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"geographies" poems
As a child, I used to cut apart maps of America, separate the states and put them back together in strange geographies: Kansas against Maine, fling the Dakotas as far away from each other as they could go, press New Mexico against the breast of South Carolina. I tucked tiny Rhode Island into the palm of Michigan, gave Nebraska a seaside. I realize now the folly in these stately migrations: I never thought I’d wish I could drive across the border of Alabama into Oregon’s deep woods.
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Jan 13, 2012
Jan 13, 2012 at 2:37 PM UTC
Strange Geographies
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
0
Sep 1, 2014
Sep 1, 2014 at 4:13 AM UTC
Commonwealth War Graveyards
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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65
I happen to live in Central Indian- Forests, I collect wood and honey And have no idea about English woods And Manchester clothes, I belong To the soil, I’m anti national? I live on concessions, subsidies And support, And You call me- ‘Dark skinned untouchable’; today I don’t have bells over my neck I’m proud of me, I’m anti national? I always spoke of empowerment, Marx and Che run my blood and I’m a utopian reality to you But you cannot ignore my voice I’m not outdated, I’m anti national? I believe in ‘being human’ above all- Traits, I live beyond geographies And I cannot stand war and bloodshed You brand me as an activist, I’m Just humane, I’m anti national? I do not belong to the 80% of our Country’s population, but I’m as Much a patriot as you, My God Is same as yours, How am I an Alien? I’m anti national? I don’t believe in the power and safety You claim with a nuclear reaction. I see only explosions and devastation I want my children to be safe, I love The world, I’m anti national? I don’t like vegetables, I eat meat- Since birth. I will not force-feed you, I respect your choice and I expect you To be tolerant to what I cook- At my home, I’m anti national? I’m not Pakistani but I love them As much I love an American or an European. After all, we share Our borders. I want to settle all Disputes, I’m anti national?   I married a man outside my tribe, Love didn’t notice his 'official tribe', Our children are a mixed tribe And we celebrate life as it is, We’re human-tribe, I’m anti national? I stand with them with rainbow flags, They deserve justice as much as you And me. Give me one valid reason to Call them unnatural? I want S377 To be scrapped, I’m anti national? I celebrate my country’s diversity, I don’t need your certificate to prove My patriotism! This is India, I stand With my constitution and its democracy And I give a **** about what you think!
0
Feb 19, 2016
Feb 19, 2016 at 9:21 AM UTC
Illegal confession
I happen to live in Central Indian- Forests, I collect wood and honey And have no idea about English woods And Manchester clothes, I belong To the soil, I’m anti national? I live on concessions, subsidies And support, And You call me- ‘Dark skinned untouchable’; today I don’t have bells over my neck I’m proud of me, I’m anti national? I always spoke of empowerment, Marx and Che run my blood and I’m a utopian reality to you But you cannot ignore my voice I’m not outdated, I’m anti national? I believe in ‘being human’ above all- Traits, I live beyond geographies And I cannot stand war and bloodshed You brand me as an activist, I’m Just humane, I’m anti national? I do not belong to the 80% of our Country’s population, but I’m as Much a patriot as you, My God Is same as yours, How am I an Alien? I’m anti national? I don’t believe in the power and safety You claim with a nuclear reaction. I see only explosions and devastation I want my children to be safe, I love The world, I’m anti national? I don’t like vegetables, I eat meat- Since birth. I will not force-feed you, I respect your choice and I expect you To be tolerant to what I cook- At my home, I’m anti national? I’m not Pakistani but I love them As much I love an American or an European. After all, we share Our borders. I want to settle all Disputes, I’m anti national?   I married a man outside my tribe, Love didn’t notice his 'official tribe', Our children are a mixed tribe And we celebrate life as it is, We’re human-tribe, I’m anti national? I stand with them with rainbow flags, They deserve justice as much as you And me. Give me one valid reason to Call them unnatural? I want S377 To be scrapped, I’m anti national? I celebrate my country’s diversity, I don’t need your certificate to prove My patriotism! This is India, I stand With my constitution and its democracy And I give a **** about what you think!
