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"implication" poems
At the defense proposal I was convinced I would make it through The proposal in my hand, Months of preparation, mentally, physically, loaded brain... Well prepared I was for this judgement day A little over confident, perhaps.... In the life of a Phd candidate This is the true battle of Academia Whether you'd be at the top or you would be shot dead The honorable Panels will decide... The moment you utter a sentence or two.. Continuous attacks from the left and right endlessly..... till you have your head buried in the ground Again you wake up and strike again This is your war.... Defense is war.. the war of life the moment of truth the battle of a doctorate student everywhere Research Objectives, Research Questions, The Signification of research and the Implication, the contribution of this study SO WHAT? One by one was being detailed, scrutinized and questioned Dear panels,please be kind Was patiently coping with your brutal  attacks Head held low, head held high... Nearly had a stroke, But I refused to die... Thank you dear panels, my courteous smile for you... I'd be back, You'd see me again, When I counter attack....
0
May 22, 2013
May 22, 2013 at 1:28 PM UTC
Phd Defence Proposal
Now I swear to ya This is a TRUE STORY! (At least as I heard it) •••• There was this girl and man was she in love! BUT Then one day her LOVER says to her LOOK I KNOW YA LOVE ME BUT I GOTTA  TELL YA IM NOT AS I SEEM I SEEM TO YOU AS A MAN IM NOT! DEEP DOWN INSIDE I KNOW  MYSELF AS A WOMAN AND IM GONNA HAVE A *** CHANGE OPERATION TO MAKE MYSELF AS I REALLY AM •• Well She was appalled (To say the least!) •• She thought ALL THIS TIME I'VE BEEN MAKING LOVE  TO ANOTHER WOMAN! AND IT DID NOT BOTHER ME! I MUST BE A LESBIAN! This thought didn't bother her It was the fear of being exposed as one Of coming out of the closet That frightened her She thought WAIT! I GOT IT! I TOO WILL HAVE A *** CHANGE OPERATION! THEN MY MAN BODY CAN MAKE LOVE TO A WOMAN AND NO ONE WILL FIND IT STRANGE ! and this she did Some time later she met this woman who she was very much attracted to After some time She found herself together with this other at her apartment And after some groping around they were standing there naked And it turned out the the other was a actually a man in drag A Cross dresser I believe they are called Again She was appalled She accused this person of deceiving her This person said NAY NOT SO! I KNEW YOU WERE A WOMAN IN A MALE BODY (JUST LIKE ME!) FOR I AM A WOMAN STUCK IN THIS BODY TIL I HAVE A *** CHANGE OPERATION! SO WE CAN HAVE A TRUE LESBIAN RELATIONSHIP EVEN THOUGH IT IS THROUGH MALE BODIES THAT THIS TAKES PLACE THE BODIES ARE JUST BODIES BUT IT SHALL BE OUR TRUE SOULS WHICH MATE Now She (The original she) Was mighty confused For there was many an implication Dangling there And she didn't know if she should be believing what was said to her •• Now of course Some a you out there might be sayin the same thing -- But it's the truth It's a true story Just like I said I mean It's truly the story that I heard
0
Nov 4, 2013
Nov 4, 2013 at 1:04 AM UTC
Changes that leave things as they were
Now I swear to ya This is a TRUE STORY! (At least as I heard it) •••• There was this girl and man was she in love! BUT Then one day her LOVER says to her LOOK I KNOW YA LOVE ME BUT I GOTTA  TELL YA IM NOT AS I SEEM I SEEM TO YOU AS A MAN IM NOT! DEEP DOWN INSIDE I KNOW  MYSELF AS A WOMAN AND IM GONNA HAVE A *** CHANGE OPERATION TO MAKE MYSELF AS I REALLY AM •• Well She was appalled (To say the least!) •• She thought ALL THIS TIME I'VE BEEN MAKING LOVE  TO ANOTHER WOMAN! AND IT DID NOT BOTHER ME! I MUST BE A LESBIAN! This thought didn't bother her It was the fear of being exposed as one Of coming out of the closet That frightened her She thought WAIT! I GOT IT! I TOO WILL HAVE A *** CHANGE OPERATION! THEN MY MAN BODY CAN MAKE LOVE TO A WOMAN AND NO ONE WILL FIND IT STRANGE ! and this she did Some time later she met this woman who she was very much attracted to After some time She found herself together with this other at her apartment And after some groping around they were standing there naked And it turned out the the other was a actually a man in drag A Cross dresser I believe they are called Again She was appalled She accused this person of deceiving her This person said NAY NOT SO! I KNEW YOU WERE A WOMAN IN A MALE BODY (JUST LIKE ME!) FOR I AM A WOMAN STUCK IN THIS BODY TIL I HAVE A *** CHANGE OPERATION! SO WE CAN HAVE A TRUE LESBIAN RELATIONSHIP EVEN THOUGH IT IS THROUGH MALE BODIES THAT THIS TAKES PLACE THE BODIES ARE JUST BODIES BUT IT SHALL BE OUR TRUE SOULS WHICH MATE Now She (The original she) Was mighty confused For there was many an implication Dangling there And she didn't know if she should be believing what was said to her •• Now of course Some a you out there might be sayin the same thing -- But it's the truth It's a true story Just like I said I mean It's truly the story that I heard
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73
