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There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
Solitude begs to be near your empty cup of coffee,
on your nightstand.
There is a slight breeze in the air  i imagine and the park
nearby is filled with the trees and laughter of children.
Longing to be under your raggedy sheets,
laughing with you like children do at naughty words.
Believing that my bed is yours,
and your arm rests against mine, awaiting a touch.
I can smell toast burning and i wonder if i am having a stroke,
or whether its you making me breakfast,
in those grey pants i loathe and love so much.
I long for the nights and the days, and the days and the nights,
i long for us to make shadows on the wall,
by the lamp, under the sheets, and projected on the wall.
I want the neighbours to wonder if they should call the police,
and i can hear them now, discussing if someone is being attacked.
There is a glass of water on the floor, by some shoes you kicked off
as you got in, weary from work.
But i can smell you, can i not,
that tense musk from a hard days work,
the sweat of that longing you have,
for me in your eyes, and your heart, and your pants.
I can smell the autumn leaves falling, outside your window,
as i lay whilst you make me some tea,
I can hear a tap dripping in the distance and its annoying me
too much,
but i don't want to get up, because this bed is a bubble from which,
we can't escape, nor do we want to.
Your body is longing and your eyes are heavy with lust,
I can see that its right now, for us to be an us.
I see us talking through the dusk and the dawn about us, life and love,
and we make love inbetween the silent spaces where emotion is too much,
and we need our bodies and each other to ****** the metaphorical longing,
we both have.
And the waiting and wondering of who we are,
is here,
right now,
and all at once, my life seems small without you,
a picture a day doesn't cut it,
a letter from you is an extension of your hand,
but its still not here beside me.
I am in the shower, with the steam rising,
your body caresses the parts that have ached for you for so long,
I can smell shampoo and shaving cream,
I can see the cracks in the wall, and the dirt in the window frame,
and your arms cave round me, as i let the water fall down my face,
and all at once i am home, walking in the rain.
I see us holding hands like we are the only ones in the world,
that can be us, at that moment, and feel the time slip away from the day,
And i am smiling, because it has been so long since i smiled.
And i can smell chalk and clay, and mud and grass,
I grab your hair and pull you back,
so i can see your neck, and watch your artery pulsate in rabid anticipation,
i pull you down to my chest and let you hear,
how my heart beats, in exactly the same synchronisation.
And all my memories are gone and all there is, are thoughts of you,
as i sit here in my bed, wishing the pillow beside me was resting your head,
and, and.......
I count your freckles, and look at the tilt of your nose,
I examine your hands and your knuckles, and see how life has treated you.
I feel your legs brush against mine, in ****** friction, they electrify, me.
Music is playing somewhere, and i cannot concentrate on who i am,
or what i am doing, and why i am here,
and not there.
And its not about the *******, or the kissing, or the expanse of our **** bodies laying waste to the day,
it's about the blue skies, the fields, the sons, the trip to get food
for me to cook you a feast.
And i wear my hair up, and i wrap a towel around me,
and i look at myself in the mirror,
and say,
Goodnight sugar, i'll see you in the morning,
and i lay awake in the day and dream in the night,
and you are my essence of being longed for,
and I am yours, sugar, i am yours.
MalakF Jul 2022
O, come a little closer - hear what I have to say,
I know that one piece of writing can be interpreted in so many different ways.
O, but do pay attention to my word-play,
To the picture I’m trying to portray.

O, I hope by the end of this you will understand the image I am trying to convey,
But do not get me wrong, the end of this is something I am attempting to delay.
O, it is saddening to know that sooner or later my rhymes will fade away
So I will replay, replay, replay.

O, how I pray that what we have will not decay.
Like all the flowers & bouquets that I watched wither/die a bit more every day.
O, but how pretty were they?
Sad to know that each & every single one was thrown out like the contents of an ashtray.

O, how you must have noticed the repetition of O’s - I think they are here to stay,
Unlike my pathetic, childish rhymes that I am struggling to hold at bay.
O, do not get me wrong - the rules to rhyme are so easy to obey,
They are so easy to slay.

O, like tray, cafe, puree,
For god sake, even JFK.
O, please tell me - do you see the problem on display?
Do you see what I am trying to say, what is coming my way?

O, it feels like a betrayal
No, no, no that’s not a rhyme.
I need to rhyme, I need us to be okay.

Ray, clay, Bombay.
Tray, fray, mae.
Ray, clay, Bombay.
Tray, fray, mae.

O, please stay
I need us to be okay.
O, I know repetition of words is not a rhyme,
Nothing more than copy & paste.

Ray, clay, Bombay,
Tray, fray, mae.
Ray, clay, Bombay,
Tray, fray, mae.

O, please I don't want us to stray
I hate how we went from white to grey.
O, please I don’t us to end this way,
I know I am barely rhyming but I will try my best, okay?

Look - ballet, allay, hooray,
Hay, weigh, olay.
Look - ballet, allay, hooray,
Hay, weigh, olay.

O, please stay
I need us to be okay.
O, I know repetition of words is not a rhyme,
Nothing more than copy & paste.

I’ll come up with more,
Dismay, replay, is-lay.
Tray, cafe, valet,
Delray, Alleyway, Chevrolet.

It is not that I don’t know how to rhyme,
I just need something to rhyme for.
Rhyming is synchronisation, it is compatibility
I just need to know we are.

Please, stay, stay, stay,
Don't go away, don't go away, don't go away.
Please, stay, stay, stay,
Don't go away, don't go away, don't go away.

Ray, clay, Bombay,
Tray, fray, mae.
Ray, clay, Bombay,
Tray, fray, mae.

I know I am barely rhyming, but I will do my best okay?
Please stay,
Don’t go away.
I always associated rhyme with compatibility, and although sometimes certain words that rhyme does not mean the same thing - such as "tree" and "flee", but in a bizarre way, they connect through rhythm. Rhythm can be such a beautiful thing, like in songs - where it can be jumpy, makes you want to dance and generally has a nice flow to it. Music is only one example of the input of rhythm. In general, a rhythm means consistency, a pattern in some way. To me rhythm (although it is not always the case) connotes good & happiness, like the act of skipping in a field of flowers.

Whereas with repetition, I always interpreted it as a point to emphasis, a dire need to be paid attention to, to be highlighted, acknowledged, underlined and to be focused on. In a way, it screams desperation to me. I don't believe it flows smoothly. Instead, I see it as pressing the car brakes quite abruptly & harshly, that your water bottle, phone and even yourself are yanked out of your seat - with the seatbelt suddenly burning your chest, or a child throwing a tantrum (crying, stomping their feet, throwing themselves on the floor & screaming).

In this writing of mine (partly completed), I speak about rhyming and how I do not want to stop - where at the same time there is the presence of repetition. And if you see repetition as a "scream of desperation" as I do right now, then as you progress through the page, you will be able to see that my rhymes become an embodiment of exactly that (desperation) - not only through stating clearly my urgency for rhyme but also by my rhymes themselves becoming repeated - thus my repetition of "O" fades away around the end - but that does not mean repetition is not there anymore - all that happened is that it took another form. Repetition becomes the only way for me to rhyme. Does that mean they are still rhymes or are they repetitions? If a word is repeated does that mean it rhymes or is it merely a duplication of the word? Can we distinguish between them? Is repetition more powerful or are rhymes? What do we make out of this?
Realeboga M Aug 2015
Unknown.
Unspecified.‎

"Ladies and Gentlemen, the moment you've all been waiting for on the left we have The undisputed, most lyrical sensation in the world, Prodigy", The speaker announced.

"And on the right we have, the growing, unknown, unspecified the last Bounty Hunter, when she slays she slays", The speaker shouts.

PRODIGY 
Moving with the flow of beats, I serenade my thoughts with new symphonies.
New melodies, thoughts cascading through creating a lyrical abstract.

Now let my words infuse into you and misuse 
Your subliminal thoughts. 
Let me tell you the tale of a lost soul found by the soulless. 

