"sacs" poems
you text me to say you're coming over
and
my heart does jumping jacks
it does pull ups on the bones lining my ribcage
my veins become skipping ropes
my heart
races and
races
until
my lungs inflate like giant love sacs
and my heart collapses
resting in your presence
as soon as your fist hits the door.
Feb 23, 2015
Feb 23, 2015 at 11:20 PM UTC
between the concrete river
& the park where the bums share a bottle
wrapped in a brown paper sack,
there is a cul-de-sac of plastic houses
holding hands & sharing manicured lawns
wooden cars that don't even make any smoke
drive down gray asphalt streets.
fathers that tell mothers they have jobs
wear down street corners sharing beers with the bums,
like they already are one.
all these paper families rubbing shoulders
until everyone has paper cuts.
going home to dinner around a table full of paper love.
suburbia is flimsy
paper towns shining white
smiling neighbors & shared lawns
paper people slowly falling apart.
couples with their tongues down each other's throats,
midnight in supermarket parking lots
dribbling beer in the backseat
they bought off the bums.
they say,
I love you, I love you, I love you.
until she leaves for a paper husband
& he leaves for a paper wife.
now they live on two separate cul-de-sacs
with the same cutout love,
as the parents they despised.
& when they have kids one day
they will tell them
*never kiss before driving,
never befriend bums,
or guzzle cheap beer in backseats,
or on park swings.
& never settle for a paper husband
or a paper wife.*
remembering the love
that was flimsy,
but never paper.
100,000 miles away from where they grew up
& 3,000 miles away from each other
3 kids each & plastic houses
rubbing shoulders & sharing lawns
living in a paper thin suberbia
chafing under their paper love.
Apr 15, 2017
Apr 15, 2017 at 3:09 AM UTC
Nothing works out in the end.
All of us will be gone.
Our name will not be remembered.
The signs and lights will fade to black.
The Hollywood sign will collapse of old age, like us.
Poppies shrivel up, their red coats falling onto the scorched earth.
Grapes transcend into wrinkly sacs of bitter wine.
The way your hand slipped in mine,
the fingerprints will rub away.
Our heart beats slow,
diminish.
Our laughter evanesce,
wanes
as our voices descend past the Pacific ocean.
Sep 28, 2015
Sep 28, 2015 at 12:33 AM UTC
My dearest love,
If I were to explain the music in my ears,
It’d be an algorithm of lovely ardor,
Fervent beats and emotional rhythms,
Pursue a possibly tangible idea,
Shining lights and keyboards,
Coffee colored electric energy,
Pulsing in amber jelly motion,
A metaphorical knife is ****** into the solar plexus,
Stimulating the tear sacs,
Which then open and shed a bassline,
Which repeats in nonexistent space,
Maybe…
Just maybe…
It stretches into eternity.
Oct 15, 2014
Oct 15, 2014 at 6:59 PM UTC
Write about socks, she said...
Write about socks, she said.
She likes socks, I guess.
Socks are cool, she said.
Socks are sock are socks nonetheless.
Socks are cotton clad elastic sacs,
They go on your feet and they can go up the ***
(That last line was a reference to how I feel when I hear bull crap.)
Particularly my own when I'm intoxicated on life.
This poem is for a girl in New Jersey.
There's dirt underneath my socks, but there's concrete underneath hers'.
Jersey girl's wind is colder than mine, and it smells like one of the smallest states in continental America.
My Georgian wind always feels like a broken leaf.
I like my wind though.
There's a small draft between my toes here.
It sort of feels good.
That's what it's like when I don't wear socks though.
It sort of feels good.
As for Jersey girl.
She likes socks, I guess,
but I'm not one-hundred percent sure yet.
She is.
