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From the north it comes
as it storms the south coast
for this is his time
this is Neon's playtime

Awww look a the trails of blood
what is he dragging on that lead
two dead puppies
and three dead kittens

Oh look at the flash sod
for a change it is clad in black
out there to hate the world
it's Neon's playtime weekend

Look at the human filth puke
he is going nine to a dozen
he is the dark one
with his own covenant

He's putting on his war clothes
his gun blade around his waist
he is playing *******
it's Neon's playtime

Glory to the first and last
sweet victory will be his
for it is truly time
it's Neon's playtime

By Christos Andreas Kourtis aka NeonSolaris
Marcus Lane Mar 2011
We sit cross-legged in the story corner
Breathing faint ammonia smells.
Table chants and hymns echo through corridor acoustics,
All creatures great and small.

We are wedged in a tangle of podgy thighs,
Grazed knees, scabs and warts.

And Anthony is sitting alone again
Where he can do no harm.

Yet he said he would bring it, and bring it he has.
Its tiny white head is nosing over
The  hem of his pocket,
Whiskers a-twitch and
Eyes like tiny blood blisters ripe for popping.

A shudder of shivering whispers and
Nervous heads are half turned:

Yes, Anthony is smiling his special smile.

Mrs Lloyd has found the page,
My lids are squeezed tight
As I urge my mind to follow her away
From here, away from now.

For playtime will be ****** once again.
© Marcus Lane 2010
there was a kangaroo he just loved to hop
he would hop for miles and never want to stop
one day when he was hopping  happy on his way
he saw his friend the wombat and decided they would play
they played  along together having lots of fun
then they had a race and kangaroo he won
they  played  along for hours  and passed the time of day
then they said goodbye and both went there seperate ways
L A Lamb Sep 2014
On hindsight, I realize the true meaning of love comes from my siblings. Nineteen years old, when I came out of the closet and realized me and my siblings were “flawed”, or human. Seventeen year old sister—***. Twenty-one year old brother—rehab.

“Do you think it’s ironic that we’re doing this on a playground?” called a voice from the assorted group of friends sitting on the sea of pebbles under the monkey bars. Another voice replied, after a quick cough and croaked, “No, I’m pretty sure everybody does this.”

“I bet the teachers do it too,” agreed the voice of an eighteen year-old boy.

“I’m going to be a teacher one day,” spoke the philosopher girl, who drifted from the conversation into the fog of her thoughts. As a junior in college and an ambitious girl, she lived her life in paranoia and curiosity from the outside world.

As the college students rose from the pebbled area of jungle-gyms, swings and slides, they approached a basketball court in passing to return to the neighborhood.

“Look!” yelled the philosopher girl. “There’s a ball over there, we should play.”

Their evening plans were determined when one boy concluded “We can’t play. The ball is flat.”

Rather than attempting to relive the innocence of childhood, the students under the influence of marijuana watched the possibility of recapturing pure childhood memories diminish through their loss of interest in what was once a childhood gratification of positive reinforcement. Recess was very important to any child in elementary school. My earliest memory of recess consisted of the earliest bonding time with my sister. It was my fifth birthday, and back before my parents divorced my mother was very involved with the community at our schools. My mom set up a birthday party for me in first grade, and my two year-old sister was brought along. My sister, the adorable baby that she was, received all of the attention. On my fifth birthday I wanted everyone to pay attention to me, but my sister was stealing my thunder. I resented her very much for always being the more beautiful of us two, and she always had the most grace. I’ve always felt awkward, quirky, and possibly weird, but it never seemed to distance my sister from loving me.

On that day at recess, while everyone was cooing over how adorable my sister was, I was off sulking on the swing set. I was always the one ignored of my siblings; my brother was the oldest of us three and the only male, and my sister was the youngest and most beautiful baby girl. I was always awkward, alone and blending in with the background. This being said, I made myself solitary from those neglecting my absence and looked up at the clouds. Five years-old and alone on a swing, I watched the cloud pass in the sky and morph from what looked like a snail, to a tomato. Before my very eyes approached a wide-eyes toddler with brand-new teeth and smiling eyes.

