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Martin Narrod Apr 2014
Yesterday she was nowhere to be found
In the earth or under the earth.


Suddenly she is all here - a bright soon
Of a tomorrow in earnest and potluck joy, embers and pyres, iris and the merriment of ochre.


A star groomed by outer space - spilling wet ash
And fissured out by the tailored saw of the wood.
Now something is stirring in the smolder.
We call it a girl.


Still wowed.
She has no idea where she is.


Her eyes, chalcedony stones, explore ripening doomsday and an ivory moon rock.
Is this the world?
It confuses her. It is a great numbness.


She pulls herself together, rousing to the new weight of things
And to that maternal figure nuzzling her, and to her down burrow.


She rests
From the first infinite shock of light, the empty laze
Of the curious and their curious questions -
What has happened? What am I?


Her ears keep on inquiring, blissfully.


But her legs are impatient,
Mending from so long nothingnesses
Her tiny hands are restless with ideas, they start to try a few out,
Swaying this way and that,
Grasping for balance, learning fast -


And she's suddenly upright


And stretching - a giant hand
Strokes her from top to toe
Perfecting her outline, as she tightens
The knot of herself.
Now she comes to -
Bold, beautiful - Argentina
Over the weird world. Her nose
crimson and magnetic, draws her, consciously sounding,
A petite yaff, aimed towards her mother. And the world is warm
And gentle and softens her daze. Touch by touch
Everything fits her together.


Soon she'll almost be a woman.
She wants to be a Woman,
Pretending each day more and more Woman
Till she's the perfect Woman. The immortal Woman
Will surge through her, weightless, unbound, a twirling flame
Beneath silver gusts,


It will coil her eyeballs and her heels
In a single outlaw fright - like the awe
Between mortar and firework.


And curve her neck, like a crocodile emerging from the placid pond
Among lilies,
And fling the new moons over her shimmery banner,
All the full moons and the dark moons.
Booming, ineffable delight.
A Mareship Sep 2013
(There’s something that I keep in my pocket, a piece of dental floss, flavourless now, chewed to a white nothing by my own mouth to wring out every strand of his DNA, but now it just tastes of me and nothing else.)

My sister was wearing a black dress made of crepe. I remember it so well, the way it scrunched up in my fingers like paper, my knuckles juxtaposed against the colour, white with tension, against a bottomless backdrop of black. I held onto that dress like a terrified child. For that moment, it was the only thing that existed for me.

gotta sit here, gotta stay, gotta sit here.

(Memories of bumblebees with their innards hanging out,
“make it start mama, make it start!” it’s a common reaction amongst children so I’m told.)

I did not feel his soul sliding past me. I didn’t feel a thing, not a single thing.
Is it the same as turning off a TV? Energy dispersing into the ether? A kettle boiling, bubbles stilling? How can he have just…stopped?

He stopped.

I have felt many things in my life. The whole spectrum, from dizzing highs to drug doped ecstasies, suicidal jaunts to white-edged nothingnesses. But I had never felt abandoned before. Not truly, sincerely, abandoned. Marooned. Bitter. Desperately bitter. Terribly, terribly frightened and deeply alone.

There’s nothing like the smell of flowers to jolt the senses.

