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David Ehrgott Jan 2015
You're always telling me stories you found
To make up for telling me lies
Sometimes I feel that I've had it with you
And just want to head for the sky

I've got to hand it, the platter to you
Without you I'd be lonesome blue
If ever anyone hurt me like you
They'd probably sing these words too

Like you're singing

Play
Play
Geppetto please play
All night and day you can take me away
To your very own special nice place

Play with me

Play
Play
Geppetto please play
You made me to occupy time that you needed
When it was time to get away

And so please

Play
Play
Geppetto please play
You're better off with me playing these games
Then just sitting and wasting away

The song is so merry
And notes keep it cherry
And fingers keep bouncing on keys
And clarinets sing to the french horns that ring
In the air is a freshness it brings

We're holding our hands
And we're dancing around
And we don't even care if we're seen
We're laughing and smiling and happy again
Feeling like we're in our teens

I wink at you as you giggle with me
Suddenly life is serene
Never again can I live life
Without you or someone
I swear that it's this that I mean

And you sing to me

Play
Play
Geppetto please play
All night and day you can take me away
To your own special very nice place

Take me there

Play
Play
Geppetto please play
Take me away
Play
Take all my stress away
Take all my miserable pain

And worry

Play
Play
Geppetto please play
You make my living worth living again
And again
This is all I can say

Come on and

Play
Play
Geppetto please play
Make up a medley, a game, or just play
Play to make time go away

Play with me

Play
Play
Geppetto please play
Move all the strings with your ice cream sticks please
A jiggle just might make me sneeze

Come on, please

Play
Play
Geppetto please play
Forget your worries and just play away
Untill it's another new day

Play
I used to be a golfer once
But, now I am a hack
I swing around a waist of jello
I only play the middle tees
I used to play the back
I only use ***** that are yellow

My game is up on the shelf
I don't know why
And I only play golf by myself
It's no lie
I wish I still could play, I wish that I could play
I wish that I could play, someone else

I used to have a short game once
I used be real good
(Where do you think you might have lost it?)
I used to have no fear at all
I knew all that I should
(Is it with your sand wedge, where you tossed it?)

My game is up on the shelf
I don't know why
And I only play golf by myself
It's no lie
I wish I still could play, I wish that I could play
I wish that I could play, someone else

I used to split the fairways boys
I used to sink the putts
(What ever happened to the feeling?)
I can't hit a **** fairway now
I only hit wide cuts
(It's enough to send my mindset reeling)

My game is up on the shelf
I don't know why
And I only play golf by myself
It's no lie
I wish I still could play, I wish that I could play
I wish that I could play, someone else

Now, I am afraid most days
I can't hit it off the ground
I only hit well when I drink some
I know each tree out on our course
I know the ball hits tree bark sound
I only play good when I've got ***

My game is up on the shelf
I don't know why
And I only play golf by myself
It's no lie
I wish I still could play, I wish that I could play
I wish that I could play, someone else

I used to be a golfer once
I wish I still could play
I wish so hard for that sweet feeling
I once was good
But not today
If I could find Diablo, I'd be dealing

But, my game is up on the shelf
And it's funny
How, I play only by myself
No money
I wish that I could play
I wish that I could play
I wish that I could play like myself
Mateuš Conrad Jul 2016
oh sure, forgiveness of sin... or perhaps crimes... or just fetishes? like John Paul II forgiving sin, once polite society answered and John Paul staged the forgiveness session in a prison cell... forgiveness alright, acted out, with all the preliminary provisions readied - ode to Mehmet Ali Ağca, forgiveness always played out great for photography when all the Chinese laws were passed - Siberia welcomes all keen joggers; but you know one thing? raised in a canine environment as a child i learned to attach a different perspective with felines:*

like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse like you'd play with a mouse - you keep teasing - you keep teasing - you keep teasing - you just wait... crocodile or boa insomniac - and when the opposite party has banked enough to cry about having lost it... you spit at your enemy's mother's face while ****** her; **** me! you get to prove god along the way! how's that for a Camden Market daytrip? and if you don't? well, it was a nice thought - feels like being a woman with a foetus craving doughnuts and pickles.
Glenn Appleby Jan 2013
I find a part of me produces verse
(well, not verse, not really).
Really, I produce a play.
So, really, the part of me producing verse
produces parts.
So, really,
The part of me producing plays
is part-producing.
The work this part of me produces ,
produces parts in verse.
But really,
It's an inverse play, since really,
the work (a play, with parts in verse)
(Or, really, a play with verse in parts))
is divided into three parts. Like Gaul.
Within this work, this play,
these three parts produce
(or, really, reproduce) a play.
This play, in verse, within this work,
is, in part, an inverse play,
since, really, they produce (or really, reproduce)
a part of me.

The play plays back a part of me -
an inverse play plays back words, in verse,
ever onward.

It's a bit of a play on words, really.

It's partly words at play.
It's partly an inverse play,
producing bit parts in verse with verse parts,
in bits.
Or really, the parts produce plays, that is,
A part of me produces verse and
in part, the verse produces the play.
This inverse play produces parts
these parts, inverse, produce a play,
this play, in part, produces (reproduces) me.

The work is a play on words.
The play is a work in verse.
The work is an inverse play.
But not really.
Play around play around
While all the families are getting
On with their lives you play around
You see mate I don’t tell lies
I am happy just to play around
The families are getting on with their lives and I just play with them because I am the eldest
I do what I want and that is just to play around
I drink with the dudes and and dance with the chicks yeah mate yeah I am so cool
I like my friends they are nice to me especially one friend who played with me
He played basketball and we went to the footy and we listened to the music together
Like mainly heavy metal and chart topping greats we head banged together and when all the families went to bed we stayed up all night teasing our mate and we liked to play around play around I am a cool kid to my mates when we play around and then we went to bed and we talked there all night
And play around play around
You see we have fun teasing our mate when we play around
We eat fish and chips and dump tomato sauce on top and then we play around play around while the others are getting on with their lives you just play around and then party all night
Listening to music watching cool movies talking about school and getting totally wasted, you talk to your friend
While he is doing the washing up and the vacuuming and it was cool, as we talked about being cool all night while our nerdy friend who we teased went to bed early
Play around play around
Having fun teasing people as we play around when you try and learn anything in the future your brain is telling you, really you used to play around play around all the time being cool


Sent from my iPhone
Heather Butler Mar 2012
Well, what now, hey?
     I threw the dog overboard yesterday.
     The day before, the day?
Where will you go, hey?

I heard the orchestra-man play
The same way,
     Sanctum, requiem, asylum
All Latin in his French dog-eared play.

     Hear the monkey, playing accordion play
To the whirling whirly-whirly-ghig
     Tre dramatique, no? Today
I understand you're just as "tramatig."

I want to hear your Frenchmen play
Play ***** pipes play play
      In his dog-eared French *****-man
Play

But I cannot, cannot say
     Tears of joy, in hydrant spray
The Hyades triumphant rainbow stay
     Cough your little fears away;

Hear the Star Spangled Francis Key play
Frenchmen play, play,
Little piggies counted play
Black white keys with little piggle-plumps play

Atone-al, A-tonal---atonal tonal sounds as if to say
"Getting married here to stay"
       All alone and all today
      Settle down if for a day
And who will hear the trumpet play
When *****-man Frenchman say
"Where? Home of the free" and stay

Keep your hands away
Never want to        let you say
               "Hear me, hear ye, all you weary, weary dreamers
         But never left your confidence like Russell-rustle leaf-blown willow-white

You fill them up with seventy two pay
      Make a kite, to(k)night, allRight
      Thank god for the fleas in the right
Hairless creatures for to sway

I threw the dog overboard yesterday
The day before, the day
And if you'd wanted it to stay
You should've say, you should've say

But never let my hand betray
The vein, the line, the artery
Of arterial shells bombastically
Loquacious to a fault, this day

They say "You want another day"
They say "You never wanted say"
They say "You wasted every day"
They say "They say, they say, they say"

                   But e'er forget, ne'er forget
                   I'll despise you abandon heaven for earth to get
       And leave your money, your millions behind
       For mansions with my Lord to find

But in the ceiling never was a god to pray
I could play the background
I could play the background
Cause I know sometimes I get in the way
So won't You take the lead, lead, lead?
So won't You take the lead, lead, lead?
And I could play the background, background
And you could take the lead

It's evident you run the show, so let me back down
You take the leading role, and I'll play the background
I know I miss my cues, know I forget my lines
I'm sticking to your script, and I'm reading all your signs
I don't need my name in lights, I don't need a starring role
Why gain the whole wide world, If I'm just going lose my soul
And my ways ain't pure if I don't live according to Your Word
I can't endure this life without Your wisdom being heard
So word, to every dancer for a pop star
'Cause we all play the background, but mine's a rockstar
Yeah, so if you need me I'll be stage right
Praying the whole world will start embracing stage fright
So let me fall back, stop giving my suggestions
'Cause when I follow my obsessions, I end up confessing
That I'm not that impressive, matter of fact I'm who I are,
A trail of stardust leading to the superstar

