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Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
zebra Dec 2018
come here with the jackknife
and see what I'm made of

i'm **** candy she said
taffy and blood
a steaming deli
doomed chicken of the sea
doll parts, splayed pomegranates
femurs left in a ******; wish bones
eviscerations to admire
peaches and cream sprinkles
skin like cold grey soap

barbed wire ******'s
spin like a toilet flushing
in spirographic squiggles
at the museum of modern art

video girl
video girl
video girl
like
butter flies flutter bye

dead movie star dancing
a matinee cyclops

everybody wants a glitter ****

shes a incandescent candy store
take a piece
take home in little bite size chunks
in a heart shaped pink box leaking red meat
enshrined crucifix; kosher

god is whatever is in your heart

i pray to modernism
to be saved
by *** death and resurrection
and a bigger ****
impregnation ghoul
like a solar ******* hero
*** heroine

a Bedouin and a Jew ******* each other off
in a New York City
Holiday Inn
while the Kabbalah and Koran read each other

I packed the suit case
with a yellow mucous colored rubber tube,
a razor and stockings
I don't know what ill do with it,
but ill think of something

God spins death
so why cant you; or are you to good for that
albeit a narrow construction
to carve my fate in such short order

ill get into my short short funeral skirt
and girly bobbles
ill go up and down on you like a yoyo

sea Venus foaming *******
til you flip me over
like a deli sandwich
and cut me in two
with a splatter of ketchup
on the blue plate special
while a huddling sabbath of *******,
in extra ******
groan like Pisgah turned to mulch
writing indigo shards suicide note
ending in
i don't mind
and precise instructions

please chew slowly
while I **** on your teeth
stuck rot
still kissing you
better bring a napkin and floss

you know I would get hot,
seeing my one way ticket next to your return one

wish we could
**** candy
pastel chew
blood bubblegum
melts in my mouth like
hissing fruity drops looping
that go down like squid
clawing its way back up
half chewed with that hurt look

you wont need a head stone
your feet will look good sticking out of the ground
with anklets
except upside down
your funeral; a foot kissing ritual
religion; follow dead feet, to paradise

head down
*** up
you know
the position of power

your the new aeon
grave stone arches with toe ring twinkles
rectitude striving
hot head buried in dirt
antagonizing worms
because your too hot to chew

a zombie ******
velvet tabernacle
smooth leg art
and pretty pointy toes
ascending
where glitter lights shine
pickle brine
green
in a
Promethean ******* ballet
phantasmagorias dark embrace

this is no ordinary love
dialog of paraphilias
surreal horror subversive
a poem about the non-rational sacred
untethered poetry
song of a shattered world


Across the spectrum of religious experiences—from the archaic and chthonic experience of sacred power to organized religion—surrealism arises in that elusive threshold between the sacred and the profane, between the illuminations and of everyday life and the more formal expressions of the sacred. The mysterious, contradictory nature of this liminal zone is embodied in surrealist literature and art: matter becomes metaphor; the ordinary object becomes extraordinary; and images evoke emotional disturbance and ambiguity rather than specific ideas. The ambivalent force of the surreal resists conventional rational categories of intellectual discourse. Behind its elusive potency of mood and charged associations lie the fundamental ambivalence and non rational power of the sacred.
—Celia Rabinovitch, Surrealism and the Sacred
Emily Mary May 2013
Fat
Fat;
Bubbly lipids gathering and stacking in a fashioned order.
Fat;
It was not so "fashionista" when she gained and gained.
Skinny;
She was lost, had no where to run but to the pantry.
Skinny;
Bones showing, skin glimmering in the sunlight.
Fat;
Sticking to her bones as paper sticks to glue.
Fat;
Poking and Prodding at the blubbery material that sits upon her femurs.
Unhappy;
She will always be.
Robby Cale Feb 2010
Schwinny, Baby,
You were supposed to be

my

Bicycle.

So I don't ask for anthing special.
No dark Harley divas
To whisk me off into the sunset.

But I thought we were at least
On the same road together.
So please.
Don't go droaning on how
Life got too complicated.
I mean,
You've got one flimsy gear.
And don't go moaning how
The road got too bumpy.
I mean,
You went blind bonzai batshit
over burnt black tar pavement.

You just
Let go.
Threw away your
Chain of reasoning
Faster than I could brace for impact.

So am I bleeding?
Yeah, I'm bleeding.

And the worst part is,
I still need you!
No, No, no.
Not like Pom Pom pammy
Needs her purple-plated pogo stick
Nor like Princess Paris
And her prissy pink prom queen limo,

No.
I mean I need I need you like
Alibaba needs his golden cherub camel,
Like Ben Hur his crimson-fury chariot.

Because work is 37. Blocks. Away.
And it starts in 16 minutes.
And the bus is really unreliable.

So we ride again,
Guts against the wind.
But now I've got all ten fingers and toes
Crossed,
Two by two,
And point in fact,
Racing down Guadalupe with
Forked Philanges
Gets really hairy.

But your suicidal tendancies simply scare me.
Your thirst to incur first degree burns,
Fractured femurs,
And flayed skin whittles my patience
To tire track thin!

Think I'll
Roll my dice with a Segway.
She'd be a quaint, play it safe kind of girl.
Type to show off
To a Mom and Dad
Reveling in rosemary jubilation.
Aw, son.
We knew you'd land a keeper. That's my boy.

But in ten days tops,
I'd begin to miss your fiery imbalanced breath.
I'd yearn for your bipolar 180 turns that
Make my heart skip that terrible, syncopated beat.

So let's just say,
I'll give it one more shot.
But *****, just promise you'll stick around a little longer.
It's storming outside and
We both got a few blocks to go.
Raj Arumugam Oct 2010
Owl slept in the tree’s hollow
but the silly Grasshopper
on the branch outside
made incessant noise

‘Kind Sir,’ said Owl,
‘would you stop singing
and allow me to sleep?
I’m nocturnal
and sleep by day
and so I need some quiet now.’

Grasshopper
looked proud
and rubbed its hind femurs
against its fore-wings
and it said:
‘Ah, Sir Owl -
Eminent Naturalists have come
to record me make my most melodious songs
and they kept away, if you must know,
from your uncouth hooting!
So I will continue singing
and you may live in envy if you like.’


‘Oh it is most true,’
said Owl.
‘You sing most wonderfully
and I but screech.
But come in and I have
a potion
that the Goddess of Song
has just given me
that will soften my hooting
and bring your song to perfection.
You already sing like a sensation,
O Highly Sought-After Grasshopper –
you’ll be even more appreciated after….’



And straight Grasshopper
with a magnificent leap
jumped to Owl’s home;
and straight Owl ate the singing insect
and indeed Grasshopper
was even more appreciated after….




And it is whispered in the forests
Owl’s hooting improved
due to a certain potion
Owl had acquired
from the Goddess of Song
INDEX


                            Foreword

1  Despertación of Etréstles 13

2  Constitución New Government . 22

3  diabolic Intromisión 25

4  Kanti, the Corcel . 28

5  Ante the Council 30

6 Inauguración the Monument to Botsaris . 36

7  Losas abandoned 41

8  Satagénesis and Deidagénesis Four. Five

9   Enviados to Deidagénesis / Lepanto 52

10 Drestnia in Kalidona 56

11 Etréstles returns Lepanto 64

12 And the fourth cemetery 71

13 Top of the flight of Lucifer 79

14 In the crypt of the patriarchs 87

15 Etréstles part Valplacci 98

16 Etréstles fleet in the Ionian Sea 114

17 Near Messolonghi 120

18 A new era begins 123

19 Universal Era breaks 129

20 Goodbye Messolonghi 135

21 At the beginning of a new millennium. 141

Epilogue. 153








FOREWORD






Mi theme concept concerning Cemeteries, has been maintained for many years under a remarkable process falls recoup credibility. Unknown worlds which we do not know what to believe, are usually put into question.

Constantly let the silent fields where lie the dead, but it is not, rather that me thinks so. Undoubtedly, the Quantum Theory indicates a basic unit of the whole universe, showing that it is possible to decompose the world into small units of independent existence. This theory shows that the dynamics in the art is such that, solid objects are in constant motion entramando relations between different parts of a unified whole.