I let go of my sister’s dress and walked – not ran -  but walked out into the daylight.
I remember that I had my head held high - I could have just been going for a smoke, going to make a phone call, going to check that the sky was still up in the air and not down on the floor like a carpet of bluebells , but when I reached the door of the church I started to run.
I ran right in front of cars – **** it! – across the road to a half deserted carpark, winding through the cars like a ******, and slunk down to the floor in front of a parked white van. I thumped my head against the cool metal of the bumper and started to shake. I remember my body feeling somehow too big and too small all at once, I remember laughing at one point because it seemed like the right thing to do. My shaved head hit my knees with a thwack.
I’m not here, I’m not real, I’m a black and white thing, I’m just a black and white thing...
But I was real, and there was no escaping it. All of it was real. The carpark was real. The flowers were real. The only thing that was not real was the thing that mattered the most.
“You ****.”
I got up. I started to kick the van, kick the wall behind me, and kick the air.
You read about it in stories and you see it in films, people losing their marbles and hitting out, heroically bleeding from the knuckles, stinging, saying ‘ah, ah.’ None of that happened for me. I hit so hard I thought I’d broken my hand, but my bones are ******* stubborn. The world is ******* stubborn. My mouth felt like it was bleeding, but it was just laced in a cobweb of spit.
“You ****! You ****! You ****!”
I took off my suit jacket and draped it over my head, pulling it tight; a black ghost in a carpark in the countryside.
I felt an arm wind its way around my waist, and the rustle of crepe.
I sobbed up my grief like catarrh, the lining of my jacket wet with spit and the inevitable chawing tempest of tears that caved in my stomach like a perfect punch.
“I’m losing my mind.”
My sister grabbed onto my hand and squeezed, hard.
“No you’re not, Arthur.” She said to me, with certainty.
“No you’re not.”
sort of felt like I wanted to write this tonight, not well written but from the heart at least - in fact, from the very bottom of it
Martin Narrod Nov 2015
weathered fingertips in sensual crescendo
arouse blitzing keystrokes to commove
wild Js and Zeds, Ks and Is too.
harmony of the king's three-thousand acre jungle
swallowing the stormy orange cyclical stew

and tantamount to its feral cavities
thrushes whet jagged spinal bones to split
news of the no-rhythm, sambas of new religious canter
infiltrates the **** cavernous walls

This inner ear and greater sound
knew to find sanctuary here.
Lends its awesome craft to the next
And next, and next, and next;

beautiful unboxed melodies
new unused sweet single-reeds
threading that 20s centrifuge.
Saxophone. Incantations unfolding

Aloof in its ***** it unwraps
The veil of green, a costume of black coffees
Cigarette stained curtains exhumed to greet
Thick plumes of albicant sinewy smoke
At the heap of its glorious song

Uniting the funnel of eardom to consecrate
Bliss. Intrinsic and purple
An irrational knot of Portuguese drum
Met over by African toms and rattles

A glue imbued into those unmistakable
Chakras of this spell of mourning and reversed
Names of starlight girls and their other'd selves
These are the weapons of our new key strokes.

And upon the cortex it reveals this lift anew
Where death greeted me to intervene a place
Where sound and silence meet, and new strikes
Put my hands in halves. Pear-shaped birds pecking
At the joints, and where bowl-shaped tones bring

Their impeccable limbs to atone with auburn and cerise soils
Beneath the high ridges of doom- the empowering backspace
Does not exist, only new nothingnesses and their hooves
Splashing into each step into the next, and the next, and the next,
And the next.
Arihant Verma Feb 2016
It was already awkward, taking you
up the dubious muddy mountain, with
thoughts, unbeknownst of their occurrences.
All the more cliffhanging at the edges,
of the next moment, like a word expected
or not but not spoken, left alone in the mind.

But the lake and the wind, provided the lure,
to stay calm and composed and intermittently,
shut up and stare at the nothingness that the wind,
the reflections and the darkness offered. In the gaps,
between those nothingnesses, words place-held
the thoughts and bouts of past, present and future.

When you slipped, I pulled you by your hand,
harder than the pain stilling threshold.
My other hand carefully place-holding,
in the shape of your lower back, so that
just in case my pull became insufficient,
I wouldn't hesitate to prevent you from dipping
your clothes and slippers in the little mountain mud.
Martin Narrod Nov 2015
You're back and I've only been asking four years and two days. My passion never left, it only paved your way. Outside it's gotten colder than the weatherman will even say. The skies may stay clear but everything is gray. I wait for you on the tarmac with bouquets, four years yesterday it was to be my grave.

Everything and its nothingnesses made me black and blue, I was just ink blotter on a finger's noose, nonsense and writer's gloom. Some of me was hexed by my work, some of my flesh became unglued. My eyes may have resurrected a figure, but I can't be sure it's you. I'm at the Bay Bridge with weights tied to my shoes, where even the water can't judge my moves.

People lie to keep themselves as far away from their truth. Many can't even talk to you unless they have a drink or two. ****** and benzos too. Skinny vexed spirits accrue, walking into the waves until their skins turn blue.
Instantaneously
the
forge
Has reached the Universe!


