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Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Vicki Kralapp Aug 2012
When I was just a child I went searching for my world,
one of sunlit days, adventure and beauty left unfurled.
Though these days were made to be the a key to set me free
I couldn’t have foreseen the cost that all of this would be.

As I look back on these memories I hoped to have it all,
I believed that love would listen and come answering my call.
I was certain love would find me as I filled my life with song.
Now I’d turn in all these moments for just the promise to belong.

At Oktoberfest with beer halls and the sound of German songs.
The mix of beer and smells of nuts floating through the noisy throngs.
Climbing  on the Untersberg up on Alpines mystic peaks
and attending cocktail parties with Gemany’s elite.

Climbing falls in Ocho Rios with some old and new found friends,
drinking coffee, eating lobster, and enjoying without end.
Driving through the darkened backroads from a day at Negril’s beach,
in a cab with songs of love and Marley counting down the beat.  

In Cancun lagoons were vivid and alive with swarming life,
seas of sergeant majors, parrotfish, and barracuda thrive.
in the Caymans packs of stingrays had become our closest friends,
as we played among them in  a world where the beauty never ends.

The fireworks over Sydney lit the bicentennial sky
while I look upon that moment now with disbelieving eyes.
Waves from the Prince of England as he sat by princess Di
when I left the land down under, well I felt like I would die.

As I watched the sun go down over Uluru’s gold peak,
and the sun rise over Daintree as we picked our morning feast.
digging oysters off the rocks by Nelligan’s foreshores,
I was certain with my best friend that I couldn’t want for more.

Remembering the ocean as I snorkeled though it brief,
in Queensland off the shore on Australia’s barrier reef.
The beauty in Belize nearly took my breath away,
and it seemed to me that God had made this gorgeous land to play.

Camping in the South Pacific beneath the skies and palms.
In the hills of South Dakota we went panning in the calm.
With the Eiffel tower, Louvre and Twilleries rounding out another day
And the visit to the gardens of Monet just made me cry.

It’s surreal to think of all the things I’ve done throughout this life,
and the blessings that I’ve gotten seem enough to make things right.
But the simplest adventure and the one I longed for most
was a man that I could count on and would love and hold me close.
All poems are copy written and sole property of Vicki Kralapp.
Brad Lambert Mar 2012
**** me like the ocean would the moon, Dear Amaranthine.
Teach me as you would any abecedarian, slow with pace.
My pallid arms are spread, and feet are crossed.
Crucify me, like one of your French girls.

Your endless frame arched over mine
a vaulting testament to the heat
of your front against my back.
This scene should have been a chapel.

Through hazed musk I can taste the saline
as it tumbles from your dripping brunette tendrils
forming brooks and lagoons the color of flesh
in the glens and about the islands of my spine.

I wish I could write about you in me
while you dance a contemporary beat
ceaseless, indeterminate, untold are
your feats within and upon my person.

For a split moment, seconds shattered in two,
I am completely and totally permeated by you.
I whine for you to vacillate me, I am ******* begging
to be occupied, satiated, by a rhythm akin to the sway of trees.

Love me fast and kiss me slow, Dear Amaranthine.
My palms are red, and feet bloodied, too. I moan.
Call me your poetaster but don't come on my chest;
There's far too much weight there already, my dear.
CK Baker Apr 2017
Willets cull the seawall
snapper on the grill
rock ***** swoon
in shallow lagoons
long boats pass
under quiet
palm shade

Plovers dance and flutter
handrails frayed and torn
graffiti spots
at lovers rock
frigate-birds fall
from a high
noon sun

Thatched roof on a mud wall
fish flags settle score
anchors arch
in front line march
pillar cracks form
under rust brown scars

Elegant tern and grebe
watchmen fall in cue
children play
on crested waves
whimbrels and notchers
perch above Tentaciones

Striped pelícanos
the bandits of the sea!
merchants grow
in steady flow
siblings jostle
in a tide cooled sand

Heerman gull and boobie
durango smoke in yurt
boiler shrimp
and puffer blimp
castle buckets and scrapers
under a dusk light cheroot

Six pulls on a lead line
painted toes in sand
shearwater run
in a rainbow sun
the portly mexicano
flaunts his tacos
and wares