Tip Your hat And curtsy low The masses so mandate absolute guile A handshake, a smile, a proper and refined bow! To adorn thy head and semble wit And do your best! Take pride with etiquette If not informed Ye won't last a mile And differentiation between animals distinguishes you, Resplendent child Wash your hair and underclothes with soap Lest ye resemble sow And goodness dear Have I forgotten now? Always remember to smile! So I'll take your Winter clothes with zest I'll scramble on point No unruly mess Oh, did i forget your coat? No, I've got it, relax, care for a smoke? My apologies, please forgive my latency It must be warm in here for my blood In fact... Boiling over kettle within Prevent me from committing sin I do wish to vent Pick up this pen And release red wells from his dainty, fragile neck Or... The underbelly. It's beknownst to me entrails are thick Now whatever shall I do with this fresh clutter? I'll act for free, so cordially! With my chivalrous lines But can you, my friend, respond in kind? After all, it's only common courtesy It's over now, my fantasy It dissipates with urgency And this is my confession Yes Imbibed in me from every grueling, tedious lesson An implication of uniformity The daydreams borne from the perfunctory
0
Jun 30, 2014
Jun 30, 2014 at 7:56 PM UTC
Daydream From August 11th, 1843
To even commence to define how profoundly I fell in love with you, I would need the capacity of a thousand-page manuscript written in the most romantic idiom. Each, and every retention of us is stowed into the back of my conscious, and concealed deep into my heart. Every beautiful memory plays through my head like soft music. I would say my heart is immovable.  There are days that I try to sojourn the thoughts of you, but its intolerable for me to do so. I am so engulfed in your perfection. I do not think there has been a single day that you have escaped my thoughts. I can feel your presence with me if I ponder our memories deeply enough. Your presence weighs heavily in my heart. It is as if part of your soul occupies its crevasses, and fills my cracks. Your eyes are echoes of a hundred distant galaxies no man has ever revealed. Vast windows that reflect the constellations. My heart is certain the universe resides in them. As I begin to study your face, I feel like nothing but love can exist. Your porcelain perfection never ceases to weaken me. You weaken me with love, trust, and desire. Like the finest specimen created by the hands of Gods. As I anticipate the connotation of love, the implication is “you”. Even if the fire for what you feel for me dies, I do not reason the passion I have for you will ever dim. I do not begin to recollect if I had ever felt this susceptible. I let this passion be valued like the rarest stone. I would give up the entire world if it meant I could have you in my life endlessly. Your happiness is of grave importance to me, when I study your smile, I can overlook the darkness of this decaying reality.    Every heartbeat of time my mouth declares three unpretentious words. “I love you”. I say it like an invocation. Not one moment did my tongue express profanity against these golden words of poetry. I love you. “ I Love You” . And solitarily just you.   I wallow in my own sorrows at the thought of the culmination, when we shall one day part at death's hand. For I deeply distinguish that you love me equally, and this brings vast pleasure to my temperament. I sense security in your encirclement, your heart is my home. My heart qualms of my fragile weakness that I consume when I dream of you. You make me susceptible to the sickness of love. If love was a poem, you would be the title.
0
Jan 30, 2018
Jan 30, 2018 at 10:30 PM UTC
If Love Was A Poem, That Poem Would Be You.
To even commence to define how profoundly I fell in love with you, I would need the capacity of a thousand-page manuscript written in the most romantic idiom. Each, and every retention of us is stowed into the back of my conscious, and concealed deep into my heart. Every beautiful memory plays through my head like soft music. I would say my heart is immovable.  There are days that I try to sojourn the thoughts of you, but its intolerable for me to do so. I am so engulfed in your perfection. I do not think there has been a single day that you have escaped my thoughts. I can feel your presence with me if I ponder our memories deeply enough. Your presence weighs heavily in my heart. It is as if part of your soul occupies its crevasses, and fills my cracks. Your eyes are echoes of a hundred distant galaxies no man has ever revealed. Vast windows that reflect the constellations. My heart is certain the universe resides in them. As I begin to study your face, I feel like nothing but love can exist. Your porcelain perfection never ceases to weaken me. You weaken me with love, trust, and desire. Like the finest specimen created by the hands of Gods. As I anticipate the connotation of love, the implication is “you”. Even if the fire for what you feel for me dies, I do not reason the passion I have for you will ever dim. I do not begin to recollect if I had ever felt this susceptible. I let this passion be valued like the rarest stone. I would give up the entire world if it meant I could have you in my life endlessly. Your happiness is of grave importance to me, when I study your smile, I can overlook the darkness of this decaying reality.    Every heartbeat of time my mouth declares three unpretentious words. “I love you”. I say it like an invocation. Not one moment did my tongue express profanity against these golden words of poetry. I love you. “ I Love You” . And solitarily just you.   I wallow in my own sorrows at the thought of the culmination, when we shall one day part at death's hand. For I deeply distinguish that you love me equally, and this brings vast pleasure to my temperament. I sense security in your encirclement, your heart is my home. My heart qualms of my fragile weakness that I consume when I dream of you. You make me susceptible to the sickness of love. If love was a poem, you would be the title.
