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"storefronts" poems
maybe the buildings are hollow, occupied only in facade on the first floor of storefronts maybe this whole town is a hologram of neon against puddles on the pavement. maybe the citizens are ghosts floating by in circles, or squares of city blocks, around a routine, or droning through on electric scooters as if on muted theme park rides to the next sensory diversion; to the nearest gastronomical pleasure; toward the weekend and its next party celebrating the loss of time, I see their tired faces staring out from the glass of coffeeshop windows on every block. I see their piles of beer cans beside the trash chute. I hear them singing on booze-cruises to nowhere What part of this cycle that turns days into dust moves us closer to heaven? What feast from what new restaurant downtown will feed our souls? From which lonely night do we finally emerge beside the one whose presence fills these hollow buildings to the top-most floors? Which of the empty lots between us do we fill with a conversation about how this is all a dream, or how we'll keep each other awake on a bench beneath a street lamp before dawn waiting for the first bus to take us home.
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Aug 20, 2018
Aug 20, 2018 at 12:25 AM UTC
Ghost Town
I am from New Jersey. From the paradise of small towns And the inferno of concrete jungles. I am from truck tire playgrounds, Porch Clubs, and the whistle Of the Riverline. I am from divorce. From alcoholism and denial, From broken doors and hearts. I am from next to hell. From pouring out full forties For one's homies passed away. From too many candlelight vigils And sidewalks littered with fourth grade pictures. I am from the garden state. From cows, corn, and Clinton, And tractors in the parking lot. I am from tradition. From pasta and seven fishes, From "Mafiosa!" screamed in the streets And "No WHOPs" pasted on storefronts. I am from love. From three parents and four siblings, From six dogs and duplicate holidays, And the smell of tulips and holly.
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Jul 2, 2017
Jul 2, 2017 at 10:09 PM UTC
Where I'm From
Vision obscured by soft misty rain dampening harsh city lights spilling slippery from storefronts and traffic train shimmering upon pavements between steps and stains. soft misty rain don't I know you?
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Oct 19, 2015
Oct 19, 2015 at 2:57 PM UTC
Soft misty rain
Howls in the night cross the threshold of savagery Coordinated hate of a hundred jackboots stomping faces in the streets Storefronts smashed Crushed glass crunching under the feet of unbridled violence Doors bashed in Swinging sledges smash Women and children dragged kicking and screaming from their homes Beaten unconscious then beaten while unconscious Clothes rended flesh roughly groped ******* mashed by laughing barbarians with teeth made of knives Innocence of a generation ***** in a single evening Ransacking hands strangle the wealth of a culture One thousand synagogues in flames light cast magnified in the carpet of crystals sparkle of hellish brilliance Ninety one lives snuffed they were the lucky ones Avoided the camps where greater horrors were wrought in the forges of torment from the pounding of flesh beneath hatred like hammers
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Jun 18, 2012
Jun 18, 2012 at 8:27 AM UTC
Kristallnacht
Caressing my face, Bubbles rush to greet me Tickling like a sweet spring sigh. This is only the first. I am still half A visitor. Stuck in suspension Between this world and mine. Slowly I pass Through the threshold. My air-sick ears adjust To the sounds of the sea. I stare down At the small colony On the sea floor, My landing gear is down. Customs arrives. A grey, French Angelfish Of the most industrious kind. But he isn’t obtrusive. As he flits in and out Checking my bubbles Ensuring I am not bringing Any more air than I should. No doubt he will stay near Most of my stay I have finally arrived, The coral city stretches before me. I catch the current trolley And it whisks me past Rocky storefronts and coral motels. Lobster shopkeeps Rush out of dark Stores and stand in the street Giant claws raised Toward me in supplication. Beckoning me to come And browse his wares While a fish I don’t know Is busy cleaning homes and stores. They must’ve dropped out of the school Which passes by The pupils in matching uniforms Of flashing silver and black. Clown fish wave To me from their Lawns Of sea anemone Before darting back inside. Here is the kind of place Where I could put down roots. Live out an idyllic life Living in a coral townhouse. But for me to stay Would be severely fatal. I’m just a visitor And my visa is about to expire. I look back one more time As my head breaks the surface. The sun stings, I blink.