Rooster house for swordfish
bamboo shoots and sails
broken shells
and ocean swells
rise
on the
perfect
La Ropa bay
ROA Apr 2014
the devil wears puppy-print pajamas and waits outside his vacant house for you to come,
the devil calls you only by the first syllable of your name and tells you your hair is the most attractive thing about you,
the devil gives you water in a coffee cup the first time you sit on his bed and accidentally spills it on you when he tries to kiss you,
the devil has eyes like the murky lagoons he told you he would visit with you,
and a scar the shape of a crescent moon on his forehead.

the devil leans up against the wall and asks, "why are you doing this to me? you're making me feel so guilty."
the devil doesn't pay his phone bill and ignores you when you say you need to talk,
the devil calls once, twice, a few times, once at 12:45 when you swore he wouldn't call, and never again,
the devil moves houses and forgets to warn you that he lost his heart in the process,
the devil doesn't care that they drained the lake near his house,
the devil doesn't notice that they took his ******* heart with it when they did.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Joshleen Kumar Feb 2019
With various Oceans in the world around
And less of land and solid ground
71 % is Ocean and 29 % is land to be exact
That is the reality and the startling fact
Unfathomed are the waters, deep and blue
How does the Ocean matter to me or you?
As a matter of the Earths Biology and Chemistry
The data on Oceans is no longer a mystery
Oceans are the lifeblood of planet earth and mankind
As here is one of the greatest ecosystems we can find
Carbons are removed for the air and buried deep in the Ocean
In turn, the marine plants give back to us the required oxygen
The Ocean is the planet’s most important climate regulator
As it absorbs the ultra-rays from the sun and solar factor
Which in turn gives the atmosphere a cooling effect
Otherwise the world would be too hot to inhabit
The evaporation of vapor from sea is recycled back as rain
Without which our life on earth would be so much in vain
Our Oceans are magnificent and represent a scenic beauty
The breath-taking views serve their tourist attraction duty
The atolls, the lagoons and the white sandy beaches
The crashing huge waves and the dazzling marine creatures
Oceans are a safe and direct route of travel for ships and boats
Which is convenient and cheaper without a need for expansive roads
The Oceans are naturally part of an aquatic sporting arena
Where yachting, sailing, scuba diving and snorkeling are a winner
The Oceans are a hub and powerhouse with various economic activities
Where wealth is derived cheaply and aplenty with little difficulties
In fact the Ocean is like the headquarters of the World Bank
Where all the worlds’ assets are sitting within a large tank
From large scale fishing, pearl and seaweed farming
Gas and oil extraction and as far as minerals from mining
Cooking salt is derived from the oceans and is therefore iodized
Arid nations have sea water purified for drinking after it is de-salinized
The range of economic activities derived from the Ocean is manifold
But with the depleting state of Marine resources, what does our future hold?
Thousands of people have lived without love but none without water
As every drop counts but having an Ocean at your mercy is even better
A healthy Ocean means that we have a healthy, thriving nation
As it is the Ocean that provides us with a chunk of our daily ration



An Ocean is rich and full of resources and is a great asset
Without which the world would be poorer, just like in debt
From the Highlanders, the city folks and the coastal dwellers as such
We all need the Ocean somehow or the other and very, very much
Resources of the Ocean are of course very limited
So use it wisely and just take what is sparingly permitted
Climate change aided by our misguided actions is taking its toll
The smaller island nations are drowning together with the atolls
If offending life on land would vanish, the creatures in the Ocean will flourish
If life in Oceans were to perish, the creatures on land would die malnourished
We need the Ocean more than what the Ocean needs us
We cannot survive alone at the neglect of the Ocean thus
That is why the Ocean matters so dearly to me
Can we all put up our hands for this “me” to become a “we”?
So that the Ocean remains intact and in good health
And we can keep on living off well from the Oceans wealth?
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
SøułSurvivør Dec 2015
of beautiful things
willowy warbler's
wax'n wings

silvery strumming
singing sands

languid lagoons
in luxurious lands

carvings of creosote
cacti create

fulcrum of flame
thru frivolous
fate

volcanic vestibule
vestments and
vestiges

historical hypothesis
harmonious
heritage

melanin melange
mellifuous
mild

woodduck waters
wheeling and
wild

crystal caverns
creating
light

nocturnal nymphs
announcing the
night

sumptuous sunsets
scintillation's
scream

dramatic dawn
drawn
from
a

dream


SoulSurvivor
(C) 12/2/2015
I've got a challenge.
Find something lovely
and draw it in words.
Go around it and
REALLY LOOK AT IT