Everyone was following her, but she was following me. When she was the one of us preferred, she never failed to love me and remind me she was there.

When recognized as attractive for the first time, I was eager to be wanted so I threw away my virginity.

My sister, always so beautiful and classy didn’t need to put out to be well-liked, desired or noticed. Classy like my mother, my sister determined my fate as the black sheep in my adolescent ****** rebellion.

When my sister and I smoked with work friends, playing on the swing-set together like we had fourteen years earlier, I found out that she was a ******. The illusion of the pristine, classy and virginal sister shattered, but welded back together with love. My sister was not perfect, and my insecurity to being the un-unique, unnoticed and boring middle-child had ended. My older brother always considered the most-intelligent and most-successful was sent to rehab after 4 months of turning twenty one. The self mutilation was concerned as a big issue, and a mental illness could have him removed from the military.

Flawed sibling relationships brings closer bonding and relatable experiences, so exploring life together builds a unique and covalent bond between siblings witnessing life together, having difficulties and disappointments with family. While fulfilling the all-time question of mankind for “the meaning of life”, life interrupts with irony.
there was a kangaroo he just loved to hop
he would hop for miles and never want to stop.

one day when he was hopping  happy on his way
he saw his friend the wombat and decided they would play.

they played  along together having lots of fun
then they had a race and kangaroo he won.

they  played  along for hours  and passed the time of day
then they said goodbye and both went there seperate way
The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies
In a creche,behind the mesh in Zanzibar or Bangladesh,kids are reigned in,chained up,emptied of the loving cup that childhood gives,
who lives like this so they can miss the fun of being young?
who sticks the chiv in,trims the day,who works them for so little pay?

Look in your high street shops at hopscotch clothes from hopscotch kids in hopscotch homes, on the skids and before you buy,before you try on one more suit born from some child's unlived youth,the truth is out there in the things you buy,'cry freedom'in your cheap t-shirts and cut price flowing patterned skirts,but
the truth remains and stains your heart as sure as if you were a part of sweatshops sweating out the lives of tiny tots and will high street shops, always be the outlets for this insanity?
I'm sure the answer will arrive
eventually.
Shimmy wild
Shake down -

This is some
Railroading
Existential
Trolling
****.

I’m plugging in-

A glaring glitch
In your singular
Reality.

You’re completely
Right
If you think I’m
Taking advantage of the fact
That you
Think
We’re all just
Programmed players
In your
Sacred
Existence.

My iridescent snicker
Isn’t what’s up for debate
Buddy -

I know there’s a coyote
Lurking about
Somewhere
And I’m gonna let that
*******
Chuckle & buckle
Up
Until I lose it
In the
Trippiest corners
Of your mind;

Whistling like
Whispers
Where words
Sound like
Wonders

Bathed in
Confusion
At its best.

I’m gonna make you
Wonder
If you’ve ever
Waken up
At all.

--

Gear hopping
Daily
From your
Native system
To
“What the hell’s
Even
Going on anymore?”

Don’t worry
Though
Darling.

I only switched
The blues
And the greens.

You’re only sleeping
If you believe
You are.
At playtime,
we skipped hand in hand
making whispered pacts of
forever

when the bell rang,
we ran towards the sound
or maybe it was away
from it

it doesn't matter

our breath would smoke
as we hit the cold air,
our shoes would catch and
click along the pavement

as we went

the weight of our secrets
would press through our skin,
through the soles of our feet

as we placed them, one foot
in front of the other foot, onto
the tarmac

leaving footprints with our pain
but we didn't care, as long as we could skip,
hand in hand