It wasn't a nice summers day.
It wasn't a blistering cold morning.
There was no pain involved whatsoever.
The lost soul feels nothing but moves with the flow of the wind, whichever movement taken it will be accepted. 
The soulless saved me, from a whirlpool of lost and unknown souls they saved me and put me in a situation where feelings were unrequited, unnecessary, sociopath tendencies rolling in,
They saved me. 
Showed me the light of darkness but took me out the darker abyss.
And no amount of gratitude can show that when there's no existing feelings in the first place.
They turned me into a prodigious phenomenal.
Told me my words could get me anywhere.
Ladies and Gentlemen I am Prodigy
A legend amongst the dead, the living, the unknown, the unimaginable.

THE LAST BOUNTY HUNTER

I move with sensational beats,
Stomping to the floor getting down and *****.
Thanking the legends for showing me the streets,
The actual hustle the struggle the flow of the people.
I am the last bounty hunter.
The last of my people, the fighter.
I am like the Ruger No. 1 Varminter K1-V-BBZ one shot and you're out.

"Alright ladies and Gentlemen we got our introduction now it's time for the main attraction. The main topics, we will start of with Prodigy, your topic is Blissful pain".

PRODIGY 

Blissful pain.
Breathe and forget the strain.
Pop pills later and let them invade your veins.

It's Blissful pain.
Bloodshot eyes.
Shaky hands.
Woozy thoughts.

I drowned so much to forget you.
Swimming in liquor,
Taking strange detours.
Hoping to forget you.

It's blissful pain.
The drugs and alcohol make me forget you, make me smile, makes me laugh and free spirited.
The after effects hurt.
Rusty hangovers, forgotten nights and swarming thoughts of what we used to be.
Blissful pain.
Bitter sweet moments.
I miss you...

"Woah okay now it's The Last Bounty Hunter, your topic is Green hills"

THE LAST BOUNTY HUNTER 

Green hills.

"Save me", she whispered.

I watched her at the top of the hill.
Tears running down her face, posture all down,
Her self esteem gone, her entire demeanour broken into tiny little pieces of non existence.

"It hurts", she whimpered.

The green hills holding her in place,
Making her look down on what's meant to be her doom but is rather her freedom.
The dark green trees hold on to her praying she doesn't fall.

"Don't", my hand reaches out to her.
She jumps, falling down, the Green trees try to save her from falling each trying to catch her.

"I'm sorry", I close my eyes as I watch the green Hill devour her.

"Alright Ladies and Gentlemen the next match will be based on a specific topic and that topic is Hunted"

THE LAST BOUNTY HUNTER.

The days are the days of the years of the ages of our dreams.
Realising we aren't what we truly thought we are.
Focusing on dreams of being the hunter yet we are the hunted.

Maybe I don't understand, maybe he doesn't know and maybe she does.

We search seeking for answers, never really finding them but end up digging more in a pit of unanswered questions.

We toggle philosophy, entering the metaphysical ending up with the epistemological.
We complicate the simple, fighting complexity with simplicity.

Hunting.
I lay down looking through my lenses,
Searching for a loophole, a spot, to pounce on my prey.
Because let's be honest.
Our greatest ability is to find the weak spot of the toughest strongest.

Patiently waiting for you to mess up.
I know you know I'm watching.
I can see your insecurities dancing in,
Waltzing, doing oh so melodious moves.
I see them in harmony, in synchronisation with my plan.

You're scared. 
Not ready to fall so I leave.
Giving you a peace of mind till you relax, till you're ready. 
One two three, shots fired.
You've been hunted.

PRODIGY

I've never been one for words.
Never one for feelings and emotions.
I've just been one to move with the motion.

So when she stopped me I was lost, confused.
She put her hand across my cheek
Cheek burning, the sound deafening.

"Why", her voice cracked.
Her bloodshot eyes caught mine. 
Searching for answers praying that I would show her the light. 
That she might be the one I would truly fight for.

With confusion flowing through my mind I turned and walked away.
"I'm not that type of guy", I sighed.
"I can never be that guy". I left

He looked at me as if I was crazy.
"Even the wildest animals out there have feelings compared to you", He laughed.
"You're like a hunter, you **** and you get a thrill put of it and you don't put emotions in it", He spat.
"What the **** is wrong with you", He shouted.

I stared at him. 
Not enough running through my head.
I cooked my head and started laughing.
"Everyone is ****** up" I paused.
Took a deep breath and walked away.

"Well then the final piece is a freestyle feel free to do what you want", the announcer spoke.

LAST BOUNTY HUNTER

For years and centuries I've been a dreamer.
Praying to the gods hoping to become a great believer.
Trying to find the light so that I can become a controversial writer.

I had my heart caged on rage.
My soul flipped and sold for truth.
Hoping to find my true self.

I am the last of the legends.
A writer amongst the lyricist.

I've seen souls sold to the devil for the oblivious life.
Had dreams broken for the delirious minds.

My granddad told me I could be a hero someday.
That I could find wisdom by my writing. 

I looked at him and asked him if I can do it.
He told me "Son you are a Bounty Hunter you can do anything"

My words are my weapons.
This pen is my rifle.
This paper is my ammunition.
This life is my redemption.
Each story is an unravelling revelation.

"Alright ladies and Gentlemen next we have, Prodigy"

PRODIGY.

Alright this is a story of my father and I.
We were somewhat tight, close.
Regardless of my condition I felt something with my father, respect.
I looked up to him.

One day stating at the blue sky, watching the grey clouds, I asked "Dad?"
"Yea son?", He looked at me.
I took a deep breath, watching the sun get overwhelmed by the clouds, the blue sky getting darker. 
"Do you think I'll ever be normal?", I looked at him nonchalantly. 
"I don't know kid", He sighed.
"Does it bother mum that I'm not like the others?" I asked barely above a whisper.
He looked at me, His green eyes overwhelming me with answers, the got teary and at that point I knew the answer.
Reading his sudden dropped posture,
His sudden fidgeting of hands.
Trying to find his words, I raised my hand
"It's okay, I understand", I stood up dusted myself off and walked away.

"Alright that was deep" The announcer mentioned.
"Ladies and Gentlemen who is your winner?"
Meh, I was just trying out something, alter ego things
Journal Entry #9

To lame to stand how I feel..
I press my lips to this glass filled with forget and I swallow deep.

Standing in nothing but a t-shirt, alone in this big empty apartment. I take solace in this glass to numb the pain within.

But as the music changes a song that reminds me of you starts playing.
How Ironic wouldnt you say...


I close my eyes tightly...
tense up..
try to fight it...
but before I know it my body is a slave to this beat and it makes my body come alive.

My hand grazes my bare thighs and I lose myself just briefly....
I pause, as I remember how good it felt when you touched me.

I remember the electricity and how you use to look at me.
God, the chemistry...
moments later your face appears so clear and perfect in my mind.

"Oh god, I hate this!" I think, as I press into the counter top behind me.
I try my hardest to stop thinking about you but memories of you are coming in waves and im being swept away.

I cant help but imagine what it felt like when youd slide your hands to wrap around me...
my god, the safest I ever felt.


I ache for you.

These memories are torment.

Tears stream down my flushed cheeks.

I bring my hand to my lips and I'm lost again.
I imagine bringing your lips to mine and how much of a rush it was each time.
You were intoxicating.
Kissing you was like a drug I could never kick.
Always wanting more.
Entangled in eachother.
Hold tight, each moment I did. Never wanting it to end.
Kissing in such synchronisation. Kissing you was nothing but second nature.

But I fight it, I try and shake it off.
shake you off.
my hips begin to sway falling slave again to our perfect song.
To the beat of my favorite song. The song about us.