If you do this every day
it will help even
the dark days

I KNOW.

~~~<☆>~~~
Styles Dec 2014
While these groupons cutting coupons I mean and croutons with Grey Poupon with the flight crew on an Islond off Moulin Rouge -- these dudes calling me rude, how I took'em to school. went from second hand shoes to licking silver spoons eating delicious grapes, in luxurious estates, and plush lagoons. Leaving the monkey business to the buffoons. Instead I'm watching CNN news being amused. LeBron making his moves on the tube, setting screens, and running schemes, on the big screen, HD clarity got me taking three, I'm catching charges too. This is the life. I'm just manifesting what they said I couldn't do -- nothing new.
In the market-place of Bruges stands the belfrey old and brown;
Thrice consumed and thrice rebuilded, still it watches o’er the town.

As the summer morn was breaking, on that lofty tower I stood,
And the world through off the darkness, like the weeds of widowhood.

Thick with towns and hamlets studded, and with streams and vapors gray,
Like a shield embossed with silver, round and vast the landscape lay.

At my feet the city slumbered. From its chimneys, here and there,
Wreathes of snow-white smoke, ascending, vanished, ghost-like, into the air.

Not a sound rose from the city at that early morning hour,
But I heard a heart of iron beating in the ancient tower.

From their nests beneath the rafters sang the swollows wild and high;
And the world, beneath me sleeping, seemed more distant than the sky.

Then most musical and solemn, bringing back the olden times,
With their strange, unearthly changes rang the melancholy chimes,

Like the psalms from some old cloister, when the nuns sing in the choir;
And the great bell tolled among them, like the chanting of a friar.

Visions of the days departed, shadowy phantoms filled my brain;
They who live in history only seemed to walk the earth again;

All the foresters of Flanders,—mighty Baldwin Bras de Fer,
Lyderick du Bucq and Cressy, Philip, Guy du Dampierre.

I beheld the pageants splended that adorned those days of old;
Stately dames, like queens attended, knights who bore the Fleece of Gold;

Lombard and Venetian merchants with deep-laden argosies;
Ministers from twenty nations; more than royal pomp and ease.

I beheld proud Maximilian, kneeling humbly on the ground;
I behed the gentle Mary, hunting with her hawk and hound;

And her lighted bridal-chamber, where a duke slept with the queen,
And the armèd guard around them, and the sword unsheathed between.

I beheld the flemish weavers, with Namur and Juliers bold,
Marching homeward from the ****** battle of the Spurs of Gold;

Saw the fight at Minnewater, saw the White Hoods moving west,
Saw great Artevelde victorious scale the Golden Dragon’s nest.

And again the whiskered Spaniard all the land with terror smote;
And again the wild alarum sounded from the tocsin’s throat;

Till the bells of Ghent resounded o’er lagoons and **** of sand,
“I am Roland! I am Roland! there is victory in the land!”

Then the sound of drums aroused me. The awakened city’s roar
Chased the phantoms I had summoned back into their graves once more.

Hours had passed away like minutes; and before I was aware,
Lo! the shadow of the belfry crossed the sun-illumined square.
Leevon Abraham Nov 2013
Close your eyes,
now imagine yourself on an island
that doesn't need make-up to be beautiful.

Imagine yourself,
walking joyfully through an exquisite flora.
Imagine you and your family
camping in a tropical rain-forest
swimming in cool hidden pools,
great mountain streams,
and magnificent waterfalls.

Imagine yourself on a canoe,
gliding atop blue lagoons.
Or, rather than an evening at a theater,
how about a romantic evening
with your love, by the beach,
with a beautiful sunset glistening
through your eyes,
while nature sings peacefully, to you.

Imagine walking through a tunnel,
that was left behind by the **** in World War II.
Imagine going on an adventurous trip,
through a mysterious archeological ruins,
with immense stone logs,
stacked crisscross  to form a wall.

Imagine all of this,
and open your eyes,
and you'll find yourself
on my island - Pohnpei.
Pohnpei, one of four islands in the Federated States of Micronesia (FSM), located in the pacific ocean
David Barr Feb 2014
Shall we drown together in deep lagoons of forensic cognitions, my seductress of medieval echelons?
As your mouth is already full, I strongly recommend that you masticate that which you initially intended to ingest.
We could become spellbound by the moon. What do you think my Vedic chant of austere arrhythmias?
