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Andrew T Hannah Apr 2014
Praeludium in via ...

Vidi heri mane quando ridebam coloribus egregiis,
Eradere auro , trans tabula caeli , tentorium ...
Excelsus super omnes montes mundi mole fratres
Nimborum desertum , ubi non sit humana exsuscitatur .
Et non vidi nobili altitudo futura ...
Bonitas terribilis Vidi , *** indomitus.
Et peregrinare in ea carne existimarem Semel tamen divina ,
Nunc datum est scire , et non confundamur ab eo opus .
Ambulavitque *** Deo, quod nunc facio , et passus est ... accentus
Proditio amor et passionibus , quamvis non recipiat ecclesia ,
Divinitatis naturam , ne occulta omnia confitentur ?
Audis tu solus in universo ab duces ineptum
Ipsos victu pascuntur finguntur mendacii .
Sed ambulavit in vobis, ex ea ipsa mundi redivivi ,
Proelia ante hos annos multos, in carne nostra, amissis vate sacro .
Nos sequi vestigia veterum monumentis, ut ostensum est ;
Quia ex nihilo nati sumus , et adhuc in filiis tuis, ac spatium vivendi ,
Latebunt , quo melius in manifesto , vultus ingenio tegmina.
Ego sum primus , et consilium ... Memini tamen alta urantur
Humanis uti licet , *** aliena michi negotium.
Lorem quid ad ignorantiam et extra ,
Quia vidisti me in tenebris, in ardentem rogum meum .
Si sustinuero , praeire , ubi angeli labuntur ...
Quis autem, si non satis est dedicata piget.
Irrisorie , quoniam ego scio quod salventur , et saepe etiam ,
Post tantum est **** , et sic esset forma in re firmatam ?
Imago Dei , huc ad nos omnes in sanguine ipsius ,
A primis ad ultima, ut alpha et omega, gladius acutus .

Prologus : ( Os meum labitur )

Puer fui servus ad aras tam sacras ,
Hymnis immaculatorum : et absque iniquitate .
Quod *** ipse portabat diadema thons nudus ...
Expositum Spiritus meus, qui intellexi gravitatem.
Quis credit sanctum profanae habitu virtutum
Et illi qui in eo sunt ut carnifices ovis ad occisionem ,
Innocentes cogit induere larvis ad porcellana et operuerunt capita sua ,
Et filii eorum diriperent pueritia , vinctus catenis rudis .
Sicut teenager : ambulans in naturis hominum omnium adprobante ,
Et egressus est a me omnes, qui violatores extiterunt in coinquinatione verebatur .
Angelo fidem reperto cecidi inveni sanctitati
Nomen meum in ea , et curet abluitur dubium inveni .
Venit ad nuptias, et omnes dedi uxorem proditione ,
In solutione huius coniunctionis nostrae et sine intervallo in solitudinem imposuit ?
Traiectus mortalis caro mea reliquit me solum in sanguinem ,
Cor ejus scissum est , absque omni cultu ex ordine funem .
Angelus autem meus et leniat iras mansit dolori
Mea lux, in vigiliis, in nigrum, quod est victa ,
Admonens quia carnis mortalitate ... maxime
Angelus vult me et tremor et durum accepimus.
Et ego factus sum quam ... traumas vitae ac lacrimis
Et dimisit , in specie quae sunt post , veluti a me plagas .
Nox deinde calor intensior saunas percipimus ...
Sicut est mihi in choro , relictum est , nisi ab illo esse extensum ,
Et invicem tradent , et mortalem , ut impunita essent, sed numquam mihi ...
Non tradent ; effundam spiritum meum , et non totum .
FYLACTERIUM creare ex omni me , et oculus innocens ...
Quod amari posco sum ​​ut carbo margarita alba et nigra ;

Section I : Sacrificium Doll

Part I : ( litus sanguinem )

Ne revoces me pupa enim priscis recesserunt cavernam
Sunt inanima appetant , non realis forma in utero ;
A puero bibere rubeam ore exploratores in vastissimam taberna ...
Dum nati psallens FARRATUS agros effusi .
Vadimus ad domum Dei , in plagis , in magna pecunia debetis ...
Hoc non est ad oras Nunc cruore manant strigitu rubra de memoria , polluetur .
Nulla est enim me primus ad ignitionem gloriae ...
Quando autem mens aeterna , in omnibus placentes, causabatur laetitiam .
In stellis ibi verba quae ego volo inauditum revocare,
Quia descendi ita pridem apud venire primum ?
Sollicitus purus fabrica MYSTICUS chaos genitus antiquorum
Mitti expectant limine signa magica.
Interdictum revertatur in carminibus meis , Licinius, ut audacia ,
Quia oblitus est mei fere est: nunc originem , ut tragici.
*** filii bibere, et se abscondunt nati seorsum
*** aquæ in sanguinem, et super triticum, et arefecit fœnum, et humida !
Signum quod venturum est mutare et laboro mentem.
Facies in luna ALLUCINOR in metu torquetur , horror ...
Dumque in fauces manu stare super pectus
Inter ordines diu frumentum umbra nigro ambula
Genus servo meo animas infantium .
Aestas flavescunt, Phoebe caelesti audent .
Mea sola mcestas lupus sonitum audiri potest ,
Et *** feris leo in pontumque moueri relinquere ...
A natura mihi dolet cupio concupivit paradisus reducat .
Vidi terram terror , ut sanguis in sinu
Ater sanguis in terra , quae facit viventia ululare ...
Sicut **** habet stultitia non dicam prava vel !

Part II : ( Crucifixo et Inferorum Animas Excitat)

Nam inertis est gemere pupa altari parato, in sacrificium,
In lapidem calcarium, et in cavernam, ubi sunt wettest fingit arcus !
Un - res sunt, sed etiam *** vivit in vulneribus animae , ut in glaciem ,
In horrore frigoris fictilem , ita *** pedibus non vocavit.
Serpentipedi mucrone subrecto , remittit praecise a pupa in collo ,
Et non potest dici , quia non habet pupa voce clamare.
Puer, et egressus est a tabernam , aspectus eorum quasi a naufragii vile ...
Ut curem hominem a superioribus agentibus , corpus totum mundum.
Infra in concavis locorum asperitate visa petram
Magna voces resonare in tenebras , et vocavit nomen tacuit.
Eripuit animam trahit nauta Multo gregis
Ubi aereum reddet unicuique antiquum signum desideratum .
Et venit ad bibendum aquas illas vitae malis mederi ...
Porcellana , et liberatus a vinculis mortis obscuris sentiat frigore ;
Animas in captivitate , unde nemo mortalium loqui
Sed statim liberavit remotis perforabit clavi ...
Omnis **** , qui dicitur Golgotha ​​, olim in cruce positus .
Omnis autem mulier quoque, ad quod omnes tales sunt tormento
Et facta est , dum consummaretur sacrificium insita primum sic infirma est,
Et intantum ut nisl tot annis perpessi .
Signati post fata diu Quod murus ignis in Terra ,
Stigmatibus ferre posset ita etiam multa futura!
Quod signum erat in manu mea, ut labatur pes meus, et dimittam ...
Tamen adhuc vetera perseverare illusionibus , et non possum excitare multos .
Ego, qui iam tantum conligati Lorem ferrum quid reale,
Factaque est infinita in dolo : Ego sum ​​, et desiderio erat pax.
Nam et ego quod negas , nisi aspera ac rudia mei liberatione ;
Angelus liberavit me , et nunc inter saevus sigillum frangere conantur .

Part III : ( The Return of lux)

Qui a mortuis Surrexit , frigidior , ubi de somno , ultrices in somnis , per
Et obliti sunt intelligentiae invocatum est super sancta miserunt innoxia verba ...
Et inde apud hominem , ut maneat MYSTICUS sequuntur revertamur ,
Ea aetate in inferno commemoratione praeteritorum.
Qui suscitavit eis manum meam , et pugionem eius lumen gloriae,
Relicta meae effercio fluere sanguis subito currere libero.
Ex profundo flamma surgit millennial amisso puella puer ,
Quæ est angeli redivivam sinit luce clarius ostendit .
Et omnis qui non occaecat oculos ad intima ;
Infideles , in momento temporis ponere in obprobrium .
*** stellae ab Diua sacrorum opera voluntatis
Dum coccineum limen transeat , lucem adfert .
Momento enim omnes in caelo et in terris sunt ,
Sicut dies longus tandem inclinatus ante noctem veniat .
In tenebris , claritas multo maiorem et perfectiorem descendit ,
Eorum, qui dum in nomine meo orbata est devium.
Sicut incensum in conspectu angelorum ira animos eorum , occlusum ...
Ferrum IRRETUS texturae talis effugere nequeunt carcerem
Nam quicquid occaecat vidit lucem et scindit
Nisi quia in templis revellens mortalibus irae.
Et , postquam ipsæ fuerint fornicatæ infidelium , ut uoles, petulans ,
Et factum est in excogitando dogma , quod de ratione immemor ?
Horrendum non fides sit , tamen ita fecisse ,
Ante finem exspectent praemia petunt .
*** enim , ut est in paradisum suscipit dereliquerunt ...
Imago autem libertatis quam servitutis et negotio.
Nimia tempus extractam converterat a gladio:
****, ut spectet ad salutem in lucem , caeca lumina sua .

Antiphon alpha :
Quia hoc est ut , barbaris quoque innocentiae gentilitium mendacium vendere ...
Numquid et vos vultis emere , aut aliquam nunc forsitan putas,
Ad sciendum neque rationi consentaneum neque aetate sapientes ...
Quod si non moverent malles *** saltare!
Pleni sunt somnia noctes ; Dies mei tantum ...
Ego ad bis et quem maxime diligebam , in purpura quoque , et aprico occasus .
Ego autem haec imago non ad tangere memoriam tot ,
Qui replet in sanguinem furoris me , et frigidam desiderio finis .
Et considerandum est quod *** in ultima desperatione rerum , in cuius manu mea, equo et pilos in ore gladii ,
Nam ni ita esset, nunquam tamen inde trans familia .
Sed abusus est , ut fuit, et quidem instar caedentes sepem
An ut reliquos omnes transcendunt omnia , amice!
Ego superfui , transfiguravi ascendi in fine est ,
Multo magis quam erat, non plus quam diruere animus .
Sed tamen , quia speravi in solitudinem , ut a somno exsuscitem ancillam meam in flamma ...
Ardet , o superi, ut arbitror , usque uror dissiliunt!
De caelo et magis obscurant vestris, et tridentes, et contritio ,
Audio furorem tympana caelo antiqui gigantes hiemes.
Dii irascantur et ecce valide erutas ,
Uvasque calcantes Angeli hominis Illi autem vinariis ageretur ...
Recordatus sum in omnibus navigantibus battleship galaxies ,
In die ortus nubes inter exaestuans, quod ' vaporem ...
Depopulari Sodomam et Gomorrham, ad contumelias !
Ibi eram: et *** impiis non perire denique gemitu.
Ut illuderet mihi : et populus , quia ego bonus sum male velle ,
A Deo est, quam diu tot mala ferre cogetur .
Ego autem non sum solus , quia multa in eo et detorqueri
Deus remittit, nam adhuc sed non est intellectus ;

