager as they did not desire wealth or the need to satisfy a gluttonous royalty. The principal chief’s rulings were simple and they obeyed without question. He and the other leaders asked only what the earth would provide. Their only loyalty was to the ethereal gods and to the cacique who communicated the will of the Creator. In times of famine or strife, theirs was a community that continued to be self sustained as it had always been from birth to death. They must have considered that dark times had arrived with the new strangers. These interlopers were not here to commune but rather to bring greed and lust to their land.

Native American groups surely were frightened by the sight of an entourage of the bearded new comers. Dressed in quilted shirts with bright colored sashes with tall hip boots, their appearance had to be most curious to the natives. The presence of never before seen animals such as the horses bearing the soldiers were cause enough for the Indians to scatter from their villages. The horsemen wore the heaviest armor consisting of chain mail or if preferred a breastplate of sorts. Their weapons were a long lance in conjunction with a small shield. The foot soldiers wore peaked steel helmets along with quilted shirts armored with small steel plates and were equipped with sharpened steel weapons such as short double edged swords, halberds, and crossbows. Matchlock guns were also a weapon employed by the Spanish explorers. They were close combat weapons which would have to suffice since heavy artillery could not be used in the thick and tangled environment.
The Spanish found the New World to be a land of hardships when they depleted their supplies of foodstuffs between chiefdoms. This land proved not to be a place of abundant riches but rather difficult terrain for pedestrian journey. In order to supplement the Spanish took the stored food supplies that Indians had readied for winter. As Old World warriors, they had no hesitancy to threaten or harm when supplies were needed. Word of their arrival brought both fear and awe to native groups who were duped by the rich lies and gifts of the metal objects that was so foreign to them.
While the devastation of Spanish contact impacted native lives, it should not over shadow the rich history of these people. Prior to contact, they were thought to be involved in the construction of a society emerging from the chiefdom level. Their capability to understand astronomical constants, their ability to sustain an agricultural culture, and the art produced attest to a vibrant society that was merely unfortunate to be caught up in a dynamic European expansion that was inevitable.  
Their story is more than that of European contact as they dealt with pestilence, political instability, drought, and dwindling resources in large communal sites. It comprises a much larger picture from a story long forgotten in a language that will forever remain unknown. History is filled with the tragedies of conquest but this story does not end with the Spanish invasion of peaceful natives. It does not end at all because their spirit was stronger than any intrusion by the strangers. While much suffering has occurred from this contact, there was one group who managed to avoid conflict and quietly retain their heritage. Unfortunately time has left a ragged history with gaps that are not fully understood by those who seek wisdom from the past. No matter. Their intentions regarding history were never as strong as their passion for the land.

On an unknown date during the 16th Century in Northwest Georgia, a group of Spanish invaders made contact with a group of Native Americans who believe in the sacred ground they call home.



Chapter 2
Ronnie King sat on the tailgate of his 4x4 pickup and drained the last of an ice cold Budweiser that had been waiting on him all day. Ronnie kept a cooler full of cold ones for quitting time although he usually just drank the one beer before leaving for home. Working as a foreman on a timber crew, he was soaked in sweat and enjoyed just taking a moment to reflect on a day’s work. He always felt like a man who could tote a chainsaw for eight hours and deal with the elements was a man by God. The sun would be setting soon and he would talk to a few of the boys before they headed to the house. It also gave him time to unwind a little bit and to pick off the ticks that seemed to always be attracted to him. He sure hadn’t forgotten that bout of Rocky Mountain Spotted Fever that had contracted a few years back. He remembered well how dizzy he was that hot afternoon. Some of the boys had chuckled but nobody scoffed at his 107 degree temperature when he was checked into the hospital. Anyways this was the best part of the day and he always got to thinking about his life.

Ronnie loved his job and wondered how others could ever work inside all day. Hell, even if he was paid more he couldn’t really see the benefits of extra cash compared to working out in the woods. More than once he had paid attention to deer signs and had bagged some bucks that were the envy of his fellow workers. It was just a great deal to be outside. Sure he ached pretty good by the end of the week and knew arthritis was in his future but it gave him a great opportunity to do what he really loved: look for Indian sites. Ronnie had been just a boy when he found his first arrowhead down on the floodplain of the Coosa River which ran through his grandfather’s farm. That thrill was one that never got old for the young man. Those who are observant and willing to risk the mud never knew what they would find after a good thunderstorm on a freshly plowed field. As Ronnie grew to be a teenager he already had a collection of artifacts that the local museum drooled over. Other kids that were Ronnie’s age were busy playing football or were involved in some school activity. Ronnie was different and had little interest in neither scholastic nor collegiate pastimes. Once he finished his chores at home,  he headed for the river.

