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"purpled" poems
when god lets my body be from each brave eye shall sprout a tree fruit that dangles therefrom the purpled world will dance upon between my lips which did sing a rose shall beget the spring that maidens whom passion wastes will lay between their little ******* my strong fingers beneath the snow into strenuous birds shall go my love walking in the grass their wings will touch with her face and all the while shall my heart be with the bulge and nuzzle of the sea
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50k
When God Lets My Body Be
The day you died I went into the dirt, Into the lightless hibernaculum Where bees, striped black and gold, sleep out the blizzard Like hieratic stones, and the ground is hard. It was good for twenty years, that wintering -- As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity. I had nothing to do with guilt or anything When I wormed back under my mother's heart. Small as a doll in my dress of innocence I lay dreaming your epic, image by image. Nobody died or withered on that stage. Everything took place in a durable whiteness. The day I woke, I woke on Churchyard Hill. I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence. In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil. This is Azalea path. A field of burdock opens to the south. Six feet of yellow gravel cover you. The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a ****** dye: The ersatz petals drip, and they drip red. Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming. I borrow the silts of an old tragedy. The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea. The stony actors poise and pause for breath. I brought my love to bear, and then you died. It was the gangrene ate you to the bone My mother said: you died like any man. How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat. O pardon the one who knocks for pardon at Your gate, father -- your hound-bitch, daughter, friend. It was my love that did us both to death.
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6.6k
Electra On Azalea Path
The day you died I went into the dirt, Into the lightless hibernaculum Where bees, striped black and gold, sleep out the blizzard Like hieratic stones, and the ground is hard. It was good for twenty years, that wintering -- As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity. I had nothing to do with guilt or anything When I wormed back under my mother's heart. Small as a doll in my dress of innocence I lay dreaming your epic, image by image. Nobody died or withered on that stage. Everything took place in a durable whiteness. The day I woke, I woke on Churchyard Hill. I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence. In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil. This is Azalea path. A field of burdock opens to the south. Six feet of yellow gravel cover you. The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a ****** dye: The ersatz petals drip, and they drip red. Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming. I borrow the silts of an old tragedy. The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea. The stony actors poise and pause for breath. I brought my love to bear, and then you died. It was the gangrene ate you to the bone My mother said: you died like any man. How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat. O pardon the one who knocks for pardon at Your gate, father -- your hound-bitch, daughter, friend. It was my love that did us both to death.
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46
Dinner is done everyone's settled the evening.....like the moon.....is full... the weight of the night has itself eased into mine, my expected moment of slumber...now distraught... the Heavens are purpled twilight drapes have fallen, winds of March...bellow .........my pillows ..............are hollowed .......................by my elbows ......as a distant rooster crows........ i lie on my abdomen...legs swing back and forth, catching inspiration, a word, a daydream...a thought, i grab a pen falling, i grasp a journal, a book, ...............everything is within reach but, not...the....long..................stretch of hours....of a sleepless night...whence ....spiced...spiked...and sugared memories... ..........accompany me...and sail with me .......as i cruise along this lethargic sea 'neath a silent dark, where aches are loudest .........domed, by an unworded loneliness, i am wearied by a flow, that is endless, .....this minute...imagination is ceaseless ........i reach for my mug....but, it's empty .........................i hear no liquid seething this moment,  a dark sea, should be brewing.... this hour, verses must be a river, overflowing, ...enfolding, this cool and starry, starry evening... .......i am caffeinated....even without coffee.... Sally Copyright March 23, 2017 Rosalia Rosario A. Bayan
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Mar 23, 2017
Mar 23, 2017 at 1:49 AM UTC
Caffeinated
The sprouting buttercup dangles into the purpled, doting sky. It's waxy spangles nuzzle the moist, crisply dewed, fluff whilst billowing across merry air.  The yellow buttercup dozes in spiced, lean dapples, setting its soul ablaze in sumptuous echoes at the sheer drape of dawn. The teacup buttercup outspreads it's wings amongst tall spiked grasses and wild flowers. Shifting shafts and shards of grass and glass and forever awaiting the larks cry which means its time to die.
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May 19, 2014
May 19, 2014 at 7:24 AM UTC
The buttercup.
I am he who blistered and purpled his aching fingers, upon playing the saddest, dissonant melodies out of his old, untuned guitar, whose strings of somber used-to-be's he ceaselessly strummed and plucked under the dullest starless night sky; and sing of his weeping heart the poetry of melancholy notes half-composed. It is me-- the lone guitarist on broken avenue who never stopped playing his love song of rue since you left-- whose only lyrics is your name and your words he dearly kept.