Section II : Hostiam de Spider

Part I : ( Rident Primus )

Caelum non egerunt pœnitentiam super ulcus nigrum est furore , et in indignatione, et in iustitia :
Et factus sum caro , quamvis intellectus non mortale .
In antro loca , quæ transivi , et dæmonia multa discurrunt ,
Et locis minus adhuc amor in search of a provocare .
In quo autem in craticiis tectoria atria mea, et thronus fuit stabilis ...
Et super collem , ubi dolorum laborum animae perit labor in mundanis ,
Transcendi vincula et consilio fidelium expectabo laudatur.
Ignis et sulphur et, semper est dextera arderent super altare ?
Ridentem cogo faciem meam : non enim veni , ut velle,
Ut in hora *** iam iuvenem, *** proposito aureum ...
Quæ pro impenso super solidum, pretium quis ,
Qui autem non cognovit , quomodo cupiam sibi solvere ...
Furor solitudinis nascitur ira nascitur ex malitia,
Qui autem contemnunt me , quia sine causa Provocantes me .
Quid est **** , impunitatem , ne quis putaret se excusat ;
Quam sapere , *** culturis tuum: mergi , in balneis , in ardentem .
Loquor de inferno, qui est infidelis nescis ?
Neque enim suis oculis effossis clavorum ...
Loquor cruciatus qui daemonia fecerunt superat .
Primus erit mihi dolor meus *** omnis fera voluntas ut ratio ...
Ut qui me conspui caro quod ambulans ,
Nescis modo larva facies mea , abscondens se.
Attendit ad illa nihil nisi insipientis solis erratur in sonis cantus
Tantum numerus ratus e fratre soror .
Sed in caelestibus quae sine causa nata est incestus est alchemical ?
Habitat in me peccatum occultum compages sǽculo.
Sit mihi vim inter gentes auditus est ABSURDUS musica ...
Spiritus meus qui regit omne simile est genitus.

Part II ( vindicta aurum )

In hortos, in quibus cupiditas sanguis rosaria semina ,
I , in manu eorum , qui esurit Quorum sitit aquam surgit !
In quaerere dilectionis affectum bestiis pavi eget
Quid faciam ut pudeat , habet me non elit .
O **** , quo impune ausu palamque vociferari ,
Quod amor sit ex me credis , et me opus manuum tuarum ,
Ut timidus , et cucurrit ad me latere turba depravari ,
In simulata excellentiam tuam , et ipse te vile animal .
Coniunctio oris linguae quasi telam laqueari
Si fieri potest araneae ; et fugiet a turpis ut octo pedes nidum ...
Et *** jam non calidus humanitatis indignum ,
Cogitans te meliorem quam reliqui descendes !
Ut vitae pretium millies , tibimetipsi .
Creaturam factus sum nocte expectant te aranea heu !
Nolite putare quia ego audirem . utrumque stridens cruris ...
Odium ductor tuus , et equi ejus , et ascensorem ejus .
Et in vestra web Video vos, Quirites immune ungues acuti ,
Ad toxicus venenum , quod oculis non potes, nisi te , octo ...
Ex quo bases Caesios sine timore, et sic primum
Ut dolores tuos comedat vos accendentes ignem caelum ;
Detur paenitentiae venia , quae dicis omnia cogit , ne superare dolores ,
Qui tibi semper, quæ videtur , non est potentia ad non noceat .
Et ascendit ulterius sapere plus pavoris tui ...
Numquam puerile ludibrium ulla facta .
Omnis domus tua dissolutae horologiorum ad socium non est ?
In desertis chaos est gaudium, ut si quod habuerunt.
Surgit in novum ordinem , nemo potest negare chaos genitus locus ,
Dum descendes perdunt, muneribus laesae.

PARS III ( Ultimo Rident)

Et sic videtur quod Angelus se et ante deam
Angelus autem nominis vocare aliquis tenuerit formarum.
Et qui in illis est , maiora sunt, ego saepe ad extraneas ,
Fingunt enim se perfectum , ignorant eorum saevitum ,
Num amor crustacea tam veteri quam in praedam , et mendicum ,
Quod minus quam tuum est , quam sumpsi eaque cibum ...
Est autem tarn coquina sicut clibanus tua vadit et ora
Ipse, ipse est extra te praemium virtutis tuae chores ,
Sicut enim res suo cuidam negotium , qui meretricem ... Lorem ipsum leve,
Putas praemium amaret , et mendicum , falli te .
Quid autem vocatis me alienum **** ... amor est malum , et hoc pudet,
Et similiter anima atque animus , quibus tandem corpus infirmare.
Vides tantum larva ... sub aspectu nisurum
Larva ut me in tenebris tenebris latet .
Circa collum tuum habebis , ut falsae aestimationis pendet a mortuis, et corona ,
Quia sterilis tibi relinquo mundum , Intenta ancillæ.
Consurgitur in excitate de reliquis abire tibi , qui sunt cognati mei
De manibus eorum procul offendant pedes vestri ?
Qui manet in coemeterio quasi mortui
Non tollere incorruptione Nimis tibi dubium .
Hue tacito lachrymis virgines flere ...
Ad mea, et robur , in quo praeda, gregibus rursum super vias hominum ,
Ad eos qui non ineptis metus mutetur ,
Aureus transmutare non magis quam plumbea nocte dies ;
Quod verum est de fine , qui scit ... Alchemist
Magistra rerum artes a me in profundum.
Ágite , quod sum aggressus creatura placet mutare ...
Ut res sunt nostrae demiurgorum lasciva oscula enim calidius ?

Omega Antiphon :
Non est autem in Utopia , non videtur quod ...
Donec ut nosmet ipsos cognoscimus prima quaerimus imaginem .
*** et in sacrificio sui ipsius , a volunt reddi obsequium ...
Qui ad reformandam et divina se , *** Leo renata agnus mitis !
Sicut in Christo, ex parte in qua invocatum est cicatrix, et vulneratus est ...
Sed simplex conversio ad dissimilis vultus nolui .
Memini dolore meo, ut acer et vehemens ...
Donee tantum possum emissus dolor servare sensu caret.
Quomodo potest aedificare paradisum non est, nisi in se mutant ;
Mutare ante mutatum esse non est in medio ; quae est in via .
Qua ad paradisum , et oportet eam, et non deficiunt,
Ne ad caelum, nisi quam nos aedificare illud infernum iniustitiis nos .
Utopia , non ruunt ad genus humanum, nisi a te, tu es qui habitavit ?
Nisi quod est extra omne malum quod in se corrumpunt ,
Manifestum enim est , nisi malum, quod mundatam ab omnibus malis moribus.
Tunc malitia faciatis abstulit senex super pluteo tom .
An non intellegat , quid est salvator ...
*** diceret quod non omne quod simplices filii ingredi
Regnum caelorum , et inde ad delectationem pertinere ...
Et quomodo potes perfrui , si tibi placet , cauillando crudelis ?
*** aurora tempore domini nituntur hominum planeta ...
Numquam imaginandi praecipiet ut discat primum voluntatis.
Non armorum vi , nec inutile mandatum ...
Sed *** modestia , et misericordia ; ergo qui ad cor suum in satietatem,
Gáudii innumerabiles et celebrationibus quae causa ?
Sed animus intendatur dolores peccatum lacus.
Ubi plausus rotundum vt quilibet sensus ?
Modernitatem iocabitur ullum definitum ornare.

Section III : sacrificium sui

Part I : ( hortos perditio )

A ziggurat sublatus est , arenosa in calidum lateres , quos coquetis in igne ...
Septem fabulae in caelum, sicut turris Babel ,
Quod in solitudinem, et in
This is how this poem is meant to be read. In it's original form.
Latin is nothing but the purest form of expression when it comes to language.
brandon nagley Dec 2015
A lunar eclipse passeth between ourn Soma's
A solar eclipse maketh glitz
On ourn lip's;
Kiss of pneuma.
                            Aforetime quietus, breathless existence
                            Now coalesced in vivacity;
                            Sculpted, in the creator's
                            spiritus.



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley-filipino rose dedication





Note;
Happy four month anniversary Reyna Jane Nagley!!!!
Love you more Reyna, thank you for sticking with me the last four month's, seem's as If we've been together for lifetimes now,which verily I've known thee a lot longer than thou hath known!!!! Mas mahal kita Reyna.... For anyone who don't know what ( mas mahal kita Reyna means) it means I love you more queen.. In Filipino tongue.!!!!!! Me more queen Jane!!!! Happy 4th mine Reyna!!! Mine soulmate....
Spiritus means- the Latin term for breath, often used figuratively to mean spirit.
pneuma means- (in Stoic thought) the vital spirit, soul, or creative force of a person.
Soma means the parts of an organism other than the reproductive cells.
the body as distinct from the soul, mind, or psyche....
Aforetime means before in archaic in other words...
quietus means-
death or something that causes death, regarded as a release from life.

Vivacity means pretty much alive or lively!
―Go Forth
Flourish in The Light
Of The
Estival Sol,
Elysium of the Soul,
Once you have vanquished
The Stygian,
Your Soul
Awaits You―


~I bid you
Immortal Heartsease
And
Armistice of Ataraxia:
The Reverberation of our Souls
In the Key of Elysium~.





I. Archean Prelude

The echoes
of your
Memories of
The Light & Airwaves
Pine to
Bloom in Reminiscence
Over the
Days of Yore.


II. The Echoes of Existentiality

We are all atomic particles;
Molecular Particles,
Of an aromatic
Omniscient,
Omnipotent,
Omnipresent Mist:
The Cosmo-Plexus of Empyreal Love

―Echo forth comrades―

~Evanesce,
Into the Empyrean,
Etherealized Lightscape
Until the
Visage of Creation
Enskies us
To the exalted
El Dorado~



II. Tempus Fugit

The Promise
Of the
Morrow
Is nigh:

The Yesteryears
Wax
Distant Ages,
Wax
Archean Aeons;

(Eventuality of Existence)

Our Bygone Days
Of Lovelit, Loveless Life,
Antiquate and
Our Soulwaves
Wax
The Spirit of
The Ancient of Days.


III. Nova Cosmogony

Betwixt the Realms
Of the
Beneficent Matriarch Mirror,
Beyond
Terraqueous Gaia
Unfurls the Vista,
Your Fulgurant Dreamscape:

Only the Sapient of Sages
Doth denude:

The Incorporeal Incarnation
Of
Virtue, it’s vesture,
Na’phesh

The Decrepitude of Withering
Dovens the Divine
In the
Vestibule of Vanity,
Sanctimony & Superciliousness
Thence deliquesce;
Bearing womb of Light.

IV. Celestial Morphology

Unveiling the Substance
Of Space and Time;
Spirit and Soul;
Euphony, Harmony;
Atrophy, Intrepidity
All are Entity

Once
Pristine yet vacuous,
Flourishing into
Mystical and shimmering
Nothingness, gropes
For Meta-Astral ―form;

Ventus Divinitas,
The Cosmogonist’s Agenda
Resonates
Through the
Inchoative Universe.

