Submit your work, meet writers and drop the ads. Become a member
Ivan Brooks Sr Jan 2018
Before all of this, even after all of this, I will forever be a patriot.
Before the poet in me matured and I started talking like a parrot,
The dogs of war barked and I climbed exile's fence on my own
And there I have dwelled, with nothing tangible to bring me down.

I have been on this fence so long and I will remain there forever!
Especially since the premature child is still in the incubator.
From this vantage point, I have learned never to trust any politician
I've always looked at them with mistrust, disdain, and suspicion,

Before all of this  and before I ran and climbed the exile fence,
I was once mercilessly flogged, dragged and made to dance
By drugged up and coerced child soldiers with a rubber cable
They tied and spread me like a dog on the market table
I watched as innocent people were killed with a rusty knife
There, I vowed to become a fence dweller for the rest of my life!

I've been a patriot all my life but I have done it from here..safer.
From here I have seen blood spilled, hearts broken, hopes dashed,
progresses stalled, mullions embezzled, promises broken, lies told
people changed, games played, party surfed, interests prioritized.
And from this vantage point, I have learned never ever to trust any politician
I have always been right...though I have looked on with disdain, suspicion,
and operated with caution but through it all, I have remained a true patriot and a fence dweller.

.✍️©️✍️IvanBrooksPoetry.✍️©️✍️
''Fence dweller'' was a phrase I coined in justification of my neutrality and abstinence from politics in my homeland, Liberia.This piece encapsulates a fringe of the story of the ****** civil war, carnage and horrible things that we saw and had to endure as a people and nation.
judy smith Jun 2015
The enthusiasm of ***** Gobé and Maria Paloma Fuentes is palpable. Riding high on the initial success of their summer collection of children’s clothes, the two French business graduates are planning their next sales moves, both online and through multi-brand boutiques.

The chic edge-to-edge jackets, Bermuda shorts and berets would probably look at home on the rails of Printemps or Galeries Lafayette. Yet their start-up company, Mini Bobi, is not based in Paris. It is in Suzhou, a couple of hours’ drive from Shanghai.

The two Skema alumnae are among the growing number of French graduates who are looking for their first job in China. One catalyst has been the rush of European business schools to establish campuses in China, run joint degree programmes with Chinese universities and set up internship programmes in Beijing and Shanghai.

What is more, the growth in the Chinese economy, together with the low cost of entry in cities such as Shanghai, has resonated with graduates worldwide who want to be entrepreneurs.

The real advantage of China, though, is simply the scale, says Ms Fuentes. “The opportunities are much more attractive here than in France. If you come up with a new idea it will be really big.”

The Mini Bobi clothing range, which combines Parisian style with the stretchy materials and copious waistbands needed by the increasing number of obese children in China’s cities, was the brainchild of Ms Gobé.

After studying fashion and business in Lille and Shanghai, Ms Gobé completed a gap year in the US and decided to write her thesis on the plus-size market.

“In this thesis I made a comparison between the market in the US and China. [Previously] I wasn’t aware of this market,” she says, adding that in China there are 120m obese children under the age of 18.

In the city of Shanghai more than 18 per cent of children at primary school are overweight — the same percentage as in the US, she says. “I was surprised when I realised [this was the case],” she says.

Enthusiasm for all things Chinese spreads well beyond entrepreneurs, says Nick Sanders, director of the Masters in International Business at Grenoble Graduate School of Business. Of the section of the MIB class that spent a year in Beijing, many are enthusiastic about working there.

“Ninety per cent of them actually want to stay in China,” says Mr Sanders, although practically, only between a quarter and a third will get their first job on graduation in the country. A further 50 per cent will be employed working with China in some capacity, adds Mr Sanders.

“They tend to be employed where there needs to be an understanding between China and another country.”

Entrepreneur Matthieu David-Experton, an Essec graduate, who also studied for a second degree at the Guanghua school at Peking University, is now on his second business venture in China — he sold the first, a packaged gift business, after 18 months.

His three-year-old market research company, Daxue Consulting, has offices in Beijing and Shanghai, with a third office planned in Hong Kong. It has 15 employees but by the end of the year he plans to have a staff of 20 and revenues of Rmb7m ($1.1m).

“What I have always done in China is take a model that works well in Europe, then adapt it.” Most of his clients to date have been international companies looking for information on the China market — western nursing home groups, eager to take advantage of the changing Chinese demographics, have been strong clients. That is changing. “Chinese companies are now looking for better information on their

competitors.”

For Mr David-Experton there are clear advantages to working in China, particularly the flexibility and speed to market. Products can be designed and developed in just a few days, he says. “I had the feeling you couldn’t get these things done in this timescale in Europe.” It means entrepreneurs can get a product to market without having to raise too much money, he adds.

But he warns that the Chinese business environment is not plain sailing. “They [prospective entrepreneurs] need to come here and see what is happening. A lot of people come here with ideas that don’t fit with the market.”

It is a message echoed by Manmeet Singh, senior affiliate lecturer at EMLyon Business School, who has worked in China for the past 13 years. “This market has a learning curve, it has a learning curve for everybody. Even the 50-year-old chief executives of multinationals have a learning curve. They can come here and get their **** kicked.”

European entrepreneurs are taking a double risk he says: starting a business and setting up in an alien environment.

He also warns that much of the “low-hanging fruit” available to French entrepreneurs a few years ago no longer exists. He cites the example of those who want to set up a wine importing business in China: now the tables are turned and Chinese companies are buying vineyards around the world.

But there are some positive elements about China for European entrepreneurs, he says.

“There’s a lot of money available in the market for the right product. They [the Chinese] are agnostic on the origins of their entrepreneurs.”

And the enthusiasm for start-up careers in China are still strong among French business students, he says. “A good 10 per cent of the class [in China] approach me with ideas.”

Mr Singh is heavily involved in Shanghai’s Chinaccelerator, which gives support to both Chinese and international entrepreneurs. Though popular in the US and Europe, incubators are more novel in China.

It was following Skema Business School’s tie-up with a local Suzhou incubator in 2013 that the founders of Mini Bobi decided to locate their company there. Now they are distributing their range of 30 China-manufactured clothing items in Hangzhou and Suzhou as well as Shanghai.

With a monthly income so far of around Rmb3,000, the founders are looking to wider distribution to increase sales and are now selling online through Taobao, China’s answer to Amazon or eBay, founded by the Alibaba Group. They are also talking to schools about designing more generous-sized school uniforms.Read more here:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-sydney
Kiernan Norman Nov 2013
He was born defeated.
For eight months he sat at the delta to the world,
stargazing in amniotic fluid.
Sharing oxygen with another passing,
it back and forth like a gas mask in a chemical war.
how familiar he would become with the chemical war.
he did not propel into life the way everyone expected,
like the first, iron soldier to  dive
from a helicopter into the bush; all displaced rage
and camo flags waving behind him.
he was made to wait. made to drown just a little bit.
made to appear to the world a little blue.
no gas mask this time. just some weak lungs
and a bald head. not raven-dark and tumultuous like his six-minute predecessor,
but quiet, sullen and sentenced to a week in an incubator;
teaching him how to be alive.
maybe that was the first time he got mad. he more or less stayed mad for 17 years.
Found comfort in Peter Pan, a boy with no future- no past,
and juiced up men performing soap operas for a living;
sweating on their audience and quick to blow
a folding chair in to the enemies face.
The same pit-stomach drop of a terrible math grade,
And of realizing an idea if terrible halfway through completion-
Dazed at on knees at3am, half of the bedroom carpet ripped out
With a carving knife.
He beat up his other, left her trembling behind doors that didn't lock for years.
Full weight pressed against cheap wood, hoping this time it wouldn't open,
and leaving in the wake a girl-child, of 20 years-
terrified of testosterone and emotions.
There was the comfort in war movies; men with purpose, and the quirky
anime of a culture not his own.
Darker pagan books dotted pubescence. They sat like coffee mugs
filled with sludgy water, a place to dip paintbrushes in when it was time to start over.
Drugs come in folds. dealt like cards over the years- grappling for anything.
Their names ring out first like a memoir, then like a psych ward.
He would probably snort dirt if an escape from hardwood floored, leave spun
world in which he lived.
the place where dead batteries rolled around in for years in drawers and
tape never came off of wallpaper.
and the other one- the one who cut him off and turned
him blue at the very beginning; she's frozen too.
she stumbles through cities and ghettos and ancient worlds,
hoping to find something, anything that gives her a purpose.
Back to strong wind on 6th Avenue between classes,
Eyes sting and water against it but comforted by the smell of snow and
Bus exhaust. In that moment doing a good job. Being a trooper.
Swiping IDs that show a real, accounted for person underneath
The Goodwill feather-down coat and expensive Arabic textbook,
But in the quiet hours still grasping at straws,
at braids that don't quite work and flowers tangled
in hair that won't quite stay in place.
Singing with a voice a little too novice,
too rough. Looking dumb in sunglasses and boots.
She starts and quits things a lot.
gets exhausted. predisposed for enormous depression.
greek-tragady like.
****-yourself-to-spare-the-gods-your-being like.
finds glimpses of life in things, mainly when submerged in a daze of not-getting carded and  incense. Hair falls over pages of books, hanging one handed on an R to Queens,
or collecting cigarette butts from the side of the road
in the prairies of Dakota-land, helping kids collect enough tobacco
for their drunk fathers and zombie mothers to roll and smoke for the night.
She’s turning around in circles in grocery stores
Picking up food-stamp broccoli and sliced cheese in Harlem,
Going everywhere with sleep in her eyes and
wondering how others manage to exist.
but who is a killer from the start supposed to be?
Seher Seven Feb 2016
as a Pisces, I am swimming upstream,
the salmons last run.
fighting, pulling to grip those soft
rocks beneath.
those beasts that keep some stuck.

