THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of

The low yellow
moon above the
Quiet lamplit house.

Eärendil was a mariner

That tarried in Arvernien;

He built a boat of timber felled

In Nimbrethil to journey in;

Her sails he wove of silver fair,

Of silver were her lanterns made

Her prow was fashioned like a swan,

And light upon her banners laid.



In panoply of ancient kings,

In chainéd rings he armoured him;

His shining shield was scored with runes

To ward all wounds and harm from him;

His bow was made of dragon-horn,

His arrows shorn of ebony,

Of silver was his habergeon;

His scabbard of chalcedony;

His sword of steel was valiant,

Of adamant his helmet tall,

An eagle-plume upon his crest,

Upon his breast an emerald.



Beneath the Moon and under star

He wandered far from northern strands,

Bewildered on enchanted ways

Beyond the days of mortal lands.

From gnashing of the Narrow Ice

Where shadow lies on frozen hills,

From nether heats and burning waste

He turned in haste, and roving still

On starless waters far astray

At last he came to Night of Naught,

And passed, and never sight he saw

Of shining shore nor light he sought.

The winds of wrath came driving him,

And blindly in the foam he fled

From west to east and errandless,

Unheralded he homeward sped.



There flying Elwing came to him,

And flame was in the darkness lit;

More bright than light of diamond

The fire upon her carcanet.

The Silmaril she bound on him

And crowned him with the living light

And dauntless then with burning brow

He turned his prow, and in the night

From Otherworld beyond the Sea

There strong and free a storm arose,

A wind of power in Tarmenel;

By paths that seldom mortal goes

His boat it bore with biting breath

As might of death across the grey

As long-forsaken seas distressed;

From east to west he passed away.



Through Evernight he back was borne

On black and roaring waves that ran

O'er leagues unlit and foundered shores

That drownded before the Days began,

Until he heard on strands of pearl

When ends the world the music long,

Where ever-foaming billows roll

The yellow gold and jewels wan.

He saw the Mountain silent rise

Where twilight lies upon the knees

Of Valinor and Eldamar

Beheld afar beyond the seas.

A wanderer escaped from night

To haven white he came at last,

To Elvenhome the green and fair

Where keen the air, where pale as glass

Beneath the Hill and Ilmarin

A-glimmer in a valley sheer

The lamplit towers of Tirion

Are mirrored on the Shadowmere.



He tarried there from errantry

And melodies they taught to him,

And sages old him marvels told,

And harps of gold they brought to him,

They clothed him then in elven-white,

And seven lights before him sent,

As through the Calacirian

To hidden land forlorn he went,

He came unto the timeless halls

Where shining fall the countless years,

And endless reigns the Elder King

In Ilmarin on Mountain sheer,

And words unheard were spoken then

Of folk of Men and Elven-kin,

Beyond the world were visions showed

Forbid to those that dwell therein.



A ship then new they built for him

Of mithril and of elven-glass

With shining prow; no shaven oar

N or sail she bore on silver mast;

The Silmaril as lantern light

And banner bright with living flame

To gleam thereon by Elbereth

Herself was set, who thither came

And wings immortal made for him,

And laid on him undying doom,

To sail the shoreless skies and come

Behind the Sun and light of Moon.



From Evereven's lofty hills

Where softly silver fountains fall

His wings him bore, a wandering light,

Beyond the mighty Mountain Wall,

From World's End then he turned away,

And yearned again to find afar

His home through shadows journeying,

And burning as an island star

On high above the mists he came,

A distant flame before the Sun,

A wonder ere the waking dawn

Where grey the Norland waters run.



And over Middle-earth he passed

And heard at last the weeping sore

Of women and of elven-maids

In Elder Days, in years of yore.

But on him mighty doom was laid

Till Moon should fade, an orbéd star

To pass, and tarry never more

On Hither Shores where mortals are;

For ever still a herald on

An errand that should never rest

To bear his shining lamp afar.

Dear Mom,
Hey! How’re things?
So, LA is weird. It’s all sticks and stones and billion dollar homes. Last week on the Metro I forgot my headphones, but it all worked out because there was a homeless man who was naked from the waist down except for a pair of Spiderman underwear with the tag still attached who was singing “Sweet Caroline” at the top of his lungs.
Everyone here is someone important. They live the philosophy of Descartes like scripture.
I think therefore I am... exhausted. I haven’t been sleeping because my mind has taken up running, which means it’s acclimating to the culture here quicker than my body because everyone in this town ******’ loves running almost as much as they love vintage shoes and car horns.
It’s strange though, I can’t shake this feeling that I’ve lost something.
Anyway, I love you.

