Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus

scuttling across the valley,
the trench was deep and steep

scorching heat of the dry sun,
dried blemishes on the weathered skin.

Settling along the rocky facades,
hackneyed by the haunting past.

Sleepless nights of the perching predators,
Hibernating in aloof worlds .

Stymied by the wind in the barren land ,
Harnessed by the futile fears.

Simone Melchoir of the sinking ship ,
would not you go down with the fault.

Shunning away from natures affection ,
for every rose does share its thorn .

Sunny ends are reached ,
when the raging ravines fade away.

Slithering away the swirling serpent ,
The sun lurks in the brewing storm .

Sanctity of the witheld winds ,
sapping away the deathly darkness.

Serene air of the seraphic angel,
brought the plighting dreams to the refugees repose

Smelting ores and melting poles,
brimming with brightness the cradled cirque .

Summons of the exalted virtue ,
To burn the lizard and fly away like the phoenix

Succumbing to the wilderness,
to soaring heights and rising spirits .

Swanking in the soothing winds,
the phoenix looked down on the plundering valley.

Scorning at the downtrodden spirits,
The fraternity of the Desert lizard

I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise."

Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.

II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting ***** and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.

Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.

Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.

My brain is a furnace burning
in a skull plated so thick in steel
you can't feel its heat but by
the back of your hand.
Stoked in a mother's breath
and father's hand, flame flickers
along spectral bands as the wick,
once taught and thickly tied,
turns to grains of ash. In the midst
of incendiary heat and blinding
doubt, beats my heart and counts
its time with spouts of
madness.

We  were    squeezed    from    corruption
armed     with        the  monstrous cutlery
of  rippers and tearers of    rationed meat
    for a day,         for a day,         for a day:
the     butcher    gives   his       best     cuts
to the young       and godless      divorcee
find us, keep us              : a spectre hiding
in the    dark pig iron rust hooks looping
through     your ***    and shopping lists:
smelting                                     your coin
and punching                             your face
          Company is the        full knowledge
of our      protracted,        3  -stage   decay
burn                drift               degradation
             ­                        eyes crusting shut
in doom            and     settling    bomb silt
      palms up,    taking      a    punishment
                              ­     in the mothertongue
    ignoring       lessons     in    the gracious
                            expectancy of departure
We,      A legion of ancient clockwatchers,
in         on       the        joke       of       time
and    folk fetish     of apple-cheek poverty
    [Gasp!] The gruesome romance of class!
              !you cry!     !safe!     !always safe!
in the nuclear hotdog option       , which is
observably, the title of this advertisement
We will never get you[       ]you're awake!
and your atmosphere    is still In Da Black
      We                                        watch you
                                                     watching
the           5            car            pile          up
catch­ up       rolling          down your chin

Identity resolved, blue ribbons taut-
I am speech, a verb, a praise, a participial phrase-
There are many battles yet to be fought,
but with respite and awareness of everything throughout,
and to know one's self is to know the world-
Action vernacular, I use words like disappear to identify-
Find one's self in all mundane, rain and flame and claimless blame,
I am the Earth-
Words like crush and blight,
For philistines and charlatans, I preach intrepidly-
A zeal-
Belief is as an ageless hearth,
smelting swords for smiting fear,
for pain and trepidation to disappear.
Reborn red-horned, and one dozen eyes can see
I'm a word, a noun, a ****, a key, and All alive is a mirror,
It is dangerous to utter truths when lies are all the rage,
But I reflect the truth-
Every creature, refined or uncouth,
is a form of life, a light of myself.
To forget is just as whimsical as a simple turn of phrase,
all I can advise,
is to simply turn the page-
Normalcy and tact are artificial-
At base, one's merit is no longer superficial,
but to assert this fact-
This is the greatest battle of all.

The rhyme of the poet
Modulates the king's affairs,
Balance-loving nature
Made all things in pairs.
To every foot its antipode,
Each color with its counter glowed,
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough,
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting ***** and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.