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28
dear, you cut me off mid-sentence. for all my skills, techniques and terms here's a thing i can't find a way to convey. a narrative even beyond comprehension to it's protagonist a girl without a simile or metaphor applicable? somebody to leave me laconic, short in syntax, unstructured. will we discuss possessive pronouns now? for in subtext, i am the possessive one. i'm so lacking verbally but i'm sure you'd understand it contextually to punctuate: i can be the ellipsis, the implication of my omissions but you're in my text as the most eager mark of exclamation
0
Mar 17, 2014
Mar 17, 2014 at 3:41 PM UTC
wordsmith
"...Motus autem veros ex eorum causis, effectibus & apparentibus differentijs colligere, & contra, ex motibus seu veris seu apparentibus, eorum causas & effectus, docebitur fusius in sequentibus..." D. Isaaci Newtoni. There will be a sequence of unexpected statements. We understood, that this was said which likened the beginning to the continuation. It was the orchard from which delicious fruits displayed their love for the taste of them, the meanings. Seeds were harvested through the dimly perceived writings of ancient scholars. { [ c exp tan r ( x ) d w d r ] / ( d x ) } = { [ ( k , h ) tau int g ( r ) d w d t ] / ( d f d v ) } . Visited in the course of evolution, all realized the implication, that seasons would arrive from which the meeting of machines would be complementary like the force of a sports team. The objects gathering into droplets included the growth of sunlight transforming ashes; yet the dictionary is not to change.
0
Jun 2, 2014
Jun 2, 2014 at 7:54 PM UTC
World Wide Webster With Tendencies
Curtains, veils of virtual vice So, gaze through the ****** intermix of positional latency, nano-notions lost in frantic phantasm, requisites of an idle, unhealed mind. Draw the virtual screen curtains open, bring forth the lustful images to feed the circuitous appetite, lurking front-row-presence, at the keys. Unknown, undertones of desirability, poses in patient wait, online implication of fallen ways, predication of unveiling moments. As any-time-porn pours its spill of sickest gratification behind the curtain tab selective viewing. It is someone’s child the glides on rails of drawn conclusions, through windows where drapes of cyber mindlessness hang on dank walls of seedy buildings. The ***** grinder always plays the tune to which monkeys happily dance, in a world where Neanderthals hang out, unperturbed with new technology.
0
May 22, 2012
May 22, 2012 at 9:44 AM UTC
Curtains, veils of virtual vice.
you are the reason and I am the cause together existing as a single tangible flaw staring down fate with our hearts entwined a bitter feud of passionate irrationality showing all the signs adorned with a conscious need to seek more with time no time left, the clock strikes midnight and we go, we go; we keep going on bringing our hands closer to what we want pushing through unto dawn with this plight solidarity benefits the purpose of why separating all the words between meanings aligned defining reason alone with blank canvas minds ready and willing to satiate this place in space and time decimating indecision with open eyes combined efforts sought through curiosity the blank pages wired down with what we know but what we want has forsaken us without a means to write it all down carried away with doubt and fear of being burned from the bright sun still whispering lullabies that help us both stay in the fight this helpless inspiration is determined by the stronger voice I wont rest until I reverberate every breath of ours by choice solemn hours of sleepless nights breaking the lines between life and love and a scarred heart desperate to redefine shores lie dormant, ready to drown us under its persistence every provocation and implication suffers from empty lies deceiving ourselves, trying to forget the lifetime of pain deliverance lost in the darkness, seeking to make things right and I just want to be the one to show you the light
0
Jun 14, 2014
Jun 14, 2014 at 5:52 PM UTC
determined
One story may change the world someday. One that will revolutionize the steady constants of how everyday aspects judges itself too harshly. Never finding the solve of anti pressure release syndromes. Plot is plot. Ideas are always outspoken. Even if one or the other hasn’t agreed. Won’t change the facts given to the recipient who may have already judged the opposing two. Without running through what they have already been about. Futuristic plot devices aren’t important. As it may not even exist. Storytelling being a futuristic realization to knowing something before it happens. Feelings clawing thought processes. Thought processes trying to equalize the incoming rush of emotions that rise and fall. Feelings being a different breed centered in the middle of the steady constant. Revolutionizing what you already know. Blind to see it through. Thought processes aren’t too judging. Except when you start to trust feelings too much. A jealous implication arises. Knowing what you already know before it happens. Is no different then how one already figured it out. Feelings handle it with care. Thought processes stuck in the mud. A puppy without any directional skills. A master never telling its true flaws if it couldn’t understand itself to begin with. Jealousy is rising even more. A fixed implication is becoming more dominant. Revolutionizing the main flaw more and more. Nothing is without equal if you never give it a chance. Feeling the way through all the clutter. Clutter not being your fault. You were molded by the pressure of what storytelling has made you into. Plot devices center these focuses without thinking outside itself. Your only to blame, when subjects apart of your judging becomes too sterile for you to notice anymore. Drying out the process of trusting something with care. Becoming one who is blind to never looking outside itself again! Becoming the stick in the mud. How does one avoid? Easy! Storytelling being a futuristic realization! PS… Don’t claim what you already know!