Dear Mom,
Thank you for the eyes.
Last afternoon a stranger told me they were beautiful, and on a day where every mirror seemed to be of the funhouse variety, it was a welcome compliment.
I’m sorry I haven’t called in a few weeks, please don’t think it’s because I don’t miss you.
It’s just, lately, I’ve been feeling a bit like a marionette whose had his strings clipped.
Slumped and crumpled.
Small.
Collapsed and sprawled cracked in some forgotten corner--the hollow knock of wood bouncing across the walls of this mezzanine dressed in finer things than me that have been fostered by
Father Time and his Mistress Stillness.
And I know how you worry.
You worry ‘til bones bruise and still your skeleton aches to shoulder my melancholy yourself, so I can’t bear to bridge this distance with crestfallen phone calls where the past year locks fully loaded on six-shooter lips--the way heels cling to cliffs edge--before finally, reluctantly, free falling; firing off each round.
Six words aimed with eyes closed as if it were up to God to decide where they’d hit:
“I wish I could come home...”
Then your silent, empty-cartridge, catacomb sigh would just teach this telephone how cavernously a mother’s heart aches for her children.


Dear Dad,
I know it goes without saying, but thank you for the check and the note attached to it.
It’s hard to describe how much home I find in the deft curves of your surgeon’s cursive.
I hope you’re doing well. Last time I saw you, you seemed a bit like a lit cigarette filter tip watching the singe approach.
Maybe it was just the embers of your eyes glazed over by one too many heavy handed nightcaps.
And this isn’t to say the Superman who stayed up late nights holding me through fits of anxiety has up and flown away, this is just to say you seem to be flickering.
This is just to say I hope you still laugh at bad movies with the thunderous bass of July fourth fireworks.
This is just to say I’ve been staying up late nights holding on to yesterday.

Dear Mom,
The care package was unnecessary.
I now have more Skittles than any one human should ever consider consuming in a lifetime. So thanks. I know I told you, at some point, years ago, that they were my favorite… but *******.
Really though, waking up to that box on my doorstep choked me up quicker than a swift kick to the nuts. You have a way of weaving through this heartland like a Middle-American interstate and I love you so much for that. It’s just next time, maybe try something that doesn’t have the nutritional value of flash-fried butter sticks.
But not too healthy. Maybe fruit leathers?
P.S. Keep the homemade fudge coming.

Dear Dad,
Forgive the handwriting of an earthquake.
My hands are shaking again like when I was young. I’ve been finding stillness, though, in between sips of five dollar coffee and midnight cigarette drags beneath and incandescent moon that seems to use breeze hands to play cat’s cradle with strings of smoke.
Life is fast here. It’s all gas pedal and touch-and-go breaks.
P.S. If you see mom, don’t mention the cigarettes.

Dear Mom,
I got your e-mail about smoking and the ensuing health issues it leads to. Graphic stuff. That was super informative and totally unprompted. Thanks for that.

Dear Dad,
...

Dear Mom,
Stop worrying so much, you’re making my bones ache.

Dear Dad,
In my dreams I am a lighthouse with an unfocused beam. I’m searching for something, I just don’t know what.
At least I’m sleeping right?

Dear Mom,
These days blur together with the fading speed of a half-life hardly lived to its fullest.
Was it different for you when you were my age? I shift between a drifting stick stuck in a current and desert stone.

Dear Dad,
In my dreams I’m a lighthouse.
There’s a fog horn distant.
I’m still searching for I don’t know what I’m searching for something and there’s a fog horn far off like it’s from someone elses dream but at least I’m sleeping.

Dear Mom,
Do you believe that streams take sticks where they need to be?

Dear Dad,
Have you dreamt of fog horns lately?
I am a lighthouse looking for a nameless something in fog so thick I should be choking.
But I’m not.
At my feet there are rocks and they’re jagged but I’m not anxious because they stay up late nights holding me.
And in the distance there’s a fog horn that seems to be saying “All is not lost.”

Dear Mom,
Do you think that desert stones are waiting for something?