I suggest that we simply need to interact without reserve amidst this toxicity of inhibition. The sound of the violin is hauntingly beautiful as it conveys literary intensity.
Arthur Vaso Oct 2018
Crumble
brothels sprout
flesh peddlers collect their fees
selling daughters
in twos and threes
Lopez or Diaz
lazy or defiant
escaped
in polluted lagoons
the virus spreads

Dancing with the dead
priests absolve the devils
in their mist
Pilar sold her virginity
for a few bars of gold
wrapped in an old ladies hatred
she murdered her vows

Mexico is a land of smiles
the knife only glints
in the Aztec sun
as they bury you
after eating your heart
Pilar Lopez Diaz, thief, day of the dead Acambaro
Sean Dimech Aug 2012
Dark and desperate caves fill our destiny,
Continuously moulded by the hands of white horses.
We shall pledge our allegiance here,
And I will finally become one with your forces.
Ships and ships of cargo pass through,
Carrying only our thoughts and queries,
Stopping only for the wise and free spirits,
And starting their journey whence the worries.
Can I meet the blue spirit that lives here?
If to ask for something so simple, so special.
Lagoons lie outside and ****** us with golden sands,
But temptation cannot withhold how we feel.

Will you...
Will you?
Only if to find my weakness,
Only if to be beaten,
And a tie commences which penetrates us.
Like children opening eyes to the new world,
We dance inside and emotions are spilled.
We cry so softly, echoes of joy are heard.

Stepping from these dark and desperate caves,
The moon congratulates our arrival to Earth.
Pacing every step with golden statues surrounding us,
But not millions are as valued as what you're worth.

The sun cannot replace you,
The moon cannot compare.
Without you I can't do,
All I need is you to be near.
William Murray Sep 2010
Eyes that flash the soul of civilization
And warm the heart in observation.

Love that whispers with a gentle touch
And surrounds with hugs that seem so much.

Cry Beloved!

Water that caresses with a thousand tongues
Sunshine that coos all the birds’ songs

Teachers and vets, pronouns and clowns
Croissants, marmalade, coffee and new lawns.

Cry Beloved!

Breezes and sneezes, walks by the shore
Seashells that capture all the sea’s roar

Powdery sand and laconic lagoons
Daydreams and naps in the afternoons

Cry Beloved!

Smiles, museums, carriages in the park
Salads with friends and chocolates too dark

Rowing among lily pads and turtles and frogs
Hiking and crossing the streams on new logs.

Cry Beloved!

Flowers and bees buzzing in the sun
Hummingbirds hovering, dogs on the run

Children running, giggles and wiggles
Caring, learning, reading and snuggles

Cry Beloved!

Snowy mountains, valleys green
Faith proclaimed, faith unseen


Wonder and ponder, awe and reverence
Invitations from God to join in the dance

Cry beloved!

Hands held together in prayer and in love
Eyes raised to heaven on the wings of a dove

Caring so deep, affection so real
Feel the love and start to heal

Cry My Beloved!
William H. Murray © 2005
Shelby Bates Feb 2012
It's February 14, at 5 in the afternoon
And I'm sick.
Sick to my stomach; lagoons of acid loom in the foreground.
Sick in my legs; jello laced with electric jolts trying to break free.
Sick up in my head; my pulse pounds so loud everything else is gone.
It's just that relentless, frantic drum.
ThumpthumpTHUMPthumpthump.


The overwhelming desire to curl up in a shaking ball, to squeeze the illness all away, is nearly impossible to ignore.

It takes the strength of a old world deity to remain intact.
To hold the phone.
To keep my voice from shaking.

As I talk to you.
As I soothe your pain.
As I fix your problems.

Those problems that are my own, in a perverse mime cry.
Yet I can't say a word about my demons to you.
Why?
Because my demons have your name printed on their grey brows.
And that simply wouldn't do, now would it?

It's February 14, at 5 in the afternoon
And I'm sick.
Sick to my stomach; lagoons of acid loom in the foreground.
Sick in my legs; jello laced with electric jolts trying to break free.
Sick up in my head; my pulse pounds so loud everything else is gone.
It's just that relentless, frantic drum.
ThumpthumpTHUMPthumpthump.

But I do my best not to show it.
And you believe my farce.

I guess now thats all thats left to say is;

Happy Valentines day, dear.
Amanda Dec 2018
Water falls into turquoise lagoons
Where softly dusted butterfly wings
Chastely kiss a blue sky mirror
As the sun admires its reflection