Like the dancers' ordered band,
Thoughts come also hand in hand,
In equal couples mated,
Or else alternated,
Adding by their mutual gage
One to other health and age.
Solitary fancies go
Short-lived wandering to and fro,
Most like to bachelors,
Or an ungiven maid,
Not ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.

Perfect paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The serf-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.

Subtle rhymes with ruin rife
Murmur in the house of life,
Sung by the Sisters as they spin;
In perfect time and measure, they
Build and unbuild our echoing clay,
As the two twilights of the day
Fold us music-drunken in.

A fire lion lays on the rich hue grass,
Sitting there by the bough of tree:
And sun shine falls for her flaméd tress
And wears each flame on her skin-seam:

While tempted I am to approach this beast,
Who sits there smelting shades o' skin,
The eyes of hers are like the very leaf -
So swift and keen and fell within:

And so I watch from a great distant height,
And so she be a star in grass not red,
With mane that on her lion could light
A spark or flame of emberness.

These impurities
they have minds of
their own and refuse
to surface, i'm
looking for gold here,
beneath you
beneath you

See,
      Thy world is a smelting *** of whimsical worldchyme stew,
A goulash that aquire's carrots, beef, potatoes, and other uncanny things,
Well,
        As for me!
                                           I'm its gravy!!!!

In the hazes of a distant dream land
I see you
Shrouded in the hearts of dreary dawns
Smiling

and pulling me aside you would
smell and caress me all over
a gentle wink and the lightest kisses
and the night would break the spell

On the borders of the smelting fire
A pyre awaits for the burning star
Skits on the shadows of the darker waves
Grim and tied in the locks of the hair

In the wearied low-lands of the outer earth
I see you
Spinning in the many colours of our lives
Beckoning

Child's play at the sound of the horn
Cacophonies and running home
Splintering at the daze of the day
And grinding in silhouettes

In the wake of the latest day
I see you
Eating tomorrows in the cream of love
Smiling

Years ago When I Was A Child, a fragrance of
summer was on the hot air and winters white,
frosty and snowy hid the toes of your boots when you slid.
I was studious and sedate, except at play
when I became a wild,
part of a dog pile,
                            of other wild kids at play.

Limbs tangled and the weight of friendship,
was worth more than the ore and gold pulled
from the mine, then purified by smelting.
  
We could run, explore and hide
on our favourite mountainside,
change alliances,
pick teams,
fun was the factor
winning was the dream,
with some rivalry,
we did not need to
worry,
or hurry, it wasn't
about
car bombs in our markets, temples and churches,
we did not need to look alone through the rubble
that was once our humble home,
we needed to watch out
for poison ivy, poison oak and rusty nails
we did not need to look out
for mines that no one mapped,
in a war which neither side
cared for those
               whose future they have changed irrevocably.
                                                   And not for the better.

At night a train might disturb my sleep,
not a poorly dropped bomb intended for
the enemy camp, not on the edge of a village,
where the hole swallowed dreams and futures and spit out death,
we played kick the can, hide and go seek
where running, not hopping on one foot,
was the deal,
where seeing, was important with both
eyes, in the dark.

We did not blow out our ankle, unless we tripped
on a curb, unlike some children, blow off a lower
limb at the knee, because they tripped a wire, which
tripped a switch, of a metal canister in the dirt
which once was a playground, before became
a forgotten battlefield.  And a playground once again,
                                       after it was for a time a cemetery.
A mass grave.

This was supposed to be about play,
Play, what if every child who could play
stopped until all children were able.

You can pray for peace,
you can play for peace,
but can you play to stop wars.
Adults play at making peace,
as long as their interests (cha-ching)
are met, again and again,
then maybe the children's children's
children can play, if they remember how,
thank God
children
are resilient
and play is a
natural consequence of fun.
So run along children and
play
stay safe
and away from where your brothers... play no more.