salmon are based in diversity
needing to have a wide gene
pool, as their kin die quickly
from those rocks.
getting stuck, swimming around and around…

insanity defined,
and time doesn't stop.
so, to the work.

swimming up stream,
dedicated to being a mother.
creator, incubator.
children
stored in the belly of the beast.
preparing to break free,
be set alive, to roam free.
the wombs embrace,
the face of LOVE.

currents of the calls
are so loud, rushing past my gills.
I feel the whooshing sound,
the pressure bearing down, taunting
me out.
calling me out… are you sure,
are you confident?
constant tests to check
and check and check for missteps.
ones that feel out of step.
no more time for those.

the path is clear,
yet
the water is cold,
bearing down on my scales built,
molded for this.
built in this system of birth and death.
choosing each step from above.

below, here I feel at home and
I feel ME breaking out.
she's broken out, there will be clouds,
rain, thunder all the things.
let
it  be.
and the beast is free, she
has descended, dug down deep,
anchored, prepared for reception.
just like the trees, they grow so well
with others.
interdependently nourishing the diversity.
Mateuš Conrad Nov 2015
so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing
with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.
Moriah Harrod Aug 2012
Hello there. You seem a bit uneasy. Look around, and let me explain.

This is your funeral. I am your funeral. This is your casket. I am your casket, the black balloons, the flowers placed strategically around the room. One flowerpot per five square feet, like your brother ordered. This is the scientifically proven amount of flowers to keep grieving people at a calm level. These flowers are the happy facade behind which grief lies. These flowers are pretty deceit. I am the crying faces, begging to talk to you one last time. I am every tissue that will be picked up and disposed of by the janitors after the grievers return to their lives.

I am your death. I am your last breath, your last sentence, the cancer you battled with for the last three years of your life. I am every doctor's appointment, every shot that left you bedridden for the next two days. I am every particle of hair you watched go down the drain in the shower. I am every strange look, uncomfortable glance you received. I am all the tears shed after your diagnosis, and every benefit held in your honor. I am every sacrifice your family made to attempt a wall of happiness around your sickness.

I am the birth of your only grandson, the beautiful boy of your only beautiful girl. I am the scary morning spent in the waiting room of the hospital. I am every doubt you and your wife had about your grandson's condition. I am the condition that made him two months premature. I am his three weeks spent in an incubator, and the formula he was fed to stay alive. I am the relief your family felt when your daughter and grandson were released, both completely healthy. I am your grandson's first, second, third, fourth birthdays.

I am your retirement. I am the completion of your life's most well-known activity and purpose. I am the years you now plan on traveling and raising your future grandchildren. I am the mornings you will now spend waking up next to your wife, the woman you've been married to for thirty years now, your best friend. I am the breakfast you will make her in bed and the organizations you plan to join in all your free time. I am your old cat you will sit on your porch and pet. I am the party and the gifts you were given, and the flat, insincere Happy Retirement cards that were obligatorily sent to you by your co-workers. I am this last milestone of your life.

I am your daughter's high school graduation. I am the lip-biting your wife partook in as she walked up and shook hands with the principal. I am her boyfriend, who sat beside you two and joined in the clapping, eyes watering for the girl he loved. I am the marriage they would agree to and abide by for the rest of their lives. I am every late night she was out, every test she was nervous about. I am the teacher who called you complaining about her unorganization. I am the cat she brought home one year, promising to take care of. This cat outlived even you.

I am the loss of your virginity. I am the party you mistakenly went to, and the alcohol you mistakenly drank. I am the girl who mistakenly came into the bathroom and held your hand while you puked. I am the drug she took prior to walking in, and the bed she led you to. I am the feeling you were given in the morning, the feeling of the realization of loss versus gain.

I am the day you met your wife. I am the book section of the retail store you both were perusing. I am your heart beating quickly as she smiled, and your hand sweating in your pocket. I am the beauty you saw in her. I am the money you saved up at your after-school job and the Italian restaurant you took her to for your first date, and I am the city in Italy you took her to for your honeymoon. I am the mistakes you both made and all the hours spent awaiting forgiveness.

I am your childhood. I am your first few friends. I am the bone in your foot, broken by a nasty fall. I am the bridge you were playing on and the cast you wore for a month. I am the day you learned how to whistle and the day you learned how to read. I am every birthday party you have ever been given, and every candle you blew out. I am your first word, your first step.

I am your first breath. I am the decision your mother made to keep you. My how easily all of this could have never been.

I am all the sadness you have ever felt, and I am all the joy. And it has all led up to this day. This funeral, this event catered by a food company and paid for by the government and a savings account made for this day. I am that government you lived under, and that savings account you worked so hard for.

And as of today, I am just a memory. I am simply the memory of your life. I am simply the collection of days and days and years, and times. And now, I am gone.
Trevor Gates May 2013
Welcome to tonight’s show

Allow me to introduce myself.

I go by many names


Some of which, you may know
But those do not need to be mentioned
a howl, a moan, a scream, a summoning
Let’s keep this interesting.


This is the midnight calling
This is the raven cawing

This is the shadow lurking
And the jackals slurping

The demons wailing
While Charon is sailing,

The Acheron
The river
The first

The Eternal song
Of dripping livers
and Thirst

Stop

This is all confusing
And amusing
To some
And many
But to me it is painful

Demeaning
Putrid
Repugnant
Detrimental
Disturbing

And

­A subjective simmer of passivity
A pious dose of sheer calamity

Once upon a time

In a land past the desert
Was a neon capped city
Devoid of hope

And shaped by
Casual nihilism

And too much money

A powerful portrait in all its brevity
The display of sweltering people melting against the asphalt
The mucous sunscreen and coarse sand between the toes

And crooked nails
And bleached hair
And coffee stained teeth
And pink nails
And Gucci purses
And Versace dresses
Shutter Shades
Corvettes
$5 lap dances

And promiscuous preteen slaves
To MTV
VH1
Pop sensations
Internet ****
Social networks
Smart phones
Model rock stars
Models
Interviews
Auditions
Mundane seductively
For him
Or she
The nepotistic aficionado

of  

Delicious, robust, superb, disdain  
*******: Nose Candy
******: Snake venom
After Parties: ******* adrenaline
***** Film tryouts: Garage studio
LSD: Acid
Plastic: Lips, skins, *******.
24/7
Hits of E
X-T-C

and

Do you have change for a hundred?
Or a change for a life?

Cites in Dust
Thank Siouxsie and the Banshees; A carnival.

Shout
Tears for Fears, they’re Head over Heels

Love will Tear Us apart
From Joy Division, who claims she’s lost control

Los Angeles
“X”
Exene and Billy Zoom’s Wild Gift.

The perpetual rise of sunset rockers and Neon knights.
Teens crawling through the muck of socialites and incubator nightmares
Civil borders wired by racial slurs and salivating bigotry
Water replaced by blood
Spit interchanged for souls
And fire traded for icy methamphetamine

Warriors and survivors

Poets and dreamers

Shooters and inhalers

Geeks and groupies

Burnouts and Dropouts

Sweet dreams are made of this



Such a show, such a show! Bravo Bravo! Thank you, thanks to all I have time to thank: Martin Sheen, Julius Ceasar, Fender Guitars, Randy Marsh, elbow pads, Chuck Berry, Al Green, X, Joy Division, Tears for Fears, Siouxsie and the Banshees, Less than Zero, Alucard, Humphrey Bogart, Grace Kelly, Daryl Dixon, George Harrison, Brad Pitt, Rooney Mara (Love you), Belstaff, Emma Watson (Love you too), Laure Heriard Dubreuil, Manolo Blahnik, Hannah Murray and Michele Abeles.

So many to mention, so little time. We’ll be back.
This is one of my favorites I've done so far in this series. I had just finished reading Less Than Zero by Bret Easton Ellis and watch Gregg Araki's films, The Doom Generation and Nowhere, which all three sum up the existentialism and merging rampancy of living in Los Angeles, California. An experience I will never forget.
Elizabeth Kelly Dec 2015
Sixty degrees on solstice day.
An incubator.

If we go to the beach we can find all the bones of the dead animals
that are supposed to be buried in the snow
and throw them in the lake.
We can dip our heads in the cold water
to wash away these nasty thoughts
growing on our brains like bacteria in the warm weather,
send them into the lake with the bones and the souls of the dead animals
that are supposed to be buried in the snow.

The supercharged atmosphere
zaps my fingers when I open the car door.
Static electricity.