Dear Dad,
In my dreams a lighthouse is built upon jagged rocks that are shaped like your hands. I’m searching for something and even though my lamplit electric torch eyes can’t touch the sky through this ******* fog, I keep them burning because I should be choking but I’m not, I’m finding stillness in the way breeze plays with smoke strings and far off there’s a fog horn distant promising “All is not lost.”

Dear Mom,
This town is all sticks and stones and broken home drifters.

Dear Dad,
All is not lost.

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .

Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,--
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me?  Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.

Are you still doubtful of me--hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,--you remember my silence yet . . .
You knew, as well as I, I could not **** him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.

How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,--
Had I the right,--I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.

Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,--
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival--who knows?--is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,--
To keep some youngster waiting in the wings.

The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you.  We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,--
All you remember blackens, utters cries,
Reaches far hands and faint.  I hold the light
Close to your cheek, watch the pained pupils shrink,--
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.

Who plays for me?  What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.

Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,

The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .

     *     *     *     *     *

The music ends.  The screen grows dark.  We hurry
To go our devious secret ways, forgetting
Those many lives . . .  We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.

Whose body have I found beside dark waters,
The cold white body, garlanded with sea-****?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.

Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed.  We go our ways.

The poet sits in lamplit gloom
alone in ebb and flow
how strange it seems to write of love
but never feel it's glow

A sigh, a lie, a broken heart,
a kiss on untouched skin
yet still this writers heart it sits
uncharted deep within.

The poet sits in lamplit gloom
and stares at paper bare,
then puts to it her broken heart
and leaves it bleeding there.

Corruption and Seduction, twins living in discordant harmony.
Firstly, Corruption lives in a crowded home, in the lamplit living rooms and in the starched collars and sore legged dining halls.
        Seduction lives in the attic, and ghosts from room to room, leaning on others as it passes, like an injured soldier.    
         Guiding into places seldom spoken of and rarely trod.
She asked him how he could change his mind so quickly.
I think his mind was never made in the first place.

Be it Corruption or Seduction, they live as synonyms and antonyms.
A promise broken, words thrown aside or forgotten, a trust crumbling to dust.
Credit this, not to one or the other, but to both, working for each other to accomplish the objectives laid at their feet by the gods.
Moments of weakness, burdened with fear and doubt, belong to this indecent pair.
         Scoffed by most, yet intimately known to all, Corruption and Seduction manipulate and corrugate.

Lines of coal take form, again and again, on this coldbound evening
as blackened fingers and wear reveal prints typically unseen.
Beautiful and unique and hurricane lightning tattooed yellowed paper.
It was untouched, like the charcoal, for ages as it sat in the corner
underneath the easel gathering dust and cobwebs.
It seems that the spiders have had a plentiful harvest this autumn,
what a shame to rid them of their feast this month.
It'll be winter soon and they're going to need it.
What creation is permissible by destruction? Any?
None?

Can I make up for it, I promise:
I'll draw them a web and weave you into it.
You and I and They: we'll all feast.
We on Art and they on flesh.
They'll never miss those material pleasures ever again.
They'll never need to build or wait or **** or eat.
We'll never need to either, not after this,
this momentous occasion of focus and dedication
when my arms and lamplit desk burn from satisfaction
and our faces grimace at the completion
of something so wonderful, on paper.

I

The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.

III

The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.

IV

On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.

V

When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.

VI

It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?

VII

The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.

VIII

Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.

How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.

IX

This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.

Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you-
'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.

X

It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.

What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?

The snowflakes, helplessly veering,,
Fall silently past my window;
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!

XI

As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;

And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.

And still, though I know this, and say this, it cannot console me.

XII

How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain,-
We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
Or because we found a crimson eft
Darting in the cold grass!

These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.

XIII

My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room-
Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.

Who is she? I do not know.
Why does she dance? Do not ask me!-
Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward,-
Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.

XIV

Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth-
Torn from its house-
So do I seem to myself
When you have left me.

