PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

“Give me of your bark, O Birch-Tree!
Of your yellow bark, O Birch-Tree!
Growing by the rushing river,
Tall and stately in the valley!
I a light canoe will build me,
Build a swift Cheemaun for sailing,
That shall float upon the river,
Like a yellow leaf in Autumn,
Like a yellow water-lily!

“Lay aside your cloak, O Birch-Tree!
Lay aside your white-skin wrapper,
For the Summer-time is coming,
And the sun is warm in heaven,
And you need no white-skin wrapper!”

Thus aloud cried Hiawatha
In the solitary forest,
By the rushing Taquamenaw,
When the birds were singing gayly,
In the Moon of Leaves were singing,
And the sun, from sleep awaking,
Started up and said, “Behold me!
Gheezis, the great Sun, behold me!”

And the tree with all its branches
Rustled in the breeze of morning,
Saying, with a sigh of patience,
“Take my cloak, O Hiawatha!”

With his knife the tree he girdled;
Just beneath its lowest branches,
Just above the roots, he cut it,
Till the sap came oozing outward:
Down the trunk, from top to bottom,
Sheer he cleft the bark asunder,
With a wooden wedge he raised it,
Stripped it from the trunk unbroken.

“Give me of your boughs, O Cedar!
Of your strong and pliant branches,
My canoe to make more steady,
Make more strong and firm beneath me!”

Through the summit of the Cedar
Went a sound, a cry of horror,
Went a murmur of resistance;
But it whispered, bending downward,
“Take my boughs, O Hiawatha!”

Down he hewed the boughs of cedar,
Shaped them straightway to a framework,
Like two bows he formed and shaped them,
Like two bended bows together.

“Give me of your roots, O Tamarack!
Of your fibrous roots, O Larch-Tree!
My canoe to bind together.
So to bind the ends together,
That the water may not enter,
That the river may not wet me!”

And the Larch, with all its fibres,
Shivered in the air of morning,
Touched his forehead with its tassels,
Said, with one long sigh of sorrow,
“Take them all, O Hiawatha!”

From the earth he tore the fibres,
Tore the tough roots of the Larch-Tree,
Closely sewed the bark together,
Bound it closely to the framework.

“Give me of your balm, O Fir-Tree!
Of your balsam and your resin,
So to close the seams together
That the water may not enter,
That the river may not wet me!”

And the Fir-Tree, tall and sombre,
Sobbed through all its robes of darkness,
Rattled like a shore with pebbles,
Answered wailing, answered weeping,
“Take my balm, O Hiawatha!”

And he took the tears of balsam,
Took the resin of the Fir-Tree,
Smeared therewith each seam and fissure,
Made each crevice safe from water.

“Give me of your quills, O Hedgehog!
All your quills, O Kagh, the Hedgehog!
I will make a necklace of them,
Make a girdle for my beauty,
And two stars to deck her *****!”

From a hollow tree the Hedgehog
With his sleepy eyes looked at him,
Shot his shining quills, like arrows,
Saying, with a drowsy murmur,
Through the tangle of his whiskers,
“Take my quills, O Hiawatha!”

From the ground the quills he gathered,
All the little shining arrows,
Stained them red and blue and yellow,
With the juice of roots and berries;
Into his canoe he wrought them,
Round its waist a shining girdle,
Round its bow a gleaming necklace,
On its breast two stars resplendent.

Thus the Birch Canoe was builded
In the valley, by the river,
In the ***** of the forest;
And the forest’s life was in it,
All its mystery and its magic,
All the lightness of the birch-tree,
All the toughness of the cedar,
All the larch’s supple sinews;
And it floated on the river
Like a yellow leaf in Autumn,
Like a yellow water-lily.

Paddles none had Hiawatha,
Paddles none he had or needed,
For his thoughts as paddles served him,
And his wishes served to guide him;
Swift or slow at will he glided,
Veered to right or left at pleasure.

Then he called aloud to Kwasind,
To his friend, the strong man, Kwasind,
Saying, “Help me clear this river
Of its sunken logs and sand-bars.”

Straight into the river Kwasind
Plunged as if he were an otter,
Dived as if he were a ******,
Stood up to his waist in water,
To his arm-pits in the river,
Swam and shouted in the river,
Tugged at sunken logs and branches,
With his hands he scooped the sand-bars,
With his feet the ooze and tangle.

And thus sailed my Hiawatha
Down the rushing Taquamenaw,
Sailed through all its bends and windings,
Sailed through all its deeps and shallows,
While his friend, the strong man, Kwasind,
Swam the deeps, the shallows waded.

Up and down the river went they,
In and out among its islands,
Cleared its bed of root and sand-bar,
Dragged the dead trees from its channel,
Made its passage safe and certain
Made a pathway for the people,
From its springs among the mountains,
To the water of Pauwating,
To the bay of Taquamenaw.

1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!

Earth’s sixth mass extinction has begun, new study confirms


How long before the rhino joins the list? Gerry Zambonini, CC BY-SA
We are currently witnessing the start of a mass extinction event the likes of which have not been seen on Earth for at least 65 million years. This is the alarming finding of a new study published in the journal Science Advances.

The research was designed to determine how human actions over the past 500 years have affected the extinction rates of vertebrates: mammals, fish, birds, reptiles and amphibians. It found a clear signal of elevated species loss which has markedly accelerated over the past couple of hundred years, such that life on Earth is embarking on its sixth greatest extinction event in its 3.5 billion year history.

This latest research was conducted by an international team lead by Gerardo Ceballos of the National Autonomous University of Mexico. Measuring extinction rates is notoriously hard. Recently I reported on some of the fiendishly clever ways such rates have been estimated. These studies are producing profoundly worrying results.

However, there is always the risk that such work overestimates modern extinction rates because they need to make a number of assumptions given the very limited data available. Ceballos and his team wanted to put a floor on these numbers, to establish extinction rates for species that were very conservative, with the understanding that whatever the rate of species lost has actually been, it could not be any lower.

This makes their findings even more significant because even with such conservative estimates they find extinction rates are much, much higher than the background rate of extinction – the rate of species loss in the absence of any human impacts.

Here again, they err on the side of caution. A number of studies have attempted to estimate the background rate of extinction. These have produced upper values of about one out of every million species being lost each year. Using recent work by co-author Anthony Barnosky, they effectively double this background rate and so assume that two out of every million species will disappear through natural causes each year. This should mean that differences between the background and human driven extinction rates will be smaller. But they find that the magnitude of more recent extinctions is so great as to effectively swamp any natural processes.