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Jun 3, 2013
Jun 3, 2013 at 2:07 PM UTC
On Scuba Diving
Thanks for the title, Boss. When I was a kid my hometown basked in that (uncertain) period of peace and prosperity between Korea and Vietnam. It bustled with busyness and it seemed like everyone knew everyone and there was always more. Even the poor felt included. Half a century later, peace has fled for good and prosperity too, leaving only vacant storefronts and neighbors who do not know each other. Perhaps this was inevitable; perhaps it is progress. But there are moments when it feels like a lifetime is just too much to witness, just too long to live. Nobody loves a corpse. ~mce
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Nov 19, 2015
Nov 19, 2015 at 10:45 AM UTC
My Hometown
last night i almost gave up thinking of bronzy brazilian girls perspiring pure coconut oil, eau de margherita ; supermodelas eating my dreams like concord grapes, lionesses lounging on new york balconies, lithe, reading céline. (esti ginzburg, on the phone, considers another pomeranian) . almost stopped. almost derailed strange vogue-like fantasme of irina shayk, standing legs planted left knee out-thrust and foot in ebony heel, cocked against the earth. set being imitation of gloomy coal mine, east of prague. thin arms firmly controlling the arc of her pickaxe, clothed in leather, high heels; sheen of sweat holding her feline body in sweet embrace. imagining that when shift's end buzzer echoes thru the tunnels she smokes a cigarette on a bench in the women's locker, apple planted on old planking, elbows on her knees. cover-alls peeled down to her waist and her hair, free at last. (click) on the tram back into the city all the smoked glass cartier storefronts pass by like polaroids held in the hand. the same speed. giggling, 'rina thinks of the six she could place along her arm; gilt gold, brushed silver, diamant... there are 11 smoked belmonts by the back steps; i did little with the night. (tall shadow of a woman in a black dress and my mouth a cotton ball) that is to say: i did almost give up thinking about bronzy braz ilia g rls , - but i didn't/and so there's nothing else.
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Jan 28, 2013
Jan 28, 2013 at 7:14 PM UTC
i, almost
Fall to me, all you streets of Rome, With your embrowned oils from torched walls and breccia of shadows, The pizzicato of stairways and afternoon slowly closed Like the thick, leathery-echo from this book of all roads. Fallen, smoldering empire of storefronts and back-shop heirlooms, Your lupine hills unbound with milk of cur in the wind and woods, To your fallow fields rowed deep by a conquest of oars, To the deepest silence and soot-muted oneness of Pompeii, And a sky that is an ancient coin, without worth, But still rubbed smooth at the edges by overfond lovers.
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Jun 14, 2019
Jun 14, 2019 at 4:16 PM UTC
Ancient Roman Coin
Remember those city nights we spent inhaling the marijuana and halal truck tinted air that fills the space between the skyscrapers? Glowing storefronts illuminated both the skies with their stars glistening quietly under coats of dust and the streets, dense under ***** and ***** spilled by boys who yell obscenities to girls who hang their heads low, ashamed to be happy to have their push up bras appreciated. It was the summer we read Catcher in the Rye religiously. We were overflowing with privilege and hating privilege. Oh god, how we thought we hated privilege back then. In June we graduated from middle school, and you found out your father was cheating on the woman he cheated on your mother with. In July you kissed a boy for the first time, even let him feel you up a little. I couldn't help getting uneasy, even though you said it was nothing. Most nights we couldn’t contain ourselves, shouting ideas fast as the taxi cabs who'd nearly run our still-growing bodies to the ground, always in a hurry to get home to their own sleeping children. We raged rebellion against the red lights. There was no time to wait around for things as unimportant as people who weren't us. In August, I took a klonopin pill from my mom’s drawer because I couldn’t stop the dread beneath my skull. It made me sleepy. We were so filled with poems and wine copped at art galleries where we’d feigned intellectuality, that we'd see a *** on a subway train and call him a vagabond. Back then we thought we knew how life worked like the palms of each others hands. By September, albeit, our fingers were calloused from the time we climbed a playground's wire fence, twisted the caps off beer bottles, and swung from the Monkey Bars.