I could play the background
I could play the background
Cause I know sometimes I get in the way
So won't You take the lead, lead, lead?
So won't You take the lead, lead, lead?
And I could play the background, background
And you could take the* lead

I had a dream that I was captain of my *
soul
I was master of my fate, lost control, and then I sank
So I don't want to take the lead, 'cause I'm prone to make mistakes
All these folks who follow me, gon' end up in the wrong place
So let me just shadow you, let me trace your lines
Matter of fact, just take my pen, here, you create my rhymes
'Cause if I do this by myself, I'm scared that I'll succeed
And no longer trust in You, 'cause I only trust in me
And see, that's how you end up headed to destruction
Paving a road to nowhere, pour your life out for nothing
You pulled my card, I'm bluffing, You know what's in my hand
Me, I just roll and trust you, You cause the dice to land
I'm in control of nothing, follow you at any cost
Some call it sovereign will, all I know is you the boss
Man, I'm so at ease, I'm so content
I'll play the background, like it's an instrument

I could play the* background
I could play the *
background
Cause I know sometimes I get in the way
So won't You take the lead, lead, lead?
So won't You take the lead, lead, lead?
And I could play the background, background
And you could take the lead

I know I'm safest when I'm in Your will, and trust Your Word
I know I'm dangerous when I trust myself, my vision blurred
And I ain't got no time to play life's foolish games
Got plenty aims, but do they really glorify Your name
And it's a shame, the way I want to do these things for You, yeah
Don't even cling to you, take time to sit and glean from You
It seems You were patient in my ignorance
If ignorance is bliss, it's 'cause she never heard of this

I could play the background
I could play the background
Cause I know sometimes I get in the way
So won't You take the lead, lead, lead?
So won't You take the lead, lead, lead?
And I could play the background, background
And you could take the lead

I could play the background
I could play the background
Cause I know sometimes I get in the way
So won't You take the lead, lead, lead?
So won't You take the lead, lead, lead?
And I could play the background, background
And you could take the **lead.
I just love this song....it really means a lot to me.
emily Jan 2019
hey I want to play a game

let's play the game where you say I look good with him and I laugh, thinking it's an insult
let's play the game where I can't see him as a friend anymore after you said that
let's play the game where I contemplate my feelings towards him
let's play the game where I imagine a life with him because I fall so fast
let's play the game where being locked in the storage room for several years makes me afraid that he's a boy
let's play the game where I pick him apart to rebel against myself
let's play the game where I tear myself apart because he isn't my dream girl
let's play the game where I think about him for three months and it breaks me
let's play the game where I accidentally fall in love
let's play the game where I risk my heart and confess on a Tuesday
let's play that game where I'm crying in my best friend's hair and everyone passes by saying he wasn't worth it anyway
let's play the game where I wait for 8 days tearing my head apart
let's play the game where he finally calls and says "I want to be with you"
let's play the game where I get all I ever wanted
let's play the game where I'm happy with the love of my life and he's happy to be with me
let's play the game where he actually loves me too

Never mind, forget it
I don't want this
I don't want to play anymore
Sleepz Dec 2013
Lets play a game,
The one where we act like we know each other.
Let's play a game,
The one where I'll pretend to never hurt you.
Let's play a game,
Lets play a game.
People get used to pushing others away,
People get used to being on their own,
But it shouldnt be that way.
Let me understand you,
The way you understand me.
Let me show you a different game,
Let's call that game Life.
Let's play it together and cheat as much as we want,
Take off our masks,
And show the world what we really are.
Even if I'm ugly inside, and you are filled with happiness.
Even if I'm afraid of myself, show me that you aren't.
Show me a good future,
And I'll help you forget about the past.
Let's play this game,
Even though it wont last long,
Until the time comes where you have to come back home,
Back where youre alone trapped in your thoughts,
And you can't help but to be depressed.
You can't help but to wish you were dead.
Theres something missing here,
And you could use some fixing.
Let's play a game,
Where we could all pretend all these problems didnt even exist.
The one only me and you could understand.
Let's play a game,
Where you could escape and never come back.
Truth is I'll miss you,
Even though we pretended to know each other all along I fell in love with your disguise
But he thing is,
I know some truth about you,
I could see it in your eyes.
Let's play a game,
Where we dont need to act surprised
Where we dont try to hide,
It'd be impossible cause I'd always find you.
And when I do you'll have tears going down your eyes,
Its a side you never really let me see.
I remember you gave me the key to your heart,
But I still find myself knocking,
And you always answered the door.
Let's play a game,
Where I never saw you again.
Let's play a game,
Where all I really needed was your permission.
Let's play a game,
Before we ever have to go back to reality.
Let's play a a game.
Ottar Oct 2013
Years ago When I Was A Child, a fragrance of
summer was on the hot air and winters white,
frosty and snowy hid the toes of your boots when you slid.
I was studious and sedate, except at play
when I became a wild,
part of a dog pile,
                            of other wild kids at play.

Limbs tangled and the weight of friendship,
was worth more than the ore and gold pulled
from the mine, then purified by smelting.
  
We could run, explore and hide
on our favourite mountainside,
change alliances,
pick teams,
fun was the factor
winning was the dream,
with some rivalry,
we did not need to
worry,
or hurry, it wasn't
about
car bombs in our markets, temples and churches,
we did not need to look alone through the rubble
that was once our humble home,
we needed to watch out
for poison ivy, poison oak and rusty nails
we did not need to look out
for mines that no one mapped,
in a war which neither side
cared for those
               whose future they have changed irrevocably.
                                                   And not for the better.

At night a train might disturb my sleep,
not a poorly dropped bomb intended for
the enemy camp, not on the edge of a village,
where the hole swallowed dreams and futures and spit out death,
we played kick the can, hide and go seek
where running, not hopping on one foot,
was the deal,
where seeing, was important with both
eyes, in the dark.

We did not blow out our ankle, unless we tripped
on a curb, unlike some children, blow off a lower
limb at the knee, because they tripped a wire, which
tripped a switch, of a metal canister in the dirt
which once was a playground, before became
a forgotten battlefield.  And a playground once again,
                                       after it was for a time a cemetery.
A mass grave.

This was supposed to be about play,
Play, what if every child who could play
stopped until all children were able.

You can pray for peace,
you can play for peace,
but can you play to stop wars.
Adults play at making peace,
as long as their interests (cha-ching)
are met, again and again,
then maybe the children's children's
children can play, if they remember how,
thank God
children
are resilient
and play is a
natural consequence of fun.
So run along children and
play
stay safe
and away from where your brothers... play no more.




©DWE102013
sadly death and destruction and mutilation is a man-made consequence of war
free writing, so play can be free
Sharina Saad May 2013
Went to my ancestor's home on a Spring season that year..
On a Holi day in the land of Chanchadari
A peaceful morning in Hoshiarpur, the doors to Himalaya
Happy Holli day!! The kids shout with cheer
Holi Hai! Holi Hai! Lets play Holi!!!

He woke up early morning that day..
With a bucket of colored water waiting for me
I stepped outside my grandpa's door
In a split second I was soaked in a coloured water…
From head to toes… red, orange, yellow, purple… the colors of Holi…
Ohh It's a Hoi Hai day alright…
Lets play Holi … Lets play Holi..

Hails spring with ecstasy and joy!
The trees smile with their sprout
of tender leaves and blooming flowers,
The land of beauty and greatness,
India, witnessing color of happiness and peace.
Nation come alive to enjoy the spirit
A celebration of color- Holi!
An experience of content, harmony and delight.

Holi colors of red, green, yellow and countless.
A day's canvas - a riot of colors.
Lively crowd running, dancing, playing
Rainbow of colors, Lets play Holi and splish and splash!!
Lets play with the frenzy colors .. play on Holi Hai day….