Cumulative vertebrate species recorded as extinct or extinct in the wild by the IUCN (2012). Dashed black line represents background rate. This is the ‘highly conservative estimate’.  Ceballos et al
Click to enlarge
The “very conservative estimate” of species loss uses International Union of Conservation of Nature data. This contains documented examples of species becoming extinct. They use the same data source to produce the “conservative estimate” which includes known extinct species and those species believed to be extinct or extinct in the wild.

The paper has been published in an open access journal and I would recommend reading it and the accompanying Supplementary Materials. This includes the list of vertebrate species known to have disappeared since the year 1500. The Latin names for these species would be familiar only to specialists, but even the common names are exotic and strange: the Cuban coney, red-bellied gracile, broad-faced potoroo and southern gastric brooding frog.


Farewell, broad-faced potoroo, we hardly knew ye.  John Gould
These particular outer branches of the great tree of life now stop. Some of their remains will be preserved, either as fossils in layers of rocks or glass eyed exhibits in museum cabinets. But the Earth will no longer see them scurry or soar, hear them croak or chirp.

You may wonder to what extent does this matter? Why should we worry if the natural process of extinction is amplified by humans and our expanding industrialised civilisation?

One response to this question essentially points out what the natural world does for us. Whether it’s pollinating our crops, purifying our water, providing fish to eat or fibres to weave, we are dependent on biodiveristy. Ecosystems can only continue to provide things for us if they continue to function in approximately the same way.

The relationship between species diversity and ecosystem function is very complex and not well understood. There may be gradual and reversible decreases in function with decreased biodiversity. There may be effectively no change until a tipping point occurs. The analogy here is popping out rivets from a plane’s wing. The aircraft will fly unimpaired if a few rivets are removed here or there, but to continue to remove rivets is to move the system closer to catastrophic failure.

This latest research tells us what we already knew. Humans have in the space of a few centuries swung a wrecking ball through the Earth’s biosphere. Liquidating biodiversity to produce products and services has an end point. Science is starting to sketch out what that end point could look like but it cannot tell us why to stop before we reach it.

If we regard the Earth as nothing more than a source of resources and a sink for our pollution, if we value other species only in terms of what they can provide to us, then we we will continue to unpick the fabric of life. Remove further rivets from spaceship earth. This not only increases the risk that it will cease to function in the ways that we and future generations will depend on, but can only reduce the complexity and beauty of our home in the cosmos.

everyday I am waiting for the moment that
everything tears apart in some way I cannot
yet comprehend. the scales tip spontaneously
in favor of what does not exist, just as I tip
off the bridge of what is dream and what is
reality. I am waiting still for the day the
cosmos        rip
        into                         tiny fibres

Fukiko had woken before her accustomed time. She was alone and would have prefered to sleep, and sleep on until Narumi had lit the brazier in her room and brought tea. But she had woken, and was aware that outside the world had changed. The world, her world of Yukiguni, where the mulberry fibres for paper-making were laid out in the snow-bleached fields. Her world where men from the cities sought the kind of woman she was, a woman uncultured in the ways of geisha, but possessing a freedom no city-bred geisha could possess. She had been schooled by an aunt, was accomplished as a performer on the samisen and though her voice was thin, it held a quality of understanding, it had a fine texture, though thin. And yes, this morning a change had come over the world outside her small house that looked over Hikachi Lake, that looked towards the southern flank of the Central Mountains where during the previous day and night the snows from across the seas had fallen on the landscape. She imagined the roofs of the monastery across the lake were heavily white, and as she sought the image in her mind’s eye so the large brass bell of the temple sounded, no, it throbbed across what she knew would now be hard-frozen water.

I am floating she thought, like the snowflakes I glimpsed in the reflected lamplight when last night I opened the shutters for a moment before bed, before sleep and descent into my dreams. For days now she had been dreaming like never before. She seemed to enter a dreamstate; she would then wake purposefully; she would then fall instantly into quite a different world; over and over this seemed to happen until she found herself wondering if she was dreaming within a dream; she would become aroused, her skin glowing with the ministrations of hidden hands and fingers; she would feel that presence on her upper thighs, a kind of perspiration born of that ****** sensation that, when awake, would sometimes steel upon her.

The coming of the deep snows before spring was always a delight, an excitement carried her from childhood. The way its coming turned daily life upside down. She would enjoy choosing her very warmest garments, the bringing together of layers, her rabbit-skin mantle perhaps, a bright warm scarf over her hair, which she would not today ‘put up’ but allow to flow comfortably next to and down her back, then the hood only if the snow and the wind persisted. She could tell from the warmth of her bed that this was not so, that outside there was a stillness. Even the birds were subdued. Only the brass bell broke the stillness born of this deep snow of spring.

She heard Narumi rise, heard her **** in her chamber ***, heard her roll her bedding away, heard her bring the stove into life and fill her mistress’ brazier with the few precious coals brought across the mountains. There would be tea soon, and this young girl, appointed by her aunt to her charge, would appear to kneel beside Fukiko and give the morning blessing her mother had given Narumi since infancy. Then, she would say, ‘Madam, the snow is deep this morning. We are bound in snow today. Our path has disappeared.’ Still a child’s voice, and still a child at thirteen winters, such a slight girl. And she would retire to the warmth of the kitchen and Fukiko’s cat who was not allowed into her mistress’ presence unless requested.

Fukiko could feel the warmth from the brazier. It was as comforting as the thought of the silent snowscape outside. Gathering her cloak around her, kneeling on the covers of her bed, she held the bowl of tea in her hands, letting its warmth caress her fingers. Standing up, she stroked herself as though to bring her body awake - her flanks, the front of her thighs, her stomach, her slight *******, the long curve of her bottom and then the back of her thighs, her right hand stroking her left arm, her left arm stroking her right arm from shoulder to fingers. She was awake, and placing her feet on the cold matting found her night cloak of deepest blue with the ornamental sash of red and white. She would open the shutter and gaze out into this fresh world of snow and light.

It seemed quite miraculous that a covering of snow could so change this view across the lake to the monastery and its attendant village and then to the mountains beyond. She had once seen a woodcut of this scene, in snow, and had been mesmerised by what it revealed. Despite her status, her profession, such as it was, any ambition she might have harboured to dwell in a city, evaporated at this vista, this snow country scene. It was as though she was living in a story book where she could imagine herself as a concubine of some favoured lord, even better, a princess groomed for a fine marriage, a marriage she knew she would be unlikely to experience. There was one, a land-owner beyond Huchin whose business brought him past her domain, who, widowed and childless, had been advised to seek her presence. And she had been charmed by his shyness, his lack of experience with such as the woman she was, or thought she had to be. And it was often that she would find herself thinking of his presence, and imagining her body melting to his careful touch.