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Jul 12, 2013
Jul 12, 2013 at 1:56 AM UTC
New York Babies at Night Time
Remember those city nights we spent inhaling the marijuana and halal truck tinted air that fills the space between the skyscrapers? Glowing storefronts illuminated both the skies with their stars glistening quietly under coats of dust and the streets, dense under ***** and ***** spilled by boys who yell obscenities to girls who hang their heads low, ashamed to be happy to have their push up bras appreciated. It was the summer we read Catcher in the Rye religiously. We were overflowing with privilege and hating privilege. Oh god, how we thought we hated privilege back then. In June we graduated from middle school, and you found out your father was cheating on the woman he cheated on your mother with. In July you kissed a boy for the first time, even let him feel you up a little. I couldn't help getting uneasy, even though you said it was nothing. Most nights we couldn’t contain ourselves, shouting ideas fast as the taxi cabs who'd nearly run our still-growing bodies to the ground, always in a hurry to get home to their own sleeping children. We raged rebellion against the red lights. There was no time to wait around for things as unimportant as people who weren't us. In August, I took a klonopin pill from my mom’s drawer because I couldn’t stop the dread beneath my skull. It made me sleepy. We were so filled with poems and wine copped at art galleries where we’d feigned intellectuality, that we'd see a *** on a subway train and call him a vagabond. Back then we thought we knew how life worked like the palms of each others hands. By September, albeit, our fingers were calloused from the time we climbed a playground's wire fence, twisted the caps off beer bottles, and swung from the Monkey Bars.
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38
In this life, I have seen the valley of broken dreams filled with the souls of taqueria entrepreneurs. I have seen gleaming grills, Hispanic frills, greasy thrills. I have seen spirit thrive in the eyes of men armed with bank loans and family recipes. I have eaten their food, delicious beyond necessity. I have experienced the magic of taquerias and restaurants. And I have seen that magic die. I've observed the life unfold, unfurl with a magic to behold. I have seen that magic served in a half-empty restaurant that Frontera has outsold. I have had the magic gone, replaced by payday lenders and takeout from Taiwan. I have seen empty storefronts and the straggling last days of taqueria entrepreneurs. And I grieve every time at the lost loans and lost hopes left behind. But tonight, there will be no grieving. Instead, Let us eat magic in their memory, enjoy the grease that will surely send us to infirmaries. Let us celebrate the time they had, the tortas, tamales, and leftovers taken home in a bag. Let us celebrate the doomed Mexican restaurants.
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Dec 4, 2015
Dec 4, 2015 at 11:20 PM UTC
Taqueria Entrepreneurs
Our men are heroes, of course. They protect us, gun in hand, against enemies plastered on posters vandalizing once-beautiful stone storefronts. More every day. Stapled on top of one another until words blend. "But now," the overly made-up woman at the podium says, "women can do our part." They’ve gathered other pretty blondes with symmetrical features measured by a myriad of devices.           Beautiful,               demure                    women with           beautiful,               Aryan                     genes to breed with our handsome heroes. Because women, and the children we bear, are the key to Germany’s future.   I glance at the woman to my right, eyes skiing down the slope of her nose to rest on smiling lips. Is the blush on her cheeks genuine, or set by rouge? It suits her. She catches me staring. My breath hitches in my throat. I throw my attention back to the woman glorifying human broodmares. Heat assaults my cheeks. “Your rouge is lovely.” Her whisper warms me. “Can you believe this? Us, with war heroes?” She sighs. I can practically see the dream play through the air. A husband coming home in uniform, splaying a hand on her swollen belly and kissing her forehead. A fantasy. These men… they’ll come, take what they want from us for granted and claim they did us a favor when they leave us alone with child. But my fingers would dance never-ending pirouettes across that porcelain skin. Swirl intricate patterns through golden hair, all for that sigh to carry a dream with me in it.