I am dreaming of playing with colors with you
It is the Holi celebration after all.
I can't play inside my home, the carpets will get tainted,
I cant' play it in the yard, the grass and outer walls will get painted.
I thought I would go to the secret garden of ours,
and play with you Holi hai day …
It's a colourful day just you and me..
In love on Holi Hai day…. Lets play Holi..
A poem about Holi festival of colors I dedicated to friends and relatives in unique India.
Mateuš Conrad Apr 2019
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
The Good Pussy Apr 2015
.
                                 Playdough
                             Playdough Play
                           dough Playdough
                         Playdough  Playdou
                           Playdough     Play
                           dough Playdough
                           Playdough     Play
                           dough Playdough
                            Playdough    Play
                            Dough Playdough
                            Playdough     Play
                            Dough  Playdough
                            Playdough     Play
                            Dough  Playdough
                             Playdough     Play
                            Dough  Playdough
                            Playdough      Play
                            Dough  Playdough
                   Playdough          Playdough
            Playdough Play   dough  Playdough
           Playdough   Play   Playdough   Play
            Dough Playdough  Playdough Play
                Dough Play             Playdough
Sharina Saad May 2013
You are a girl and I'm a boy and springs not so far away
What do you think your mum will say if I ask you out to play
I will promise her that I'll be good and will never misbehave
maybe just a little naughty but I promise I will be English gentleman..
who brings you safely home again to your door step..
..... at the end of the day

If you trust me girl, let's go out do not delay
Its a sunny day today let not waste time on a precious day..
Don't think twice..dont think thrice just come out to play
come out at once.. let me make you laugh again..
laugh again.. laugh again … when we play again and again….

Heard you were scolded by your mummy today
at school your teacher made you stand outside all day..
forget all that now my sweet girl, let us play
adults don't understand that we kids need to play.. need to play..

On a summers day and spring days.. everyday
Lets play hide and seek, do you still remember the old old days?
We used to hide in auntie Rose's huge garden to play?
hope you'd remember the roses I'd pick for you?
I saw a sweet sweet rose just perfect for your hair...
Come lets play on a Spring day today....

I used to cheat when we were playing hide and seek those days
lets play again this time I'd try to let you win all the way

There your pretty looking mum is coming…
Hope she'd noticed me, a good boy next door..
I'd pray she'd let you out to play this evening..
I wish she doesnt mind to let your beautiful gown gets *****
I hope... i pray... I wish.... we can play..
if she doesn't let you still
ohh pity me... my spring days will be such a bore….
Wrote this with Joe who lives in UK.
I've been back
To where I came from
I've been back
To where I started out
I've been back
To where I came from
I've been back
To where I started out

Nothings changed
but, all is different
It's a place
I don't belong
Nothings changed
but, all is different
I just feel
that something's wrong


Trees are bigger
as expected
I see where I carved
my name
House is old
and been repainted
but, it just doesn't
feel the same

Play  the hand that you were dealt
Bet, the river or the flop
Play the hand that you were dealt
Life will tell you when to stop
You can't go back and do it over
Play the hand that you were dealt
Win or lose, the cards are over
Play the hand that you were dealt

Seeing places
long forgotten
of where you once held court
empty fields
and empty school yards
no longer home to sport

two lane roads
now four lane highways
a river long since dry
little stores
now parking places
built up as time went by

Play  the hand that you were dealt
Bet, the river or the flop
Play the hand that you were dealt
Life will tell you when to stop
You can't go back and do it over
Play the hand that you were dealt
Win or lose, the cards are over
Play the hand that you were dealt




cloudy skies
and ***** water
and trees that once stood tall
something's wrong
it's gotten hotter
and the trees are now a mall

picnic tables
by the beach
initials carved in hearts
beach is closed
with long forgotten
the initials in our hearts

Play  the hand that you were dealt
Bet, the river or the flop
Play the hand that you were dealt
Life will tell you when to stop
You can't go back and do it over
Play the hand that you were dealt
Win or lose, the cards are over
Play the hand that you were dealt
Beth Baum Nov 2018
Play along my sweet, sweet horn
For all the hearts are torn
Carry on a note so long
In your sad forgotten song

Now play along my sweet, sweet string
And let them hear you sing
Move your bows ever so gently
And watch them listen intently

Now play along my sweet sweet flute
And watch them all salute
Your lovely voice soft as rain
Deprives them of their pain

Now play along my sweet, sweet bell
For you always play so well
Show the world your soft tone
Because you’re all alone

Now play along my sweet, sweet bass
Just to give them a taste
Of your low mellow chord
And get them all on board

Now play along my sweet, sweet sax
But be mindful of those flats
Play it jazzy and so smooth
And take away the ruth

Now play along my sweet, sweet drum
And make the crowd go numb
You careful steady beat
Will lift them off their feet

Now play along my sweet, sweet chime
And freeze us all in time
The hollowness of your sound
Always in the background

Now play along my sweet trumpet
And match up with the cornet
Now join all the rest of you
And along to this merry tune
Raj Arumugam Nov 2011
Scene One



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...
*



Urgo: I am attendant 1. Often known as Urgo.



Burgo: I am attendant 2. Always known as Burgo.



Urgo:  You see this creature seated here
            in the wheelchair? 
Can you believe it?

            This creature once wrote poems
            
and its poems still inhabit cyberspace.


Burgo: Oh, this creature did that?


Urgo: Yes, this.


Burgo: I think I’ve read some.

             Not that I can remember any.
             
Not a word, not a title.
 But must have been pretty good, ha?
             
To write all those words, in verse...


Urgo: I don’t know about that.
           
It’s the girls who write. And sissies.
           
And for all that, you know
           
there’s just one word this creature can say.


Burgo: Really? Just one word?


Urgo: Yes.
All right, watch this.
           Come on, Raj-i.

           Hey baby...Burgo here wants to hear you.
           
Just one poem in your one word.
           
Come on, baby - or no soup for you tonight.



Raj: Baa, baa, baa

        Baa, baa, baa

        Baa, baa, baa

       Baa, baa, baa



(Burgo and Urgo clap)



Urgo: Baan-derful, Raj...
Now Burgo,
           let’s wheel the creature back in

           and dump him in
           his corner.



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)





Scene Two



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...






Urgo: Today, Burgo, is Exercise Your Vocal Chords Day.



Burgo: No problem - Ahhhhhhhhrrrrgggggooooaaaaa.....



Urgo: Not your vocal cords, Burgo.
           
It is Exercise Your vocal Cords Day
            
for our distinguished guest currently
            
on this wheelchair.



Burgo: Ahhh...I see...



Urgo: All right, Raj-i baby...
Exercise your vocal chords 

            and entertain us with your delightful voice...



Raj: Baa, baa, baa
        
Baa, baa, baa

        Baa, baa, baa
        
Baa, baa, baa



(Burgo claps)*



Urgo: OK - that’s enough exercise for the day!
           Let’s go






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)






Scene Three

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo: Burgo!

Burgo: Sire!

Urgo: Sire? Where in the world
           did you get such a word?

Burgo: Sorry - I thought I was in a *****
             Shakespeare play.

Urgo: Have your head examined, Burgo.
            We’ll never make it there.
            All we have is this 3rd-rate one-act play.

Burgo: I understand. I’m just a little ambitious.

Urgo: Be realistic. Don’t be ambitious.

Burgo: That’s wise, Sire - I mean, Urgo.

Urgo: Well, this creature in the wheelchair,
            for example...It was ambitious...
            and it had a great fall...
            it never knew how to be realistic...
            But more of that, later - first, what Day is it today?

Burgo: It is We Tickle Your Foot Day, today.

Urgo: You learn fast, Burgo.

Burgo: Thank you, Urgo.

(Silence)

Urgo: Well?

Burgo: I’m very well, thank you.

Urgo: You idiot! I mean if you know it is
           We Tickle Your Foot Day, today -
           then what should you do next, you knave!?

Burgo: Oh. Ok.

(Burgo kneels before Raj, takes off Raj’s shoes and with a feather tickles Raj’s feet.)

Raj (laughing): Baa, baa, baa
                              Baa, baa, baa
                              Baa, baa, baa
                             Baa, baa, baa


(Burgo puts Raj’s shoes on again, and his feather back in his pocket and stands up.)



Burgo: You mentioned ambition
              and this creature that sits on the wheelchair.

Urgo: Yes, it is time to exercise my vocal chords.
           This creature forgot, like all creatures,
           we come alone, and we go alone.

Burgo: Ah, at last! - hints of a Shakespearean play
             albeit we’ll never make it into one.
            With ambition, loneliness and all the Lear madness.
            Will we have the lewd parts too
            and rich imagery of body parts?

Urgo: Perhaps...perhaps...but let us stick to the ordinary ...
           This creature was born in 1derLand
           but was washed ashore to foreign shores.


Burgo: Good, good...like Paris, son of Priam and Hecuba?
             O Paris, washed ashore to Sparta
             O so well-loved and nursed by Helen.

Urgo: Yes, except this creature is more akin to the Wanderer
            like Oedipus, or just the indistinct Mendicant,
            the Samurai with no master, a ronin,
             all cursed to wander the face of the earth...

Burgo: Oh - are we in Shakespeare yet?

Urgo: We are in deep ****! That’s where we are!
           We all are.
           Burgo - let us stick to the banal like hamburgers.
          This creature forgot that
          and dreamt of things like poetry, ideals -
          and therein is the moral of the story for you:
          we come alone
          and alone we go
          one at a time we come
          and each we own, and each faculty
          one at a time they go.