Suddenly, out on the lake figures moved. Was the hard frost of the last week really able to sustain figures on the ice? The brothers from the monastery were tentatively moving too and fro, they were suketo, skating. She would summon Narumi. Her girl should see this sight. The brothers in their crimson robes moving to and fro across the ice, their robes flowing. ‘Narumi’, Fukiko said, ‘a sight so rare. Come and look, the monks are skating.’

So Fukiko and Narumi opened wide the shutters and let in the whole landscape, the lake, the monastery, the snow-roofed village, the mountains beyond into the room. The snowlight dazzled, the hard cold air rushed into the warm room filling its very corners with an enervating freshness. Narumi knelt beside the brazier in her best purple cloak, her hair already pinned for the day, her eyes wide at the sight of these figures dancing with movement on the ice. Although cold, Fukiko would not pull herself away from this play of forms, this wholly pleasurable sight. Just below her window her camellia bushes were in bud, almost budding, their dark redness, bloodlike, enhanced by the vivid snow white. And then the bamboo, snow on the bamboo, as though carefully layered on the fragile stems and branches. This morning no wind and a period of snow falling that had laid flake upon flake upon flake giving the bamboo a wholly different form and weight and body. Its stems bent as though in supplication, as though in prayer to bless the landscape of this snow country.

One must bend
In the floating world -
Snow on bamboo

Kaga no Chivo (1701-55)

Title.        Never take for granted
the greatest power, the power to choose.
                ( An Acrostic ) of 50 lines.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Never take for granted the greatest power.
             The power to choose !
Every concession,or subsidy in whatever form
       As a contribution or donation to charity
Value this as a highest prize , volition is the          
   Sacred power to choose ,use that power well
Efficacy empowering the production of results
   By marching forward in a positive direction
Ranges of choices sometimes oh so wide as to
   Make a decision very difficult indeed.

Two equally ,typically undesirable alternatives
     We get to know typically as a dilemma
An act of choosing to take up one option as
     Opposed to another to maintain momentum
Knowing that there’s no apparent option rather
   than the real , you have “Hobson’s choice”
Embarras de richesses you become spoilt for
     Choice, is the other side of the coin.

From the comparison betwixt the humble poet
      And the power hungry “Megalomaniac,
Optimising in an act of choosing between the
  two, voluntary ,of one’s own free will Choose
Rights to act or judge by your power of choice
   you may call this discretion,one or t’other

God grants such power as yet unmaterialised
    and unrealised which he labels potential.
Relinquish that potential at your peril
   you may never live to see that choice again
An area of power and influence you may get
    to understand as your domain but reflect
Never take for granted the greatest power,
   the power to choose.
Twitter and chat with all and sundry
    relatives you’re born to, friends you choose
Even if you use your power of wit n influence
   and see it as weight n clout you throw about
Delegate or depute and assign somebody to
    make your choices for you. No don’t quit !

The A to Z of choices takes no time to ponder
    If you take for granted the power to choose
Hub of influence power centre ganglion from
    which nerve fibres radiate to every solution
Even by commencing from “A”. Aha . Eureka!
   you have chosen first time lucky .But wait. !

Great though he may appear as the “Boy”
  of your dreams, will he stand the test of time?
Retiring back into your shell ,your”Colleagues“
  At work never choose to know the real you.
Every “Demi-God “or “Elder”that you meet ,
  give respect to ,spoil it all by choosing not to.
An “F” word muttered under your breath .
    A “Gender” question,which choice of path?
To “Hero-worship” then a real life commitment
      “Interpreters “ of choices thru a Drago Man
Established in the art of choice as lead by
  “Jesus” Christ “Knowledge “that it will not fail

Superimposed, will “Liquidise “and blend
    all the choices that are available “Mmmmm”
To the most “Natural “smoothie that you have
   ever chosen to drink. “Ohhhh” yes. !  

Pause and “ Pause” again ,do we really under
    stand the power of choice. Procrastinate  !
Oh put off until tomorrow, “Quit” whilst ahead
      “Realise” your winnings in the now.
Weather you “Seek” perfection ,or an easy
    way out . “ Take” heart it is your choice
Ethereal choice becomes the mother of
    invention, when and where necessities dwell
React with an un-earthly prowess and ability
   to establish what was to be the right choice.

The “ Virtual “ choice that you could have
   made under the circumstances, bono-fide.
Having and knowing you have the power
    Of choice, it leaves it in your hands.
Even if you get the choice “Wrong” this time
    it is your mistake , no one else’s

Pretty soon you will know the error and mark
  It with an “X” n strive to get it right next time
Only “You “ have this individual power
   To make up your own mind .You do, don’t you
We can all be as”Zealous “and pedantic as
   You like in life but choices win through .
Even if you can’t be bothered to take the
   Choice to read this poem, on and on and on.
Reacting in a moment of impatience.
  “ what am I doing wasting time reading this?”

To have a power of choice is a valuable power
    not granted to all people of the world.
Oh stay with me ! Tell me that you understand
    the meaning of this poem. Do I make it clear

Can you choose? Do you choose? Are you
   exercising a sacred power that you’re given?
Holy power, not given to timid mice sitting
  on the fence waiting for the right choice
Oh no ! Never take for granted the greatest
    power, the power to choose.
Onlookers and bystanders are you learning
   from any of the simple examples I have set?
See unless you see and understand the good
   and bad choices made by man thru ages .
Earth and the Universe would have failed
  In its quest to provide a Heaven that we seek
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip. 30/10/2018.

A forgotten poem by Henry Brooke ( Irish Dramatist/Novelist)

Taken from poetrynook.com http://www.poetrynook.com/poem/universal-beauty-book-3-lines-301%C3%B4%C3%A7%C3%B4400

Or cool recess of odoriferous shade,
And fan the peasant in the panting glade;
Or lace the coverture of painted bower,
While from the enamell'd roof the sweet profusions shower.
Here duplicate, the range divides beneath,
Above united in a mantling wreath;
With continuity protracts delight,
Imbrown'd in umbrage of ambiguous night;
Perspicuous the vista charms our eye,
And opens, Janus like, to either sky;
Or stills attention to the feather'd song,
While echo doubles from the warbling throng.

Here, winding to the sun's magnetic ray,
The solar plants adore the lord of day,
With Persian rites idolatrous incline,
And worship towards his consecrated shrine;
By south from east to west obsequious turn,
And moved with sympathetic ardours burn.
To these adverse, the lunar sects dissent,
With convolution of opposed bent;
From west to east by equal influence tend,
And towards the moon's attractive crescence bend;
There, nightly worship with Sidonian zeal,
And queen of heaven Astarte's idol hail.