XV

The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin-
The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.

i do not want you.

i do not want your touch;
your hands skimming my hips, my sides
delicate fingers stroking black lace
reverently

i do not want your lips
on my jaw, my collarbone
my neck, my anywhere...
supposedly

i do not want your voice;
a soft whisper in the lamplit glow
that, even after you go, still hangs in the air
wistfully

i do not want you.
i do not want you.
(a mantra chanted under my breath, somewhat
doubtfully)

Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win--
As from swart August to the green lap of May--
To quietness and the fresh and fragrant *******
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges.  Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful *****
Of her four shoes!  Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes!  At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves!  And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge!  And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins!  And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance--
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water:  but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked!  See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass--
Pass ere the sun leaps and your shadow shows--
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release--
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams!  And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are--
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.

Snow falls.  The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops.  And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of ******;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.

A forward rush by the lamp in the gloom,
And we clasped, and almost kissed;
But she was not the woman whom
I had promised to meet in the thawing brume
On that harbour-bridge; nor was I he of her tryst.

So loosening from me swift she said:
“O why, why feign to be
The one I had meant—to whom I have sped
To fly with, being so sorrily wed,”
’Twas thus and thus that she upbraided me.

My assignation had struck upon
Some others’ like it, I found.
And her lover rose on the night anon;
And then her husband entered on
The lamplit, snowflaked, sloppiness around.

“Take her and welcome, man!” he cried:
“I wash my hands of her.
I’ll find me twice as good a bride!”
—All this to me, whom he had eyed,
Plainly, as his wife’s planned deliverer.

And next the lover: “Little I knew,
Madam, you had a third!
Kissing here in my very view!”
—Husband and lover then withdrew.
I let them; and I told them not they erred.

Why not? Well, there faced she and I—
Two strangers who’d kissed, or near,
Chancewise. To see stand weeping by
A woman once embraced, will try
The tension of a man the most austere.

So it began; and I was young,
She pretty, by the lamp,
As flakes came waltzing down among
The waves of her clinging hair, that hung
Heavily on her temples, dark and damp.

And there alone still stood we two;
She once cast off for me,
Or so it seemed: while night ondrew,
Forcing a parley what should do
We twain hearts caught in one catastrophe.

In stranded souls a common strait
Wakes latencies unknown,
Whose impulse may precipitate
A life-long leap. The hour was late,
And there was the Jersey boat with its funnel agroan.

“Is wary walking worth much pother?”
It grunted, as still it stayed.
“One pairing is as good as another
Where is all venture! Take each other,
And scrap the oaths that you have aforetime made.”

—Of the four involved there walks but one
On earth at this late day.
And what of the chapter so begun?
In that odd complex what was done?
Well; happiness comes in full to none:
Let peace lie on lulled lips: I will not say.

Nights like this
Nights like shining starbursts in black abyss

When sweaty palms arise not from fear
But butterflies ten thousandfold

And the taste of her lips
on yours
on a lamplit January road
Still lingers come daybreak

Those are the nights I stick around for

SHY
indecision moves-
pulling waves
unfurling her-
mute under slow drift-
she considers
coy eyes
or none at all


DISTRACTIONS
multiple kinds of rush to keep steady–
multiple rushes to make numb–
multiples fractioned attention–
all this to feel it fit to breathe–
to feel fit for getting–


ONE STEP AHEAD
in its own language
her visage stills-
softens the gaze
full unto his need


YOU FIRST
the inclination–his
yearning–sparked
and executed en pointe
sa vie–précise–


BLUSH
of dropping knives–
the delicacy–
reminding her of uncertainty
pending smiles 
cheekbones raised–
his and hers–


A GOOD DAY
maidened features
spool delicate rhythms
evoke love songs from her palate
and her face–
he paints it–  
dressed in light–


PURSUIT
his attempt–this
requires heart–
rewires nerves-
creates a caution
and her lamplit orbs-
doe-like-
stirring in vein–


VIBE
across heads are more heads under sense-arrest
but just two pairs of eyes connecting brown to black 
throughout entwining want-threads–
the myriad–oblivation–


GUILTY
upon her neck thoughts exhale
upon the choleric-
suddenly the sanguine-
upon a thought–
her neck–
one–
two–
many–

As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.

Books to the library
photos to family.
Paint cans and lumber
from renovations years ago.
Most of the furniture
including the piano.
Fastest way to do this
is rent a dumpster.

On the internet
nothing’s permanent.
I like that.
Photosynthesis, evaporation
as if your spirit disappears
when the sun appears.
It’s a burden lifted
not to have to persevere.

Edits
for clarity
and brevity.
One owes the reader
a respite from
the tonnage of
fructifying English.
To drown one’s book is devoutly to be wished.