tomorrow
Vanessa Gonzalez Jul 2014
She listens with her eyes closed as the melody begins.
Its starts with a slow beat; memories begin.
Her childhood, consisting of innocence and playtime with her younger sibling.
God in front, but the devil close behind her.
The music changes.
Playtime turns to fear and adulthood.
She is only 6.
But her fear of the harm done to her has molded her into something else.
The devil has her cornered.
The beat drops.
She needs closure.
She finds it as she cares for her siblings as if she were a mother.
Where is her mother?
Where is her father?
She doesn't care, she has her brother and sister.
And now with art and music beside her,
The devil is in front.
The music intensifies.
Alcohol.
Missing church.
Shes broken.
No one knows her story.
The once little girl full of joy and playtime,
Has become grown and silent.
She's a doubter.
Where was God?
The music slows.
The sun comes out and shines down on her.
She feels a brightness in her heart she hadn't felt since she was a little girl.
Her fear of being damaged again is forgotten.
Maybe she can save herself.
The end chorus begins.
The devil is vanquished.
God is right in her sight again.
The bad habits gone.
And beside her what do you see?
Not fear.
Not damage.
Not silence.
You see her shining heart
Finally free from the darkness around her.
Music tells stories.
"You touched my fingertips.
I felt it. My heart skipped a beat.
Taking hold of my hand. It stopped.
The high school child in me embraced
the playtime once again.
Sitting on a park bench thinking of our bleachers
at the Friday night football games.
Now we cheer for the pigeons as they fight
for the bread crumbs.
It's all so beautiful, only different times.
We are here still together, that's all that really
matters.
Beautiful to reminisce, grateful that
we can.
To kiss each others lips, and start our hearts
pumping once again."
Jedd Ong Jan 2015
I fell asleep
To the smell of antiseptic,
Sterilizer, biogesic,
And the cold touch of metal
Rods that only seem
To grow colder
With the touch of hospital
Left in the student's
Ward - a whistle

Permeates the silence
Of seniors
Painlessly sleeping away
Hours upon
Hours until graduation -
A coming of age -
An escapism from past papers
And teachers who have
Themselves given up
On them.

And the lights you
See are as bright
And as empty as those blinking
Feebly
In that of the school doctor's
Office, one not really
Blinking more of
Washed, and supported
Wobbling by daylight
Seeping in through peeling blinds,
Unable to see too much -
The headaches and stomachaches
Have rendered him numb
To the feeling.

And lunch comes
And out blows the whistle to
Signify the end
Of playtime for
The young ones, start
Of playtime for
The older ones,

Whistle blowing muffled
By the septic tank glass
Doors of this sacred outhouse,
Wards muffling the cries of children
As they flee the quadrangle,
Once mad, twice elated,
Still innocent, untired,
Not needing to fake sick
And rest their heads softly

Upon thin soft beds with
Towels wrapped haphazardly
Behind their backs,
Nostalgia, it was

Laughter, I swear it was louder
When we used to run,
When our eyes lit up like
The sun petering in through
The doctor's orifices,

When our bruises and bumps
Smelled like betadine,
Not sleep
And cups of sterile water downed
To mask the scent of
Fake cough syrup,
And cuts gotten from fiddled syringes,
Bruised ankles
Bent over undersized beds,

And not running over
Uneven pavement,
Ankles brushing tablecloth,
Schoolbag,
Basketball and frisbee,

And the screaming.

Oh, how I miss
The screaming.
there was a little kitten he had a ball of wool
this he  used to play with to stop him being dull
he rolled it on the floor and all round the place
then around his body and then around his face.
he was so amused rolling round and round
dragging all the wall all along the ground
he would play for hours with his little ball
till he got very tired then off to sleep he;d fall
Savannah Jane Jul 2014
vacation was little hands holding onto mine,

hazel eyes looking up at me.

mouth pulled into a toothy grin,

a two year old giggle.

saying “i love you” and dreading “goodbye”vacation was hearing “aunty pizza!” all week long

it was snuggles and playtime.

it was a silent house without you.

vacation was melting crayons and staying up late.

vacation was my week with Lacey and I wish I had it back.
Scarlet McCall Jun 2016
I’ve a soft spot for you;
you press my tender button.
My heart’s a big furry teddy bear
with arms wide open.
I want to ruffle up your hair--what’s left of it.
Walk over here— my lap’s for you to sit.
Wait, you’re too heavy— I forget that you’re a man.
Perhaps I'll sit on top of you—
that's a better plan.
I’ve bought you dark chocolates-- treats for my sweet boy.
You’ve brought me red wine-- when I’m drunk, I am your toy.
Playtime’s fun; we can make or break the rules--
we’ll play House; we’ll play School.
We'll play all through our nap time, until the coffee's brewed.
We'll add some sprigs of wild thyme to our diabetic food.
A rewrite from Poetfreak.
" I met a woman from Colombia, our cultures
are far from the same.
Yet when we kiss are thoughts become one,
as we dismiss the world of all it's childish games."
i walked along a nature trail just the otherday
there  i saw a squirrel and he began to play
high up in the trees jumping all around
then down to the floor running on the ground

with his bushy tail shining in the sun
happy and content having so much fun
picking up the nuts with his little feet
nibbling at the shell of his favorite treat.

