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Emmanuella Nov 2018
"I can’t figure it out.” She said.
“I like cigars,
and pretty dresses and crossing my legs.”
She paused,
then continued,
“And I like smoking cigars in pretty dresses while crossing my legs.”
She uncrossed them,
then crossed them again.
One smooth limb over the other.
Just like that.

“But I never seem to have a lighter on hand.
Could you— sir,
please light my cigar?”
“You see, I have no pockets to hold such things and my purse…
Well,
You’ve confiscated that, haven’t you?”

“Thanks.” She breathed,
and inhaled,
and exhaled;
Sluggish wisps of smoke dissipating into the air.
Just. like .that.

“I didn’t know L'homme was into women who smoke cigars in pretty dresses while crossing their legs", She said.
“I mean, how was I to know?
I only noticed him noticing me.
It was probably the way my hair was tousled like so,
Or how my lipstick shone a deep, dangerous rogue,
Or the way I sipped at my champagne…
That made him walk over.”

“But I never asked him to light my cigar
Or comment on my dress…
Or stroke my legs.
So when I whacked him up top over the head with my glass,
I bet he never expected it to shatter and split his skull like so.
He dropped so sudden, sir. I…”
Another ringlet of smoke, a sigh, an uncrossing and crossing of legs again.
“I had no clue,
what else to do,
But to sit still in my pretty dress, with my legs crossed, smoking my cigar trying to figure out...
Just how I'd committed ******.”
"She's a dangerous woman...
Who can ****,
Just with her *** appeal".
Jade Sep 2018
As women we are conditioned to love what breaks us
Because unconditional love isn’t a skill to be cultivated,
It’s an expectation we so painfully fill.

As women we are told that there is meaning in our silence.
That our beauty lies within what stays untold,
That our voices limit our inherent value.

As women we must mold ourselves
Into one of a hundred cookie cutter
Versions of the same person that
We deem an acceptable form of femininity.
They tell us that this is our identity
When really it’s a way to make ourselves
Palatable.

As women we must apologize for conformity
And we must apologize for breaking away.
The female population lacks the luxury
Of confidence without judgement
Because we fear it won’t make us as simple.

As women we are tailored to please the world.
The burden we carry aches with all of the moments
We wish we could have done something different and didn’t.
I am tired of the rules.
I am tired of the chains.
This is more political than my poems usually are but whatever
k lardiere Apr 2019
my god is femme.
she is desert
                    moon
& every lone star.
she is fresh, roast hazelnuts
& breaks
                law  :  defiant
crystals slumbering
at the bottom of my mug.
she is both,
                      first
sip after sleepless nights
& the night     :     the day.
my god never
     rests, never
                      dies.
she is both,
       & always        
                        last.
ghost queen May 2019
which one was i, the meddlesome moth or the bumbling butterfly
was i instinctively drawn, to an open flame, on a lonely night
or, caught in intricately, meticulously, woven spider’s web
how could i avoid either fate, all men are dumb and succumb, as did i
both end the same, in death, only one is fast, the other slow
how sweet it was, to have kissed her lips, to have been, her lover
Samantha Cunha Nov 2018
le femme
noir
dreary nights
away
from
me
boudoir
silhoutte
black
man
of mystic
down
at the track
lures me
to his
dungeon of black
his heart
beats  null
mind is dull
sings me to lull
while he
plants
seeds of
poison
in my soul
Jordan Rowan Feb 2016
There's gods all around that pound you
While the men in high heels surround you
How much longer 'til they've found you?
Suzy, do you know what you've done?

She had her ways of seduction
A femme fatale if there ever was one
A high class killer and a smart one
But everyone fails once or twice

You spent the night in the hacienda
Curled up on the white veranda
To kingdom come they'd like to send ya
Suzy, do you know you're on your own?

The sun will rise tomorrow
Do you need some time to borrow?
Listen to the morning swallow
You've got to come up with something quick

How does it feel to be a rebel?
To wake up dead next to the devil?
You've got one more deal left to settle
Suzy, I hope your aim is good

Is that smoke in the distance?
Is it a campfire or an instance?
Is there anyone out here to witness,
Whatever Suzy has up her sleeve?