©DWE102013

I do
but i dim switches
Jilling Jack and much else
smelting the river
of black nectar
your heaving *******
have rest
upon.

Ooze the Unforgivable night
a shade less bleak
than a Season
Of open
wounds.

Sell me your secrets;  and I'll be the one
to arrive, electric
tripping on your
scene

like a moth
to a blink
And
otherwise.

What will become will become of this day and I wake up to find this day's been taken away by the thieves of the night,is this right,
does the night carry on even though it has gone,does the day have no say in its dawning?

It is morning in my head ergo,I am not dead or maybe I could be.
If the night doesn't see me does the day really free me,do I carry the can for the sins of mankind?
I find in illusion a great deal of confusion,a smelting of fantasy,a melting of freedom.

This hit and miss in me really disheartens me and although I keep trying there's something inside me that tells me I'm dying,it's a shame.
There is no fortune or fame for the runners up in a game just the harsh feel of failure,but if the day should return and I am still awake,there's a chance of a part,a starring role in the affairs of my own beating heart,
is it here
do you know
did the day really come and the night really go?

In cahoots with the Pole Star, I map out a route that will make me fortune,the moon makes me a beggar man and the beggars just scowl,
I'll be free soon not out of tune with my peers,not retreating from the advancing of legions of years.
It's all relative or so they say,
and what will become will become of this day.

Intrepidly neglected, of my lessened reasoning, I am dissected, of my insurrection, from the blessed beens of yesteryear's glints, dancing, parading, and burning, in layers, stages, and fazes, fading, and melting, the plastic faces into the smelting heap, that has come so far, just to inspire me.

Always.

Always you unto me, spiraling, indefinitely into the deep, where ceased is the times, with bloodied hands, and laugh lines, laughing one last time, while glancing toward my watch, under setting suns, and rising stars, smiling faces, and in tearful goodbyes, i realise

The sky's limitlessness

And in all the glory, and all the bliss, the eloquent stories, and the gentle drifts, my imagination uplifts, in wisps of gentleness, where i submit to reason.

Bless-ed be, the one who garners to my support, from a vortex of euphoric antidotes, of mindless quotes, and animated emotes, pulsed, from straight faces, and lost hope.

Ill tell the truth, you can go with nope, in whispered breaths of gun smoke, lathered in lith-dope.

Just trying to cope with the flow, until i crash upon the shores of nevermore, and, explore these holes in my soul intent, ascending from the contempt of bent perspectives, and twisted concepts, letting the blood of the peasant from my arms of harmony, trembling blankly to sleep.

To you a *****, to me tranquility, as i sink, into the world i knew, so that it may be seen, casing the well being, of all the things, and pixelated dreams, from a thieves keep.

Deep, down, below me, in obscurity, i seep, through the soil of my turmoil, until my hand reaches out, from beyond my doubts, and clambers from the shadows, outside of myself.

I am born, of mud, of muck, of the stuff, you're afraid of, and all i bare is love, love to shrug the shams astray, vacating the placation, and dichotomies, unifying light, into one me, shining in the rainy streets, of my deletion

Until my completion
Completely
Erases me.

my memories are con men
spinning fibers into thread
for forging famous tapestries
sewn sweetly in sugars of lead-

smelting dead language
into covers for their feet,
they run through broken glass
just to hear a phrase repeat.

Be the iron ore smelting in a crucible
Constantly being refined.
Ready to be molded into a mighty weapon.
Ready to be wielded in battle.
You possess a warm glow attracting.
And the lives that you touch
Burn along in love and
Melt along in awe of Glory.

Or

Be the brine drawn from the dark arctic depths,
With your cold pride
And salty apathy that leaves
Mouths and throats
Dry
And stirs bellies
To malfunction,
Then inaction.

But

Be not the stagnant puddle
Most toxic.
Reflecting heaven
But still clinging to the earth.
Collecting raindrops from the sky
Together with dirt from the soles of men.