0
Oct 8, 2019
Oct 8, 2019 at 11:18 PM UTC
Storytelling Being A Futuristic Realization
One story may change the world someday. One that will revolutionize the steady constants of how everyday aspects judges itself too harshly. Never finding the solve of anti pressure release syndromes. Plot is plot. Ideas are always outspoken. Even if one or the other hasn’t agreed. Won’t change the facts given to the recipient who may have already judged the opposing two. Without running through what they have already been about. Futuristic plot devices aren’t important. As it may not even exist. Storytelling being a futuristic realization to knowing something before it happens. Feelings clawing thought processes. Thought processes trying to equalize the incoming rush of emotions that rise and fall. Feelings being a different breed centered in the middle of the steady constant. Revolutionizing what you already know. Blind to see it through. Thought processes aren’t too judging. Except when you start to trust feelings too much. A jealous implication arises. Knowing what you already know before it happens. Is no different then how one already figured it out. Feelings handle it with care. Thought processes stuck in the mud. A puppy without any directional skills. A master never telling its true flaws if it couldn’t understand itself to begin with. Jealousy is rising even more. A fixed implication is becoming more dominant. Revolutionizing the main flaw more and more. Nothing is without equal if you never give it a chance. Feeling the way through all the clutter. Clutter not being your fault. You were molded by the pressure of what storytelling has made you into. Plot devices center these focuses without thinking outside itself. Your only to blame, when subjects apart of your judging becomes too sterile for you to notice anymore. Drying out the process of trusting something with care. Becoming one who is blind to never looking outside itself again! Becoming the stick in the mud. How does one avoid? Easy! Storytelling being a futuristic realization! PS… Don’t claim what you already know!
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1
healing: *verb (used with object) 1. to make healthy, whole, or sound; restore to health; free from ailment. 2. to bring to an end or conclusion, as conflicts between people or groups, usually with the strong implication of restoring former amity; settle; reconcile: They tried to heal the rift between them but were unsuccessful.   3. to free from evil; cleanse; purify: to heal the soul.   verb (used without object) 4. to effect a cure. 5. (of a wound, broken bone, etc.) to become whole or sound; mend; get well (often followed by up  or over  ).* reconciliation: *verb (used with object), rec·on·ciled, rec·on·cil·ing.   1. to cause (a person) to accept or be resigned to something not desired: He was reconciled to his fate.   2. to win over to friendliness; cause to become amicable: to reconcile hostile persons.   3. to compose or settle (a quarrel, dispute, etc.). 4. to bring into agreement or harmony; make compatible or consistent: to reconcile differing statements; to reconcile accounts.   5. to reconsecrate (a desecrated church, cemetery, etc.).* The task painful and cumbersome is to decide if both can be.
0
Mar 31, 2014
Mar 31, 2014 at 2:13 PM UTC
mutual exclusion
I would like to think of myself as an intellectual, but really I’m just a regurgitation of the adolescent caste system with academic anxiety and a learned fear. Well, I suppose that is a bit harsh. I used to be social ***** now I am a lowly intrapersonal custodian (let us never mind my inter-personal mess-managing, please?), though I am far from clean. __________ I have found myself flitting back to this page from time to time and mentally inserting here a terse, self-degrading statement that could re-catalyze my pitiful little verse, but never actually writing it. I hold it heavy in my head where it shall remain, apparently. Apparently I don’t feel the need to read my flaws, transgressions, and fallibilities back to me. Perhaps I haven’t yet articulated them, and they’re just skulking around—hunched apparitions haunting my subconscious. (Death smells like dog treats: perplexing, but you want to touch your tongue to it so long as no one will know). I must slay them all, eventually, or else perish. But! It is not the transgression itself that I fear—my behaviors are observable, even tangible, I can stare at them for hours. It is the dark implication of the transgression—the churning matter only detectable for its outline of illumination—that gives me trepidation. How will I move-on? How will I grow-here? Like an impossible little spur that nestles between resistant skin and unknowing fabric? Can I penetrate the protection? My security is maniacal; it is evidence of crazed disillusion. I am the raven clawing through infinite veneers; I am tangled… Out ****** spot! Out, I say! I must regress to becoming the white blanket. I must know nothing but God. A simple cloth. A towelette. Rags! Rags! Rags! … …. …God? …Hello? …Is it too late to become …plain?