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Jan 17, 2016
Jan 17, 2016 at 3:45 AM UTC
The Guitarist
Mark but this flea, and mark in this, How little that which thou deny’st me is; It ****** me first, and now ***** thee, And in this flea our two bloods mingled be; Thou know’st that this cannot be said A sin, nor shame, nor loss of maidenhead; Yet this enjoys before it woo, And pampered swells with one blood made of two, And this, alas, is more than we would do. Oh stay, three lives in one flea spare, Where we almost, yea, more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is; Though parents grudge, and you, w’are met, And cloistered in these living walls of jet. Though use make you apt to **** me, Let not to that, self-murder added be, And sacrilege, three sins in killing three. Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? Wherein could this flea guilty be, Except in that drop which it ****** from thee? Yet thou triumph’st and say’st that thou Find’st not thyself, nor me the weaker now; ’Tis true, then learn how false fears be: Just so much honor, when thou yield’st to me, Will waste, as this flea’s death took life from thee.
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2.7k
The Flea
Everything thing you are about to read is the whole truth, and nothing but... she flew via jet blue, da coop decamped urban lands, leaving poet producing this piece de (at-the-door poem-de crap) resistance: Sad mad bad where I asked? a mountain in Mexico, where purpled pink wild flowers decorate, and the yoga mat is never rolled up and post pampering included! harrumph, and worse, exclaimed **NYC got florists and yogi masters for hire** with my sisters, will commune, hike by dawn light, eat veggies day and night and bone my body with exercise **Manhattan got veggies, central parks, and occasionally a pretty dawn, bone doctors extraordinaire, don't you know the best veggies, grown in Whole Foods in the Time Warner Center? go then, leaving poet, sad mad bad to salve my soul, know this! I am eating a tuna Swiss melt, French Fries and ketchup, Danish made with Danish cheese, drinking my fatte latte. This my stress, so well expressed, but baby, be advised, I am doing it, in our bed! all day tv watching, crushed neath an inconsolable need to do all those spiritual things of which you disapprove!** you went down the long hallway at 6am, you thot you heard me say, Leila, you got me on my knees! what was said but this: *Save me babe, from doing as I please!*
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May 11, 2014
May 11, 2014 at 10:02 AM UTC
She Decooped and Decamped
Come home from eagle-throated distance, The canoe-tip of the crescent moon scuds Into the silted, mud-bed of heaven. Her face-dream beside the pine trees The mollusc of purpled wampum beads shining.   Bury my hands, ninidji, in the eagle’s nest, Carry my feeling words to her on wings. Let her mix roots, berries, clay and the feather of my hands To paint her face with my words and these trees. Or let my hands ripple like flat-fish Above the silt-bed of her slim stomach, Held there in radiant scaled warmth. Lappihanne, the rapid water of our river heart, Like an arrow that glides from the bow, My people where the tide ebbs and flows. To us both, the dark, golden edge of woods whispers, kuwumaras… And the water arrow will never land, But carried in my eagle’s hands, I say kuwumaras, my love, and pierce through all darkness To the empty path made full with the ripples of all who have passed. My nika, swan of the woods, let us dive into the dark, golden sea Of forever in the hills.
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Jul 19, 2019
Jul 19, 2019 at 12:15 PM UTC
Algonquin Love Song
You say you love, and yet your eye No symptom of that love conveys, You say you love, yet know not why, Your cheek no sign of love betrays. Ah! did that breast with ardour glow, With me alone it joy could know, Or feel with me the listless woe, Which racks my heart when far from thee. Whene’er we meet my blushes rise, And mantle through my purpled cheek, But yet no blush to mine replies, Nor e’en your eyes your love bespeak. Your voice alone declares your flame, And though so sweet it breathes my name, Our passions still are not the same; Alas! you cannot love like me. For e’en your lip seems steep’d in snow, And though so oft it meets my kiss, It burns with no responsive glow, Nor melts like mine in dewy bliss. Ah! what are words to love like mine, Though uttered by a voice like thine, I still in murmurs must repine, And think that love can ne’er be true, Which meets me with no joyous sign, Without a sigh which bids adieu; How different is my love from thine, How keen my grief when leaving you. Your image fills my anxious breast, Till day declines adown the West, And when at night, I sink to rest, In dreams your fancied form I view. ’Tis then your breast, no longer cold, With equal ardour seems to burn, While close your arms around me fold, Your lips my kiss with warmth return. Ah! would these joyous moments last; Vain HOPE! the gay delusion’s past, That voice!—ah! no, ’tis but the blast, Which echoes through the neighbouring grove. But when awake, your lips I seek, And clasp enraptur’d all your charms, So chill’s the pressure of your cheek, I fold a statue in my arms. If thus, when to my heart embrac’d, No pleasure in your eyes is trac’d, You may be prudent, fair, and chaste, But ah! my girl, you do not love.