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55
*i was eating a pepperoni pizza today, and took a salty tongue into the night, £270 on my bank account - great stuff - took five quid out, felt like buying four oranjeboom reds at 8.5% each, instead bought two, and perrier carbonated glass-bottled water... god the thirst in this cement sahara...* the best transition accompanying drinking and listening to music comes from the heights of reggae to creedence clearwater revival... no, not the eagle, not Leonard the skin-head with an 'ard on... creedence... lebowski who was bukowski's posthumous alter-ego... so i did a galileo while drinking, the light on my side-table by the bed light glowed, put my sunglasses on... the stars disappeared and the planets appeared... oddly enough, as is usual the case of counter-intuitive matters when looking at astronomical geographies... mars far left... venus in the middle, and jupiter the biggest and therefore the brightest far right... i worked it out against linear tactics... the distance of the earth from venus doesn't make a difference with the distance from mars, but the distance of mars from jupiter is greater, see you in 100 years to prove the point and whether it matches up to HARD, NECESSARY, PROOFS... LIKE MAINTENANCE *** ******* a girl with a really really exaggerated libido, having to wear a ****** while she was on her period, in the toilet and she bewildered saying: 'most guys don't dig the female bits...' hell... i'd do necrophilia... shame the relationship turned to a sour toast with her, shame, really... really really. oh yeah, after smashing that £600 martin & co. guitar to celebrate valentines day (chłopiec z gitarą był by dla mnie parą my grandmother used to sing... well... sorry to disappoint, i had her rastafarian shoelaces for a pin-up belt to walk and play, or simply stand still and note string twangs... była giiitara... ni ma giiitary...) and bought myself a drum-kit: well... just my finger-drumming antics on my legs; or as a wise man said: **** her, leave the rest for a backward trek into life without maps but only premonitions.
0
Feb 14, 2016
Feb 14, 2016 at 8:27 PM UTC
a bottle of Perrier water
*i was eating a pepperoni pizza today, and took a salty tongue into the night, £270 on my bank account - great stuff - took five quid out, felt like buying four oranjeboom reds at 8.5% each, instead bought two, and perrier carbonated glass-bottled water... god the thirst in this cement sahara...* the best transition accompanying drinking and listening to music comes from the heights of reggae to creedence clearwater revival... no, not the eagle, not Leonard the skin-head with an 'ard on... creedence... lebowski who was bukowski's posthumous alter-ego... so i did a galileo while drinking, the light on my side-table by the bed light glowed, put my sunglasses on... the stars disappeared and the planets appeared... oddly enough, as is usual the case of counter-intuitive matters when looking at astronomical geographies... mars far left... venus in the middle, and jupiter the biggest and therefore the brightest far right... i worked it out against linear tactics... the distance of the earth from venus doesn't make a difference with the distance from mars, but the distance of mars from jupiter is greater, see you in 100 years to prove the point and whether it matches up to HARD, NECESSARY, PROOFS... LIKE MAINTENANCE *** ******* a girl with a really really exaggerated libido, having to wear a ****** while she was on her period, in the toilet and she bewildered saying: 'most guys don't dig the female bits...' hell... i'd do necrophilia... shame the relationship turned to a sour toast with her, shame, really... really really. oh yeah, after smashing that £600 martin & co. guitar to celebrate valentines day (chłopiec z gitarą był by dla mnie parą my grandmother used to sing... well... sorry to disappoint, i had her rastafarian shoelaces for a pin-up belt to walk and play, or simply stand still and note string twangs... była giiitara... ni ma giiitary...) and bought myself a drum-kit: well... just my finger-drumming antics on my legs; or as a wise man said: **** her, leave the rest for a backward trek into life without maps but only premonitions.