If I collect all that ecstatic magic
I'll let you hold it in your hands
in a jar
and we can watch it dance.
A hundred million fireflies
that should have died on the lips of
December.
Mateuš Conrad Jan 2017
it's not that i'm writing this: because i didn't have an analogy looking at me... it's not that i'm writing when it's too late... it's that the simplest answers always come too available over a period of time, and with that come too many vulnerable circumstances: because so much was invested in the supposed "truth" affair... maybe i needed a Heidegger or a Kant to complicate me enough, to write out the analogy? and that's putting it mildly: to avoid the Einstein bubble and a return to Newton... yes, big names, but am i to be apprehensive about using them, am i asking them to be my mules? it's when you hear too much that you begin to filter the well-wishers... and want to hear the bare minimum... i wrote what i wrote away from the umbrella of subjectivity, as a non-patriot... if you want objectivity, this is how it sounds... when everyone's damning subjectivity i can see nothing but patriotic demands... and when no one is asking for objectivity, i see lacklustre in teaching a carnation's worth of being a citizen... because i also think your dog ******* on my lawn is gagging for a shotgun's tongue should you not clean it up. that's the basics, my friend. it's not too late that i should i have said these words... it's that you didn't do anything prior to that, that shouldn't have delaid me saying such things as i have said, in the skeleton of analogy... i say them now, because all emotions have been numbed... from someone without any thought for a patriotism... i can express in the simplest way... because after the fact: i didn't see anything worth a noble maintenance to be made a standard for 21st living... disagreeing with me is a futile as telling me that a stone thrown will not sink, over a body of water when upon it it's thrown. you can write as much spaghetti as you want within the framework of quantum physics... but when simple physics comes your way... i'm bemused why you're startled at a punch, and the pouch-clot of blood smitten into your cheek to denotate a bruise... it's almost as if you were expecting deviation from being prone to gravity, endowed with wings... no wonder the event was sober... try repeating the bohemian liberation of the 1950s and 60s... impossible! i didn't do anything too late... the analogy comes when it so chooses... because too many ignoble demands were met and satiated... that this one noble simplification... is so painstakingly unsatisfying!

when i listen to the music of my
youth... dunno... just get stiff-*******...
winter air helps make this
phenomenon acute...
i mean music from the year 1997
through to 2001 -
   the years preceding American
undermining and the narrative
of paranoia...
call it what you like, i call it a
feeling of stiff-******* when i hear it
down the years...
it's not even a nostalgia...
    it's a sort of embarrassing clue...
i am actually embarrassed
at having such tastes...
    it's not the kind of music you'd
be happy about, nostalgic about
the 1980s...
              the embarrassment?
probably because i now realise i was
an incubator for so much delayed
teenage-angst in the artists who
reigned this period...
       the clue is in: mostly rock orientated.
i remember that chubby kid
donning his baggy jeans and black
t-shirts with bands' prints on them...
but i find unquestionable is
the indentation of representing
that call for vogue...
                i remember wearing
a t-shirt with the slogan: *******
is not a crime
          on non-uniform days in
a catholic school...
           and not being touched or told to
take it off...
             it's like i've become father:
or simply memory - to the person i
am today...
           because i can't imagine anything
beyond this day-to-day...
       but whenever i put on the mind
that was influenced by those bribes back then,
i remember the Ilford shopping centre,
and the colours of Gants Hill's park
with those bird cages...
           getting the bus to Ilford,
then a one-stop trip to Seven Kings
wearing the guilty-as-seen uniform...
   i can't see any nostalgia behind,
given my music taste: i get stiff-*******,
a feeling of cold shivers and
embarrassment...
      but it happened before the invulnerable
essence of america died...
      once upon a time people dreamed
of wanting to move to america...
   these days the narrative is a bit like:
and succumb to that paranoia narrative?
i think i'll pass...
       i can get the escapism of
conspiracy theorists... i too thought about
the later mentions of why those buildings
fell down as if someone ticked-off
a domino effect implosion...
    it really did slightly unnatural -
   those twins really did seem like a domino
effect...
       so you hear those stories of very sloppy
murderers...
who forget to shave off their fingerprints with
razors, and shave off their crop of hair
and eye-brows...
                           by writing this i can't
make the situation worse...
                      it just seems like even though
the plain did hit the buildings,
the actual downfall of the buildings seemed
too staccato... i mean that: a stacked tower...
but if you play a game of *jenga
,
doesn't the jenga tower fall to the side?
                           it doesn't fall-onto-itself, does it?
i'm sure the same physics principles has
to apply to that fateful event of 2001...
     you'd expect the upper half of the twins
to break-away and fall off...
rather than the whole building literally
cascading and imploding on itself...
folding...
                               you attack a jenga tower
in the middle, and the top bit falls off...
the tower doesn't implode vertically...
      a bit like chopping a tree in the middle
of the trunk... you'll still get a stump,
even if you chop at the root of the stump...
               satan in zeitgeist...
only then dawkin's the god delusion was
published years later, did i read that, apparently,
satan's face donned one of the burning towers...
   me thinks: spot satan and read the *******...
the easiest thing is to now claim that we
are insane... but it's still about the jenga tower
magnified... a jenga tower unravels and the top
bit falls to the side... a jenga tower doesn't fall apart
from top to bottom...
                it falls apart like a lumberjack hacked tree:
to the side...
              i really could write about some
other nieche topic... but it's hard not to write
about the abomination of physics...
     the fact that there was an implosion -
  and that the towers folded vertically,
means that even if a horizontal agitation occured,
the towers couldn't have behaved as they did:
(vertically) folding...
                                 but since the agitation came
from a horizontal perspective, and the fact
that the towers folded vertically,
      the agitation came on a horizontal perspective,
a jenga tower would fall off to the side...
                        yet the towers folded vertically...
   i don't know if that's really only about
writing a + b = c, given b + c = d,
  or whether it already is 1 + 1 = 2...
             **** me, if this isn't the opening bewilderment
we all feel about the 21st century,
no war in iraq or afghanistan can help us...
    attack a jenga tower in the middle:
it doesn't fold vertically! a jenga tower attacked
   horizontally will only ask for you to shout:
timber! who need the bewilderment of quantum
physics, when you have the physics of 2001
to look-up your *** at and muse.
Caleb Jaren Feb 2010
I have learned never to ask the name of injury--
but I pay that no attention.
I was told it was better to learn everything, then
forget selectively than never to have
learned at all.

This is the one day of fall when
the world is warm and brittle, the wind just strong
enough to clear off the trees. Today leaves shake
to the earth in piles, push against curbs,
into alleys and street drains, where the final
cracks of their deaths cannot be heard.

My eyes close--
leaves roar by, shrapnel from an explosion. Shredded
air and sharp debris scarcely frighten me.
I pretend. I reduce the importance of disaster
around me. I disappear
to my smallest place
Mateuš Conrad Jul 2016
reinventing the resurrection of the Roman Empire with
a pseudo-Christ in tow will prove fatal -
or simply propelled to an established
norm for all the wrong reasons
other than a quasi-Narcissism fully embracing
fetishes beyond the standardised
practises of human evolutionary concerns -
see how Darwinism is incubator
of fatalist vocabulary? too much arrogance -
they're nothing more than Spanish
Inquisition leeches - because when was
atheism intended as a fashion statement
with mismatched socks and matching
loafers? probably never.
we already sought to put atheistic economics
on the guillotine tablature -
the temple named: all men are born equal
was always Samson's prize for demolition's
just escapade, in or anywhere outside of
a Glasgow housing estate -
a Scot making a joke about Scots:
how was copper wire invented?
two Scots arguing over a 2 pence coin...
a stretch Armstrong moment i'd like to see.
all we need is Hillary for the unholy alliance
to materialise - the birth of horse racing
and womanised politics -
and are you the baby tarantula on the back
of mama tarantula? no? oh... don't
expect much from mama tarantula
if you're not part of her family and genetic vector.
the resurrection of the Roman empire as cited
by Divine John has a major fault...
the original intention prior to the authority of
Augustus was based on republicanism -
not democracy - the autocracy evolved from
republicanism, not democracy -
and if this be the McDonald model of work
ethic and success, it will be hard finding a few wise
old men to quench a rise in despotism -
the naive-expectation will over-power them -
we could see America as our safety laboratory once -
where the fates of Greek democracy and Roman
republicanism were played out -
rule of the many v. rule of the informed worthy few -
if elections came about the former would
have a lot of numbers anonymously signed X -
while the latter a few numbers but identified with
articulate signatures - democracy is basically
a stab in the dark, that precipitates to a vote of
no confidence - and an immediate imitation of
Pontius Pilate's quest for conscience and washing his
hands in pseudo-Dostoyevsky's the machinist,
with bleach - ****** courtroom -
when older poets recite their republicanism knowing how,
the newer ones recite their democracy knowing neither
how or why - thus the resurrection of Rome built
around democracy and not republicanism -
the washing of the hands and loss of conscience -
this prophesied resurrection of Rome was not based
on republicanism but on democracy, for the simple
fact that democracy had its martyr - a republican member
should another be fixed to compete with him -
no Platonic notation of the idea behind the republic
was ever established - but indeed a lot was noted
concerning democracy - which in practice wasn't
a practice in dialectics, but in dichotomy -
the polarisation of opinions in the simplest terms:
man v. woman, old v. young...
the republicans only had one dialectics ruining them:
the dichotomy between one man and the many -
is man to be as automated as insect or Satanically
rebellious and in his own sway "himself"?
there need not be a conjuring of biblical myths with
this concern - man was not temped for insight
into the disparity of good and evil and subsequent
confusion of attributing each its invested share
of expression in the world of choice -
but man was made an ontological alliance with
the famous villain (i too, akin to Milton's sympathy
a pledged allegiance do make an oath to consummate
a rival marriage, kindred of celibacy shared
by truth or perception, royal, named Elizabeth I) -
for if not by rebellion Satanic not make elemental conquests
or at least improve on them?
Francis Bacon died attempting to conjure up
a refrigerator with a dead chicken - dying from
hypothermia, or a really bad cold; never mind that,
if the resurrection of a united pseudo-Rome is to be
established it cannot take root in democracy -
but it already has, and is doomed to fail
given one of its former provinces risked all to exit -
it has to be rooted in the origin, in republicanism -
but it can't take root there, given the lost vitality of ancient
old age and modern old age leaving behind
only disparity - audacity of youth in every sphere
of life - and the blatantly over-stretched comforts of
old age - the American experiment of having
democracy v. republicanism staged failed -
that was the intention - to see which one was more the success
story of the revival - i appears neither or precisely both -
in that democracy has fuelled the city-states once again:
globalisation and the city-states: London, Paris, Germany...
they exist as separate entities in a web segregating
themselves from national politics and associating themselves
in global politics with only their counterparts -
the Greek city states have been revived by such dynamic;
so if democracy fuelled that, then surely republicanism
has fuelled what happened in the British exit from the union?
coup d'état in Turkey (on the waiting list, joining in
2020 along with Serbia and Albania etc.) - if you can't see
xenophobia and a choice of politically correct vocabulary
you don't see the naivety of Polish pensioners and English
pensioners - Turks at home in Germany - but let's revitalise
the memory the Iraqis share with Mongols and the sacking
of Baghdad and the Siege of Vienna between Turks and Poles -
i've assimilated into British society i don't identify with
such ethnic historicity - i was taught history including Roman
conquests; do i think the Scots will break from the Union?
i think they'll break for ethnic moral - that's
the other member of the unholy alliance, a real cat fight,
2nd Ms. Thatcher in Downing Street? the youth voted
in - the old voted out - when they were concentrating
on the gender gap a milieu gap was convening -
outside of London the impression of the family environment
suggested the youth didn't vote, in the urban environment
youth mingled with youth, to later hear their parents
or grandparents were dying ****-stained in care-homes...
strange: you always seem to wish to be part of a Mongolian
horde in such times for the oddest but the most blatant
reasons... oh yeah, and i read 5 books today...
well, i told you, once you read enough books of your
own choice you end up reading poems and reviews to
give yourself some slack...
- les parisiennes by Anne Sebba (review by Daisy Goodwin)
  (always women reading books by women,
   and men reading books by men... what sexism
   in this post-sexist culture of FEMININE EQUAL)
- Paper: passing through history by Mark Kurlansky
    (review by John Sutherland) p.s. best citations
    from this review... maybe some other time...
-  The Age of Bowie: how david bowie made a world of
     difference
by Paul Morley (review by Will Hodgkinson)
-  the Girl who Beat Isis: my story by Farida K(h)alaf with
    Andrea C. Hoffman trans. by Jamie Bulloch (review by
    Catherine Philp)
-  Pinpoint: how GPS is changing our World by Greg Milner
    (review by Damian Whitworth)
and finally...
- All things made New: writing on the Reformation by
    Diarmaid MacCulloch (review by Robert Tombs)...
                                indeed,
                                 the terrible has
                                 already happened
;
never leverage on
a positive thought when
working from Pompeii -
as the lessons of failure
from the past magnify -
there is nothing
but hindsight and pessimism
in the past to unearth -
while uncertainty and optimism
toward the future readying
itself for the burial rites
of the already unearthed artefacts
in continuum imito (in a continuum of imitation).
Scar Feb 2017
Glances in passing and nothingness,
I'll drop out and take up gardening.
And you are so cool, all German bred,
and sometimes braided. I see you, so
well-read and rather regal. ***** blonde
nuclear, alabaster, aluminum rods -
electricity dripping from the soles of
your shoes. This classroom, my own
ink blotted incubator, the radiator sits,
flatlining. Your jaw as two razor blades,
your shoulder blades, broad, gentle.