Mar 8, 2014
Mar 8, 2014 at 6:18 PM UTC
Monroe Ave c. 2018, in my own dream land. K. Daniel's Revelation, cannot reverse what's starting to happen. Darker, more forlorn. No more bar and restaurant patrons, the streets are just a scattered herd of pestilence. No cars, the somnambules own the streets in silence. Honey dripping hipsters, years gone. ***** clothes, hair past their pearls. Asking for boy, asking for O.P.s, asking for girl, asking for crack, asking for methamphetamines. The only noise.
We lost the reclamation of the city our parents left. Escaping dead end cul-de-sacs of basement poverty, we no longer had to drive. Stacked with our friends in tenement commune. We delivered the body we consume in service, catering to a more privileged few. Only responsible for one when long work was done, I ensured my red blood's full of fun. We drank and inebriated with design when allowed more free time. But, darling, I think this town was already gentrified. We changed no thing.
Dec 14, 2013
Dec 14, 2013 at 11:03 PM UTC
American city, your roads make me gasp,
Hold my breath with cancerous anxiety.
Your sidewalks,
Ancient ruins of time passed: A failed optimism for Utopian desire:
A house, a yard, a car for every person.
Now derelict, termite infested, but rented.
Chlorinated chemical water runs through rusted, moldy spickets to
Rinse pesticide seasoned vegetables.
And yet they remain so tasteless.
But who cares?
Suburban middle class zombies?
Created with media placed propaganda.
Born and inoculated with DisneypepsiMccocacola ideologies.
Oh Wal-Mart,
how we love your homogenized Chinese products.
Oh America,
how we love your multi-million dollar cathartic films,
They bring my mind to no place and inspire nothing.
Your theme park inspired retail caters to any identity I desire:
I am a professional,
My wallet lined with the best credit cards,
SUV, Hummer, Super boat, designer label, mall bought,
bleached teeth smile, with slick greasy hair style.
I'm cool, I pay for the gas.
Beep your horn, and rev your engine.
We are at war with each other.
Everyone get out of my way: road rage lifestyle: compete or die.
Big screen television dream.
Bought it at Target.
Open my cupboard: Macaroni and Cheese, delicious.
Ambian, Prozac, antibiotic, Listerine.
Collagen bovine beauty:
Manicure, pedicure, dye and wax
Acrylic nails, hair extensions
And silicone sacs.
Oh, American city
How we want to steal your money and **** your blood.
Chop your trees and cement your grass.
American city you are dead.
Jan 11, 2010
Jan 11, 2010 at 6:22 AM UTC
Born of fear, fueled by anger
This resentment I feel for you
Creates abscesses on my soul
Poison filled sacs of toxic hate which
Rise like bile in my gullet
To choke my spirit
Much like the dead alcoholic
Who's aspirated on
His own ***** and phlegm
A bloated purple carcass
Devoid of autonomy of spirit
Self-obsession robs me
Of conscious truth
Fear - that your indictments
Against me will be brought
Before the grand jury of
The universe and I will be found lacking
Resentment - at you for not becoming
A willing patron of
My brand of truth
Anger - at me for my own failings
Brought to light
Secrets I can no longer hide
While my defects are
Glaringly obvious to
One as enlightened as
You purport to be
Did not your path to
Spiritual perfection
Contain the blueprint to
Correct your vain sins of glory and
Indignant self-deception?
Is not your lofty status
Grand enough to look upon
My humiliated soul with
Something less than contempt?
Mar 8, 2015
Mar 8, 2015 at 7:07 PM UTC
apple
did you imagine red?
so did I
which is weird because the apples I eat are kind of yellow
asia
I said asia
not China
I remember the time
my history professor told my class to imagine asia
I thought of an exotic
country
with arab sheiks
and snake charmers
the Chinese
the Japanese
chopsticks
and the orient
it was then that she pointed out
"haven't Western ideas just messed with you?"
and it was then that I realized
"Wait; I'm Asian. I've lived in Asia all my life."
how come I saw it as something foreign
and strange?
I've never even seen the things I imagined.
I remember when I watched Big Bang Theory
and the four friends sat down to Thai food
Raj made the mistake of asking, "where are the chopsticks?"
which led to Dr. Sheldon Cooper saying
(in this paraphrased version:)
"they don't use chopsticks. They use spoons and forks.