Magnified precision
has not happened in
zero time
zero
Nilch happenstance.


It took a little longer to observe those
cute neccesities of the primal
cultural dominion -
outbursting as a
practical
point
of
Well being.


Let me compare you to nothing ~ my love ~
cos' nothing is just a word
for an emptiness,
you - joyful
Bart!


Thy
tender
creation
unfolds ceaselessly as
cherry trees are in blossom
Upon rose bushes.


Warm late winds
blow
Petals.


Softly landing
sounds
are shaped
as a divine dance;
a promise of thoughts
And energetic words.

Everything is in motion:
Love, procreation, love.

Lyrics are yearning
when maestro is playing -
Loving the Moon and the Sun the same.


Eloquence of a hawk soaring the castles tower -
is a solid shelter for true trubadours
adorning the masters reign:
angels and daemons,
ladies
and
Grace.


Mylady
consumed a potion
of sweet nothingnesses,
Whispering - more!


The Rinzai
master is
still
sitting
Silently.


Swans are gliding towards the shore....
The Birtch tree trembles.
Imagined by
Impeccable Space
Poetic beauty
Michael Marchese Jun 2016
I need you to know
The demons I'm fighting
Before I must go
I'll share them in writing

I’m made of regrets
And mundane subsistence
Incarnate vignettes
Of a worthless existence

I’ve lain with my guilt
A restless bed shared
My guts have been spilt
But nobody cared

I could empty the grief
Drain these misery veins
Feel the crimson relief
But the deep blue remains

I draw nothingnesses
From black hole heart
Paint abstract abysses
Oblivion art

I’m always alone
In a crowded room
I’m always unknown
In a nameless tomb

I’ve been lured to wastelands
To seek self-destruction
On siren shore sands
Of lust and seduction

I’ll slowly bequeath
My will to survive
As Time bares its teeth
And consumes me alive

I believe when you die
So too does your soul
Salvation's a lie
And Truth rots in a hole

I’m leprous afflictions
To your smiling faces
I'm faithless convictions
To pious good graces

I’ve woken in sorrow
From unfulfilled dreams
Cursing tomorrow
With nightmarish screams

I revel in vices
Of white winter's blight
And devil devices
Of shame-bottled plight

I welcome the reaping
With feasts of laments
With fine wines of weeping
And sin's decadence

I’m carrion skin
An atrophied carcass
Decaying within
A flesh-eating darkness

I’ve watched mankind sink
To the depths of its greed
As I've drowned in the ink
Flowing blood that I read

I'll hang from the gallows'
Rope of mortality
Claimed by the shadows'
Noose of reality
Ugur Kupeli Jul 2019
sly voice in the door
creak on my chest
shut up, shut the **** up
you smart man,
you concentrated linear
sly snake
--- i got nowhere to go,
i will melt into this bed
with my red eye and shut sinuses
and half a drum set at my feet
and thinking, unbelieving, scared
eyes, eyes, i'm tired tired mouth
. got nowhere to go. did i let my brain
be shut by sly sly sly snakes?
did i exchange free music and free floating
vibrating bodies for secure swamps
of weak discriminations?
constant obstructions behind my neck,
a constant itch in my throat and aches
my left red eye, and broken right arm
and collapsed stomach and groin -- i walk like
i just walked out of a war,
i'm just walking out of a bar.
in 2019. in this forgotten swamp of frail
nothingnesses.
feel like on the tv all the time, feel like
i'm on some documentary giving out the unspeakable
secrets of my life, diluting and watering down
every last bit of authenticity and mystery and
strength that life naturally grants us -- i see
microscopes in eyes and spiky lashes in every word,
and futility in hoping for a smooth walk down the road,
to have each note of each music you listen to be a small
universe on it's own, a microorgasm that lifts the chest
the feet and the shoulders high, carrying you off
with fluorescent angels through the night, into the warm
place of dreams and scents and magical beauties.
nowhere to go but to melting into the bed.
and no new grammars that approach like battleships.

--- i cry but my face is stone

— The End —