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53
I had a dream once Circular in reason Teasing me Bruised and beaten Sleeping I wandered angelic Dorothy and Alice Through nightmare geographies Landscapes cruel, beautiful And strange Talking crows Enveloped my eyes A crown of pearlescent feathers Obscuring my vision and yet I saw A waterfall of tears A guru on a lotus He whispered Whiskey breath and sleepy eyed A hep cat hipster in hemp cap Gin and tonic gripped Like a life preserver “All you need is love” And I wandered Lost
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Aug 22, 2014
Aug 22, 2014 at 11:38 PM UTC
Lost
I want you to be the only one I’ll ever fall in love with. The only one to know my latitudes and longitudes. To memorize my degrees and geographies. To bask near my equator. To mark courses and journeys across my skin like ships with sails made of your hopes – my love – our dreams. I want you to be my North star. My guiding force to see me safely to your shores. I want you to never let go. Like the moon as the sun rises in the East. I want to be your Compass Rose. To be there when you loose direction. To be your anchor. Your starting point. To be something beautiful when the world has gone dark and ugly. Because you are all that matters. You are my Earth. My map of my world. The sun I revolve around. My moon and the stars my fingers trace in the night sky. The one I love. And will always love.
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Jun 8, 2014
Jun 8, 2014 at 2:57 AM UTC
Cartographer
*I own a library of thoughts in my eyes      With your eyes alone. There is no other way to know you, But to compile and compress it deep      Within my heart, To flourish inwardly, to perish, And to strive for The academic excellence of greater love And be the scholarly fool      Of your divine complexities. What can I say? I love your Astronomies, Philosophies and Geographies. I love you To the fact, to the fiction and back, To the histories and the mysteries. I can't unstudy your laughter. I am ignorant to your full allure. Love, I only love you, your pretty eyes, Because they close and reopen,      Capture and imagine, They wander and they wonder,      And such is the way of life.* © 2015 J.S.P.
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Mar 14, 2015
Mar 14, 2015 at 1:54 PM UTC
Self-study
autumn comes with drooping arms promises of stripped branches shapes confetti & a quilt rests on a carpet of dewdrops bubbles melt with the dawn drifting on currents air carries leaves another renewal rains decompose browns, yellows, reds winter greens sprout soil fed & energised vegetable flowers form subtler seasons easier sleeping, slower awakenings leaves raked & piled hot gone days disposed. frost arrives in certain geographies red replaces white the tank is full & burners cleaned warming gas is very close
0
Mar 24, 2015
Mar 24, 2015 at 8:34 PM UTC
Sonata
in this between-time after the day-work before a partying-night outside in the city-street I window-stand people pass a rich-day collecting the determination of things that future-spell so I am replete with possibility conclusions safely-stored filed-finally I fill with you-thoughts board-pinned your photo to turn to but I daren’t eyes-shut instead . . . and there you are only more so as this portrait - an august-glorious day garden-full with butterflies the sea-sound distant-sounding only more so - this portrait expands to show all your sudden-self a pause in twilight-termoil I grapple – should I let this brown-inked pen flow inscribe tell and paper-paint knowing full-well you favour words that do not spell out what’s in store when the bedroom door closes-shut on poets’ licence? so being careful not to press passion’s path beyond the bounds of touching-tender kissing-close when once I would barely-break-step to think of not exposing such geographies of gracefulness unclothed revealed to savour-so the breath-shortening rise the eye-closing slow-release: please know to write so brought you close when you were not . . . my dear-joy I still my pen hold thoughts in check trance-like knowing now (and conscious now) of other ways to tell-out spell-out characters desire-dense ambiguity-rich flavoured-full beyond-beyondness
0
Apr 14, 2013
Apr 14, 2013 at 4:44 AM UTC
in this between-time
Some of you make it look So effortless. Love, I mean In all different geographies.
0
Nov 17, 2015
Nov 17, 2015 at 9:11 PM UTC
Effortless Love, Geographies
a    man with his      heaviness    weighs the masculine     waters     be    like stone its depth    of concentration       wherefore     birds  lose   sight of their    rapt flight above    waters    stills a man     whose mirror     is not of   a mirage but       a    man   flat against    the seductive      rose       to     hold  his     breath and rain's      supreme bullet        are    but simplistic    maze again     the   stone cannot  reveal the     man   in his  proud   geographies —       such   trouble   of mortality begins,   a wrest     of bones,   the volcano     defined    by  such earthenware whose   metaphysics   unalphabeted   like   fellows    going back to god's    arms    sitting      well   with           red    roses.