Coupla trumpets,
big comfy couch,
four beds and dressers
and the contents of closets.
Tools we don’t use,
surge protectors and chargers,
lawn and patio accoutrements,
table settings for ten.

Lamplit underground,
the stray branch,
synchronized chaos,
a red fez.
One canary,
map of Antarctica,
three deaf little otoliths,
six or seven sybils.

Extra salt and pepper shakers,
sharpies and crayons,
a printer and a scanner,
the Bible and Koran.
Kaput calculators and computers,
subscriptions and prescriptions,
a host of vitamins
and the ghosts of ancestors.

Time itself
but not nature.
Wealth
and most of culture
but not my health.
That I’ll keep,
and sleep—practice
for perfect rest.

I can’t draw you with words,
but the color of your eyes
can be aptly describes
with the hues of cornflower
and Persian blue.

The sketches of your laughter
cannot be drawn or seen,
but the drawers in my head
can be pulled out
and see, your smile repeats itself!

Time spent with you
will fly away in the wind
but by the lamplit flow of words
my minutes spent on you
will stick to these pages and dry into
constantly blooming memories.

So my dear,
      even when you’re far away
      bent over the nuances of a fishing hook,
      this little notebook will hold the scraps of time
      I’ve kept pressed inside
      preserving the moments like cats in formaldehyde.

Looking heavenward, I see only the earth.
The stars align and the planets turn,
But what of the holy?

Archangels sit and smoke and weep on tenement rooftops,
And the collared cherubim bleed into the rainswept gutters
Like cut dogs in cardboard boxes by the highways of New York,
Or the roadsides of back-alley Brooklyn or Paterson,
Where the demonic masses lie naked in the streets,
Their souls bared raw to heaven
And their hair as messy as sidestreet dumpsters.

The misted rain fogs on the busted double glazing,
The bare limbed trees outside fallen victim to a long winter
And a late spring.
The air that blows through the streets of these mundane cul-de-sacs
Has passed through the lungs of cancerous dodgers
In those hell-indulgent cities,
Where children find their kicks by freerunning
Across buildings of bricks made from c-grades,
Or by standing atop high-rises in the grey wind,
And biting their tongues only to feel their own consciousness
Burrowing into them
Like parasites from the condemning schoolhouses or university halls.

You’re alone when your skies turn grey,
And the rain falls with all the purposeful intent of a neon god.
You’re alone when your smashed milk bottles and broken plates
Are like music on those drug-dampened dawns,
You’re alone when your cold, ash-stippled roof gardens
Are your only way to heaven,
You’re alone when your fingers are cut on your own writing
And you are dizzy from spinning yourself sick
Alone in your splintered art lofts.

Your stars are misaligned and your planets need engine grease to turn,
And you sit and smoke and weep on tenement rooftops,
But you still look heavenward.
You see your madness in the same silver moon
That compels the tide and transfixes wolves,
You recognise yourself in newspaper clippings proclaiming ******,
You acknowledge your expression in broken syringes
And powder remnants
On the glass-topped coffee tables of water-dripping apartments,
You feel your heartbeat in the gasolined engines
Of stuttering Cadillacs
And taste your own warm lifeblood in the burgers of roadside diners.

You see cosmological galaxies bursting like Van Goghs,
Horrible, bitter-cold starstorms underneath white skies,
Raindrop-dripping garden leaves in shrubberies and verges
And earthy rockeries,
You dream of enlightened, ***-smoking boys in beat-up trailers
And the cluttered box rooms of sky-high apartments,
Of screeching atop stone-cragged mountains of green in highlands,
Of bell-rung harbours in the white seaside towns of England,
Of the salt-chapped lips of fisherwives
And the bone-skinny children of sailors,
Of visionary angels in stained glass cathedrals,
Of the cobbled thoroughfares of lamplit cafes in a Parisian purgatory.

And yet you lie naked on floors,
You lie high on floors and let visions spill from your hands
Like the whiskey you drink.
You are under us now,
Under the earth like meat sacks.
But your vision lives on
In every piece of self-indulgent fuckery written for you,
In every copy of your collected works
Or your novels.

Seek,
Live,
****,
Die.
For you are immortal, in the end.

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,--
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.

As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight?  Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.