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Jul 12, 2018
Jul 12, 2018 at 2:28 PM UTC
To Carry A Dream
Our men are heroes, of course. They protect us, gun in hand, against enemies plastered on posters vandalizing once-beautiful stone storefronts. More every day. Stapled on top of one another until words blend. "But now," the overly made-up woman at the podium says, "women can do our part." They’ve gathered other pretty blondes with symmetrical features measured by a myriad of devices.           Beautiful,               demure                    women with           beautiful,               Aryan                     genes to breed with our handsome heroes. Because women, and the children we bear, are the key to Germany’s future.   I glance at the woman to my right, eyes skiing down the slope of her nose to rest on smiling lips. Is the blush on her cheeks genuine, or set by rouge? It suits her. She catches me staring. My breath hitches in my throat. I throw my attention back to the woman glorifying human broodmares. Heat assaults my cheeks. “Your rouge is lovely.” Her whisper warms me. “Can you believe this? Us, with war heroes?” She sighs. I can practically see the dream play through the air. A husband coming home in uniform, splaying a hand on her swollen belly and kissing her forehead. A fantasy. These men… they’ll come, take what they want from us for granted and claim they did us a favor when they leave us alone with child. But my fingers would dance never-ending pirouettes across that porcelain skin. Swirl intricate patterns through golden hair, all for that sigh to carry a dream with me in it.
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59
I encountered him last night I think I handled it well. I was with a group of friends in search of the gallery my friend was showing in. I'm staring at storefronts, and suddenly aware that I am facing someone familiar 12 feet away. He was in a restaurant with a girl, facing the window. He came into focus and I realized who I was looking at. As awareness crept into my face he nodded at me. I smiled, Raised my hand in a wave, Turned and walked away. I think I handled it well.
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Mar 30, 2012
Mar 30, 2012 at 11:36 AM UTC
An encounter through a restaurant window
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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May 11, 2015
May 11, 2015 at 6:58 PM UTC
Old English "D"
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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45
There is only this marina and then there is the sea. Nothing else is. An apt enough analogy for a myth dissolving town. Shaded by storefronts half-expecting someone to arrive, The hood- stripped wind Gusts up solitary, empty alleyways With only stroppy clatter boards to continue the conversation.
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May 11, 2012
May 11, 2012 at 5:06 AM UTC
Wexford Crescent Quay
I’ve been questioned on my late night walks, why do I do it? the repetitive cracks sing hedonist soliloquies at every avoidance, the streetlights eat away at forfeiting darkness, vomiting garbage cans spew synthetic carrion and winking storefronts ****** nightfallers, trash kissing curbs pushing away affection cry out for help, cigarette butts cloud sandy sidewalks and hug dragging soles, passing cars and mindless youth spewing timeless nothings out car windows, cop cars and crisis topped middle-agers stumbling their way to fast food and regretful forenoons, I’ve been questioned on where I’m walking to, but never what I’m walking from, no matter where I go, I find myself burning my throat with coffee at 2am
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May 7, 2016
May 7, 2016 at 1:36 AM UTC
The Liveliness Of Night, Helps Me Forget The Inertia Of Day