The fork doesn't go into their mouth.
They use it to push food unto the spoon, which then goes into their mouth."
I sat there thinking..
well that's weird
when a couple of months later as I watched the episode again
I realized
that's how my people eat!
that's how I've always eaten..
the houses I picture in an average neighborhood
are two story
concrete structures
with shingled roofs
cul-de-sacs
and oak trees
my own house
is one story
of brick and wood
it is beside a highway
and surrounded by guava trees
and coconuts
I don't even know what a picket fence is.
Sep 14, 2011
Sep 14, 2011 at 8:19 PM UTC
Inspired by George Ella Lyon's poem Where I am From
I am from cul-de-sacs
From skinned knees and seven speed bikes
I am from the bewitching perfume of the osmanthus bloom mingling with freshly mown grass
I am from the familiar music of the bubbling creek and the cardinals song
the swish of a golf club and the thud of a soccer ball
I am from hot pavement on bare feet, the taste of honeysuckles, and reaching pine tree forests whose invisible trails and clearings became my secret empire
I am from airplanes and home cooking
From Mary and Mark
northern accents and southern hospitality
I am from "use your manners" and "Not enough month left at the end if the money"
I am from sunday school and patent leather shoes that pinch my toes
from a prayer before dinner that is carved into my brain
I am from poland
from poppyseed kuchen and kielbasa
I am from my grandmother forgetting baking soda in the bread
and then... years later, forgetting me too.
I am from my grandfather's sense of humor
and his unwavering stubbornness.
I am from too many cousins to count
from pinched cheeks and "How you've grown!"
I am from piles of unfinished photo albums
brimming with new adventures, frozen faces, and old memories
I am from the path I carved for myself with tools that my parents bestowed upon me.
Apr 8, 2013
Apr 8, 2013 at 1:14 PM UTC
We watched the sun fall down and scrape its knee again, across the horizon.
Effusing amaranth, carmine, and cochineal across polluted vista.
It felt petty to issue guttural laughs, or engage the myofacial crescents beneath its visual lament as the Earth turned its back again.
We watched the sun rise, bruised, tender and shy this morning.
Its muddled contusion obviated by the gauze of fog.
A mottled neophyte -
Luminescent crepuscular rays defied dregs of interstellar debris and cloud.
Aching to kiss your skin -
In stellar cloud nursery, it eschewed the torque of orbit and gravity - eras before verity of your essence.
Humbly settling concentrically about oblate sphere, and gaseous tome.
Latterly - It altered the atmospheric pressure on the other side of the planet a week antecedently, as you clung to your dream lattice, and Earth innately turned oblate nucleus.
Its intent –
A veneration of you.
It bade the atmosphere convey a breeze echoing about your dermis, as it gilded your frame laconically, betwixt shaded steps beneath cloud and arbor.
The sun yelled at me at its pinnacle today,
Pallid bone – molten - miasma of rage
Its core missive garnered inertia – coronal plasma warping ellipsoid factions in inflections of elusive filigree
Pirouetting spicules spattered smelted torrents in the dismal anchorite
Atomic schism – silent but felt
It stoked humidity under shadowed niche - casual vaporous smears evinced no clemency.
Flesh torqued, and seized beneath itself, briny globules shed from puckered pore.
Culminations of sensitive fluid sacs scorched into the shallows of my chassis.
Insignia knit in cellular shrapnel
The sun ignored me today – or perhaps, it was I it.
Enigmatic tenacious resolution – an echo of its gravitational collapse
Inverse thermonuclear fusion
It is not fear in a relationship that keeps you apart, it is neglect of the infinitesimal.