Dressed up in cotton white clouds
Vibrant birds fluff out their feathered costumes
Listening as warm winds pass through talking trees
Hidden in a desert of lush green foliage
Enclosed in a ring of bleach white sand
As deep blue water guards the periphery
Of this last of Eden’s islands
Stanze smith Nov 2017
The boat I'm in
My boat is one that makes you feel small.
One that you can easily hide in:
Small windows, while lots of sun makes it to the deck,
It’s shiny, and white, with bronze banisters.
If you look close, it's all a shade of aged green.
Cedar deck planks shine,
But floorboards below are cracking.
The meals and entertainment never fail to impress;
But the boat staff are ready to walk the plank.
Its motor tries it’s best,
With white sails, wrapped up tight,
dusty from lack of use, unfold into grey billows for backup.
Their thin cotton gets tired easily,
They often rip when the storms blow.

The boat I'm on only passes the beautiful islands,
Close enough to see, but too afraid of the shallow waters.
The boat I'm on passes pirates daily,
Hearing their threats, shouts and banter.
The boat I'm on passes cruise liners,
wishing one day it too could hold so many happy, relaxed people.
The boat I'm on wonders why guests don't stay longer
and come more often.

The boat I’m in is sick of only serving me.
The one who is stuck here aboard,
The one who is so bored of this sad boat;
Although it could show me the world,
It commonly finds itself in little blue lagoons.
Dark waters with low hanging trees
and thick reeds to get caught up on.
Occasionally  guests will take me out,
Out to crystal clear, blue waters of the wild ocean,
We enjoy the sunshine and the sounds of the sea.
But me and my boat always seem to float away.
Away from the beautiful blue waters,
closer and closer to the murky banks,
Think mud wanting to swallow the white edges of my smile,
And the sides of my boat.
Daipayan Nair May 2017
Sad corners
Dark caves
Fumed pits

Dark lagoons
Dead reflections
Caged souls
Black forests

Breeze turning
chilled whistles

Possibility of life
Bigger possibility of ghosts.

True that it
divides a face

Vertical divisions
First choices

Its stoppage
before the lips.

A small tear -
hideout of an
entire negativity.

Horizontal division
is day to day living.

A perfect rule -
we divide in different ways
we cross paths
for a cancellation.
Dr PRERNA SINGLA Sep 2015
Mine love, mine lord!
Liberate me from the shackles of myself
Like the free wind let me dwell
Like the fragrance let me flow
******* the nectar of every flower
Soaking the warmth of every ray
Let me be nature, let nature be me
Intertwin'd delicacy
O solitude! mine cater-cousin thou be
Unravelling the secrets of beauty
I see with thy eyes
With thou I make love
On the ice capp'd peaks
In the depth of the seas
Floating in the blue lagoons
Walking on the starry skies
Let me be divine, let divine be me
Intertwin'd delicacy!

Copyright Dr. PRERNA SINGLA, 2015.
Batya Jul 2014
I’m an island
On another planet,
I’m so far away I could die.
The earthquake that made me
Comes back around to shake me up
And now and again
I crumble away a little
And the fish nibble at my toes.
I’m an island,
I’m surrounded, swallowed up
By deep blue melancholy,
I have a little melody
That I whisper through my palm trees
When the wind comes whistling ‘round.
I’m an island
And I’m beautiful
For white sands and a volcano,
I’m so beautiful you’d cry
If you could see me,
You’d try to free me
But I’m stuck to the ocean ground.
I’m an island,
I write myself a novel,
Because I’ve got no one else but Word,
And my four peach- colored walls
Become the horizons that I’m dreaming of
And my floor becomes lagoons
That beckon me to drown.
I’m an island
Because I cry,
My tears are my existence,
I’m my own wife and my own husband,
And I am childless and bloodless and I’ll always be around.

He is a rowboat
Of weathered wood,
Made of love and aged by making love
To the elements that define him,
And his wisdom and his readiness
To cross the Seven Seas.
He is a rowboat,
His billowed sails prepare for passion,
His oars anticipate his return home
With two in tow.
He is a rowboat,
The only one who can
And wants to reach his island in distress,
He carries himself
On wings of wind,
He’ll carry us both
When it becomes apparent that I can’t swim,
He’ll row and row and row his boat
To land ashore on the pain within
And he’ll love me all the way to his mainland.
Sarah Margaret Aug 2012
Brown eyes,
Soul as she
Trudges through
These Demi-Ichorous lagoons
Of romantic mire.

Suspened tear-shaped vessels
From which sorrow
Bares down on soul's