Burgo: So let us stick with the banal
             eat our burgers
             and pick our teeth after.
             Do they supply toothpicks at takeaways
             in your country, Urgo?

Urgo: No, we recycle them, Burgo.
           We just pick up discarded ones from the ground.
           Like some nations pick up cigarette butts
           from the bins.
           Waste not; want not.


Burgo: Oh, if this scene goes on any longer
             it might become Shakespearean, Urgo.

Urgo: Ergo - we must go.
          But let us allow Raj to have the last word,
           since this play is entitled
          “ Raj Arumugam, (a one-act tragicomedy)”.
          Idiot of a son! What kind of fool-writer will have a play
          with his own name as the title of his play?!

Burgo: So, Raj-i, you egocentric ******:
             You have the last word in this scene...
             You really put words into my mouth, you ****!

Raj: Baa, baa, ba
        Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa


Urgo: All right, Let’s go, Burgo.
           Bring him in -
           Let’s drop him in bed
           and may he drop dead!



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Four



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...



*


Urgo: Burgo!


Burgo: Urgo!


Urgo: How long has it been since
           you started work here?


Burgo: 3 months, Urgo. Why?


Urgo: Well, show me a game...I’m bored...a new game...


Burgo: Well, have you played wheelie bin?


Urgo: No.
But Oh I love to delve into world culture.

           Show me.


Burgo: Well, let me show you.

             A wheelie bin is a bin with wheels
             and you put ******* in it
             
and you leave it outside on the kerb
             
and the garbage guy in his truck collects your *******.
             
So this is the game.



(Burgo pushes wheelchair round the stage and sings.)



          This is the way we 
wheel out our wheelie bins
           
this is the way we 
wheel out our bins
           
early every Thursday morning


           This is the way we 
leave our bins,
            our wheelie bins

            this is the way we leave our bins
            
out on the sunny kerb

            every Thursday morning



(leaves wheelchair on kerb)



           This is the way we empty our bins

           this is the way we empty our bins
           this is the way empty our bins
           every Thursday morning



(empties the wheelchair; Raj Arumugam  drops onstage)




Urgo
(joining in):
 This is the way we 
pick up our *******

                                  pick up our *******
                                  
this is the way we do it

                                  this is the way 
always we do it

                                  early Thursday morning!



(Urgo picks up Raj Arumugam and drops him in the wheelchair)



(Urgo and Burgo clap, applauding each other.)



Burgo:
And now, Urgo - for the ritual
             of 
Raj Arumugam’s final words in the scene...
Is that right?



(Urgo nods...)



Burgo:
  Sing, you Sir in the Wheelchair.



Raj: Baa, baa, baa
       
Baa, baa, baa

       Baa, baa, baa

       Baa, baa, baa




Burgo: Oh, you spoil the fun! Let’s go.






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Five

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo:
          Let's leave him here tonight;
         some fresh air might do him good

(Urgo and Burgo leave, leaving Raj on his wheelchair.)

(Long silence.)


Raj: Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa
      Baa, baa, baa



(Raj has a thought. His thought is broadcast as a message on the rectangular neon light display: “Hey guys, come back...Another word is coming back to me.”)

(Long silence)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Raj has another thought. His thought is broadcast as a message on the rectangular neon light display: “Another one’s coming back...maybe my mind is coming back.”)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Long silence. Lights fade. Darkness. Curtain...)
Katherine Fuguet Jul 2011
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Little boy, Says the mother,
Play on your drum.
For your father follows its sound,
Wherever it goes.
Play on your drum.
Lead him to victory,
And lead your father home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Son, Says the father,
Play on your drum.
For I once followed its sound,
Wherever it went.
Play on your drum.
Play on to victory,
And always come home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Man, Says the Soldier,
Don’t play on your drum.
For I once followed its sound,
Wherever it went.
Well, play on your drum.
Play on to victory,
But you might not come home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Soldier, Says the colonel,
Play on your drum!
And we will follow its sound,
Wherever you go.
Play on your drum!
Lead on to victory,
And Lead us all home.

Barum, Pum!
Barum, Pum!
BaRUM, BaRUM, BaRUM!
Barum, Pum!
Barum, Pum!
BaRUM, BaRUM, BaRUM!

Friend, says the boy,
Don’t play on my drum.
Don’t follow its sound,
Where I have to go.
Don’t Play on this Drum.
Fall back from victory,
But at least you’ll go home.
I am a boy who doesn't know the worth of a dollar

I play my part.

I am a friend who is there for his even if they don't know

I play my part.

I am a lover who knows how to lift your spirt even when the love is only shared by me

I play my part.

I am a console to those who think they are alone

I play my part.

I am an ingrate who doesn't appreciate the sacrifices you have made

I play my part.

I am a smile that hides the sadness on the other side

I play my part.

I am the one who listens even when no words are spoken

I play my part.

I am a hypocrite who preaches but rarely practices

I play my part.

I know what I want and never what I need

I play my part.

I am who I am so no one can say I am worthless because,
I play my part.
Down on the South side a
tube ride away,
out in the Borough
where some people stay and
some people say,
it's a nice place, a
well-lit place, a somewhere
to sit and deep think place.

but

there's another side, a ride back in time
when the streets were caked in
horse **** and grime and the urchins
searching for somewhere to stay,
some nicer place
on a much nicer day.

And the Stew houses
but no stew inside,
known to children and
no place to hide,
Goose, oh goose
let my children go loose,
cries far away from
the Borough today.
js

The following text is taken from 'Goodreads' reviews of John Constable's 'The Southwark Mysteries'.


'For tonight in Hell, they are tolling the bell
For the ***** that lay at The Tabard
And well we know how the carrion crow
Doth feast in our Cross Bones Graveyard.'


In 1107, the Bishop of Winchester was granted a stretch of land on Southwark Bankside, which lay outside the law of the City of London. The Bishop controlled the numerous brothels, or 'stews'in the area, but the prostitutes, known as 'Winchester Geese', who paid the Bishop licence fees, were nevertheless condemned to be buried in unhallowed ground. For some 500 years, the Bishop of Winchester exercised sole authority within Bankside's 'Liberty of The Clink', including the right to licence prostitutes under a Royal Ordinance until Cromwell and the Puritans shut down the bear-pits, theatres and stews of Bankside's pleasure quarter.

In 1996, those working on an extension to the Jubilee line of London's underground, unwittingly began to dig up the bones of the outcast dead of Southwark, extimated to number 15,000, and John Constable began writing the Southwark Mysteries and later became part of a campaign to preserve part of the cemetery as a memorial garden.

I can't resist pasting in an article from the Daily Telegraph that appeared after the performance of the Southwark Mysteries at Shakespeare's Globe and Southwark Cathedral on Easter Sunday and Shakespeare's birthday, 23rd April 2000:

The Sunday Telegraph, May 14th 2000

"DEAN REJECTS CRITICS OF 'SWEARING JESUS' MYSTERY PLAY

A religious play staged in an Anglican cathedral has provoked fury after it featured a swearing Jesus and Satan wearing a phallus.

The Southwark Mysteries was produced by Southwark Cathedral and Shakespeare’s Globe in south London as part of the capital’s 'String of Pearls' Millennium celebrations. It mixed ***** medieval scenes with modern imagery and referred to bishops engaging in homosexual *** with altar boys and priests visiting prostitutes. The character of Jesus, who rode onto stage on a bicycle, was shown apparently condoning a range of ****** activities, while Satan told scatological jokes and ordered Jesus to 'kiss my a*'. At one point Jesus was admonished by St Peter for his swearing and responded: 'In the house of the harlot, man must master the language.' At another, Satan, played by a female actor, strapped on 'a huge red phallus' before using it to beat his sidekick, Beelzebub.

The play was written by John Constable, who said that he had deliberately wanted to challenge Christians. 'Profanity is a theme of the play', he said. 'The point of it was to explore the sacred through the profane. ' Mr Constable said he had worked closely with Mark Rylance, the Globe’s artistic director, and the Dean of Southwark, the Very Rev Colin Slee, who conceived the idea of a joint production to mark William Shakespeare’s birthday falling on Easter Day. He said the clergy had made a number of suggestions about the content, but he had not acted on all of them. 'They did ask me to make sure that Satan did not wear the phallus in the presence of Jesus, which I did', he said.

The first section of the play, which contained much of the ***** material, was staged at the Globe, and the final part, 'The Harrowing of Hell' in the cathedral. 'Colin Slee was very robust in keeping me on the straight and narrow', Constable said. 'The play is a new version of the traditional medieval Mystery plays, which were religious in nature but accepted human imperfections and took place in a carnival atmosphere. It seemed to be well received by most people who saw it.'