Jan 26, 2014
Jan 26, 2014 at 9:13 PM UTC
In the book Going Solo,
Roald Dahl wrote about a woman
Who refused to eat anything with her bare hands
Instead, everything had to be handled with utensils
Knife in one hand and fork in another
She described the satisfaction of fruit cutting
The inexplicable joy at cleanly cleaving peel from flesh
Skill precise as a surgeon
Cutting it up according to Nature's dotted lines
I tried it on the same fruit
Somehow it just didn't feel right
Too refined, too silent
Unlike the practised deft peeling with bare fingers
Fingernails digging into the fruit, both refusing to compromise
Until eventually, the rind gives way and a cut is made
And from that same opening, tearing outwards
Sounding like strips of velcro are slowly being separated
The uneven globe of translucent orange flesh coming naked
Its pith shielding you from its full bright glory
Pulling it apart by halves, and then quarters, and then tenths
Each crescent shaped carpel in its mouth sized perfection
Sacs accidentally bursting, fingers sticky with juice
That is how an orange ought to be peeled.
Mar 19, 2013
Mar 19, 2013 at 10:24 PM UTC
Minuit à Paris
oui, oui Missour, excusez-moi s'il vous plaît,
peux je prendre vos sacs, être bienvenu au Ritz
Je suis plus sûr, vous apprécierez votre séjour
Paris est le plus heureux, vous voir M. Fitz
Paris au printemps est une si jolie vue
les fleurs tous dans l'éclat, l'horizon la nuit
le soleil brillant shinning maintenant, peut-être une ****** d'après-midi
planifiez votre jour bien avant vous le trajet en haut dans la tour
le fait de promener devant le cathederal de Dame Notre
le fait de penser au carillonneur le vieux bossu
comme la liberté de Philadelphie, la cloche a un craquement
le fait de prendre d'assaut du Bastille, pour soulager la honte
au Louvre pour la plupart d'art exqusite
Rembrandt et DaVinci à leur meilleur
tant de choses à voir c'est juste le début
voir tout cela serait une quête fantastique
le temps pour un trajet en bas le fleuve de Seine
les vues étonnantes cette vieille ville peuvent livrer
une bouteille de Vouvray agréable pour améliorer le trajet
une jolie femme locale directement par votre côté
maintenant vous pourriez lui demander si elle aime danser
car les clubs dans Paree sont oh si parfaits
le club la Plage aussi un grand endroit pour dîner
un temps magnifique, le Minuit à Paris, France
Gomer LePoet
Sep 1, 2011
Sep 1, 2011 at 2:30 PM UTC
Let me tell you a story.
When I was young, I was convinced one of two things would happen:
I would either die young or I would live ignorant.
And I was allowed to believe it.
I was careful, avoiding snakes, spiders, dirt, human beings, love.
I horded books, enough to give myself a doctorate in any field.
And I was called paranoid. Idiotic. A fool. Freak. Doomed.
But, I kept living anyway. Destroyed, most of the strings in me cut.
But living. And I was allowed to believe it was a gift.
Of course, this is a fiction, lie, metaphor, but the truth stands.
Children are not born to be afraid. They are taught.
Fear is conditioned. Rewarded. Considered a virtue.
The wildness of youth is tromped upon by cleat-clad "caution."
Gone are bright eyes, reckless smiles, heads thrown back. Life.
Dull glances, insurance, cul-de-sacs, and bitten tongues reign. Fear.
And fear is one of the deepest scars we can inflict upon another.
This story is not mine, though I have been the one to tell it.
But I am human. An ocean. A fault line. A candle facing a storm.
This tale, in some chisled fascet, mirrors my own.
And it will continue as long as I draw breath.
Aug 7, 2018
Aug 7, 2018 at 12:51 PM UTC
Your stained life came to fruition,
that frustrated lament
like the wind whistling down a chimney,
you still held your parched desires
to be awaken brick by brick
your opaque eyes mused
a lost rusted recoil
from where your head used to turn,
down gullies and cul de sacs
until you ran out of retreats,
a pied-à-terre of disrepute
like a dreg sipping sloe gin
your nostrils flaring in the void
Feb 21, 2014
Feb 21, 2014 at 3:58 PM UTC
We are born for a purpose but
We lay in silence
Silence that we long to escape from
But until the promised time
We can just hope
For a jail free card.