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1.4k
To Caroline (II)
You say you love, and yet your eye No symptom of that love conveys, You say you love, yet know not why, Your cheek no sign of love betrays. Ah! did that breast with ardour glow, With me alone it joy could know, Or feel with me the listless woe, Which racks my heart when far from thee. Whene’er we meet my blushes rise, And mantle through my purpled cheek, But yet no blush to mine replies, Nor e’en your eyes your love bespeak. Your voice alone declares your flame, And though so sweet it breathes my name, Our passions still are not the same; Alas! you cannot love like me. For e’en your lip seems steep’d in snow, And though so oft it meets my kiss, It burns with no responsive glow, Nor melts like mine in dewy bliss. Ah! what are words to love like mine, Though uttered by a voice like thine, I still in murmurs must repine, And think that love can ne’er be true, Which meets me with no joyous sign, Without a sigh which bids adieu; How different is my love from thine, How keen my grief when leaving you. Your image fills my anxious breast, Till day declines adown the West, And when at night, I sink to rest, In dreams your fancied form I view. ’Tis then your breast, no longer cold, With equal ardour seems to burn, While close your arms around me fold, Your lips my kiss with warmth return. Ah! would these joyous moments last; Vain HOPE! the gay delusion’s past, That voice!—ah! no, ’tis but the blast, Which echoes through the neighbouring grove. But when awake, your lips I seek, And clasp enraptur’d all your charms, So chill’s the pressure of your cheek, I fold a statue in my arms. If thus, when to my heart embrac’d, No pleasure in your eyes is trac’d, You may be prudent, fair, and chaste, But ah! my girl, you do not love.
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48
Lonely time the silent partner my shroud of light untouched ?  Stone horse caravan in flight beckons to your claw , to sail the truth of force untold beyond the gaping maw . The trees a mountainous mirage , the well of life , the soldier’s strife .  Their patterns form a                             vast collage , oming beckoning call of life . Like the drips concentric circles they sing a mighty tune , of the force that has survived the tide to look upon the moon .   A camel’s **** with head and trail the universal drone .  We track across the sea of time like unicorns we hone .  Only to become ourselves as we forge into our home . Tomorrow is only yesterday beyond the here and now .  We all must strive within ourselves to make the tortoise paw .  To stand beside the endless river and be what we can be , until we finally become what we all need to be .  Introspect the bottomless key , to stand an island in the sea . Pieces of jade in a sun bowl , the purpled crystal queen .  The fragments of forever continue with the dream .  Islands in the sun , speaking just for fun , of what it is that out survives the truth that hasn’t come .   God bless the child that has it’s own , gladiator that .
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Sep 11, 2015
Sep 11, 2015 at 3:41 PM UTC
Aura Queen (re-post)
The policeman strides the concrete, some poisoned daffodil in his stage boots of tread and leather and fear of authority. Troll-like he emerges over the sound of the head-dressed busker, her simple song, her trio of chords singing under the shops, who despise her art. And I, against the tide of footfalls and ‘aww’s’ at the latest range of lipsticks and daily distractions, I stop to watch as her will falls limp. Her squeezebox is strangled of sound, and the music dies at the order of an order, the noise pollution of the High Street’s mating call. Chair folded, she evacuates through the traffic fumes, ‘cross the road, and with hope, with fingers crossed and eyes wet, I hope this is a retreat and not a surrender. Once more he strides the concrete, his fluorescent jaundice coat a warning, a reminder, and I see his eyes mouth the words: ‘Your license please,’ he says to her, ‘your paper proof of your right to play. What profit plan do you have in place and who approved your name?’ ‘You can’t call yourself a busker’, he says, ‘much less an artist or work of art, which talent show do you hope to enter, to validate your part?’ ‘Your part in this wholesome land,’ he says, ‘how you do your bit, your profits large, because our economy is going asunder, and so we have no time for art.’ ‘So it’s with no due regret,’ he says, ‘that I’ll send you on your way. And if with you goes the death of music, well that’s just progress made.’ And so I walked away from this scene of deflowered and purpled hope, my stomach wrought with injustice and no nicotine in tow. And it is to this table I am sat, with just one vocation upon my mind; to reclaim her song, now sung in silence, and steel her memory in time. And it is to this table I am sat, with everything on my mind, to tell of what I’ve seen, to indulge another rhyme: Sing to me your sorrow, sing unto the skies, play to me your pleasantries and please purge me of my lies. Pay us with your sorry tune, pay us with your life, all your forsaken childhood dreams, your faded hopes and strife. And please, bathe me in this sunlight, and bathe me in time, scour me with city streets and allow me what is mine.