V. The Temporal Hither:

Her Genesis
Waxeth
Vestal Vicissitudes:

She is
The Twilit Quiver
Uprising in
Darts of the Dawn,

Until
Arrows of Antemeridian
Light Cascade
Our epidermis
With the incendiary
Sovereignty of Sol.

Dusk:
Chars the Canvas
Of Ethereal Skies,
Garnetiferous,
Moonlit, Martyred Mind’s Sky;
The Eve’s Imperator
And
Inquisitive Spirit Eyes.

By Luminaries
We’re ensorcelled
Corpulent with thought.

~Wondering upon,
Vacuous a fathomed
Cosmogenesis. ~



VI. Tempus et Spatium:


~There are
Edicts unseen
The Esoteric of the Macrocosm

Only the
Transcendent of Tellurians
May tell of
The Life-Rending,
Sunder forth:

Semantics in Constellations;
Gaian Whispers of Sylvan Tale
The Arboreal Wisdom,
Musicality in Zephyrs ruffling Trees of Vale
Hearken unto further
The Winged-Symphonic Bees
(The Bombinating Orchestra)
Soul Untethered = [ Meta-Consciousness ^ Spiritus de Liberty]

Einstein’s General Relativity= [Spatium ^ Matter ↔ Energy ^ Motion]

~

(Time & Space
The height,
The width,
The depth,
And
The breadth)
The Empyrean One
Enshrined in Pantheon
Our Virginal, Vestal Souls
Efflorescent Eternity
In our hearts?
(Ecclesiastes 3:11)

Time is fickle
A
Hydrean Leviathan:

Whilst ye
Voyage her
Seven Seas,
Moor naught
In her
Elapsed chronology;
Her caprice
And ire
Shalt not
Be quelled.

Be roused
From
Somnus,
Unto her
Perpetuity of
Aqueous Abyssal, Dream Deep Sea;
Tenuous,
Diaphanous,
Rare,
Tender,
Instinctive,

∞ Her Moments ∞
∞ Extinguished ∞
∞ At Birth. ∞

∞ Eternally, ∞
∞ Reincarnated; ∞
∞Anew.∞

∞The Cosmic Spectrum∞
∞Is Infinite∞

∞Excelsior, Godspeed∞

∞ Elo’him ∞





VII. Ultima Thule:

We
Empyrean souls,
Doth abide
In
Pearlescent raiment.

The Cosmogenesis is our Dreamscape:
.
We are all a cosmos,
Expanding, contracting;
Ebbing, flowing;
Hitherto and thitherto;
Red-Shift and Blue-Shift.

Until the Mellifluous Morn,
Whence the
Zephyr of Life
Reverberates the Musicality
Of The
Arboreal Sages.

Terraqueous Gaia
Whispers
The Hope of the Ages.
Spirits betwixt
Greater Eden and She’ol.

Count the stars,
Enumerate every
Constellation in The Cosmos
Of your Soulscape scintillating
Upon thine Mind’s Sky.

Whence Luna and Sol
By the Wisdom
Of your starlight.
Are benighted, beseech
The Ancient of Days

For within The Supernal Wavelength
Of the Hallowed Dove.
We glean refuge
Our Aegis,
Providence.

Awaiting the
Golden, incendiary pinions
Of the
Revenant Phoenix to resurrect us.
Allow the Holy Spirit
to be your Polaris,
― to Elysium.

~By Agape’s Armistice:
Ascend,
The Peaks of Heartsease.
Commune with the Cosmos,
Wax
Salvera y Jiustizia
Brethren,
I plead.~”


~This Sacred Lotus seed
Was sown
Into the
Into the Soil of your Souls
, ―By the Astral.

You are a melody,
Sung by
A coloratura,
Burst into a
Tapestry of Fioritura:

Of Hope,
Faith,
And
Love



(May you
Reap
The Virtues of the Lord)

Betwixt

Na’phesh,
(The [Your] Living Soul)

&

Kos’Mos’
(The World)

The Apotheosis of the Astral Flame
Awaits
You
Starry-Eyed
Phantasmagoreans~
Celestial Morphology © is the multi-epistled poem which I sired during the Estival vicissitude. Twas an ineffable cadenza that exhales of the incorporeal essence of mine entity. I had been toiling in sweat, blood, and tears over a written project at the time; consequently, this is the thematic poem begotten.
     It transmutes the zeitgeist of my summer into the Golden Raiment of Polymathy. The oppressed coals of my woe erupted from the igneous core of my heart as these adamantine words. This starry soundscape is the astral crux of my work during 2018.
      I think that there was a vast expanse of my understanding of the world that had been repressed. It had almost been veiled from the heightened sight of my Over-Soul. This was in my sheltered, infantile longing to elude heartache. To keep the flesh- sundering maladies of the world outside my apartment walls: love, passion, iniquity, penitence, forgiveness, piety, cultural fission, intolerance, injustice, indignation, divinity, melody, mysticism, schism, mania, trepidation, faith, wisdom, darkness, and temporally transcendent pain.
          This was my transcribed anarchy against a Fascist Regime. A country exalting body that calls its denizens creationists whilst they slaughter every creation under the sun. The sociological edicts that dictate how art should be produced, the pace, that tell us not to speak of discrimination and mold us to turn a blind eye to the harsh realities of 21st-century postmodern society heavied the air. I just needed to vent and let every bit of internalized asperity or self-directed hatred out in a beautifying paradigm.
      I'm realizing more and more that life is tough and quite frankly, short. I'd rather write for an infinitude on one poem, for the sake of saving myself, rather than compromising my own integrity (and creative latitude). The writing was becoming a drag: less about quality, and more about quantity. Thus, after months of phantasmagorical drought, I bestow a glistening glade of sterling words.
I hope this poem reverberates upon thine soul waves. Please comment as I am open to any feedback; moreover, I beseech it of thee. My deepest gratitude comrades.

Excelsior Forevermore,

Sanders Maurice Foulke III
I sit here in contemplation
before me arises images and dreams
particles of sublime characteristics
regimental excursions of thought and form
In this solitude I invade
like an Army on foot into unknown grounds
conquering and invading depths of cerebral sparks
Till there within that most sacred sanctuary
I draw from myself the strength and the will
opening up a new chapter of mental illustration
upon diagrams planted so many years ago
Till slowly i begin to comprehend
The Mystery of all I am
and I look with fresh sight and gain
at all that here around me flies
sudden explanations fill and engulf
to the majestic unity I come to Know
I see the Heaven's open up their treasures
little glimmering lights of wisdom combine
to establish here before me a true holistic sight
I see the mountains flowing
like a sea of many grounds
knowing the generations collide and combine
in this sea of heart and home
There before me I see my brother
I know him well, as he I
and for once in total union
we walk a silent mile.
I learn more than what words can utter
for in truth any description becomes but vain
and I see within this my Sanctuary
That I was never here alone.
Where does one come to these grounds
ever sacred, ever calling
Striving forever those confines of the human heart
and in dreams bright,we cry for more.
Tis a place where God awakens
where resides that seed of truth and hope
an eternal solitude of its Holy expressions
Our God again walks beside us, with us
Knowing us and we learn to know him
Un Sancti Spiritus
The sacred grounds
of you and me.

Alisdaire O'Caoimph
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
Coop Lee Jul 2014
in the year 2462 those with nails protruding from their palms
will talk in ancient tongues
& sway the tribes of men to eternal love,
& endless ammunition
of the soul.

spiritus.
kin, galactic
& the golden fire.
throb the saga of man,
into hip ****** illusions and combustive color schematas.
we bury our dead in flower clippings
or skull bits.

        [skateboarding rises as the highest form of intellectual sport]

thrum and plum-*** the sewers of electric babylon.
hive city reaching past gasp and wasteland,
her lips ruinous.
cement slabs and coils of fault with
vast artistic possibilities.
these skate-lords from their heaps, their clans, augmenting
& rattling bone masks
grinding themselves into meat-bit heroics
& death.
their teeth are yellowy awoken.

this is all seen globally,
via tele-cast-com-core-mind-warp-tech.
or video.

dreams impact reality
impact dreams
in such
that the cathode cortex filter, invented circa 2222,
evolves into a demi-god, a solar charged demon of unlimited knowledge.
& it mutates the psychosphere  of our mainstream public mind
with countless projected memories.
        [streamed alternate realities]
fills the belly and the brain,
but all those unhooked are skating.
sweet meat market.
ghost harddrives.

poor leftovers called children of the once-was-men
& their poolside parties.
they leap the rubble of centuries old plastic icons,
their boards, their weapons, their seeds and spit.
they hang chains from their necks
& spew black flame from their sunshaded boot-click
lickings.
they drink from large bottlesof elixer distilled
on old flowers
& worship archaic cassettes.

cults of cyborg women with gem-tipped-blade-additions
carve wooden planks from
groves of great oaks.
great oaken powers.
their creators chew gummies and bend time
to uphold
a proposed history of perfection.
they master pong from their crystalline towers,
& hire mathematicians to write
conceptual skate-deck algorithms,
solely for fun.
non-profit.
Charles Barnett Feb 2011
So lay me down
in the coffin beneath
the sea, that's exactly
where I want to be.
Salt water building pressure
on the wood like the pressure
that you put me under each
and every day. Let the wood
splinter like so many lost lovers
and friends and let the water
fill my lungs and ears, bubbles
exploding from my mouth like
the arguments we use to have
to the backdrop of silverware
falling on linoleum. Let it fill my
body with **** and vinegar and
let the light that you cherished
so much fade away from my eyes
like headlights in the distance.
Sunless steeples toppled the fonts of your apocrypha
The mumbled harbingers of guilt's ascendancy
The icicles of the chandeliers dripping
Carbuncle tears, as the ransom of sullen lives
Many Sundays saw the closing of word-stiffened pages
In the hands of the blue-suited multitudes,
In homage of cathedrals filled up with dead Lilies
The pure must wear dark colors, in a kind of fake humility
While the evil wear white alone, in broad strokes of denial
And attention is a weather vane spinning madly
At the top of the world, wanting only God to be watching
only God to be watching
only God to be watching
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle
And what rough beast, its hour come round at last,
Slouches toward Bethlehem to be born?
J Apr 2013
This* letter I write to you,
I write
on a piece of the moon,
& pray the purple twilight sun
lights the very page I write upon,
so that even when these words are gone,
they'll continually glow on
the back of your unfathomable minds.
Slowly...
seeping...
away,
Just like the night as it rubbishes the day
in such perfect harmony.
Coyote Aug 2011
The decay of
imagination
and compassion.

What never
should have
been has become.