The gun that she carries
Belongs to the man she married
And tonight, along this lonesome prairie
Suzy will meet him once more
I’d burnt out of the city, the long hours, high pressure financial job; and the uptight, high strung, high maintenance girlfriend. I’d walked out and away from the mess that had been my life, and found this place, far from it all, where time slowed, almost crawled, where there were no expectations, no schedules, no rules. Life was lived minute-by-minute, never giving a thought to what had to be done tonight, tomorrow, or for that matter, ever

I’d flown in to the frenzied capital, rented a car, and made my way out of the beehive, towards the Caribbean coast, buying a map and following the road eastward, not knowing where I was going, or what I had in mind. I just wanted to get away, to be lost in the jungle.

I would know the place when i saw it. It would feel right, like rain on a warm afternoon. I reached the coast, drove south, stopping at every village and bar along the way. There were barely any tourist, not much to see, no white sandy beaches, no ancient ruins, just countless impoverished fishing villages and family run kitchens to feed the locals, the fishermen, and occasional daring tourists

Night was coming. I stopped at a village, found a kitchen by the shore, and ordered my usual, casado and una cerveza; my favorite. I asked the house mama for a room. She said they didn’t have rooms, only hammocks on the edge of the shore. I paid for the meal and a hammock. A girl took my hand and showed me to the hammock. The fisherman were already asleep in their hammocks, their boats shored, nets folded on the side, ready for their early morning foray into the turquoise sea.

I woke, gently, to the sun brightening in the sky. I sat up, feet hanging off the hammock barely touching the sand. I got up, walked to the kitchen and sat at a table in a make shift court yard, palm leaves shading me from the sun, swaying slowly to the warm sea breeze. The house mama brought me gallo pinto with cafe con leche. Nothing had ever tasted so good.

I got on the road, driving along the coast, to my left was an endless expanse of turquoise to the horizon, to my right, unbroken wall of jungle. I drove nonstop, till I got hungry and stopped at a village for gas and lunch. I walked into the trading post, and looked around. There were all sorts of supplies remote villagers and fisherman would need. On a whim, I bought a hammock, machete, water, canned goods, and beer, what I thought were all the essentials.

I pulled out my map. There were no towns along this section of the road, only the occasional village. I was going to find a stretch of beach, setup camp, and chill, gazing out to the horizon until the sun set.

I drove slow, checking out the beaches for a place to camp. The shore was a continuous, nondescript, pale brown, until i rounded a bend and the view opened up to a cove. Through the palms, I could see a black sand beach. Intrigued, I pulled the car to the side of the road, and hiked down to the beach.

It was surreal. A secluded cove, black sand, fallen trees in the surf, the bark worn away from the abrasive sanding, branches reaching into the sky as if pleading for help. It was beautiful and eerie. But underneath it, I had a sense of foreboding. I couldn't figure out why and let it go, as I had found my little piece of paradise.  

This was the spot I was looking for, far from the villages, secluded, isolated, unworldly. I unpacked my stuff, opened a beer, setup the hammock, and settled in, slowly, eventually, falling asleep.

I awoke at twilight. The temperature had cooled. If was comfortable, slightly balmy. The sun had set, the moon risen, hanging over the turquoise sea, casting a long reflection to the shore.

I looked out over the water, saw something, a shark, a dolphin, breaking the mirrored surface, probably hunting the shoals for food. I dismissed it, and thought twice about going for a swim.

I saw it again, this time close to shore. I watched, curious, hoping to get a better view, when I saw a head, a human head, slowly bobbing up and down. I got out of my hammock, walked to the shore to get a closer look.

I looked out and saw eyes. The eyes of a woman looking intently back at me.  An uneasiness rose up inside of me. What was a lone woman doing in the water, in the evening, this far off the beaten path. She wasn’t thrashing, screaming, just bobbing in the water looking at me.

She disappeared under the water. I watched, waiting for her to reappear. Was she a scuba diver? She reappeared, this side of the break, half her head protruding from the water. I could see her hair, eyes, and nose. She wasn’t bobbing, but kneeling in the the water.

We stood there, looking at each other. I didn’t move, didn’t want to scare her away. She moved closer to shore. I got a better look at her. She had black hair, tanned skin, and big eyes, like those of a Japanese anime character. I didn't understand, what to make of her eyes. I wanted to back away, get some distance between me and her, but I didn't. I was frozen in place.  