As we believe that matter is inherently sterile, we think the cemetery is in the same condition, and therefore inert bodies are also only turned into a pile of bones scattered.





7

8 Etréstles


My conception of the world of subterranean acting, aims to support the theory of Quantum, because at first glance it seems that under these moles cement there putrefaction and eternal solitude. Well, I, I do not think so, I think there is tremendous activity, above all tends to seek fulfillment in a world that concerns him, and also has the infinite grace of thanks from all lurking diseases that shake us. That is, each inhabitant of the subterranean acting as a Franciscan Noble receives worship existence, and not faints by the destructive effects of all known diseases.

Near the garden of heroes, they are the remains of those who died in this output. It was a legendary struggle for libertarian revolution of 1821 in Greece, exactly Messolonghi. Markos Botsaris's tomb and the statue of Lord Byron great Hellenophile found in this garden.

Once, I was looking for a book, and this was inevadiblemente of oriental trend. I used to remind my teacher, the monk talking Virajánanda Given the processes of time, yesterday, today and tomorrow; all at once were a pure unity. That physical death had to be spiritual satisfaction, so that the spirit can not disconnect your disposable body. Child saw my family to go to leave flowers garden home to their loved ones. But I am noticing that my grandparents were still alive, and then would leave, looking for ways to inhale the smell of the earth to prepare the farewell that someday would come from the dark beyond. It never was painful to see them

Ko umeterium MESSO LO Nghi 9


from, because I've always been with them. In addition always our body, which would be living in a merger with vague spirits, to vague minds that do not hold their interest in spirituality as a way of life, tend to make us climb through dark passages of ignorance.

Etréstles, the protagonist; It has place at a lineage that marks limits warriors of ancient Greece, since fought with neighboring nations. Thus, generation after generation, he meddles in successive reincarnations that are to be transported in time by different spaces.

Its Vitabión and Regma Mother, father and as Staktos and Esaedt, both from different eras. His monogamous romantic company is coyuntada with the presence of Drestnia; woman who had to pull out of her womb, better said from his rib, emulating the biblical account.

While it is noteworthy that the secondary characters are related to Greek mythology such as Eurydice, and real characters like Markos Botsaris, who was a great hero who drove the Turks. The famous Florentine sculptor and architect Lorenzo Ghiberti, is present in the action, so that his image is immortalized in an eternal cemetery. Similarly we should mention Asurbanipal king of Assyria (667-626 C), the Auriga; the coachman and truck driver where he had his Herreros over time to release the Hellenic descent.

Other memorable as Aristotle, Hesiod, Praxiteles, which are knowledge to every reader of Greek literature. The judge presiding over the classroom

10 E tr é stles


sesionaba time to time, trying to revive the rituals and reject the stubborn efforts of Lucifer, who was trying to have a place on earth, then God expelled him from heaven.

In the chapter of the onslaught of Lucifer, he is accompanied by his minions Heosphoros and Phosphoros; they are the ones who brought Lucifer from heaven to Messolonghi. In addition Mesopotamian demons appear hostile world, these were the Annunaki who were the jailers of the dead in hell. The Etimmu, were the ghosts of all those who had died unhappy. The Utukku lived in desolate places or cemeteries; they are all part of malignancy presence as oppressive form and manner of presence to the exuberance of good all-encompassing.

Kanti Botsaris steed, is nothing more than his superconsciousness, wearing it as a link between the different physical and oneiric dimensions. It should be noted that Kanti is a Cretan horse and belongs to the fallen in battle, as Botsaris.

Eulalia and Zultina, both courtesans who spent their lives together with Ghiberti and Botsaris.

And it could not ignore the Menopausal, puerperal and Enamorada, as they like female members suffer alone beyond the earthly life that had consequences that affect the desolate silence of death camps.

And to finish, arrival at Valplacci, where it meets a world and a rare man in an unknown dimension by Etréstles. subsequently arriving at Patmos, where St.

Ko umeterium MESSO LO Nghi eleven


John the Theologian, to regain some of its lost soul by the intrusion of Lucifer. Here manages to discover that there is no need to fight warriors who always talk about physical war, because many of them tend to succumb to the same battlefields. discovering, mind mentor as the best ally to overcome any difficulty, wherever it is that the human race is found, or infra-human.

Finally, Etréstles is discovered in a way that would open a new numeral cycle, to start a new era and a new physical space where the projection Messolonghi be situated; nothing less than Nineveh, Ashurbanipal land where the winds blow, as a priest in his exsufflation it does to remove the demons that inhabit the world.

The "Zero" is the initiator of a new era, from whose base the only means available to the new life that awaits the residents of escombroso Messolonghi, after the invasion of Lucifer appears.

My concept of the cemeteries, while seeking an answer to approximate I think now that enormous efforts are made to understand fully. Cemetery remains for me a scenario of hideousness and terror, seen from the observation point that everyone has it, however, I think that in a strange world where you're not supposed to govern ethics, aesthetics, law , and the professional, economic and social status; It is where more wealth is the multiestimulante vitality, "I think

12 E tr é stles


nowhere inhabited earthly souls, will be able to find more life here in the

Messolonghi cemetery ".


José Luis Carreño Troncoso San Antonio, 1997




1





Wake-up of Etréstles



Dfter sleeping a thousand years fell on my face greater light current Solar. I slept without smiling at the crowds inhumaron smearing me my only bones.

The search of that hubbub, made me celebrate the porous bodies and pelusientos arañosos falling on my fingers, delighting my humble tributes to the beetles that accompanied me to direct my view to the nearby burial vaults me. Some were swollen with a semblance augury despertativa; like starting today, with the ominous words They moved from today, the paddling of my fleshless jaws.

Among gravestones of Floreas esmeraldinas dinosauric, in a clear blue autumn, some birds refregaban on edges of the carved stones. Meanwhile, mustards was riding on dry leaves leaves clavelinas. The white-clad looked up Drestnia slab that closed their senses, remained behind bars with his hands crossed as evolving body


13

14 E tr é stles


to attend a new era of geography and different technology. On his chest he would run the living vertiginante wind up the corporeal hint in the light of Koumeterium Messolonghi; that housed over a thousand years ago, at Etréstles of Kalavrita.

This huge palace and flat, it is nothing more than an asylum, where the worst plague that began with the death of the sentinels of Lucifer, who dropped this place with its beautiful golden layers originated; whose satagénesis emerge the burning soil to ten fossilized cemeteries under the Messolonghi.

He walked slowly dragging my old body, the tenth floor, and that teenage girls pointed stones would break my nails; as such if they were claws of a mammal trapped by lava from a volcano. In each advance I awaken in my armor patriotic my last fight, and his enternecedor observe how parents tilled by the conglomerate caste, fighting in underground elements.

Etréstles awakening ...:

Etréstles ...: Which of all columns erected is able to open all columns built in the pavilion of these moles without form or color ... just vitalizing lung diaphragm Eólico my daydreams, is who I think would ...?

To all who are runaways and trapped underground Messolonghi, I bring you good tidings ... Auriga with its Herreros come from the region of the Dodecanese to loosen the bars you father

Ko umeterium MESSO LO Nghi fifteen


Staktos lucid and my mother Vitabión well that in a thousand years, has been damaged her beautiful body. Since my birth in Ayia Lavra, I was being buried for the ninth time in the Ninth Fossilized Cemetery. Whose archpriest with holy oil trickled down my wall, pretending to be a dance of water generated at the bottom of the Ionian. Between the arches of the temple columns running down my mother Vitabión; outward sacravertebral bathe in the water of my past christenings. My past lives were providing mandated by the Auriga their previous lives. And your mother ... A day tried the weight of my recycle ... ?!

Beyond you., Comrades of wars, pilgrimages sacrosanct, lush gauzy baths civilization in the Olympic and equestrian fields.

To you. That you lie here, as is my death in my last life in the hands of a Spartan soldier. Pcs., Blood of my blood, I feel inside me speak your need ...

And in the postrería Drestnia, which by its sixth rising from here from Messolonghi, between bars sealed thy grave situation for the Hellenic indeterminar.

I had to drink from the Pinosa resin to speak here, with my bony hands to touch the others are like yours ...

... Drestnia, my rib still preserved, I will be reborn placating the domain of collective wishful thinking, which prevents your freedom.

My rib you return to your present life, whose cold, flower seeds esqueletizaron the perimeter of your life ...