this love is now & new & once again stabbing @ me like durga-like diety with sweet golden daggers an essential togetherness teasing out of these odd surroundings I was listening to Jack Kerouac on the way home in his mad bop rhapsody apocalypse streaming out my speakers while familiar streets crawl past once again I'm thinking as the day old glum spread over me & out to envelop all I see how little different to be watching seeing street signs all opening into cul-de-sacs and open storefronts paraded in the endless traffic flow now bent slow over feeding my cat crab cakes that my mother made myow myow, he goes & I acknowledge myow myow, he goes & I answer what? what in god's name is the matter with you? myow myow his solemn reply licking @ a piece of exposed claw meat nestled among old bits of dry brown kibble how about this soul? how about this life? this sickness? how about this always seeking I? how about he music of my mind in untraceable car rides alone? wherefore to I wander ceaselessly in search of what wonders where I might be born on the road of least descent cat paws, grabs @ bottle caps on grained wood table my media fizzles & searchlights in my window there is something I'm not facing something inescapable, my love like you born of locusts in the dust, my love like you my weary dune-mother how solemn are the tunes that run thy face, o' mother and thy will how broken are the lines upon thine shining brow in bedroom windows open to the world like peace stolen in the sad glance I gaze @ everything stolen is the cup I fill @ leaking kitchen sink pipe strands of scent or bark of neighbor dogs amusing grass flow weather flowers under well I'm never knowing what--I never will no matter, all is well another's all is nothing now where knock goes streaming crashing loud like anvils in the rain it's only me how now, my dear contender? like a shadow fallen into sound how now the planets unwatered? how now the roots are killed? we all inhabit the same fears how rabbit hides his smear to give me a surprise for me, none so dear than the mystery & April dies today
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May 17, 2016
May 17, 2016 at 1:54 AM UTC
This Love
this love is now & new & once again stabbing @ me like durga-like diety with sweet golden daggers an essential togetherness teasing out of these odd surroundings I was listening to Jack Kerouac on the way home in his mad bop rhapsody apocalypse streaming out my speakers while familiar streets crawl past once again I'm thinking as the day old glum spread over me & out to envelop all I see how little different to be watching seeing street signs all opening into cul-de-sacs and open storefronts paraded in the endless traffic flow now bent slow over feeding my cat crab cakes that my mother made myow myow, he goes & I acknowledge myow myow, he goes & I answer what? what in god's name is the matter with you? myow myow his solemn reply licking @ a piece of exposed claw meat nestled among old bits of dry brown kibble how about this soul? how about this life? this sickness? how about this always seeking I? how about he music of my mind in untraceable car rides alone? wherefore to I wander ceaselessly in search of what wonders where I might be born on the road of least descent cat paws, grabs @ bottle caps on grained wood table my media fizzles & searchlights in my window there is something I'm not facing something inescapable, my love like you born of locusts in the dust, my love like you my weary dune-mother how solemn are the tunes that run thy face, o' mother and thy will how broken are the lines upon thine shining brow in bedroom windows open to the world like peace stolen in the sad glance I gaze @ everything stolen is the cup I fill @ leaking kitchen sink pipe strands of scent or bark of neighbor dogs amusing grass flow weather flowers under well I'm never knowing what--I never will no matter, all is well another's all is nothing now where knock goes streaming crashing loud like anvils in the rain it's only me how now, my dear contender? like a shadow fallen into sound how now the planets unwatered? how now the roots are killed? we all inhabit the same fears how rabbit hides his smear to give me a surprise for me, none so dear than the mystery & April dies today
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82
Lots of people come and go. Lives cross each other, yet o one knows. The corners are always lively. The vendor makes another sale, and the customer leaves satisfied. Someone waits across the street, for someone else to meet them. They connect to each other with a smile. Hands held and stride as one. The storefronts shine brightly hoping to make a sell. The beauty of the city is made by you and me.