When the seed of love
is smothered by the weeds
of desperation and the fires
of Hell scorch in the breast
the withered heart of man
then you will understand.
He could tell I wasn't real
somehow. That the space
between us was longer
than the length of his
arm. I talked less
than he did, yet he was
quiet and still

I was to go out
and find a (some)
body to build a house
with. But he is too
much of a person
to shelter under

I never wanted a
garden but I wanted
a place to lie,
to let the sun
lick my back
as I read

I read everything
I couldn't think or
say for myself,
especially to him

He is kind and
tender and
I'm not

It's getting harder to fill
the silences. For my words
to reach my mouth

and I am desperate
to be more than a
ghost searching for
a body to climb
into
Nat Lipstadt Jul 2015
~~~

faithful are those faithless hordes,
perfidious believers in but the
weaknesses of natural men,
their convictions bear no questioning,
thieves of hope,
highwaymen of history's artifacts,
vainglorious restorers
of a disorderly order,
drowners of innocence,
beheading murderers of modernity

there is no right nor left,
long now has the unity of the centre,
by desert storms, fully eroded,
memories of discourse dispensed,
statues and statutes of reason,
salt pillared and pilloried

the professors of righteous hate,
find ample opportunity in youthful minds,
lacking conviction in open reasoning,
simpletons of one answer fits all,
who know not what questions to pose,
who drink not from  the brook of doubt

with certainty I know
there is no certitude,
new planets gained, older dismissed,
the order of things progression,
forgotten is the glory of
searching for change,
change that illuminates, emanating hope

the darkened aged outlook of those
who only look one-way-back for answers,
purveyors of rancid, rabid denial,
condemners of the beauty of our human differentiation,
demanders of mastery über alles

in the sunroom, laced curtained,
we pen poems, recalling my innocence, now drowned,
wistfully, woefully calling out,
"civilization, civilization,"
confessing to the guilt of laxity

so with a new ceremony,
revile, deny
anarchy poseurs, thinking their
championship inevitable

we who believe in
faith and reason
do not fear placement of both,
side by side,
upon the scales,
for only then,
will the judgement of anyone's eyes
know the verity of balance,
giving courage to
believers,
that in all our divided parts,
forms our greater whole


~~~~~~~

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

William Butler Yeats’s poem “The Second Coming.” Written 1919
WSJ: A Poet’s Apocalyptic Vision
By DAVID LEHMAN
July 24, 2015 5:54 p.m. ET

If our age is apocalyptic in mood—and rife with doomsday scenarios, nuclear nightmares, religious fanatics and suicidal terrorists—there may be no more chilling statement of our condition than William Butler Yeats’s poem “The Second Coming.” Written in 1919, in the immediate aftermath of the epoch-ending disaster that was World War I, “The Second Coming” extrapolates a fearful vision from the moral anarchy of the present. The poem also, almost incidentally, serves as an introduction to the great Irish poet’s complex conception of history, which is cyclical, not linear. Things happen twice, the first time as sublime, the second time as horrifying, so that, instead of the “second coming” of the savior, Jesus Christ, Yeats envisages a monstrosity, a “rough beast” threatening violence commensurate with the human capacity for bloodletting.

Here is the entire poem:

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

As a summary of the present age (“Mere anarchy is loosed upon the world”), stanza one lays the groundwork for the vision spelled out in stanza two, which is as terrifying in its imagery as in its open-ended conclusion, the rhetorical question that makes it plain that a rough beast is approaching but leaves the monstrous details for us to fill.

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As an instance of Yeats’s epigrammatic ability, it is difficult to surpass the last two lines in the opening stanza: “The best lack all conviction, while the worst / Are full of passionate intensity.” The aphorism retains its authority as an observation and a warning. We may think of the absence of backbone with which certain right-minded individuals met the threats of National Socialism in the 1930s and of Islamist terrorism in the new century. Both dogmas demand of their followers a “passionate intensity” capable of overwhelming all other considerations.

Yeats works by magic. He has a system of myths and masks—based loosely on dreams, philosophy, occult studies, Celtic legend, and his wife’s automatic writing—that he uses as the springboard for some of his poems. In a minute I will say something about his special vocabulary: the “gyre” in line one and “Spiritus Mundi” 12 lines later. But as a poet, I would prefer to place the emphasis on Yeats’s craftsmanship. Note how he manages the transition from present to future, from things as they are to a vision of destruction, by a species of incantation. Line two of the second stanza (“Surely the Second Coming is at hand”) is syntactically identical with line one (”Surely some revelation is at hand”), as if one phrase were a variant of the other. It is the second time in the poem that Yeats has managed this rhetorical maneuver.The first occurs in the opening stanza when the “blood-dimmed tide” replaces the “mere anarchy” that is “loosed” upon the world.

The phrase “the Second Coming”—when repeated with the addition of an exclamation point—is enough to unleash the poet’s visual imagination. The ******* image that ensues, “A shape with lion body and the head of a man,” is all the more terrifying because of the poet’s craft: the metrical music of “A gaze blank and pitiless as the sun”; the unexpected adjectives (“indignant desert birds,” “slow thighs”); the haunting pun (“Reel shadows”); the oddly gripping verb (“Slouches”); the rhetorical question that closes the poem like a prophecy that doubles as an admonition.

In a note written for a limited edition of his book “Michael Robartes and the Dancer,” Yeats explained that “Spiritus Mundi” (Latin for “spirit of the world”) was his term for a “general storehouse of images,” belonging to everyone and no one. It functions a little like Jung’s collective unconscious and is the source for the “vast image” in “The Second Coming.” Yeats writes in his introduction to his play “The Resurrection” that he often saw such an image, “always at my left side just out of the range of sight, a brazen winged beast that I associated with laughing, ecstatic destruction.”

As for “gyre” (pronounced with a hard “g”), in Yeats’s system it is a sort of ideogram for history. In essays on Yeats I have seen the gyres—two of them always—pictured sometimes vertically, in the shape of an hourglass, and sometimes horizontally, as a pair of interpenetrating triangles that resemble inverted stars of David. The gyre represents a cycle lasting 2,000 years.

But I maintain that knowledge of the poet’s esoterica (as set forth in his book “A Vision”) is, though fascinating, unnecessary. Nor does the reader need to know much about falconry, a medieval sport beloved of the European nobility, to understand that there has been a breakdown in communications when the “falcon cannot hear the falconer.”

Read “The Second Coming” aloud and you will see its power as oratory. And ask yourself which unsettles you more: the monster “slouching toward Bethlehem” or the sad truth that the best of us don’t want to get involved, while the worst know no restraint in their pursuit of power?

—Mr. Lehman’s “New and Selected Poems” (Scribner) appeared in 2009. He teaches in the graduate writing program of the New School in New York City.
http://www.wsj.com/articles/a-poets-apocalyptic-vision-1437774881
Terry Collett May 2014
Dawn breaks. Sliver of light
through shutters, wakes Sister
Blaise, stirs her from sleep.
Bell rings. Chimes loud.

She sits up, legs over the
side of the bed. Bare feet,
wooden floor. Coldness bites.
Rubs arms, legs. Crosses

herself with middle digit,
in nomine Patris. Bright light
through shutters slices into
floor. Prayer said she rises

from her bed. Thoughts race
through her head. Drab night
gown, grey, long. She walks
to the enamel bowl, pours

cold water, washes face and
neck and hands. Et Filii, et
Spiritus Sancti. Lets water
run through fingers. Wash

me whiter. The Christ on
the wall hangs there in His
silence. Picture of Christ on
her desk, hands out stretched.

She runs water through her
fingers, wet, cold. Wash me,
cleanse me. She dries her
hands on the old white towel,

rubbing dry fingers, hands,
face and neck. Uncle used to.
Pushes thoughts of him away,
they slip back in place, eel like.

Uncle used to touch. Bless me
Father. She folds the towel,
places it neatly at the foot
of her bed. She removes the

nightgown. Dresses in her habit.
White and black. Mother said
nothing. Silence and the turning
of the head. Finger pressed

against lips. Dressed, she sets
about her cell. Tidying, sorting,
bed making. Uncle used to touch
her. For I have sinned. She opens

the shutters, lets light in, opens
the windows, fresh air, birdsong,
slight breeze. Father used to beat.
The Christ hanging from the cross

on the wall is silent. Nailed hands,
hands curled. She has kissed the
nailed feet. Now she stares at the
turned head, turned slightly to one

side, crown of thorns, wood carved.
Sister Clare is in the cloister. She
watches her walk. She stops. Looks
into the cloister Garth. Flowers

growing, neat rows, large bushes.
Mother said nothing. Beatings.
Lies told about Uncle he said.
Sent to bed, no supper. The sun

is warm, light on head. She walks
from the window and stands in
front of the crucifix. His hands
curled, nailed, old nails, pins.  

Feet one on top of the other, nailed
in place. She kisses His feet.
Presses soft lips. Uncle used
to touch, said our secret, sin

to tell, little girl. She presses
lips to His feet. Mother weak,
said nothing, dying now, cancer,
pain, hurts. Father dead. Never

make old bones he said. Proved
right. She closes her eyes. Touches
His legs, runs finger along. Stiff,
cold, smooth. Uncle did; she never

told again. Father displeased, the
beating pleased. The bell rings again.
Echoes along cloister. She crosses
herself with middle digit. A bird sings.

Wind moves branches by window,
He calls, must leave, must go.
A NUN AT DAWN AND HER WAKING THOUGHTS.
Lawrence Hall Jul 2018
“You are your own god – and are surprised when
                  you find that the wolf pack is hunting you across
                  the desolate ice fields of winter.”

                               ― Dag Hammarskjöld, Markings

Crazy old men bellowing at each other
Crazy old women shrieking at us all:
The Spiritus Mundi is hard at play
Among the wreckage of civilization

The stripping of the altars 1 is complete
Holy innocence is a toilet joke
And the literature of millennia
Now serves as cleaning rags for The Machine

An executioner, while waiting for you
Pauses to admire his latest tattoo



1 cf. Eamon Duffy
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Lawrence Hall Feb 2018
This is neither history nor theology;
this is Romance:

                                       A Liturgy for the Emperor

In memory of
Patrick Joseph Donovan,
Stratiotis

Processional

How, then, will we find death?  With rifle in hand,
Perhaps, or flowing with the warm, worn prayers
That slip with beads through one's fingers and soul.
Rifle or Rosary, either will do.
One's death might rise in the boldness of youth,
Or in the wearied wisdom of old age,
In wild combat against ancient evils,
Or softly, while planting a red-apple tree
For grandchildren to summer-celebrate,
In wild red martyrdom, or obscure white.

The nights still whisper how the Emperor fell,
Fell with a faithful few upon the walls,
The old land walls of Constantinople.
But we are not to speak of martyrs whose
Transcendent beauty reproaches our times,
Our drifting dark age, drab, dreary, and dim
Our tomb-like lives cluttered with small darkness,
Our talk all common, colourless, and cold:
The thoughts assigned programmed into our souls,
Daymares programmed into us for our good,
Pitiful, pattering, prosthetic prose,
Cacophonies of casual cruelties --
No brave iambic lines for golden dreams.

But dare we also whisper truths, and speak
Of what a wind-wild people once we were,
And we will want our syllables to sing
In honour of the Martyr-Emperor
And those who followed him into his death,
And in this knowing of him we can live
Among those souls who are forever young.