Sometimes I have good days, days where I am lead down the path of life with happiness holding my hand.
But then there are the bad days. Days where I feel like I am being drug down to the depths by weights tied around my ankles by depressed hands and the idea that I will never be good enough.
I am wandering down a lamplit street at night, kept company by insomnia and followed closely by depression who thought it necessary to bring along anxiety and loneliness.

“It’s a choice to be this way, you just have to decide and will yourself to get better.”
Like depression is merely a switch you left on when you hurried out of the house in the morning.
“I’m sorry, it will get better, it’s okay, everything will be fine,”
As if they think empty spaces inside can be filled by emptier words,
Because they see the world through rose tinted glasses, and my lenses are broken and cracked.

I want to get better, I have to get better but part of me is afraid of leaving my depression because it is the only understanding, the boyfriend I’ve always wanted, the only relationship I’ve ever had, always there so I am afraid of letting go.
I don’t want to be more alone.

Medications and self help books, tools trying to crack and sculpt the shell of my mind.
Why aren’t they working?
I don’t really know.
“Well, maybe you just aren’t trying hard enough. Try harder.”
I try so hard to think positive thoughts, to be a friend to myself, but the words echo uselessly in my head, bouncing around but they never stick.
They are drowned out by the overpowering voice of negativity; you are lying.

Happiness should be easy.
All you have to do is pursue it.
Well if happiness is something you can run to, then I am still learning to walk.
Get up, dust yourself off, and try again.
But I am getting weighed down, with every mistake, every failure, everything I’ve been told that really meant nothing but that I took extremely personally and thought about for days, it is heavy.

They ask if anything is wrong.
I say no.
Because even if something is, I am at a loss as for why.
I don’t even understand the tangled mess mind has become, but all I can do is try to untangle the knots.
I am viewed as weak, a victim trapped in my own head and held hostage by my thoughts.
But I am the own who pushes myself back up, I am the one who has to dry my tears, calm the panic attacks, and hug the broken and injured parts of myself back together.
Can’t they understand that?

The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,--deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.

Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-***** with fiddles;
They played a buzzing melody, and you smiled.

To-morrow--what?  And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .

We walk with you.  Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again.  We ***** through darkened cells.
You say: this darkness, here, will slowly **** me.
It creeps and weighs upon me . . . Is full of bells.

This is the thing remembered I would forget--
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.

My fans--my jewels--the portrait of my husband--
The torn certificate for my daughter's grave--
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.

Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams--they are madness.  Staring eyes--illusion.
Let us return, hear music, and forget . . .

Whispers of clouds brought to life
From a child's observant hand,
Tied firmly with twine
To mine
Are puddles now,
Unfathomably deep and yet
Impenetrable,
As a windowpane in a lamplit room facing the glossy
Liquid tar of the night,

And sometimes I see the sky
And sometimes I believe I can see the bottom
And sometimes I see my own face staring back up at me,
Tinted grey,
Wrinkled by age or the tiny footsteps of waterbugs
That have found solace in the stagnant water,
And my eyes are glassy and unfocused
And my nose is crooked,
And I am tempted to take a tiny cup
And drink from that tepid pool
Dip by dip
Until the water has drained
And the bottom is no longer an elusive phantom
Masked by a pallid imitation
Of the life that breathes before it,
And the waterbugs and their skittering legs
Are all inside me
Where they bounce around in my warm skin
So I,
Too,
May remember how it feels to be alive,
But the dirt under my fingernails
And the husks peeling from my shoulders
And the tendril roots anchoring downward from my toes
Craft,
In their chthonic shelter -
A suffocating darkness of soil
That strips the eyes and lungs of their familiar needs -
Some lyric
That sings of a new desire
And an emanating warmth that reprimands my very body
For being so naïve,
To think that it
May whither away
Should the sun set on one Summer day's
Dusky glow
(So reminiscent of the afternoons
Where you would grip my fingers and guide me through
The ins and outs
Of ravenous caterpillar holes
Bitten into the leaves
Of the alder trees,
Never allowing me to forget
How you despised their aberrant bodies,
"Freaks of the natural world,"
And I would tell
To closed-off ears
Stories of transformation
And the butterfly that fed
On the ugliness of a fat insect
And turned it into romance)
So I abstain
From my brackish libation
And sit back,
With my dusty hand,
Burnt from the grip of the string,
Pressed to my parched throat,
My stale reflection retreating over the edge
Of the pond,
And,
From my new perch,
See,
The sliver of the Moon,
In her own reflection,
A promise,
Of the Sun that approaches on his handsome chariot,
And wait,
For the return of day
And,
A new face
To wash
Ashore in the tide.