She stood up, slowly, the water dripping down her hair, shoulders, chest. She was naked, tall, slim, with an hour glass figure and full, firm *******. She had the body of a goddess. She slowly walked up the beach, the full moon clearly visible behind her. I could see the rest of her, curved hips, long legs. She was a fantasy, walking out of my dreams into reality.

She walked up to me, stopped an arm’s length away. I looked into her eyes. They were big, beautiful, turquoise green, like the color of the sea behind her, but most frightening, her pupils were vertical, like those of a cat.

I was afraid. My gut told me to run. Another part of me was intrigued, worst, turned on, so I stayed, frozen in place. She had the beauty of a goddess, I was entranced, I knew it. She knew it.  Her right hand slowly reached out to me, touching my cheek, gently. Her eyes looking into mine for a reaction. I was getting flushed. My heart was racing. My breathing fast, a mixture of fear and lust. She put her palm around the nap of my neck, slowly pulled me to her, tilting her head, and kissed me, softly, gently on the lips. I started kissing back, getting aroused. She put her arm across my small of my back and pulled me into her, my body pressed into hers, i could feel her softness, warmth, inviting, and comforting.

I put my hands on her hips, sliding down to cup her checks. She started to kiss me more aggressively, sliding her tongue in my mouth, ******* my lower lip into her mouth and biting down hard. I could feel the lust and passion in her kisses, i had succumbed to her seduction.

She lowered me down gently on to the sand, straddling, kissing me ever more fervently. She started buttoning my shirt, then ripped it open. She slide off my shorts and mounted me, sliding down to bottom of the shaft, rocking back and forth, her hands pressed against my chest. Her moans were soft, spasmodic, as she tilted her head back. She increased the intensity of her rocking, her moans grew louder, more intense, lustier.

Her beauty was intoxicating, her moans exciting, her every rock getting me closer, amplifying my arousal, till I came, convulsing in her arms, in ecstasy.

She rolled over, flipping me on top of her, making sure I was still deep inside her, a slight smile of satisfaction on her lips.

She laid her head back onto the sand, as I slide off her. She got up, looked me in the eyes, than started walking towards the water. I got up, following her. She walked deeper and deeper in the ocean. I kept following, wading deeper in the water and into danger.

When the water reached her waist, she dove in the an coming wave and disappeared. I expected her to surface, but she didn’t. I walked faster, then paddled, then dove after her. I swam out, beyond my depth, past the breakers. I treaded water looking for her. I swam out further, knowing the danger.

She reappeared, bobbing in the water, looking at me expressionless. Her eyes said everything, seducing me to her. I swam towards her, as she swam away, going further out to sea. The water got deeper, bluer, colder.

She stopped. I caught up to her. We floated looking at each other. She drifted into me. Kissed me. I put an arm around her waist and pressed her into me. I wanted her, have her, forever. I knew she was magical, a fae, a mermaid. I didn’t care. I wanted her more. I was oversensed, no longer thinking, just feeling, wanting, desiring, her, all of her.

We sank into the water, entwined, embracing, kissing. I couldn’t get enough of her. I wanted more. I needed air, but ignored it, preferring the euphoria of her body, her magic. The need grew, becoming uncomfortable, more urgent. I stopped kissing her, let go. She held on, tightening her arms around me. I pushed against her, trying to break free. My lungs on fire, my mind in panic, I thrashed against her.

My vision faded, my body relaxed, I went flaccid, as peace came over me. She kissed me, as I convulsed, a final time, in her arms, into death.
I'm a **** in silverfoil
with an outlaw's Excaliber.
Bottle of Moet,
I'll glass 'em like a poet.
You don't seek my mad company,
but should you meet bad company,
don't woz your pretty head over secret ingredi-
ent in my  Punisher's Pigfeed.

Coz you gotcha self a guardian stalker,
gotcha back, aintcha noticed
how all of your opponents slowly
grace missing posters?
Guardian angel taking out his frustrations
on your every enemy: you don't know you need me.
Coz every kiss I miss I gulp to my fist,
every yelp  of my heart
calls for a friggin' riot!

Sometimes you feel me on the night,
your own personal Dark Knight.
I firebombed Brighthouse
- why didja think that tumbledryer was on the house?
I won the war of all your stalkers,
but last code red cost me a cold blood rap.
'Cherchez la femme'
my ooh-la-la Remoaner
Knox Road tat. Reminds me ...