" O Nature , whom the song aspires to scan!
" O B EAUTY , trod by proud insulting man,
" This boasted tyrant of thy wondrous ball,
" This mighty, haughty, little lord of all;
" This king o'er reason, but this slave to sense,
" Of wisdom careless, but of whim immense;
" Towards T HEE ! incurious, ignorant, profane,
" But of his own, dear, strange, productions vain!
" Then, with this champion let the field be fought,
" And nature's simplest arts 'gainst human wisdom brought:
" Let elegance and bounty here unite —
" There kings beneficent, and courts polite;
" Here nature's wealth — there chymist's golden dreams;
" Her texture here — and there the statesman's schemes;
" Conspicuous here let Sacred Truth appear —
" The courtier's word, and lordling's honour there;
" Here native sweets in boon profusion flow —
" There smells that scented nothing of a beau;
" Let justice here unequal combat wage —
" Nor poise the judgment of the law-learn'd sage;
" Tho' all-proportion'd with exactest skill,
" Yet gay as woman's wish, and various as her will. "

O say, ye pitied, envied, wretched great,
Who veil pernicion with the mask of state!
Whence are those domes that reach the mocking skies,
And vainly emulous of nature rise?
Behold the swain projected o'er the vale!
See slumbering peace his rural eyelids seal;
Earth's flowery lap supports his vacant head;
Beneath his limbs her broider'd garment's spread;
Aloft her elegant pavilion bends,
And living shade of vegetation lends,
With ever propagated bounty blest,
And hospitably spread for every guest:
No tinsel here adorns a taudry woof,
Nor lying wash besmears a varnish'd roof;
With native mode the vivid colours shine,
And heaven's own loom has wrought the weft divine,
Where art veils art; and beauties beauties close,
While central grace diffused throughout the system flows.
The fibres, matchless by expressive line,
Arachne's cable, or aetherial twine,
Continuous, with direct ascension rise,
And lift the trunk, to prop the neighbouring skies.
Collateral tubes with respiration play,
And winding in aerial mazes stray.
These as the woof, while warping, and athwart
The exterior cortical insertions dart
Transverse, with cone of equidistant rays,
Whose geometric form the F ORMING H AND displays.
Recluse, the interior sap and vapour dwells
In nice transparence of minutest cells;
From whence, thro' pores or transmigrating veins
Sublimed the liquid correspondence drains,
Their pithy mansions quit, the neighbouring chuse,
And subtile thro' the adjacent pouches ooze;
Refined, expansive, or regressive pass,
Transmitted thro' the horizontal mass;
Compress'd the lignous fibres now assail,
And entering thence the essential sap exhale;
Or lively with effusive vigour spring,
And form the circle of the annual ring,
The branch implicit of embowering trees,
And foliage whispering to the vernal breeze;
While Zephyr tuned, with gentle cadence blows,
And lull'd to rest consenting eyelids close.
Ah! how unlike those sad imperial beds,
Which care within the gorgeous prison spreads;
Where tedious nights are sunk in sleepless down,
And pillows vainly soft, to ease the thorny crown!

Nor blush thou rose, tho' bashful thy array,
Transplanted chaste within the raptured lay;
Thro' every bush, and warbled spray we sing,
And with the linnet gratulate the spring;
Sweep o'er the lawn, or revel on the plain,
Or gaze the florid, or the fragrant scene;

Said the aloe to the agave
Neighbour
here in a foreign soil
the old world meets the new

Said the agave to the aloe
they forget
once we were related
can hardly tell the difference still
the human eye is quite deceptive
and what to say about the human heart . . .

Said the aloe to the agave
my blood turns to heal the ill
my fibres pulp to an ageless skin . . .

Said the agave to the aloe
my blood turns to a song and dance
my fibres pulp to a rope and cloth . . .
but what do the humans offer us

Said the aloe to the agave
not much

Looking upon this tree with its quaint pretension
Of holding the earth, a leveret, in its claws,
Or marking the texture of its living bark,
A grey sea wrinkled by the winds of years,
I understand whence this man's body comes,
In veins and fibres, the bare boughs of bone,
The trellised thicket, where the heart, that robin,
Greets with a song the seasons of the blood.

But where in meadow or mountain shall I match
The individual accent of the speech
That is the ear's familiar?  To what sun attribute
The honeyed warmness of his smile?
To which of the deciduous brood is German
The angel peeping from the latticed eye?

Even plastic collects dust
Bright fibres of pink become dull magentas
From the countless years and endless days of Still life Sharp lines and smooth contours of artistically machined plastic toys become fuzzy as hazy dust
Piles
Heaps
And overflows
From one
Single
Fact
Inactivity?
Unappreciated worth?
Discontent?
Laziness?
No
None of these
The dust collects
Piles
Heaps
Even overflows
From USELESSNESS
The things that the dust is attracted to
That the dust clings to
Are the things that in comparison to the things that are imparitive to our existance and our health
Are useless
Are plastic

Written in April 1798, during the alarm of an invasion

A green and silent spot, amid the hills,
A small and silent dell! O’er stiller place
No singing skylark ever poised himself.
The hills are heathy, save that swelling *****,
Which hath a gay and gorgeous covering on,
All golden with the never-bloomless furze,
Which now blooms most profusely: but the dell,
Bathed by the mist, is fresh and delicate
As vernal cornfield, or the unripe flax,
When, through its half-transparent stalks, at eve,
The level sunshine glimmers with green light.
Oh! ’tis a quiet spirit-healing nook!
Which all, methinks, would love; but chiefly he,
The humble man, who, in his youthful years,
Knew just so much of folly as had made

His early manhood more securely wise!
Here he might lie on fern or withered heath,
While from the singing lark (that sings unseen
The minstrelsy that solitude loves best),
And from the sun, and from the breezy air,
Sweet influences trembled o’er his frame;
And he, with many feelings, many thoughts,
Made up a meditative joy, and found
Religious meanings in the forms of Nature!
And so, his senses gradually wrapped
In a half sleep, he dreams of better worlds,
And dreaming hears thee still, O singing lark,
That singest like an angel in the clouds!