Crystal gleaming, blinding sight,
I crawl, small seeming, though tall, I tried.
So hard to stand in dark evolution,
the solution claimed as stark;
Yeah right.
I need a change under the sun,
But forest ranger is my part.
So only night, lit by lamplight
Conceives revolution
in this Dark.
What choice do I have?
Which paths to take?
Green stained machetes
Dictate the stakes.
Long for the sun,
And long, we may,
Alas,
Must do with a lamplit day.

Kiss me cyberlight andromeda. Twist salt and sea to fluorescent foam.
Her gaze can rubble rocks, sand sandstone, and grind granite.
Lamplit soul where did you go?
Cold clandestine callous kindness broke my beatdown bladed bleeding beating broken heart.
Like the hot hollowness of furnace fire you lift white iron from my head. Steel the sterling silver sword song of sorrowful saints singing soft sonnets into sunless summers. such a silly sin we now suffer for.  
Forlorn lore long lost, like lighting lingering little and limp lashed against the locked lonely light of tinder embers and the soft glow of days end.
Tomorrow torrents torment of tidlewaves, tornados, tempest. Thoughts of thorny thickets thrash thunderously turning tides of mind to thicker thoughts of trepidation.
We sail on.

I wish *** was as simple as your mouth on my skin,
As the mountains of knees and valleys of hips,
The friction of your body against mine.
I wish *** was as free as the movement of your hands
Strumming my body to this new and unalienable tune.
I wish that *** had only ever been how it was in that moment,
Raw and sweet,
Approaching the crescendo with the safety of your trust,
Teetering on the edge of the precipice,
****** feeling not like the destination but part of the journey.
I wish *** was not my haunted house,
That I did not have to work so hard to stay on the front lawn,
Leave the demons inside to be exorcised.
I wish my memories were all lamplit and rain on the windowpanes
Of the backseat of your car,
Huddled in the blanket fort you made,
Tenderness.
I wish I could say my previous partners all cared whether their beds felt like
Silk to my emotions,
Not sandpaper to my fight or flight,
Grating on the nerves as I tried desperately to lay still.
Shhh, little girl, anything that happens in your silence does not exist in the morning.
You will not exist in the morning.
That version of you, so young and naïve at 19, will no longer have a name when the sun rises,
Washed like the blood and sweat and his calling card from your skin,
Washed from your mouth like the taste of the alcohol from his breath
As it hangs above you with the realization he has driven with you drunk,
Lost like the innocence as his mouth woke you before he entered unwelcomed,
And you cannot say “no,”
The scream frozen to your lips like the snow on the ground that December,
Your psyche the balloon floating on the horizon,
Pain the only anchor to this moment,
Gone like the idea that you could ever be clean,
The bite marks faded but his hand prints still linger on my nightmares,
The way he used *** the same as the sword wedged between the box spring and mattress,
Weapon.
*** should be beautiful,
The symphony of your skin taste of you on my lips,
The sounds of your climbing ever higher.
I want *** to be the Garden of Eden,
So comfortable we have forgotten we are not clothed,
Lost in the pleasure of our existence,
But even the Garden of Eden has a snake.
I wish that *** was not my haunted house,
Not a list of landmines longer than my forearm,
And though I have spent a year now opening the curtains, clearing the dust, and airing out the closets,
Sometimes I still ask you to please, leave the light on when we sleep.
Sometimes I can still hear the door closing with no hand behind it and acidic “You’re one hot *****.”
But you have reminded me why I fell in love with *** in the first place,
As a thread sewn between two people,
A connection of beings,
A safe place of exploration and expression.
I don’t always have the words to tell you what it means to me
That you honor both my love of *** and the haunted parts of it,
Create safety for me in the sheets,
But as we lay in the darkness,
Skin to skin,
“Thank you” will have to be enough.

It's been the longest time, my sweet,
since both the two of us did meet;
it is, I have to say, a treat
to be a part of you again.

And since the moon is getting low,
I guess it's time for me to go -
I'll be back if you want me though,
to be a part of you again.