when he finished playing and it was time to sleep
back to his squirrel  hole so cosy and so deep.
A M Ryder Aug 2019
Hours of childhood
Impatient, with nothing but
Playing by ourselves
Enchanted with
what alone endures

Between world and toy
A point which shows a child
Who they really are

Who sets in constellations
And puts distance
In his death
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
Julie Grenness Mar 2017
This is an ode for a friend,
Her love for her family has no end,
It's playtime with Grandma for
Her grandsons, "Let's play dinosaurs!"
Good for her, let's clap,
Her living legacy, two little chaps,
I bet they love Grandma heaps,
In their hearts her they'll keep,
Likewise, her family love  has no end,
Here's an ode for you, my friend....
Feedback welcome.
Ai
     "Sit in my hand."
I'm ten.
I can't see him,
but I hear him breathing
in the dark.
It's after dinner playtime.
We're outside,
hidden by trees and shrubbery.
He calls it hide-and-seek,
but only my little sister seeks us
as we hide
and she can't find us,
as grandfather picks me up
and rubs his hands between my legs.
I only feel a vague stirring
at the edge of my consciousness.
I don't know what it is,
but I like it.
It gives me pleasure
that I can't identify.
It's not like eating candy,
but it's just as bad,
because I had to lie to grandmother
when she asked,
"What do you do out there?"
"Where?" I answered.
Then I said, "Oh, play hide-and-seek."
She looked hard at me,
then she said, "That was the last time.
I'm stopping that game."
So it ended and I forgot.
Ten years passed, thirtyfive,
when I began to reconstruct the past.
When I asked myself
why I was attracted to men who disgusted me
I traveled back through time
to the dark and heavy breathing part of my life
I thought was gone,
but it had only sunk from view
into the quicksand of my mind.
It was pulling me down
and there I found grandfather waiting,
his hand outstretched to lift me up,
naked and wet
where he rubbed me.
"I'll do anything for you," he whispered,
"but let you go."
And I cried, "Yes," then "No."
"I don't understand how you can do this to me.
I'm only ten years old,"
and he said, "That's old enough to know."
SøułSurvivør Oct 2014
Let's pretend you love me
Let's pretend you can
Let's pretend your capable
Pretend you're my man.

Let's pretend you're a doctor
Let's pretend your love
Is real as you strip me
And put on your glove.

Let's pretend you have no girls
Waiting in a que
To be "patients" also
Pretend they don't love you.

Let's pretend you are present
In my tear stained bed
Pretend you don't have
Dreams of them
Dancing in your head.

Let's pretend, my baby,
For I tell you true
I want to pretend...

... that I don't love you.


SoulSurvivor
Catherine Jarvis
(C) October 6, 2014
Yep. An ex-boyfriend.

I don't feel too badly,  though.
He could not be faithful to
Anyone.
elizabeth Feb 2017
Loud voices in
My head;
Whisperings 'neath
My bed.
The monsters have come out
To play;
Please, let this darkness turn
To day.
February 20, 2017.
certifiednutcase Jan 2014
And so I've decided to come back to this same old place
For words to play.

The living world with its senseless debates
Brings me down for I have no say.
But in this same old place
My words gets a chance to be said (or read)

I wonder at times in the day
Why humans are so naive
To believe in everything that they've heard or seen
But not what that could be.

In the darkness of void
My mind tends to stray
The words that I kept and did not say
Comes tumbling out before day.