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Nov 27, 2013
Nov 27, 2013 at 8:55 AM UTC
Upon Art's Wake
The policeman strides the concrete, some poisoned daffodil in his stage boots of tread and leather and fear of authority. Troll-like he emerges over the sound of the head-dressed busker, her simple song, her trio of chords singing under the shops, who despise her art. And I, against the tide of footfalls and ‘aww’s’ at the latest range of lipsticks and daily distractions, I stop to watch as her will falls limp. Her squeezebox is strangled of sound, and the music dies at the order of an order, the noise pollution of the High Street’s mating call. Chair folded, she evacuates through the traffic fumes, ‘cross the road, and with hope, with fingers crossed and eyes wet, I hope this is a retreat and not a surrender. Once more he strides the concrete, his fluorescent jaundice coat a warning, a reminder, and I see his eyes mouth the words: ‘Your license please,’ he says to her, ‘your paper proof of your right to play. What profit plan do you have in place and who approved your name?’ ‘You can’t call yourself a busker’, he says, ‘much less an artist or work of art, which talent show do you hope to enter, to validate your part?’ ‘Your part in this wholesome land,’ he says, ‘how you do your bit, your profits large, because our economy is going asunder, and so we have no time for art.’ ‘So it’s with no due regret,’ he says, ‘that I’ll send you on your way. And if with you goes the death of music, well that’s just progress made.’ And so I walked away from this scene of deflowered and purpled hope, my stomach wrought with injustice and no nicotine in tow. And it is to this table I am sat, with just one vocation upon my mind; to reclaim her song, now sung in silence, and steel her memory in time. And it is to this table I am sat, with everything on my mind, to tell of what I’ve seen, to indulge another rhyme: Sing to me your sorrow, sing unto the skies, play to me your pleasantries and please purge me of my lies. Pay us with your sorry tune, pay us with your life, all your forsaken childhood dreams, your faded hopes and strife. And please, bathe me in this sunlight, and bathe me in time, scour me with city streets and allow me what is mine.
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67
out in the mountains, when my feet are pressed and purpled from pushing the world to roll her callused breast, then each breath, deservingly, funnels the friction into fire. but here our milk flesh thumbs flick the ridges of the flint and through trees we **** a Bic just to exhale flame again. oh-two deprived at altitude or getting high with all the dudes you’d count them as two trails that lead to the same place but that’s just what the map says. neurotransmitter math has sold, by weight, the dopamine wrapped like gods great gift in threads of nervous lace and you forget that different paths never summit the same if steep, or shallow, the peak can be epiphany pleasure or just good **** in green pill bottles, they trap the trees and plastic cages hang on me when the weight of our minds bends our necks towards the asbestos sky where porous plains of ceiling tile have us counting holes in the light so you see my disappointment, when you were too ****** or drunk or cold and said it would be better if we just went inside as we circled up the stairwell you stepped easily on plaster pieces of white ceiling that had fallen to concrete perhaps it is from fear that some can find a comfort having heavens built so brittle that they crumble within reach
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Dec 13, 2011
Dec 13, 2011 at 6:38 AM UTC
Heaven Asbestos
Purple All my thoughts of you are purple. You will ever be inky, Regal, The last colour of the rainbow. Lush berry stain And a famous rain. Pools, purpled with the heart of the moon through thunderclouds, Viscous and inviting. Amethyst lover. A rose dappled with dew. As if it wept Like my bruised and aching heart.
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Apr 27, 2016
Apr 27, 2016 at 9:39 AM UTC
Purple
A barren home, but not of things, where silence wanders curiously down the empty halls. "Who's there?" She stands to peek through door ajar at the dust  ::BOOM:: on the floor.  ::BOOM:: Nothing's stirred and all's in place and all is still but subject’s face: fieldstone hues and wrinkles too. A desol't eve in fickle blue, she’s marching dusk with throated heart. Purpled cirri and pinholes white high above her stalwart ceiling. Shunted thought. Listless thunder. Turn on heel to pinioned sleep; a reeling sanct, an effete lover.