Amber gated soil;
And memory,
Upon memory,
Upon memory,
Entrenches her feet.

Time immobile,
Despite vague recollection
Of retrospection.
Rain in anguish endured,
Devoured by these russet shoals,
And yet still remains this marsh-like nostalgia.

Branchless wasteland,
A collection of Earthen mounds
In sienna hue -
Barren in sky's womb

But God save the oak tree!
Hope's ne'er forsaken pillar
Kept a constant distance
Absent the stronghold of grasp.

Some circle of brown-eyed hell
I suppose,
Keeps the satisfaction
Of soul's salvation
Just beyond reach.
ConnectHook Apr 2016
My idol walks. Behold her beauty
born of Nicaraguan night
summoning poetic duty:
tremors of volcanic light!
Clouds of ash and lava dropping:
I come back… I going shopping.

Sounding her primeval waters
crater lakes, her green lagoons,
fabulous—this diverse daughter’s
humid palms and storm-tossed moons;
ascending up her jungle mount:
Transfer dinero to my account!

Stone-faced idol, pre-conquista;
rice with beans or sacred maize
labyrinthine Latin vista,
cumbias and sacred lays.
Hurricanes and quaking earth:
******, what’s your dollar worth?

She who left her quaint dysfunction
reeking of colonial woes
for the multi-culti junction,
holy in her *****-pose;
scowling like exploited nations:
How you say… congratulations!

Gushing like a flow of lava
running down her placid gaze,
ripened flesh; the scent of guava,
passion-fruit in paraphrase…
Monkeys howling, torrents pouring:
Poetry to me is boring…

Rubén Darío’s wonderland:
Flor de Caña the anesthetic.
Marx’s tropic reprimand:
Sandinismo as emetic.
Verses don’t impress this lass:
Please—the car need fill with gas.

Lost in hurricanes of thought,
pounding the roof, God pours, it rains.
What was it, really, that I sought
In her land where the poetry reigns ?
It’s love. At times I long to shoot her:
Why you waste time on that computer?
∅☯✰☠
a  poem a day for NaPoWriMo2016
            ✿
www.connecthook.wordpress.com
            ☮
nawke Jun 2018
The morning light wanes
out on open plains
my belly debates
croissants have to wait  

All the nylon fliers
like crayons palettes
festival of spectacles
So many favorites

Up Up and Away
a hundred balloons
above lagoons and chimneys
below valleys and alleys

In one strong forehand
a spectacular descent
it looks unplanned
a landing on the grandstand!

There was no flaw
only the applause
at dawn, champagnes flow
I stand in awe
Poetic T Apr 2021
Even though you could feel it
                     fathomless than your soul.

We glimmered into each other's lagoons,
            and for that finite moment we
swam within the moment of the
   past,
          future,


present.

That even though you were
                bleeding out, we knew that
we were one the blade, you, me


                          us.....

I didn't pull it out,
as I knew id lose you.
               Instead, I shredded my shirt,
    collected it around the wound
that was never meant to be.

I was a killer of many dreams,
            but you were the reality that
awoke me to the possibility of u and me.

As u bled out we wrote a story of what was,
   could have been...

911 was our ring tone of love,

And the ambulance was the church bells
             of our blisful joyning.

When the investigation of our meeting was
                                                                ­    over.
We were together,
the scars of both united of us,
                                that we were meant to be.

But love has many sharp edges and we both
           had a blade under our pillows..

Sweet dreams were  balance on serrated edges
Valsa George Dec 2017
The poor boy knew Christmas beckoning at the door
He saw every house bright with many a lamp
And streets illumined with colorful lights and stars
But his tiny hut looked dismal n’ dark like a prison camp

With a suppressed sigh, he inhaled the festive air
His little heart grew weary and dim
There has never been a merry Christmas in his life
As the days advanced, he grew moody and glum

He, born into a cheerless, crammed shack
With parents so poor having very little means
To bring up their children and foster a family of seven
At a tender age, saw shattered all his budding dreams

Year after year, he had seen the city in dazzling lights
But never once on Christmas he could feel any glee
While the rest of the world partook of umpteen delights
Never his heart, from sorrowful thoughts, was free

When children of his age feasted on roasted turkey and ham
And their mothers baked Christmas cookies and cakes
He and his siblings had to be content with a meager fare