I wish people realized
That Words despite inanimate
Does have its weight.
Well,
what a surprise
when you open your eyes and
the whole of the
weekend
lies there before you
and, before time starts to ride
you're into your stride
and out gallivanting.
BILLYtheKidster Jul 2010
BILLY the Kid was truly a kid when found in the company of children.
Many children of his day would go on to say
how much they wished their playtime with him would never end.
Good Guy/Bad Guy were one of the games Billy would play with the children in town.
"Bang! Bang! You're dead Billy!"
Billy would then grab hold of his chest and comically fall down to the ground.
Salsa Bocca recalls her playtime spent with her playmate Billy Bonney.
"He used to bounce me on his knee for what seemed like hours as if I were riding a pony."
The following story might not be true but I'll still share it with you
because it certainly fits Billy's profile.
This young boy in dismay kept following Billy all day.
Wherever Billy went he was followed by this star struck child.
"Do you know who I am?" Billy asked the young lad.
The child simply nodded, "Yes" was all that he said.
Billy took off his hat, dusted it off and placed it on the young boy's head.
The innocent young child was overjoyed and smiled
and then this is what Billy said and did.
"If anyone ever asks you who gave you that hat,
you tell them you got it from BILLY the Kid."
Billy was also very respectful of the elderly
and very sympathetic towards they who were poor.
Many times he would extend acts of kindness towards them.
He was a true philanthropist at heart to be sure.
The newspapers portrayed him as this dangerous desperado,
someone to be hated and feared and appalled,
but to all the residents of Fort Sumner, New Mexico
Billy was very fondly adored by all.
I’ve a soft spot for you;
you press my tender button.
My heart’s a big furry teddy bear
with arms wide open.
I want to ruffle up your hair--what’s left of it.
Walk over here— my lap’s for you to sit.
Wait, you’re too heavy— I forget that you’re a man.
Perhaps I'll sit on top of you—
that's a better plan.
I’ve bought you dark chocolates-- treats for my sweet boy.
You’ve brought me red wine-- when I’m drunk, I am your toy.
Playtime’s fun; we can make or break the rules--
we’ll play House; we’ll play School.
We'll play all through our nap time, until the coffee's brewed.
We'll add some sprigs of wild thyme to our diabetic food.
M Clement Mar 2013
One, Two,
**** in the shoe
Makes walking
Hellishly uncomfortable

Three, Four,
You'll find me a bore
If you spend enough time
With me, unfathomable

Five, Six,
You make me sick
And I know that we
Won't be the same

Seven, Eight
Tell it to me straight
Because, frankly
I've already lost you

Nine, Ten
Said again
Missing you
Is the last thing
on my mind
This is to no one in particular; I just wanted to play with the number rhyme scheme.
david badgerow Jun 2015
i love you when we're alone
because you eviscerate me in front of your friends
but alone you kiss the veins in my arms
press your small hips into my hips & sigh into my neck
& blink so slowly that i can hear your eyelids whispering

you won't hold my hand in public
because you blatantly want to seem available to other men
but when it's only you & it's only me
we lie on our backs letting the summer rain collect in puddles
in our bellybuttons & you swear to god
there's only one way this can end

you say i can't meet your parents
but everything i do reminds you of your father
that tall strong man of your childhood
singing sinatra to your mother in the kitchen
just like i do when i sneak behind you &
tickle your neck with my tongue you're
giggling as i carry you like a bride
into your bedroom for naptime or playtime

you only miss me when you're by yourself
like a flower hidden in a fenced-in backyard
but you ignore my texts most days
because when your friends are around you're busy
dancing toward the sun & lying to them
about where you spent last night &
the blueberry pancakes you ate for breakfast
you don't mention the ticklish new rib spot i found
or the quiet music we make together at night
or the stars we wished on with our pinky fingers tied together

i love you most when we're sticky asleep alone
you humming in turquoise ******* snuggled into my armpit
with your warm hand melting into my chest
& me in the pinstripe boxer briefs you bought with
my arm under and reaching for your exposed breast
presents they are open now its time to play
pick up all the wrapping and throw it all away
find your favorite thing and put it to the test
when your bored with that play with all the rest
then when you have finished take a rest and then
eat your christmas dinner then you can play again
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west—
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.

Do you question the young children in their sorrow,
Why their tears are falling so?
The old man may weep for his tomorrow,
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?