The authorities decide
And we rejoice
Because hope is about to materialize
We are about to be let out
So we stay aroused.
We pack our bags and belongings
We are leaving Egypt
Into the Promise Land
Where our destiny lies
But where lies exist
We are never certain
But we cling on to hope
Now
Hope disappoints
And decisions are overturned
An authority has cold feet
Seems we are going to stay in Egypt
We plead Mercy, but she's got her mind made up
Now dreams have been shattered.
Anger embraces us
And in our moment of rage
We decide to riot
Disturb our sacs until we are let out!
Oct 24, 2013
Oct 24, 2013 at 4:17 AM UTC
lungs
Consisting of elastic sacs with branching passages into which air is drawn so that oxygen can pass into the blood and carbon dioxide be removed
You planted flowers in mine and my body has not adjusted to breathe the different air.
I have forever felt at one with nature and hold the desire to assimilate myself in to it
But Today my body is not ready
My body will not accepted that as nature I will be stepped on
My body is A lot stronger then my heart is
I want my chest to be molded to hold all of which you want to give me
I want to say my carbon dioxide receptors will develope
like I can turn by body into something it is not
for you
but truthfully i know better
My body is resistant.
My muscles fight for me when i am on longer doing it on my own
When i don't understand that this is a battle to the death
I wanted to give you something and didn't even contemplate that you could to **** it
I don't think it was intentional
But you have uprooted all of my nourishment and put it in my lungs
and although it is beautiful I cannot digest from my lungs
My life as this is not yet over
I have drawn from my skin all of what it had and more
I have picked at my bones i have tried to push them closer together
I have tried to make my body pretty and artfull
upon finding out that beautiful starts with self acceptance
I worked on believing that i am beautiful
I was coming to peace with loving myself
I had become a garden of my own
flourishing off of what i had around me
When you arrived you began to dig up the roots I was using to cope
swinging your shovel around like you didn't know the importance of what you were doing
WHile you were teaching me that your acceptance of me was more important than that of my own
The mind of which i follow told me that this was okay.
My body called ******** not ready to be stepped on
You had felt me with the rest of your body
And planting the flowers in my lungs was so you could feel me under your feet
Your feet are not the ones i want to be underneath
When my body is ready i will go into the ground
And the bereaved and the grave diggers and distraught will walk across me and my body will become that of another nature
For the first time my body will feel completely solid.
Nov 29, 2014
Nov 29, 2014 at 3:15 AM UTC
Like sad deflated sacs
Scars webbing keloid
Across the flattened chest
Where ******* were saved
From slashing scalpels
Not to become medical waste
But reminders
That a life that must go on
Compromised
By the toll of life.
And now I have lost you
You being my lust
To kiss and caress
The body I desired
(But mainly your ****
And now I am left with a person I despise
For your beautiful *******
Made me forget
Your empty soul.
May 15, 2013
May 15, 2013 at 9:02 AM UTC
The factory is a human mutilation of our soul
Mindless repetition putting out one part of a product
No skills fully learned or refined just another machine
Nothing to learn and grow for, nothing to strive for
Just day in and day out until death, illness, or retirement
Claims your fleshy sacs of aging water skins
Nov 26, 2014
Nov 26, 2014 at 1:48 PM UTC
I once knew a girl,
back when my posture was good,
we wore matching shirts,
jeans and shoes.
She kept her hair long,
to hide jealous shoulders.
All the loud voices
didn't have a thing to say.
They didn't resonate,
hammering on doors,
denting ear drums,
enunciating mispronunciations.
I played football in times square,
passing glances and stairs,
had rock climbing races
to higher elevations.
My badly tuned feet couldn't run,
ankle bones off key.
There's a saltwater film
frosting my eyelashes,
clinging to my tongue,
holding down my yells
to the quiet machines
that toss boiled eggs in the air.
