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"huts" poems
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may **** me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
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17.5k
Still I Rise
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Filled to the brim Pizza Huts Burning rubber Dj''s club'n pub Dancing duel Free spirits and **** riddled Irie cast Bob's Inn The beat go's on Bright lights Stripped trousers Men on bikes Ladies sell flowers Restaurant's cappuccino Long street lives Cosmopolitan heaven Twenty four seven
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Aug 22, 2018
Aug 22, 2018 at 2:33 PM UTC
Long street Cape Town
Dear future, Before the rapture, I was born here, There was greenery everywhere. Before the great wars, It was the advent of smart cars, And information technology, Many people embraced diversity, In some places in the old world. Of corse I lived to be old It was the era of smartphones And the invention Of drones. This was before the end, When beaches still had sand And the great oceans still had fishes That we cooked them in nice dishes. Dear future I was here, Before the great flood We grew our food. We ate meat and grew wheat. The earth had trees And honey bees. Flowers blossomed in summer In case you may wonder What happened to us, Earthlings lost focus And abused nature. That was the era of pop culture, When everything was good And few were in a good mood, And ninty nine percent were poor, Few lived in huts without a door Yet they managed a smile, And many walked the extra mile. Even though situations were dire Few managed to love and share. IB-Poetry© 26/11/2018
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Nov 28, 2018
Nov 28, 2018 at 12:14 PM UTC
Letter To The Future
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
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Jun 29, 2010
Jun 29, 2010 at 11:19 AM UTC
Erosion
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
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And let it flow as the current streams from your lips as your words paint the magnificent your words branch into the images I see The images I see infect my dreams lingering into daydreams of places I wish to see mountain top huts to drink tea because the passion I feel to see and be stems from the singular thought that poured into a picture and when I reached to grasp I needed to be part of my steady wanderous day dream Like an addict I feign for the sights I haven't yet seen flowing heavily like the spring stream exhilarating the sense of exploration
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Nov 7, 2014
Nov 7, 2014 at 1:34 PM UTC
Stream of wanderlust daydreams
The sun sets on the little huts Made of mud and roofs thatched The African child With smiles on his face He hasn't a cause to worry Running to and fro in the scorching sun Lost in the midst of tall trees Humming to the gentle breeze He is a happy child He is oblivious of the hard truth That a sad future awaits him Full of challenges and misery Little does he know Those smiles he once had Widely drawn on his face May dissolve into frowns of anguish Committing neither an offence nor crime There may come a time The beautiful fantasies The hopes, dreams and aspirations Everything he once believed in May come tumbling down Nevertheless, he is relentless There is a ray of hope In this utter darkness Full of vigour and energy By might or magic He will fight his way through He is the African child.
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Aug 12, 2018
Aug 12, 2018 at 1:26 PM UTC
The African child
Big netted leaves falling from tall Saag trees, Walking  with me  on a curvy road, Slowly disappearing into the hills, Cool breeze and the bluebird that sing along, The bells in a cow's neck grazing by, A black korku kid dancing on its tunes, His mother washing clothes on the river, As the water played with little white stones, The lush green wheat fields spreading across horizons, And the yellowish huts below the blue skies, An old man calls me and offers some rotis, No ,Thank you Sir, But I've got miles to cover, Till I meet the chilly cold night !
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Feb 22, 2013
Feb 22, 2013 at 7:05 AM UTC
The Countryside
Are you a tourist or A volcanologist my dear? With a painful joy To a live volcano  getting near, Do you want to pay homage To earth's nadir Conscious that beneath a sea level A sweltering heat you can bear? Then to Erta Ale  come you not why Found under Ethiopia's sky? With a style jumping high, Hitting the ground Beating  drums, on their waists, Sabres tied around Afro men along with braided women, With butter greased hair, The latter ululating and clapping In a row facing each other Chant a  love song “My feeling for you is strong!” The male herd camel, While women babysit,prepare food And make short huts With tiny malleable wood. Also dot the mirage-forming sand Huts grand. Are you a tourist my dear Eager to see about Out of the ordinary you heard Say about multicolored magma Volcano's dust, Disgorged out of earth's crust? Do you want to see a scenery You have not seen Since you were born, How in a motley garment Mother nature itself Likes to adorn Come then to Ethiopia, Located in Africa's horn? Visit Erta Ale , On earth To run away from earth Enjoying its hearth. You will witness The extraction of salt In a volcano-formed fault.///
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Oct 15, 2018
Oct 15, 2018 at 3:30 AM UTC
On earth away from earth
I have been living in these huts lately, As this life seems aimless and desultory, Slowly flowing like the splash of drops over the board, Hallelujah . For me, it's still our God's handwritten story. Two cents quietly sit in my little pockets , And they still fit perfectly in each, Same as our feelings, as they huddle around our hearts, Occupying the bijou portions and trying not to leach. I will hold on till the day, staggering away, In my tattered clothes, till the color withers and my story stales, Lingering in the huts, with a hue of nostalgia, Ailing but not wailing, after a series of massive fails. Before God finishes writing my story, I believe he will hand me the pen, its a fact, not a lie, And with you by my side, I will scribble my glory, I'll dress you your Gossamer, and myself a Suit and a tie.