When Ronnie graduated from high school he got a full time job working at Patterson’s Logging. At 18, Ronnie was a tall man with a full beard and was often mistaken for someone much older. He never was a big talker or one to boast. Many at school thought him slow but that was where he fooled them and the teachers too. No reason to give your all since they would expect more anyway. Besides what would he do with trigonometry? He loved the outdoors and spent quiet evenings along the river banks staring at the ground in search of the history that he loved. Teachers didn’t spend much time on how Indians lived during the time that the mounds were being built. He enjoyed books at the library much better than any of the school books. In particular, he loved the book Sun Circles and Human Hands which had wonderful pictures of burials dug up during the WPA days. He did take the time to learn how the Works Progress Administration had been created in the 40’s and created jobs to work on the large dam projects that brought on some of the earliest organized archaeological projects in the United States. At night he would look at Sun Circles and gaze at the pictures of the excavated burials and all the exotic grave goods that had been buried with the interred over 500 years before. The well made pottery vessels had always been one of his favorite artifacts but he had never found a whole ***. Having spent time with different books loaned from the library, Ronnie know the difference between pottery sherds dating to the earlier Woodland Period and those that dated to the later Mound builders or what the archaeologists called the Mississippian Period. He also enjoyed the ornaments and jewelry found in the burials. The designs in the shape of woodpeckers, rattlesnakes, and strange squatting men with eagle claws were carved into shell gorgets that were found around the necks of the nobles of the village. He realized that not all graves contained abundant artifacts as some simply were just a prone or flexed body that must have been a common person. Ronnie knew that there had to be some schools here in the south where you could learn to be a paid archaeologist but who had money to go to college? Besides, they might want him to give up what he found. What right did a museum have to something he had found? No, that didn’t seem right at all.
Patterson’s Logging worked all over a tri-county area and allowed Ronnie access to private property that he could never get permission to walk over. There were a dozen men who worked for Patterson not including Patterson’s boy, Ricky, who had helped Ronnie get hired. Ricky and Ronnie used to do a little cat fishing on weekends. Kicked back with a six pack on a boat ramp, the boys used to fight off the bugs attracted to the lantern glowing bright in the middle of the night. They talked about girls they’d like to get a hold of and wishing they had money for a nice pickup. Ricky’s daddy made pretty good money but most of it was ******* in chainsaws and equipment for keeping the logs steadily flowing to the saw mill. Ronnie never told Ricky but he was **** grateful to be working on a crew at Patterson’s.

A couple of the men who worked for logging outfit were from Cedartown which was located south of Rome. They didn’t speak to anybody very often and pretty much kept to themselves. Ronnie didn’t know them but had heard them called Jarvis and Ladge. The crews had finished logging a section near Armuchee Creek where some county workers had been using bulldozers to prep the area for a bridge project. It was time for lunch so everybody got out their lunchboxes and sack lunches. Jarvis and Ladge ate quickly and headed out to the disturbed area to walk it over. Ronnie had already figured on going out there too but they had beat him to it. He just went ahead and watched them looking for a few minutes. Finally Ronnie headed out and walked around a little distance from them. They glared at him at first but didn’t make a ******* contest out of this patch of dirt. Having walked around staring at the fresh soil for a good ten minutes the three were somewhat close to each other so they stopped and everybody wanted to inspect what the others had found.
Ladge had found a few good sized flint chips and a broken tip of a point. Jarvis looked at him and said “Buddy you ain’t found **** look at this piece of pottery!” He held up a large thick rim sherd which had pinched marks all around the curved rim. “Nice one Jarvis” whistled Ladge. “That’s a Mississippian sherd, Jarvis” offered Ronnie. The others stared at him until Ladge said “Boy this ain’t Mississippi! You in Georgia.” Ronnie didn’t want to be a smart *** to the older men so he said “I been reading in some books on ancient Indians and the pictures showed pottery that looked just like that one that was near 500 years old.” “Huh” Jarvis mumbled “Well what do you think about this bird point?” It was a small triangular point no bigger than a thumbnail made of black flint. Ronnie hesitated a moment and told them “That’s a nice one but you know they didn’t hunt birds with those don’t you?” The men just shrugged and Jarvis said “That’s what I always heard them called……that the Indians used a blow gun and blew them through it”. Ronnie was a little more confident but with a little caution said “That point was used on a bow and arrow…..you know how most points you find have a stem on the bottom end?” Both men nodded with interest. “Well those were used on spears but this type was used on a bow….bout the same time as that sherd you found”