Up to their knees
in the dark left behind by streetlights,
they rolled up their pants for wading.
They lingered in docking terminals,
standing still,
becoming dust collectors.
Somehow we're all just wanderers,
citing passages we herd
in front of us like mountain goats.
Ambling across empty intersections,
walking in handstand through cul de sacs,
picking up litter from busy streets.
Books for readers wear little letters,
use big words with four syllables.
They showed me how to fence with trains,
ride red wagons down hills,
win marmalade coated cricket matches.
I never judged the typos to be out of place
(I accepted the bits they forgot to erase)
Jul 13, 2013
Jul 13, 2013 at 3:47 AM UTC
L’épicerie «Mozabite» d’Akbou
S’il y a un lieu dont je me souviens,
C’est de l’épicerie d’Akbou,
située dans la rue centrale.
J’y accompagnais mes parents,
et pénétrais dans cette échoppe
avec tous mes sens en éveil,
surtout pour humer les senteurs mêlées
des jarres d’olive et de piments rouges.
L’épicier était Mozabite,
avec des pantalons bouffants.
Le roi des commerçants du lieu,
car dans l’espace resserré
jamais rien ne vous y manquait
dans cet incroyable fatras
où le «Mozabite» faisait ses choix.
vous tirant toujours d’embarras.
Il y avait des tonneaux d’olives
vertes ou noires dans leur saumure
avec ce goût qu’elles ont : «là-bas.»
et puis ces senteurs mélangées
de menthe, paprika, cumin
des parfums de fleur d’oranger.
et à la belle saison des dattes
pendaient les «reines» : «Deglet Nour»
Parmi toutes ces friandises
Il en est deux qui pincent mon coeur
Cette galette ronde et si tendre
la «Kesra» plus tendre que le pain.
et les sacs remplis de semoules
qui sont la base du «Couscous» Kabyle
Alors que l’agneau est son prince
Merci à l’épicier d’Akbou
qui sut si bien aiguiser nos sens.
Paul d’Aubin (Paul Arrighi)
Toulouse - février 2014.
Feb 22, 2014
Feb 22, 2014 at 5:03 PM UTC
"1 in 8 women will develop breast cancer over her lifetime"
my mother’s eyes did not blink as she spoked riddles.
i stared at the lump. an alien invading.
War of the Worlds.
"For women in the U.S., breast cancer death rates are higher than those for any other cancer, besides lung cancer."
she was in the hospital, a week, or two. it felt like five years.
i did not sleep that summer.
drunk off sake, my mother still did not cry.
"In 2011, an estimated 230,480 new cases of invasive breast cancer were expected to be diagnosed in women in the U.S."
the night before surgery, I cried until my lungs flopped to the floor
like two useless sacs of atoms.
I scratched my skin until morning,
waiting until my veins leaked.
"A woman’s risk of breast cancer approximately doubles if she has a first-degree relative (mother, sister, daughter) who has been diagnosed with breast cancer."
some days my ******* will sting, and I imagine a small demon,
with horns and razor teeth eating away at the inside of my *******
when in the shower, I will cusp them in my hands, waiting to feel bumps.
instead I feel too small ******* with a heart that beats too fast.
nights, I dream of my mother with only one breast,
I dream of myself with no *******
The most significant risk factors for breast cancer are gender (being a woman) and age (growing older).
let me never grow older, for I do not want my territory
stained. but I feel it squirming, and I want to **** it out with my
teeth.
it is pathetic that I am most worried about shaving my
head.