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Dec 20, 2015
Dec 20, 2015 at 9:58 AM UTC
Man
says the neon sign gleamed, refracted on your face that sullen evening – I do not have many nights to remember. If from a high place I imagine you flailing, what would call you back? What for? You, coming toward the light – the subservience of the next face chauffeurs us. Unfazed, will me to pretend, if not, then carry on the next meeting. I will whisper to myself: this is how I sustain beatings You have no use for poems. Neither do I. You, dressed in your best, I, submission refined by sartorial. Notice how my hand continues to displace geographies. The thinning   horizon of a candle, almost a faultline. Slumped on your back as if comfort were a burden to say: keep this time together with its fever. These often times the last moments seal them shut out of histories. When we came into, I had a falling out – there is a straight line we could run into and this instance might enervate into a single drop of honey into your mouth. I await that prophecy like it was the final thing before I resign to incompleteness.   Delicate essence the    neon sign says, glaring through the   glib downpour outside. You laughed at our unpreparedness, but the readiness that was obligation when   separate had no omen of rain. I am watching myself again. Everything was slanted by rain as the living err me. Even when together,        feels like emancipation. Going disparate places. Outside it continues to rain. You asked if this rain washed    this city whole and gave it a new name, would I still remember. It is June from time since then, the skies still attentive. I will not come out until it rains.
0
Jun 1, 2016
Jun 1, 2016 at 5:03 AM UTC
Delicatessen
says the neon sign gleamed, refracted on your face that sullen evening – I do not have many nights to remember. If from a high place I imagine you flailing, what would call you back? What for? You, coming toward the light – the subservience of the next face chauffeurs us. Unfazed, will me to pretend, if not, then carry on the next meeting. I will whisper to myself: this is how I sustain beatings You have no use for poems. Neither do I. You, dressed in your best, I, submission refined by sartorial. Notice how my hand continues to displace geographies. The thinning   horizon of a candle, almost a faultline. Slumped on your back as if comfort were a burden to say: keep this time together with its fever. These often times the last moments seal them shut out of histories. When we came into, I had a falling out – there is a straight line we could run into and this instance might enervate into a single drop of honey into your mouth. I await that prophecy like it was the final thing before I resign to incompleteness.   Delicate essence the    neon sign says, glaring through the   glib downpour outside. You laughed at our unpreparedness, but the readiness that was obligation when   separate had no omen of rain. I am watching myself again. Everything was slanted by rain as the living err me. Even when together,        feels like emancipation. Going disparate places. Outside it continues to rain. You asked if this rain washed    this city whole and gave it a new name, would I still remember. It is June from time since then, the skies still attentive. I will not come out until it rains.
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36
treading masterfully this autumn-long road where at the end of first light so begins your fragile darkness. i know not where you wait for me as birds in all geographies land without further recall; as though by saying that the Summer has dealt its cards and the serrated grass folds when it thinks the rain to be everywhere descending, falling as lithely as a lover whose cockeyed miracle first has meted out a singular trapping fate of hands that interlock to no retreat. i know not the silence of the Earth when all is caliginously intact without knowing. but then should you return, your eyes will light all the lamps awaiting your shuddering step and fruition us both the ineffable rendering me forever the life of roses. ( i do not know which gravitates me back to where we first saw each other; only something in me does not think but is constantly supremed by feelingfulness when it is not the wind but your breath not in the garden of joys but in the exuberance of all that is made immense in me by your eyes, when it is not the taut clamp of the sea at bay but the island of your hands clutching the penumbra of my heart, shattering the shadow and letting loose a sprightly dove here and a hummingbird there)
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Jan 16, 2016
Jan 16, 2016 at 3:57 AM UTC
This Road, Autumn-long
Fashion is one of the last decade’s rare economic success stories. Over the period, the industry grew 5.5 per cent annually, to now be worth an estimated $2.4 trillion.… Yet, 2016 was one of the industry’s toughest years. Terrorist attacks in France, the Brexit vote in the UK and the volatility of the Chinese stock market have created shocks to the global economy. At the same time, consumers have become more demanding, more discerning and less predictable in their purchasing behaviour.… Yet, this sluggish overall growth masks some big winners: affordable luxury, value, and athletic wear. With respect to sales growth, the affordable luxury and value sectors outperformed all other segments by one to oneand-a-half percentage points. This is consistent with their compound annual growth rate over the last three years, which has been 9 per cent for affordable luxury and 6 per cent for value, the highest of any segment since 2013. Affordable luxury players benefited from consumers trading down from luxury, particularly among Chinese consumers. However, their profit margins are expected to decline, especially after 2016, because of a pricing arbitrage disadvantage across geographies and fluctuating foreign exchange rates. The value segment continued to grow in 2016, particularly as a consequence of large global players expanding geographically. With its clearly defined value proposition, the value segment has been taking share from discount this year.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
