Hello Poetry
Submit your work and get some sparkles! Create free account
"shadowless" poems
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
0
5k
Farewell to Florida
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
Continue reading...
44
I love too much; I am a river Surging with spring that seeks the sea, I am too generous a giver, Love will not stoop to drink of me. His feet will turn to desert places Shadowless, reft of rain and dew, Where stars stare down with sharpened faces From heavens pitilessly blue. And there at midnight sick with faring, He will stoop down in his desire To slake the thirst grown past all bearing In stagnant water keen as fire.
0
2.6k
Desert Pools
SANG Solomon to Sheba, And kissed her dusky face, "All day long from mid-day We have talked in the one place, All day long from shadowless noon We have gone round and round In the narrow theme of love Like a old horse in a pound.- To Solomon sang Sheba, Plated on his knees, "If you had broached a matter That might the learned please, You had before the sun had thrown Our shadows on the ground Discovered that my thoughts, not it, Are but a narrow pound.' Said Solomon to Sheba, And kissed her Arab eyes, "There's not a man or woman Born under the skies Dare match in learning with us two, And all day long we have found There's not a thing but love can make The world a narrow pound.'
0
2.6k
Solomon To Sheba
My grandmother likes salami, God, and bougainvilleas I like to think she likes tenuous pink things- but then there’s the salami. One day she taught her daughters to string neck- laces from bougainvillea petals like-ponies-in-a-junkyard I think I chewed too much bubblegum in mass because I picture God pink an ethereal globe of a poppable pale pink. And for some reason, I like to think Brother Charles saw that too I bet my lungs are somewhat pink: more pink than my berry red blood but less pink, sweet and/or hairy than a cotton candy poodle. I forget if they were strawberries or rasp- berries too There are things that are pink but then there are things that are pink and shadowless. Like subterranean lungs, God, the future, and the smell of flamingos in the dark The future is still pink and somewhat fruity like a lukewarm strawberry milkshake blushing, or was it maybe just the taste of my pepto-bismol stained lips. One of those ponies was my mom
0
Mar 29, 2016
Mar 29, 2016 at 3:02 PM UTC
The Future is a Lung Full of Pepto-Bismol
The door was shut. I looked between Its iron bars; and saw it lie, My garden, mine, beneath the sky, Pied with all flowers bedewed and green: From bough to bough the song-birds crossed, From flower to flower the moths and bees; With all its nests and stately trees It had been mine, and it was lost. A shadowless spirit kept the gate, Blank and unchanging like the grave. I peering through said: "Let me have Some buds to cheer my outcast state." He answered not. "Or give me, then, But one small twig from shrub or tree; And bid my home remember me Until I come to it again." The spirit was silent; but he took Mortar and stone to build a wall; He left no loophole great or small Through which my straining eyes might look: So now I sit here quite alone Blinded with tears; nor grieve for that, For naught is left worth looking at Since my delightful land is gone. A violet bed is budding near, Wherein a lark has made her nest: And good they are, but not the best; And dear they are, but not so dear.
0
2.3k
Shut Out
riding the shadowless night in search of his darkest day more or less there's Hell to pay and this is the way of The Wanderer rocky is the path of mossless stones and where it leads is less than known nevertheless 'tis where he roams and this is the way of The Wanderer much pity there should not be as he has visited much pain upon others passing like a wraith through their friendly hearts leaving nothing real or true in his wake nothing could be so bold as a lost soul unafraid of what is unknown afoot the rocky path of mossless stones all alone and this is the way of i i am The Wanderer
0
May 22, 2015
May 22, 2015 at 8:04 PM UTC
The Wanderer
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
0
Nov 8, 2015
Nov 8, 2015 at 7:55 AM UTC
Rat **** As Inviting As Molding Bread
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
Continue reading...
60
And I answered: To see and touch all that I forgot, To remember the delta where Immense waters rushed to My memory's melodic forms. To remember that ***** that Broke my heart, How I loved her, Look at all the poems I wrote for her! To feel the livid wounds Of everyone fester about Like domesticated bipeds, Watch them grow entangled Beneath a shivering sun. To read the crazy beautiful Of other people's thoughts And get in their heads without Psychological babblings And manipulation. To watch the shadowless sun Create a phantom city In the concrete swarms, To stretch every sense Into the living moment. To catch myself from splitting, Or perhaps to split from myself And call me crazy, Laugh it off and cry When I read it again. To embody what I miss With these fucken cell phones And internet opinions With elongated voices Lonely, their kind of Misery loves company after all. Why the poem? Ask yourself, What else is there??