Introit

In Nomine Partis, et Filli, et Spiritus Sancti

We will go to the Altar of God
To God, Who gives joy to our youth
We will go to the Altar of God
We will go to Byzantium

Kyrie

Lord have mercy -- when the shadows surround us
Christ have mercy -- when we forget the Three Romes
Lord have mercy -- when we forget You

Gloria

Glory to God in the highest
And peace to His Byzantine people
And all His peoples
Lord God, Heavenly King
who once blessed us with Emperors
Send us another
Send Your waiting people their Emperor

The First Reading

As Constantine his walls he watched, he wept,
Lost in the Gethsemane of his soul
His tears they fell upon the ancient bricks
Warm with centuries of sun, saintliness,
And the passions of a glorious race

The City!  Long reigning on the Golden Horn
The Summer Country of our childhood dreams
There playing, praying, working, selling, and,
Yes, sinning too.  Passionate *Romanoi
--
What a magnificent people we were.

(fast)

When armies marched to the Byzantine beat
Sophia ruled from her Byzantine seat  
When Byzantine sails sheltered Odysseus' sea
The wave-roads of trade were open and free  
When Romanoi feasted, blood mixed with wine
Daggers drawn over a dancing concubine
A newer Helen who provoked desire,
She seared men's eyes with her own Greek Fire
When Blues and Greens howled in the Hippodrome --
Such rowdy citizens in Second Rome! --
Then even Emperors in purple shoes
Feared stoning by Greens or hanging by Blues
The rough, loud democracy of the street --
Mobs also marched to the Byzantine beat

The Second Reading

(slowly)

But –

Above all rose Justinian's gem
The holy place where God called us to Him
The Mother Church of dawn-lit Christendom
Sophia -- the Queen of Byzantium
Where Patriarch, patrician, people, and priest
Gave worship.  Then the greatest and the least
Abandoned sin to hear the sweet bells ring,
Stood penitent before our God, our King:
In consecrated hands, through wine and bread

Christos Pantocrater fed us Himself

And then all hearts were cleansed, all souls were fed

(Very slowly)

But centuries passed, and this City of God
Heart of the Empire, became the Empire,
As lands and peoples were lost forever
to the creeping new age.  When Constantine,
The last Constantine, was called to the Throne,
All that was left was The City herself,
The Morea, and islands, and memories.
The fleet whose sails had shaded the Inner Sea
Was but a few hopeless hulks in the Horn

From the dust, dark shadows metastasized,
Shadows who stole and slew their way to power
And swept the land bare of free folk and fields
And more and more the shadows grasped and held,
A dead world of slaves whose backs were bloodied
Beneath the whips of masters, slaves whose eyes
Were cast carefully, cautiously to the ground
Lest demeanour manly and bearing proud
Attract the executioners' busy blades.

Finally, after devouring lands and souls,
The shadows coveted Constantinople,
The Red-Apple Tree where continents meet,
The City they could never build for themselves
And nothing stood between them and their lust
But one bold man: Constantine Dragases.
The faithful few who stood the walls with him,
Gathered around proud, stubborn Constantine:
Workers and monks and nuns, beggars, merchants,
Proud, arrogant Byzantines, and the few
Wild Latins From the barbarian West
Whose Greek was in their hearts, not on their lips,
Who gave their loyalty late to their liege lord,
The Emperor, who could have safely lain
A shadow's golden-caged slave, obedient,
Well-fed, well-bedded from the shadows'
Catalogues of pretty girls and prettier boys,
A memory of what had been a man.

But Constantine stood proudly on his walls,
Defiantly, bravely, sadly there on
His crumbling ancient walls, and gave his faith
To God and the City, to his people,
Even to the faithless ones, even to his death.

And others came, From Rome and Spain and France,
From Germany, and even from the Turks,
Brave, lonely men with reasons of their own
For ending their lives there on the Land Walls.

But they were not enough.  And late that night,
After the last Mass in Hagia Sophia,
The Emperor knew that his was the blood,
The blood of sacrifice that would be shed
In remembrance of ****** Golgotha,
For the people he was given to rule,
For the people for whom he chose to die,
Sheltering, protecting, until his end.


A Gospel

No angel appeared to the Emperor,
No voice of God from a burning bush
He parted himself from his followers
And for a few minutes grieved alone

And this was given Constantine to know:

The eternal Constantinople is
Never to be lost, never defeated --
In every Christian flows Dragases' blood
Every village is the Holy City
Every church is Hagia Sophia
Every prayer is a Mass for the Emperor
Every children's foot-race the Hippodrome
Every poor family's poor supper
A banquet under the Red-Apple Tree.
Constantinople will live forever.
Know that, and, laughing, give your last earth-hour,
And your joyful eternity, to God.

Credo

We believe in God's holy empire too,
Byzantium, eternally golden
The Red-Apple Tree in the eastern sun
The City that echoes with laughing light
Through memory and history and beyond.
We believe in God and His Emperor,
And we believe that in the absence of
The Emperor, even then we must be
The Emperor's subjects, stubborn and true,
Wherever God has chosen to send us.
We then must rule our passions and our hearts,
Tend our gardens as if they were Eden --
Because they are -- and care for our children
As if angels were visiting tonight,
Until our God restores our Emperor,
Restores His City where the Earth-halves meet,
And finally, some day, some happy day,
Returns Himself to sit and rule enthroned
In His Three Romes, and in Jerusalem.


Communion

Constantine shook himself, and gave commands,
Commending all to duty and to God.
Above him the dome of Hagia Sophia
Glowed eerily on that last, wild night
While lightning slashed among the sliding clouds
Byzantium rose again for one glorious hour
And the world marveled that such things could be,
That Christ and Rome and Constantinople
Could be found in one man at the end of an age.

Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
The glory is that there is no glory.
Chaos.  Horror.  Stench.  Sweat.  Pain.  *****.  Death.
Hi­s -- His -- body broken again for us.

On that dark morning of a dark new age,
Constantine turned and faced its slithering shadows
With a Byzantine end to his ruler's art,
With the peace of Christ and a hero's heart.

DISMISSAL

The Mass is ended.  Byzantium is ended.  
Escape, if you can -- make Byzantium live.
Escape to live in some peace, if you can.
Escape in peace to love and serve in exile.
Escape in peace to love and serve the Lord.

"O Lord save Thy people and bless Thine inheritance;
And to Thy Faithful king grant victory over the barbarians.
And by the power of Thy Cross, protect all those who follow  
          Thee"1

Not an End at All

1Troparion for the Sunday of the Elevation of the Cross, Divine Prayers and Serves of the Catholic Orthodox Church of Christ, copyright 1938.

Many thanks to Mr. Tod Mixson and others of St. Michael's Orthodox Church for assistance at many points, both liturgical and artistic, to Dr. Dan Bailey, of happy memory, and Dr. John Dahmus of Stephen F. Austin State University.
zebra Dec 2016
Spirit is a unified field
infinite
in a state of perpetual expansion
seamless bliss
beyond the slings and arrows of creations drama
pain and pleasure
disappointment and gratifications
we live
in the
zim zum
A cauldron
hollowed out
of the the self effulgent light
the source
formless
the theater of creation
a dark space of dynamic geometry
of fractious binary forces
a merciless churn
an atrocity for the evolution of individuation
pistons in motion
a cacophonous feng shui
a tangle of webs
a grand illusion
of energetics
kamikaze planets
hideous cruelties and voluptuous pleasures
a swarm of form
hydras in heat
countless lights casting inestimable shadows
a war between heaven
absolute order
and hell
absolute chaos
our lives
a medium
for the gods of struggle
until our heads a stone

the exit door
is pure spirit
spiritus...breath
breathing made conscious
the big hush
the royal yoga
waiting for the guileless
nosipho khanyile Nov 2018
/ˈspɪrɪtʊs muːndɪ/

The general spirit of the world; forgetting the factions human kind has constrained itself into.
Book One
(∞The Psalm of The Star Child∞)
The Precursor's Psalm I-V

To the Child of The Empyrean. For ye valleity stars shine.

(I) ―En Fortissimo

1 Tender with sentimentality,
I fathom you,
2 That you draw closer, nigh’ with every waking moment,
Closer to ensconce ‘twixt my embrace,
3 That your towering arms
May aegis these benighted bones.

4 The Vestibule of Our Souls shall be
Assoiled by an Arcadian Eternity,
5 Shall scintillate in my every blooded tear, shed garnetiferously,
―Upon my crucifix, our crucifix:
6 A penance, pardoning our transgressions prognostically
Before by romance, we touched erringly.

(Se'lah)

(II) Celestial Communion

1 O, Star Child,
May your beckoning
2 Sow the Seeds of Somnus upon the sanctimony
Festering in my faith,
3 (A besmirched hope)
Tarnished by my reverenc’d doubt.


4 O Minstrel of Manumission,
Will ye sing unto me ye SoulSong?
5 The Womb’d Aethers bleed,
The Terraqueous Mother conceives, Gaian a dream,
6 Her Luminous Brethren yearn
For the Arbiter of Fates.

(Se'lah)

(III) Song of Wishes

1 Velleity speaks,
It whispers,
2 In the twinkling of the stars.
When shall it end,
3 When
It has yet to begin?

4 Be still― and become one with all things,
As time fades, consciousness begins,
5 The Experiential Cascade:
All that was, all that is, & all that shall be,
6 Circular & Cycling,
Forevermore.

7 Know that there is a reason,
Know that there is a place,
8 Know that there is a person,
In this world for you.
9 Open up your heart and see,
All you were meant to see.

(Se'lah).

(IV) Spiritus de Tempus (Zeitgeist of the Future)

1 ―Blooming in Reminiscence
The Dreamscape glistens,
2 A Redolent Reverie wafts
The Tenuous Air amidst
3 Her Zephry'd Lightwaves
& Crystalline Pulsations.

4 Ardently I pine,
For thine visage, groping for a rhyme,
5 Whence I can gaze once more upon thine
Countenance sublime,
6 All desperations been defied,
For thee I reverberate Love, The Spirit of the Times.

(Se'lah)

(V) Bastion Heart

1 The agony in existentiality
Unravels undying piety
2 And
Cloistered in cadence of solitude,
3 I, the Somnolent One,
Am roused by The Heart’s Resonance.

4 In wanting, there is life,
In desirelessness, wanting still,
5 Know thine Power,
Indomitable Will:
6 The Couer & The Amour of the Spirit
Are immortal.

(Se'lah)
Let the
Light of the Stars
Illumine
The Stygian Shadows
Of Thine Heart
Until Fulminous with Hope.

       Enclaved within this text are the mystical writings. In gestalt, the holistic framework of this piece is known as the Precursor's Psalms. This particular piece is the Psalm of the Star Child which encompasses Chapters I-V of the Book of The Precursor's Psalms.
      
The narrative behind the Book of The Star Child is one of romance. I yearn for a soul with which to forge a connubial communion. Though the moment has yet to arrive, I await Eos's Dawn of Lovelit Life upon the Horizon of mine Mind's Sky.
      
       The conceptualization behind this body of works involves a 21st-century take on the book of Psalms. This is a segment of the ecclesiastical writings. I believe that art takes on the essence of sacrality whence utilized for edificational purposes. I yearn to propagate spiritual enlightenment and inspiration; therefore, I am forging my insignia upon the Parchment of the Ages.
      