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Oct 27, 2013
Oct 27, 2013 at 10:11 AM UTC
BOOM
With nine iron rods We held the gods Balanced over jam jars Then with nine iron bars We broke those jars And kissed the gleaming Crystal knives left behind Later we spead Their essences on pumpernickel bread We were glad when their folly At last rested in our bellies In the confusion Of our purpled splintered mouths We smiled
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Jan 26, 2012
Jan 26, 2012 at 2:38 AM UTC
Pantheists
He washed his hands in the Caño Cristales. Five colours of healing bruises put to pasture Within his purpled veins. There was blood again; He was now a resident of Earth. ****** hair had grown wildly into a half-beard. He scratched at it in the Columbian sun, Sweating in the lack of British rain And thinking of all the miles he had Put between the two. He’d spent all his life combing the mirror. Combing the mirror and expecting change; An escape from vanity publishers and Celebrity snapshots. Combing the mirror, And so always ending up in the same place. Searching his memories of Peruvian plains, There were diagrams set by the former residents. He took out his folded notebook and started on The Brand New Testament; before throwing Its ashes into the liquid rainbow.
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May 18, 2014
May 18, 2014 at 9:13 PM UTC
Caño Cristales
When sleeping poets do dream Do they dream at certain times the same dreams as us, you, or I Long love dreams without an end Spiders winding and toads weaving Tiny cockle shells or huge daffodils Cold hearts melted or fried ones too Loves not gone the other way again Falling off, falling in, falling down Purpled eyed women and wiggly men Nightmares arriving never in time Time speeding up to stand still again Summer nights in dripping red clouds Rain falling up or tasting sour winds Chased once around the world twice Losing anyway the long way back in Winning big green coins for jumping slow trains to nowhere, now there anywhere, and everywhere not here, running on tilted electrified blue time Inhaling the soft touch of perfect love including all the ugly ingrown warts Coughing up butterflies into the pool with the squishy muddy zombie eyes Echoes heard louder with both eyes Coloring skies without knowing why Flights to there with wings of flame Swallowing rainbows to taste the gold Colors amongst us walking, talking Phantasmal fast riding beasts sinuously moaning oh white ******* drifting with silver temptation winds Tripping over sounds under tall feet blowing them in retort not too, but three, five and one dime more Fantastical things, ordinary for all Then perhaps, they maybe dream Mostly all the same as us, you or I Of course, that may mean, we, Could someday be real poets, three Yet we know the biggest difference Between a real poet or not, must be not so much in sleeping dreams but in those precious awakening dreams ©  2017 Jim Davis
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Apr 22, 2017
Apr 22, 2017 at 6:32 AM UTC
Sleeping Poets
When sleeping poets do dream Do they dream at certain times the same dreams as us, you, or I Long love dreams without an end Spiders winding and toads weaving Tiny cockle shells or huge daffodils Cold hearts melted or fried ones too Loves not gone the other way again Falling off, falling in, falling down Purpled eyed women and wiggly men Nightmares arriving never in time Time speeding up to stand still again Summer nights in dripping red clouds Rain falling up or tasting sour winds Chased once around the world twice Losing anyway the long way back in Winning big green coins for jumping slow trains to nowhere, now there anywhere, and everywhere not here, running on tilted electrified blue time Inhaling the soft touch of perfect love including all the ugly ingrown warts Coughing up butterflies into the pool with the squishy muddy zombie eyes Echoes heard louder with both eyes Coloring skies without knowing why Flights to there with wings of flame Swallowing rainbows to taste the gold Colors amongst us walking, talking Phantasmal fast riding beasts sinuously moaning oh white ******* drifting with silver temptation winds Tripping over sounds under tall feet blowing them in retort not too, but three, five and one dime more Fantastical things, ordinary for all Then perhaps, they maybe dream Mostly all the same as us, you or I Of course, that may mean, we, Could someday be real poets, three Yet we know the biggest difference Between a real poet or not, must be not so much in sleeping dreams but in those precious awakening dreams ©  2017 Jim Davis
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45
Where, oh Heart, is the answer? In man’s olive iris that pines capsule of soulish vines stretching by the water in that memory… First pink touch: the long name, Which you say is so easy on the eye In catching dim fair soft lights blown in gloom’s silver odds between two old pages or News soaked in a gray ink drop bath: The blending of war broken out on earth’s cheek With the gossiping red margins and Something eerie on the last page… I step on it, walking straight. In still mindfully begging Oval windows on the church ramparts:  Is it in the epoch           Womanhood? In the sore ****** in the sore slits             Dribbling pollen of wounds of             Nickings, gyps, slights, losses Is it in a stasis Forested with chocolate and sisters Purpled bedtime music boxes Dreaming or in the moment I Stir my bland corners with song             Not in victories banners cheering             Hunched labor in running             Something we get when winning Is it in a process That wrinkles like skin, then spots             Or hangs over the path             A great moss and changing the wintery company of foliage and twig to fire and blossom, in the birth of death and growing? is it in kissing or eating before praying like guilt yellow as bruised pear hips that melt to brown in your fingers Should I see or hear or feel it in the man himself, meat of his fine muscles, his heart's voice, the buried hunger pang, it speaks or in his prayer's slow sadness, black as the tomb's passage and can you answer?