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Apr 2, 2015
Apr 2, 2015 at 11:08 AM UTC
My hut , My mansion
* * * don't complain of poverty - hear, Egypt? don't dare talk of poverty - to me! have a change of attitude - hear, Egypt? change your disposition towards me! and towards my sisters in your cages - palaces, apartments, houses, huts; and towards my sisters - with a bit more freedom - how you view them just a piece of **** mutilated wombs of this land's mothers; mutilated feelings of cowed daughters; mutilated, young and old, for eons; caged, inflated, broken, violated,-- ___ don't you dare - hint of poverty - to me. (c)kRu, 09.09.-17.09.2010
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Feb 2, 2012
Feb 2, 2012 at 2:57 AM UTC
"don't complain of poverty - hear, Egypt?"
Everything changes and nothing stays the same But still, I remember promising each other That no matter what happens we'll remain the same We will be there, crying in each other's sorrow And laughing in each other's happiness But maybe the natural system cannot be altered It showed its effect and made drastic changes in us We were no longer able to understand each other No longer able to look each other in the eyes No longer able to care for each other like before. Maybe this is my illusion and I wish it'd be too Because I can no longer bear to see us like this Ignoring each other and showing off It is not like us, we were different Unique and a role model to everyone Our friendship was adored by the people we passed by They said," Best friends should be like us!" But it huts remembering those precious moments It hurts to remember that we were so close Sharing each and every thing with each other Caring about every little things of each other But we are not the same anymore Now that, we are changed...!
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Nov 25, 2014
Nov 25, 2014 at 2:50 AM UTC
Change
The bellowing clouds of smoke The paralyzing threats of death To the residents down below Holding on to dear breath Choking throats stinging eyes By the languid sulphur laden air White powdered ashes everywhere There's nothing that they could do Because nobody can say no To a volcano It can erupt at anytime if it wants to They're uncertain what to do, follow Their hearts to stay where they are Or follow the orders to evacuate The folks can see fire and smoke from afar They've to move from there before it's too late Because the volcano could boil over It's brewing up in the creater They've to leave their belongings Behind them and say farewell To the chicken the ducks and geese The cows the dogs and the cats as well Or take some of them if they please Take along the important documents And regrettably flee for fear from their homes Before the fiery lava will leave Their huts to remnants They can't say no because The Bali King the 'spokesperson' For the Gods won't listen to their pleadings And why it's throwing up it's tantrum Because the Gods have spoken The Gods are angry at them And they've to sacrifice all Their belongings to appease the Gods Because they know the volcano Knows they can't say no To the volcano
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Dec 3, 2017
Dec 3, 2017 at 12:19 PM UTC
Can't Say No To A Volcano
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may **** me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise. From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou.
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Nov 16, 2016
Nov 16, 2016 at 2:39 AM UTC
Still I Rise (Maya Angelou, 1928 - 2014)
Between the stone the moss had lay Cries of help left there to stay Love and joy lost in the gray A sight of the land so haunting The boats on shore were but a few Huts were scattered across the view From erosion, the sands withdrew Not one but I had stood the ground At this very place where I had grown Years ago, I had willingly shown That I too could have walked alone To reach a place of anew But on my journey from the sea I heard my people’s harrowing plea From miles away—_how could it be?_ Had the winds taken them away? Now that I have come return Time has passed and I have learned That each life will have their turn To be at sky's mercy
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Apr 28, 2018
Apr 28, 2018 at 1:13 PM UTC
Siklòn
A pigeon loft on the protected building list! We should add a Fishermans hut they will all be missed. They are built around the docks hung with nets and pots, That are repaired and stacked for the next tidal slot. The smell of fresh fish and tarred rope in the air, Lots to sell and some spire. Boats are moved and huts come down, Progress changes Seaham town. Replaced by cafés and sailing boats, No more lobster pots with coloured floats. Improvements are made so we can move on, What can we save before it’s all gone?