I dont know how you do it.
I dont know how you forget such an addicting thing we had.
But you did and I'm lost with only memories now.
Memories I have to bury.
Because they give me so much pleasure but also so much pain.
Mateuš Conrad Aug 2016
as with any plaster work, or draping muscles and bones and
organs in skin - i knew i reached a zenith of some sort:
forever introspective, that chance momentum
that never reaches a museum of retrospective
finalised banalities -
and with that's happening in America,
i get a chance glimpse into that part of the world
so bogus, so *****-like, so haphazardly
put together - the chance to see the rats (artists)
jump ship and head to Tangiers, Paris, London
(for the pillars of the movement to come,
London especially, but might i suggest Edinburgh?
the capital of the offshoot that's to come
from Scandinavian novels?) -
i wouldn't suggest heading to Prague -
or Budapest - never to tourist hot-spots, obscurity is
what you need - Edinburgh out of season,
then the theatrical circus isn't there -
***** poetics: poncy monologues and Annabel
art-house flea markets... but that's the beauty,
flea markets in France, charity shops in England...
but i did exhaust this one musical avenue,
i dropped the ᚱᚢᚾᛖᛋ - it got boring after a while:
all that charged up mythological feeling -
the way we always wanted: myths to feel with,
to eat, rather than the sterile scientific facts...
i've learned enough to later ditch them,
even a Professor of Chemistry will have a postcard
of Edward Hopper's painting by his desk,
that window to view the world that doesn't
necessarily encompass sun moon and constellations...
how anyone would be foolish to scrub off
some inspiration from such things bemuses me,
the lowest of the low of poetic expressions is
sung to things that manage too much: the moon
and the sea tides, the sun and the seasons and
phototropism - it's a double edged sword...
only from one art to another do we get to see
our labourers of attention, else the same old deficit:
god... who in his glee took offence at anyone
having more awe-inspiring sense to please such
things... no alone can you master contemplating
both the beauty and the utilisation behind such
objects as a single man... however well...
it's impossible... you're sharing the bronze platform
with those that simply wrote of the shallow
beauty, and those that found these objects
were not simply aesthetic, but meaningful in
the machinery of things... it was never up to
us to find that electric genius of combining the aesthetics
with the machinery as one...
for in that sense god is a form as fraction
of 9/1, 8/1, 7/1, 6/1, 5/1, 4/1...
the fraction of wholeness... a complete set to start with...
man has already proved the limit as a fraction
with the base 3... 9/3, and that didn't really end well...
at best man is composed of a fraction base of 2...
by sharing the world through marriage to a woman,
or through a learned devotion, a crumb of what a woman
is, a philia (love) of his interests, a soloist voyage...
some just say: you will either take to being faithful
to philology and yourself as its devotee,
or you'll take up a wife... oddly enough chemists are
defilers of marriage having any purpose other than
to distract... but as i said: you can rarely write
decent things when trying to admire celestial spheres...
more ambition comes from the distraction of the zodiac
"prophets" and astrologers... a poem about the moon
is just a poem that is levelled with a poem
about a dustbin... but hey... Top Cat lives in the dustbin,
Neil Armstrong bopped along the lessened gravity
surface... but which is easier to acquire for a smile?
Benny... cue the violin theatrics of lamenting to a comic
end.
well... we have to juggle each other's impressions,
taking at hacking the raw meat will not give any of us
medium-rare barbecue steaks marinated...
taking the moon as something else is: nice...
and you know how nice things end up as... as tacky
suburban *******... if you're going to tackle the
thing with all the rawness... i'd first spend looking
looking at that thing of your attention in a graveyard...
just to get the feel to the idea: well... my fellow daisies
sniffed from the roots up would probably have
said something sulky similar.
but it's like that, you get to exhaust certain musical avenues...
i'm currently at a period where i have enough
stash of jazz records to rekindle my interest in it...
on today's menu? the real McCoy (McCoy Tyner,
Joe Henderson, Ron Carter and Elvin Flynn -
Flynn makes his mark, even though not the star
of the album, Art Blakey has a match) -
then onto the tragedy of Sonny Clark with his
cool struttin' alongside Art Farmer, Jackie McLean,
Paul Chambers and Philly Joe Jones...
i must admit that after watching the film whiplash
my ear-buds staged a coup to move from a certain
type of music into this... and even though
i already said that the climate in America at the moment
is very a second attempt at a Beat movement...
it's very much different... i guess jazz makes all the sense
in a pure urban environment...
jazz and urbanity, the hipster parties where wine flows
like poetry and people get to do their wild marijuana
******... but Bukowski changed everything
by bringing a taste of the classical into the scene...
it feels just like that these days...
there's no jazz on the radio...
going back to watches and radios, mono-utility things
that are the glamours of the inoffensive cluttering of a room...
no digital screen... the radio position at the back
of my head, behind me, the little fly-eye Rubik cube
ahead of me...
that's the odd thing with coming with jazz these days...
it's like Bukowski in the shadows of the beat movement
back when it was the beaten track...
so i said that jazz and urbanity are perfect partners...
well... take jazz from an urban environment and put it
in a outer-suburban environment, in a place
about 30 minute walk from farming fields with bulls
and horses... foxes the thieves rummaging in people's
trash... and... as classical music took to
teaching us the language of celestial bodies,
Holst... in this kind of environment jazz does the same...
jazz becomes equal to classical music with celestial
bodies... i'm just wondering if there are enough
instruments to arrange the solar system...
Mercury the Trumpet...
         Venus the Double Bass
Earth the Piano
                       Mars the Drums
Jupiter the Tenor Sax                                   (comparatively,
                Saturn the Soprano Sax                using a Holst
                                                           ­        schematic, the reverse,
                                             yet citing Jupiter, not as a planet,
                                           well, the bellowing voice of paternal fury)
Uranus the Clarinet
                                           (takes sheer magic to play that thing)
so that just leaves us with an Neptune as either
   Alto Sax or Trombone...
but that's how jazz morphed since it last came across
poetry... someone stole it from its urban environment
of busy streets and ugly manners and quick quick snappy
and the millionth time i could compare it to a spontaneous
encounter with someone in a bar... jazz lost its cool there...
people said the same thing about jazz
as Kaiser Joseph II did of Mozart... "too many notes"...
translate this urbanity into an outer-suburban environment
and put it against that kind of backdrop?
well... personally, there are just enough notes in each piece...
you looked outside the window? you could hear
a **** from a mile away and no tree would even sway
in nodding approval even with a galeforce wind slapping
them... jazz lost its synchronisation with the urban environment
it emerged from... but in so doing, it managed to mature
like good wine on the outskirts of large cities,
where it literally became the only thing that could ably
make a Kandinsky moment from semi-detached houses.
NEWSFLASH... what is this concern about art being
subjective? i don't see where these arguments go...
i thought art was about revealing the intimate,
not revealing the objective shallows of a method...
of limited scope like any philosophical systematisation...
if Christopher Columbus ever did things
objectively he might have discovered Lisbon or the Canary Islands...
art can't be objective... trying to argue that art is
"only a subjective" expression... well, if it was to be
a "greater" expression objectively, an artist would
walk into an art gallery, take all the paintings from
the canvases, and turn to the public and say:
now let's see your subjectivity, otherwise go ponce
off the art critics to take something they said to your
date about how: the light contorts the features of expressions
blah blah blah blah blah... the point of art being
superior as a subjective vehicle is so that i can feel someone
else's feelings... as opposed to thinking someone else's thoughts...
art is the sensual, not the premeditated dogmatic funeral -
which all philosophers attend: they're objective to the
point that they're afraid of having a personal attachment
to their outputs - they will hardly ever want to invite
a criticism of their objectivity, because they're such emotional
paupers - they fear criticism of their subjectivity to such
a point, that you can simply look at their pronoun usage
strategy, they really do use these words like kings -
but when Mozart is criticised by the Kaiser... he thought
nothing of it... he actually thought, nothing of it,
perhaps his vanity was wounded, but his virtue wasn't...
which is why he remains with us...
for the fatal wound incurred is not that of virtue,
but that of vanity... and true virtue is unafraid of criticism,
there's this cognitive blockage that enriches the
heart and leaves the mind blank... the sort of blank
that accommodates the Pyramid of Vanity:
bishops, priests, doctors, kings, queens, portrait artists,
Versailles... such things are so ****** void of anything
but scare-mongers, sycophants, leeches and finally tourists...
for whatever you take from the realm of Hades,
there's a stamp-duty on each precious element from that
realm... each thing is stamped: worthless...
you couldn't extract penicillin from Hades...
changing gold into a ring is worthless if such symbolism
of a union of monogamy end with the ring being
nothing more than a thing disputed over the divorce settlement.
Big Virge Jul 2020
I Used To Meditate...
In My YOUNGER Days... !!!

The Day I Stopped...
Was A Crying Shame... !!!
But I Now Meditate...
In A... DIFFERENT Way... !!!

I Meditate... NOW...
By Picking Up A Pen And Writing Down...
ESPECIALLY When I Start To FROWN... !!!!!!

Poetry FEEDS My ENERGIES...
And Helps My Mind FIND... " Inner Peace "...