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Nov 15, 2013
Nov 15, 2013 at 11:54 PM UTC
11-14
Where, oh Heart, is the answer? In man’s olive iris that pines capsule of soulish vines stretching by the water in that memory… First pink touch: the long name, Which you say is so easy on the eye In catching dim fair soft lights blown in gloom’s silver odds between two old pages or News soaked in a gray ink drop bath: The blending of war broken out on earth’s cheek With the gossiping red margins and Something eerie on the last page… I step on it, walking straight. In still mindfully begging Oval windows on the church ramparts:  Is it in the epoch           Womanhood? In the sore ****** in the sore slits             Dribbling pollen of wounds of             Nickings, gyps, slights, losses Is it in a stasis Forested with chocolate and sisters Purpled bedtime music boxes Dreaming or in the moment I Stir my bland corners with song             Not in victories banners cheering             Hunched labor in running             Something we get when winning Is it in a process That wrinkles like skin, then spots             Or hangs over the path             A great moss and changing the wintery company of foliage and twig to fire and blossom, in the birth of death and growing? is it in kissing or eating before praying like guilt yellow as bruised pear hips that melt to brown in your fingers Should I see or hear or feel it in the man himself, meat of his fine muscles, his heart's voice, the buried hunger pang, it speaks or in his prayer's slow sadness, black as the tomb's passage and can you answer?
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47
you don’t face me when we sleep and I lie awake, composing couplets of it then you palm at my lips and mumble secrets I wish I would have kissed you that night in the rain I wish you would have kissed my toes when I pulled them from their dripping socks and laid in your bed. we come up with a hundred excuses not to touch but I see lost love everywhere and resent not bringing it to my breast the lonely hate the fulfilled because they are kind of dead we pile our emotions into the bathtub until water dilutes them to fine powder we build concoctions of not knowing what the opposite *** feels like even they’ve purpled my heart with a bruise and cannot sleep in bed with you he whispers I wish we would have kissed so you were not lonely I wish you were my toes.
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Mar 5, 2013
Mar 5, 2013 at 6:39 PM UTC
taking things personally
'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!' They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere. Noting every quick fix is a way of ****** Brooklyn ****** 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era. You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this and this, my friends, is how the story told itself again again again again again.
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May 11, 2014
May 11, 2014 at 12:46 AM UTC
'it's a long gone story, truth be told'
'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!' They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere. Noting every quick fix is a way of ****** Brooklyn ****** 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era. You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this and this, my friends, is how the story told itself again again again again again.
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9
how don’t know to get the you in: a dis(miss)ing of anchorage, akin to ungrabable, purpled sky, and blackvelvet’s talks to morning sand. to get the you in: a table top of no greed. legs of giveness. to haiku the hell out of. we are in the process of stunned voices praying to pregnant earth: word fruit meets wet tongue. prophet with no pockets up sand up. in a world that is to know what your sun exuding sounds like. sweet loathing, singing cell. undernourished, remembering only two tons of. bites down boldly onto wear. ritualistic sweating betrothed to thecosmos. shake loose my skin. legs of giveness, and something that wouldn’t be about you. or something about you that wouldn’t be. hiding in the corners of language that mask gaping unrelatables. Unrelenting maybeoneday. i’ll decide to hear you (sh)out. the italics of Monday evenings. Black tea, bumps head into mosquito bites on your thighs. oops, sorry, can i hug you? sorry. So from here we can deduce thetruth that oops, can i hug you? sorry its obvious, tied. eyed our lives in one swoop and now i’ll never possess of a series of creeks, primordial. Like when the earth’s virginity was lost to the last respiris of a first dying. you as a plethora of suntan lotion3. but lotion is lotion, like the sea, it cant be quantified or split up into in order to be a “plethora,” and still there’s no one to rub down my back places my black places I can’t reach or see and so can’t mimic like a leglessness, a series of syllables.