       Hitherto, I’ve written without a clear sense of direction. Aforetime, I see poetry as a means of chronicling sentiments, thoughts, ideas, images, et al. through the personalized utilization of words, rhythm, and rhyme. I want the oppressed coals of my trials and tribulations to forge creative diamonds; moreover, I want my faith in the Sovereign of Songbirds to unveil Himself in the lovely bones of my work.
    
      My morning ritual consists of reading the Bible Book of The Psalms. Specifically, I read Psalms 1, 5, 15, 23, 25, 26, 27, 42, 51, 55, 91, and 119; therefore, it is quite apt to create a piece that resembles this poetic book in its ineffable magistry. It is my objective to encourage others to pen their sentiments. I write for the sake of the Poetic Posterity.
      
      Here lies the nascent phase of The Precursor's Psalms. Let the inspiration unfurl in a poetic paradigm. Let the Experiential Cascade weave a tale that carries the Burdened Anima unto the Peaks of Transcendence. From my heart to yours, may you effloresce in the Aeonic Light of The Empyrean One.

Excelsior Forevermore,

Sanders Maurice Foulke III
Molantwa Mmele Dec 2015
Nefertari
Amenities of the African lands
Indigenous black beautiful roses
Of the African soil

Dark and strong
In a black alluring archaic vogue
an amara in black woman

Sisters of samandzie
Balleting in a black dulcet rhythm
Of the African ancient song
With an
Idrissa desta
The power of Thee
Black Spiritus mundi

Brown eyes, Thick bones
Curly ***** afros
Dark is deep and strong
An authentic unique beauty of nature
Glows and Flourishing
From deep within

I like it black and strong
Nefertari is an ancient Egyptian word meaning "Most beautiful"

Idrissa is the name from Senegal meaning "Immortal"

Desta is from the Amharic language of Ethiopia and it means “joy or
happiness.”

Amara is from Nigeria and it means “elegance or grace”.

Samandzie means "Spiritual world"

'Spiritus Mundi' was a term used by (W.B. Yeats) on his poem "The second coming"to describe the collective of the World/universe spirit

Please don't take this poem offensive if you are not an African or not with Brown skin, I'm not being racist or critical to other ethnic groups... I wrote this piece for my sisters who sometimes find themselves feeling uncomfortable with their physical appearance/ natural looks, the appearance doesn't really matters, what matters is what is inside you
12/10/2012:
A very mellow day,
A day that makes one’s golden years actually golden.
Happy in retirement?
There’s a joke:
You slave like Spartacus in the Libyan salt mines for 30 or 40 or even 50
years, and now you’re supposed to re-calibrate the machine, re-gauge
one’s anatomy and metabolism for a habitat so far and away grindstone
gone.
The muckrakers Studs Terkel and Barbara Ehrenreich remind us:
Work is the only thing we can do for 8 hours, other than sleep.
Perchance even to dream out that Roman **** or Bacchanal.
No, alas, 4 hours is the legal limit for an ******* lasting that long,
During all our joy-juiced carnal desires,
Be they under the elms or elsewhere.
Cialis! ******!
Names already living it up in infamy.

A simple truth about Retirement:

Stop working and die.
A most intense public service announcement,
A vast digital image out of Yeats,
A very special Spiritus Mundi P-S-A.
Targeting Baby Boomers, especially:
“You better find yourself something,
Or someone to occupy your mind.”
Brought to you by the good people at
OCCUPY BRAIN STREET,
First a national, then a veritable global movement,
However so short-lived;
Like all the others.
Oh, Boomers, your attention span is down to 8 minutes.
Your mnemonic links are frayed and tattered,
Your hard drive noodle fragmented,

Yet still whirring white noise jazz.
A New Orleans Dixieland funeral,
And Al-Zheim trumpet blast to go out on.

Well, I don’t know about the rest of you,
But I am relatively well adjusted in retirement.
And today—previously mentioned as a mellow day--
Today is one reason why.
As is medical marijuana and the sultry voice of Chrissie Hynde,
With or without her band of Pretenders.
And let’s throw in a lovely bottle of Temecula red wine--
Doffo, if you’re going to get fussy on me,
Another blithe distraction cultivated and custom-made for old age.
Indeed, a very mellow day.
Mateuš Conrad Jul 2022
probably the best day in my life...
it's too hot to eat...
i'm getting leaner...
must have lost about 3kg...
    just one Cornish yoghurt with
some strawberry under-filling "jam"...

currently drinking whiskey
listening to a Templar chant -
  veni sancte spiritus...
i'll probably move onto some Byzantine chants
and then some Muslim songs...
whatever...

but what i really want to do is move
onto R.E.M.'s automatic for the people...
finishing a reply to: night-swimming...

no... nothing about skinny-dipping
with the full voyeurism of the moon...
snow... ice... salt and darkness... and the biting
cold...

this heat is intolerable...
i spent the day glues to the wooden floor...
i was switching positions...
to one side... to another side...
one leg on the bed...
lying on the floor...
one leg one arm on the bed...
no good...

              it became so hot that whenever i lifted
my torso up...
i lay down: FARTING with my back...
literally... i haven't eaten anything in
about 3 days... well... "eaten":
i find technical grounds to suggest:
you eat something when you get to
**** some of the excesses out...
ergo?
        i've eaten the bare minimum...
ergo: i haven't **** anything out...

the zenith of summer is intolerable for me...
i hate summer...
   even if this years summer brings with it
no snails... or flies...
just ants... spiders... and rats...
i do hope the rat problem i'm having
in my kitchen will be resolved by the heat
rather than rat poison or the "guillotine"...

i was lying on the floor dehydrated and feeling
sort of serene...
i think i could die from hunger and dehydration...
then again: what's a calorie intake
from merely alcohol?
         it probably does fuzzy "things" to the brain...
no wonder i'm listening to Templar chants...

me at my worst...
         strange... the Templars were the most violent
of the crusader camps...
yet... they sang the most...
it's not like the Knight Hospitaller...
hell... match them up: the Templars with the Teutonic
knights...

i've come across these two men
in my nearest past...
distraught creatures...
     "rats" willing to bite their tails off...
i too was in their confinement
of de profundis...
                  no one but me came to my aid...
scuttling... lost... blind... torn...
i'm sort of happy i could have helped them...
the good one can give unto humanity
is so cheap yet so expensive...

   perhaps it has been my purpose to not
attain wealth...
     then again: i'm already wealthy...
the Romford public library doesn't own
a single book that i possess in my private library...
it did, though, put me on course
of acquiring Thomas Mann's Dr. Faustus...
but that's about it!
   the rest is junk! i live in a city where the public
library is a joke, compared to my private collection...

this reality is: truly... PUNISHING...
Ilford had a better selection...
i gained some recognition writing my A-level essay
on the counter-Reformation in high-school
based on the research i did:
from the books i found in the Ilford library...
i just heard that the next class of pupils
were introduced to my work...
but the current reality? PUNISHING...
                
i had to resort to *** with prostitutes...
i do remember the last one i pleased...
           no... it's not working... BITE IT...
she die... it wasn't working... i had to return
the favour... slobber in oyster juices...
probe with my nose...
                insert my index and middle...
as imitation...
                         personally? i find giving a woman
oral *** rather therapeutic...
        play me some monk songs while you're
at it and i'd reached the godhead...

one of the traits of the myth of Gomorrah...
******-eaters...
   i'm one of them... short tempered:
***** beyond repair...
                        i could drown in a bottle
of whiskey and about a dozen *****
properly dished: hygienic...
just frenzied with taboos of...
               flowers... pink and slightly purple
tinged bouquets of floral flesh...

flowers... endless bouquets of floral flesh...
maybe that's why i write so:
i abhor talking during ***...
i tend to insinuate my partners to refrain
from talking during the act also...
if they can't: i don't restrain them...
but i contain myself to the maximum
of an onomatopoeia... there's no "daddy"...
there's no "*****"...
        i'm of the persuasion:
you ever **** me like animals **** each other...
or there's no ******* conversation
outside of *******... the end...

and this is what makes...
songs akin to the Templar chant: veni sancte spiritus
so... so... DOUBLY ******!
it's a hidden eroticism...
because it disguises what could otherwise
be a misunderstood ****-eroticism!
it's not! sure... women sing...
but when men sing to other men about
something that's deified: by each individual man
and therefore unrelateable...
by "casual" constraints leading toward a belonging:
a camaraderie...

that's different...
             no wonder the Teutonic knights had
a brothel in their citadel...
sometimes... you want an excuse... any excuse...
to bypass the narrative of Eve
and return to the Hells and Heavens of Lilith's
company...

damaged? no... hardly... i'm just unlike any
of the Jihadi G.I. Joes and Johns of the current era...
i actually want fame postmortem...
and i actually want a harem in "heaven"...
i'm testing the waters... not by killing people on
the whim / promise...
   you begin with ******* prostitutes...
                 you end by ******* prostitutes...
stealing kisses... performing oral ***...
this is me CRUSADE against whatever the JIHAD
has made available...
thank **** i made my way towards Turkey...
now i'm planning advances towards Iran...

- i still think one of the best albums ever recorded
has been, so far, R,E.M.'s automatic for the people...
just like i remember courting her hands
with firm grips while eating her out...
peeping with a pseudo-voyeurism into
her eyes...                   sure: my *** is not gay-pride
***... it's what was made available:
certainly nothing sadomasochistic... organic...
law-breaking... all the more real:
the reality being:
it's illegal to own a brothel... in England...
it's not illegal to frequent one...
BASE...

the SIDEWINDER sleeps tonight...
            well... i'm not sleeping: right about now...
i said i would and i did...
cycling shirtless... t-shirt-less...
furry brother on the run from the sun...
what an amazing feeling...
just like R.E.M sang about night-swimming...
hmm... NIGHT-CYCLING...
   in my world no is trying to fall asleep
or thereby trying to wake up...

there's just this grey glue of people
in between of being in between...
and that's almost contained within the word:
hubris... hell... even better... a compound
of words: a hubris-hiatus...

             i like that... "we" should invent a HH
dep. to make sure the HR dep. are doing their job...
maybe i'm just dehydrated...
haven't ingested enough calories...
or maybe... i'm seeing clearly while other people
are still forever: fuzzy...

ready and to burry your father and your mother...
what did you think when you lost another...

not my words.. worries wiped and dusted...