My God! it is a melancholy thing
For such a man, who would full fain preserve
His soul in calmness, yet perforce must feel
For all his human brethren—O my God!
It weighs upon the heart, that he must think
What uproar and what strife may now be stirring
This way or that way o’er these silent hills—
Invasion, and the thunder and the shout,
And all the crash of onset; fear and rage,
And undetermined conflict—even now,
Even now, perchance, and in his native isle:
Carnage and groans beneath this blessed sun!
We have offended, Oh! my countrymen!
We have offended very grievously,
And been most tyrannous. From east to west
A groan of accusation pierces Heaven!
The wretched plead against us; multitudes
Countless and vehement, the sons of God,
Our brethren! Like a cloud that travels on,
Steamed up from Cairo’s swamps of pestilence,
Even so, my countrymen! have we gone forth
And borne to distant tribes slavery and pangs,
And, deadlier far, our vices, whose deep taint
With slow perdition murders the whole man,
His body and his soul! Meanwhile, at home,
All individual dignity and power
Engulfed in Courts, Committees, Institutions,
Associations and Societies,
A vain, speech-mouthing, speech-reporting Guild,
One Benefit-Club for mutual flattery,
We have drunk up, demure as at a grace,
Pollutions from the brimming cup of wealth;
Contemptuous of all honourable rule,
Yet bartering freedom and the poor man’s life
For gold, as at a market! The sweet words
Of Christian promise, words that even yet
Might stem destruction, were they wisely preached,
Are muttered o’er by men, whose tones proclaim
How flat and wearisome they feel their trade:
Rank scoffers some, but most too indolent
To deem them falsehoods or to know their truth.
Oh! blasphemous! the Book of Life is made
A superstitious instrument, on which
We gabble o’er the oaths we mean to break;
For all must swear—all and in every place,
College and wharf, council and justice-court;
All, all must swear, the briber and the bribed,
Merchant and lawyer, senator and priest,
The rich, the poor, the old man and the young;
All, all make up one scheme of perjury,
That faith doth reel; the very name of God
Sounds like a juggler’s charm; and, bold with joy,
Forth from his dark and lonely hiding-place
(Portentous sight!) the owlet Atheism,
Sailing on obscene wings athwart the noon,
Drops his blue-fringed lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, “Where is it?”

Thankless too for peace,
(Peace long preserved by fleets and perilous seas)
Secure from actual warfare, we have loved
To swell the war-whoop, passionate for war!
Alas! for ages ignorant of all
Its ghastlier workings, (famine or blue plague,
Battle, or siege, or flight through wintry snows,)
We, this whole people, have been clamorous
For war and bloodshed; animating sports,
The which we pay for as a thing to talk of,
Spectators and not combatants! No guess
Anticipative of a wrong unfelt,
No speculation on contingency,
However dim and vague, too vague and dim
To yield a justifying cause; and forth,
(Stuffed out with big preamble, holy names,
And adjurations of the God in Heaven,)
We send our mandates for the certain death
Of thousands and ten thousands! Boys and girls,
And women, that would groan to see a child
Pull off an insect’s leg, all read of war,
The best amusement for our morning meal!
The poor wretch, who has learnt his only prayers
From curses, who knows scarcely words enough
To ask a blessing from his Heavenly Father,
Becomes a fluent phraseman, absolute
And technical in victories and defeats,
And all our dainty terms for fratricide;
Terms which we trundle smoothly o’er our tongues
Like mere abstractions, empty sounds to which
We join no feeling and attach no form!
As if the soldier died without a wound;
As if the fibres of this godlike frame
Were gored without a pang; as if the wretch,
Who fell in battle, doing ****** deeds,
Passed off to Heaven, translated and not killed;
As though he had no wife to pine for him,
No God to judge him! Therefore, evil days
Are coming on us, O my countrymen!
And what if all-avenging Providence,
Strong and retributive, should make us know
The meaning of our words, force us to feel
The desolation and the agony
Of our fierce doings?

Spare us yet awhile,
Father and God! O, spare us yet awhile!
Oh! let not English women drag their flight
Fainting beneath the burthen of their babes,
Of the sweet infants, that but yesterday
Laughed at the breast! Sons, brothers, husbands, all
Who ever gazed with fondness on the forms
Which grew up with you round the same fireside,
And all who ever heard the Sabbath-bells
Without the Infidel’s scorn, make yourselves pure!
Stand forth! be men! repel an impious foe,
Impious and false, a light yet cruel race,
Who laugh away all virtue, mingling mirth
With deeds of ******; and still promising
Freedom, themselves too sensual to be free,
Poison life’s amities, and cheat the heart
Of faith and quiet hope, and all that soothes,
And all that lifts the spirit! Stand we forth;
Render them back upon the insulted ocean,
And let them toss as idly on its waves
As the vile seaweed, which some mountain-blast
Swept from our shores! And oh! may we return
Not with a drunken triumph, but with fear,
Repenting of the wrongs with which we stung
So fierce a foe to frenzy!

I have told,
O Britons! O my brethren! I have told
Most bitter truth, but without bitterness.
Nor deem my zeal or fractious or mistimed;
For never can true courage dwell with them
Who, playing tricks with conscience, dare not look
At their own vices. We have been too long
Dupes of a deep delusion! Some, belike,
Groaning with restless enmity, expect
All change from change of constituted power;
As if a Government had been a robe
On which our vice and wretchedness were tagged
Like fancy-points and fringes, with the robe
Pulled off at pleasure. Fondly these attach
A radical causation to a few
Poor drudges of chastising Providence,
Who borrow all their hues and qualities
From our own folly and rank wickedness,
Which gave them birth and nursed them. Others, meanwhile,
Dote with a mad idolatry; and all
Who will not fall before their images,
And yield them worship, they are enemies
Even of their country!

Such have I been deemed.—
But, O dear Britain! O my Mother Isle!
Needs must thou prove a name most dear and holy
To me, a son, a brother, and a friend,
A husband, and a father! who revere
All bonds of natural love, and find them all
Within the limits ot thy rocky shores.
O native Britain! O my Mother Isle!
How shouldst thou prove aught else but dear and holy
To me, who from thy lakes and mountain-hills,
Thy clouds, thy quiet dales, thy rocks and seas,
Have drunk in all my intellectual life,
All sweet sensations, all ennobling thoughts,
All adoration of the God in nature,
All lovely and all honourable things,
Whatever makes this mortal spirit feel
The joy and greatness of its future being?
There lives nor form nor feeling in my soul
Unborrowed from my country! O divine
And beauteous Island! thou hast been my sole
And most magnificent temple, in the which
I walk with awe, and sing my stately songs,
Loving the God that made me!—

May my fears,
My filial fears, be vain! and may the vaunts
And menace of the vengeful enemy
Pass like the gust, that roared and died away
In the distant tree: which heard, and only heard
In this low dell, bowed not the delicate grass.