Ronnie thought he might be scoffed at but both men just shrugged and one mumbled “Well I’ll be ******”. Ronnie then realized that Jarvis and Ladge’s interest was just in one upping each other and it was something to do besides talking to the other loggers. “I’d like to look at one of them books you been reading…..I got something I found and want to know more about it.” Ronnie’s interest was peaked and asked “What does it look like?” Jarvis tilted his head a little while looking over at Ladge and said “Just bring that book of yourn’s when you can.” Ronnie took the hint and all three realized it was time to start on the next parcel of the project.
As the work week continued, the three usually sat together and formed a group of their own talking about artifacts away from the others. Ronnie brought one book in but it was from some work over in Alabama and didn’t have what Jarvis was looking for. One Friday after work, Ronnie was about to head home when Jarvis and Ladge asked him to take a ride down to Cedartown and look at their collection. The two had a little cabin out off of Chubb Road with a rusted 49 Ford sitting out front. A metal trash barrel smoldered in the front yard. Ronnie walked in the cabin and had to choke back holding his nose as it reeked of sourness. These two ol’ boys were true bachelors who were not ones to throw out clothes until they fell apart. It was just sometimes they didn’t feel like picking up anything from a pile that had lain in a corner for a couple of weeks. Jarvis walked to a chest of drawers and opened it and asked Ronnie to come take a look. Ronnie looked in the drawer and saw a collection of artifacts typically found in the area. The material ranged from large Savannah River points dating back some 5,000 years to more of what the boys had termed “bird points”. Ronnie picked up a partial *** with check marked stamping and smiled. “This is a nice one….I’ve seen fragments like this on the Oostanaula.” He added “It’s from what is they call the Woodland Period”. Ladge smiled a big toothless smile and proudly proclaimed he had f

Courage to drive without a license
faster than the knowledge trained
using the mind’s eye, coupled with reason
to reclaim the spots of sight loss
traveling through open but dark roads
that lead to destinations of endless U-turns
with a few exits to leave this preconceived race
and cruise in the company of shooting stars
or tailgate in the awe of supernovas
instead, the limits of signs are posted
to restrict and hinder the speed of motion
required to accelerate and break free
through the curves, the barriers, the potholes
in order to regain control of the steering
and master one’s own destiny without hesitating
to leave behind, instead of engaging reckless drivers
in the view to the rear of the inside mirror.

She follows, she follows...
A Poem by Corset


It's Christmas again
 we try to try
and we confess to
a kind of madness

we gather
the smell of your skin
dangling like lost stars
while millions mass
entitled to our sick days

Tree top swing
eyelids sweating in white pulse
'cause you do not understand
intimacy until you have
shaved your wife in the
wilderness of cowboys
and the dust settled dawn

hoof and mane remain the same
conversation

I try to remember the sound
of your laughter,
I can only recall mine,
it is meant to be
only a few moments ago
Christmas Eve like a thirsty
rabbit went into his hole
drank him deep asleep
into the floor

our working class demons
can't look at each other
without a pick axe and
all I can think is

"I hope you got tailgate"
and she follows, and she follows
the one,
that my brothers and sisters
call "the missing" dream.

A black sedan cruises by with patches of white left behind from the last life it lived. what once stood for justice stands for rebellion as youth irons out the creases in expectation.
     A ******* yellow bug carries triplets each from a different family, each wearing pink bows. They turn in perfect syncro with heartless bug eyes when they catch me unconsciously stare on.
     A small hatchback with a busted taillight; full of ****, comics, and action figures bears a bearded chauffeur who drools all the way back to his cave
     Smell the sharp burning chill come from that coupe with the yellow windows and eyes as red as the ember passing from passenger to passenger in the mirror.
     The little old lady in the silver Buick can't even see over the wheel. Probably better that way considering all she'd see is a bunch of terrified youngsters in a panic to get to that blasted rock concert.
     Don't let the dented tailgate fool you, the only work this one's seen is the piece of work he has waiting for him at home; with fire in one hand and fear on the plate in the other.
     Vans hold all kinds of secrets but the only one this van holds is how its still allowed to come within a mile of a school. After all, candy and ice cream will rot your teeth, especially if they're free.
     Orange, yellow, red, green, blue, checkers. Either way, he's gotta make a living, and if it's to the airport you want to go, he'll get you there in a jiffy.
     The rear view mirror of my old 65 shows only the smirk and grin I wear as the rumble of turn down exhaust wakes up towns and sets off alarms left and right, and sirens blocking my view in the back.

sun of muted
awakenings
the city hidden

crows squawk
the morning rain
commuters again

an endless snake
headlights
tailgate red

a jet roars
with its cargo of
weary passengers

followed by another
boom
of metallic wings

everything flying
this way & that
neglecting a puddle

wet sock
begins to soak
a damp shift