0
Jan 11, 2017
Jan 11, 2017 at 9:33 PM UTC
Fashion Trends
Fashion is one of the last decade’s rare economic success stories. Over the period, the industry grew 5.5 per cent annually, to now be worth an estimated $2.4 trillion.… Yet, 2016 was one of the industry’s toughest years. Terrorist attacks in France, the Brexit vote in the UK and the volatility of the Chinese stock market have created shocks to the global economy. At the same time, consumers have become more demanding, more discerning and less predictable in their purchasing behaviour.… Yet, this sluggish overall growth masks some big winners: affordable luxury, value, and athletic wear. With respect to sales growth, the affordable luxury and value sectors outperformed all other segments by one to oneand-a-half percentage points. This is consistent with their compound annual growth rate over the last three years, which has been 9 per cent for affordable luxury and 6 per cent for value, the highest of any segment since 2013. Affordable luxury players benefited from consumers trading down from luxury, particularly among Chinese consumers. However, their profit margins are expected to decline, especially after 2016, because of a pricing arbitrage disadvantage across geographies and fluctuating foreign exchange rates. The value segment continued to grow in 2016, particularly as a consequence of large global players expanding geographically. With its clearly defined value proposition, the value segment has been taking share from discount this year.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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6
After the last cottage receded I pulled out from the green grasses Nothing was bothering my coffee Only getting colder like my heart’s paces The one sight pricking the back of my eyes Was of the person waving byes Who wasn’t a friend of mine but someone else’s They destined me the business You bolstered me then Said just regularly get mounted On the commissioned rails We’ll always be your men If only you were now to witness Me when I have ran insane As the flanging and clanking Enough of it I've had Is only commuting me Into a division alien And still looking out Through a misty and blue shaded pane About to lose the bout I don’t like being alone in the journey, Ben. Should we buy this book Ben? Jack you should read diaries and biographies Momentarily I was with my colleagues Back in those cubic topographies But Jack and Ben were just their namesakes Passengers as I crossed these depressive geographies Only till pulling me where don’t know a four year old voiced Uncle will you please give me those toffees? I candidly kept smiling as went back the kid Of course kids don’t understand what I hid They don’t see whether it’s December or May They just see the tree in a different way Anyway had to be at the corporation Couldn’t get offstage Reaching the concerned documentation I saw the cover page All true but my valid recognition It read I had chores of a big sage It was beyond my cerebration Oh! Or my compatriots gave the proposition And let me have the advantage! You are letting me perform at a higher rank You set me sail to a farther bank It seems I am not alone on this voyage You are with me as a special entourage I was only being disjunctive For I was looking with a different perspective Knowing friends are with you in any of your tourney I am certainly not alone in this journey
0
Mar 13, 2017
Mar 13, 2017 at 3:16 AM UTC
ALONE IN A JOURNEY
After the last cottage receded I pulled out from the green grasses Nothing was bothering my coffee Only getting colder like my heart’s paces The one sight pricking the back of my eyes Was of the person waving byes Who wasn’t a friend of mine but someone else’s They destined me the business You bolstered me then Said just regularly get mounted On the commissioned rails We’ll always be your men If only you were now to witness Me when I have ran insane As the flanging and clanking Enough of it I've had Is only commuting me Into a division alien And still looking out Through a misty and blue shaded pane About to lose the bout I don’t like being alone in the journey, Ben. Should we buy this book Ben? Jack you should read diaries and biographies Momentarily I was with my colleagues Back in those cubic topographies But Jack and Ben were just their namesakes Passengers as I crossed these depressive geographies Only till pulling me where don’t know a four year old voiced Uncle will you please give me those toffees? I candidly kept smiling as went back the kid Of course kids don’t understand what I hid They don’t see whether it’s December or May They just see the tree in a different way Anyway had to be at the corporation Couldn’t get offstage Reaching the concerned documentation I saw the cover page All true but my valid recognition It read I had chores of a big sage It was beyond my cerebration Oh! Or my compatriots gave the proposition And let me have the advantage! You are letting me perform at a higher rank You set me sail to a farther bank It seems I am not alone on this voyage You are with me as a special entourage I was only being disjunctive For I was looking with a different perspective Knowing friends are with you in any of your tourney I am certainly not alone in this journey
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32
You hold my hand like a cartographer; latitude and longitude, coordinates of our life, discrete geographies mapped together— discrete geographies, coordinates of our life, latitude and longitude: like a cartographer you hold my hand.