But now the gentle dew-fall sends abroad
The fruit-like perfume of the golden furze:
The light has left the summit of the hill,
Though still a sunny gleam lies beautiful,
Aslant the ivied beacon. Now farewell,
Farewell, awhile, O soft and silent spot!
On the green sheep-track, up the heathy hill,
Homeward I wind my way; and lo! recalled
From bodings that have well-nigh wearied me,
I find myself upon the brow, and pause
Startled! And after lonely sojourning
In such a quiet and surrounded nook,
This burst of prospect, here the shadowy main,
Dim-tinted, there the mighty majesty
Of that huge amphitheatre of rich
And elmy fields, seems like society—
Conversing with the mind, and giving it
A livelier impulse and a dance of thought!
And now, beloved Stowey! I behold
Thy church-tower, and, methinks, the four huge elms
Clustering, which mark the mansion of my friend;
And close behind them, hidden from my view,
Is my own lowly cottage, where my babe
And my babe’s mother dwell in peace! With light
And quickened footsteps thitherward I tend,
Remembering thee, O green and silent dell!
And grateful, that by nature’s quietness
And solitary musings, all my heart
Is softened, and made worthy to indulge
Love, and the thoughts that yearn for human kind.

***** feet
***** of them ache
they're dry
all dried out, moisture to face and digestive tract make little difference
but comfort a little sort of; maybe
subdue to replenishing
skip the pain with a drink fucken, fucken drink fucken
dust lingers in the brain, it swirls
a cloud of ground envelops the shape of u
u become covered
u have a layer,
salty,
and dry
and 'organic'
(surely bio (though im not sure what is or why are))

full city boy, suburban boy, not particularly gritty boy
along side hippies
and volunteers all tripppy
and unwashed, and un plastic
yet forcefully hemped
drunk of micro beer
and burnt brown and blotchy red
and wire-y

and dry

and matted
as if nothing really matters except for principles
misguided and randomly enforced

feel like a husk; peanut shell
insides swallowed by the mouth of the party embodied
a monsterous sweaty man tanned and thickly bearded
and beered
fat dreads fall around and surround u; a forest of hair
a circle encroaching of fuzzy pillars in fibres
entrapped inside them; feel their lingering time matted hold
a wealth of effort to become unkempt; they are bars
they are walls
and the FACE!
………………………   ………………………………… oh
looming down, wafts of armpit vapour cloud; a looming puft that surrounds
engorged by the scent as it circles u, the mouth that lowered onto u
chews u and spills bits of u
chomp chomp
protein for vegetarians; u; ur rigour ur vigour ur guts
  
eaten in a flurry of chomps and slurps and it crunches
and it grates
like the rocks on the ***** of ur feet it grates

u are digested
and reused
as they would like
but for them; for a collective u dived into
for fun
2 days to peddle ur wares
to progress ( admittedly through some days of regression…)
for all humans, and Humans; for fun

on monday we will repent
for the damages waged on the inside of the body
and the outsides too
for some gain
i guess on this which we settle
for always for display for fun

Cerro Aconcagua sat on his Feet
Watching his children browse his Bones below
Either for Sport or for Samples replete
As they enjoyed the Splendour of his Brow
And how you hugged the Wind which sprayed your Frost
Then took your Role as a Giant-of-Salt
This the Rockies felt the best you can boast
Though in that Line conscience comes to halt
For what they discovered, an Inca wrapped
Possibly a Victim of Sacrifice
Flesh still worn; Of Fibres long-live sapped
For the Sky-God's Hunger he did suffice.
The only Wonder as far as I see
How Sturdy are you yet Motherly be.

The coffee cup is stained red
From strawberry chuppa chups and your lipstick, honey.
The salty liquid from its fibres
Evaporates under your fierce breath. Despite this, your voice is thin, ragged
And worn. How has life been treating you?

I’m lost amidst the closets of curiosities,
Trapped within the fibres of a page.
Desperately humming lackluster songs of
Redemption.

Straining my eyes to see into the dark,
Scanning subconscious horizons in search
Of the rocky cove where the sun will be.
Reborn.

My fingers are bleeding from trying to grasp.
The peonies and gardenias in my skull,
Losing my grip on the garden in my mind.
Shrieking.

Obscure obscenities as the angels stand and
Stare. Nonconformity has eternally failed me.
Garden nymphs move their wooden mouths.
Whispering.

Songs of sorrow and the skies.
Constructing.
Oddly-shaped windows of eternal insignificance.

crushed
by the immense weight of
expectation; I’ve come too far
to turn back now.

or to stay stagnated, where I am.
this halfway house of
purgatory, grasping at mere
fibres of the future I so very wish to weave,
but my attempts are futile
I am unable to get a grip.
rope burn bites at my hands,
slip, bleed, slip.  

The options are so endless,
yet so limited by none other
than myself.
I preach,
believe in yourself. love yourself.
go for your dreams and don’t let them slip away.
but these are simply words I say.
I preach one thing and
I practise another.
hypocrisy, doubt’s dutiful brother

fan others flames yet ignore mine being smothered.
by my own hands, none other.

at least I have you,
the single being on this earth
that believes in me.
I don’t know why
I don’t know how it came to be.
that you are the one soul that truly pushes me towards my dreams.
you don’t let me give up
you don’t allow me to claim victim, be smothered by this monster surrounding me,

not mother or father
but me, it’s me.
the monster is me
don’t you see?
I’m the one who doesn’t believe.
I’m the one whose stopping me
I’m the one whose keeping me down and doubting myself and writing myself off before I even put pen to paper and make myself worse off.

You are like
a fallen angel
lifting me on
your broken wings

not to save me,
but to let me go
and catch me again
like a bird
teaching her
baby to fly.

you,
are trying to help me realize

that I have wings too,
if I’d just open my eyes.
that you can still fly
and be scared of heights.



3 am passes
another day approaches
pointless moments surrounded by
expressionless
wilting roses.

I’ll fight the urge to
give up, even if it feels like
I’m not winning
because


the clock will pass 4 am
and the world will keep spinning

It was startling - this pessimistic world,
I opened the window, a storm raged,
attic whipped windy cobwebs,
scurrying spiders slid under debris,
and cracks appeared in her flesh,
where red oozed, yelling its escape,
collar bone protruding, thin layers fading,
wine trickled from blue corners,
knuckles scraped. I heard their drag,
whilst fibres caught up in nails,
burrowing beneath red lacquer,
snagging....scraping their terminus

They walked in together with flushed faces and cold ears, after walking for what seemed like minutes in the coniferous forest surrounding the cedar cabin. Those minutes were actually hours, but when they were out here time did a funny thing and sometimes stopped all together. He hung their coats in the closet as she stripped herself of boots and socks, with bare cold feet she walked across the patterned carpet feeling its fibres between her toes. She  perched herself on the couch in her favourite reading spot. He then too assumed his position on the couch allowing a space inside his outreached arm to be filled by her appreciative body. As she blankly gazed at the green life out the window, he gazed at her. Memorizing the freckles on the bridge of her nose and the way she puckered her lips without noticing. Absorbing all of her for a keepsake in case she decided to disappear as fast as she had come. This girl, he thought, is the most beautiful combination of genes and timing I have encountered in my life. But he didn’t mean physically, he meant her laugh and her stubbornness and how she believed she was spontaneous but every moment of her life was  planned. It scared him how much and how detailed he saw his future, and how she was undoubtedly in it as far as he was concerned. Sometimes he wished he didn’t feel so much for her, for them. He had been hurt before and he grew accustomed to the calluses around his heart.