0
Jun 17, 2014
Jun 17, 2014 at 9:35 PM UTC
Letter to Sonia Sanchez from a Lover
how don’t know to get the you in: a dis(miss)ing of anchorage, akin to ungrabable, purpled sky, and blackvelvet’s talks to morning sand. to get the you in: a table top of no greed. legs of giveness. to haiku the hell out of. we are in the process of stunned voices praying to pregnant earth: word fruit meets wet tongue. prophet with no pockets up sand up. in a world that is to know what your sun exuding sounds like. sweet loathing, singing cell. undernourished, remembering only two tons of. bites down boldly onto wear. ritualistic sweating betrothed to thecosmos. shake loose my skin. legs of giveness, and something that wouldn’t be about you. or something about you that wouldn’t be. hiding in the corners of language that mask gaping unrelatables. Unrelenting maybeoneday. i’ll decide to hear you (sh)out. the italics of Monday evenings. Black tea, bumps head into mosquito bites on your thighs. oops, sorry, can i hug you? sorry. So from here we can deduce thetruth that oops, can i hug you? sorry its obvious, tied. eyed our lives in one swoop and now i’ll never possess of a series of creeks, primordial. Like when the earth’s virginity was lost to the last respiris of a first dying. you as a plethora of suntan lotion3. but lotion is lotion, like the sea, it cant be quantified or split up into in order to be a “plethora,” and still there’s no one to rub down my back places my black places I can’t reach or see and so can’t mimic like a leglessness, a series of syllables.
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7
Beginning in the evergreens, Where the waters run sweet as wine, The skies sing out shattering, The ground spins down below His marching feet. One thousand and one years Left him in the earth, And raised up Typhon, Come lightning staff, Come thunder breath. Moving through the mountains, Purpled by the sun, Floods cutting through the rock, Come traveling through the caverns, Through the cloud's rain that tear down. Eagles eating gods, And green, green trees stretching hands, He stumbles through the paths, Going all martyr in the shades. Eventually, his progression meets the sun, That scorches shadows from their place, Plumes of fire preaching, Here he finds the meadows, Melting all gone in the red and stubborn sand. Oh and there he fights the priests, Oh and there he summons hell, From the sun that never dies, And the seasons never change. There go I, Through the paradises of elephants, (White and rouge) Palaces of sultans in the sultan shade. Armageddon heavens twisting, Where the spindle-bound spires raise. There go I, Vagrant feet forging, The miles in meter And the deserts in their damnation. Eventually, the vagrant finds the rivers. Eventually, there he claims all Moses, Running wild through these waters, Cutting heel into valleys pale and pink. Golden Hordes, and god-kings, And paisley patterns branded in the eye; There are the journeys going unhindered, Where the snow meets the soul. The vagrant with his body, Naked in the mind, Storm by boat in the dead of winter, Warmed by sails in the dead of spring. The vagrant going east, Then around again and west, There shores of silver, Horns of plenty fallen found. One thousand and one years Gilded in the green, Fluorescent accents smiling, Sounds smelting in the foreign forests. The vagrant meets the sea After his trials in their numbers, Blankets thrown up, White sheets waving, Clairvoyance in antiquity. The sea is blue and washing, The vagrant's eyes are marbled, As the notes progression goes The water kisses the air. Pillars taller than the stars Stretch to heaven forgetting, There oceans rising, And the tranquil music dancing. Tripped out not wanting, Rise and risen, The scavenger surface And the molten mound. Poor traveler, In his vision where all eyes meet, The savage and sacred nature, The hurricanes and blissful storms. Poor traveler, Not meet your end, One foot in the grave, Where a million, million angels Carry you down. And poor traveler, King in concert, There hills and crevasses crawl to him, Call to him, Leave all their pasts searching.