They look up with their pale and sunken faces,
And their looks are sad to see,
For the man’s hoary anguish draws and presses
Down the cheeks of infancy;
“Your old earth,” they say, “is very dreary;
Our young feet,” they say, “are very weak!
Few paces have we taken, yet are weary—
Our grave-rest is very far to seek.
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old.”

“True,” say the children, “it may happen
That we die before our time.
Little Alice died last year—her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying ‘Get up, little Alice! it is day.’
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens,” say the children,
“That we die before our time.”

Alas, alas, the children! They are seeking
Death in life, as best to have;
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through!
But they answer, “Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!

“For oh,” say the children, “we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.

“For all day the wheels are droning, turning;
Their wind comes in our faces,—
Till our hearts turn, our heads with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling,—
All are turning, all the day, and we with all.
And all day, the iron wheels are droning,
And sometimes we could pray,
‘O ye wheels,’ (breaking out in a mad moaning)
‘Stop! be silent for today!’ ”

Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other’s hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children’s souls, which God is calling sunward,
Spin on blindly in the dark.

Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, “Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?

“Two words, indeed, of praying we remember,
And at midnight’s hour of harm,
‘Our Father,’ looking upward in the chamber,
We say softly for a charm.
We know no other words except ‘Our Father,’
And we think that, in some pause of angels’ song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
‘Our Father!’ If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
‘Come and rest with me, my child.’

“But, no!” say the children, weeping faster,
“He is speechless as a stone:
And they tell us, of His image is the master
Who commands us to work on.
Go to!” say the children,—”up in heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving—
We look up for God, but tears have made us blind.”
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God’s possible is taught by His world’s loving,
And the children doubt of each.

And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man’s despair, without its calm,—
Are slaves, without the liberty in Christdom,—
Are martyrs, by the pang without the palm,—
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap,—
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!

They look up with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity;—
“How long,” they say, “how long, O cruel nation,
Will you stand, to move the world, on a child’s heart,—
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And its purple shows your path!
But the child’s sob in the silence curses deeper
Than the strong man in his wrath.”
Kara Rose Trojan Apr 2011
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.

A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.  

Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.

How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for slap-sticked power.

By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.
Mitchell Mar 2011
Solid black lines
Framed the naked lives
Of a million loved ones
Belittled and turned lame

Another year passes
So fast one can't think
Standing on the brink
Of a thousand other free passes

Lives stop short
As another speeding boat
With faces frozen in fear
And mother's choosing invalid rear

Roaring typhoons of child-like playtime
Makes millionaires question their ethics
Nature whistles and human ears
Are forced to beckon and listen

Messages sent from a void of eternity
Plans made, destroyed all in the blink of an eye
A poet dies and another is born
To inscribe in the air the eye of a coming storm
John F McCullagh Dec 2011
My parents would take me,
on Sundays, at times,
to visit their friends
who lived in West Farms.
Their five year old daughter
and five year old me
would play out in the porch
while the old ones had tea.

Ann Marie was an imaginative girl,
and our playtime involved
her imaginary world.
Music was played
on invisible strings
and her "friend" Purple Lady"
was invited to sing.
I never did "see" her
the Lavender Lass.
But I'd pretend to greet her
to make the time pass.
Ann Marie would tell stories
and include her "friend" in
We were always a trio
in her imagination.

I'm the only survivor
of those Sunday Soirees
Half a century older
and tending to gray.
So imagine my shock
when my sister described
A girl who'd been murdered
in that house in West Farms:
It had happened some years
before Mom's friends bought the place.
A young girl, dressed in Purple
Amethyst graced
was killed by her father,
who, divorced and disgraced,
sought his ex wife's blood
but killed their child in her place.

Her Mom died then of grief
of her dear girl Bereft ,
but I'm beginning to think
that her child never left.