She breathed it all in, slowly but thoroughly. She breathed in the warmth of the burning furnace, the smell of wood that was still alive. She breathed in his sent of musk, soap, and mint. She breathed in his delicious smell of love, his pheromones. This place was exactly what they needed, some time in a surreal place to remember each other and how well they used to fit. How well they do fit. The stress and distractions of everyday life were tugging at the strings that kept them woven together. All they needed was time to be silent together, time to think together about different things. She knew that their hands and souls would fit together again like they always had, if they just gave it a chance. And now, here they were in their own made happiness. Sitting  here as one piece of human, making love in the most innocent of ways.

Now,
We are mellow.
Having spent the evening exploring the threads of friendship.
That had come adrift of warp, weft and weave.
Time and distance had
silks, snag-tagged-torn,
on the bustling-busy,
hectic-hustling of work
and family.

Teasing-taunt,
needle-gnawing,
small, gap-rip-rents
in the snug comforter
that is... the wonder of us.

Us, so many secrets woven. So many, nights of tissues and sobbing tears.
Darning in daring exploits. Cutting away knotted,
fear-angry-scream-fighting feuds.

Cutting work, for days of delight and nights of desperate yearning.

We used anything at hand, rough wools, pieces of string and twines.
To weave a blanket,
to hide us from life's storms.

We were,
so young, so strong, recklessly-brash,
stupidly-joyous
and braveheart-fools.

And now, time and age,
has softened our work. Felted and fuse-melded,
the fibres into a beautiful entity.

That we store-save in the heart's cupboard,
of special and precious  things.
It is an heirloom of sorts.
We bring it out,with occasional, humble-grace,
to be dandled and stroked with reverence.

Caressed and cossetted are our memories held within the abstract weave.

We are the dwindling
of a youthful exuberance
flung-thrown-heaved
to the wild winds.

So now, we are grateful to be curator-custodians of the retrospective nature
as we augment-append
and reiterate-repair.

A new thread here,
now,
embellish-embroider,embed
and tatt-stitch.
My son and your twin girls, squeezed, splashing
into your tiny bathtub
big-grin-giggling in the gurgling water.

Our future, here and now,
is the brightest of silks,

Our past, mellow and yielding in,
the luminent opulence,
angelically-asleep in,
the other room.

i sense a bitter person
twisted by life's fate
rather call it passion
instead of woeful hate

life is like a soda bottle
shaken with compression
bathsheba has released some gas
thro poetical expression

moralistic fibres
unafraid to speak
troubled past endured
made her strong not weak

also sense connection
you, myself, and jack
we have found a way in life
to get **** off our back

might be totally wrong, but it's my impression. please let me know

You’re so close to the stars. i wonder if you can hear the secrets i told the constellations that one night i got lost on the roof trying to find my way without you. maybe you’ll get lost in the darkness up there and feel the way i feel when i get lonely sometimes. you’re going to cities I’ve never seen and you’ll be walking on roads my feet haven’t touched and in a way I’m jealous of the new air you get to breathe. the little intricate fibres that make up my lungs are burning with this constant northern oxygen I’ve been force feeding them. i wonder what its like to breath you in at 30, 000 ft above sea level going 600 miles per hour. i wonder if my lungs would burn out of blissful breathlessness for you. I wonder what jet lag looks when it's painted across your face. i hate being on planes, but I’m so curious about how tightly you’d let me hold your hand up there. until i met you i didn’t understand why people thought it would be so special to travel around the world with another person, because i’d always thought it would be better to be lost alone. but i get high off the thought of walking european streets with you.

The cactus ate the moon;
a cosmic starflower;
a cyanide razorblade.

You ate your way through the mouse droppings
in the cereal bowl
and look at me through lens-less everythings.

The sun took the moon
to his midnight hideaway
and she was absent that night.

Beneath the artificial breeze
blowing noisily, raucous;
birds in a tree eating acorns like squirrels do.

I never gave you hope;
I never gave you nothing;
I never gave you what you deserved.

Senseless, mindless, wandering wanderlust
wonderlust
you're keeping yourself company tonight.

Ha! playing with yourself again, I see.
Picking your nose and rubbing your toes
in the sandy sandy dandy boy beaches.

Friendly, never ceasing.

Repeating repeating repeating lines
repeating repeating repeating signs
repeating repeating relocating lies

Nice to just let go
no reality
no gravity.

But I'm not defying, no
nor scrying, oh
but lying, go.

She gave me her hand
and expected me to restitch the fibres
as if I were ever so good a tailor.

Surgeon.

Nevermind.

Had it been when I came to the valley where the paths parted asunder,
Chance had led my feet to the way of love, not hate,
I might have cherished you well, have been to you fond and faithful,
Great as my hatred is, so might my love have been great.

Each cold word of mine might have been a kiss impassioned,
Warm with the throb of my heart, thrilled with my pulse's leap,
And every glance of scorn, lashing, pursuing, and stinging,
As a look of tenderness would have been wondrous and deep.

Bitter our hatred is, old and strong and unchanging,
Twined with the fibres of life, blent with body and soul,
But as its bitterness, so might have been our love's sweetness
Had it not missed the way­strange missing and sad!­to its goal.

It’s is a rope, with the strongest of fibres
that holds me together and can unthread and tear me apart,
it replaces my bones and makes me limp.
It makes me fold into myself as I walk -
are people staring at me?

Coiling so very tightly
twisting and turning and tying,
tying me up, forcing me to my knees.
Cuts deep into my foundation -
they’ve spread too far.

Rapid breath intakes, sweaty palms
my heartbeat is deafening, faster faster,
punching through my chest as I walk down the street.
I just need to get to the end
yet I always fail and f  a  i  l  more.


Trying not to let my weak body collapse me.
trying not the let the sheets smother me.
trying not the let the rocks squash me.
trying not to let the fingers strangle me.
trying not to let the words define me.