16 E tr é stles


Etréstles was with them into the Koumeterium Messolonghi, to about 1800 meters zenith direction.

They were to be the Necromesolongui Council to define the minutes. -while music with winds adorned arrival-. Just at the moment, came the Auriga with its blacksmiths, they came to liberate Drestnia with its multiconciencia. What happiness to Etréstles! He ran through the underground halls, to the oldest Koumeterium, the first fossilized. Where thousands of years ago, with many now extinct species, Etréstles came to them resoundingly good news.

While the Council inveighed promulgating the divine sarmiento spray fields Dodecanese in producing seeds of Markos Botsaris.

Judge…: With my lameness, I have to advocate the reintegration of outstanding Markos Botsaris, that once we free them of the Turkish occupation!

Asurbanipal ...My Sirio reign, full of dynamism, placed on their doorposts the powerful image of South-west wind, in honor of his victorious from Kalidona.

Etréstles brought Drestnia just walking the Council and thousands of harmoniums undermined doubts Manor invoking the hero. They all stand, the Council at its octagonal table with his assistants left empty vine glasses to welcome, to the last surviving female first Koumeterium Messolonghi.

Ko umeterium MESSO LO Nghi 17


Harmoniums, as Apollonian rubies widen the dimensions of the cavernales vaults. She sit and ends the music. Drestnia with some leaves on his shoulders, adorned the new escenáculo, which would sit by the new future.

Asurbanipal ...: To you gifts Oh, the universe, you are welcome to this Council, where one day they brought me to praise my contributions from the entrance of Humanity!

But the issue for today, will await the arrival of Markos Botsaris as you who have reached this border, thanks to the generous Auriga.

Charioteer…: ***** wax Orion; Eternal fuel, donated them strength to my steeds pairs, that were raised over distant lands, to reach my Herreros desoldering the bars of Drestnia.

Blacksmith…: Our eyes closed every hundred kilometers, but Eurydice with your calendar, made the aphelion arrimara us this feat.

Ecos ...: Dust ..., Mito ... Dream ... illusion ... have swirled galloping millennia, wearing gray Borrasca ...!

What dark words illuminate the hopes, just below, it is well known that there is much to do, because there is more activity on the surface ...!

Judge…: Etréstles, Drestnia ... past, present, or future will speak of you.

18 E tr é stles


You Drestnia ... !, how long dream ..., defied your gothic vision, not move my neck to your neighbors, loved ensepulcrados in the first Fossilized Koumeterium.

Vitabión ...: Messolonghi lives up to all cemeteries in the world, where they loved their near them. But they do not know life here is more dynamic than in the world of their own.

Menopausal women ...My husband cry on my slab, because his infidelity caused me a bad venereum, which today has removed me from his life. The cries and cries for me ****** decline, all for being with another woman condemned me.

one curtain rises and leaves Funebrio; concelebrating priest all recent deaths ...

Funebrio ...: Woman when you cry my black clothes, cry black tears ...!

Your husband remains static, no movement, despite many kilometers to their own devices. Forbidden habit becomes, how tempting. But contestataria Mother Nature pours us their punishment.

Staktos ...: Friends kisses you give yourself, Where have posted ideations ...?

O dais to scatter everywhere the osculaciones they meet other mouths.

Ko umeterium MESSO LO Nghi 19


Etréstles ...: Everyone I ask do well to prepare your labors. Even so, his desire to hold my naughty pleas heart in this hour by the arrival of Drestnia.

The judge asks adjourn for the recess could then discuss strategies for future deaths.

Sepulcrero ...Lord Judge at the stepped eastern sector have buried an architect. We could ask your cooperation to Botsaris monument.

Judge…: All in good time. It will be done, does anyone want something narrow ...? -Drestnia raised his hand and asked ...:

Drestnia ...: With Etréstles in the last minutes of our lives, which extortioner once it is finished this monument, where our souls will be destined to remain here temporarily ... Messolonghi?

Judge…: General demented wars, take Etréstles the field of Lepanto, because there are stubborn souls who defy the vanquished souls ...

… and as for you, the benevolent Auriga take your soul colors of the sunset, to divide megatons of the Romantics, who along with Ghiberti, on some trunks of beautiful minerals, will anchor his best poems and hiperestésicas forward to outshine their suicides groups.

After the meeting, the attendees are removed, and Drestnia with Etréstles go to spring the celestial napa

twenty E tr é stles


with its golden glow waiting to sail to Tangier and Morocco. In their ships were concurrent, Etréstles woman carrying her ribcage navigation oriented towards the sound of the oars that were the femurs of a Diplodocus itself.

Drestni
ROUGH SAMPLE  - Metaphysic Poem besed upon a 1000 Bc. Etrestles of Kalavrita, greek hero, living through 10 lices, recommence a New Era.

Epic and Multidimensional poetic Ebook
come & enjoy, where you dont find..., stepout and see the Glory.

Jose Luis
Years later
Bathsheba's psychiatrist
Was analysing the tryst
Between King David
And her.


It was no tryst
Said she.
What a slur.
He was a ******
And an opportunist.


An amoeba would concur
Said the psychiatrist
That a shower screen
And being more demure
Would have been
Quite spiritually enterprising.


You cannot expect
Kind David to desist
From objectifying your femurs
And a cracking pair of amethysts.


Don't treat me
Like some calculating
Hormone Exchange Unit
You sexist misogynist.


You are not fit
To analyse me.


You say your name's Freud
But you're wholly devoid
Of any insight
Of what is amiss
Or my troubles might be.


Not one piece of grit
Have you put in my oyster.
You obsequious churl
I'm a girl you don't mess with.


I could have you hung.


But instead she dismissed him
and booked an appointment
With a certain professor
Who went by the name of
Carl Gustav Jung.
Based on a story in the bible about a woman called Bathsheba who was spied on by King David whilst bathing on her roof. David ended up with her after having her husband killed off. She ended up with his stillborn child.
From the depression of the distances with respect to the horizontal and the planes that separated them from the surface, below the references that came against, single sediment had been destined towards the high eminence, before the fossal of megatons of aldehyde below the bilges of the final base, where the seventh rings of the goat ibex were perforated, all in the antipode of the Constellation of Capricornus; where the goats were enraptured in the binary of Wonthelimar, behind the floods of absorption that took the Diadocos far from where they should never have left, in order to extrasolar wishes and never to come. From the node of the supreme and poked aldehyde of the horn of Amalthea, with the bizarre analogy of Zeus and Wonthelimar, both mammals with milk from goat's udders, one from goat from Mount Ida and the other from Aldaine in the Alps, with milk from ibex and In the face of Amalthea that appeared in the fossal, all the Seleucid generals had already vanished, starting from the Viper Typhon, who in the retracting sub-mythology of Capricornus was transmigrated to Wonthelimar, swollen with the aldehyde transmuted into this alcohol and into the udder milk of the Ibix that He lactored, while they were all carried away as in the chambers of Auschwitz, in distant lanterns and lamps of the Calypso that he dismissed them, leaving them with the escorts of the ibex or goatfish in laudable stratagems, which vanished them away from their desires from a new polis or Nostos Patrída, sprinkling them with goatskin and flourishing essences of the kashmar of Zeus' nurse; Amaltheum or Amalthea.

The Iberian rings from the medrones in advance reached the two final ring nodes, here Wonthelimar intimidated them with an accurate adjacent bleat of the kashmar that rubbed their back, before the newest and last lux of Amalthea that vanished into herbaceous fruits that always He carried the barefoot medron with him, to start with the antlers dumbbells and re-transport them defeated to the species of snake that frightened the pastoral god Pan who shepherded, and then he submerged in the water after becoming Capricornus Ibex Fish. Being aware of this and of those who refused to continue listening, Ibics rings were unleashed until the seventh medron, feeding back with Wonthelimar who ad libitum created Venus in triads of Zeus. Wonthelimar and Amalthea were remote in the eighth and ninth medron of the antlers, they appropriated to each the portion of the Parasha or Parashot of the Torah, and of the thirteenth Shemot so that their dualities and fumes from the unbreathable fossa would remain under the possessed surface of the pendular property balance and positive-negative gender correspondence. Right here Amalthea transmuted her mercy to save the world with her lactation of syrup and honey that was not in short supply, and that was extrapolated into a future abundance of food and nectar, making up for crusts that were uneven in average terms. From this bezel, both beings of the goat genome contributed to the pole of goodness for each one at the end of the benevolent cuirassiers of prospering, and not from the opposite that would lead them, even though they were dissimilar causes, towards a retrograde event that was not a consequence of the becoming of the plagues, and of the malignancy that does not flourish with the Shemot of the Parasha, to agree and lavish themselves on blessed virtues or deliberate wicked ones.