For

Do not be lukewarm,
Neither hot nor cold,
For He will spit you out.

The Stop & Shop strike v. Game of Thrones.
In Game what’s not made plain
is the condition of the people
compared with warriors and queens.
There’s no mention of land-clearance, tree-felling,
pruning, chopping, digging, hoeing,
weeding, branding, gelding, slaughtering,
salting, tanning, brewing, boiling,
smelting, forging, milling, thatching,
fencing and hurdle-making, hedging, road-mending and haulage.

As for the strike, most of us
supported the cashiers and clerks—
cutting benefits and pensions
when CEOs make millions.
A few pennies more
for ice cream and tofu
a leg up for our neighbors
and comrades in labor.
But don’t get greedy, power-hungry—
we don’t want the supermarket to go out of business
or the Army of the Dead to extinguish us.

A red-tailed hawk observes what small mammals, birds are in the
     clearcut,
awaits the moment to strike.
Three *****, two strikes, full count. Aaron pitched carefully, slow
     strikes and the opposing team scored.
Transit strike. Part-time tutor,
food deliverer, illegal immigrant,
school bus driver, supermarket bagger.
Let labor flow like capital! Full tank of gas!
In your dreams, you kick ***.
In your daydream, you’re breaking bones, killing mean dogs with bare
     hands .
In my childhood dreams, I fought side by side with my best buddies
against the Army of the Dead.
I wake up to a lightning strike and my dream incinerates.

The strike is over, like a thunderstorm.
Still a half dozen or so episodes of Thrones
before it sinks into the past.
Will women save the world?
Anything’s possible.
Nothing changes in Williamstown, Willie, except the seasons.
The wee hours, the bored minutes, the second guesses,
the town sewer department, the collector of taxes.
Pitcher’s elbow, runner’s knee, reader’s eye,
you live until you die.
That’s no answer.
Without the Mexican and Canadian borders
the White Walkers would dissolve like an aspirin in seltzer water.

The sun is up, the strike is over
next episode of Game is Sunday
the White Walkers attack
some of our favorite characters croak
but humanity survives
though the weather is ominous.
The habitable zone around the sun
is moving outward as the orb expands
getting hotter as it grows older.
Earth a billion years ago
was smack in the middle of the turf
but we’re now half-in, half-out
exposed to the sun’s ardor, agony.
The sun a dragon eating its babies, torching cities
we’re gonna hafta outsmart it
hold Labor Day barbecues on Mars.

You’ve been running underneath the stitches of my baseball caps,
resting in the pockets of my t-shirts, and
etched into the glass of my contacts
where the sun sometimes glares and makes me dizzy.
You left your aroma on my pillows,
scratch streaks on my back,
and chocolate covered bruises on my neck
that make my mouth water every time I look at them.

And out of your mouth
fell raindrops from the storm inside your chest.
Touching my lips
I woke from the dreams of night to the dreams of day,
discovering the softest of gold upon my own.
Smelting fortunes of two destines hot to the touch
as dropping the ball like Auld Lang Syne
but there’s never enough time,
never enough time
looking forward or back
universe stops in its tracks as I look into your eyes.

Sometimes you’re telling me a story
and all I can hear are X’s and O’s.
No pencil or paper but tic-tac-toes tickling mine,
sending shooting stars up my spine.
These crooked feet started from point A and
I’m trying to make it all the way to U.
But if this alphabet becomes too bothersome
then let’s make a language of our own.

Believe me the rest will follow
like we have Chinese finger traps bridging our hands,
when pulling away reminds us how we're a lot like rubber bands.
Piggy-backing through the wild with cat-like vision and dog-like devotion
we’ll learn to speak to our inner animals because
humanity has become a little overrated these days.
So when I find your beast under the sheets
I will pull off its leash with my bear teeth.
Excuse my scrambled tongue for
filterless words can fall off my lips like butter on warm cinnamon toast,
I've never remembered being so hungry for something.