It’s like a ***** that holds my world together
there not point trying to look, you cant find it,
yet when I’m in public it comes loose.
I prepare to run as
the sky crumbles around me.

The ***** is so small you cannot tell it lay inside me
it’s so delicate so don’t look at me closely,
or you can see it in the twiddling in my fingers.
The dilated pupils and panicked expression.
Choose. Fight or flight?

I bite my lip so hard it starts to bleed
trying to keep it inside and hidden as to keep it a secret,
it’s like a wave trying to break towards the shore.
Like somehow, it’s never going to stop
*so I keep sinking and sinking and nobody can tell.

soft larch needles    I sniff wish     thin dangling larch twigs hold
raindrops    christ & pagan wrapped to tinsel    autumn light
has projected Borrowdale’s matter    a work crafts growth    I

peer    at a twig’s knuckles    a needle’s green edge   a tiny globe
dissolving landscape    Borrowdale is a    mass    of details full
a vastness of minuscule    high    resolution beauty    immense

numbers of bits    of leaf-frames pebbles daddylongleg claws
for an instant I spread    let    a moment explode    as I climb
through woods by crags    every detail of me    follicle bone-cell

grease    shatters or slicks    amongst     Borrowdale’s infinite
tiny details    one    of my gasps stretches wetly with the beck
others entwine with white fibres of gills    unravelling    gravity

the calcium atoms of my teeth    jumble     along drystone walls
moss green-gleaming    my meal     of Herdwick meat    passes
through my gut whilst Borrowdale’s    details    digest my soul

Mind can be a Spider ...

Swinging between the things
Spinning a web of threads
Elastic thin intricate
To hunt food for self
Or end up eating itself...

~One can be a think tank
Stuck, but no outcome

Or

Mind can be a Silkworm as well..

Confined in darkness
Spinning a cocoon of fibres
Strong lustrous fine
To be weaved into
Useful valuable fabric...

~One can be a writer
weaving words twined with thoughts
into beautiful write

Tonight
   got away from the mess
city   toothache     throb
ensemble of car horns
     shoppers throwing     money
like empty   sweet wrappers

park is better
calming me     a cup of cocoa
stepped     into Narnia
     without the wardrobe

snow   squeals   with each step
little deaths
   little graves where others have   stood
a ring of prints from   a hundred   shoes

breathe in     white silence
   find frost’s left a hypothermic   dance
between wires   of a tree
   white fibres together as arms

sweep clean   the bench
   blanket of sherbet
sit and think
how simple it is to be     forgotten
   alone   a caterpillar of tinsel
in a tattered   brown box
not allowed to   shine past
   December thirty-first

or not shine at all
   rather a rope of dud   fairy-lights
   I wonder   I wonder
lamppost emits a   frigid glow
night unfurls above my head
  
   I left my gloves
at home     again

Her body is not so white as
anemony petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.
Each flower is a hand’s span
of her whiteness. Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.

all i'm saying is that the tetragrammaton was lying about in full view, an umbrella on the train; the tetragrammaton was just there for the taking, in english... and no jew noticed it, or picked it up.

poetic proliferance comes at a price designated the role
of anti-oratory - imagination and memory
are scattered narratives, thought the prime of the three,
an animal is bombarded  with sensual impressions,
a feline pet is the ultimate unit of fighting against
this constant bombardment  of sensual impressions,
before us, the ultimate leisure  activity, albeit without us
actual engaging in it personally; we created such utensils
as memory and imagination to counter-act the vacuum
of unnecessarily narrating a sunset and a sunrise, a comet's
flight. pro life interference - a snake shedding its skin, e.g.
non-oratory, even anti, poetry for bookshelves, for dust,
migraines, moths and bookworm larvae;
for shrapnel ego... for stances in aesthetics like:
run DMC's *it's like that, countered
with... 'and i thought disco polo was bad.'
cheap thrills, scribbles on toilet paper,
marquis de sade made an inkwell from
his wrist, blood on white:
Boabdil gives the Granada key to Ferdinand and Isabella
v. kazimir MALEVICH's red square,
                                painterly realism of a peasant woman
in two dimension -
a Faustian gamble... mental retardation...
no curly curves on pillars, no mention
of Pompeii... mythical Atlantis with its sea-monkeys
agile in water but hardly acrobatic on earth
(exceptions due to Russian Lolitas)...
no regime, no rigour, too much jealousy surrounding
the Renaissance art-schools, jealousy, greed,
fat parasites invoking their name, say, Raphael
as useful as the noun tree, hammer, ship tried to be...
hell the mad dog without a KA GA NIEC
and off the leash... you really can't expect more
abstracts... but art follows science,
what with anti-matter, subatomic particles,
art will see less beauty and science more complications,
both will be working on abstracts...
enter the art critics with their narratives...
also due to the fact that calculators replaced our
natural ability to process arithmetically...
hence a lost technique of arithmetic and a more
sensual engagement in the motto: precipitating
toward a MALEVICH black cross, black square etc.
was the art movement cubism - unravelling
the cube post-scriptum in it all... *******
this ultra-modern fascination with Python-gruesome-oraz
(oraz translated as: also) -
come the critics and their narratives
of triangles without a thinking-do-d'ah suggesting
trigonometry or a squared + b squared
equates to c square (or a hypotenuse...
likewise with hippopotamus i'm dyslexic to mind the
matter too much... honest to god,
i'm dyslexic with certain words - mainly because
it's hardly a scene in a pub: 'pint of ale my good man'),
and added to the chaos of lack of diacritic
in english, you tend to be chaotic with punctuation,
and the words stemming from the latin
æ grapheme (graphite, the tertiary carbon representation)
simply coagulate into a rancid custard of
non-differential puzzles via sūdoku - now repeat
after me, the sharp Japanese HI! sù doku!
HI! HI! well, aye, but it's sùdoku! HI! HI!
si sense... and there's the roundabout.
i'm probably the first poet of darwinism,
i got a blank in my head and i just allow the poem
to evolve... why sù and not sú?
you aim to repress, insert a quasi pause, stress
the would be associated categorisation of sù
as prefix... the doku comes as an suffix -
in culinary terms that's representative of
a hunchback leaning over a *** of sauce and
invoking a movement, a whiffing to get the scents
ticking the nostril fibres - wave in, entice - so indeed
the Japanese punctuation omitted in universal
encoding: - (the hyphen), the sharp impromptu
HI! (HIGH... *******, they're one and the same!)
sùdoku hin ji roo shika! that's samurai for:
i said sharpen my samurai sword like a mathematical
rubric of the 2 times table: 2 x 1, 2 x 2, 2 x 3... etc.