0
Feb 14, 2015
Feb 14, 2015 at 10:40 AM UTC
"The Fall of the Watchers"
I would like to think of myself as an intellectual, but really I’m just a regurgitation of the adolescent caste system with academic anxiety and a learned fear. Well, I suppose that is a bit harsh. I used to be social ***** now I am a lowly intrapersonal custodian (let us never mind my inter-personal mess-managing, please?), though I am far from clean. __________ I have found myself flitting back to this page from time to time and mentally inserting here a terse, self-degrading statement that could re-catalyze my pitiful little verse, but never actually writing it. I hold it heavy in my head where it shall remain, apparently. Apparently I don’t feel the need to read my flaws, transgressions, and fallibilities back to me. Perhaps I haven’t yet articulated them, and they’re just skulking around—hunched apparitions haunting my subconscious. (Death smells like dog treats: perplexing, but you want to touch your tongue to it so long as no one will know). I must slay them all, eventually, or else perish. But! It is not the transgression itself that I fear—my behaviors are observable, even tangible, I can stare at them for hours. It is the dark implication of the transgression—the churning matter only detectable for its outline of illumination—that gives me trepidation. How will I move-on? How will I grow-here? Like an impossible little spur that nestles between resistant skin and unknowing fabric? Can I penetrate the protection? My security is maniacal; it is evidence of crazed disillusion. I am the raven clawing through infinite veneers; I am tangled… Out ****** spot! Out, I say! I must regress to becoming the white blanket. I must know nothing but God. A simple cloth. A towelette. Rags! Rags! Rags! … …. …God? …Hello? …Is it too late to become …plain?
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15
the other day seated in his office I asked my stubborn, mean-looking bushy-eyebrows editor if he’d consider two books: “Short Stories for Real Short People” and “Truly Tall Tales for Tall People” and he sat back with that air (actually, made you think he wanted to release air) and he said: *“You’ll get shot for titles like that… 'Short Stories for Real Short People' will directly offend people who are vertically challenged And the same people would shoot you for excluding them by implication in the epithet 'Tall' – They’ll sure shoot you for that… They’re both just politically incorrect”* And I leaned forward (releasing air myself – anything he can do, I can do better!) and I said: *“Sure, it’s not politically correct – but it sure ain’t psychologically correct, given our times, to speak of shooting while we are in an office”* I hear the Editor no longer works there and is now in some publishing house who are specialists  in books on Accounting and Engineering where he knows, for sure, I’m never likely to go
0
Feb 13, 2014
Feb 13, 2014 at 4:49 PM UTC
a writer's tall tale
No light penetrates The overwhelming warning Of the Heavens, A warning of brokenness That cannot be avoided, A cool quietness smothers the trees, An eerie implication. Halted are the simple treks for survival. Forgotten holes of yesterday reopened. As the clouds resurrect, A thankful calm washes away The fear of the unknown. Fear comes before growth and Preparedness need not be remembered. With the rain comes baptism, With the storm comes renewal.
0
Oct 11, 2011
Oct 11, 2011 at 3:04 AM UTC
Renew
In this modern world of seldom proper and overused punctuation the smallest of them all seems to leave the biggest connotation the dot, or period, as some would say under the proper observation has given text-ers and type-ers of this technology driven generation and easy way to send a message in a short-hand communication One dot can signify the end of the certain conversation and three dots can lead one to believe that there will be continuation Five dots can relay the writer's growing frustration as he believes the recipient might not've read his brief annotation and with growing anger at the recepients subtle procrastination he can send the word 'hello...' as a sign of quizzical agitation Three dots can be used to signal a reader to use insinuation as in 'They went into the bedroom and then...(use your imagination) Professionals use the multiple dots when invoking exaggeration by skipping parts in a speech to warp the innocent quotation such as 'The senator voted against the new... school legislation' We know that dots after every letter are a definite implication that the word is an acronym, and there's one for every situation such as O.H. P.O.O. means Overly Happy People Offer Osculations Yes, the period can be used so freely, with such adaptation depending on the context, it can symbolize a sigh of exasperation It is a punctuation so versatile, it has almost no limitation and more than one of its forms can be found in every publication I don't hesitate, as you can see, to submit this postulation flexibility will always be in the period's reputation...
0
Jun 29, 2011
Jun 29, 2011 at 7:52 PM UTC
Super Punctuation
In this modern world of seldom proper and overused punctuation the smallest of them all seems to leave the biggest connotation the dot, or period, as some would say under the proper observation has given text-ers and type-ers of this technology driven generation and easy way to send a message in a short-hand communication One dot can signify the end of the certain conversation and three dots can lead one to believe that there will be continuation Five dots can relay the writer's growing frustration as he believes the recipient might not've read his brief annotation and with growing anger at the recepients subtle procrastination he can send the word 'hello...' as a sign of quizzical agitation Three dots can be used to signal a reader to use insinuation as in 'They went into the bedroom and then...(use your imagination) Professionals use the multiple dots when invoking exaggeration by skipping parts in a speech to warp the innocent quotation such as 'The senator voted against the new... school legislation' We know that dots after every letter are a definite implication that the word is an acronym, and there's one for every situation such as O.H. P.O.O. means Overly Happy People Offer Osculations Yes, the period can be used so freely, with such adaptation depending on the context, it can symbolize a sigh of exasperation It is a punctuation so versatile, it has almost no limitation and more than one of its forms can be found in every publication I don't hesitate, as you can see, to submit this postulation flexibility will always be in the period's reputation...