The meaning of a relative synchronic and factotum coexisting does not redeem the disintegration of an existential relativism in Skalá, the Hexagonal Primogeniture from one of its angular visions, metaphysically transfers from its temporary contingencies after its arrival on Patmos, while the temporary Seleucid temporality vanishes, It was affirmed from a contradiction since its truth was distended in the arena of Skalá not implying being welcomed, rather it was victimized by the absurd political dimorphism in a meta spiritual state, abdicating its dispersed retrospective, and now contemplating a compromise of the Hellenic genre, to gradually rebuke the virtues of their banners, twice as good for the purpose of reinforcing the will to accede, and not perish in the attempt to lead Alexander the Great. The criticism of founding the memories are of a revived past where it was not, marking the anthropological fact and false truth judgment, in meaning and contradiction in the polarity of both axiomatic genres, but that is saved when quantifying in who has to defend himself, if seeks to abrogate itself, in the entity that is characterized by induction and attraction of egonies and not of exo-egonies, thus describing it in the theme of "Do not support egos that recriminate other characters of frustration and empowerment of a Vernarthian logic split into Vern-narth. Vern has etymology of Bern or Bern olive tree of Gethsemane and narth of the ordinal scale that speculates its nickname in millions of northern sections of its origin, which subsumes the truth and the criterion of apocalyptic parapsychology, re-life of quantum historicity of the metaphysical and sub-block. -Mythological of Vernarth in his identical.

Everything seemed a strange self-annulment from a clear and understandable limit, but Wonthelimar rose to the surface of the Állos kósmos, finding himself in atmospheres of truth and reality of a Cantabile, who decided about the horse Kanti coming with him towing him from the Erebo de Chauvet Bilocated. As a musical and festive ending, he received them on the upper plate of the happened gestures, where a cabaletta rendered parts of a Cantabrian aria, in sulfurous and remorseful cavatina married with the cross emotions of a finale who sponsored expressions and festive Templar tales, with the descendants of Zeus or minor children, or grandchildren after this had to give him milk and honey but with báchkoi. Among the couplets that received him, some came about the smoke of terror that was confused with the dustbin of a Cavallo or horse acclaimed Kanti, with gasping bustling from a cardex, containing all the repertoires of a cantabile if this scene were to be repeated in The same epic allusion, and in random consequences, that go after a cavalcade that is not abstracted in real characters, but more in conformity with the well-deserved place of epic imaginative beings or in the operatic psychotropic of a duet, which would go flagellating in individuality and in each which is not content from another section of the Cantabrian.

The Universality of emotion and feeling is a tragic Parodo emulating voices of all those who sing from a cantabile galloping in their voices to the beat of the heart in some, and at the same time chanting stanzas and antistrophe in reverse epic and tragic lines, for the purposes of the coliseum that diametrically obstructs the Hellenic choir, which is attached to the intervention of the Hexagonal Primogeniture that was already beginning to rise in height, and in the prayers of Saint John, the Apostle and Prochorus from the captaincy and the ode that would begin to stanza, from the west to this and the antistrophe would follow with Vernarth, Wonthelimar and Alexander the Great from east to west. Ad libitum of their enjoyments, they were eating Greek snacks or Katogorias on the way in bases of Almonds, cinnamon, olive oil, sugar, and sweet wine that they carried on their backs in Rhytas shaped like the horns of Zeus and the Ibix of Wonthelimar, which the same Procorus carried on his golden back. The meaning is affirmed as a meaningless infringement of laws of temporality, and truthfulness at the expense of short evidence, and of facts that vanish in the light haze of causalism and not of effectism, when the adjective or noun is made of a strong verb in the Metabasis and in the imprecations that Vernarth gave.

Vernarth's metabasis: “the verse and the adjective will be subsidized by the noun in the construction of Állos Kosmo Megarón, from where mathematics will immaterially explain sap suckers under the noun in liquid milk of the color white and of the high nutritional value in female lactated, and of mammals to feed their goats or ibex. The soul of this prerogative implies that the verb will be to promote species rather than a nutritious milky elixir for Zeus, and the candor of his **** will tend to the bipedal or quadruped subject self-procreating from a Milky Specie. (Milky species).  Being ****** into milk by self-procreating snitches. Vernarth says (give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!)

Amalthea in rituals and relics from prospects of demigods was purposely cordoning them off in Mycenaean deities, from a contemporary Westerner comforting them near a hippocampus; with signs of ibex Capricornus, rapt at the nymph that spoke from Mount Ida in Crete and that she made congruent with the constellation of Capricornus, more precisely in the Cornucopia making this heraldry of Wonthelimar with Fortune, Abundance, Occasion, Liberality, Prudence and Joy. In a woman sitting on a throne, a young nymph with a flower crown, a naked woman with one foot on a wheel and the other unstable, a woman with sunken eyes and an aquiline nose dressed in white, two faces from the past and future, a woman happy with the exuberance of the Cornucopia with children and a palm leaf. Being the abundance that in serial Amalthea bordered all the ladies in different esoteric and Mycenaean prosperity, constantly shining with radiations on the present in the Unicorn Ibix, which Zeus left after breaking its antlers, unleashing kindness and plethora in fruit buds, and vegetables that were appropriated in the Fortune of Wonthelimar reissuing what in their domains they can do, and now in Patmos with its Cornupia being transferred from that liquefied shaft honey and milk cultivated with attributes of herbs contributing to the leisure, peace, and relaxation of the cosmic world that ascended in Wonthelimar as Ibix in advance of Capricornus, from where the Auriga always broke into his expeditions with a trajectory towards the eighth cemetery of Messolonghi, where he brought it from the Capella Star for the femurs of the Diplodocuses who seconded Drestnia to watch over the hydraulic pits of the Koumeterium from Messolonghi, before traveling to Tangier.

The entire herd went back to an ancient promontory that was halfway up the mound towards the black styes or abscesses, in the central intuition of the fossa that began to dissipate towards their backs. Amalthea extends into the Állos Kósmos, which came in zoomorphic receptacles collecting the announced blood of the animals that flowed in black planks from the vortex of the fossal, towards the liminal or transitory sleeper of the fossal that oozed acetosities of the Aldehyde to be transmigrated after the bilocation of the Chauvet cavern. All wore willow halos on the crowns or diadems of their caps, including the proliferation of phantasmagoric Allies that went in rows from 780 to 680 BC. C., with fortunes of the Cornucopia that arched in magical arches due to the dissociative changes of the universe, as well as the circumstantial creed of some omnipotence that will cause emotional transgenerational transgression, in the rain vessels that they made fall from the Ombrio de Zeus, in a daily latticework closing the spaces, and only leaving for some intruders and onlookers to see his flashing Astrepé. Right here the diádoc fossal vanished, when it rose above the horizontal that poured into the Chronic Vernagrams of parapsychological personalities of ingenuity classicism and in Astro-concomitance, which would rethink everything that is past and future from a Vernagram, which is more than a compression of a mere future of the quantum spaces and the sacred medrones of the Ibixes with their direct relationship with Capricornus. Diverse capital moments were treasured in the breeze of the Vas Auric that was traced from the opposing moraine that fell in lapse-time, through the labyrinth in storms and thunderings that became planetary with the Lynothorax cuirass that Alexander the Great accommodated in the festoon border of his Aspis Koilé, kicking copiously as a sign of shaking the head of the gods who deceived him to be alive, and who was now reborn in the faith of Saint John the Apostle, favorite of the Mashiach and where he will have to wipe his face with the shroud of Veronica Before entering the Állos Kósmos Megaron that everyone built, in favor of a Panagia or Temple, unlocking the majolica that seeped out from the rest of the transmigration, and his own in the configuration of a corpse with a tricolor gesture.