I'm your guardian stalker,
I went bit Christopher Walken
on your daughter's bully's father
in a black balaclava.
Guardian stalker, you know
that ****** dogwalker  
found sleeping with the ducks
- I did it for you, Fido too!
Coz every kiss I miss I gulp to my fist,
every yelp of my heart
calls for a friggin' riot!

Guardian stalker, uh-huh! Guardian stalker o' her!
Guardian stalker, uh-huh! Guardian stalker o' her!
You can't **** a man who's already been killed by love.
You can't **** a man who's already been killed by love.
Emergency convening of COBRA
can't **** a man killed by love.
Even Walker, Texas Ranger
can't **** a man killed by love!
Knox Road = Norwich prison
Donall Dempsey Aug 2018
C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Marie Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie l

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weill's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
Paul Hansford May 2016
~ ~ (on front of envelope)

La lettre que voici, ô bon facteur,
Portez-la jusqu'à la ville de NICE,
Aux ALPES-MARITIMES (06).
Donnez-la, s'il vous plaît, au Receveur

Des Postes, au bureau de NOTRE DAME.
(Son nom? C'est MONSIEUR LUCIEN COQUELLE.
Faut-il vraiment que je vous le rappelle?)
Cette lettre est pour lui et pour sa femme.

I won't lead English postmen such a dance;
Just speed this letter on its way to FRANCE.
Sender's address you'll find on the reverse.

~ ~ (and on the back)*

At Number 7 in St Swithun's Road,
Kennington, Oxford, there is the abode
Of me, Paul Hansford, writer of this verse.

- - - - - - - - - - - - -
For non-speakers of French, the first bit goes approximately -
"Dear Postman, Please take this letter to the town of Nice, in the département of Alpes-Maritimes, and give it to the postmaster at the Notre-Dame office. (His name? It's Lucien Coquelle. Do I really need to remind you?) This letter is for him and his wife."
More expert readers may notice that this is written in pentameter, whilst a real French one would have been in hexameter, with twelve-syllable lines.

BTW, this is from the archive, so the addresses are no longer current.
Cordelia Copson Mar 2016
like demeter, my mother wept when i fell in love
she saw me folding in on myself
and grasped my hands in her
and begged for me to come back to her.

i can't stop seeing girls falling in love
and never coming back from it
everywhere i turn they are dying
or killing each other

when i was thirteen my teacher
called me a femme fatale
and i saw the wide eyes of boys
following me around after

and i was looking at her.
the love stories were telling me
that i could never be loved back.
the love stories promised me pain.

but when i was younger i begged gerda,
to let kai go. stay in the garden.
let the roses lie. let him have his loss
please persephone, wait a little while
Evan Stephens Jun 2019
Des champs de caramel dans vos yeux
la vapeur de la beauté tout autour de vous.
Le foulard de nuit vous enveloppe,
les manches du jour sur le sol.
Ville froide, ville chaude
ville du cœur
vous êtes un citoyen universel.
Je suis votre cartographe,
votre biographe,
votre poète de nuit.
Je présente votre chanson au piano.
Femme caramel
quand ton cœur s’ouvre
c’est moi qui suis là
avec une bouteille de vin
et un cierge.


"Caramel fields in your eyes
the steam of beauty all around you.
The night scarf envelops you,
the sleeves of the day on the ground.
Cold city, hot city
city of the heart
you are a universal citizen.
I am your cartographer,
your biographer,
your poet of the night.
I present your song to the piano.
Caramel woman
when your heart opens
it's me who stands
with a bottle of wine
& a candle."
S Nirmal Kumar Nov 2018
Amazing deals and discounts
Twinkled
Semi-clad mannequin
JaxSpade Dec 2018
On the poetic hills
Of love

We ride along

   Pushin'
Fighting

       For the world

We're building the strength

For it
    To fall

So we could get back up again
                                   And love
On the poetic hills
         Of bacchanal

Partys
    and
          Laughter

              In alcohol

Naked under our clothes

We ride along

   Pushin'
Fighting

       For the world

We're going to be strong
When everything goes wrong

And smile
When everyone is back
      In eachothers arms

While she puts on
Those poetic heels of love

We ride along

Pushing and fighting
      For mother earth

On the poetic heels of femme fatale

We write along


    we
          write
                       along

On the poetic hills
                        of love…





















ride.
Oppai tashite kuremas kudasai itte kure wa
Sono dashita teme nani itteru kure ko no imasu
The freedom of the dovideja, and the femme frames of the mirror
Of the Tarkovsky and glass notes of wave cuts, remember
Samantha Cunha Oct 2018
Dream worlds
are dangerous
for the tortured soul