0
Nov 10, 2016
Nov 10, 2016 at 9:13 AM UTC
Vellum Map
I. I trace you against the skull with the old photograph of age 8 and 7 aloft and angling down some stage, or performance in this perforated dome I call home trace you against the map impaled to the wall and locate you amongst the geographies and heed its brash distance shake out its potency like how my grandfather murders the brief matchlight I trace the trajectory will not pivot to return or scope rescue none like this force, the insufficiency of maps, the harsh terror of adoration when like a fruit ripened will fall to the hand waiting underneath II. Propel me to where it counts into the masses transit-worn, shorn out of the flyblown-dry in amazement or immense performance of breaking outside the window when it rains forever to Icarus in his blunder, from the dilated pupil of my father while watching television from point-break of time and sense when nothing made one kind word as salvation out of the tangle of clouds, the skytilt angle where heaven might topple at one point to scatter my reckoning of a god from your place of interval III. space – where you will it, when the night shining in, far are the noctilucent skies place me in the soft ease of beds when burial is ideal make me ****** than light at first glance or water upon initial drop and then in space, where you will it, promise-tender, drunk in shy altitudes, this most biddable machine will spread to make way for weight giving in to assume so small a drop of the pin in the ocean or to cannonball – fitting chamber of a gun, swimming in a mess of no restrictions, prepared, contained to carve deep in the night writhing in with him with no need of hands to break point.
0
May 18, 2016
May 18, 2016 at 12:54 AM UTC
Of Falling
I. I trace you against the skull with the old photograph of age 8 and 7 aloft and angling down some stage, or performance in this perforated dome I call home trace you against the map impaled to the wall and locate you amongst the geographies and heed its brash distance shake out its potency like how my grandfather murders the brief matchlight I trace the trajectory will not pivot to return or scope rescue none like this force, the insufficiency of maps, the harsh terror of adoration when like a fruit ripened will fall to the hand waiting underneath II. Propel me to where it counts into the masses transit-worn, shorn out of the flyblown-dry in amazement or immense performance of breaking outside the window when it rains forever to Icarus in his blunder, from the dilated pupil of my father while watching television from point-break of time and sense when nothing made one kind word as salvation out of the tangle of clouds, the skytilt angle where heaven might topple at one point to scatter my reckoning of a god from your place of interval III. space – where you will it, when the night shining in, far are the noctilucent skies place me in the soft ease of beds when burial is ideal make me ****** than light at first glance or water upon initial drop and then in space, where you will it, promise-tender, drunk in shy altitudes, this most biddable machine will spread to make way for weight giving in to assume so small a drop of the pin in the ocean or to cannonball – fitting chamber of a gun, swimming in a mess of no restrictions, prepared, contained to carve deep in the night writhing in with him with no need of hands to break point.
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A poet's mind is a whole different world An ocean of myriad philosophies A door to world's unseen geographies This door is sometimes better left locked For the things you might discover are bound to leave you shocked. But for the ones who dare the key is the heart, And mind you, they are rare, For they understand; To get the key One must be as crazy as the poet, If not more.