That left their cheeks wet with saline drops pooled in their eyes

Their house in winter was too damp and cold
No blankets had they to keep themselves warm and snug
They lay huddled together in biting chill
On the wooden floor on a worn out woolen rug

One evening, on a leisurely walk from school
The boy saw a man selling colorful balloons
With the little penny tucked safely in his trouser pocket
He bought a balloon and headed straight to the lagoons

There as he sat on the sprawling silver sands
A strange idea had come upon his little head
To send a letter to Heaven asking for some urgent help
Hoping Jesus would help, he too being born a poor kid

On a white paper he carefully scribbled these lines:
“Merciful God, look upon us, this miserable seven
Here in our humble hovel, we die of hunger and cold
On this Christmas, send us a little cheer up from heaven”

He folded the paper and fastened it to the balloon
Nevertheless he didn’t forget to put his full address
When the wind was strong, he let it go off his hands
And watched it soar high with his earnest plea for redress

Days went by and the awaited Christmas Eve arrived
While the world splurged in all gaiety and merriment
The poor hut remained dull and cheerless as before
The helpless parents were lost in grim bafflement

Abruptly, there halted a Mercedes before the hut
A man, old and graying with a graceful smile
Alighted with his hands loaded with Christmas gifts
Looking for the boy, he had travelled many a mile

It was during one of his daily strolls around the lagoon
That the gentleman saw a balloon suspended on a willow tree
The white paper tied to it made him curious
He took it up and saw an innocent’s earnest plea

The man so rich and kind was moved at heart,
He from his wealth decided to donate a large sum
To support that family of seven in dire straits
And give them the merriest Christmas with no trace of gloom

The little boy believed Jesus had answered his prayer
He came in the guise of a man, he had never before seen
With rising delight, he saw a star in the graying sky
It shone right over his head with a brighter sheen
Wish all my Hello Poetry friends the peace and joy of Christmas!
Tupelo Sep 2014
Puddles in black asphalt make for perfect lagoons
murky waters stirring, kissed with light bent from the sun
air conditioners brace the ledge, ready to jump
marlboro in the air, sunday morning is a holy sight
unanswered questions on bus stop benches,
basketball court with boys who have sprouted like weeds,
too fly for high, or too high for fly,
all background music to the thumping of ball on concrete,
Elders on rocking chair thrones atop of stoops,
witness to all that plays out,
from corner store ballets and 3 a.m. shootouts,
The beauty of it all, an orchestra of bodies,
awakening from slumber for yet another day
irinia Feb 2023
I know this woman well
from the curl of days
each day I write
a love letter to life
I strive to allow anything as
it is unfolds emerges
aliveness deadness blindness
foolishness fright ignite
the gloaming of thought
the expiration date for
the hade of dreams
I welcome every pain with a smile,
white hair and a glass of wine

this kind of love nested
in the voicelessness
of uncanny zoons
hues tunes lagoons
in the silence of soles
when you step so carrefully
not to disturb the unformed truths

pain love, neighbours
in the flow of synonyms
they taught myself to me -
the density of ribs
the depth of skin
the electricity of muscles
the tautology of heart
the logorrhea of thought
the temptation of beauty

moon is to blame
it hid its unforseen tales
inside the blueprints of
songs under the skin
Joel A Doetsch Jul 2012
I had questions on death
I had questions on life
I had questions about
poverty
hatred
and strife

I was told I should visit a
particularly peculiar man
who would set me right
who would give me a plan

I ran

I crossed mountains and oceans
and jungles and lagoons
I swam and I hiked and I trekked.

I finally found him in a field
a nondescript field of Indonesia
He sat cross legged within a hut.

A hut not made of mud
A hut not made of sticks

A hut made of hair.

A hut made of his own hair.
Still connected to his head.

He wore no clothes, but his
beard was so long that he
was able to wrap it about
himself as a shawl.

Interspersed throughout
the hair were baubles and
trinkets, folded notes and
photos.  Gifts from those
who had visited him before

It was a sight to behold

I was in awe

I had barely a chance
to utter a syllable when
he opened his eyes

and stared at me
and stared   through   me
as if in a trance