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Apr 21, 2010
Apr 21, 2010 at 11:47 PM UTC
Fisherman's Hut
Tiny black bulging dots Marching in a skewed line, They hunt down, The syrupy hints left by your sweet boxes... To fill up their primitive huts, so no fellow ant dies- hungry. I wonder often To myself, Humans with green, blue and yellow revolutions, And Bt products, Are perhaps the only species, Which suffers the worst hungers known. I haven’t seen malnutrition in ants.
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May 6, 2014
May 6, 2014 at 12:33 AM UTC
Ants
Dreams are made of chocolate huts With burgundy windows, cherry **** doors Sweet icing on cream layered roofs Almond -walnut -caramel floors Dreams are made of iris and jasmine  Jacarandas lined in purple rows Tree blossoms in clustered cobs Petals that dance like a ballerina's toes Dreams are made of fern green forests Oakwood trees  that cast a spell  A  gossamer web of magic and charm The music of clinking coins in a wishing well Dreams are made of cerulean skies Contrails of clouds in ivory snow Violet mystic misty mountains A  tangerine orb riding a rainbow Dreams are made of romance laced nights A golden peach vanilla moon Venus lighting, igniting,love's fire The silhouette  of love in rain soaked June Dreams are made of turquoise seas Calm waters stroked by gentle waves Or enticed by the charm of a midsummer night Waters that heavenly Cynthia craves Dreams are made of silk and satin Dappled with reds, greens and blues But the dreams that I love to dream the most Are all the dreams made of you
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Jul 26, 2016
Jul 26, 2016 at 10:00 AM UTC
What are dreams made of?
Painted ponies of the Paiute Run against the sky Cracked lightning lights the orange fire Desert winds stoke whipping flame Eagle flies blind to the sun Scorpion strikes out in vain Antelope leap crisscrossed arroyo Coyote calls across the sand Thatched huts explode in maelstrom storm First People’s shadows smoke the ground Clay pots crack and break in time Fire-cracked stone in communal circles Markers of forgotten stories Great Basin parched to cracking lines Full moon wanes to yellow bone Awaiting dark clouds quenching rain And painted ponies once again. r ~ 6/4/14
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Jun 4, 2014
Jun 4, 2014 at 8:27 AM UTC
Painted Ponies
At his little hippie college he shows me a *** that looks like a wall in a Rwandan museum, all skulls, he learned clay in the Rift Valley boarding school, on a kick wheel, still his favorite My brother is a potter multicolor plaid shorts little goatee Banjo Japan dreams girl from Mozambique. When we were little in Loiyangalani we made tiny huts out of obsidian while our Rhodesian Ridgebacks sniffed the ground for cobras sand vipers scorpions while twenty camels walked by in a row followed by tiny replicas My brother is a potter, says to me 'When I am doing this I am doing what I was created to do' He makes a green and blue candleholder for me which he calls 'The Islands,' light escapes through many holes which look like sea turtles pockets of air and an atomic bomb just gone off we turn off the lights in my room in the hood, snorkel in candlelight My brother gives me Rumi, incense, peace flags We walk the silent night smoke a clove look at stars like we used to do in the African riverbeds
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Mar 22, 2013
Mar 22, 2013 at 6:50 AM UTC
My Brother Is A Potter
I was gonna write about how I was writing standing up like Hemingway at some bar in Key West, but instead I ended up nearly lying down, like some Roman eating grapes, and I’m not scrawling with a pen. I’m typing. Why the standing up, Ernest? Was it to gauge how difficult it was to keep good posture? Was it to better measure how drunk you were getting? He would have boxed me for those asking those questions, or maybe he’d just slam a few shots. All of us Northeasterners enjoy getting drunk somewhere tropical. I never have a choice in the matter. Whether it’s Florida, South Carolina, or the South Caribbean (I've never left the Western Hemisphere), all I really like down there is beaches and seawater. Everything else gives deep cringes. Those other tourists, so annoying just to look at. Flip flops, whole families, and the god awful shops they keep open. You go to a place good for a beach, green hills, seawater, and fruit, and you want to buy diamonds? C’mon. I wish you’d want these islands to be like national parks; nature over here and cities over there. But the tourists enjoy fake grass huts that try really hard to sell them junk. So who’s to blame for the sellers perpetuating petty sales and mediocre values? Is it the islanders that make a profit, or the buyers that want the wares? Or is there a third party guaranteeing that the buyers and sellers alike are propagandized to expect the less than fine things in life? Are the salespeople actually working the shops, the ones really getting rich from the sale?