0
Mar 14, 2016
Mar 14, 2016 at 11:02 PM UTC
They Asked Me,"Why the Poem?"
Let the diminished light of winter creep through the slats of the window blind. Let it climb rung by rung until hunger shakes off excessive sleep. Let early morning frosts shock the candelabra of the blackened fig shivering in half-light. Let it go naked. Let the woodpecker cling to a sham tree, tap-tapping his message in code. Let him take to the air, cackling at his own folly. Let the shadowless snake coil in venomous dreams, as curled roots slumber under the rain-soaked earth. Let winter declare its secret cargo! Let it be spring! when the candles of the fig burst into leaf-flame, when the speckled woodpecker discovers a thick forest, and the green-gold snake trails the length of her belly through long grasses. Let our passions rise like sun on the window blinds, when the lightness of spring is upon us.
0
Jul 7, 2014
Jul 7, 2014 at 9:31 AM UTC
The Awakening.
The darkness of night it beckons me, it taunts me in my dreams with memories of yesterday, and thoughts of what could have been. The darkness of night it beckons me, around shadowless corners it lurks. The eyes of it they watch me they track my every move. The darkness of night it beckons me, to follow moonlit shadows tonight, to the tomb of the blood stained vampire of love into the darkest time of night. The darkness of night it beckons me, to watch as the warm red syrup flows, as a rippled river of life along lost roads of old. The darkness of night it beckons me, as vampires gather to drink. Sustenance of life is what they seek from the river that flows tonight. The darkness of night it beckons me, to watch as the stories of old unite, to begin the rituals of strength and power as their fantasies take flight.
0
Dec 8, 2009
Dec 8, 2009 at 8:36 AM UTC
The Gathering
As i climbed the shadowless mountain her voice still ringing in my ears, that laugh, a child's laugh, with eyes of a demon with claws that rip and tear the mountain was tall its rock face steep i slipped many times my hands cracked and bleeding i forced myself further up on wards toward the sky what is this great mountain that i climb? i ask myself, why lust? why do i torture myself, with her memory. Her haunting demands, her unquenchable taste for desire its a fools journey love(lust) never lasts love (lust) will leave you broken yet we return to love(lust) like an old faithful dog until i reach the top of the great mountain of love(lust) ill keep searching bandaging my wounds along my path of life
0
Feb 19, 2010
Feb 19, 2010 at 12:02 PM UTC
Lust
Glory in music. Shadowless light Slicing through purposeless night. Weak thing, and nothing, Vapor of sound, Dashing doubt's heights to the ground. Glory in people. Images worn Mirrors of heaven when born. Falling as flowers, Brief joys to give, Dying to rejuvine love. Glory in story. Star-points of grace Spreading through temporal space. Clouded as sapphire Black-streaked with pain, Flashing out mercy again. Hear now the glory? Singing sublime Flowing through gods in their time? Now legions drown it; Soon all will ring: Blazing acoustic of transfigured things.
0
Sep 30, 2011
Sep 30, 2011 at 1:24 PM UTC
Overture
Oh, for what was I a boy, so long ago, Dancing freely amongst the tall tree tops. Greedily breathing the morning dew's glow, Mind settling down, vast daydreaming flops. Gazing eyes upon sweets and fruits of bliss, Sorrow has it's days and merriment be. As bitterness eye followed for a kiss, Delivered confusion under my tree. Curious rovers bellow sounds of bleak, Hell fellows chamfer happiness askew. Mind's eye worrying a shadowless shriek, Running humming my innocence aflew. Events that played out like song of sorrow, Gift to thine eye and forgotten tomorrow.