Then he spoke.

The answering of thousands
of questions had clearly taken
a toll on the man's voice, yet
his lilted rasp was somehow
soothing.

"You have questions, my boy?
You wish to know my secrets?
Do you want to know the key
        to life?"

Yes.  Yes I did.

He smiled

"Young man, I have sat here
for seventy-eight years, focusing
         my entire life and all my
conscious thought on that very
thing.  My wife supported me
until her death.  My sons still
support me.  They visit me
often and make sure I stay
     healthy and fed.  I have
weathered famine and storms,
sickness and droughts searching
      for the answer you seek."

He closed his eyes

"I have forgone a life of
passion and comfort and
instead focused within myself
to find this answer.  In all
this time I have only found
one thing to be true."

I waited for the answer

"Life is not meant to be
explained.  It is meant to
be experienced.  There
is no answer, only more
questions.  I swore not
to move from this spot
until I had discovered
what life meant.  My
hair and beard are
constant reminders
of my foolishness."

He smiled

"Go and live"

and surely I did


__
*Acersecomic - n - One whose hair has never been cut
I found this:  http://www.theprojecttwins.com/index.php?option=com_content&view;=article&id;=26&Itemid;=15

I hope to write a poem for each of those words.  We'll see how far I get.
Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.
Genesí of  Apokalypsis
Nandini Sep 2014
Lagoons slumbered in your eyes
Had to be let loose
Soaking my canvas
In the palette of those pools
B J Clement Jun 2014
On a south sea Isle by a sandy shore
She bathes in the surf for evermore
And sings.

She sings of enchanted blue lagoons
Of cocoanut groves under the moon
And things,

Of things a sailor most desires
Like a pretty girl and a glowing fire
And love.

And later when she tires of you
She’ll send you off o’er the blue
To roam.

But you’ll never escape the siren call
Of the dusky maid that so enthralled
Your senses.

So sailors all beware the guile
Of the dusky maid with the winsome smile
Who bathes in the surf by a sandy shore
Whose sole intent it is to lure the sailor.

For if you fall beneath her spell
She’ll break your heart and who can tell
Of the consequences.
I like to drink in taverns
Where you get beers and a shot
Where the glasses all are *****
And the women all are hot
Where there's blood stains on the dance floor
From a brawl the night before
And you know there'll be some more there
Before they close the doors at four

Line Dancin' Badonkadonks
or Boot Scootin' Prima Donnas
Are never on our floor
There's none of them among us
The good ol' Texas two step
Is all you'll  find round here
With both dancers smokin' smokes
and both holding a beer

We're not a bar for yuppies
We're a bar your dad would go
We're a bar with old time music
We're a bar you all should know
We're a bar with old time values
We're a bar with out a name
We're your bar son, your bar
We're your bar son, your bar


Umbrella drinks and blue lagoons
They can keep them in the city
For any guy who drinks that stuff
Well...to me...he's too **** pretty
A shot of Beam, a glass of draft
Waylon on the old juke box
Another shot, a few more beer
And this place really rocks

We don't serve drinks you can't pronounce
Or that take too long to pour
We like our music really loud
Hell...that's what country's for
You don't come here to sit and talk
You come to have a party
So, barkeep...one more time around
And lets start drinking hearty

We're not a bar for yuppies
We're a bar your dad would go
We're a bar with old time music
We're a bar you all should know
We're a bar with old time values
We're a bar with out a name
We're your bar son, your bar
We're your bar son, your bar
We are made of
Water and sand
Creatures that live
On the line
Of the land
Drawn by
The child-gods
Seperates us
Between
Land and the Sea
Made from sand
And water
Are we.

As the tide
Goes out
Then so
We are pulled
Toward azure
Waters
In lagoons
And deep pools
And as she
Comes back
Return so do we
Our rightful place
Interfaced,
Between
The land
And the sea
Written on an Easter Sunday in 2014.
Mateuš Conrad Oct 2015
coo coo... coo coo... polly mama *******... polly mama *******.*

how about a magic trick?
i’m going to make this
onomatopoeia disappear...
o!
ta-da!
it’s... it’s a pigeon and a parrot... a london dungeon pigeon
and a macaw representing a paradise of the urban cancan lagoons...
even though the cannibal girls' **** dangled to tangle in
with a spider's oral imagination to feed rather than please.

— The End —