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Jul 3, 2014
Jul 3, 2014 at 9:59 PM UTC
Beauty of the City
sitting in my seat all I do is think saving every breath counting every blink thinking fashionably about death I watch their eyes begin to wander up and down each others’ bodies I close stick a hand into my thoracic cavity and pretend it’s a clock to wind backward through time like they do in magazines and in front of well lighted storefronts and downtown mini malls across America. any beauty column will tell you the tricks and what you have to trade, every weight has a balance and every product has a price. hands in your pockets chin in the air eyes on the pavement— almost there, almost there button your buttons string your shoes "I think I can, I think I can” you can’t, of course, but the emptiness of cleared out commercial blocks and brown brick buildings and wide streets that are empty in the night they all call out antagonizing you with imposing angles narrowing density constricting construction walk away from it all hide your naked figure alone and cold in the crippling dark
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Nov 13, 2014
Nov 13, 2014 at 3:48 PM UTC
I close
Echoing inside empty buildings bolted with fall-ed trees, hollowed stones, were reverberating hand pats. Clapping will go on. Mourning cries, tears won’t echo as well; rather, staring hand, clasping shriveled hand shaking and bouncing off wooden panels, fake storefronts. Acts incited feigned appreciation; palms crashing, esophagi grumbling, bodies jostling for view. As a species, we watched our own performance. There, bursts from imagined forces generated sounds, echoing an otherwise empty darkness-- a yet empty darkness-- through purview. Voices and people: gone. Objects, unacknowledged. Thoughts, acted on. Contained by walls illuminating anything there was with echoes from voices and fingers, flapping on impact, hitting corridor materials. Below trap doors, no surprises are waiting. Everything that could have been said is permeating, blissful nothingness.
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Sep 27, 2012
Sep 27, 2012 at 12:32 AM UTC
"Inspired" by a TED talk
Remembering My first taste of coffee-- just another commodity standing outside Lowell Tech, a local factory, a city corner in Haverhill snows— a worker's town Passing out leaflets for a vapid Revolution Another action/demonstration to “Seize the Day!” No computers; no social media to fill the ranks of rallies at that time So we froze our ***** off trying to explain with sound bites, frosted breath and fogs of rhetoric A truth-- so tyranic, remote, arcane too preposterous to even process let alone explain Standing there behind its barbed wire reality smoking from its stacks the poisons of its process Standing there Stamping blood into my feet Trying to convince my freezing self my breaking heart that all this truth? was truly worth it!? as I threw my education and my life away-- Trying to convince   ...that inside that building IT-- was being made ****** and that Agent of Death and Defoliation of an orange persuasion so our war could have its way with rice paddies and jungles and people of a browner, poorer smaller bent While on the home-front we filled the mill with unwilling bodies that died somewhere else off site... “Outta sight” ...or maybe some years later from toxins dumped in river left to leach to cancers somewhere else into the ground they sink Through tentacled subsidiaries restructured divestments Legal dismissals of responsibility the players run like roaches for the exits One fast move after another they dissolve disperse morph into renamed ****** entities Clean up their storefronts clean out our pockets while “providing jobs” “investing in community” along the way Putting on a Goodwill Tour Then taking it away “What?  We never said....” We'll take you down leaving only the stench behind
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Mar 6, 2019
Mar 6, 2019 at 3:01 PM UTC
Somewhere Else
Remembering My first taste of coffee-- just another commodity standing outside Lowell Tech, a local factory, a city corner in Haverhill snows— a worker's town Passing out leaflets for a vapid Revolution Another action/demonstration to “Seize the Day!” No computers; no social media to fill the ranks of rallies at that time So we froze our ***** off trying to explain with sound bites, frosted breath and fogs of rhetoric A truth-- so tyranic, remote, arcane too preposterous to even process let alone explain Standing there behind its barbed wire reality smoking from its stacks the poisons of its process Standing there Stamping blood into my feet Trying to convince my freezing self my breaking heart that all this truth? was truly worth it!? as I threw my education and my life away-- Trying to convince   ...that inside that building IT-- was being made ****** and that Agent of Death and Defoliation of an orange persuasion so our war could have its way with rice paddies and jungles and people of a browner, poorer smaller bent While on the home-front we filled the mill with unwilling bodies that died somewhere else off site... “Outta sight” ...or maybe some years later from toxins dumped in river left to leach to cancers somewhere else into the ground they sink Through tentacled subsidiaries restructured divestments Legal dismissals of responsibility the players run like roaches for the exits One fast move after another they dissolve disperse morph into renamed ****** entities Clean up their storefronts clean out our pockets while “providing jobs” “investing in community” along the way Putting on a Goodwill Tour Then taking it away “What?  We never said....” We'll take you down leaving only the stench behind