But one member of the audience, Simon Fairnington, has condemned the play as 'disgustingly offensive', saying that it 'revelled in the glorification of vice'. In a letter to the Dean he complained: 'Had the play been a purely secular production, one might not have been surprised at its treatment of Christian belief. What was dismaying was that it was sponsored and performed in part within a Christian cathedral. The cynical part of me wonders whether this is simply a sign of the times, and the way the Church of England cares about its Gospel and its God.' Anthony Kilmister, chairman of the Prayer Book Society, said: 'This is not the sort of play that should be performed in God’s house. It is quite disgraceful.'

But the Dean, who was the centre of controversy a few years ago when he allowed the cathedral to be used for a Lesbian and Gay Christian Movement celebration, defended the play. The performance was in keeping with traditional Mystery plays and 'portrayed graphically the life and history of the area' which was 'where the seamier side of life was to be found', he said. 'The message was that even the worst sins are not beyond redemption', he added.

Most of the audience responded positively to the underlying message of mutual forgiveness. Like the Dean, many accepted Satan’s *****, blasphemous words and deeds as part of the Mystery Tradition. The theologian Jeffrey John was of the opinion that, despite some obvious heretical tendencies, Constable was presenting 'remarkably orthodox Christian teachings going back to the first century AD'. Constable’s Harrowing of Hell is closely modelled on a play from the medieval York Cycle. His version shows Jesus’ spirit of forgiveness triumphing over the letter of The Law. Jesus’ ultimate 'Judgement' is a verse paraphrase of Matthew 26: 35-45.

  JESUS
  My blessed children, I shall say
When your good deed was to me done.
When man or woman, night or day,
Asked for your help, your heart not stone,
Did not pass by or turn away,
You saw that, in me, they too are One.
But you that cursed them, said them nay,
Your curse did cut me to the bone.

When I had need of meat and drink,
You offered me an empty plate.
When I was clasped and chained in Clink,
You frowned, and left me to my fate.
Where I was teetering on the brink,
Did bolt and bar your iron gate.
When I was drowning, you let me sink.
When I cried for help, you came too late.

  RESPONSE
  When had you, Lord, who all things has
Hunger or thirst, or helplessness?
Had we but known God a prisoner was
We would surely have sought to ease His distress.
How could God be sick or dying? Alas!
When was He hungry, thirsty, or homeless?
How could such things come to pass?
When did we to thee such wickedness?

  JESUS
  Dead souls! When any bid
You pity them, you did but blame.
You heard them not, your heart you hid.
Your guilt told you they should be shamed.
Your thought was but the earth to rid
Of them I am now come to claim.
To the poorest wretch, whate’er you did,
To me you did the self and same.
Ember Evanescent Nov 2014
Okay.
Sure.
Play victim.
Play with drugs, cigarettes and alcohol before you can even legally drive.
Play with knives and fire.
Play with all those things you swore you never would.
Play with the bad kids.
Play unloved.
Play overdramatic.
Play this game you love so well.

...because no matter how good you are at it sooner or later you are going to lose.

I can't wait, I hope I'm there when you do.
Because you wrecked me.
And I am STILL healing.
The scars on my wrists
are all your fault
the reason I sometimes can't eat more
than a yogurt and half an orange for lunch
is because of YOU
the reason I hate myself
the reason my mother can't trust me around blades anymore
the reason my mother cried for so many nights
because you broke her
you broke me
you SHATTERED my friends
and loved ones
you triggered her
you led to her eating problems
you contributed to the slits on her arms
the scars are STILL THERE
you made us genuinely want to **** ourselves
and HER
the one who was so strong she never drew blood
you even drove her to trying to with a pushpin
a f!cking pushpin
thanks to you!
we used car keys when we got desperate
scissor blades
safety pins
needles
construction paper edges
nailclippers
the ends of wires
circle makers
the backings of earrings
so many more things
sitting alone
you turned everyone against us
everyone
all of our friends
the whole school
our families
EVERYONE
you wrecked EVERYTHING
you killed us.
made us want to **** ourselves
now I just want to **** YOU

so go ahead
PLAY.
I hate her. dunno if you gathered that. she is an eating disorder triggerer, depression triggerer, self-harm causer. F!cking *****.
anon Oct 2018
i play my cards
by ear
no strategy
no plan
i just
play the cards
because of what
i hear

he says

i love you

so i play the
i love you
card right back

he says

i need you

but i don't have that card
so i play another
i love you
and hope he doesn't
notice

he says

i care about you

and i want to play
doubt
but my cards
still say i
love
you

he says

you never listen

and i hear him
but my cards are blurry
through my tears
so i play
i love you
instead of sorry

he says

i don't believe you when you say you love me

but i've run out of cards to say i love you
so i finally play
i'm sorry

and he says i've wasted his time
and that he can't tell if i ever even cared
or loved

and i play an uno
+4 card
hoping he'll draw the
i love yous
i've discarded
and already played

but he draws
i hate you
i can't trust you
i've fallen out of love with you
and
i still want to care but i can't

and i'm crying again
and can't see my cards
so i play
i'm sorry
i'm sorry
i'm sorry
and
forgive me

and he looks at his hand and sighs
drawing a card
not knowing what to play
not knowing what to say
not even knowing who i am

and i draw too
pulling
i love you
from the deck
a cruel irony

he looks at me
waiting on my move
as i archive the card
and fold

he smiles weakly
and plays
i forgive you

but with my cards on the table
i'm forced to pay up
so i offer him
a final
i love you
as i walk away from the game
Mark Toney Oct 2019
Listen what I say
U S A  say
Love to watch them play
U S A  play
Jump into the fray
U S A  fray
Going all the way
U S A  way

I've got the soccer itch
My team has perfect pitch
3 shutouts with no glitch
First place their current niche

Listen what I say
U S A  say
Love to watch them play
U S A  play
Jump into the fray
U S A  fray
Going all the way
U S A  way

Begin the knockout stage
Best teams will now engage
World Cup is all the rage
Women's soccer's come of age

Listen what I say (say)
Soccer say
Love to watch them play (play)
U S A  play
Jump into the fray (fray)
Football fray
Going all the way (way)
World Cup way

'Bonne chance' to other teams
Pursuing football dreams
Planning out their winning schemes
While the crowd cheers and screams

Listen what I say (say)
Soccer say (say)
I love to watch them play (play)
U S A  play
Jump into the fray (fray)
Football fray (fray)
Going all the way (way)
World Cup way (way)

It's in their DNA...
Women's soccer's brand new day!
6/21/2019 - Poetry form:  Lyric - United States Women's National Team are the 2019 FIFA Women's World Cup Champions, which is their 3rd World Cup Women's title! - Copyright © Mark Toney | Year Posted 2019
Another night, another song, another legion showcase

Some friendly folk just out for fun, an acoustic disgrace.

It's little cash, but lots of fun spinning discs on weekends

I play a few and sit and watch the wanna be's and girlfriends

In between I play some songs on the old piano

It's fun to hear them sing along, and see what songs they do know

I've been doing this for twenty years, to take away the boredom

I used to tour, I was big time, in rock and rolls great whoredom

I had a hit, but only one way back in the gloaming

We never had another one, and since then I've been roaming

The song we had, it hit the charts and stayed there for a while

I hear it every now and then, and still it makes me smile

The guys and I had formed a band, way back in high school

We played a bunch of cover songs, we thought that we were so cool

We wrote a few, some pretty bad but one got attention

It wasn't great, the title was one I can't mention

Apparently another group had sung a song just like it

We had to change the words around in order to make it fit

We cut the disc, it found a niche on a country station

We were not a country band , but our song had hit the nation

"My Pretty Little City Girl" was now out on the airwaves

We'd wait and see if she survived and how the country behave

Nashville grabbed it first and ran, the song went up to twenty

In only two weeks on the air, the **** thing got played plenty

Another week, up twelve more spots..things were going great

We'd shot on up from twentieth, now we're were in eighth

Two more weeks, this was such fun...the song just kept on climbing

So we tried to write another one, and off we started rhyming

We made it up to number three, and there we sat for two weeks

We'd have a fantastic run, but there was where we would peak

We tried for years to make a go and tried to write another

But, we were done, we'd had our shot, we're back to singing covers

So, here I sit spinning discs at Legions and at fall fairs

They send us out to do our song, but, there's no one who cares

We're just a band of has beens now, of wanna be's from history

Even when you google us, there's nothing there...a mystery

You see it happened so **** fast, we only had the one song

We made the chart for two whole months, not for very **** long

Of all us five, two are gone, the rest we get together

We jam a bit, and play fall fairs, although we hate the weather

The song you know, it's in your head, and when we get to sing it

It's funny how most everyone, knows all the words and bring it

We used to play to thousands when they tried to get us started

But now we play to hundreds who weren't born when we all parted

So here I am, just spining discs and playing songs in legions

I travel all around the states, I've played in every region

But, when I play that song for them, and sing on the piano

"My pretty little city girl" is one I find that they know

I never say  I wrote it, just it's one I like to do

But, every time I play it, it sounds as if it's new

And after I go back and play requests left by my side

Like "Penny Lane", 'The Gambler" and "Magic Carpet Ride"