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Jan 23, 2020
Jan 23, 2020 at 9:54 AM UTC
A poet's mind
The majestic days of Czars and Sultans with their immaculate royalty and those of Barons and Khans brimming with stainless primacy have long since gone. All their embellished repositories of capital, jewelry and gallant armies stand looted, ravaged and plundered. The struggling proletariat of those times with their humdrum lives, rife with strife have also bitten the dust expired, forgotten, crumbled since days beyond recall. Now we, the successors and heirlooms live on with kindred joys and glooms as communities, creeds and nationalities recklessly defending close-held foxy illusions of defunct oneness or mythical deities. The more tolerant among us even feel dignity in misplaced, romantic nationalism(s) and mostly off-the-mark, drifting democracies. ❋ But this time or that summate a few more gimmicks or subtract, all we have gifted ourselves are some arbitrary lines on the map slashing the earth to pieces then claiming its wiggly, volcanic geographies as slices of ever-dodging Elysium enshrined in fragile master-bluffs of precarious, cut-throat politics.
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Feb 7, 2020
Feb 7, 2020 at 10:30 AM UTC
Elysium
The wind knows the rustle of the oak boughs, the susurrus of the prairie grass, the fragrance of the wildflowers, the stillness at the edge of the lagoon. The wind knows the trilling of the warblers flitting through the tallgrass, this flat and endless expanse of verdant, sun-bathed flora, this kingdom of wide-open spaces, the big empty, these geographies that define us, within and without.
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Sep 5, 2019
Sep 5, 2019 at 1:25 AM UTC
What the Wind Knows
just as a painted landscape, dimension and depth disappear before my eyes, and like the slide of turpentine, movement slowly ceases 'till the fragrant bead dissolves into the tightly woven weaves. visible no more, the aroma remains profound, as though there shall be no end. i can't seem to find the mark where preservation placed its hold, a naive attempt at keeping age so young. a barrier between the world of quickly passing glances with ever changing tastes, and eyes of failing foresight which cannot find their pace. composed of sacred balance, aesthetics defined by what we can not know, sable and squirrel, or some other mammalian hair, delicately define the strokes that hold impossibly stable forms. they remain nothing more than the anticipation of change. i hold dearly their ideals set before me.   worlds not yet conceived, sonnets of they eye. immaculate conception of material, geographies of a mind; i know to kneel and weep. i know their end is near, while framed and draped in hammered sheets of gold. unfurling cracks appear, sounding cries for renewed youth. howling dearly to hide their hidden truths. i listen within earshot, the call of dying lies and feel no remorse. no guilt. no sympathy. their backgrounds protrude abruptly, like mountains from the sea. although, their time is not like mountains or the falling and rising seas. they remain only for our pleasure and contemplation, when money and interest build into cacophony. confusing onlookers to believe a misplaced value, not an artists intention, to become only what man makes their purpose.
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Nov 22, 2017
Nov 22, 2017 at 11:19 AM UTC
the sound inside the glow; the fading sirens call
just as a painted landscape, dimension and depth disappear before my eyes, and like the slide of turpentine, movement slowly ceases 'till the fragrant bead dissolves into the tightly woven weaves. visible no more, the aroma remains profound, as though there shall be no end. i can't seem to find the mark where preservation placed its hold, a naive attempt at keeping age so young. a barrier between the world of quickly passing glances with ever changing tastes, and eyes of failing foresight which cannot find their pace. composed of sacred balance, aesthetics defined by what we can not know, sable and squirrel, or some other mammalian hair, delicately define the strokes that hold impossibly stable forms. they remain nothing more than the anticipation of change. i hold dearly their ideals set before me.   worlds not yet conceived, sonnets of they eye. immaculate conception of material, geographies of a mind; i know to kneel and weep. i know their end is near, while framed and draped in hammered sheets of gold. unfurling cracks appear, sounding cries for renewed youth. howling dearly to hide their hidden truths. i listen within earshot, the call of dying lies and feel no remorse. no guilt. no sympathy. their backgrounds protrude abruptly, like mountains from the sea. although, their time is not like mountains or the falling and rising seas. they remain only for our pleasure and contemplation, when money and interest build into cacophony. confusing onlookers to believe a misplaced value, not an artists intention, to become only what man makes their purpose.
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