I Write About The Things I SEE...
Within My Life And On The Streets...

It's A Form of... " Meditation "...
My Poetic Word Creation...

It FEEDS My RESPIRATION...
Thus AVOIDING Palpitations... !!!

Palpitations... In My MIND...
When Inclined To RECOGNISE...
That MANY DIE Because of LIES...
And THOSE Who CHOOSE...
To... PERPETRATE CRIMES... !!!

… ” Meditation " …

Through My Rhymes...
MAINTAINS My Search For LIGHT...
That Helps Me STAND and FIGHT...
For What... I THINK Is RIGHT... !!!

What's RIGHT For... ME...
Is... REGULAR Use of Poetry... !!!

It's As If I... " MEDITATE "...
When My Pen EMBRACES Page...

And Starts To... Relay...
How I Feel About The World...
And Our Lives... Today...

Sometimes I Simply...
Drift AWAY............................... .................
Through... Time And Space...
In Other Words Folks I... MEDITATE... !!!

I Write With A RHYTHM...
Some People Say...

That's Because of THE TUNES...
I Put On.... " PLAY ".... !!!

That's Why My Wordplay...
DOESN'T Seem To Be... " Staged "...

There Is... NO STAGE...
When You MEDITATE... !!!!!

Are You Reading Me Folks... ?
Cos'... That's NO JOKE... !!!

Words Like THOSE...
You Should Let SOAK...............

SOAK... " INSIDE "...
Your Heart And Mind...

I DON'T Presume...
To KNOW What's Right... !!!
  
But You May Find...
This Helps Your SIGHT...
And Eventually SEE...

How Poetry...
CAN FEED Your NEEDS... !!!

Write For... YOU...
And Then You'll Find...
Your Rhythm Too... !!!!!!

Meditation IS...
... BENEFICIAL Food...
When... NOT ABUSED...
By.... HARD DRUG Use.... !!!!!

CLARITY of Mind HELPS You Recline...
And NOT Resign To MISSING Signs...
of What Is WRONG And What Is RIGHT... !!!

Mediation HELPS You FIND Yourself...
And BREEDS A WEALTH of MENTAL HEALTH... !!!!!!!!

It Also SOOTHES Your DARKEST Moods...

ESPECIALLY When...
It's USED To IMPROVE...
How You FEEL About... YOU... !!!

The Basis of Which...
Is Being... TRUE... !!!!!

My Poetry SEEKS.............................. ...........
To TOUCH And REACH................

A Place of BEAUTY...
CALM And PEACE.............................. ...........................

Meditation FEEDS My Poetic Creations...
And Helps EXCEED My... "Limitations"... !!!!!

And EASES YES My... Respiration...

BREATHE In................................. .................................
BREATHE Out................................ .................................

And Then... EXPOUND...
By USING Scripts Like RHYTHMIC Sounds...
This Is How I MEDITATE NOW... !!!

Which Is Why My Words...
Are... Humility Bound... !!!

Humble Because The Path I've Found...
Helps My Feet STAY... ON The Ground... !!!

My Form of... " Meditation "...
Helps BUILD My Education...
ABOUT Our Population...

That's Why I'm Now Relating...
About THIS.... " Meditation "....
That KEEPS My Soul ON TRACK...
And... Suitably STATIONED... !!!!!!!!!

STATIONED In A Place...
Where I CAN Meditate...
And When I DO...
THIS Poetry Tool...
of... Pen And Page...

HELPS Me COOL My TEMPER Gauge...
NO Time For HATE Or Getting IRATE.

Because They LEAD To EVIL DEEDS... !!!

I'd RATHER Meditate Than MEET Their Fate... !!!!
Whether Writing On Race Or The Welfare State...

My Words Relate And Indicate...
How I... Choose To...

....... " Meditate ".......

But If My Wordplay DEMONSTRATES...
ANGER When My Pen Meets Page... !!!!!

PLEASE... OVERSTAND... !!!
If I... Start To RANT... !!!

Being... BLACK...
Has It's... PROBLEMS... !!!!

So REMEMBER These Words...
The Name... " BIG VIRGE "...

But When...
ALL's Said And Done...

I'm Just... A MAN...
Like Those Who Have...
A.... " Lesser Tan ".... !!!!

When I Meditate Now...
I'm CALMING Down...

It's Just My Way...
of RELEASING PAIN... !!!
And Learning How To...
SMILE... NOT Frown... !!!

It's ALL A Part of SHOWING Heart...
Before Things Start To Fall A P A R T... !!!!!!

I'm NOT That Smart...
But... KNOW What Makes...
My ANGER... PASS...................

Pen And Page Night Time Or DAY...
Are Times When I Now Meditate...

Poetry Eases MANY Pains...
That's My Thesis What Do You Say... ?
Does Poetry Make YOU Feel THIS WAY... ???

It Breeds... CREATION...
I'd Rather Have THIS Than ANY Playstation... !!!

Synchronisation And Intonation...
Mixed With Patience And EXQUISITE Cadence...
is BOUND To TOUCH And FEED Sensations...

... Similar To THOSE...

We DEFINE As...

.... " MEDITATION "....
I would never have thought it would be such an important part of my world, however, I am very thankful it is, thus I continue to meditate ............
Mateuš Conrad Aug 2016
being Polish was never ****... it was never a clue for
the sentencing of volleyball team effort... it was never ****...
whatever it was... it was never going to be an Irish
bargain of gambling... it was just bad luck...
something akin to Lithuanian, something worth forgetting...
like Indians and the Bangladeshis... like Versailles and Belvederes palaces...
it was worth forgetting... which exemplified the love of
music in western Europe... and where music is
lacking there the poetic expression... well thank you Pink Floyd,
but let us forget Auden... we can all do enough with a sing-along...
but when it comes to canvases of involvement to track
the shoe-lace ties or the cravat tangle readied for a ballet...
well, aren't you the one to tell us that it was just
a calorie intake of veganism:
mark that as a turnip postage... and a
fried potato licked, while she gags on ageing for the
added repertoire of scandal in sandals flicked to represent lapping
tongues and butterfly flicking of what became
flapped toe-curls of synchronisation; and the dipping,
soda baking of a tartar sauerkraut.
Lyla Oct 2014
They say “write what you know”

I want to write about love and beauty, but I only know ugly.
No heart has ever belong to me,
no hands have ever sparked at a touch.
Ugly lives with creative minds,
given courtesy of dreamy teen rom coms.

I want to write about fun family trips and birthdays'.
Joyous days spent frolicking on the beach,
but I only know secrets, shouting, spite.
Love that should be given as sweet as honey,
yet this family bee sting is laced with bitterness.

I would love to write about the moments of content.
wrapped in the light of the moon with someone,
breathing in synchronisation.
To tremor when I stand around you,
my heart racing to keep up with my shaky infatuation.

So i don’t write about these things.
I write about awkward fumblings,
ungracefulness of my ungainly movements.
dinners with no conversation,
the dullness of an everyday flat life.

I write what i know.
Seb Aug 2011
(until)

Your feet touch, your minds don’t;
you blow kisses, they’re carried off:
as the wind; to white face rocks.

There’s you, and you, and me—
laughing, trembling.
Leaving: ripples on a mirror.

(for)*

Even when they need it: an open hand to steady;
A solitary swimmer shan’t seek synchronisation.
They’ll sink silently: sapphires streaming,
guiltily gurgling.
As faces gently distort: they’re left castaway.
Drop your mood so you heart is no longer beating and listen to my muse for this: http://soundcloud.com/worlds-end-girlfriend/track
Aiden Williams Feb 2013
To touch the skin of one,
To match the touch of two.
A reciprocated heat,
a touch of two flesh,
With the creation of one body.
Fluids of love,
Mixing
Binding
Digging deep,
Finding,
Whatever treasures lie beneath the waters.

Therapeutic,
A rhythmic click,
with each deep dive,
Perfect synchronisation
Creating the sweetest sensation,
Push,
With no hesitation.
No rest,
Full concentration.
You may think you have no shadow.
But I see it dancing behind you.
I can't see it's face,
but I'm sure that it's smiling.
But it's no smile of fructose.
Just of bile and scorn overdose.