I play what people ask for and sometimes I give a twirl

I play an old scratched version Of "My Pretty..do dah girl"

I sit back and I smile as I watch them dance along

Not knowing that I'm sitting here, the writer of the song

I'm a one hit wonder superman, riding off into the mist

Thinking of the songs I could have wrote and all the girls I kissed

My past,it still surrounds me ....I can't imagine what I'd do

Just think about it people....what if we reached number two?

so, another night, another song, an empty legion hall

My life is full of music and yes....my life has been a ball !!!
Dorotea Dec 2014
Play me.
Play me like piano keys.
Play me piano, pianissimo.
Play me forte, fortissimo.
Play me like a song, gently.
Play me with feeling.
Play.
briano alliano performs on venus party trap




you see welcome to the trap and i had a great night at the poetry slam

where i met this man who said m6y poem was great, well, he liked it

in fact when i didn’t win it, he wanted to heckle the organisers, well, it was

fun, but i like the organisers too, but this man realiy believed in me, ya know

especially when i told him i am putting art in an exhibition

here is my first song, the poem i read at the poetry slam ,here goes

jingle bells oh buddy jingle bells

it’s christmas in july

the party is on for young and old

and presents to make us happy

jingle bells oh buddy jingle bells

it’s christmas in july

party on till next week, man

yeah, celebrate christmas in july

dashing thru the cold canberra winters day

you see i think my reindeers are in hibernation today

because the air is very cold, and it’s a great day to say

merry christmas my good friends in the month of july

jingle bells oh buddy it’s jingle bells

it’s christmas in july

the party is on for young and old

bring out the warm eggnog

and put up the christmas tree, and have santa on a stick

then you get those lollypops, and give ‘em an almighty lick

and give ‘em an almighty lick, my mate

ya see last night at the poetry slam, this bloke said i really sang the last bit with a lot of guts

and determination, and now as i left last night i saw a fight taking place, and i knew if i don’t stare

everything will be alright, and now here is my next song

i am tired, but i can’t sleep, i need to have a siesta, yeah mate yeah

i need to relax and enjoy my life, and have a soft drink yeah mate yeah

carn the swans carn the raiders carn the packers, like that man last night spoke to me for

yeah mate yeah, and now time for, here is my next song, loving friends and loving family


You see when I was young and I always was trying to be cool
I had a family who tried to stop myself from being cool, and I was
So fristrated with that, I said, no I am cool, but I wssn't cool, I wanted
To laugh at everybody and I laughed so loud that my psrents were telling me
To quiten down and this made me angry, you see I got violent and I started to rant
And rave and it took me over a long time to understand that they were treating me
Like a cool kid, but I was young and stupid and it seems like they were teasing me
And giving me a hard time, and i also said that I wanted to be cool and always go out having a good time and getting ****** as a parrot, you see, my voices were putting those thoughts
Right in my head, giving me a lot of problems, making me very very sick of being in this crazy situation, and I am glad I have this amazing loving family and good friends, to help me through any kind of situation.
You see when I try and muck with my father like a mans kid, my brother would say, don't muck with him, he's not like us, don't much with him, no he is not a young dude. Be like us, and be a young dude and be a little shy boy, you try and be oool every day, and you try and give stay up all night while everybody else is going to bed, so you can go, hey to him, but the thing about it is, that it is the fact that he is living in the past.
So then my loving family and loving friends made me feel better about how much I wanted to
Move on and live life to the fullest, you see he will laugh like a man should and then say, heh heh heh heh , i am a cool boy, I am not a little shy boy, I sit up all night, I don't go to bed, you see I am superior, but my mates call me a complete loser.
Because this man is a total and absolute ******, and it makes me absolutely crazy, and this drives me crazy, you know very crazy, but I always call it a loving family and loving friends, I don't need these friends who only like me because I sit underneath them.



here is my next song, titled mashed potato finger nail at the skate park, here goes

You see Jacki Fred Harold Stone was a very cool young dude
You see instead of going to bed with all the other kids
He wanted to go to the skate park and ride the skateboards
With his best mates down there, and it was a very weird effect
You see his fingers smelt like mashed potato and all his mates went home
And they said he was a little shy boy, and Jacki Fred Harold Stone said
I am not a little shy boy, I am a cool boy, who loves to skate
And when I have a rest the mashed potato finger nails come again
To inspire me to keep being cool here at the skate park
You see I did some very awesome tricks, and I had so much fun
But I still smelt my mashed potato finger nails, it was driving me wild
I told all the people at the skate park and they said, your not shy
In fact your the coolest dude out of your family, and none of us want you to leave
I don't care if you used to get teased by everyone at your school
And I don't care if your family teaeed you as well
You see Jacki, I think your cool, and I will never tease you, not ever
I want to sell you drugs, but you don't have to take them
Because your the boy with the mashed potato finger nails
And we'll never ever tease you, we want to be your friend
And we want nothing more than that
So come on Jacki Fred Harold Stone, show us how to skate
You see my name is Jason Lee, and this is my mate Tristan
And we'll be your only friends you will never tease you
Cause at least you come here and ride your skateboard like a cool dude
And after your finished you stay with us and have a joke around
Despite of the times you tell us, your cool, we still have problems with this deal
You see, you are the kid who has mashed potato finger nails
And I don't care at all, your like us, Jacki, your cool, and your fingers smell like a good
Dose of mashed potato, which means your very cool
here is my next song, titled as much fun as it sounds, here at the trap

You see Jacki Fred Harold Stone was a very cool young dude
You see instead of going to bed with all the other kids
He wanted to go to the skate park and ride the skateboards
With his best mates down there, and it was a very weird effect
You see his fingers smelt like mashed potato and all his mates went home
And they said he was a little shy boy, and Jacki Fred Harold Stone said
I am not a little shy boy, I am a cool boy, who loves to skate
And when I have a rest the mashed potato finger nails come again
To inspire me to keep being cool here at the skate park
You see I did some very awesome tricks, and I had so much fun
But I still smelt my mashed potato finger nails, it was driving me wild
I told all the people at the skate park and they said, your not shy
In fact your the coolest dude out of your family, and none of us want you to leave
I don't care if you used to get teased by everyone at your school
And I don't care if your family teaeed you as well
You see Jacki, I think your cool, and I will never tease you, not ever
I want to sell you drugs, but you don't have to take them
Because your the boy with the mashed potato finger nails
And we'll never ever tease you, we want to be your friend
And we want nothing more than that
So come on Jacki Fred Harold Stone, show us how to skate
You see my name is Jason Lee, and this is my mate Tristan
And we'll be your only friends you will never tease you
Cause at least you come here and ride your skateboard like a cool dude
And after your finished you stay with us and have a joke around
Despite of the times you tell us, your cool, we still have problems with this deal
You see, you are the kid who has mashed potato finger nails
And I don't care at all, your like us, Jacki, your cool, and your fingers smell like a good
Dose of mashed potato, which means your very cool
as much fun as it sounds to heckle, i still remember the american dude, but this man last night was a cool dude, buddy, cool man sam


and have you ever been a cool kid to your dad, and had people laugh at you, i felt that last night when i didn’t join in the heckle, but that man