I fear, my love, I must depart;
I'm thankful for this brand new start,
and (now without a broken heart)
to be a part of you again.

I missed you so when you were gone,
but now it's my turn to go on,
so farewell, dear, until anon;
until we part anew again.

He left her on the lamplit doorstep, smiling,
grateful, finally, for their reconciling.
Then he paused and turned around again,
full of questions he could not contain...

Pardon me for saying, miss;
I only wish once more to kiss
your loving, sacred lips. What bliss
to be a part of you again.

The House On The Hill

Bleak, the naked
     windswept lanes,
Lashing skin,
    unforgiving rains

Drenching tatty,
     flapping drapes
In a flurry
     of flightless capes.

And aged eyes
     of darts and stares
Catch new lovers
     unawares,

Flitting from sky
     to window frame,
Dashing with
     their hearts aflame.

Inside, outside
     and under eaves,
Upturned collars
     and soaken sleeves,

Seeking shelter
     from heaven's spill,
Beckoned by
     the house on the hill.

Warmly wafts
     to welcome them
With lamplit porch
     and lacey hem,

Wry smiles
     and buttered toast,
Courtesy of
     the resident ghost.

Old lady, with your
     heart that bleeds,
Dweller in your
     loveless needs,

Lonely in your
     shadowy niche,
What trickery will your
     soul unleash?

Jealous shadows,
     creaking floors
Opening windows
     and slamming doors,

Trapped young hearts
     lay at your feet,
To beat no more
     their wreckless beat.

Seething, writhing,
     crimson drips,
Sweetly tasted
     on bitter lips,

Beside their lifeless
     essence rise
With mouths aghast
     and fading eyes.

The clock ticks,
     the hours pass,
Silence befalls,
     in dreams, at last,

No murderous widow,
     their lives, could take
Nor break their hearts
     before they wake.

Stretching limbs
     and sunkissed yawn
A sigh of relief,
     a welcomed dawn,

To wander life
     as wise old fools,
To knock death's door
     before death calls.

Frail, in cumbersome,
     aging skin,
Where no more passion
     beats within

A little old couple,
     with time to ****
Make their home
     in the house on the hill.

© RJVHorton2015

Mama told you when you were young
that people would treat you like a library,
come and go as they please,
sometimes leaving you a little more
empty,
sometimes curling up in a corner, immersed in you
an ark, strong and safe, for some
as they talk over you and
leave two by two,
fidgeting hands leaving gaps in your armoured rows of memories
as they drag fingers along book spines
unsettling old and stubborn dust
in neat little lines.

Sometimes they will come only to put you back on the shelf
in order to move on to some brighter place.
You see, your dim warm lights will comfort some and depress others,
and that's alright, she said,
some will risk it all to stay all night.
Still, knowing this,
you sit lamplit on the patio
buttoned up with regret
wine red lips pursed
burden on both sleeves
tired of the world already at twenty three.
She never told you that torn pages and unfinished stories
would bleed and hurt like real wounds
that some visitors would leave you
collapsing behind them,
crumbling, folding,
the threat of closure looming
like an unsatisfactory ending--
she didn't tell you that libraries are also oceans
stretching fields
and cities
burning crashing and fading into bittersweetness
and balled fists

she didn't warn you of plot twists like this
or what to do when they arise
your big moon eyes clouding over
like a stormy night
in front of living room lights
that have turned their back on you
or that sometimes peter pan at the window
would have more luck than you at getting
through people's frosted glass

You have to learn your own fresh start
you have your own paintbrush, you have your own heart,
So, paint your insides, watch them dry
under the new moon.
That sinking feeling is just
a new room,
no bookshelves in it yet.

I have walked across the attention span
been diverted
because I am
that kind of a man.
Easily led and more easily fed by the promise
of angels
that float high on the rafters above
cold lamplit stables.
And babes held securely in a world full of fury
where the storms howl and rage
I am guilty of this
tried and convicted by a jury of twelve,of
my peers they say,
haha,
not one of them ever
walked in my day or saw
me as the man
that walked all too often
across the attention span.

"I like... the idea of people,"
the woman replied, gazing at herself in the lamplit garden pool.
She idly flicked in a pebble.

"Flighty things, aren't they?"
Her reflection dissolved into ripples
as she turned,
swiftly,
and left.