With topography riding limbs.
In seamless synchronisation
with yourself.
I hear it whisper and hiss,
with sounds of ****** bliss;
At each unseen bruise inflicted.
Mateuš Conrad Nov 2015
well, **** changed quick,
once it was like: i’ll change to take a differnet pic,
now it’s all about: i’ll change the pic to
keep the status quo...
then i’ll tackle global warming turning into a vegan...
root out the problems of carrots and leeks
taking rooting like silly dentistry in the poet’s corner
of a birmingham canal
(full credentials of a bled out cranium via a mowler)...
that will spank those **** capitalists
to ensure las vegas doesn’t exist... yep...
it will sort them out... bangladesh came before the maldives
for the five o’clock shadow and sideburns...
i scuttled like a rat off a ship into a pop song crescendo
of a ship sinking...
i said something about the expanding sockets that gave more
than a missed shaved plot allotment of 5pm and
gave way to insomnia am.
please god... 50... no more! no more! 50!
i want to be gone before einstein’s war of sticks and stones comes!
i want to be gone by then! god... einstein, prior to that
we fanbase an intellectual debate that never arose
from the logic of writing the next pop song,
i’ll be mermesrised by the pass and the passerby of the next dream
sincere from the class that gave us the denial of synchronisation
and a quote from marxism that evolved into chaos
with the oink-looter capitalism; anorexia got the dress...
man got the coat-hanger oak leaf for genitalia
that never mattered with trans-gender movement -
we were always exposed... and 2 x 2 of the clover assured
the pigmented futures of repeat...
well if i don't want to repeat... do you?
i hardly think so seeing you taking revenge
against homosexuality taking pleasure from ****...
like now... i will not lipgloss to toss my heart aside and
mascara the skies as dark lit ready to be kidney full for
a torrent of the breaking of the one muscle involved
in wetting the bed... colouring in strange, clepsydra indigo
identifiers as dittoing these words
with a single word: mothered;
indeed mothered... because unloved - pity the cosmopolitan
girl in you... you read the girlie magazines while
i read the books of soul-searches... you disposed of
to ready the column of the horrific repeat
for the heads or tails questions;
neither matters with you... since it should be asked of you:
horns or tail?
i guess that's a question with an answer
without the devil but the humanity:
the dentistry of vanity - like the god behind the wind
and the snowflake -
indeed psychopathy is like atheism...
with the former the soul doesn't exist...
with the latter god doesn't exist...
we're grounded for an eternity of dialectics.
Got Guanxi Dec 2015
Symmetrical Syria we sympathise in synchronisation of sirens and sadistic nature.
Those man made craters, aren't the force of Mother Nature,
They depict only hatred and a tyranny statement,
That says our generation will never see peace,
Just pieces of you,
Torn and decimated from targets based on generalisations,
As if a minority defines the whole population.
We seen it before in Iraq,
Now we're back for more with pre determined attacks.
When they asked first,
They said no at once,
Cue the worst still yet to come,
They asked again,
And they bent and broke,
From the rubble comes a white smoke,
But there's no new pope,
And there's no hope,
Just none.

The headlines say ISIS,
But the mind might miss the fine print,
The truth is inside it,
But we're not inclined to find it,
Propagander at its finest, from the highest to those that digress and make our minds up for us in the name of democracy's mindset.

If it's not in your name, then who can we blame?
Those men we empowered time and time again?

Watching news, with a second of thought,
Of course you believe it,
Who needs a secondary source?

No remorse,
of course.

Just corpses and a sea as blood as far as the headlines will breath.
Mateuš Conrad Jan 2017
so many people seem to be only limbo dancing...
fat-diagnosed                         meta-humans,
                   and juxta...
they the are scorn of a thousand
chinese labourers...
                      who later squirm...
    i forget what speaking english was about...
it's this carelessness
  that somehow surmounts the ideal practicality of it...
  it's somehow shadowy...
  somehow removed from all need to:
extract a core of struct cipher...
             long before the software makes
man his decrepit-self, there's
the metallurgy of the conclave...
                           and the is the minor statement:
if man is to breach a culprit worthy of being denoted:
a meteor.
                      prior to the hardware,
there needs to be a software insurgence...
                  a fail-safe mechanisation,
with us, imprinted as: beyond the death of god,
the death of sleep... and the capacity to dream...
                      nihilism revolves around retracting the
last ******* cursor...
                               all machinery rests,
it's a question of whether organic matter ever
    contradicts its inorganic humanisation...
             if i am bound to rest, then i bound to not
be woken from such a rest via a nightmare...
   erradicate nightmares, thus erradicate the organic
cursor bound to invoke...
  all other contradications that counter the
originally intent escapade...
                               if indeed $ is a symbol that is insomniac
when 1 - 9 symbols are used toward no signifying σ...
that there is no actual prefix in arranging a - z
as there already is, perfecting arranging the 0 - 9...
   with the σ being the more: well addressed... in being
                           what is the reigning smmation of
the symbols a - z, as the simply unknown cradle...
   so if the symbols 0, 1, 2, 3, 4, 5, 6, 7, 8, 9 can be governed
by $...
            what number can govern
                               a, b, c, d, e, f... r, s, t, u, v, w, x, y, z...
if not Ø?                   emtpy talk...
                       0 is a symbol for negation...
                  say of 0, Ø: you get affirmation..
  and you can say as much as you want...
        it doesn't mean you'll get the proper mediation
of being nearly human in the endeavour, a mediation
that demands: losers and winners, paupers and kings...
    man outlived the concept of letters and words
having any worthy construction...
    anything worthy of collaborating with...
                 there is no higher grownd with words and letters...
   it's the five-sense endorsement man that's
at a loss...
                    as long as
  there's the fewest numbers
                        to posit, once the
              hierarchy of 0 is stated after the comma...
and the number of crude denials are mustered...
  toward the million-shared among the 1% and not
the 0.1%...
                  once the Tolstoy's opus is worth:
0.0000000001 readership...
                      and a poem is 1.000000000's worth...
    we'll continue with this warfare of symbol...
       hierarchy:
               the one denied by the many: is the hierarchy...
and the one acknowledged by the many: is the monarchy...
   somehow it was worthwhile reading Kant,
given he suggested 0 = negation...
meaning that 1 = affirmation, but that was the least
   bother for me to attest...
                       i just found
    disavowing myself from the argument of god
as befitting man: who had no standard in a termite mount...
or an ant colony...
                         if man was indeed prone toward
such perfection, i'd have no concern to form a politics at all...
    man, as a political animal, as an animal non-intuitive,
as an animal overcome with conscience,
  has no place in man: guarded by such angelism...
  coinciding with duty and fakery: for the worth of prayer
and an albino amnesia.
and never prone to intuition and a synchronisation of the senses,
but rather their divergence... epitomised with
sharpening them in the sphere of intoxication...
        if man was indeed prone to such perfection,
    i'd have no concern from a politics at all...
  man, as a political anima, as an animal non-intuitive:
as anima ego-centra...
    could be neither a tangens or an omni-servitude
divergence of all the species, on the palette...
esp.  wondering if he could be:
  insect prone, rather than bedroom fuelled by mammalian
        jealous prods into: ******* gladiators!
                          religion only relapses into upkeeping
this utopian dream of it never happening...
   of a congregation...
                    imagine the Koran or the bible in China...
    common-sense numbers of China said: nope!
               the Chinese would have said: me mongol,
and slaughtered each other... for the bride to be!
  i really didn't want to write this for a reason that it might
be made dogmatic, or kept for posterity,
or a welcome inquiry...
                              i simply wonder why we dream
of world peace, and yet come up with such
diabolical schematics as Jung's collective unconscious...
    and all that: as if dreams really did require a 1 + 1 = 2
rules of interpretation...
    and all our dreams where: **** or phallus dreaming...
protruding in the oven of being flacid, once, so overcome with
thoughts, than in dream, or Buddha's awakening:
pretty correct in being: full blodied,
  stood up to overcoming shyness...
                                     and at least said: an astronaut's hello...
     ego to hyphen, non-complex word... complex
word to Houston... why wasn't it mission Hermes 13?
     i don't think we should believe in those gods...
but it would make great strides in asserting them
as best in a modern vocabulary...
                              Hermes overrules Apollo...
               there was a message intended in that vanity project,
surely!
Emma Jul 2016
The rose red dresses flutter and float
Over beautiful girls with smooth legs cartwheeling
Dancin' like swinging jitterbug springs
Going round in a bebop rhythm
Through the saxophone blasting soul
And the jazz drums which clash and simmer