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Aug 16, 2014
Aug 16, 2014 at 10:04 PM UTC
We're not just Mediocre
I was gonna write about how I was writing standing up like Hemingway at some bar in Key West, but instead I ended up nearly lying down, like some Roman eating grapes, and I’m not scrawling with a pen. I’m typing. Why the standing up, Ernest? Was it to gauge how difficult it was to keep good posture? Was it to better measure how drunk you were getting? He would have boxed me for those asking those questions, or maybe he’d just slam a few shots. All of us Northeasterners enjoy getting drunk somewhere tropical. I never have a choice in the matter. Whether it’s Florida, South Carolina, or the South Caribbean (I've never left the Western Hemisphere), all I really like down there is beaches and seawater. Everything else gives deep cringes. Those other tourists, so annoying just to look at. Flip flops, whole families, and the god awful shops they keep open. You go to a place good for a beach, green hills, seawater, and fruit, and you want to buy diamonds? C’mon. I wish you’d want these islands to be like national parks; nature over here and cities over there. But the tourists enjoy fake grass huts that try really hard to sell them junk. So who’s to blame for the sellers perpetuating petty sales and mediocre values? Is it the islanders that make a profit, or the buyers that want the wares? Or is there a third party guaranteeing that the buyers and sellers alike are propagandized to expect the less than fine things in life? Are the salespeople actually working the shops, the ones really getting rich from the sale?
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5
There is a stubble field on which a black rain falls. There is a tree which, brown, stands lonely here. There is a hissing wind which haunts deserted huts--- How sad this evening. Past the village pond The gentle orphan still gathers scanty ears of corn. Golden and round her eyes are gazing in the dusk And her lap awaits the heavenly bridegroom. Returning home Shepherds found the sweet body Decayed in the bramble bush. A shade I am remote from sombre hamlets. The silence of God I drank from the woodland well. On my forehead cold metal forms. Spiders look for my heart. There is a light that fails in my mouth. At night I found myself upon a heath, Thick with garbage and the dust of stars. In the hazel copse Crystal angels have sounded once more.
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2.9k
De Profundis
This evening, as I travel Halfway across the city With the gentle drops of rain Kissing the window Reflecting the numerous lights Of the buzzing town Lights that stand atop silver poles Lights that guide speeding vehicles Lights of skyscrapers and of humble huts I gaze up at the embracing sky With just a handful of stars Smiling mockingly at the land below Undiminishing and overpowering I can't look away as they whisper And I realise They are the truth And all that I see before me; The enticing shine Are mere, blatant lies Before the glow of the universe Before the stardust that makes us, us.
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Feb 7, 2016
Feb 7, 2016 at 5:10 AM UTC
Citylights
The decaying mansions of English language Rot and recede into teenage grasses with each unspoken year The hired help have left their hair unmown and surrendered their uniform dress Content with the neglect of nature taking its timely course When the architects and master masons of linguistics Survey their forgotten plans in the heaven of English literature They are not dismayed but patiently sit and sit The pristine edifices of the classics Once grand and clad in deferential brick Stand scaffolded and unread The doors unlocked, ajar and hopelessly inviting Into the library of the English canon The dusty cloak on the carpets of grammar Sheets thrown over the disused armchairs of archaic words Echoing the plink of the out-of-tune pianoforte of the perfectly crafted short story Bathrooms of formal poetry With the rusty plumbing of metre and rhyme Whereas the temporary outhouses, hastily arranged huts of slang and idiom are adorned by the living grasses of new forms, creepers of half remembered dreams mulching leaves of half formed thoughts forests of half forgotten loves writhing in living incompleteness Which will in turn harden and fossilize And we can then rue the passing of our once organic lingo
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Dec 14, 2009
Dec 14, 2009 at 10:18 AM UTC
the decaying mansions of the english language
Scorned by pew browned elders stare stand calm before their face they know not of the power you bare for the good of all your race fool's barriers to light and love is what they want to build to control the people from above and have the wise folk killed women in the huts and crofts ancient wisdoms ways scent of healing carried aloft before persecuters gaze but life and love still bring them back their wisdom shall return for every wise one they attacked and as a witch they burned
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Feb 25, 2011
Feb 25, 2011 at 4:51 PM UTC
Scorned by the Pew