I wonder how you look in the morning,
How you look at yourself in the mirror.
Do you practice smiling, and
how often do you wash your hair? Oh,
you exist in glass, and I will not try to
know you. Leaving this poem limited,
and yet. Your jam drop mouth houses all
well-spoken soliloquies, radical requiems.

So, what would happen if we brushed
shoulders in passing? Your little accent.
Accident, we appeared in the same
huddled mass. Literary plugs in the
drain, and your new American. So,
why don't we just go walking on
airplane wings? Some transcontinental
affair. Frequent flyer *******, stranger.
F Alexis Apr 2013
Hush.

Cease your noise.

Fall silent, all you who gather here
To lay down the suffocating burdens
That rest so unforgivingly
Upon your weary souls.

Your lamenting shall bring you
No greater harm,
Nor any relief,
While you are here.
Your cries will go unheard,
For we have either heard them before,
Or we cannot hear them over our own.

Your tears will be free to fall
But none shall amount
To any great difference.
If you must cry,
Water the earth with your expression,
And return to her
What she once gave you.
Do not let your tears
Of loss,
Be a loss themselves.

We are here together
To break free
From all that binds us,
All that holds us back,
Holds us still,
Holds us captive;
All that has broken us,
Beaten us,
Forgotten us,
Used us,
Taken advantage of us,
Looks down upon us
With the kind of sneer
That could only come
With deriving great pleasure
From causing great pain;
All that has brought us anger,
Sadness,
Incredulity;
All that has taken from us
The light by which we once
Tread our own paths,
And as it grew dimmer,
Our paths,
Winding,
Weaving,
Twirling,
Crossing
But never so that we met,
Became one.

And we are here
To let go of all
Of these things,
Because of which
We have harbored
Unspoken rage,
Unshed tears,
Confessions that were
Never made,
Or perhaps,
Never should have been.

We are here to release
The binding ties
Which in love,
Would bring us together
But in their hateful existence,
Have driven us all apart.

I stand before you with a match.
This match,
A rather unremarkable
Piece of timber,
Was tucked snugly with its
Equally unremarkable
Brethren
Into a pouch.
Thrown among a heap
Of the same,
With no consideration
That it might have
Been better off
Remaining a part of the tree
From which it came.
It was one tiny part
Of that tree,
But what of the possibilities,
That it might have been
Something great?

It might have been a branch
Upon which an eagle
Built its nest.
Or, even more incredibly,
A twig that helped compose
Her nest,
And for however long,
Supported the incubator
That would bring her legacy
To life.
It might have been a part
Of a ******'s dam,
A vital part of an ecosystem,
And whose absence could mean
Life or death
For so many others.
Or it may simply have become
Compost
When the tree had died,
Become a part of the soil
Which would support
Future generations
Of every lifeform imaginable.

But now...

Now, we will never know.
This little match,
So very typical,
With its plain composition
And tiny red cap,
Will fulfill a typical purpose,
Today.

I strike this match
And say to you,
The flame that it will create
Will be the new flame
For your personal path.

It represents illumination,
A casting out
Of the darkness you were in,
A reawakening of all that
Might have been lost,
But can now be saved,
Or that has been lost,
But now makes room
For something better.

It is a rekindling
Of the joy that life once
Brought you,
And the magnification
Of that joy
Which it will still yet bring.

It is a revitalization of the good in you,
The light which you shed
On so many unappreciative lives;
A light which
You still have the chance
To shed
On those who truly need it most.

And it is a reminder to you...

...to not be a match.

Do not let them throw you in
With the rest,
Assort you as though you
Are common!
Do not let them pull you
From everything great
That you might yet achieve,
Just so that they may
Assign you a typical purpose!
Do not let them light you once,
Use you,
And then cast you aside,
Having already taken,
In that one small flame,
Everything that you had to give.

And now,
I light this match,
Upon the branches
You have laid here.
The branches that
Have broken off of
Your tree of life,
And now can be no more.

For everything that you have lost,
There is a branch for it.
Remember, now,
That what once was alive,
And has now been separated,
What is now dead,
Can no longer
Serve a purpose.

So I tell you,
Pull from your heart,
Your mind,
And your soul,
What has had the undeserving
Privilege of plaguing you.
Extract it,
Remove it,
Cast it into the fire.
Set it ablaze,
And while it burns,
Abosrb the warmth
From these flames,
Which remind you of
Who you are,
What you are worth,
And the warmth
With which you will
Illuminate
The darkest,
Coldest places
Where you, yourself,
Have returned from.


Cast them!


Cast them now!


Push aside the weakness -
That is not who you are!
Summon every fiber and cell
Of your newfound strength
And let all of it go!


And now,
It is done.


Now,
They are ashes,
To be blown away
In the same wind
Which dried your tears
These many years,
And will do so
For years to come.

Incinerated,
They are swept away -
The broken hearts,
The lost and forgotten dreams,
The stolen opportunities,
The harsh and unforgiving words,
The hopeless, sleepless nights,
The sunrises which brought no new promise
But reminded you of everything
That could go wrong -
They are gone!


They are nothing now!


But you,
In their absence,

You...