A captivating space
for a femme fatale
With a gaping
black hole
In her heart
& her mind

Trouble may diminish
But it comes back around
I do find

So
I’ll walk the path
Even if alone

I walked the line
It wasted my time
It dimmed my shine

I'll walk the path
I’ll do it alone
Pour savoir le jour et l'heure
Où tu es plus portée à l'amour
J'ai entrepris la lecture des Secrets de l'Amour, du poète Koka
Et je sais désormais que tu es femme-lotus
Volupté Parfaite comme il n'en existe qu'une sur un million
Tu me provoques, tu me charmes, tu me fascines
Tu me subjugues, tu es ma Muse, ma courtisane de haut rang
Tu possèdes les soixante-quatre arts libéraux
Et les trente-deux modes musicaux de Radha,
Amante de Krishna,
Tu es multiple de huit, ma biche-jument-éléphante
Tu es magique et ensorceleuse
Tu t'appelles Padmini, Ganika
Tu es espiègle , tu es folâtre, ma Nanyika
Avec toi je peux m'unir sans péché
Ma pudique impudique
Car tu sais tout ce qu'on peut faire
Quand les lumières sont éteintes
Et les passions enflammées.
Tu sais apprendre à parler aux perroquets et aux sansonnets
Tu pratiques les combats de coqs, de cailles et de pigeons
Tout comme les combats de la langue
Tu sais faire un carrosse avec des fleurs.
Je ne sais encore si je suis homme-bleu, Homme-lièvre ou homme-cerf
Moi qui me croyais homme-raccoon,
Homme-orphie et homme-mangouste
J'ai baisé l'image de ton ombre portée
Sur l'oreiller rose ce matin
Un baiser de déclaration
Un plaisir sans merci et sans trève
Que ton ombre m'a rendu
En me besognant
De la langue, des mains et des pieds
Et de toutes nos parties honteuses comme honnêtes
Baiser pour baiser,
Caresse pour caresse,
Coup pour coup,
Corps pour corps,
Yoni pour lingam !
Que d'égratignures tu m'as infligées de tes ongles acérés
La patte de paon et le saut du lièvre
Me marquent à jamais
Et je t'ai imprimé sur ta chair la feuille de lotus bleu.
Et de morsures en morsures
J'ai saisi avec mes lèvres tes deux lèvres
Tandis que tu jouais à me saisir la lèvre inférieure.
Si tu rêves comme moi d'impudiques amours
Si tu rêves comme moi d'écrire un nouveau chapitre
Aux huit cents vers du Ratira-Hasya,
Les Secrets de l'Amour, du poète Koka,
Retrouvons nous en congrès, veux-tu,
Avant que l'été ne s'achève
Au congrès de la femme-lynx-lotus et de l'homme-raccoon-mangouste
Si tu rêves d'impudiques amours
Si tu veux que je chante ta semence d'amour
Ton kama solila, mélange de lys et de musc.
NC May 2019
Qui entendra mon cris du cœur, ce léger frisson dans la nuit?
Quand comprendrais-je que je n’étais qu’une bouche où il a pris appui?
Recroquevillée dans ma douleur, la musique pour remplir le vide des promesses oubliées.
Ressassant le passé, croyant y trouver la réalité qui me rendra ma vitalité.

Rien de plus qu’une chair humide et naïve,
Maintenant mes sentiments se mettent en exil.
Mon corps et mon âme s’emportant au rythme de sa vigueur.
Devenue femme au gré de mains pleines de douceur.
Des mots ravageurs pour faire mourir l’innocence.
Une nuit remplie de souvenirs à jamais synonyme de souffrance.

Une lourdeur noire écrasant ma poitrine.
La vie est bien plus belle de l’autre côté de la vitrine.
À bout de souffle à force de me battre contre mes propres pensées.
Tout en moi se met à dériver vers ce tourment de culpabilité.
Sois sincère et soucie toi de moi
.chris rea: god's great banana skin...