0
Sep 17, 2018
Sep 17, 2018 at 6:32 PM UTC
JLM Sonnet 001: Oh, for what was I a boy, so long ago
Every question pontificated upon deaf ears, ear marked in outer space drifting aimlessly to distant stars, where shadows reign in open hearts that betray our silence in milliseconds Basic recourse, every letter of every word inscribed in memories of dreams of some joey loves dawson fantasy. the unrequited notation that every syllable betrays my own self-confidence, my duality of existence to live but not to have lived and so it goes that every question comes with hours upon days of internal self dialogue, over analysis of every gesture, every word, hidden meanings and double speak, that I have to find such betrayal in something as little as a Solemn smile, but the question remains what does it all mean? Short of action, long of thought, mindless wandering of distant dreams, that one day I may find, Answers, to every question that such expanded diatribes may ease the pain, and mend the wounds, so that my own existentialist facade may crack and wither to dust in the sands of time, to once and for all I may just be another speck of sand wandering aimlessly between the stars, in a shadowless beauty that is my misery, so that every question comes to conclusion with easy, understandable answers
0
Nov 23, 2013
Nov 23, 2013 at 5:39 PM UTC
Every Question
Windowless, shadowless, fluorescent a room and schoolyard scent. A lecture on earth's composure rumbled on as thunder sounded when I need not know where my toes were. Terrestrial topography in the row marked 2 or 3. The hierarchy of "figured out" and inane diplomacy, but I was feeling fine. I was sitting alone and still and looking at the morning faces. I left spaces left and right so I could swallow my mind and wrap up tight in the vacuum allowed. The collided waveforms hit my selective ears. I'll see you next week. I'll see you next week. My knees are weak and I'm writing the words I don't know how to speak and writing the rhythm, the subject I so often treat poorly, write off as a cliche archetype made for the gullible, penned by the phony. Yet I can't wait. A nervous anxious wonder I can't shake, like a beautiful sun gliding over a closing wake with the wind on its back and a ship to take.
0
Feb 4, 2016
Feb 4, 2016 at 7:18 PM UTC
Reflections on the Day
The season matters not When you are out under a beautiful nights sky; No moonlight to take away the darkness The stars shining sharp and bright. Seek my presence upon the lightest breeze. For I am standing out under the same sky Gazing upon the same beautiful stars. I reach out with all the love in my heart Hoping you will know I am here. Wanting you to feel me close to your being. Imagine the breeze touching your cheek Is me, my fingers ever so lightly, Sensuously, caressing you as it goes by. The faintest aroma to softly spark memory. A whisper in your ear so quiet, None but you may hear. For you are as out of reach to me as are the stars. I stand under the sky and stretch out my arms To those lights I cannot touch And to you whom I cannot wrap them around. So if a mist dampens your hair It is from the tears I shed in my loneliness; The longing I have carrying them to you. For it seems that no matter my true feelings. Nor the strength of my love. I will be forced to walk a shadowless night Of heart breaking sadness. Dan Gray 2006
0
Apr 2, 2013
Apr 2, 2013 at 8:35 AM UTC
A Sad Situation
I give the kiss of death to a fuming roll of paper, puffing out the siphoned life, shaping gossamers of ourselves in the air. But the wind, it messes us up. The only artist it knows is itself. It's magnum opus is the perpetual molding of cumuli of ephemeral and temporal. Once more, I **** a breath of solace, and release a hint of relief. I cast my oneiric world: soundless, so my fears and worries will remain unspoken; shadowless, so my courage and love won't remain hidden. We take form once more, but again displaced. But the smoke will not roam across space. It will drift to me, to choke these reveries, and banish them through violent coughs. Our togetherness is nothing more than an ethereal form. The wind, after all, gives the kiss of death.
0
Sep 13, 2015
Sep 13, 2015 at 11:59 AM UTC
cigarette escape
Can you see Hyperborea's sun, shadowless valleys where you cut word with tooth? An unfettered wound stutters, blowing null what timeless utterance it will. Where does tomorrow sleep, your prospect in stomach, cramped with fluxing zeros and ones? As soon as you spoke your abstraction was pardoned. Your home's abutted geography made its revolving bally. Dizzy you, concentric circles closing in, advising their babe press forth. Mythopoetically proud as hell of your circuit, a metaphysical luminary midwifed in an etheric manger. Shadows mark their growth about our encampment-- G*d's peripheral nomads etching story. Shelter bids welcome, unwelcome everywhere...its doors blow about as the literature of distances.
0
Feb 2, 2015
Feb 2, 2015 at 2:39 PM UTC
Where Does Tomorrow Sleep?
eclipse of the individual - kindly, the heavens convey with rain, and not the sun to prove myself a shadowless existence.