...are everything.
Mateuš Conrad Dec 2016
i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.
Mouth Piece Jan 2015
Just a checkup and i’m feeling 30. i’m 30 minutes early and in a hospital that’s an eternity. So my restless eyes wander and my feet move till i step into the reflection of adulthood and youth. Separated by thin glass i stare with blood shot eyes at all the beautiful newborn babies!! “That was me, i was them, how could i have ever been that helpless?” In response to my question the lights flickered and there i was lying helplessly in the incubator! Mother earth looked at me through the glass, she more restless than i, bags under her eyes she said “that was me, i was them, could i have ever been that helpless?” Then darkness and i disappeared, mother earth was now **** naked helpless in the incubator. Through the glass God spoke with fire in His eyes“I Am”.
Mateuš Conrad Jul 2016
every time i hear a poetess cite this subject i never think of Sappho, but i ought to, these are poetesses that really want the hetero realm to remain intact - it's heart-breaking to hear a woman say these words - you end up being the third party transformed into the second party and she the Echo to your momentarily engaged with Narcissus - the third party makes the frank gesture to compensate the open heart of the poetess... o.k., let's funk the **** like mimes touching invisible doors... an overly stimulated society in terms of *** when there are apparently too many people, or the evolutionary zenith fro category mammal to category insect is backfiring on us individually - and as science fiction predicted, we are telepathically ******* each other senseless, just like the aliens we've become on this planet, momentarily sober when an earthquake, a tsunami... a terrorist attack... otherwise there's been no attempt to for the military to become active dispersing a tsunami with bombs (Better Bombing Syria), or harnessing lightning (some sort of incubator magnet) - well, i have seen a girl get spat on in the face... you think i considered my mother being diagnosed as o.c.d. with help of specialists? i just get the feel for the place - not out of spite... the cats haven't had their nails clipped for a month... they're not petrified by the vacuum cleaner every day... they've become sort of abstract animate art... when the male castrato sings an opera before bedtime i become a nervous wreck... the beauty of the silence during the day, pretends to be a dog barking at night left out in the garden... even though he's inside on the windowsill in the toilet, and i'm on my windowsill in the bedroom smoking a cigarette.*

this poem just makes me think one thing:
so what's the problem
with female genital mutilation if
*** is nothing more than a conversation
between a mantis and her mate
rather than Zeus and Hera?
that's what it sounds like - ****'s sake -
i'm not that into Robert Frost
and Simon & Garfunkel to match-up
a counter argument for a need to talk in bed -
my grandparents slept like French kings -
each to his own separate beds -
one went to the other for the jelly-bean babies -
and when did the unrestrained
Oedipus complex become a debate on
mortgages with that famous: still living with
his mum - economics - not psychology -
the popularity of some theory always ends up
some macabre populist interpretation
by the better off, marginalisation of realism -
oh, here comes Sartre - you should ask him...
still living with my father -
and because of this i've made kangaroo jumps -
the atmosphere in the house is... serene...
the only female presence is a cat -
(she's away tending to her mother, another month
to glee in bliss) -
the house is cleaned only once a week, the food is made,
i just learned she could very well be diagnosed
with o.c.d. - does this look like Norman Bates
scenario to you? let me tell you, a woman with
o.c.d. can be worse than a woman with
h.i.v. - obviously i'm exaggerating -
i allow my father conversation about Irish fascists
on construction sites (foremen) - Irish fascists...
Irish fascists... leprechaun fascists... LEPRECHAUN FASCISTS!
she just tells him to keep it on the building site -
i'm more supportive of my end as homeless in a forest
than in a cosy home with a woman.
Corset Jul 2016
Oh, Be A Be why
last night we were trying
to keep it...
do it together,
getting tea lights
stuck in the dishwasher.
I will be right back,
with ink... U bate her
old Cronie could barely
keep her eyes
open!
oh, be A be why?
Mateuš Conrad Jul 2016
the way i see it, the internet doesn't really exist for poets
of the 21st century: instant gratification in other realms does,
the digital free-love movement,
mobile internet - and the atypical human
behaviour of sorts;
counterclockwise there's another movement
happening - not based on a dozen social
media accounts - digital selection,
it's there - the komtur movement -
you use a sieve and you add the filter, without
even considering the deep web -
you imagine yourself in a Tron exercise -
you're basically saying: what should i
include in the virtual reinterpretation of
the high street - i haven't bothered going to
the high street / junk street for ages -
Oxford Street is like Jurassic Park for me -
herds of edible oxen daydreaming while
walking - poets always have the acid tongue,
better treat a woman with truth than
shelter 10 concubines and lie -
tss! (venomous spit sound) - where the big
boy'oh and his ******* Ferrari now?
on the next ***** - like i planned out prior -
there was a leather settee sitting in someone's
driveway, i had a beer and a cigarette and
felt the need for a breather - but it's in someone's
driveway... it would look odd, no?
around the corner a John the Baptist moment,
another settee sitting on the pavement -
you know how surreal it feels to sit on something
that's intended for the indoors when sitting outside?
i usually take rigid monk attention to postured
retirement from walking, but a settee on the pave
was like... sitting on a cloud - i joined
the feline traffic wardens for a while, 1, 2, 3, 4 cars
passed, i snorkelled two cigarettes and finished the
bear - the night... mm... is this surreal?
well... imagine that Brazilian billionaire and
his Olympic Games bid parking his car
in his living room... i parked my sofa on the
pavement - he's a butterfly incubator, i'm a tornado.
in poetry you have metaphors, puns...
i treat all psychiatric terms as equivalent to what
poetry uses - split-mind is both imagery and metaphor -
i'm already wearing a wedding ring -
allocated to the mediation of money, so she's
a ******* in heaven - i call her my pain in the ***
because she is a scorching sound in my left
hemisphere, it's this constant nagging -
or be like a Kantian bachelor - test your strength alone -
you'll have cognitive arguments with yourself,
you might do the whole schizophrenic episode -
or like me... hold keen on the stern and recover
with meteoric ambition to count the number
of peas in a glass like some autistic genius -
shame that science never had any romantic dimension -
Kierkegaard explored Faust - it ended up with Faust
being more the mythology that was intended -
he simply overpowered the love interest -
a love too diabolical - and unto hell we go, less
romantic and even more diabolical - some poets
write 20 poems a year, applause applause it's all great
because it's like taking a selfie of the poet on the toilet
seat - but my throne the throne of thrones,
Napoleon sat on a throne and the warring fields
were filled with **** - i sit on the throne of thrones
and the fields don't matter, i just **** on the throne
of the French Emperor; oi! listen, i'm trying to draw
return to the narrative linear, it's not easy when
you end up constantly stimulated by digression, digression,
it's hard enough to stop the river, let alone build a
Hoover dam or a bridge - o.k., now that i'm
less excited by subconscious stimulants of talk talk talk
(subconscious? yeah, read a few articles
about Layla, Harrison, No *** Please, Modern
reinventions of Arranged marriage with psychiatrists etc.)
i figured, i must write a 21st century poem...
i'm not much of a gamer, fair enough like any teenager
i played the Playstation - didn't get to no. 2,
that old grey block of plastic -
Tenchu and Final Fantasy Seven (with a walkthrough,
i was busy doing homework), and the Sims -
the wormhole spectacular - get the Sim to sit at the
computer... BOOM! cross-dimensional wormhole,
started freaking out... but the tablets are around
and i got speeding on Raving Fever -
PLAYER43588 - number of wins 1602 - mostly on the 2nd car
in the gallery - and mostly won on a 2,000 / 4km bet -
how? the physics - the nitro on max, the braking the handling
the acceleration and the speed on max -
but it's the physics! the ****** physics! most players
i go against are like robots... they press the nitro button
and quickly accelerate - i just sit back and either wait
for them to crash against the traffic, or when they don't,
after i have gained from the acceleration per se,
and having reached the max speed, then i nitro the ******...
it's like a Zeno paradox, i'm the tortoise and they're
Achilles - it's irrational to counter a good acceleration
with nitro - a schematic and less verbiage:

car A
nitro                    (143kmph)
                                               z. (~184kmph)
                                                                                    nitro
                                                                                    car B

z. denotes the zenith of speed - if these androids figured it
out properly, they wasted their nitro boost to reach the
maximum speed, i only wasted the acceleration potential
and got slightly delayed - once hitting the maximum
speed of 143kmph - i then press on the nitro and my zenith
is at ~184kmph - they're stuck on a plateau of maximum,
while i'm decreasing to their zenith of mutual maximum -
that's why i win so often, the frustrating thing for them
is that i always beat them on the last 100 metres or so.
basically i'm slowing down, while they're stuck on
stead speed, and by slowing down i'm beating them.
i guess scientists aren't ****, but neither is raising children,
who best knows the adventure of the mind?
and how to make boredom worth your while?
Terry Jordan Dec 2016
The sirens blared that 4th of July
Officer Duncan gave Mammy a ride
An emergency dash to the hospital
He’s 2 months premature Mammy cried

Deaf, dumb and blind is what the doctors said
To our mother when Sammy was born
But none of us kids ever were told
Until Sammy was stable and grown

Pappy declared that they’d both be fine
Not believing dire news doctors gave
We happily named him Uncle Sam
Trusting in him to be strong and brave

His 1st 5 months in an incubator
Hooked up to every device
In Newton Wellesley Hospital, 1959
A miracle saved his life

Reaching gloved hands through holes in the side
Weighing just a bit over 2 pounds
Looking more like a spindly ET
I was amazed to be hearing breath sounds

Sam worked on doubling his weight by Christmas
Nothing seemed easy or fast
Still Mammy survived the eclampsia
And Sammy went home at last

Returning a few years later
Sammy’s doctor she would find
To show off to all the nurses
Her son NOT deaf, dumb and blind

I so love my brother Sammy
Always felt like a sister and mother
I’d give all I have for the time
Just a minute more with my dear brother

I’d speak to you of those 57 years
Of the great whirligig you carved with your hands
All the times you showed up for me
Through the good and the bad our love stands

You wasted no time hating anybody
Children and dogs always your friends
Quick for a laugh despite any lack
I draw comfort that all your pain ends

The sirens blared once again for you
The ambulance came, the paramedics tried
Racing you trying to save you
All in vain, in the OR you died


Like Tommy’s rock opera is over
Perhaps you paused to speak to a stray dog
While keeping your divine appointment
By reaching right into the hand of God
Just blew out my candle in vigil for Sam, my baby brother, 12 years younger than me.  He died on the OR table as they tried in vain to save him after a tragic accident.  He’s in God’s hands now.  He had a military burial yesterday, the saddest day of my life, in the National Alleghenies veteran's cemetery.  Freezing cold & windy in Pittsburgh.  I so wanted to jump in that hearse and drive him back to Florida, like in the 'Cremation of Sam McGee' poem that I love.  I realize that was just his Earthsuit, and see him smiling in Paradise.
Aa Harvey Jul 2018
Parenthood.