/ such random thoughts are a blessing, esp. after you've been walking for over 2 miles, in the cold and in the rain, with the setting sun... continually impressed by the nature of polyester clothing, how you feel the cold, but aren't cold at all, how you go back home and: you're dripping with sweat... /

the random thought?
about a saying, here's the schematic

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

which statement is true?
within the questioning parameters?
i think it's a trick question...
how else would you be able to
teach these statements and make
replica understandings of
said, statements?

(****... quickfire shots of syrupy
*****... **** me... give me the sweats,
and i'm not even constipated,
it must be the ***** doing
the magic... yeah... sober me?
doesn't like thinking...
but oddly enough, the drunk me?
pulls out philosophy,
no, not as some pretentious
high-brow interest...
   i just looked at philosophy as
a genre in literature,
nothing more)...

numbers, like letters...
or in the case of Roman numerals
(letters are numbers)...
i'm unsure whether you can arrive
at crafting them into existence
by analytical parameters,
i don't actually think
that you can conjure up numbers
from analyzing a priori,
given the ad continuum:
but... there was a point in time,
when / where: numbers weren't used...

Kant was a theist,
sorry...
  he says it plainly at the end
of his critique of pure reason...
in the transcendental methodology...
sure... he takes a "schizophrenic"
moment to write a thesis
and an antithesis on subjects like
cosmology...
but he's inclined, as i am,
counter to an atheist...
yes... god is probably a monster...
but a ******* gorgeous monster...
kinda like a femme fatale...
so what's not to like?

    but this thought didn't arrive
randomly,
and my consciousness
didn't hone in on it...
i didn't vector this thought
to an immediate conclusion...
the thought arrived,
and then: i had to make shrapnel
out of it...
the original thought was complex,
i had to make shrapnel out of it,
in order to put it back together,
so that a cognitive 3 seconds
could be rewritten in under 30 minutes
explaining, why the thought arose...

you know... when thinking
is detached from the moral (θ)-ought
you get to experience these "things"...
here's another schematic...

I + Φ (you put a key into a lock),
   Θ (you turn the key), O (the door opens),
hey presto... a free radical iota...
detached from both phi and theta...

i am free from making
a moral ought (i) or the immoral: ought (i) not?
i'm free, hence my concern for...
abstract questions...

back to the original schematic...

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

this actually has a theological
dimension,
supposing i am god...

   if i propose an analytical a priori
with a synthetic a posteriori...
well then...
             i can't change anything,
i can't actually make changes to...
with my omnipotence,
omniscience etc.
i already analyzed, a priori
the Kantian elevation to theology
comes, via me, stating...
if i analyzed the entirety of
creation...
            a priori ex nihil
(from the prior out of nothing)
how can i make a synthesis
in the a posteriori domain,
of the already existing things,
which didn't exist a priori,
since there was nothing,
and i already analyzed the potential
of nothing, and this potential
was realized as everything i would
know to exist... and i went along
with it anyway?

i'm starting to think that
the realm of analytical a priori
doesn't exist for mortals...
the gods can muse this ****-show
of a dimension over and over again...
we're more (being mortals)
synthetic a posteriori...
oh don't get me wrong,
i believe we have the capacity
to comprehend analytical a priori
but it's an analytical a- priori...
we've reached the limits
of the microscope, the telescope,
and the hadron collider...
or on our way to exhaust that...
still being left with an intact mesh of...
the orbits... summer, winter, autumn, spring...
but this thing with this schematic:

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

how can i conjure an understanding
of IV + VI = X...
analytically a priori...
when... i have no hindsight /
prior to understanding of said rubric?
well... with Roman you could say:
analytical a priori,
given the Ancient Romans already
had the letters I, V, X...
but... if you didn't have the concept
of measurements prior,
of arithmetic...
how can you analyze something...
that doesn't exist?
so... you had to synthesize a priori,
working from the letters I, V, X...
to conjure up "numbers"...
  numerals... you had to create these
numbers by a synthetic a posteriori
method...
and the 4 + 6 = 10...
        well... you analyzed the a posteriori
synthesis, and threw I, V, X out...
and began the second wave of mathematics...
and this is where, authentically...
analytical a priori comes from...
based on I (1), V (5), X (10)...
                    came IV (4), came VI (6)...
don't mathematicians treat their language
as that of or equivalent to the gods?

now... for the cultural exchange program
that i promised...

on the great British isles...
you have a variety of languages
& dialects,
i'm so sorry that the Scottish
"forgot theirs"...

but when you have something
akin to

English: red
Cymru: coch

or right... they have their Pict
Gael?