was nice to me, saying he admires me, but i am not gay, i am bradley simmons

Bradley lived in Cowra with his mum and dad and brother Kenneth, and Kenneth was a real mans kid who plays with his friends in the street and then he goes home to watch Disneyland with his dad, and he mainly liked to watch westerns, while Bradley was certain that there is something going on in the air, and went to church with his mum.
You see this wasn't really tbe best family unit, especially when families go out to fun family events, but Bradley and Kenneth's dad was a director at kids town, which is a Buddhist drop in centre, who looke after the daily needs of under fortunate kids, and Bradley and Kenneth were told to come into these centers, when their dad organised some games to brighten their spirits, one game was spin the Buddha, where you get a spinning buddha statue and the kids get a lolly pop if the Buddha spun towards them, and even though they thought it was lame, well you can see it in their faces, Bradley thought it was cool and then said to his dad how about I plan games for them to play, like soccer out in the paddock, or even cricket, or tennis, and one of the homeless Boyd sadism I am too poor to get into Auskick, so can we play Aussie rules, and if I whip your ***, I know I can play for Richmond, and Kenneth who tried to be the cool kid there said, well if you make Richmond, it won't mean you are good, it means you play for Richmond, and Bradley told Kenneth to be nice to him, he obviously likes Richmond, and Kenneth said to Brad, why don't you shut up you stupid old ******* ****, and Bradley said, I am cool, I can turn these kids away from you.
Then Bradley said ok it's time to play a board game and little Ryan said, well what does board games have to do with helping us get houses, and Bradley said, oh no I ain't that powerful, I am just a kid, I can't give you a home, no,,I am here to make you feel that people actually care for you, because I think it would be tough for you having no home to go to and the kids listened to Bradley like he was one of the adults and being a typical jealous little brother started to get very jealous especially when e tried to make a joke, and they told him to get lost, because your brother is boosting our self esteem.
At the end of the day, Kenneth said to Bradley, you are a stupid ******* old *******, playing board games doesn't make them really feel better, what makes them feel better is taking them for walks around, but you are too stupid for that aren't you Bradley, you are too fucken shy to be like those kids friends, you see they all like me better, they just tolerate you, so go back to your bedroom and go and do some underage *******, no you aren't one of us boys, *******.
Bradley was upset with what Kenneth said and went to his bedroom and cried for hours and since then he didn't have inspiration to go back to his dads work to help the kids there, but his dad said, your brother is just jealous, and you should do this if it makes you feel happy, and his dad said, and if you find that Kenneth is proved right, just ignore them, and you can start off by ignoring Kenneth, because really, I wish every kid could have the inspiration that you bring to kids town, don't let teasing stop you for reaching your full potential, Bradley, Bradley decided his dad was right, and he kept on going to kid's town to make a difference in these children's lives, playing games and talking to one another, this was so cool the kids thought, Bradley thought he was growing up, and Kenneth who decided to come in, because he thought kids need to be kids, yes, his dad was doing a good job, but really Kenneth had what the kids really wanted, like he bought his computer and showed him the virtual world, and Bradley said no kids playing board games are fun, and computer games can wreck your eyesight, but the kids decided that Kenneth needed to be heard too, after all he is the other son of the kid's town leader, so they listened to him for a while and instead of trying to play along, Bradley felt hurt and said, ******* all, and went to his room to cry, and all the tough boys said, 'what a cry baby' and then he said his brother isn't an monster, we still like him, but Kenneth wanted to make Bradley jitter, so he now decided to play around laughing very loudly, like he was like us, man or something and Brad was in his room, crying and their dad decided that Brad needed to share his friends and said that he prefers the way Kenneth did things, Brad got really angry and started to be totally mental, by punching Kenneth like a ******, as well as threatening to **** the father that gave him a perfect life as a kid, of course he didn't **** him, but he was an angry *******, you see he was the board games king, while his brother was a computer **** kid, and Kenneth tried to not hurt Brad's feelings, even though, being a kid, he found it hard to not teaee the ****** and Bradley was put in a special school where he made a few new friends, but they weren't into playing board games or anything else with him, they wanted to teaee him, with teachers joining in, because Bradley needed to learn about how to control is temper, and someone tried to bully him, and Bradley stood up to him, and another guy was determined to tease Bradley also, but as he tried to punch Bradley put his hands on his **** and squeezed his ***** real tight, and since then everyone liked Bradley, but not to his dads liking the little cool kid to his dad was suddenly Kenneth,,and Bradley felt he was trying to tease Kenneth the same way, and see how he likes it, but all his friends like Kenneth better, and Bradley punched Kenneth in the gut and his friends thought Bradley was a **** and left the house and another girl at school was making fun of Brads parents and Brad tried to stand up to her,but she said, they never helped me,**** kids town and ******* early to bed and early to rise baby, and Bradley got really upset and from that moment the only young ones who like him were the rougher ones, who hassled Bradley for money,and Bradey became to shy to say no. Which made him a little young dude with no friends, he had family trying to contact him, but he was determined to make their lives a misery.
Bradley was an idiot, with his drinking and teasing and punching people, yes dude, he needs anger management, and he needs it now, but you must want to go, but Bradley made a pact, that he won't get help till Kenneth found a girl and got married and has kids,,so his thought of being teased all through his adult years, wasn't going to happen, and Kenneth married Bridgett Kingsley and they had Toni and Ros, yes, Bradley's little nieces, and he loved them dearly, and the bonding of Bradley and Kenneth grew fondly, while their parents had the old Brad back, he ain't married but he's happy, and that's what Counts in life.


******* that look a lot of wind singing this to you at the venus party trap and when i got home i was told to sit there little shy boy and let your school mates play air guitar, i was happy too, because of sam

at the poetry slam, thinking i had guts tom read a poem and not win, who cares, it’s a fun night out dudes

You see, you are still a little shy boy, and we are still teasing you
So, now you are working, man, come, leave us
And let us muck around, we want to smoke our bongs
As well as drink our bourbons, and drink 100 beers
Yeah we all feel cool, and don't wake up little shy boy
We want the adults to not bother us, cause we are having so much
Fun, we don't want to be adults,and don't want you to worry about us either
You see, all the men, are sitting there, trying to muck with them
Saying tease him, if you want to tease, just teaee him
But at the end of the day, man, we aren't really teasing
We are sitting up all night, being bums and young bludgers
And it's because you are such a ******
We might be making it seemed you are getting teased
But, we really want to leave you alone,,if you leave us alone
Cause, we are drug addicts,,and we want you to respect the fact
That we don't want to work, as long as you think that you aren't a young bludger
Everything will be already, but young bludgers go to bed for work
So mate, just enjoy yourself, and smoke your bongs
And have a good time, doing it
You see, I want to enjoy ourselves doing this
You are now leaving us all on our lonesome
See ya dudes

see you soon, venus party trap, and t
Kara Rose Trojan Apr 2011
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.

A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.  

Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.

How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for slap-sticked power.

By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.
Jim Carl Feb 2016
Now I can go on much further than this
I know you saw me how I felt the bliss
Watch me fly by with the birds in the sky
Look as I dive into the deepest sea
This is how life that I wanted to be

Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free
Free

We're strong like a lion on the peak of Zion
Pray that we can escape this oblivion
'Cause when they cast a spell upon this mundane
Both of us will never feel any pain
Be careful my brother when you lit a smoke
Don't take too much or you can get choke

Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free

Come now my brother and see the beauty
Of this horizon full of mystery
Both of us know that it's just fantasy
'Cause we don't feel like this in reality

Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free
Play along with me and you will be free
And you will be free
And you will be free
And you will be free
And you will be free
Free
Alan Dickson Apr 2013
(Theme, Variations, and Coda)

Theme – Andante sognante*  
I dreamed last night...
It was a dream
Like one I've had before
Variations on a theme
My colleagues standing at my door

Guitarists all, I bid them in
And soon it's time to play
My teacher first, each one in turn
They play the night away

Var. 1- Agitato
But as they play I look around
For my guitar is gone
I look and look but cannot find
Then comes my time...   “I can't go on!”

This is absurd.  How can I play?
(What?  Did I hide it by design?
Is this my “out” as light breaks day,
An ironclad alibi?)
“I can't perform, no, not today.
I'll have to play another time.”

Var. 2 – Appassionato
My time has come, and there I sit
With my guitar in hand
And wonder what the hell to play
My mind a porous shifting sand

Completely unprepared I sit
And pray for intervention
I make up some simplistic ****
And play it with “emotion”

Var. 3 – Allegro con brio e subito calamitoso
This time round, it's different
I really want to play.
I'm ready, I'm inspired!
I'll play till break of day

I'll show them what I'm made of
They'll marvel and they'll cry
But my guitar just falls apart
“What?  Why now?  Why? WHY?”

The neck breaks off, the body splits,
the strings are hanging limply
I'm foiled again, I cannot play
I'm ******* (to put it simply)

Coda - Andantino Contemplativo
What does it mean, this silly dream
This wild subconscious spectre?
What nourishment for soul to glean
From such netherworldly nectar?

Hmmm...

I think that I should spend more time
With hands on wood and string
To reconnect with touch and sound
To let my veiled heart sing

To feel, and set those feelings free
Catharsis, true release
My sheepish nature put to bed
My denigration now to cease

For I have something bold to say
Now my true voice is ready
I'll sing again through wood and string
Rich and full and steady

Alive with truths that transcend words
Ego now at bay
Connecting with the universe
It's time for me to play

*Fine
I teach guitar at the University of Prince Edward Island... in my dreams I'm a student again, usually unprepared, reluctant to play.
ryyan May 2011
Once upon a time.
In a land far far away.
Their existed a rhyme,
About the greatest game ever played.
This is the said rhyme 
preserved from the acclaim the game has gained.
Passed on to generations about the game at it’s prime. 

A game that should be reclaimed from the fame its gained at the present time.
This game came from the brain of a person
who aimed to have the time of his life. 