My intimate incubator, for the forthcoming foetus;
Are you too, truly feeling this dream?
I’ll become a father and you a mom.
It’s really going to happen soon.


So let’s both cut down on the drinking and stop the drugs.
Find a new way of life and overcome,
Our addictions to the illusions.
This could be a whole new beginning.


Girls just want to have fun, but I have found a woman.
I have someone who wants the commitment
And feels truly safe in,
The knowledge I’m here for her, ‘til death do us part.
This woman is the only one, allowed to get near my heart.


Once upon a time, we were so young and carefree;
She loved to feel the breeze, between her knees.
The passionate rush she got, from ******* a stranger,
Has now passed thankfully; she has no need for another,
Because I am her only lover
And she’s my baby’s mother.


But I can still remember when we first met.
I asked how far are you willing to take this?
What can I not do and is the list only short?
What’s the magic word that says you’ve had too much?
What is the cutoff point?
And do you like to take risks?


We made passionate love, morning, noon and night;
Now we still make passionate love,
But have more than adolescent desire.
We have an understanding, of each other’s bodies;
We have the knowledge, to leave each other satisfied.


For we’ve both been there, for each other,
When we were suffering insufferable pain.
We had both reached the stage in our lives,
When we believed, we would never love again.
We both believed, we couldn’t be happy.
We both had the same desire; to one day have a family.


It was hard for us, to be truly open
And to truly love again after our hearts had been broken.
But we shall overcome, the hurt and the pain;
To rise up each morning, ready to face a new day.
For now we are parents, our world has changed;
Now our love can be shared, with our offspring,
Until the end of our days.


(C)2013 Aa Harvey. All Rights Reserved.
SøułSurvivør Dec 2015
there are those
who read this stumbling
bumbling
work who are truly
beautiful
compassionate
people

thanks beforehand
for understanding me
without judgement


IN SEARCH OF THE LOST CHORD

i've been searching
all my life
for the lost note

there is a chord in the
cacophonistic chaos
which is my
existence
i simply miss

my otherwise
nimble hands simply
can't bring out
the magic
the music
the majestic
harmonies which
i hear in my mind
but are not translated
to my fingers

i believe it
is due to my assertion
that i was unloved as a child

i was not a planned
pregnancy
my mother fell
on her stomach and
i was a preemie

I was not touched
as an infant due to this
i was in an incubator

i was also
severely neglected as
an older child
due to my mother's
inability to cope
with two very small children
(I was born nearly one year after my sister)

I have also been
TARGETED
for twenty years by
by the
"CHURCH" of SCIENETICS
(name has been changed)

so if I am
slightly dark and
seemingly insane in
certain respects this is why

ONLY GOD CAN HELP ME

I've already learned
not to play my music
drunk or ******

but i am still
in search of the lost chord


♡ love ♡
Catherine
prayers and good thoughts
are appreciated

---
Mateuš Conrad Feb 2018
and if i made any mistakes in the process... is that: sorry, or... oops?! if i were truly English i'd throw in the: dodging Badger to boot... but since aye ain't... **** it, arms in the air: the sheriff called the deputy while Honey called the Winkle and all is just a Safari gag: toothless lions, my god, talking monkeys and actual termite architects! it's one of those trips you don't take Seer Attenborough on... risk of contagion of acquiring narrative you see... finally a time when england became wholly proletariat... or simply immigrant... but is the left really left in that you mean a: slav? current year: the expression of the left in western society is alienating me from the experience of what my grandfather is: a unit of authoritarian solidification of post-scriptum **** rule; i don't understand what the current climate conceptualises as "the" left, other than the reemergence of the petty bourgeoisie... that's no "left"... well not the left i know my grandfather to be.

    - at such precise times:
   no wonder men turn to utilising colours and shapes -
     not that writing this has been
bothersome - only that:
      it's just much easier to reduce the use of
language worth asking for a pint of milk,
   thank writing a poem:
imagine having to stand naked,
  while actually being attired...
     darting to & fro when actually
standing fixed to an orbit focus -
          to have to explain the colloquial...
or to establish the colloquial...
   as if using language cannot be,
in comparison: when
paintings require the "*******"
of an art historian or an art critic...
but poetry: oh, ****, that needs
a milkman to get!
or some ****-pants 14 year old teen!

- how can you approach the modern
**** sapiens with his grasp
of technology?
     one way would be to:
    approach him like a monk,
       a puritan, or merely as an:
                                                 animal.
yet modern man doesn't
        deserve the curiosity he fashions
himself with...
            instead of watching a rex genus:
i'm watching
          a bewildering scoop of
inhibition awaiting a proper scope
to find: outlet...
          with the internet being
a minor source of said
                      context of
                    available expression...
for a long time man has lived
to appreciate yet at the same time abhor
living in a society that
hides knowledge of its technological
advances, while freely distributing
an access to them...
       simultaneously mystifying
                           the use of a it;
a ******* ape is starting to counter-perplex
itself regarding a stone,
and use it,
      while i am thinking about
a levitating keyboard!
        which is supposed to translate
into a precipitation's worth of a hammer!
collectivism is a type of
pedagogy...
         that being said: i'm no rex genus...
       i'm starting to think whether
i'm competent with language...
                  and there was a cue where
i was supposed to say: what?
- and then i retire to Samuel Beckett's
Watt* and concise myself to:
   far from *******...
             because why would a ******
concern himself with intro- or retrospect?
the "no offence" is part
of the fact that: i don't know
              how to identify a pseudo-...
                  but it's a pleasing thought,
mind you,
       that i'm as "*******" as the next person
not wishing to go to a Star Trek
convention... maybe i just like
the sliding doors, or the escalator...
or: **** me... vapping...
               i'm still going to adhere to
the mantra: smokers' cough does not
exist on continental Europe...
              this air is wet, it's foul,
    damp... a ******* mushroom incubator!
        hell-spawn of: yes, i am experiencing
excess phlegm!
                       what sort of idiot
would want to conquer this sort of place?!
******* fungus people!
           they exfoliate an aura
                     for you to need to curse!
            at least Winters on continental Europe
are dry!
            i'm sick from the damp!      
seen a wet dog before?
   England is a wet dog...
           it's like gagging watching
a video of a carrot being peeled...
              which ends up being more funny
than a Monty Python sketch.

- and what's because ******* did what?
i hate to have to reduce an art form
into a colloquial ***** to fit "purpose"...
colloquial is not a poetic technique...
    but this art is having to resort to
making itself colloquial -
   it is gagging to be written into the codex
of an IKEA manual to put
                     up a ******* chair!
        
- suddenly language can't be akin to painting...
suddenly every Kandinsky must
fit into a tight-knit paragraph...
    the sort of **** your grandma knits for
you to don a sweater and call it
                        the village bicycle gag...

- i am also supposed to feel guilt with
regards to the moral question of prostitution,
having paid a *******,
   while subsequently giving her an ******...
now that's a real
    huckleberry finn moment of:
oh, gee gosh... you think she baked an
apple pie while he was at it?

- some paint... some write...
      and some just manage to imitate marathon;
but i'm **** sure fewer have
managed to creep up to Kraszewski and
ask: so why do "they" hate you?
    which he replies with:
             so why do "they" bother reading me?

- it's worth noting that i don't
know any Ukrainian, Lithuanian,
Estonian or Latvian writers...
       so with regards to "fame"?
                   i'm trying to look for these people,
foremostly.
Mateuš Conrad Jun 2016
oh hell, every time i write some embarrassing a day prior, i turn into honour killing from Pakistan enveloped by shame... 'what the hell did i write last night? i can't remember, but i know for sure that i didn't roll down the stairs or **** in a phonebox'. well, i could sit here romanticising like Marcel Schwob, or just dig into like Marquis the Sade... honestly and oddly enough the latter did give me an *******, and he was half-the-pervert that everyone deemed him to be, flashing his buttocks from the Bastille... his uncle abbé de Sadé (i love to put that accent in on purpose - sounds better to me, less boorish) - and yes, Creedence Clearwater Revival does more justice to the harmonica on graveyard train than Bob Dylan and **** Jagger put together... it's just there, and it ain't it's because it's there that makes it... ha ha... groovy - maybe that's why they spared him from the guillotine, in that he wrote more of his exploits as wished to be done, and of the actual exploits too many were hidden in his blabbering prose undone; ****** is by far his greatest work.