My mouth is beginning to sweat and
you’re mouth held raindrops when we met.
So when your tongue touched mine it sparked the perfect storm.
A hurricane drowning out the past
leaving a life boat for two. Four hands
building a mast, searching for land, gripping the forecast.
Sailing on top of natural disasters,
to find a world better than the one left underneath us.

Can't keep my eyes from melting
Those tears that they've been smelting
Because loneliness is pelting
Poor young, forsaken me

Can't keep my eyes from wondering
Why silence is now thundering
Between us and its sundering
Poor young forsaken me

Can't keep my eyes from missing
Those lips that I've been kissing
But now they keep on enlisting
Poor young forsaken me

Enlisting me to cry and
Enlisting me to try

Because if he's not here beside me
Then I might as well have
Died.

Beginning in the evergreens,
Where the waters run sweet as wine,
The skies sing out shattering,
The ground spins down below
His marching feet.

One thousand and one years
Left him in the earth,
And raised up Typhon,
Come lightning staff,
Come thunder breath.

Moving through the mountains,
Purpled by the sun,
Floods cutting through the rock,
Come traveling through the caverns,
Through the cloud's rain that tear down.

Eagles eating gods,
And green, green trees stretching hands,
He stumbles through the paths,
Going all martyr in the shades.

Eventually, his progression meets the sun,
That scorches shadows from their place,
Plumes of fire preaching,
Here he finds the meadows,
Melting all gone in the red and stubborn sand.

Oh and there he fights the priests,
Oh and there he summons hell,
From the sun that never dies,
And the seasons never change.

There go I,
Through the paradises of elephants,
(White and rouge)
Palaces of sultans in the sultan shade.
Armageddon heavens twisting,
Where the spindle-bound spires raise.

There go I,
Vagrant feet forging,
The miles in meter
And the deserts in their damnation.

Eventually, the vagrant finds the rivers.
Eventually, there he claims all Moses,
Running wild through these waters,
Cutting heel into valleys pale and pink.

Golden Hordes, and god-kings,
And paisley patterns branded in the eye;
There are the journeys going unhindered,
Where the snow meets the soul.

The vagrant with his body,
Naked in the mind,
Storm by boat in the dead of winter,
Warmed by sails in the dead of spring.

The vagrant going east,
Then around again and west,
There shores of silver,
Horns of plenty fallen found.

One thousand and one years
Gilded in the green,
Fluorescent accents smiling,
Sounds smelting in the foreign forests.

The vagrant meets the sea
After his trials in their numbers,
Blankets thrown up,
White sheets waving,
Clairvoyance in antiquity.

The sea is blue and washing,
The vagrant's eyes are marbled,
As the notes progression goes
The water kisses the air.

Pillars taller than the stars
Stretch to heaven forgetting,
There oceans rising,
And the tranquil music dancing.

Tripped out not wanting,
Rise and risen,
The scavenger surface
And the molten mound.

Poor traveler,
In his vision where all eyes meet,
The savage and sacred nature,
The hurricanes and blissful storms.

Poor traveler,
Not meet your end,
One foot in the grave,
Where a million, million angels
Carry you down.

And poor traveler,
King in concert,
There hills and crevasses crawl to him,
Call to him,
Leave all their pasts searching.

A pedestal is no place for a friend
tough to reach them should you need a sympathetic embrace.

Nor should monuments be built
for then the pressure's on them to fulfill the grandeur.

Bronzing is a no,
smelting makes it hard to impart advice.

Just keep your friends close,
that is the ultimate honor.

I hear her throttle roar
there is a speed demon that devoted her car
but flex her punch in the midnight air
round the town on her boulevard tonight
her Firebird streamed her heat like a cigar
and headers in a chassis smelting lore

I am in transition,
I speak to those who come after me,
I learn from those who come before me.

In trepidation and in fear,
I wait for the anticipation found only in her tears,
that when they bloom on the dry, thirsty wood,
marks the time to begin, I hear.