Sep 25, 2013
Sep 25, 2013 at 11:05 PM UTC
It slips,
this new surrender,
past the rusted locks
and caution signs
and crumbling roads
of cul-de-sacs
and vacant lots
and open tracks
to freedom;
where conundrums play
and secrets huddle
and bodies lie
and youth decays,
retired past expired days
Engraved in time,
cocoons and shells
and nests are hung
and quartered for a chance at love;
the way ahead,
receding,
half behind
and part enslaved
(a mask of promise worn from birth to lucid grave)
And,
like an avalanche,
it falls in quick pursuit,
this multiverse of
filthy guise
– of liquid paths and dangerous eyes –
and ruby coloured blushing cheeks;
where every lover’s
heart of sponge or stone
descends to meet . . .
heating,
for another touch
beneath the fraying sheets
And all the while
in rush and glory,
time,
********** moments
as it passes, flies away –
manifest instead as flesh,
(again)
with wings that only beat
to re-transcend
and scar
and mend in
pounding,
swollen,
rhythms,
c
l
a
w
i
n
g
for the warmth of smothered distance:
roaring
for a welcome end
So,
spaced between
the tics
and tocs
of darting pain
and thrusting *****
of ***** aroused, abused, and shamed,
a silence, near, deploys again
the ever caged
and emptied song
and lusting shame
of mouths and tongues,
inclining, fast at last
to go
from whence it came
to soak the mind
and strip the soul
and blur the lines
of time and toll,
buried,
in surrender, whole
Jul 20, 2015
Jul 20, 2015 at 11:04 AM UTC
this love is now & new & once again
stabbing @ me like durga-like diety
with sweet golden daggers
an essential togetherness
teasing out of these odd surroundings
I was listening to Jack Kerouac on the way
home in his mad
bop rhapsody apocalypse
streaming out my speakers
while familiar streets crawl past
once again
I'm thinking
as the day old glum spread over me
& out to envelop all I see
how little different to be watching
seeing street signs all opening
into cul-de-sacs and open storefronts
paraded in the endless traffic flow
now bent slow over
feeding my cat crab cakes
that my mother made
myow myow, he goes
& I acknowledge
myow myow, he goes
& I answer
what?
what in god's name is
the matter with you?
myow myow
his solemn reply
licking @ a piece of
exposed claw meat
nestled among old bits
of dry brown kibble
how about this soul?
how about this life?
this sickness?
how about this always seeking I?
how about he music of my mind
in untraceable car rides alone?
wherefore to I wander
ceaselessly in search of what
wonders where I might be
born on the road of least descent
cat paws, grabs @ bottle caps on
grained wood table
my media
fizzles & searchlights
in my window
there is something I'm not facing
something inescapable, my love
like you
born of locusts in the dust, my love
like you
my weary dune-mother
how solemn are the tunes that run
thy face, o' mother and thy will
how broken are the lines upon thine
shining brow in bedroom windows
open to the world like peace
stolen in the sad glance I gaze @ everything
stolen is the cup I fill @ leaking kitchen
sink pipe strands of scent or bark
of neighbor dogs amusing grass flow
weather flowers under well I'm never
knowing what--I never will
no matter, all is well
another's all is nothing now
where knock goes streaming
crashing loud
like anvils in the rain
it's only me
how now, my dear contender?
like a shadow fallen into sound
how now the planets unwatered?
how now the roots are killed?
we all inhabit the same fears
how rabbit hides his smear
to give me a surprise
for me, none so dear
than the mystery
& April dies today
May 17, 2016
May 17, 2016 at 1:54 AM UTC
Evidently frogs lie in wait,
And the moon sets on stranger ground,
Than we will ever imagine,
Grey landscapes of endless twilight and,
Shifting sand,
Shadows that congeal into shapeless forms,
Gliding over dank walls,
Flowing into dimly lit caverns,
Filled with hunched figures,
Hundreds of them,
Four limbed slugs captured eons ago,
Growing wings and emerging from sacs,
Peering into neon and,
Farting occasionally,
Stubby limbs chained to,
Grimey floors,
Tubes running into foreheads,
Ruffling DNA,
Every so often we run into humans,
Who do not understand,
That they are only Earthlings,
This side of the Universe,
Night flies on computer screens,
Attracted to the light completely.
Jul 20, 2012
Jul 20, 2012 at 4:53 PM UTC