i told you the black and red Oranjeboom is a trip, they used to sell it at 8.5%, now they dropped it to 7.5... that beer can get you crazy in nanoseconds, quicker than a formula 1 crown jewel of a Mercedes-Benz, i'm serious, the ****'s lethal - you drink with me you'll be talking l.s.d., you'll end up a Mongol somewhere in Siberia, stark naked in minus forty saying the words: 'where's my umbrella? where's my umbrella?', indeed on repeat... 'and that yak? i was riding a yak... where's the yak?' we have European bisons to await you colonel... 'about time, i was waiting for a bison... isn't that the place where storks migrate to to make butter over the summer? and the Jews hid when the Black Plague was sweeping across Europe leaving them immune in the vicinity of Cracow?' yes it was, Herr Mascherschtic-Messerschmitt -
'who's on the oboe? and the soloist violinist?' we don't know, working it out, 'you better, because i don't really long for a drum-beat of knocking two stones together to spark anything but fire, rather, a conversation; 40 days in the desert with Jesus trying to relocate the Jews to Goa worked out so splendid that they moved North, started speaking riddle Hebrew that's Yiddish and followed suit with ****** being gassed, but instead of trenches, death chambers - people tend to forget he was himself gassed and dated Eva a Jewess... no far right assimilation, i spoke with a grandpa that asked for sweets from an SS-man and a great-grandmother who fed her daughter opiates to hush her on the eastern front so she wouldn't cry - sometimes stating a self-consciousness detached from thinking (the inhibitor of existence) is as random as a lottery - because it's just that, thought is an inhibitor of existence, being is an exhibitor of the (sic) stated - oh please don't read me if you're into ******, i'm with the bookworms and freaks, premature ejaculators and whatnot, go eat a ******* macaroon in Morocco or something - of all the admirable circumstances worthy a stage thinking isn't really allowed, it's not exactly glorified, in two sentences:
- *i thought about it
             (how two pronouns
                                               interact without Freud,
                                               or meet, or are the proton i
                                               neutrons thought about
                                               and the electrons it)...
it's a permanent duality of expressing something and anything,
we need the first person, the eyes give it away,
but in the end we're either touching an axe to chop
down a tree or attaching ourselves to a detachment of
chopping the tree down for the Freudian third it -
it's no longer a game of 'you're it!' tagging of
the kindergarten game but a work of fiction, transitions
like that must be painful - third person narratives are
generally conceived from being lazy in the first person,
how many people do you actually need to **** the poet off?
film credits: and it's a long list, mind you.
oh yeah, that word: dzwiękać - it's about making 0.1% of
a Mozart symphony with two stones smacked against
each other for what the feet used to do, a drumbeat,
it's not exactly an act of Prometheus' Odyssey into
the first glimpses of chemistry -
alternatively?
- i am it / or some alternative to something even more alternative,
  in the French school of thought dubbed deconstructionism
  that's also a blah blah reduction,
  Bruce Springsteen and Frank Sinclair, a slum-dunk
  by the Lakers - it's still supposed to mean that i intended
  the phonetic encryption, i visualised nothing for
  you to follow-up on, sounds, poetry isn't cartoon,
  the harsh reality of having to read the Mandala of
  mouth expressions without, eye, eyebrows or cheeks
  or chin - ends up being dentistry when you want to
  say a but end up adding a            h     while
  the dentist inserts a blunt object into your mouth for
  an ah (be my guest, macron or umlaut depending
  on the volume of your lungs added to the a for reasons
  of reality's prolonging the seance of rotten teeth).
what i meant was the notion that thought is a different
type of being, or expression of out of every instance -
thinking too much won't grant you access to
people who say: 'are bored with their *** life. especially
gay men, who 'see *** as something you have to do
while on drugs'. so once **** no reassurance with
forever ****? **** it! could have given it a one-over
back when i didn't have a monkish demur.
well i can admit i'm jealous, but i just remember *******
before puberty and feeling the muscle sensation and
seeing no *****, aged 8 - the ******* help, and incubator
for all that raging monotheistic operatic harem wanton -
it's still a balancing act writing a sentence,
you are basically juggling two words, both are pronouns -
you throw a boomerang, you throw it as yourself
and expect it to come back as yourself,
pristine, juvenile, ******, intact with a pride of being
a person not influenced by others... the origin of
Columbus... it doesn't work like that,
the boomerang ends up like a windscreen with
several bugs attacked to it, bugs like Kant, like Heidegger,
whoever... whatever, free-love **** *** is overrated for me,
the ******* build-up and the flashing lights and whatnot,
i approach *** like a lumberjack a tree,
axe, tree, chop chop, tree falls... i'm out after an
hour having paid £110 for the pleasure... so you can take
your little feminism into the annals for these free-love
festivals (burning man in Nevada, killing kittens
in the hamptons etc.), preach there, leave me and my loser
****** high libido crew in the shadow of the crucifix -
judgemental ******* - i never expected so much stigma for
giving an ****** that i paid for to give, it's like an
Albert Camus novel, or worse, his life,
paid for a train ticket but decided to travel to the desired
destination by car, dead in a car-wreck - Irony with an ism.
Banana Jul 2022
Abortion access and rights are being slashed and women’s voices silenced by forced pregnancy and poverty..
So when I got my period this month I felt the need to celebrate.
I don’t have to grow a life to participate in an existence I myself can’t justify.
I won’t have to raise a daughter as an incubator for a state of lies.
R Forrest Feb 2014
Why do I feel compelled
To describe you as imprinted
On the bone face of my skull?
Am I in there, rattling
Around with each curt nod
When you offer me your time?
Hurled against the stretches of the mind
The head's own incubator
Some Palaeolithic cave
Where the only inexperienced scrawlings
Are your portrait
In this cave I have invented film
Starting with a rickety old Zoetrope
Of the first smile; lips bracketing
The teeth, enabling
The tongue, to churn out
The voice, your nuclear voice
Hanging my Nagaskian heart by a hair
I haven't needed irradiation
Like the hand-canter of a harp player
I have been plucking my scalp
Hardly Lilith but perhaps
Deforesting Eden
Will tempt you from Eve.
Awe Evie you came here fighting. Pulling the oxygen out of your nose. Trying to get out of the incubator you were not having it little girl. You are such a doll baby with a beautiful face. I love your orange hair I can't wait to see what color it will turn out to be. You are named after me Ms. Evieana Lillian. I'm named after my grandmother which makes you the third. My grandmother had red hair she was biracial just like you. So it's so cute that you have her name orange hair and spunky attitude. I thank you for being strong enough to fight. Wonderful enough to love and a small bundle enough to hug and kiss on. You are my Lilly boo and I thank Jehovah that I got the chance to meet you❤.
Evie is my name sale and the last baby of my daughter's.
Mateuš Conrad Mar 2016
bewilderment, many more women than men, and still so few a man committing polygamy, it's almost like the mirroring of so many men committing suicide; the loss of the practice of polygamy leaves so many men committing suicide prematurely, leaving so many women alive to give the abnormal ratio without an actual diseased cause of death of men, hence the statistics.*

just when you start enjoying it,
you stop,
there are so many going to restaurants,
but you're just a turkey
readied for stuffing,
you gorge on it
like traffic in Hinduism with
the holy cow that's a pedestrian
in England...
chomp and chop the food
like a toilet blockage,
you eat it without a palette,
no cheese and crackers after,
no candlelight, no wine,
it's a strange looking necessity,
esp. once digested;
it's as necessary as death for your
engagement: you have to eat,
you have to die...
i eat to add to the insomnia cure
because i should but can't pay alimony
payments because an engagement is
not lawfully enforced...
chemists are natural bachelors,
i told you, but you wouldn't
understand...
you were the ******* of youth,
the girl aged thirteen prone to suicide
and still the many numbers of men
committing to the act of suicide...
the law is in your favour, since you're
the incubator of it, the womb,
any rich **** can provide the Semitic root
of it all, cutting the excess skin of genitalia
of one ***, whether ******* or *******,
you think you won't get anti-ontological
behaviour? if what was intended was intended
and you play and revise the **** thing,
do you think the answering reason will
not look ridiculous enough to not attract ridicule
like a cow and flies, ready to spawn maggots
in the wet eye sockets?
you must be joking then!
monotheism was born in the halo
of revising mankind, abraham's snipping
isaac's "excess" skin...
it took place there... but revising a second
time with female circumcision...
well, revising humanity like that
gave us all the possible abominations accessible...
how can you teach the origin of man
with that ugly aesthetic of being furry
and a blunted snout of the gorilla
and not wonder why revising man
to an over-eager representation of engaging in ***
not combine into a holocaust...
you steal the sheath of the sword from the sword,
you'll find it constantly warring,
because that's what circumcision did,
it stole the sheath of the sword...
and no, this isn't crude imagery, ******.
KM Ramsey May 2015
i am not your blooming flower
i don't belong in your
garden kingdom populated
by perennials and ruled by
thorn stemmed rose bushes
where you go
to seek solace and discover
the bursting lightness of
that sensuous pain when
blood erupts from that
thin line where
the white fatty layer threatens
to spill out into the world
and stain your white carnations.

and i never promised you
that it would be pretty
and that one day you would be
able to look at those sensationless slices
and see more than just
an act of scarification
that i asked for
that i endured
but the physical embodiment of
that internal scream that
bounces off the sides of my chest
and shatters the crystalline lattice
that protects my dispassionate heart
from your touch
as soft as the downy feathers
of the spring's children
emerging from their
incubator eggs to
greet the world where they
will fall before they fly
and i will impale myself on
the pyre of their sacrifice.
i can't keep promises i never made
Olivia Kent Jun 2014
He is a miracle,
a tiny creature,
laid in an incubator,
he struggles and fights,
better than Mohammed Ali,
he fights to keep the lights alive,
his body fits in his mothers hand,
but she cannot hold him,
just gently strokes his arm,
with a warm fingertip,
she wills him to survive,
a tube down his tiny nose,
supplies his nourishment,
his momma,
she sits and she waits,
and she waits and she sits,
he's too small to cry,
and he cannot look,
but they bonds,
more her, than he,
he is too small to know,
to feel to see,
an unbreakable bond,
she prays and she wishes,
she so wants to kiss him,
for the time being at least,
it's just daddy she kisses.
(C) Livvi
Fancied different today!
I have no experience of prem babies!
Martin Narrod Sep 2016
Operational anxiety. The words I've been using don't make any sense to me anymore. It's all quiet and I have so many questions. The mountains shout, "*******!" over the Gros Ventre. And I'm lifeless and apathetic about lessons. I just turn on the Philip Glass and go for **** misunderstanding. More of it is coming and somehow I allow it in. A me circle of despair, loss, and immense love. My subjects must be growing curiouser and curiouser. Some of these adverbs dress in white dresses with black boots and carry scars on their palms while they bribe you off their tears to crawl back into the dusty desert graves your skin wants back.