The yellow lights and red smoke floods
Singing and a' ringin' in circles
Filling the air with childish smiles and laughter
Freedom reigns on the crowded dance-floor
Synchronisation in the joyful movers
Who dance and drink into the night
Mateuš Conrad Sep 2016
i wouldn't be looking for a grain of sand
(biology and physics involved in
the extreme of timescales as necessities
of prescriptive ontology akin to paracetamol),
to pass the time looking at paint dry
or the kleptomaniac amphetamine ******
trying to allocate time a spacing: clepsydra -
i'd be looking for a Napoleonic mountain -
something grand, something audacious -
something crowd pleasing; i'd be looking
for a mountain rather than a grain of sand,
a Mohammed's brow of pleased foresight
forged by pleasing excitement: when
-ed got in the way of -ing upon revision -
the necessity of the verb: (to) please.

and of him they said three things:
1. the death of death
2. the man who turned himself into a tree
3. of the men that will instil fear
    into the children of others
4. did you know that there was a child
    born without a brain in Poland?
    yep! no brain, he could talk and walk
    but he didn't have a brain... no, not that he
    was a hillbilly intellectually... he literally had no brain...
    just a woodpecker in the cranium of war-drums bellowing
    out a familiar tune of geese strapped to a
   methodology of synchronisation...
(5. rightfully alcoholic and apostate catholic,
      know any better sedative?
     Priest Rydzyk: radio Maria:
     hoi hoi huj! as if the Vatican isn't the
     oldest name for Mafia -
     usurper of education in orthography,
     a question of aesthetic and lessened
     rigour is relevant: as is the prevalent
     notion of *chomąto
- or the missing tail
     on the a, as in o & n:  the ą stress was always
     nasal, so, chomonto - unless we encourage
     the English to use diacritic marks,
     we'll have to unravel what makes a couplet
     of diacritical vowel and consonants -
                                  and not cheap -
      but hope -                   c's apparently
      optional, or, would you believe,
      a monopoly... d'uh, what else?
      the more i hear of Poland
      these days the more i make assurance
      to not speak anything but English...
      chomąto, i.e. noble herb? no!
                               horse collar - to oar the fields
for french fries - just like the modern children
who say milk comes from a supermarket
and not a cow... the Bermuda ****** tweak
of revisionists' scandal: to improve humanity.
altogether another way to say
                     behind this man there was no woman
for you to imitate writing and outright
subordination -
                              shady creatures, women,
long lost artefacts of womanhood:
the Graeae sisters and Medusa - ******* saints
in the feminist dogma -
                                       soon to be released:
feminism and Plato, feminism and Nietzsche,
feminism and ******, feminism and Leibniz,
feminism and Einstein, feminism and Putin,
feminism... **** me! the long lost theory
of everything! we've found it! stop digging!
Then the day came along with a new song to sing,and the clouds disappeared the nearer you came to me,
In the seeing,I was relieved to find that I believed in it all,
The Winter,the Summer and Fall with that synchronisation that springs forth and calls out our names in the mid light of countryside lanes
and where hope builds a nest from what nature gives best,
I shall wait here and ponder about the wonder around me,as the snow drifts shall blind me,where the Summer's are kinder and in the Spring and the fall I shall find a,
pathway to the next day and the one beyond that.
Mateuš Conrad Nov 2015
psychonalyse what's mechanised, don't mechanise what's worth psychonalasysis, not mechanised by uniformity to prove a theory true: avoid mechanisation via the analogue theory that encompasses both freudian and jungian starting-points... psychoanalyse ex machina... don't psychoanalyse ex ego / ex deus... you'll only get machina ex placebo... theory and patent drugs to craft the perfect zombie.*

some might reflect on the title and say... ‘amateur’ psychiatry...
it’s good by defenition... what i do with my cat...
he’s still has the enthusiasm of a skier / skater,
imitating a marathon with his paws against the glass:
it’s going nowhere.
so do the nearest thing he can understand
that’s a noun, and adjective, a pronoun a verb...
his meow... his senses are orchestrated, unlike ours...
he is in equilibrium with the outside world,
there’s no inside world to speak of,
the door handle has a thumb attached to it...
he can’t differentiate like we can...
standing on the hind legs he’s almost half a meter tall...
he can’t understand the world through the onomatopoeia
i’ll write to feed a sense of sight...
we’re less able, being confiscated by the letterings
to grow blind and deaf...
he tries to enter the kitchen via the living room,
i re-assure him doing a re- tactic
of imitation crouch...
if he sees this like a repeated sunrise he will be fed by calm...
so again the optical parallelism counter intuitive in the algebraic x...
one eye and the upside down...
two eyes working together and the perceptive cross-eyed missed...
then coming along the cross-eyed perception drunk and blurry...
and we have a problem understanding synchronisation...
when eyes synchronise they synchronise from the realm of the sea,
underwater eyesight i guess...
a bit like the dreamworld fable of wanting birds’ wings
but lost in terms of eyesight where
the highly evolved have their eyes front-lobed...
staring right at you...
conquering the birds’ beak with soft cartilage, avoiding
horse-blinders and cranium architecture to aim sideways...
cats eye fronted, dogs eyes fronted... man’s eyes fronted
to allow the actor his stage and the audience its rotten cabbage.
i can psychoanalyse the cat
keeping him comfortable by repeating a mundane action
of crouching and standing straight till it becomes sunrise for him...
but i can’t theorise an impersonal unit of each man known as ego / scalpel
to testify a use of the impersonal scalpel on the personal unit that each man is
his own as worthwhile;
i can cut the whiskers of the cat if that helps - and tell you about it.
EJ Aghassi Apr 2014
our footsteps in synchronisation
rang and echoed
with more depth than the
actions that ensued

i remember the coldness in the air
the biting gravitation of your body
in
proximity

too far and never close enough

and how i spoke from the heart,
whilst tripping over the nuances
the syntax
the delivery

the night is kinder than usual;

you're very distracting when you smile
snuffing out turns of phrase

& you're so sweet it makes me nauseous
in the prettiest of ways

-- and the way i saw you then
a pleasant melody in my mind
sweeping through the senses
free and unrefined