And in a whisper, a whimper, and shrill,
when cold leather makes a trail,
the heartbeat beats fainter still,
until that time when metal becomes a pill.

I make her back warm,
Melting Iron,
Smelting leather and skin,
Into leather again.

She is silent as a mouse. She sits,
remaining only a part of the beats, and his
expressed torturous tenderness.

Where consent meets fear and pain,
there is a shadowy still sadness that waits to be shown
in the light that is happiness and gain.

Some see a barbarous deceit,
in that which takes place,
but she only says,
Please.

Please.

As you wish.

I flail and flog at my own inexperience,
waiting to see,
if I make a mistake or three.
Til the time comes when she screams out loud,
I press on, deeper, deeper, until a chasm is found.

The afterglow of the torturous tenderness,
that illumines the heart and makes fuzzy the eyes,
is enough for me to see that consent remains.

I ask only the simplest questions,
Noting that she's infantile in emotions,
where high context rules,
and only those that know the code may endure.

She limps and lingers,
needing more than her fingers
as she craws safely into that safe place
called her spiritual chamber.

Having melted iron, leather and skin
been smelt into leather again,
I sigh at those wafers that cannot understand,
that the greatest of gifts is in a helping hand.

The pitter patter
Of your words smelting against
My inner ear forge

I will smelting the scentest sweet
Smelt it over an 'I forgot' times
Smells the morningest freshness
Will smell petrified joy always.

I will stareding at the simplest complexity
My eyes saw the warmest merry
Seeing night sky spill over sight
Will stare at plainest intricacy.

I felting a sugar glaze
Felt it coat my moonest blue
Feeling his sugary hands
Had warmth so will feel it melt..

Will felting foreverness sticky.

By Elsy Satheesan (Kalaparampath)

With strength hidden
in the center of weakness,
the artist lives
in soft dreams
veined with love.

When hit hard
at the soft core
he spins out of control,
shaping wonders
in tongues, native to heart.

Agony is an art to him,
deft at morphing rupture
into supernal rapture.

He sits majestic
on the throne of the artist
with joy that is teary
and woe that is dainty.

The artist lives through agony,
as gold through fire,
smelting agony into marvels
with God's own mint mark on them !!!

Artist's Agony
by Elsy Satheesan


With strength hidden
in the center of weakness,
the artist lives
in soft dreams
veined with love.

When hit hard
at the soft core
he spins out of control,
shaping wonders
in tongues, native to heart.

Agony is an art to him,
deft at morphing rupture
into supernal rapture.

He sits majestic
on the throne of the artist
with joy that is teary
and woe that is dainty.

The artist lives through agony,
as gold through fire,
smelting it into marvels
with God's own mint mark on them !!!

I am in transition,
I speak to those who come after me,
I learn from those who come before me.

She makes my back warm,
Melting Iron,
Smelting leather and skin,
Into leather again.

Those that watch laugh with pity,
Those that study cringe with pain,
Those that judge seem too witty,
. . . . .and it is for those who cannot understand.

But I understand, now I understand.

I used to watch the poor man in the back room,
getting beat by the mean lady with a giant broom,
. . . . .with splinters.
Each splinter is again a world of wonder, he says,
. . . . .and I laughed with pity.

I used to study the piteous woman on the tree,
getting beat by the mean man with a tail of three,
. . . . .with hash marks of red.
Each hash mark of red is again a world of wonder, she says,
. . . . .and I studied, cringing in pain.

I understood when I finally fell,
off my tall horse called Brick Wall,
for he was a brick wall, after all.

There's no shame in it, they say,
so I went for it, clear as the night sky in shades of gray,
and that's when it hit me,
. . . . .as it is for those who understand.

Having had melted iron, leather, and skin,
been smelt into leather again,
I sigh at those poor folks who cannot understand,
the pure bliss of me, that woman, and man.