Town ball was for all. In any season: spring, summer, winter, or fall.
Town ball was a ball for all: no despair, grief,  or strife, could spawn.
The rules were simple
Hit ball: bases touch all. 

Teams were never full. 
And the field could sprawl.
Everything was in play just like everyone could play.
No obstacle was in the way, no direction out of play.
Yet, according to the natural law of capitalistic America,
An evolution began to make money.
**** you Jean-Baptiste Pierre Antoine de Monet!!
You may have nothing to do with baseball, 

But you spawned the evilest idea of them all. 

That evolution is caused by natural law, 

and the evolution of baseball is the downfall of all that is America.
Baseball was at one time a game of fun; 

good times shared with one another under the sun. 

Eventually they agreed to decree the official rules, 

And it was not Abner Doubleday who would have the last say in history,
for that story is a myth that we should flee from like fools.
Instead it was Alexander Cartwright who penned the knickerbocker rules.
These rules spread to the rest of the clubs,
and eventually it was coined the New York game. 

No longer could anyone play but only the ones who could slug.
If you wanted to win, it would be a sin,
to put in the has been who brought the game shame.
This game spread during the civil war. 

In down time to escape they played for fun instead of being bored.
The game spread like never before,
and soon the game covered the entire eastern shore.
The N.A.A.B.B.P was formed and by 1867 four hundred teams were born,
and in 1870 the Chicago Cubs actually won!
They actually were good before 1908,
heck some people might even say they were great. 

I don’t mean to taint their slate or bait your hate.
I just wish to point out that its been some time since that date,
and you Cub fans still must await.
Meanwhile these gentleman clubs would compete in the heat,
for they wanted to prove they were the ones to beat. 

Yet promoters wanted money so they charged the food you eat.
Then they fenced in the meet.
No longer could you watch the teams compete from the street.
If you wanted to know who would defeat you must enter with a receipt
to show that you payed for your seat.
There you would meet, eat, and greet,
and keep track of the game on your score sheet
Eventually the wood frames turned to concrete

in order to hold more people inside their games.
And the players started to earn fame.
And eventually everyone knew their name.
No longer was the game a game for games sake,
instead it was meant to entertain the fame-craved.
All that matter was the money made at the gate,
and since then the game has never been the same.
Before players would score more and their would be less of a bore.
Fielders caught with their fingers the stingers thrown,
but for catchers that was absurd.

Before, fans would abhor to the idea of a fielder with a glove adorned,
but eventually the planted seed, grew steadily, and the fielders glove was born.
At first their was no web extended between the finger and thumb.
Because that would make it so easy to catch it would be just dumb. 

Yet, somehow the web spread and eventually it won. 

Now any *** could catch between finger and thumb
and the hand would not become numb.
This lead the dead ball era dread at the start of nineteen hundred.
And ego went to Owen Wilson’s head as he lead the league with triples.
Thirty six triples the record was set
and will never be broken it has been said.
But instead its embed into the unread
record book for others to go ahead and try to break with dread.
There were several reasons that lead to the dead ball.
First of all, the same ball was used until it started to unravel.
Second, was that you would draw a strike for every foul ball,
And lastly was the spit ball which would dance to any squall.
All these reasons made the pitchers un-hittable. 

And batters seeing their batting average fall
would take a bar crawl and bawl.
But then a savior came to us all. 

This man hit the ball so far that it would fall somewhere past Senegal.
The claims were esteemed that this man was best of them all. 

Yet, he was traded for money to fund a curtain call. 

This man’s name was George “the Babe” Herman Ruth. 

A pitcher turned outfielder because he was a great hitter is the truth.
The great bambino or Sultan of Swat,
nothing could stop him when he was hot. 

And he hit the dead ball era out of the park and it was forever lost. 

He had more home run’s as an individual, than any team,

Except for the Phillies who were good it seems.

Babe was the hit man

Pitcher he was no longer

The same change came

With this emphasis:
Babe Ruth symbolized what was

the rest of the game. 


They said pitch no more.
Sluggers are what fans adore
outfields became small. 


Power was the talk

Every team must have a guy
who hits with power. 


George “babe” Herman Ruth
and Lou Gehrig, the Yankee’s
became the very best.

Then the depression came and rained on the parade of the baseball game.
Yet, families with radio’s would listen to the games as a sort of hope. 

To escape from the world that they known. 

To escape to a game that reminded them of better days.
Then WWII came and stole away the players. 

Baseball’s talent level was now in multiple layers. 

and because of lack of talent Ted Williams batted over .400 percent
and Joe Dimaggio hit the ball again and again. 

for 56 consecutive games he hit the ball back to where it was sent.
Yet, eventually the players would return and baseball would mend. 

But not before the ladies got their own league. 

and men it did intrigue.
Is this for real?
Or a joke?
They would laugh.

Then they would choke. 

When they saw that this wasn’t just an act.
The girls continued,
“Everyone used to be able to play the good old town ball game!
“This is no longer town ball,” the men said, “the present game is not the same,
Instead its now played for money and fame.”

Oh how the good old days always change.

“Give us money” the women exclaimed,
“We’ll take your fortune we’ll take your fame!”

Some men said, “you complain! Its not the same,
you have to be good to play this game,
you can have your separate league if you need,
But this game of fame is only for white men of age!”

Oh how problems never change
Instead they always stay the same.
Yet, it wouldn’t be long
Before the trumpet would sing its song. 

That segregation would possibly end. 

Not for women but for African Americans. 

Segregation had always gone on. 

***** leagues rose up, but finally segregation’s time was gone 

due to a man named Jackie Robinson. 

And in 1947 he broke through with the Brooklyn Dodgers.
Because his team was convinced they’d make more money by Lou Durocher
Yet it came with its troubles because Not everyone on the team was happy 
And some fans were just down right ******.
Some teams such as our beloved St.Louis Cardinals even threatened to strike. 

They were not going to play if Jackie played because they had that much dislike. 

But Jackie and the Dodgers pushed through all the hate that spewed. 

Other players, managers, and fans  were rude, crude and would start feuds. 
Then they would brood every time Jackie’s name the roster would include.
But after awhile people would conclude that he was actually very good.
And after review others would start to include rather than seclude,

But this integration was long over due.
30 years till segregation could be totally subdued.
The lessons we learn are hard ones that is true. 

And it takes awhile for an entire nations perspective to take a different mood.
Now with baseball integrated the game be televised. 

This allows the money in the game to rise. 

The league now expands west; 

New markets they must test.
But hey! the players want some of this. 

They want to start a free agency. 

But this is the last thing the owners need! 

But the players want to be able to move between teams.

The players want money. Oh how things never change.
But the players got what want. 

They now can negotiate and the owners this does haunt. 

The game now is wrapped inside this twisted shame of money. 

Thats all any body wants so they find ways to scheme. 

Thus steroids came to the scene. 

Players now could be payed more if they played well. 

This meant that to hit the ball far, big muscles they would have to build.
In order to get that edge over everyone else. 

These players used steroids to get their help. 

Yet that was not cool with the public 
Because steroids put you at risk. 

They are dangerous at best,
and the league didn’t want to run the risk. 

Plus what about records that have stood the time test?
Are they going be broken now and no longer exist?

All because someone drugs themselves to have a bigger biceps and chest?
Someone please lay this all to rest! 

Baseball today is such a shame. 

Its boring with all of the commercial and pitcher change breaks. 

Something needs to change. 

Because its been turned into a sideshow. 

Thats the only reason why kids even go. 

To see the park, get hot dogs,
and baseballs that when put in the dark they glow. 

Then when you get home. 

you ask them what they remember about the game 

and they say, “I don’t know”. 

This game used to be interesting. 

But now I find my channels flipping. 

Even Golf is more fun to watch. 

at least they hit that ball a lot!
Baseball should but I doubt ever will, 

Get rid of all the pitchers it has to refill. 

No more pitching changes; That would increase the thrill!

Maybe players could hit the ball if wasn’t coming 100 mph every throw. 

and instead of pure talent pitchers had to use strategy,
of when to and not to throw 

That 100mph hour fastball.
Get rid of the sideshow. 

Then maybe kids would go. 

Maybe then we’d go back to being enthralled. 

Back when Baseball was actually Baseball. 

But I doubt it will because money is what matters now.
Sideshows make money so its always going to be allowed.
But I’d like to disavow
I’d like to dropout. 

I never really watched it much in the first place. 

but now I know of a better game.
Oh and one final thing to say. 

We should just go back to town ball. 

That game sounds so much cooler than baseball. 

You could really make some unique obstacles

Put in a fountain or maybe even a wall.
It just sounds like a lot of fun. 

I plan to play it this summer some. 

Everyone will be welcome. 

And we’ll have fun under the sun. 

And it won’t really matter who will win. 

Because its about having fun, building character,
and growing relationships
The end.
IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a

— The End —