and i am humming
the tune, the best i can, for you
Mateuš Conrad Jul 2016
but of no tongue as assured as tongue not spoken,
for even among those that once spoke
a tongue, none can claim the confederacy of mute -
remnants of the Cantos - kept as aperitif (a sign
of good digestion, like mustard eaten after
an autumnal meal of hot sprout and butternut squash) -
recitation from the snippets:
a. and for who demand belief rather than justice.
(synchronisation of the hearts to construct
  a church rather than a pyramid - labourer
  and priest alike) - And the host of Egypt
at Nag Hammadi resuscitated 2000 years on -
the pyramid builder, waiting to be born;
heart in tabernacle entombed also waiting his
expression of grievance - Helium chambers in
Auschwitz - they laughed so much they died
from last breaths - akin to rites - something
definite was noticed, far from atom and further still
from the tsar star - there too the mummified corpse
was resurrected to instil fear until Gorbachev reasoning
took to the plateau and the bloodied Soviet
feuds were miscarried by the Danish paranoia
concerning Chernobyl. i among the mutants still foetal
marked by a pseudo-cancer continued a supposedly
necessary breath - i too might add an 'O Artemis',
Ovid in Orpheus too would like a flute for the rats
than a harp to make a lover say: i will turn the other cheek.
you want really trust her while she wear nylons -
nor the feminist gobs that don't get any...
been to a ******* - you can beat me at crosswords,
you can't beat me at what you might think
my vocabulary should be like with your datum octopus'
suckers for a punch... how words are never seen
or heard but are somehow always doubly felt -
not seeing datum or hearing it makes feeling it doubly
personal... i'm sure that south american *****
in Amsterdam cared more for her moans heard outside her
window than some western discussion about a *******
thesaurus Rex, book of dinosaurs politicising big jaws
and tiny moving parts of the upper body.
across the maiden voyage Darwin stashed a few Ivory Coast
examples readied for a cotton picnic -
i wasn't there, i might speak the language, but as i'm assured
you might have guessed, i'm not a stoner Czech of Bohemia
lazying in history... und Anschluss -
i'm kind of bothered - i've been under Prussian rule,
Russian rule, Austrian rule... but the doctors around here
think i have a post-colonial ego-disorder, it doesn't help
that i don't live in an urban environment, theory don't work,
money claps... theory works... monkey wanks...
i can say ***** ***** ***** all i want...
i don't need active censors who haven't ****** a *******
into an ******... blah blah blah blah blah...
but the disparity is in reference to the notion of datum...
maybe people become too sensitive to certain words
because certain words (adding to fluidity) were
censored... hmm? i mean, if you censor a word like ****
into f&@k... you're bound to create a datum disparity in
the other senses... not seeing the proper spelling will make
you more imbecile when reacting to hearing an offensive word...
and upon hearing it you'll feel worse off... a datum x5 is
x10 if someone ***** around with the original message
architecture... censoring oath words in terms of optics
will polarise the same words when said and subsequently felt...
so... please... enlighten me! if you're ******* around
with a datum on the optic level, you will polarise the remaining
four vectors that the datum encompasses worth of allocation -
sense datum is a standard philosophical unit,
kinda like a centimetre in mathematics, or a noun in grammar -
you tell me π should be noted as 3.14xxx265 or anything
otherwise, you'll obviously become overly sensitive to a word
being said... when you optically turned it into A ******* NUN!
Joe Cole Sep 2014
Just sitting here in my tent
No radio, trying to do everything on my phone
Did I say peaceful? In my tree there's an owl.
Nothing strange about that you might say
Well this ones got the biggest mouth on it
That I've ever heard
Never eaten an owl before but this ones pushing its luck
Earlier today I had a few hours fishing and yes I did catch a few
I also watched dragon flies of ever colour
and the aptly named damsel flies dancing on the breeze
No choreography but still perfect synchronisation
There's so much wild life here and it's easier to spot now the leaves are falling
Multi coloured snow, russet, red, yellowy green, browns
Like autumnal snow drifts round my feet.
You know even if I could I would never harm that old owl
After all he belongs here while I'm just a guest
I like it here under this tree
Mateuš Conrad Oct 2015
but nowhere is the sun more poignant
than in october drizzle
with downcast grey limits of the sky expanding
with a diaphragm placed inside the lungs of clouds evaporating
but the same clouds merely scouting,
to fake masculinity to fake femininity
and abide by the embryo’s chance of oinked blossom,
where a man sits in the earthenware of thought
kissing a book’s page of the last line he didn’t write but spoke,
and says that man resides in the hemisphere above
the churning metalloid chisel and the howling winded bagpipe,
that a whiskey at 10am allows all the fun but no company,
that each word although not exactly onomatopoeia is just that,
a sound in echo without a cavern solitude of exfoliating shadow,
that it’s just that, a sound abbreviated by concentrated strain on the eye
in “pure” reading of verse,
but then the smooch on the page of previous sounds resounds highest, cherished,
because man is so easily lullabied in the numbers to his own frankenstein
of machine upon machine upon machine:
his tractor broke but the nonetheless the wheat was scythed,
that’s the fate of man,
resound man to the gong of your chiral chimera in kantian residue of thought!
resound to be fated as the abducted by numbers - by those first
parameters of thoughts - resound i say, resound! echo ageless
and steer that buckling ship into the hoof echoes of the waves
braving the endless night! resound i tell you! let no coward no rat
off the guillotine!
ah but i too stand removed from moving an inch further into
a blossoming digression that might allow me a sense,
perhaps sight, perhaps hearing, perhaps tongue in tongs
be the next snippet of sound that i might be an usher to,
but whatever fates await us, i too will have said more than the hammer
and the revered horse’s snout in gallop, i too will have added to
the synchronisation of all things apparent,
and with these symbols i have aided a complication for the chinese,
who’s own phonetic symbolism master crafted
the mathematical genius in them,
to have no coupling like the post-roman dogs did zeros with
omicrons and omegas,
so that they peered into the parentage of one begot two
two begot three three begot four etc.
with more ease than we could never envision
unless starring into our western mandarin of: ♪, ♫.
never will you debase these symbols to write an onomatopoeia
of a dog's bark! you'll call it what it is, and then write me
a symphony in due course to erase the clamour
of rusty metal sounds kept as the heartbeat of refrigerators.
Mateuš Conrad Mar 2016
in the billionth of your own
kind...
what's celebrity,
a ******* ant?
or make-up that says:
oh babe, you're so un-recognisable!
give me 15 minutes,
it'll give me a head-start
in the marathon;
***** run! run! run!
i too was about to meet charlie xiv
and charles iii in the bedroom...
but i figured... got to keep
the **** for luck, and un-penetrated
and ready for a symphony of farts
when a trombone was to be stuck up there...
take up a clue of deciphering
winding footprints of grease in mud
to say: fried chicken!
and here was kentucky looking all privy and
innocent, that's what happens when you
drink *****, you become a woman,
a professional one and the odd feminist aged -
dear me i said goo footprints in mud that's
dried ash...
get the jealousy ticker to wait for the postman...
but each to his own... cee lo owned a song...
people see crow analogues, analogues of cats
dogs and elephants, they crave analogue
so much they couldn't achieve it
and decided to make cloning knowledgeable,
i mean **** me, it wasn't achieved,
man never achieved the analogue of crows,
he achieved a cloning process,
he achieved fame...
but that was hardly a comparable "to do with" concern,
when crows were innate in terms of analogue,
man was so far from the crows that
he gained knowledge of the dynamism of stars...
but to be grounded, how to achieve an assembled
synchronised analogy akin to a crow
of the non-jealous replica and discard synchronisation?
give them a coliseum! give them darwinism!
and give them the children of plagiarists of darwinism
to the lions!
                  i too unto pompeii beckoning.
Mateuš Conrad Jun 2016
the purposive practice of misnomer-ism, the no-strings-attached poetry, a ****-buddy so to speak, one such example: lechery in a coffin, purposive, purposely using misnomers, hence misnomer-ism, no-string-attached - i might use the wrong word from time to time, but at least i'm not using the wrong intentions to do so.*

after writing something worthy to be deemed
abstract, whatever takes your fancy,
say you enγaγe in something out of the oρδinary,
a chance, a hollowed out tree -
what stiff poetry this has come to be,
all i wanted to write is that after writing
something complex i'm rewarded with nothing
except a chance breeze in my head
that does chores in tidying up my mind -
it does it so well that i end up without a single
thought entering my mind - it's like non-purposive
buδδhiστ meditation - write something
complicated and then reap the reward:
absent minded watching aeroplanes in three
tiers of prior to the satellites' orbits -
now i can truly sit back and puff, drink strawberry
Pimms with lemonade and prosper
with the words: well, if i had a woman i'd have
to earn and let her spend, cosy home with a dog,
a bouquet of roses, and pristine clean with
scented candles in the evening - i swear, money
was created in favour of women,
all i do with mine is... well, i'm just about to pop
out for a bottle of whiskey and two beers -
tomorrow i'll be hunting for a council one-bedroom
flat - mind you, i feel no aesthetic gimmick,
i was born in Communist blocks, i know how
the English prize their shops and their semi-detached
villas; mind you, it doesn't take a beautiful view,
a hotel, the Alps to write something beautiful,
it doesn't take Venice, it doesn't even take the Cliché
(Paris) to get started - i suppose you need
a boring life to have a book in you, i didn't start
writing because my life was interesting, god forbid
if i had... i'm surprised Casanova gave up
the day-job of womanising and settled for a pen & paper;
why didn't he continue? i'm sure lechery only
kicks off in the coffin, there are diamond diggers out
there i'm told - so i decided: to live the most
uneventful life imaginable, the most boring of lives,
i'm sure a part of me will benefit from it -
namely writing, i'll be able to scrutinise everything
more keenly, as writing will be sole event in my
otherwise uneventful life, some days i'll turn on
Radio 4 and listen to blah blah... the best plan is to
have no plan... and once in a while i'll a **** poem like
this one, ****? oh yes, forceful poem to just pass
the time before sunset (plus, i bought a pair of
headphones for £1.00, yep, £1.00, imported from India,
they work perfectly when attached to an iMac,
perfect electrical synchronisation, they produce cheap
sound with other objects, my mp3 player plays
a softer and less loud sound when the headphones
are attached, as does my laptop, meaning:
i need the music loud... loud!) - so indeed, write something
complicated and you sit there, in an imaginary
mansion of luxury that not thinking is.
Ashley Thao Dam Jul 2017
It's hard to breathe when all your regrets are bouncing in your chest
that hollowness
and the never-ending echo that vibrates throughout my entire body

Have I made a mistake?