The presumptive eradicated the side of the forearm rots that was being restored in Wonthelimar's laps, which helped him get up and catch his breath while the Katogorias snack filled his mouth with nectar and almonds with Macedonian Psiloi combat tactics with serum and flames of Alcohol dripped from her nostrils and sinuses in the sweet wine, which in pompous dilemma defied the judges of her life in the choir of the Bilocated Epidary Theater on Patmos, and in the ***** dry Kashmar of the orchard with the pale faces of the grotesque, that rested in the memory or Mnmosyne and in the fauna of the Thracian and Thessalian helmets.

Alexander the Great says: “here I agonized and now in the fresh waters of the springs of the Lerna, I will also marry the glorious mystay and bákchoi, in the memories of Vernarth seeing him besieged by Achaemenides in the stooped position of Dario III, to come purifying and sustaining of my limbs, learning to walk and speak in Neolithic techniques, which extruded me from the Lerna by barriers of the moon that shone from the bronze of my Leonatus helmet. Thus I could see that Vernarth, fought alone against thousands throwing fire through his mouth and his eyes, separating the waters of the Falangists, who plowed like ships deforesting the Persians, and leaving them in their mud, imposing glorious Hypaspists who unbolted from their back some arrows with heads of snakes and Hydras.

Vernarth watched as everyone climbed the Profitis Ilias mound, two hundred and sixty-nine meters above sea level, where the monastery of San Juan is located; here he was suspended in his solitude after everything that happened at the end of the moat that definitely I would return without the Diádocos, with a hint and its functionalities. From here Helios became genealogical, who snatched him from the kingdom of dead flowers, which were to be assumed from the Olympian where he will join him to the essential of Aïdoneus; immaterializing in the darkness of dizzies and the flowers that died in the genealogy of a new species. The scenic swept its cognitive and ferns with more than three hundred frank species that frowned like the enemy of an evil friend, with seedlings that expectorated from the resonance of the bushes that invited to thrive in the salty ripples that made a dreamer fall asleep on top of the kerchiefs or brambles that memorialized Gethsemane, burning his face and hands with psalms, telling him about his Baba. For when it is a luminary by night and by day, they will compare it with the white grayish drupes and mops, like those of the Bern orchard of Olives, in aqueous and resinous colloidal, which was crowned in harmony and syntropia in Vernarth activating intellectual conscious plantations, which will restructure its balance of ultra Hoplite, in metabolism of the Lentiscus flowers, with great brotherhood in the Olives that each time exercised the gift of bending their oleaginous self-species, towards planes of the Cornicabra olives, with large branches and high tree altitude that fruit within of the Cornucopia that he now carried on his back, supported by an oiko spin, juxtaposed with the fibula on the right shoulder of his lymphoma, which with large branches and high tree altitude fruit within the Cornucopia that he now carried on his back, supported by an oiko line juxtaposed with the fibula on the right shoulder of his lymphoma, and with polyphenols in scale geothermal energy that still leveled the Ponto Sea towards the tectonic plate to give it the flavor that was owed from remote prehistoric times.

Patmos was aborted from an immanent consent and new force of the impending enemy in Pythagorean perorations and an offending thought. From this prerogative is born the generalized punishment of sub-mythological ethics in favor of legacies of allusions to reorder or defragment the enslaving and demolished bio culture, which would begin from the establishment of the Vas Auric found in Limassol, which took possession from Rhodes with clean scenes from Tsambika monastery. The epic ran like icy cold down the shoulders of all those who sweated for the generation of cops, and in domestic evasions in superior lordships to Hades or Wonthelimar itself, both sons of flocks and goats that nourished them by providing them with a mountain perspective, as a magnetic pole towards gothic energy that ruled more in the Magnetic North Pole, and the geographic oversize that reviled latitudes in riches that would dismiss Borker and Zefian, as masters distributors of the ethics of the Áullos Kósmos of Patmos, redeploying thousands of dead from pre-Hellenic times, so that they recirculate through the roots of the Kashmar, re-sulfurizing cinnabar saps as the germ of the subterranean Acheron, which consecrates the living and the dead in the eternity of the infinite Duoverse Universe. The order will lie in semi-shadows that even in the dark provide the pleasant warmth of camphor, with advanced Horcondising formulas, which will appeal to hungry souls by suppressing gifted energies, and by inseminating them with ovules without originally conceived organisms.

From Hylates, Cyprus; Zefian came by order of Vernarth, assisted with the extension of the earthly laborers of the Attic Calendar on the twenty-first of September, from the device of Apollo at the site of Boeotia, and especially of the Boedromion. The arrows that Zefian brought had an instant Boedromion crossing the lines from spring to winter, with seven arrows that Zefian threw into the sky and never fell, but if portentously received in the virginity of animals. The flora with seven golden arrows of the Chauvet de Wonthelmar cavern, condoned the exhaustive end of the fossal where they still remained, in a gesture of tenderness and relative Mycenaean genealogy, from Crete the contravention of Apollo and Artemis towards an olive tree was approaching, originating in the Zefian's arrows, to mark the new cardinal points, begin with the first two arrows that they put on the string of the bow, each one flying north and south trajectories and the other two that were once again attacked with the east bow, to shoot the arrows of east-west with southern magnetism limits. Zefian's imagination was of proportions that were not limited without wandering from their phalanxes when they pulled the string, like joys of a ghostly existence that pushed him in each bolt, presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for belated courts imposed from a cosmos, which he led by insisting on his will and from a doubtful Vestal god advocating the association of the hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychological of the feared inter-tale alive that rebels in the arrows that they had not yet fallen and did not know their whereabouts. As plates or serial hosts, they were evoked from where the origin of the Universe was broken, to open towards the organic, vigorous, and anti-burn contravened Duoverse to the divine celestial origin as a parameter of *****-ovule, rather in aeonic instances in the fireplace of Hestia, running in eternities towards vast volumes of light-years, where eternity has no measure, let alone the existence that begins and ends born from a homozygous arising without a Universe, to hatch from the branch of the Heterozygous Duoverse, bringing different unions of eternal cells by universal divine decree, and not the union of disparate cells. The science of the Mashiach came in these divine arrows that marked the points of the cardinal in the numinous and exclamatory expansions of the exiled universe of Vernarth, towards the perenniality in itself, but being heterozygous for a world that would begin to live in non-organic cells, but yes of divine composition, over saturating the limits of the origin, and destiny of syntropy of the conscious actions of the metabolism of the Alma Mater and of the great doors when losing the bodyweight of the physical-ether, but yes from the platform of the Mashiach that will take them hands without leaving them abandoned, showing them that they were no longer children born of ovule-*****, but rather in the luminous matter, envisioning expansions of prayers beyond from the universe, where it will accompany them in a multidimensional plane..., and will have no end from a human scientific conception.

Wonthelimar says: “Since the omphalos was swallowed by Cronos, Hera's elegy was unleashed, for not raising her son Zeus in free clumps of goats and Ida's honey. I in the Alps went to the herd of the Ibix like a Zeus saved from the darkness of Chauvet in the mountains of Gaul. There are chisels that cut stones in beautiful whirlwinds, but I know that a lot of cosmology would not speak of the Mediterranean Cornicabra and its olive drupe, nor less of the Cornucopia that sinks with sumptuous and ephebian flavors in the fruit, and the greenish heraldry of the binominal that is disturbed in its phalanges eating and sipping honey, in antler pots with pride of the Ida and the Vercors massif”
Wonthelimar Amaltheum, Állos Kosmos Megaron
entropiK Dec 2010
there is a tourniquet on his tongue.

he is a risqué bloke
with alkaloid fingers,
they are wearing
yellow asylum jackets
yet he calls me
mad-


emoiselle, his, in between the lines
he cuts with razorblades and mirrors.
i find myself in between legs
of a stanza (not standing),
pale femurs and inner thighs
french-kissing into
surpine ampersands
where the first word
is a proclaimed ugly disease    -- perhaps 'love.'
and the other, its escapade   -- perhaps 'tuberculosis.'
but i must be the period:
oxidised bones.  


within the eyes
of a stanza (still not standing)
abides no fancy lines
no avarice for contemplative meanings
there is but space and void
and i've filled his femur marrows
with metaphors
to the verge of the patella.
he writes poetry for me
with a needle
and an eight-ball.