It was always quite cold
in that room where we played
as children
A bit of a ghost story cobbled together from a childhood memory
Alta Boudreau May 2012
To Nick, Love ******

Don’t grow old.
Don’t leave behind your
skinned knees,
chubby cheeks,
and toothless
chocolatey grin.
Don’t grow old.
Don’t forget that nothing is too big
to fit inside your pocket
and to forget about for awhile
(like your crayons.)
Don’t grow old.
Make time to pretend
the floor is covered in lava
and the only way to be saved
are the throw pillows from your couch.
Don’t grow old.
Remember playtime,
and naptime,
and snack time.
Retain your sense of wonder,
feel free to proudly display blankie,
and keep that childlike beauty you wear so well.
At least on the inside,
don’t grow old.
© MAB April, 2012
for Professor Zarilli's Creative Writing class - SMCC
presents they are open now its time to play
pick up all the wrapping and throw it all away
find your favorite thing and put it to the test
when your bored with that play with all the rest
then when you have finished take a rest and then
eat your christmas dinner then you can play again
Brycical Jul 2015
Right now, it's unclear
how to feel about this latest development
between us
because
at any moment you're libel
to switch gears in your speedster train of thought
on to new electric spark tracks
of ecstatic playtime poetry frivolity
or serene raindrop contemplation
and, while the exciting allure of spontaneity isn't lost on me,
it can be a bit confusing
in terms of how one should express themselves around you
and how much of your baggage they're willing to cary
in addition to their own on any given day.  

I'm not mad at you,
just confused and worn out.
But I suppose it's hard to find solid ground
on digital windows and words.
Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.
Goatherd. Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish.  But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.
Shepherd. I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray.  I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.
Goatherd. I know right well
What turned so good a shepherd from his charge.
Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.
Goatherd. The boy that brings my griddle-cake
Brought the bare news.
Shepherd. He had thrown the crook away
And died in the great war beyond the sea.
Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.
Shepherd. I had it from his mother,
And his own flock was browsing at the door.
Goatherd. How does she bear her grief? There is not a
shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?
Shepherd. She goes about her house ***** and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.
Goatherd. Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man.  And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
Goatherd. You have put the thought in rhyme.
Shepherd. I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.
[He sings.]
"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'
Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
Goatherd. Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.
Shepherd. Sing, for it may be that your thoughts have
plucked
Some medicable herb to make our grief
Less bitter.
Goatherd. They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.
[Sings.]
"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'
Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.
Swathi eruvaram Jan 2015
Last birthday you hadn't uttered your words yet
Now you are nearly two
You were half asleep uttering those words I craved for
Happy birthday mama
It was sweeter than sugar
You clinged onto me and were in your sleepland again
We wore matching attires
Mellow in yellow
Lit the candles on the luscious chocolate cake you chose for me
As always I made a wish for you
Off we blew the flickering flame
I held your hand and we dived into the cake gently
You loved it the moment it touched your lips
And asked for more and more
Mama chose your favourite cuisine for the afternoon, Chinese
You couldn't resist any longer
The moment food arrived, you slurped in every strand of Hakka noodles with some tofu
After a quick nap, evening was playtime
The ball pool area was awaiting your entry
Up the stairs, down the slide; up the *****, down the stairs
It was all yours
More fun time with sand play sets, alphabets, shapes and many more
I stood there watching you enjoy the day
I wanted it to be your day
I don't remember what birthdays used to be before you
I am glad I am not alone anymore
Love you baby
Meggn Alyssa Jul 2017
cats respond to
squeaky toys
the way you respond to
me
Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.

Goatherd.              Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish.  But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.

Shepherd.         I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray.  I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.

Goatherd.                   I know right well
What turned so good a shepherd from his charge.

Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.

Goatherd. The boy that brings my griddle-cake
Brought the bare news.

Shepherd. He had thrown the crook away
And died in the great war beyond the sea.

Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.

Shepherd.    I had it from his mother,
And his own flock was browsing at the door.

Goatherd. How does she bear her grief? There is not a
     shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?

Shepherd. She goes about her house ***** and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.

Goatherd.              Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.

Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man.  And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.

Goatherd. You have put the thought in rhyme.

Shepherd.              I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.

                              [He sings.]

"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'

Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.

Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.

Goatherd.                        Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.

Shepherd. Sing, for it may be that your thoughts have
     plucked
Some medicable herb to make our grief
Less bitter.

Goatherd.    They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.

                              [Sings.]

"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'

Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.

— The End —