My oven mitts aren't even of animals. I stare at the deer and moose from our second story balcony. My wrists hurt in a loss of practicing this habit. Subject matter that burns through the nights where I don't sleep. I torment myself in nursery rhymes that don't rhyme. Beds that don't water themselves, and the stories that keep my fingers soggy and pruney, drowning their dactylic digits in infinite keyboard unfulfillment.

The music is familiar. It throws its knife-wielding notes into my gut- my innards are bleeding, and my headache is growing stiff. I could mutate like Alex Mac and operate in a vacuum. I could be an incubator of self-aggrandizing disastrous behavior, an awful diaspora of introspection, a sickness that starts in soft flesh and tissue and summarizes me in the faces and heads of people and children that never turned their heads to listen.

I am wrestling your poems out of your hands. A royal couplet you try to explode against your innards, and a ****** prose that cascades upon the walls, in a mushy textural, even artistic mess of crimsony soulless words you throw around, things haven't changed but you I think you were just pretending to be haunting.

Winter hoarfrost and summer sweating. Integers upsetted by short-acting suns and cold and chilling dips in frigid waist-high water. The rocks are slimy and I don't feel like the fires are still coming. I point my nose to the water and take fifty paces. When will I have my forty-two minute day. Children are ***** liars and ought to have no sugar or treats. But let's not feed them from bowls we place on the floor.

My fingers are freezing, my cheeks, nose, back, and elbows too. I am smoking and never going to stop. I have met Joe Black and he tells me he used to command David Berkowitz into shooting people in cars, so I tell him the only thing certain in life is death and taxes, and that we need a new dishwasher, a cheaper place to buy ice cream, and a rough concrete square of floor I can torture myself for experiencing too much as human.
A N Friedman Aug 2011
Wind the clock
Set it back
Way, way, back
Way back to times before.
Before the battle and after the war
Make it bright to see the light
Feel the pleasure
Feel the pain
Sun fades, moon wanes.
Everything stays the same
But keeps movin forward
Draggin feet on the carousel
Tryin to slow the movement.
Blind to the revolution.
The inevitable return
Closer to the end,
Closer to the beginning
Big bang, big crush
Babe in an incubator,
Old man in a respirator
Travel back to move forward
Return and arrive in the same instant
Fast or slow
As long as it moves
and doesn’t go anywhere
just don’t stop.
Crash! Break!
Break out of the circle
Fight against the tumultuous monotony
Of its suffocating embrace
Concentric circles
Drawing in closer and closer
To a cage in the middle
Walls are closing in
What is outside the circle?
Why can’t we get out?
Who are the gate keepers?
Where are they hiding?
How will we break through?
When will we be free?
Dark days and white knights
Lapping life from the doggy dish
Wearing the wind in our eyes
Think it’s a disguise
But truth is transparent
And the façade is opaque beneath
Get out of the circle
Break the line
Stand still and be delivered outside
Be free
But be wary
For outside lie perils unknown
Sanctity, Sacrifice, Solice
Found in the binding of
Saintly moments.
For it shall be
The summations  of good intentions
Which will break us out
Mateuš Conrad Jul 2016
after seeing a dutch boy spit in a polish girl's face because of a friendly conversation, i don't need some Irish telling me what to say apart from I.R.A. in the skip of the other recyclables.*

as books go, we can speak all we want on the
colour of defeat -
you can make a Lenin-firecracker from any man,
any man a killer -
the revival of the Holy Roman Empire simply
moved slightly to the east - it already looks like that -
if the French far right think the exit of Britain
was a favourable scenario, well, it doesn't have
the Algerian philosopher Camus to care -
former colonial nations undermined the European
project - too much suntan from India and the
Caribbean - Germany wasn't a colonial nation,
Italy was a joke in Ethiopia - a joke that morphed
into reggae - it was never going to be stable,
times changed, the Hungarians forgot the Austrians,
if they thought a British exit was the broker piece
they found the economic stronghold
in Frankfurt a week later - past colonialists
an equilateral respect for each European neighbour -
apart from the English channel the English chose -
i admire Voltaire's theism, but not his liking
for the sausage and oily stigma -
accept post-colonial subjects, discriminate against
fellow Europeans - join the "shoot a ******" saga
of America - former colonial nations destroyed
the European Union dreams, they found no *******
in the Baltic region, to their grievance...
what a loss! no gold! only flint and salt mines!
and the question still hangs about:
who will pick the strawberries in July in England?
the benefit billionaires? the wet shave heiresses?
what about the Brazilian bikini wax?
get more Irish in? will Ms. Burqa of Sudan
take out an umbrella and roll up her sleeves to pick 'um?
is Hajj tourism adequate to see a stampede outside
of Pamplona? i mean, it's a revision of the
British "go home" Empire... you wonder how many
times the pumpernickel fairy heard that one -
and there was the gingerbread man breaking a leg
to claim benefits as a dyslexic diabetic saying: i can't go on...
i can't go on... make this slice of cake a discus throw
into itemising a respectable calorie intake, 'cos i think
i sat on a guitar that was debited into a loan -
a man ended up paying for a broken guitar without
a Bon Jovi singalong - oi oi uncle Ben's quinoa salmon
healthy food in the hood and McHappy bottom's-up -
colonial nations and identifiers as such made the European
project a one of bereavement - unnaturally racist,
unnaturally with white v. white and the incubator of
their former whips turned into whipping of tongues -
the Jews have left Poland, they have left Europe -
time for the old alliances to be constructed -
and i wonder, what internal alliance will be made
from former colonial masters and former colonial slaves -
if the "placebo" to be ingested is current America... well,
not much to go around.
Alessander Jul 2016
Your childhood dream
Your teenage dream
Your 20s dream
Your 30s dream
Your 40s dream
Your 50s dream

Measure them in decades
Transfixed before a distorted hall of mirrors

A cycling fun-house

While presidents come and go
Parachute pants, bomber jackets, bangs

When you’re drifting off to sleep
What feeling awakens in your heart?

What small feet run across your translucent landscapes
Cubists blocks of what might have been

Twisting , reforming…, parallax

Like Etcher in motion, Inception

Dark cities floating overhead while eclipses burn red

Do your hands tremble with rage or with despair?

Or do you lie perfectly still, resigned

Practicing for your casket

Selfies of your head sinking into starched pillows

You’re responsible now

Clerks and coroners pat you on the back

The least you can be is responsible

Hunting down dreams in dreary forests
With bow knives and bandanas

Is foolish

Better to fill out your W2s

Calculate your interest and help with homework

Don’t be selfish


Let others burning with madness, desire and discontent

Dream for you

Shape the future for you

Preferable to be content

An anti-pioneer   To Nest in paperclips and razors

Satisfied with consolation prizes, Ms. Congeniality

To sink silently down the toilet of trivialities
Floating listlessly like a ****
Flushed out into the polluted ocean of time

But let us not dwell on dreams

Let us drill, let us dance, let us down

Korean BBQ and snap-shot sunsets

Never mind the shadows swirling

Through you, deepening with every tock

Civilization calls  - You must be integrated.

Not like days of yore

On the hunt

But wrenched into a mechanical maelstrom

Input into a coded vision

An alien incubator zooming through metallic tubes


You are an app

Of Aborted dreams

Of pragmatic passiveness
  

Fingered by millions of strangers

To **** time and hope
whatever comes to mind

#
Shelley Jul 2014
The first was taken before we ever met.
My sister: curled beneath insulated blankets,
a pink bow vaseline-glued to her bald head,
glassy infant eyes turned in the direction
of a picture of me (red striped shirt, my favorite overalls,
velcro shoes). Mom taped it against the outside
of her incubator; so she would know her big brother
even if I wasn’t allowed to visit her yet.

The second shows the two of us at the back door
of our house on Circle ***** Drive. Her palms and nose
pressed firm against the glass as she peers out at Whitney,
the cocker spaniel who became an outside dog
after knocking her over one too many times. My hands are tucked
under her armpits, and I’m using every ounce of my
three-and-a-half-year-old strength to make sure
she don’t teeter back onto her diaper-cushioned ****.

The third, a candid from the family trip to Islamorada.
She and I are walking down the pier, on opposing sides
of Ganga, each holding one of her soft grandma hands.
She was our buffer for those eight days,
and years following the trip. We face the sunrise–
electric pink sky dotted with periwinkle wisps.
Later that day, my sister asked me to come look for seashells
with her; I told her I wished I had a little brother instead.

The final, from my college graduation last May.
My sister and I are laughing in the arboretum.
As excited as I was to never again sit in Hamilton 100
or bubble in a Scantron, I was already missing
eating pho and reading poems, making her matzo ball soup
when her throat hurt, and trekking to the taco truck at 1 am.
Neither of us knew then that I would have this job and this desk
with these four photos, and room for more.
Nicholas Huber May 2019
Isolation is the basis for cerebral control.
Ideologies to be shifted, for that is the goal.

No Vulcan mind melds to rediscover ones sense.
Plot a course and sail, there's no need for recompense.

A common trait is shared between energy and water.
The path of least resistance, always colder never hotter.

Newton's second law; the time rate change of momentum.
But how can force equal love? Let's apply an addendum.

As velocity increases, so does dilation of time.
Just keep your seat belt fastened, all things will be fine.

And now you've been conditioned to accept what you were told.
So close your eyes, just relax, fortune persists among the bold.
May 16, 2019

— The End —