All the connecting, glowing, and seemingly sweet certainties have faded

I stand here stricken
My accomplishments in hand
And crumbling

Pieces of the last few years forming into an outline of your face

My fingertips pulsate with warmth as i recall your touch

I've never felt anything
Anyone
So perfect

So smooth and soft and unreal

Moments like these never last, do they?

We were so tired and yet so eager
To intertwine

Fixated on deep breathing
The flavours of eachother's mouths
And the momentary synchronisation of our existences

You're always so busy

And i'm always leaving

It hurts to entertain the idea
Beyond temporariness
But i can't help myself

I know you told me to say it less and yet
I am still sorry

I will always wish for a chance to get to know you
And for that I am not sorry

For once
I love music.
It takes you to a whole new place, a different dimension. It allows you to travel with time, to go with the flow, to focus on nothing but different rhythms and sounds beating in synchronisation.
Nothing is more satisfying than finding a song that applies to your entire life, that relates to you when no one else can.
Whenever you are sad or feeling nothing but happy, I urge you to listen to a song and allow it to soothe your soul.
Simpleton Jul 2014
Soft lingering notes
Of an instrument
Set the scene
And poured the atmosphere
With an intensity
That flowed in the rhythm of the pumping motion of my blood
And I wondered if somewhere in the back of my mind
I was making up the unrealistic static in the air
Because I was having a moment that would never be considered likely
Black hat tipped as the tassels swung back and forth
I braced the longest walk up the shortest flight of stairs
And it felt like
I was a river gushing down the mountain
Sweeping towards the sea
To join the tide
As we strode forth
With pride
Heads held high
A mechanical motion
With directed synchronisation
Each in our own glory
A moment of royalty
The letters sunk into paper
Bachelor of Arts
Combined Honours Degree
But as the bright lights blinded my eyes
I could not help but realise
I had reached a destination
From where the journey would begin once again
That I had climbed a ladder
And the rungs got higher
Just as I finally reached the spectacular view at the peak
I was left at a cliff hanger
Javanne Dec 2018
How many times
Have I told you
That you are the most enchanting deity
To make me believe
That there is a higher being

That gave my eyes something to admire
A soul as pure as fire
A town crier
you have made of me


Endless adulation
No state of frustration
Emits from your being
Except when I upset you
I swear, It was only teasing
How pleasing your tone

It doesn't idle like mine

I could be shipwrecked
And I'd gladly die of thirst
to hear such euphony

You see?
You are a muse to me
But so much more
Than words
I no longer demur

To these feelings
I give approbation
To our souls
I pray for synchronisation

But above all else
I want mine and your love
To never get lost
in translation
A continuation of  "Finding Words"
Kenya83 Apr 2018
Words escape my mind and my tied tongue
Your uniqueness stuns  
Complexities and hypnotic eyes
And that old cliche
Of butterflies
Rise
You are poetry

Your lips  
That delicately powerful trip
Of your kiss
You touch in midnight blue
Calm as the universe
Before galaxies set off shooting stars
You are poetry

Interpretation, things unsaid  
Pains of hopeless love and untimely death
Sea of planets beneath your skin
Synchronisation, acoustic vibration
A gentle heart, a genius mind
Maybe misunderstood at times
A kindred spirit came to find
You are poetry
Toyo D Nov 2023
Part I : Prologue.

You go left and I’ll go right
That isn’t right
Let’s go left and then right
Ok

Part II : Conflict.

You’re standing on my toes.

Wrong move.

Part III : Rising Action.

Take a step back.
Start again.

one, two, three four-

Why has the music stopped?

I changed the song
but I wasn’t ready ?

It’s over.

Part IV : Falling Action.

We just need a bit of practice
It’s never going to work
but i’m willing to learn

My feet are tired.

Part V : Denouement.

The two step tango of love dances within her sly steps of coordination.
The synchronisation of sensual steps
bringing closeness and intimacy
until the music stops,
by the hand of one
or the wavering string
of Fate.
It takes two
or one
to miss a step.
To break the flow and go
taking their routine, heart and radio
onto the next awaiting dance floor.
smallhands Aug 2014
I the inevitable longing for touch,
  the presence,  the skin
  the voice of the one
  who had to leave
  despite the logic and honesty
  and dedication to what is best
  these embers cannot be extinguished,
  no matter how hard you try
  to smother them

II inside the confining walls of the car,
    the engine running, heart pounding, and
    lips eager for a match in motion
    pretending that this won't affect
    anything, it won't carry over to
    tomorrow, to next week, till the
    next month

III chemicals in synchronisation with
     desires, but matter defies you, and
     you keep trying though it makes
     you feel utterly hopeless

IV wanting that againagainagain
     retrospect,
     alleyways,
     speeding down that common street

V abandon these worries of breaking
   and just delve into your true desire
   headfirst
   we stand in the woods alone-
   you tell me it cannot happen,
   my eyes beg you to change your mind
   each trying to make the other see our
   theory when all we both need is love

-cj
Alex McQuate Mar 2018
Du Chene and La Plante preach through the wires,
As I light up a smoke,
Watching the candle gently sway ever so,
As these two bear witness to the making of legends.

Personal courage,
To tell one's personal tale,
To cast off the societal thirlage,
And wander to where the predators wail.

They sing in perfect synchronisation,
The country twang of Du Chene a contrast to La Plante's,
Her vocals heartbrakingly beautiful,
As if the entire swath of water that is the Mississippi were as smooth as glass,
With the ability to turn as haunting as the memory of a lost love.

The skill to keep your wits about you,
Are needed in lands such as these,
And if you survive your legends will grow,
Gaining momentum to match the distance you travel and the tasks you complete,
Traveling with you,
Like the sensation of stain in a long healed wound,
That occasionally ghosts along the area.

That after your gone and long faded, Your travels will live on,
A wraith along those old and now overgrown trails,
To morph into something almost alive,
With each retelling of your tale.

Winding down their tune,
The music takes a calm tone once again,
Like how you imagined the eye of a hurricane as a kid,
Slowly winding up again a tad as if to hint at the struggles ahead,
They sing of where they wish to be,
And their willingness to bear the brunt of their tasks to reach their promised haven.
Heavy Hands- Where the Water Tastes Like Wine
Mirror Jul 2020
From the outside I am really a very silent person minding my own business but even in that silence, the 4 chambers of my mind work in synchronisation to detail the world outside. I am an observer. A silent, secretive and callous observer of every single detail which is around me.
She was the detail I missed deciphering. It was not that I didn't try but there was opacity in her thoughts. What ever be the verbiage, she remains an unsolved puzzle. She always will.
Her strange silhouettes are those which remain with me. I got a new pair of jeans and I observed that they smell differently.
In my old clothes, your fragrance exists. The new clothes surely lack them. I decided that it can not be the case that I live without a part of you in me. So I washed the old and new clothes together and now the 4 of us share your fragrance, you, myself, old and new clothes.
I have also not sold my bicycle which is cheap to the comparison of the one that I have now. It is only me who knows how expensive the old bicycle is.  Why?
That is because on this same cycle I had invoked in you a love for cycling. On this same cycle you and I have gone for long rides at 9 PM to grab some beers and drink together. Happily living the illusion of deserving a beer after much exercise.
I have changed the tyres of the old bicycle because they had worn out and it made my past look ugly.
On my face towards the left side of cerebral cortex, there is a profusion ( a very very very very very faint I must add) of a nerve and it makes the first alphabet of your name.
I guess, I have some one watching my efforts in keeping you alive in life. The result is that now physical body knows that as well what my mind always knew. You are one for me, today and ever after.
There can be no one who can invoke such monomaniacal stubbornness in me.
Thank You.
Post Scriptum: I do not edit my poems usually. If there is a typing error, please ignore.

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