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25
A choice along one direction leads to consequential choices based on quasi-essential needs. And countless more directions; some more pointless than they seem. Each with unique-essential implications; all random in their themes. And when faced with new directions, we all enjoy equating means. There are sub-directions and sudden choices; some with supplicatory pleas. Yes, implication's long duration is an invisible machine. A meta-physical motivation to a person and their genes. Personally, my own choices corresponded to these unlimited extremes. To these tiny little time-transporters that fit us into teams. And I thought I'd reached a choice; was on its corresponding way. I followed down its passageways and subdomains for consequential days. And from the way that we all network, I have come to the belief that our decisions implicate the parts that aggregate beneath. Yes, every person has these combinations aggregate throughout their lives. And by the afore-mentioned complications, They (eventually) divide to warring sides. On one side is destruction; On the other, love resides. If you make the wrong decision then these forces, they collide. To catastrophic implications and such damage done inside. But if you're able to pause for just a moment and hold them side-by-side. You will find the sort of peace that only finds those who have died. And suddenly life becomes so simple; no more chances need be applied. Just one choice and two directions Lie in front of your own eyes. You feel quite amazing in proportion to this fantastic new sensation. As one choice takes you to destruction; the other leads you to salvation. It's the truest self-realization and it's there for you to take it. There's a chance of your damnation... but, see, only you can make it.
0
Aug 9, 2014
Aug 9, 2014 at 5:39 PM UTC
Directions
A choice along one direction leads to consequential choices based on quasi-essential needs. And countless more directions; some more pointless than they seem. Each with unique-essential implications; all random in their themes. And when faced with new directions, we all enjoy equating means. There are sub-directions and sudden choices; some with supplicatory pleas. Yes, implication's long duration is an invisible machine. A meta-physical motivation to a person and their genes. Personally, my own choices corresponded to these unlimited extremes. To these tiny little time-transporters that fit us into teams. And I thought I'd reached a choice; was on its corresponding way. I followed down its passageways and subdomains for consequential days. And from the way that we all network, I have come to the belief that our decisions implicate the parts that aggregate beneath. Yes, every person has these combinations aggregate throughout their lives. And by the afore-mentioned complications, They (eventually) divide to warring sides. On one side is destruction; On the other, love resides. If you make the wrong decision then these forces, they collide. To catastrophic implications and such damage done inside. But if you're able to pause for just a moment and hold them side-by-side. You will find the sort of peace that only finds those who have died. And suddenly life becomes so simple; no more chances need be applied. Just one choice and two directions Lie in front of your own eyes. You feel quite amazing in proportion to this fantastic new sensation. As one choice takes you to destruction; the other leads you to salvation. It's the truest self-realization and it's there for you to take it. There's a chance of your damnation... but, see, only you can make it.
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50
for the tricycle of a night, I conclude my life is becoming a literary event and I feel the poetry seep through every moment tinged with a beautiful narcissism some would call belief in myself or self-love self-help I'll-help-myself, thanks. I finally discover a glancing insanity of charm and wit- liberation, insanity, perspective, depends (on what) ? I am slowly a freeman working freely in the free market freaking out in ecstatic *** for the world as a whole and even being kicked out of a pretty girls room for obnoxious insomnia gives me a reason to kiss the clear sky of melancholy happy-sad with another 'thank you' for making me *whoever the hell I am, GOD, THANK YOU* it's another beautiful day in paradise, tossing dice to skew the probability in the direction of it's the beautiful whatever and you're welcome for everything
0
Nov 4, 2013
Nov 4, 2013 at 3:25 AM UTC
causal implication
Ask a guy to come over with the unspoken implication of *** in your invitation and he jets over in record time. But ask him to come help with something you need done, a serious task without promise of fun, and watch the clock tick away the minutes without his arrival.
0
Mar 28, 2015
Mar 28, 2015 at 7:12 PM UTC
Arrivals
Oh how I'd love that and from a San Francisco organization no less a month in the Santa Cruz mountains, no less the most liberal city in America no less and last year's winner has his picture displayed and it is not innovative or interesting or shocking but all too predictable Like something I saw how long now has it been?  twenty five years ago... how many times have I seen this picture a white guy, looking very much the suffering, creating artiste handsome, like an actor, but not an actor, a creator of meaning of art, and he can't smile, but looks away from the camera mimicking an ad for J. Crew it's amazing how only white men can write about the important things in the world and the background, how many times before have I seen it a graffiti sprinkled nowhere in an urban jungle somewhere where preppy white guys never go street art, street communication created by people who don't see this concrete as an exotic backdrop for their egoistic posing but as a part of their lives, as part of their meaning, their world and he stands there, in front of it, Mr. Screenwriter, the gulf of culture separating him from that background spans the entire country, or an entire universe but the implication of the picture is: he is home here this is who he is and he can emcompass everything, since white men as we know, have a magic ability to understand and synthesize everyone all genders, all races, all religions the rest of us are merely stuck in our own myopic little worlds of gender, race, socio-economic status but these spanner of time and space and human difference, they can be anyone they can understand and represent anyone So I look at the picture and think, I could apply, but I'm busy during the blissful month of the residency but how dissapointing, that I feel looking at this picture, now online of course that it is the same picture that I looked at over twenty five years ago pinned to a film school wall in Los Angeles, in New York, in those edgy more conservative places and it is the same guy.  the white screenwriter artist who will write about me and others and it will be a lie and we are excluded.  all the rest of the human race. but what he writes will be exalted as truth when I know, that no matter how time he spends wandering the foriegn worlds of ghettos and genders the one thing he knows, the only thing he knows how to write about is white guys, because he is no superhuman he is like us.  He will write about white guys and there will be more films about white guys, who are supposed to represent all of us but they don't, because they are only human, and can only represent themselves.