Pict Gaelic: dearg
Irish: dearg
Cornish: rudh

we'll require a second word...
what word, what words..
life!

English: life,
Cymru: bywyd
Pict Gaelic: beatha
Irish: saol
Cornish: bewnans...

back, "home"...
we also have sub-groups
in terms of linguistics...

there are the Kashubians...
and there are the Silesians,
and, there are...
the Kurpie...
akin the Welsh, the Pict,
the Ire,

and their language looks like so...
again, borrowing from
red and life...

Polak: czerń
Kashubian: czôrny...
  but that can be disputed...
why?
     czerwień is not actually
a noun, but an adjective...
a quality of being associated with red...
czerwony? that's a male
adjective...
   and the female adjective
is czerwona...
                ****...
a color has to be something...
the noun adjective that's blood...
Polak: krwawy (czerwony)
Kashubian: czerwiony
Silesian: čerwůny
ah...
   Kurpian... high polish?
Masovian?
harder to find the words...
have to use alternatives...

Kurpian: caban
Polak: tępak
Kashubian: osoł
  Silesian: yjzel...
(idiot, imbecile)

you know how hard hard it is
to find a Kurpian to Polak
translator?
i can't find one to boil down
to the examples or either
red or life,
i'm reduced to choosing other
words...
like...

   Kurpian: chwat...
Polak: chłopak
Silesian: bajtel
Kashubian: knôp...
(boy)

Kurpian: jédło
Polak: jedzenie...
Kashubian: jedzenié
alternative to Silesian:
  jadło, i.e.: it ate...
past-participle in
the verb...
let's see what the Silesians
call it...
Silesians: well.. a variation..
chlyb
godka
mietła
masa... all things you can eat...
(edible food)

only a word, like the Kurpian
word akin to kotnå
reveals that Vikings passed via "us"...
kotnå?
  an impregnated sheep...
with young...

Kurpian: łańï truń!
Polak: nie mów!
Kashubian: ni gôdac!
Silesian: ńy godka!
(don't speak!)

mind you... Kurpian translation
is hard to find...
and you almost wonder...
at the British isles...
you think, us, Polaks...
do not have sub-linguistic groups
in our ranks,
like your Welsh, your Pict,
your Irish?!
guess again...
you had them all along...
and you thought...
the Polaks were
a homogenous culture...
all this time...
primarily because our culture
wasn't multicultural...
oh but it was... but on the subtle side
of history...
mind you...
defenders of the galaxy?
i knew gamora wasn't white...
but... **** me...
even if black or hispanic...
she looked so **** attired in green...
i was thinking:
absinthe cherub, absinthe cherub...
and forgot about glorifying
Zoe Saldana in all that choc...
what?
   a green skinned chic?
                    if i can forget about
the existence of chocolate...
i'll just anything that moves...
but i knew she wasn't white...
i hate chocolate...
          give me an absinthe girl any
day of the week...
       yeah...
only the English have complex
ethnicity encompassing
a single language...
only the English...
                 like **** they are...
at least my linguistic variation
is suited to a bundle of words...
Welsh?! Gaelic?!
  completely different languages...
at least in my part of the world
all that is deviating
is a choice of variant nouns!
but then again, the English
speaking world....
        how's the new pronoun
dictum coming along?
you keeping up with...
   appeasing the new crazies?
oh... you are?!
    well... kudos and applause!

p.s. guess what happens with appeasing
the new crazies... guess...
i'll tell you...
you **** around with grammar,
some grammatical pedant will raise
his head up from the crowd and say
something like:
               what?!
and then the old crazies rise up...
and... your, ahem, little discussion
about changing the rules of grammar
to "ensure" that the language is
kept, "intact"?
      see... mm... hmm... the old crazies?
the old crazies have their own
methods...
they're of the obligation:
let my gun do the talking...
  and then...
  you get pol *** arithmetic,
of skulls...
           being counted in an abacus
of heaping up, "debris"...
         see... these new crazies
are bugging me...
  they're bugging me...
because the old crazies didn't
attack grammar,
and whatever delusion they had...
i couldn't see it...
the new crazies?
they're attacking grammar,
and the delusion they have...
is... associated with something
i can see as being self-evidently untrue...