NIGHT-CYCLINNG...  SHIRTLESS...
barbarian within all that's could be
compensated with a "whole"...
hours prior?
dealing with the heat...
the bed could be considered useful...
if it wasn't for the excesses...
i prefer the floor...
i'd like to think that knocking on a pine
tree would spontaneously
conjure up an idea for a door...

then again... could a forest conjure up
a house... and a desert too?
                hmm... pyramids...
necropolis axiom...
               who dies, apparently: lives on?
no?
                     then i best be dead...
                 thinking is an involuntary act...
sort of automatic sort of by no persuasion
sort of forced without any originality...
hello: oranges and no future sunrises!
hello: how's you: ******* too?!

how's that?!
         me? i'm sort of chirping along with
angels like a pigeon ought...
because: pigeons ought: chirp and chat
with angels...
              and i want to breathe death
into the minds of gods... telling them...
you ought to be subordinate to what's
the required burden... that we ALL... SHARE...
THIS... *******... BURDEN!
savvy?!          no! there's no in-between
we either share this burden:
or we don't! if we don't? well then...
the gates are open... we annihilate yourselves..
we work with each other?
    there's a second chance we might
breathe... or swim... or take a liking to
bicycle...

            then again:
i'm not going to care that much...
i just want a harem...
             i find women boring...
if they're not multiplied...
i have a short attention span...
and a long attention span...
i'm just too envious of men prior to me...
i don't want to be distraught with
an envy of Solomon...
    
and i kept drinking: because i felt and felt some more
intellectually isolated....
i couldn't conceive a retention of intelligence
beside the realm of what could be obtained:
or rather... disregarded...
i could never become "Cosmopolitan" enough...
"gay" enough... "proud" enough...

these days a litre of whiskey is not enough
for people of my "incompetence"...
it's enough, though: to lean either left
or lean right... or... neither...
                         goof: my indifference is screaming...
a silent scream before the altar of Moloch...
times are changing:
nothing really changes...
           the perpetual expansion
of space...
poetry > mythology > history > journalism < poetry...

death's not really apparent until...
what's not supposed to be dead...
is actually dead... is... dead...
          by curiosity concerning the colour purple...
all out mortal concerns
confines to the allocation of
collecting pillows... to replicate clouds!

my friend died... a grandfather to no one
beside me... but also my cycling buddy...
yet all these people became involved in
guilt tripping... some daughter... some son...
i lost a... friend!
i didn't lose a grandfather! primo... i lost a friend!

i sooner bled from my head
than i cried with my eyes!
i associate the name JOSEPH with: LEAVING...
i smear my tears like women smear
their fake attraction chemicals: apart...

to the burdens of death and to the burdens of life:
death to the living... and life to the dead...
at least some are unreliably
unaware that they are there, yet.

one comment after another:
but isn't that Ii? there's no N... in that... it's iota-iota... not lambda amber... well... great... for shallow beginnings... best try scribbling some graffiti...it could make my commute more memorable... don't... seriously... i was just traumatised by catching a rat in my kitchen... i was keeping a female main **** in between my feet... even she ****** off from the dying sounds... death by snorkeling on a bleeding snout? bleeding from biting the tail off?! if a rat's dying in a way that makes the cat *******... and you're like... should i open the door and stab it to death?! yeah... great Cyrillic sort of ******* br'uh..

you ever listen to a rat die?
ever listen to a rat die in such a way
that your cat runs: the **** away?!
my father compares me to a rat...
he doesn't compare me to
a fox or a vampire: wish wish...
i'm just a rat...
              
   i just wept... listening to a death
of a rat...
i wanted to open the cupboard
and stab the baited ******
with a guillotine applause...
         but then i thought:
i suffer... you suffer too..
         hell... if the cats are not going to touch
you... i'm not coming closer with a knife
either...
death the great deceiver...
   with life the greater culprit... of making:
sacrifices...
more that's to be lived than
is to be expected to die...

           did "god" say as much?
what's the point: if... a limited number of potentials
are not exposed to the glory of my "thinking"...
i expect more to have ever been alive
than for those to have been accounted
as the arithmetic of by death's: queue...

remarkable... my father keeps calling me a rat...
remarkable... sure... i drink...
you ever listen on a rat dying
from a rat-trap? then again: i don't know...
i started to insinuate Morse code
by scratching a knife
against the cupboard...
imitating / creating circles...
that ******* squeaking...
                       the retaliating motivation
to pursue life!
       i took my Maine **** into my lapse...
to wait for her to pounce...
even she was distraught...
she ****** off.. even she was like...
sure... you open the cupboard door...
aim the knife...
or... you get a good night's sleep
and let the rat die on its own...

listening to a rat die from some minor injury...
i'm thinking... of men dying beach-strapped
to their injuries come D-Day
concerning Normandy...
     i like to have the luxury of being
this forgetful further...
getting sentimental about listening
to rats dying in traps...
in the middle of the night...
while i was no Newton and i'd prefer a pear...
but... a cat... couldn't listen to the torture...
a cat... a cat couldn't listen to a death of rat from
a trap...
i lodged her between my legs in order
to pounce...
she ****** off...
    she couldn't stomach it...

you ever listen to a rat dying in the middle
of the night?
i thought about the death of my grandfather...
i should **** mosquitos more often...
i should **** spiders more often...

but rats?! oh... **** me...
the way they struggle coming to the fruition
of their expected life...
scuttling... scribbling... scratching: nibbling...
the squeaks...
CATS *******...
seriously... a rat's dying: the cats *******!
me too... i ******* and drink to excess...
why if your father calls you a rat...
and then... hey presto! you catch a rat!
and you're killing it...
well... tear... umbrella... raindrop...
one fine autumn day...
                   thank you dad:
but i won't be mourning:
like you weren't mourning for your dad...

maybe... what's that? maybe i wish i had a
a wife... then again... maybe not...
i just listened to a rat die... scratching like
mad...  
                 sure... the day was great...
being glued to the wooden floor over-sweating...
until... scuttling and nibbling...
a rat caught in a rat trap... probably dying...
the ******* cat was traumatised!
cat! not predator?!
                                or maybe it was the fact
that i was weeping and wanting an apology
to come through...

i haven't eaten much in the past 3 days...
i need to sleep...
i actually need to fall asleep in my bed
and wake up in it... rather than
on the cold floor with not pyjamas...
i abhor summers...
              these superficial insomniac events
of non-event.
Preston Apr 2015
When I was little
And the hot world outside my house
Was blessed with summer rain
I’d stare outside and be lost
In a world only I could see.
As I met others I found
That this place of collective consciousness spiritus mundi
Was shared by others
Beautiful tapestries of adventure awaiting just around the corner
Shared time and time again.
But time is the passage to the great equalizer to the end
And fireflies that shimmered behind our glowing eyes
Dimmed as the calls of Neverland and lost boys faded
So playtime was replaced with homework
And toys with video games
And imagination became madness.
So when I tried to exit reality in my early teens
(When I was younger
I’d be lifted by an angel into the starry night sky
And see the Earth illuminated
By spiral staircases made of rainbows
Leading the dead to Heaven
Where I’d meet God on their coffee break
For wisdom and advice on staying alive)

The state of Massachusetts sentenced to me to a hospital for my brain
And I decided it was a bad idea to confide in my psychiatrist
That the wind spoke to me
And told me the secrets of the world.
Beyond the brightly colored pills
That are washed down my throat
I look for an answer to madness
Amongst the hundred voices in my head
And auditory fever dream
Hallucination delusions of hearing my name.
The answer is always the same.
Stable sanity is serenity
Imagination is devoid of practicality
The lone child in the back of the classroom
Staring out the window daydreaming,
Will be the first in the unemployment line.
Are we human beings or trees
Being fed on a steady steam
Of halogen and pixels
Recirculated air
And to others who work at computers replace the use
Of that landscape of infinite possibility.
So I’m left to ask…
(When you wake up from a dream
Where someone loved you
You don’t remember their name
Or maybe even their face
But you’ll remember the ghost of their touch
On your skin
The warmth of their body
Pressed against yours
And whispers in your ear
Of things you never hear while you’re awake)
How can you prefer reality
When all that you ever wanted
Is just a moment away
Past the darkness when you close your eyes.
And embrace that you’ll be lead
Behind the white door
Leading to the white room with padded walls
Labeled madness?
Marielle vindicated my deprecations on the unavoidable stretches of Avignon, on Pentecost, we sat down writing each one in her hands, with your name and mine ..., we thought disfigured, we thought of the incorruptible doctrine of love, devout sense, and avenue that silences of the tremulous face in the arias of a Trastevere,
It took us further than an incautious thistle imprisoned in my memory ..., you hunted the mystique that spreads its temptation admeasure to have you inquisitive ..., and Francois your father, as if he were here in the arms of Priamo and Paris, in a pluralism of 1300!

With gall, tarnish, and Scientology I have frozen in your necropolis,
where I keep waiting to see if the astragalus will turn green on its twenty spellings, the warmth of your hands has delayed the reminiscence of enteric-speaking passion, tingling with hormonal satiety, with zephyr that is disgraced by the corruptible prism, with oculi that are archived for you, with each serving of the memorial fractal!

Caletres mine and corrode to the detriment, after judgments of others to see you winged Melusina, in tippable cuttings of our partial lichens, spotting the molds that are resurrected! thicken them and slide into passions beyond the platonic third itch, wielding three thirds that rule the sun, and that uncover my cell in Chauvet; The years fear the future when the transitive past ruled only when you saw yourself in the evasive Avignon Cathedral, around the requesting star of a Capuletto, or a Quentinnais who knows what it is to burn in the frames of the Mausoleum if it is an Eden, or a crass neo-Eden, cracked over my heliocentric love!

Transfinitos Calixtos finite modest when making you my Shemash,
brute medieval Christian doubt, the thunder of dedication and fervent holiness, his hand will drain away with the Greek Gallic host, sealing the fire of the bayard, that simpleton shudders mobile on the stars that open your eyes of the lintel and the dawn of it, which affronts decisive prose, and which should not be limited in the turpentine prose that threads it, with the darned language dreaded of the Anthropokairós, that is clogged with words and resins, towards mourning pistils in infamous brotherhoods, rising in graceful blizzards, and that shakes its veil of mobile touch of Gallic
Greca, forging revivals with quotes from Marielle during the day, falls into a lost day.

Decentralized and pseudo phases are vacated in the medieval indoctrinated stars, that freeze releasing in your hands on the snowfields, shining in fervor halos that desecrate, rather than a worse arrest that only tarnishes in terminology, and not in events and thoughts that decant more times than corroded prose by thousands ...
indivisible and atomistic the attachments model Marielle, which risks that multi expire, where I will never leave without the risk of her, between arms and hidden ages.

Long vigils, they reiterate what I undid of time in Arles in the hands of a desolate Ginés born from me, conceiving your burnished hereditary Greek accent, like a votive offering immersed in walls that slide in compressed water on themselves ... in themselves, they are hidden narrated and narrative, in trials that will make the ginés green, in sessile tragic anguish, permeating what hell was and that burned at your height without more than going up, without hearing if it became fruitless when it ceased its pulsation! Flowing into your rhythm, which always beat in your mansion hunch, and its working glasses.
  
I fled, but I never distanced myself, only my random feet were hardened on the cornice of heaven, always dramatized in the imagination that consoled me with an august and probable tragedy, far from vessels and glasses that were filled in ruined castes, condensed with humidity, and dewy Greco-Gallic dew, with flimsy nondescript lips that squeezed.

The great Valdaine was sprinkled with petals that puckered the Canephores, falsified in Persephone, overestimating voracious paternalisms that fertilize all the fields of the world, behind his inquisitive waistband, logging revived hearts on Patmos.