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Jun 19, 2013
Jun 19, 2013 at 12:29 PM UTC
Screenwriting Residency
Oh how I'd love that and from a San Francisco organization no less a month in the Santa Cruz mountains, no less the most liberal city in America no less and last year's winner has his picture displayed and it is not innovative or interesting or shocking but all too predictable Like something I saw how long now has it been?  twenty five years ago... how many times have I seen this picture a white guy, looking very much the suffering, creating artiste handsome, like an actor, but not an actor, a creator of meaning of art, and he can't smile, but looks away from the camera mimicking an ad for J. Crew it's amazing how only white men can write about the important things in the world and the background, how many times before have I seen it a graffiti sprinkled nowhere in an urban jungle somewhere where preppy white guys never go street art, street communication created by people who don't see this concrete as an exotic backdrop for their egoistic posing but as a part of their lives, as part of their meaning, their world and he stands there, in front of it, Mr. Screenwriter, the gulf of culture separating him from that background spans the entire country, or an entire universe but the implication of the picture is: he is home here this is who he is and he can emcompass everything, since white men as we know, have a magic ability to understand and synthesize everyone all genders, all races, all religions the rest of us are merely stuck in our own myopic little worlds of gender, race, socio-economic status but these spanner of time and space and human difference, they can be anyone they can understand and represent anyone So I look at the picture and think, I could apply, but I'm busy during the blissful month of the residency but how dissapointing, that I feel looking at this picture, now online of course that it is the same picture that I looked at over twenty five years ago pinned to a film school wall in Los Angeles, in New York, in those edgy more conservative places and it is the same guy.  the white screenwriter artist who will write about me and others and it will be a lie and we are excluded.  all the rest of the human race. but what he writes will be exalted as truth when I know, that no matter how time he spends wandering the foriegn worlds of ghettos and genders the one thing he knows, the only thing he knows how to write about is white guys, because he is no superhuman he is like us.  He will write about white guys and there will be more films about white guys, who are supposed to represent all of us but they don't, because they are only human, and can only represent themselves.
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48
Pantywaist, This shows no taste. Light in the loafers, Maybe for gofers. Squats to *** Who? Not me! Limp-wristed, It it’s twisted, maybe. ***** and sissified, Maybe somebody lied. *** and ****** You’re a bigot. Bigass Fruit, Zoot and all root. Tuttifruity, Call to gay duty. Half a man, Sometimes better than. Tinkerbell, Go to hell. Airy-fairy, You’re just scary. ******** bandit, I can’t stand it. *********** Bigass ******* Silly queen, Quit being mean. Flutter-by, Can’t pronounce butterfly? ***** Don’t get handsy, mate! Nancy boy. Political ploy. Just some of the words We gays have all heard With each imprecation The implication Is that we are sick, Definitely twisted, And the end result Is that each insult Pushes the speaker Further away, and weakens The hold on a reality That homosexuality Is just another normality. In short, reality.
0
Nov 2, 2015
Nov 2, 2015 at 2:16 PM UTC
WHAT'S IN A NAME?
The allegation I believe did not require consideration It was a gross exaggeration out of desperation This fabrication, and every sick insinuation, A complication of a self explanation Of your deprivation and justification For your manipulation to suit your temptation, infatuation with your impersonation Contamination Indignation within your contamination, An accusation of your relation became your revelation, It was not your reputation anymore under investigation Starving for salvation, you fed each sick implication As if each misrepresentation in vindication were a donation To trade your damnation for his incarceration As if creation of a demonstration Desperation for an explanation For your infatuation with temptation Deprivation justification was indignation, Accusation of impersonation - Realization of manipulation Salvation from damnation Clarification of contamination Allegation as donation The Incarceration cancellation The only explanation
0
Oct 31, 2015
Oct 31, 2015 at 3:14 PM UTC
Brother Lake
We sat on the carpet in the bedroom and I pulled between us that family heirloom, a sea chest belonging, at one point, to some grandfather or another, and we began an apparently curtailed version of the usual routine. I wondered if that meant dire things for my fate; as if all the events of my life would be half as eventful, or if there would be half as many of them, God forbid. I can’t recall a particular atmosphere, except that it was dim, and I guess the old sea chest contributed a bit of worn charm. And that same afternoon I did burn some incense, but it could barely be smelled. She asked, occasionally, for my involvement. Tap one of these. Lay your hand on that. And, uniquely in my life, I got the semblance of controlling my destiny. Soon enough, a picture began to form. The five of cups: miserliness, a bearded man dressed royally, alone atop a treasure trove, his children and former lovers elsewhere, in loving penury, without a thought for dear old stingy dad. The two of swords: some duality out of the past, a war - always - between reason and love, and how much I cherished them both. An awkward young man who loved casually, without forethought and almost without reason, and the brain he was far too proud of having to use responsibly. Finally, we reach the one in the center, and once again I am required to invest some of myself in this card. I hold my hand on it and am asked to imagine what it might be. It is the Hermit. Her favorite, she explains. He means a journey, alone. How alone, exactly? Under normal circumstances, alone is a metaphor. One can be alone in spirit, being not understood. But you and I have been having arguments, and so the implication is not lost on me. How alone? And what journey? And to what end? I imagine them, these arcana, major and minor. They are collected around a coffee table, for their weekly tea. The Hermit holds up a pair of worn sandals and a volume of sad amateur poetry - the price of certain journeys - the Lovers, their backs turned to one another, produce a pitiful summary of a joint bank account. The High Priestess takes from her tea cabinet a samovar full of old dried blood, and pressed flowers (lilies and lovers’ thistles) and they all laugh and laugh and laugh because they are not mortal, like us.