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Sep 9, 2016
Sep 9, 2016 at 8:04 PM UTC
The Vagrant
Beginning in the evergreens, Where the waters run sweet as wine, The skies sing out shattering, The ground spins down below His marching feet. One thousand and one years Left him in the earth, And raised up Typhon, Come lightning staff, Come thunder breath. Moving through the mountains, Purpled by the sun, Floods cutting through the rock, Come traveling through the caverns, Through the cloud's rain that tear down. Eagles eating gods, And green, green trees stretching hands, He stumbles through the paths, Going all martyr in the shades. Eventually, his progression meets the sun, That scorches shadows from their place, Plumes of fire preaching, Here he finds the meadows, Melting all gone in the red and stubborn sand. Oh and there he fights the priests, Oh and there he summons hell, From the sun that never dies, And the seasons never change. There go I, Through the paradises of elephants, (White and rouge) Palaces of sultans in the sultan shade. Armageddon heavens twisting, Where the spindle-bound spires raise. There go I, Vagrant feet forging, The miles in meter And the deserts in their damnation. Eventually, the vagrant finds the rivers. Eventually, there he claims all Moses, Running wild through these waters, Cutting heel into valleys pale and pink. Golden Hordes, and god-kings, And paisley patterns branded in the eye; There are the journeys going unhindered, Where the snow meets the soul. The vagrant with his body, Naked in the mind, Storm by boat in the dead of winter, Warmed by sails in the dead of spring. The vagrant going east, Then around again and west, There shores of silver, Horns of plenty fallen found. One thousand and one years Gilded in the green, Fluorescent accents smiling, Sounds smelting in the foreign forests. The vagrant meets the sea After his trials in their numbers, Blankets thrown up, White sheets waving, Clairvoyance in antiquity. The sea is blue and washing, The vagrant's eyes are marbled, As the notes progression goes The water kisses the air. Pillars taller than the stars Stretch to heaven forgetting, There oceans rising, And the tranquil music dancing. Tripped out not wanting, Rise and risen, The scavenger surface And the molten mound. Poor traveler, In his vision where all eyes meet, The savage and sacred nature, The hurricanes and blissful storms. Poor traveler, Not meet your end, One foot in the grave, Where a million, million angels Carry you down. And poor traveler, King in concert, There hills and crevasses crawl to him, Call to him, Leave all their pasts searching.
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89
I sat on the square of carpet and screamed very quietly to myself. I, the boy who cried melancholy. I, the man who watches his life through his eyes. I, the cruel ship that glazes the waters of a harsh music. I, the silly hair that obscures the face of a murderess. I, fit only for sleep in the white palm of an arthritic hand. I, the child counting backward on an abandoned island. I, glass-colored and triangular like the start of space. I, the single ****** that begs for a just spark. I, the skin of glue in a sweating photograph. I, the man selling VHS players for mega-discounts. I, who clasped your hand when you were so very small. I, an errant breath in the postbox before the empty Jones house. I, keen on eating the brick and mortar beneath me. I, who shall never touch his face, not even the one time. I, in the midst of heat and silence without a single syllable of wet. I, with a hatred for your searching fingers sticky-sweet. I, sitting behind long after the film dies of exhaustion. I, crayon and 8.5 by 11 inch paper Valentines for violent boys. I, second man, forgotten man, to my own movie. I, grinning through the lame as the stitching wears. I, strategic misery on a tempest moon: contemplating contemplating. I, the laughing door with a struggling **** and no keyhole. I, who commits suicide every Tuesday, Thursday, and Sunday. I, with cigar boxes filled with all the tiny, grandmotherish pieces of **** I, the knot that slips off the head of a lonely purpled finger. I, and my cloverfields, and my rust. I, with my dreams about Japanese furniture and magic, geometric roads. I, dancing to a song I cannot hear that issues from a nonexistent room. I stood and walked outside.
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May 10, 2010
May 10, 2010 at 2:05 PM UTC
The Queen of Thirty-Dollar Dreams.
I sat on the square of carpet and screamed very quietly to myself. I, the boy who cried melancholy. I, the man who watches his life through his eyes. I, the cruel ship that glazes the waters of a harsh music. I, the silly hair that obscures the face of a murderess. I, fit only for sleep in the white palm of an arthritic hand. I, the child counting backward on an abandoned island. I, glass-colored and triangular like the start of space. I, the single ****** that begs for a just spark. I, the skin of glue in a sweating photograph. I, the man selling VHS players for mega-discounts. I, who clasped your hand when you were so very small. I, an errant breath in the postbox before the empty Jones house. I, keen on eating the brick and mortar beneath me. I, who shall never touch his face, not even the one time. I, in the midst of heat and silence without a single syllable of wet. I, with a hatred for your searching fingers sticky-sweet. I, sitting behind long after the film dies of exhaustion. I, crayon and 8.5 by 11 inch paper Valentines for violent boys. I, second man, forgotten man, to my own movie. I, grinning through the lame as the stitching wears. I, strategic misery on a tempest moon: contemplating contemplating. I, the laughing door with a struggling **** and no keyhole. I, who commits suicide every Tuesday, Thursday, and Sunday. I, with cigar boxes filled with all the tiny, grandmotherish pieces of **** I, the knot that slips off the head of a lonely purpled finger. I, and my cloverfields, and my rust. I, with my dreams about Japanese furniture and magic, geometric roads. I, dancing to a song I cannot hear that issues from a nonexistent room. I stood and walked outside.
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87