What agonizing pleasure registers face down in infamy at the death of a disaffection, he layman has fallen apocopes, with grandiose passions of faith to sustain himself, with shaken science in worlds that solidify his quarterly orthodoxy, with endearing unions in his bellies, with the secret of loving you like a Dominican ...
rational and undaunted symbols fall ..., lateral to see them lacerated,
Arranging yourself female in a heterogeneous century, being one and not, like a memory knife!

Not a centipede achieves it, nor the strides of a caterpillar with a hundred feet plus one, They are glimpsed with mystical postures and internships that make them an aspirant, but I do not confront anyone without my Xiphos, nor without the random zafral of possessing you,
I prophesy it in Valdaine or Helleniká, a transcript of the visionary temple that venerates you, and that is not overcome by uncontained ties or random and agile confinements to leave far away from you…, in pro cloister mechanics, where no millennium belongs!

The urgency of the gap strengthens in the head of my wayward Bayard, he declines and bows, evades itself of the raptor to feed itself, like me without losing you and becoming preferred to someone else's luck, knowing that chilly early mornings speak nothing of the mornings, that they shackle the night helped by the rooftops, and with accouterment fields to migrate them from their chains, coarse and one-eyed when they rise from their antlers, releasing shackles and cheeks, allowing a second to appear in their accent and of their great company, carrying the colt root, with gallic and unblemished sylphid greca; Oh venerable Greca, Gallic Marielle come to me!
Marielle Meus Spiritus
As she was looking through photos, somebody sat next to her. “Hi! My name is Daisy Willows. I'm new to Trinity Academy! What’s your name?”, she asked in an optimistic voice. “Dimere Invictus Elovar'', Addison muttered to herself. She vanishes, leaving Daisy shocked. “Um...hello? You there? Well, it was nice to meet you Dimere'', Daisy looked at the ground. “She thinks my name is Dimere. Should I tell her? Fine”, Addison thought. She re-appeared and turned to Daisy. “Actually, my name is Addison.” Daisy let out a little gasp. “Woah! How did you do that, Addison?”, Daisy said in awe. “It was just a basic invisibility spell. My aunt taught it to me when I was 8”, Addison replied.  “Wow! You were able to do cool spells like that when you were only 8?!”, Daisy said. “I could barely make a seed sprout when I was 8”.
“Making a seed sprout? Let me guess, you’re in the plant magic track?”, Addison asked.
“Actually, I'm in the plant magic track AND animal keeping”, Daisy said proudly. “What track are you in?”, she asked. “I-um...I’m actually not in one yet.”, Addison said nervously. “How? Didn’t you go to orientation?”, Daisy asked, puzzled. “Well, the thing is…I don't have a primary magic element.”, Addison replied. “Huh? How do you-.”, Daisy started but was interrupted by the arrival of the bus.  

Addison got onto the bus. “Aren’t you going to get on?”, she asked Daisy.  “No, I take my bike. It's better for the planet.”, Daisy said, getting on her bike. “Are you sure yo-”. Addison was cut off by the goblin driving the bus. “Hate to interrupt this RIVETING conversation, but can you just SIT DOWN!”, he grumbled sarcastically. “Okay, okay. Jeez. No need to pop a wart over it.”, Addison said to herself as she sat in the back of the bus. The bus creaked forward, then stopped. “C’mon you hunk of junk!”, the goblin growled as he hit the dashboard. The bus engine rumbled then roared. The bus took off into the sky, wobbling around as if it was walking on a tightrope.

Addison looked out the window to the town. She almost jumped out of her seat when she heard a woman scream for help. She stuck her head out the window and looked below. A man had grabbed her purse and was trying to push her away into the road. Without thinking, Addison said “Spiritus Dei Omniso!” and teleported right in front of the man. “If you know what’s good for you, you would run.”,  she said to the man. “Oh yeah? And what are you gonna do if I don't?”, he snickered. “Ok. You asked for it.”, Addison replied. “Fainfol Istium”, she said. “How is that gibberish going to scare me?”, he said. Addison touched his shoulder and he fell to the ground. “Oh I'm sorry, did you want a pillow?”, She said in a smug voice. She handed the purse to the woman. “Is he...” she stuttered. “Oh no, he's only sleeping. By the time he wakes up, he’ll be greeted by his new cell-mate.”, Addison said. She waved goodbye as she said “Omniso Dei Spriritis!”, and teleported back into her seat. “Well, that was fun.”, she thought.
Go ahead and judge my terrible use of punctuation and the amount of grammatically incorrect sentences.
Mateuš Conrad Jan 2019
hard to appreciate the zenith
of the existentialist
fathom of boredom...
when coming across
a plethora of
                          lethargy...
i...
               choke to even
begin the summon
to believe...
                      i...
    stopped appreciating
the nomadic rule
of an internet presence...
ever since i...
i discovered what
came prior to
the video frenzy of youtube
within the confines
of a blockbuster outlet...

i'm tired...
to preserve the necessity
for a: "right of speech":
sorry,

         vox = spiritus...
cogitatio ≠ spiritus...

                  my capacity to think
was never necessary to
even entertain a spoken...
reprimand...

          i rather think:
and count my scoop...
among such inanimate
objects as rocks, mountains...

than speak... and be deemed
a river that can't recite
the quran.
Kurt Philip Behm Oct 2021
Born fully human,
more fully Divine

Our Savior upon us,
existence sublime

The sum of three persons,
all persons as one

His love in the mystery
sent down from above

A choice beyond question,
its truth beyond fact

All faith in transcendence
—unsetting the trap


(Dreamsleep: October, 2021)
Filmore Townsend Mar 2014
I am rich
I’ve used my blood
like an extravagance

An archetype of oralcry
whose silence
               smells of cheap wine
A poetman
become an olding messenger boy
O silver tongue of spiritus!
I whoop it up
       in all my wealth
              like Great Mercurio
                      twirling his white ribboned caduceus
                                             in heavened air
Bathed & gowned
               by the Pifs of Prophecy
Asoak in a tub of soft flashes
               I step into talaria
And into my hand
               the twined winged wand was wound

I sat on the toilet of an old forgotten god
and divined a message thereon
I bring it to you
       in cupped hands
poet:
http://en.wikipedia.org/wiki/Gregory_Corso
collection:
http://ndbooks.com/book/herald-of-the-autochthonic-spirit

user does not claim this as his own work.
                   -FT
O, Lord forgotten please accept
Me upon my mission bereft,
I look to the stars in darkness and cry,
And teeming with demons I ask you why,
And how I can be rid of myself,
How may I ask you for help?
Please remain with me where others have left,
Please linger with me as I conquer each step,
Forgive my wrath, forgive my hatred,
Please stay in my destitute heart, my Savior.
In all my life I shall remember my words,
About the others who walk with the heard.
Nunquam animadverto paradisum,
Omnes perdes qui scitus I,
In nomine Patris et Filii,
Et Spiritus Sancti.
Bryan Nov 2017
"Mr. Prince," Drooled the demon,
"I have paid the price for greed.
Dealing with worse than I
has made me what you see."
The lich stuttered when he said this,
pained to recall the deed.
Once again, the same thorn
made Rumpelstiltskin bleed.
"The degradation to my body
may have left my mind free,
but in order to make magic
on this scale, I have a need
for a life force, a will…
The kind of spark that starts a seed:
Small and bright, packed in tight,
with all the power of a tree.
Do I look as though
I have that kind of power left in me?
If I killed you in the process,
what kind of deal would that be?
I do not wish your death.
This you must believe,
by your heart, I mean your aura,
if you know what that word means.
It is a bright one...
Though not the brightest I have seen.
You will not die,
you will not sleep,
but more of something in between.
I will use your vitae,
Spiritus ichor,
you may not like what you perceive,
but from this force,
from this chakra,
I will fashion you a thing.
It will show you to your desert.
It will show you to the queen.
It indicates the brightest aura,
anywhere from here to sea,
and of them all, we know
that the strongest one is she."
Onoma Feb 2021
purple is

the oral history

of our undissolved

sacrament.
Anonymous padre.
and that's how I thought the words went,

it became a mantra to me,
anonymous padre
anonymous padre
although
to be honest
I don't really speak Latin
Nolan Willett Nov 2019
Ah, the Spiritus Mundi,
The culmination of what I have searched for,
Finally you unveil yourself to me,
And it is all worth it.
In my dreams,
The world has gone to waste,
Everyone has gone sane,
And I am the one again left behind:
No different from reality.
I no longer care for structure or for rhyme,
Or if my words mean anything to anyone
But me,
For I am finally free,
From what seems an eternity,
Of torment by confusion,
A sentence from a past life,
If you believe that sort of thing.
Like the modernists of the past,
Stream of consciousness,
I am disillusioned, and
Yes, my vision is assisted
By drink, and by drug,
A revelation unplanned,
But not unwelcome.
I can only hope my rhyme
Scheme and my structure
Parallels the nonsense
That I am seeing,
And that it makes sense to some kindred spirit
Somewhere,
And I love them.
I will not hide how I feel for your reposts
Oculi Sep 2019
The tárogató yells
About the Spiritus Sanctus
While I conduct
Electric orchestra
In more ways than one

Noxious fumes
Piles of elastic dolls
The forge beckons
The crisis averted
God bless America

The working man
He's down on his luck
He kills his boss
Then waits in his blood
For the police with a smile

The wooden flute
The samurai's hat
The question of allegience
The barbed wire fences
God bless America

The muezzin talks
To the director
Looking for the paper
The Luzerne Zeitung
That is what he cried

Will I live to see daylight?
Will I choke on a cloth,
Doused in gasoline
With the rabbit skinner?
God bless America

Purple
Yellow
Indigo
Green
Lime
Curmudgeon
Ocher
Bordeau­x
Magenta
Pink

Does the Creator ever question the existence of her own self, or does she sit upon her clouds, oblivious to our plight, performing the greatest of rituals with no effect and appointing herself God of This, God of That, God of Whatever-Comes-To-Mind, naming herself after whatever we want her to be, believing in simply just letting us believe, calculating until our inevitable doom makes her simply useless and lonesome? Would her angels then weep for humanity? Are there angels? Who are you?

Allah?
Krishnu?
Tezcatlipoca?
Zeus?

Inferno is unleashed on the ******* sagging from my chin
The pain burns, but worse is the humiliation
Even worse is the taste
But I endure it, for I must see the yellow brick road once more

The chest grows
The hair grows
The voice grows higher
She stands tall
In her filth
In her rotting lamb's skin
In the armchair
Where bliss once caught her

And a generation dies under the commanding voice of Whoever-The-****
Why would his name matter when all you'll remember is the count of millions?

God bless America
God bless America
God bless America
God bless America
God bless America
God bless America

Can you dig your own grave, America?
My arms are tired.
Trevor Locke Nov 2017
Myself and Mahler have a common mind,
an overwhelming God that Man can't find.
Thus, in the slow, long beating of our hearts
listeners to the soul can sing their parts,
when, in a mighty chorus, they submerge,
and from the common realms of world diverge.
We cry, whilst hanging from our mortal noose,
'Veni. Veni, creator spiritus
Apoem I wrote in 1966

— The End —