0
Jan 17, 2012
Jan 17, 2012 at 10:59 AM UTC
pathetic fallacy (4 and 20: short form)
I feel as if I had wasted my life my accomplishments were few and very dry As I stand alone in this room filled with darkness My ability to do good as always remains spark-less My soul feeds on empty desires and hope When I perish from earth; will my family be able to cope? Mourn my death till resurrection? Turn your gaze to someone who deserves your love and affection. Of my skin women desired my complexion Gravity itself cuts you off But from me to you that was never my intention Simplicity and uncertainty is surrounding the grey clouds of my mind. Conquering different ideas but haven't come close to arrest the gift of thought. Constantly reminded of the Shadowless creatures I continuously fought I give thanks to God because from his sons blood I was bought After the sun has faded in the west I'm suddenly touched and absorbed to ignite the flame of life Encouraged by many to leave behind the madness and strife Precision thinking is a must I refuse to give up and return back into dust. Weak I once was Yearning the wrong I once wanted Materialistic views I had and yes, I would flaunt them Well, I have come this far.... I let gods word pierce both my body and soul I'll write it on the tablets of my heart To keep me balanced and forever hold the key to self control. -Marco Mondragon
0
Nov 14, 2016
Nov 14, 2016 at 1:05 AM UTC
In This Empty Room That Became Filled With Sunlight
Amid an Upper Floor Of the Ford Building Was a Friends Studio, For Commercial Photographing A Ponderous sized Room Complete with 12 foot ceilings 6' x 4' foot Softboxes on Stands 10' boom Stand angled is Key Lighting All Surround a Mottled Muslin Background 1200 Watt Strobe Pack with cord like snakes To Strobe Heads, Imbue the room with Light Some soft shadowless, other pin sharp bright Instantly my mind took in the Possibilities If I should delve into this Art of Photography So Enamored was I, to use Studio and Lights I mopped and polished floor to a Shiny Sight The feeling I had connecting Camera to cord I knew that Moment I could ill Afford to Not Pursue this Pashion as I Shot a..... Lovely Young Model of Fashion Accordian Like Toyo Large Format Camera Ansel Adams treked up mountains to shoot Vistas Have Stood the test of time, and Anals of our History Or the Mamya's and Hassleblads Favored By Fashion The 35mm Nikon F3, though its one I could ill afford He used to teach Me, and Softboxes the Light Adored It was Barely Shadowy, A Keylight with a snoot was bright With Light and Shadow my Palette I began Photography Of the Studio Life and the Parties at Night, I could go on and on, Cold Pressed Coffee Long after Sunrise, was the Ritual of the Yawns This Tale's How I began the Art of Photography...JMF 3/2/2015 I went on for 10 years Doing Commercial and Weddings My photo website is www.shamusmediaarts.com
0
Mar 2, 2015
Mar 2, 2015 at 2:32 AM UTC
Photo Studio
The tulip phase, The daisy haze, Where daffodils sway The wind is grey— The light so white, Shadowless May.
0
Aug 16, 2014
Aug 16, 2014 at 8:26 AM UTC
Happy Place
Race me to the hilltop I'd love it more than anything any little thing any little thing any little thing There there'd be buried treasure we'll find some, if you like I'd want nothing more. We'd spin around looking 'round: trees, birds, bees and whatnot; the sun and shadows like clockwork; any little thing we find. When we talk, let's not ruin the hilltop peace. When we talk, let's talk in short words give each other one-letter poems or one-poem letters. Then we'd talk of nothing more and only the grass underneath moves, waves, dances and speaks formless, shadowless, weightless under the black canvass of stars. Then, again we'd run.
0
Dec 22, 2014
Dec 22, 2014 at 1:51 AM UTC
Hilltop Dance
I. a wide open space. empty. except for a lone chair. II. a large variety of colors. some yellow. some blue. all closed. III. the curtains have been closed for a while now. it has solemnly seen light. IV. it has stories that have never bothered to be discovered. V. it is not the stories' fault. VI. the chair has given up on the thought of being accepted. VII. the spines of the books are wearing away. not as much from being old as to being ignored. VIII. there is no electricity. the lights burned out a while ago, and no one bothered to replace them. IX. the floor is shadowless. it is opening, but enclosing. X. the stories are lathered in dust. XI. even though they've been disregarded, the paper cuts just as bad when it slices your hand. XII. you can hear the sound of retreating footsteps, too afraid of what lies inside the binding. XIII. I am left alone. encased in the wood of the bookshelves.
0
Sep 13, 2014
Sep 13, 2014 at 9:11 PM UTC
13 ways of looking at a library