there is a tourniquet on his tongue
and his spine fits my stocking


seamlessly.
ii.
Bamboo Bean Sep 2013
Shot in the head?
Shot
gun
In the passenger seat?
Shot 72 times...
through the windshield?
Shot of bad ****** >l--
Best friend shot?
Wife? Husband?
Brother or sister shot?
like  Marley
or tupac?
Mom or dad?
Suicide shot ¿

SHOTS! SHOTS! SHOTS!

too many and not enough
To drown.
A shot of grace            
                                     (
Shot-up Into the sky   )
BIG-BANG-BACK-BOOM
shot from the living room                    
Exploding into fires.  §
'''A million-billion bright stars'''
Too many fluorescent nights
And shiny cars


°   °
We need more
•••Blood-moon-shots•••
A wake-you-up call
Red sea midnights
And Icarus falls
|
|
|
|
Shoot us down
Collapsing legs ¥
And a broken crown
#Please crush these bones#

Shatter femurs
Splatter marrow
'
  '''
'''*'''
'''
'
Crack Tuberosities
And break me
A crashing drone
\
   '     \     '
     '  ¿'
Before an invisible king
Sending me back
To his throne
Someday
You might answer me
So I pray
Don't you abandon me.
Shoot up shots
of saint brokenhearted brokenness
And see
What no-one else sees
A Sea
Of saltwater tears
Drown away
All our fears
Shoot me please
•  
•    •
•Blast aw • a •    y      •
All the fears
Dream of:
An infinite sway
Into the infinite place
I can be
A galaxy---or some other cool face
Of astronomical astronomy
Perhaps a nebulosity
A sign
Or constellation
Advertising
Across a blood-moon-sky
The end of time
COMING SOON!
|   |
A hidden message...
I look to the east
--->
Your face from the sky
Saying:
Hear you me?
Someday soon
You'll be
Here
With
Me                             ax.




©Pax 2013
you bamboozle me, rip it up-up there teej.
In love and memories. You finally found pax, your nbf.
Lunar Luvnotes Dec 2014
Vibrations reverberating from my front door to my mid-core,
your pupils focus and lock me down
in your heavenly pond,
shining, glistening.
Your iris like quicksand,
a non-fatal variety.
Leave the world and lead me,
to the underworld where we shall behold eachother,
none others.
Electricity shoots through my femurs to my toes, back out and down my crown.
I'm at peace,
locked tight in your gaze.
Never release me.
To speak of such a thing,
nonsensical,
so silly..
"Clutch My Soul" series. Leopard collaborations. Past is past is past.
Alex Jan 2017
You gave me a red rose
To symbolize your love for me.
You gave me a black rose
To symbolize that you are leaving me.

You went onto someone else
And left me in the past.
So, I am angry and coming for your
Head.

You were not my first mistake,
But you will be my last.
Many people have done this to me.
Now they are skulls locked in my closet.

Their skeletons grew
Because of the roses that were tossed in.
Their skeletons kept
As a reminder to everyone.

And up their femurs
Came the vines.
Round their ankles
Slept tired time.

In their sockets
Napped with hate,
And in the ribcages
Snored the love.

And as I threw
More roses in,
I wondered if loving the bones
Was a sin.
rsc Apr 2015
An uneasy knowing:
Hand on the doorknob,
Intuition hinting at what's
Through the keyhole.

Excuse me, while I
Make my way back to the womb
And coalesce into an egg once more.

I must relearn everything I was ever taught.

I must rethink everything I ever thought.

"My soul shall not be bought,"
Is a declaration not an "Oh, I ought to."
Tangled in some narrative, stuck like glue;
Convention is convention
Regardless of where it's acted out,
Chugging a cheap beer or slinging back a stout.

Let the wild eyed lemurs out!

Femurs shriek ****** ******,
Shin splits from sprinting to get coffee creamer.

Benz,
Bentley,
or
Beamer?

Out of place in small town USA,
But the monster makes itself the new normal.
Wear jeans to the semi-formal, but
The after party is her call.

To make the future or **** it all?
Is life an experiment or a free for all?
Is it neither? Is it nothing at all?

Squeezing the eyes out of a stress ball,
Touch pleasing thighs as the curtains draw...

Ka-caw! Ka-caw!
I am, I am a triumphant toucan!
Flapping wings flowing fluttery alchemy,
Making circles out of straight lines,
Crafting stories out of blank mind.

It comes in time, I guess,
The mess of me cleaning itself up gradually
Only to regress under sea level again
And again, becoming a canyon,
The slow deposition, the bearer of men.

Redheaded and clucking mother hen
Drinking hot water, honey, and lemon,
Patronizing old explorers like Magellan.

Tune into the past, oh sugar sweet one,
Inflicting beatings with flagellum,
Stealing treats and eating them,
Mountain peaks and chewing gum.

Puh-*** puh-***-***!
Our heads make good drums,
And our bleating makes good melodies.

Can you teach me the song of the trees?
Can we at least save the bees?

Nectarine mornings and small, knobby knees..
Mommy, please, put my hair in pig tails!
Pick up the worms off the sidewalk,
Watch out for the snails.

Lay me down into a hay bale;
I'll send you snail mail from
My heavenly little hell.

What's that smell;
My baby blanket or an ex-boyfriend
Lingering underneath my nose hairs?
In smoking scents do memories construct their lairs.

Do I have a care?
Do I have to care?
Is it a curse to be aware?
Is it a curse to think that, to dare?

Something fragile hangs in the air.

Teeth grind, sweaty night mares,
Water and oil, oh! What a pair.

Fingers uncoil from around your neck:
Slender ghostly feelers beckoning,

"Come destroy yourself with me."

Cast my body out to sea,
Playing saccharine melodies, but
Send my soul out separately.
Luke H Oct 2011
The land was a body.  Aching bones of mountains limned with boreal forest
       veined with iron.

Men dwelt on the body.  Erecting altars, howling and dancing round fires
        their patriarchal beards knotted and waving

Men killed on the body. Waving crude axes  like ancient trailblazers of war
Would wave mammoth club-like femurs

Bodies slay different bodies so they may die somewhere on this body
That heaves with the rock
featherfingers Dec 2013
So this is Christmas
and what have you done?

John purrs the question
through tiny
crackling speakers
begging responsibility
from the irresponsible at best,
begging for peace
and a season of rest.

I lost a war, John;

I tripped on hope and arrogance
and earned forty six new badges
of valor;
I fell from the rafters of a fantasy bridge
to the cold reality beneath
and I broke bones--
ribs and femurs,
radii and hum'rouses.

I have met Marc Antonys and Brutuses,
Pagliachis and Heathcliffs,
and met them in myself.
I have sobbed into futons
ripe with nachos and socks
and I curled in another's arms
wishing they were yours.

I have loved and lost
and saw God in a graveyard;
come down from dopamine dreams
to black widows in my sheets.
I have tried and failed and given up,
found the one mistake
I'll always make
and the one perfume I'll always hate.

I lost a war
I never had the guts to fight.
So this is Christmas, John,
and I'm still a mess.
Nathan Squiers Jun 2014
They flap in the breeze just like streamers:
The strips of flesh and ribbons of guts.
All the residual chunks of the screamers;
All the bits of the ******* and *****.

They flap in the breeze just like streamers:
The memories of all that they said.
They crushed all the hopes of the dreamers,
So who cares that they ended up dead?

They flap in the breeze just like streamers:
The lingering shreds of remorse.
A legacy built atop skulls, ribs, and femurs;
A mission of evil I've come to enforce.