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65
Keep us out of the ballpark. Keep fans out so no crowd. Instead Steal Doritos and grab free beers There's no stretch in the seventh cause nobody's here! Oh it's loot, loot, loot from the storefronts If we get caught its a shame! and its one, two, three cops knocked out at the old brawl game. Keep us out of the ballpark ban the fans from the stands The vendors laid off cause there's nobody here he's out of a job cause no one's buying beer Oh its loot, loot, loot from the storefronts- that Freddie Grey's dead -it's a shame and it's one, two, three cops knocked out at the old brawl game
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Apr 30, 2015
Apr 30, 2015 at 10:56 PM UTC
Take me out to the Brawl Game
An artist sketches people passing by, stopping now and then to take in the scene of a crowded urban market, the carts and shops full of trinkets, souvenirs, useless items. The buildings are ***** years of pollution painted over storefronts. A cable runs along the street, weaving in and out of the tops of the pollution-painted buildings. A woman puts her cigarette out on the litter-strewn sidewalk, already plastered with scraps of paper, bits of garbage. The sun creeps slowly behind the clouds, shining dully over the street market. The artist takes this in, captures the dirt, the decay, and the beauty on paper. She listens, the sound of sellers and shoppers fading into a steady hum. A college student on a bike weaves in, around, and through the crowd, braking when he reaches the intersection, then continuing down the avenue. The artist flips to a new page, trying to perfect the emotions of tourists passing through shops, nervously buying souvenirs from a foreign vendor. When she’s finished with this sketch, she packs up carefully, folding her notepad shot and then into a bag, and blends into the street scene.
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Oct 15, 2014
Oct 15, 2014 at 8:48 PM UTC
The Artist
Stitch by stitch, fingers move like ghosts in dim-lit rooms, eyes strained, backs bent, breath laced with dust and silence. A label whispers luxury, a name stitched in gold, but behind the seams, a child traces hunger with trembling hands. The clock does not sleep, nor do the hands that sew, woven into fabric priced in dollars, while wages shrink to cents. Promises drape the storefronts, Ethical. Sustainable. Fair. But behind factory doors, needles pierce more than cloth. Somewhere, a thread unravels, and a name is lost in the weave, a worker, a mother, a child. Their voices fade, but the machines never stop.
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Feb 25, 2025
Feb 25, 2025 at 1:10 AM UTC
Threads of Exploitation
I find my finger tracing silhouettes of strangers As I tap my foot and stare outside the glass pane in front of me Onto the street where passersby greet the crisp morning air With knit scarves and hats and boisterous jackets and saddlebags at the hip, Ready to ride into town and run out the sheriffs in charge of the show On West End and Broadway. | | Flurries of snow greet the ground with thunderous applause As I sip my brew, intertwining fingers with my mug like lovers And tracing silhouettes of strangers standing at the corner With my free hand. | | The silent footsteps remind me of the cars at Piccadilly Circus on the first snow of the season, And how all rhyme and reason belong to silhouettes of strangers that walk past the storefronts and stoplights and billboards and Barclay's Instead of the steady sound of tires screeching and stopping traffic In this picturesque place. | | A winter's day in New York is a lot like a winter's day in London; Silhouettes of strangers are outlined by the fingers of fresh-faced people sipping coffee in a corner café. They tap their feet and wait for a silhouette to escape the bellowing silence of the snow and the roar of the barren roads. All they want is to intertwine their fingers with another, Instead of a lukewarm mug.
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Aug 24, 2017
Aug 24, 2017 at 10:03 PM UTC
Silhouettes of Strangers
(I had this dream years ago. I was reminded of it today) I dreamt that it rained. Down the city street past Kathy's door, Along the illuminated storefronts. There was a hum in the chilly air, in the California Dew, I stopped. To stand under a lamp post. 'I'm singing in the rain Just singing in the rain What a glorious feeling...' Gene Kelly, full of life and melody, spun around the lamp post, and kissed my cheek.
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Dec 8, 2016
Dec 8, 2016 at 12:02 PM UTC
Singing in the Rain