0
Feb 28, 2017
Feb 28, 2017 at 1:05 PM UTC
Getting a 10-Minute Tarot Reading Before Watching a Movie With Friends
We sat on the carpet in the bedroom and I pulled between us that family heirloom, a sea chest belonging, at one point, to some grandfather or another, and we began an apparently curtailed version of the usual routine. I wondered if that meant dire things for my fate; as if all the events of my life would be half as eventful, or if there would be half as many of them, God forbid. I can’t recall a particular atmosphere, except that it was dim, and I guess the old sea chest contributed a bit of worn charm. And that same afternoon I did burn some incense, but it could barely be smelled. She asked, occasionally, for my involvement. Tap one of these. Lay your hand on that. And, uniquely in my life, I got the semblance of controlling my destiny. Soon enough, a picture began to form. The five of cups: miserliness, a bearded man dressed royally, alone atop a treasure trove, his children and former lovers elsewhere, in loving penury, without a thought for dear old stingy dad. The two of swords: some duality out of the past, a war - always - between reason and love, and how much I cherished them both. An awkward young man who loved casually, without forethought and almost without reason, and the brain he was far too proud of having to use responsibly. Finally, we reach the one in the center, and once again I am required to invest some of myself in this card. I hold my hand on it and am asked to imagine what it might be. It is the Hermit. Her favorite, she explains. He means a journey, alone. How alone, exactly? Under normal circumstances, alone is a metaphor. One can be alone in spirit, being not understood. But you and I have been having arguments, and so the implication is not lost on me. How alone? And what journey? And to what end? I imagine them, these arcana, major and minor. They are collected around a coffee table, for their weekly tea. The Hermit holds up a pair of worn sandals and a volume of sad amateur poetry - the price of certain journeys - the Lovers, their backs turned to one another, produce a pitiful summary of a joint bank account. The High Priestess takes from her tea cabinet a samovar full of old dried blood, and pressed flowers (lilies and lovers’ thistles) and they all laugh and laugh and laugh because they are not mortal, like us.
Continue reading...
52
not only is beauty supposedly in the eye of the beholder, it also reportedly emerges from an intangible depth within okay, then, so that means ugliness comes similarly from within, or doesn't it, baby? so then, ugliness must begin and end in the pit of your stomach, and in the words that pass the tongue on the exit from your ugly mouth so then, ugliness must begin and end in the nerves buried in sleeves, and in the actions that slip the heart sneaking past the brain, and vice versa. on the grab from your dead hands. on the grab from your dead hands. not only does it tend to work unlike the excitable pretend it works, the implication is, that half of your worthiness is linked to the mercy of the mass effect. as for a thought, a dream, an intent, an outcome, a vision, a nightmare, a hermit knows the good folk permit attractiveness to good lines.
0
Dec 20, 2018
Dec 20, 2018 at 10:27 AM UTC
(lost sessions) pithy party
nowayback-onewayforeward
0
Feb 12, 2014
Feb 12, 2014 at 11:43 AM UTC
Implication (one word poem)
I’m… Sitting in my flat, To my couch I am thatched, Kyle’s yelling, He keeps telling, Me to, Get a job, Like walk straight into one, I get slightly indignant, That it’s easier said than done, He points it out, So his main demographic Don’t switch off en-masse, Ending his quasi-infographic Combination of hot air and bad gas Mr. Kyle’s relatable, He makes an effort So unlike certain Eton educated conservative western capitalistic illuminati slaves, He’s not hateable. SO, my now easily distracted mind turns to Mr.C, The way his policies A.K.A BEDROOM TAX negatively impact me The way he forces me into obvious and obnoxious modern day slavery Through way of a work programme How he has decided that I need to experience real life life, Through legislation and universal credit, Credible implication to make the poorest poorer because they have the gall to spend it SO my rhyming thought full of tangents Must now come to end As the tangent I have accomplished Is impossible to defend.
0
Dec 16, 2014
Dec 16, 2014 at 8:14 AM UTC
JSA blues