I, like mankind, have lost all control.
I now side with the sinners and schemers.
You ask of the tattered remains of my soul?
Why, they flap in the breeze just like streamers.
A little diddy 'bout a dark & demented anti-hero. Found myself contemplating a new comic book series as I jotted this. Let's see what comes of it ^_^
Hallie Bear Aug 2012
You make my bones stutter
Collarbones tripping
Femurs choking

A catch on each shifting syllable
A creak in my heart for every beat

Every vertebrae nervous
Even my knee caps stammer

You walk by slow and languid
Easy as the tide

My body as tight and jerky as a
Scared rabbit

Yours as lose and winsome as
Chimney smoke
To Karnie.
SøułSurvivør Jun 2015
---

dead upon dead
to the left and the right
no fire to warm us
no more spark
no more light
the even' has come
the desert dry night
the only thing living
is the burgeoning kite

the only ruler
is a king with no crown
the lowly court jester
wears a red mask'd frown
some courtiers have starv'd
some courtiers have drowned
but as for the people
there's no one around

pile upon pile
of mouldering bones
some make up spires
some make up thrones
femurs the mortar
skulls are the stones
some lattice triangles
some steepled in cones
if you're in this city
you're truly alone

a skeleton rides
on a decaying horse
it has no conscience
it has no remorse
it needs no permission
but uses no force
where is this city?

why it's

YOUR TOWN Of COURSE.


soulsurvivor
(c) 6/3/2015
Are you there?
Sequoia C Aug 2012
chaotic impulses lead to irregular rhythm
your sun dances over head and
aching skeletons rattle their bones,
drinking bottomless cups of sand
swept up with the dry wind into their eyes
and garments that rot and rag about their femurs
as they smile dangerously and wink

chaotic impulses lead to irregular rhythm
a small brook turns into a fierce demon
sweeping eddies full of names into its depths
and the meek grizzlies paw at
the rotting bits of fish left on the shore
who gulp in deadly heaps of air
for their water-ridden lungs
chaotic impulses lead to irregular rhythm
leaving an abandoned shock of metal
as a refuge for the lonely
and frostbitten potatoes are the only accompaniment
to twenty five pounds of rice and a lean frame
hiding huddled in a mass of snow
lay all of the accused

chaotic impulses lead to irregular rhythm
as thick steel drives through flesh and boe
grinding rubber against gravel; metal against metal
and screeching high-siren pitches nonstop day and night
boring into your skull with the urgency and ceaselessness of a hungry wolf
who scares off the weak and the poor, the hungry and the searching;
who became
one

chaotic impulses lead to irregular rhythm
and those strange and lonely souls scared off by
the fierceness and emptiness of corporations and concrete artists
flee into the fierce emptiness of the wilds instead
sparing one hardship for the other
searching for a fullfilment not found in a box
and an empty space that can only be filled by invisible wings

chaotic impulses lead to irregular rhythm
a frantic dance in a great big monastery
the lunatic portrays a Zen within his twitch
to layer understanding beneath Zen beneath lunacy
with his mad fervor he becomes great
and understands real truth - in his own way -
and then dies
PK Wakefield Sep 2010
IA
Pleasantly i was presently an obese mote laughing in the chattering
orifice of this emerald ciTy amongst the hollow discharged oblong
fingers vomited of the silky concrete mounds dangerously apathetic
the fat grunt of youth grand and evilly blanketing the hard arteries speaking
slowly feet. about the whim of the hard towers skirting angelic ***** lilt
and milk there ******* of ****** mucous to drag masculine colours to their
heed. how drunk they were of lacy cotton fringes and damp skin collecting
dew drops hard lovely thighs flatulently billowing from their savage femurs

the cool common sky is generally heavy with gray makeup and tears softly
epic wails of wet teeth. they bite and nibble the brim of my umbrella. and moaning
******* capricious men proffer and spit elocutions electricly open hands
palming digital cracking whispering clouds of text. rapid eyelids turgid was grinning specifically at I "how about a light" "sorry I don't smoke"
zebra Sep 2017
in a veiled world
i am light like a feather
disembodied
lightening in a bottle
everything here is alive with madness
wild walls and chairs chatter
like wise cracking gangsters
always sporting for a fight

blood tulips cry and sing
rise and wither
and rise again
loop dancers move from rhythms of light
there are many kingdoms here

in a broken terrain of night
an obsidian ash sky howls
and we are shut in
to a starless and opaque sky
behind an impassable slate black gate
the ground a curse
all teeth and rocks
bones and weeping flesh

vampires live here
like clans
all blood porphyria
their mouths a beautiful rust
a tempting visage
half seduction, half terror

needled fingered hematologists
prepare our dinner

her name
Mercy
all body candy
tattooed with a snake ****
her ******* pierced
with rose paved sparkles
and *******
stabbed with bat shaped studs

nurses sharpen knives
while quack doctors
tend to
little plastic dolls
blood bathers
with crossed femurs
in hospitals beds

she
a naked lunch
sumptuous
and willing betrothal
in a pearl satin gown
black lips glossed
hair red and purple
thighs and belly trussed

******* scorched and punctured
from incensed flames, teeth and ravaging kisses
eaten with panicked jaws
her **** torrid
a gushing river banquet
of blood black jam
chained and strapped
legs stirrup wide
feet silky glisten
for tongues and kisses

a candle light ritual
as she is copulated
by both sexes
and fed upon

Mercy
laughing like a loon
screaming
eat the feast
you lovely beasts

and half devoured
emerges
a blood perfume delirium
she all
writhing wet mouth drools
saliva like diamonds and pomegranates
back arched
withered from a blistering frenzy
her eyes a white glaring tempest
gone vacant
her mouth like licorice slur
gaping
frozen in a ghastly shriek
her belly nectar
oozing
as the very last of her
a rattled blood moon
surrendered
her remains
a crimson splat
in a wasting lament

matted hair
warm languishing mucous
scattered teeth
and a single smoldering
finger still  in flames
on a worn blood stained porcelain buffet

wolfed down
in the
house
of
Dragool

skull on a stick
black candle wick
draining her soul
cant let go

Dragool drinks deep
legends red teethed
burial chamber
prayers bequeathed

its all blood day
dark kisses bite
his ghastly bride
waiting for night
DULCET VAMPIRES ***
****** HORROR
FOR THOSE VOYEURS OF THE DARKLY ******
PK Wakefield Oct 2010
i,m electric. its, the pisshard light
crapping ugly vowels off the bulbs
on the stree tonthestreet spitting webs
of iridescent ridiculous tubercular scarlet
folds of loose legs
akimbo receptive culling frilly cotton
nets
about their thighs. their thighs crying
white dark femurs
blasting hot
on my i's. on my eyes. on my
   punch heavy brooding crumble
slashing the serious night air nightmare
night blaring
                        neon daughters
dna
         in little flecks
some cordial bums; laugh ******* nonsense
birds. they're a bottle away. a bottle away
a oblivion. sip sip. drink your soul away
     and rude the clean folks
passing on the asphalt rivers
   veining in the cold hot bright darkness
zebra Aug 2019
she kneels in a fire place
******* off a midnight entity
of deformed shadows
and hinged erections

rickety tickety tin
sang clutching muffin
in Neolithic fires
caressing
tinker toy femurs *** deep

a dark heaven chants
**** ghosts and gorgons
while sea witches and dwindling waves
like goat steps
edge twilight princess

Zex depraved lord
and lick my lips
crucify her spread wide
coiling vacant maidens
yielding angel hemic tides
in rituals of *******
skinned on scarlet pavement

as she is dragged
on her knees
where moaning thighs perch
on nailed sticks
like white picket fences
and invisible doors burn
she communes with oracles of lust
that incinerate rafts of solitude
windows slam shut
like shuddering robes of thunder

and a headless god
pours her glistening tears
over his arterial bludgeon

resurrection of eros
in the Golgotha
of swarming incubi

she called to hell
i am prey
rsc Aug 2014
What do I want now?
Desires come knocking,
door to door
vacuum-cleaner salesmen
pondering if I could
spend a dime of
my time deciding
whether or not to
allow my miles of
scroll and scripture to
get tangled together
with those of another
(again)
as I switch between playing
the role of the
consumer and the
mother
(again)

What do I want now?
Can I look to the stars
or consult the seeing cards?
I can't help but
sprint down the
slippery summer streets,
calling out the songs of
Renaissance bards when the
universe is singing our praises and
we're singing them back, oh
cut me some slack and
I'll cut you a track of
my latest attack on
society's lack of wanting to
wait and see what blooms in
the forest of discarded facts,
figures, and old slacks worn
by the dead while they
bury my head underground with
feet dangling in the air.

What do I want now?
Will the willpower to
state with a proud (and
preferably legs-spread-
shoulders-back-
neck-straight) stance that
just maybe I might be
better off with bug bites and
a bitter taste in my mouth when-
ever I see couples kissing than a
stinking fascination with the
feeling of fingertips on femurs and
eyelids fluttering in
metronome timed fervor.

What do I want now?
For lady luck to walk in
disguised as a molten lava
poltergeist with electric sides
pulling me in, my
north to her south,
to whisper, "Don't forget:
permission permanently granted to
project that voice and
protect that mouth."

What do I want now?
with fingers for lips
he slipped underneath
deboning human skin
strung up my ribs on the ceiling
under which we dangled
femurs and phalanges
on super strings
chiming 3-part harmonics
on black galactic wind
him, me, Everything
tender clinks silencing
floored motionless flesh
I was not bones, nor skin
but oms inciting orbital dance
spinning with him invisibly
with heartlids pinned back
pounding the key of eternity
Jackson Freeman Sep 2013
The stakes are higher than some of my
worst friends on herbal fire
because every time I toss a buck to
Luck,
that homeward bound ****
who sits outside my door
and whistles at golden ******,
I lose even more
of my soul
from which I shovel the monetary coal
that stokes my furnace
and keeps me humble,
earnest,
and whole.
I want to let the ***** man in
so I can hear him confess his sin
and let him attempt to begin
a transformation
into a muse
that I can use
to write my information.
I wish I could write
of ice cube light
but all that comes to wish me good night
are the kisses of blurred sight
pecked by the fright
born of hesitant insight.
A kiss.
A kiss.
More so a bite.  
Beggar,I beg of you
if you are true;
Whisper to my hands
the plans
you can have them to do.
Because I'm tired
of being a liar
who screams on soap mausoleums
and puts exhibits in false museums
of how his heart
goes into his art
but all he really adds is the ****
part of the flesh
stolen from the mouth of Descartes.
Were that Luck were behind
every inky tittle and line
I wouldn't have to waste all this time
trying to weave together this rhyme.
I want to be my muse.
For now, though,
she'll have to do.
V^V^V^V^V^V^V
She knows better than I.
She does, she does, she does.
She knows better than I.
And she,
my muse,
makes me want to die.
She does, she does, she does.
I give her my eye and
never
ever
does she return my sky-blue eye.
"You don't even want it!"
I cry.
I cry with my one eye.
Screaming and tears.
Screaming tears.
Tears scream, you know.
I like to put on little shows
with my lil' screamers
and charge love
and harlequin femurs.
Exchange for tickets.
Exchange for a show.
And I cry like a proper ringleader.
There's no business like show business.
There's no business I know.
A quality show
Would be my muse killing me slow.
Maybe with her poetry.
Maybe with her face.
Maybe with a knife
keeping sickly pace
with the beating
of the heart
of a headcase.
Or maybe with outer space
like rumors of second base
with black lace
cast off
with grace.
I want the world out of my headspace.
There's no room for her there.
She knows she can fit.
She does, she does, she does.
But I keep forgetting.
I do, I do, I do.
I hope she kills me slowly
before I do,
I do, I do.
I do.
m Apr 2019
the clavicle is my favorite bone
the clavicle is the greatest bone
turn off the tv // get off your phone
the clavicle is my favorite bone
femurs & fibulas // forget the rest
the clavicle is above your chest
the clavicle really is the best
the clavicle is my favorite bone
PK Wakefield Jul 2012
7 days for 1nce a month you're vermillion

taste like in the middle of copper thighs

2 lips magneticly parted

by 2 lips 1 tongue

and weeks a year you're like iron
and salt and copper reddish between
hunks of femurs pours a 12 times

dear, the crawling vapid sweet acidity
of 7 mouthfuls of queer drink surge
delightfully opaque crimson gallons of

         you

          r clefted

      love h

           eap

                    is



      the best kind of drowned
evin Mar 2013
these caravan walls
crave flesh,
eat residents
and bury their femurs
in dandelions  
growing up
from the front steps.
a boy
makes it past
the threshold,
but a man remembers
the blue eyes
and brown soil
where he planted
a garden.
some weeds
will never die,
and what he learned
of the world
is already wilting
in his glove-box.
most weeks
hope drives off
in semi-trucks,
leaving an americano
growing colder,
on counters
in cups
between hungry walls
made in the u.s.a.,
and ever blacker.



                   *mzf
PK Wakefield Aug 2010
. i
it's in (behind (and flittering)) the palisade of your *******
and empire of crimson beats 10,000 times more magnificent
than any razor of dawn slashing nights enormous throat
the precious pumping of its chambers sweltering majestic pulses
and from the ***** of your love comes galloping your aromatic
flavors. a tongue of passionate lilies bubbling incandescent. and
the habitual crescent of your lips. it,s loved more astutely by no other
save this I. dithering about the delicious hillocks bounding from
your ivory femurs. a blossom in the courtyard of your hips. more caressed
than
          . i
ahmo Aug 2017
i'm warmly lost in the absence of that aspiring red light,
as your heartbeat is still a stabbing pain in the side of my gelatin femurs,
losing visions of the rigidity necessary to live this life of ambivalent autonomy.

--

steel strings and fibers of teeth eating this flesh like a false promise of love,
i am a windowsill covered by a nebulous, translucent shade,
clothespins existing simply to taper my eyes from the pain.

the stars take no mention of this cynical cycle of self-doubt,
for they're lighting our hearts long after they've burnt out.

and your hazel kitchen recipes are hanging over the paint-chipped railing,
giving meaning to this heart,
a blood-stained peach in constant mourning.

break this furtive glass,
there is no light pointing home,
**directionless map
katie Dec 2013
These lightning bolts
these forks of electricity
what drove Billy Elliot to dance
is driving me to be happy

hunger pains;
the closest to magic ill ever know

the closest to wonder ill ever feel

5 or 6 days
no food
just numbers
just food

addicted to the pain
that crippled me in two
that sheds salt from my eyes
it means its working
all my hard work is paying off.
ill become skinnier
less of a beast
less of a fat ape
less of a life potato.

drop a few pounds
bragging about the time i fasted for 8 days and
lost 16lbs.
beautiful.

collar bones
jaw bones
ribs
hips
femurs
transform me.
PK Wakefield Mar 2011
guggle buggle
the skirts and muggles
meager or muddle
                                         like 2 tones
a twilight
       almost sweetly
a sweating majesty(it broke trebleing uncorked femurs
briskly pattering the swilling silt
the siltish swill
                                 )by a massive
the very sea was outward and upward and forever and ever and ever & E,V'eR;
            !
             '
            "
              .
                '
               "
            .
              ,
                   '
                        .
                  ,          
                             .  
                                        '
                                                    ,
                                                               .
Connor Reid Jun 2014
Stabbing
microwave film tops
forks & one minute
standing
impatience
picking at his lips
marbled insipid midnight
on ovals
pleasant, reaching
inside
black duffle coats
right handed rural esteban
a bunch of oddfellows
lifted up
excursion
hugging abdomen
with an almost
cro-magnon embodiment
with no one to talk to
or company to speak of
brilliant matted darting
causing a spillage
loose putrid peppermint
buboes & femurs
have no presence
has no presence
burrowed
momentary malebogia
denizen
99' strange amounts
clean lived war memorials
the monetised crucifix
the earth is alive
shapeshifting, spasmodic
pleasant pleasant sound
loose dripping glue
chestnut hair
cider sipped walls
frosty jacks & contains
foamed **** arrayed myriad
sirens prune
telepath
twelve fragments
Approaching
Lendon Partain Mar 2013
Suspended by eyelets, over delicate violets,
in the coat closet above my grave.
The marionette, of skeletons wrist,
layer together like clothes neatly hanging.
We divide up our lives, into green, pinks, and whites,
like my sixth grade best friends wardrobe hung.
But the guilt below our silk, displace dirt as earth spills,
keeps us nailed to pineboxes we dug.

Skeletons in our closet
While the parade of tendons follow bones.

Muscles drag our bodies, while our loved ones place our grave stones

The doors shut but we are digging
Our way out of this dirt

Clenching our ribs our femurs out hips
This basement emotions mirth

Collapse, dig down below the cave bottom trove
Of eyelids hung open starring at our motion while we try to gather our home

We put together skin to make us look better we staple our eyes opened up
Tie our veins back in to our circulation, inervate our brains to our thumbs

Piecing together after death has weathered our body's to frail specks of ****
The vultures can eat us but put back the pieces scab ourselves back together with dust
Skeletons in your closet.

— The End —