the new crazies...
******* spinners... fakers...
    i prefer the old crazies...
at least their delusions had ambitions
to deceive in the realm of
the unseen...
       the unproved, and never to be
proven...
these new crazies...
i am supposed to speak asylum talk?!
so... society is the new asylum
with the past asylums being
abolished?!
who gave caffeine to these news
crazies?!
******* sane people's naive pandering...
while the depressed man?
hey boy... hey, hey, hey boy...
noose!
i've lost all sympathy for
the victims of a psychotic
version of a repressed P.T.S.D. example...
the mad have hijacked language,
disorientated grammar...
and... b'a'ah, b'a'ah...
                 no...
                              i'm with the old
crazies...
                    at least they're the ones
that can inflict genuine grievance...
rather this policing of restricting
     the orthodoxy of the use of language.

p.s.
i found only two paradoxes in this
world...
    schadenfreude: feeding a pleasure
from the misery of others...
as...
  finding wisdom in others' own
forsake of an antithesis of
universal application...
  mainly that, associated:
            to a self-gratifying benefit...
the joke ends within the confines
of schadenfreude...
as does passable "wisdom" attached
to instragram novelty of the "maxim"
by your wisened sages
of the selfie...
  
                  i've been among the russians,
i know what the true uber looks like...
you hitchhike...
hitchhiking? forget that?
ponzie scheme albatross thingy
of a worth of a british mensch?
    funny... a people can so easily
forget the practice of hitchhiking...
so easily: entertaining individual rights...
and: innocent until proven
guilty until some next
               teddy bundy comes along...
and then it's all: ooh! ah! woo'ah!

   you know, i don't like the cartesian
chiral dynamic,
the whole: nietzsche take...
sum ergo cogito...
          i don't like the:

innocentes quoadusque (qua esse)
                           reus....    inversion...

an innocent man might hang...
well... if you have the death penalty:
too late to regurgitate the
original statements...

but? where's the element of redemption
for the innocent man?
why are so many people captivated
by the shawshank redemption?
there's a redemption story...
   in the inverted game?
a jimmy saville walks off scot-free...

the continental model doesn't make
sense with a death penalty...
but without one?
redemption... the atlas "paradox"...
one man usually burdens the fate
of a reciprocate of the unit of one...
but not the many...

me getting laid or not getting laid
is as important to me as:
whether i know about last year's
snowfall...
*** *** ***... all that sort of
******* in the western minds...
*** *** but no children!
recreational procreation without...
any procreation... to begin with...

         i'll admit...
english humour is funny...
but schadenfreude is a borrowed term...
hence the lost in translation
element...
           the english are terrible at
appreciating if not simply applying
the original zeppelin bomb...
after a while: the english just became
annoying toy-whips
of ***** replicas...
       the english knew elevated slap-stick...
with monty python...
with fawlty towers...
          they borrowed a term like
schadenfreude and completely lost the plot...
they once, upon a time,
chanced to play a game of linguistic
comedy...
            
                 i'm pretty ******* sure
the germans relate to schadenfreude in a different
way... i'm guessing:
the deutsche are not prone to ridicule as
the english are...
               the aunglisch are prone
to ridicule out of a sentiment of spite
than out of a repose for giggles...
        
          i don't understand the german sense
of humour,
     but understanding the english attempting
to "understand" the german sense of humour
is an enigma in an enigma in a per se...

such integrated back into
the ol' continental ways...
                       kudos to the brits...
bringing back the commonwealth to stereotype
us europeans with a negative "circumstance"...
now them: ******* up to "correct"
their integration policies... for the commonwealth
peoples of the united wordly wealth of
made in china plastic toys!

     a **** among the brits has
the audacity to tell a german he's not
supposed to feel at home on these isles...
sure... and i will never feel quiet at home
in Islamabad either!
               so? equal count of hubris!
that's the only thing that ****** me about
these isles... god i love this language...
but... when you get your afghani hounds
on me to do your ***** work?!

      even though i'm not: deutsche?!
i'll ******* pretend to be deutsche!
           i'm not here to mop up your failed
integration policies...
i settled on keeping my language...
they settled on keeping their sharia,
their **** pajamas and curry...
while adamantly rejecting their language...
in order to implement their desired changes
by subverting your language...
and you gave your language on a *******
platter...
    
    by subverting your language
to accept their cultural tattoos...
  let me tell you: if a people don't respect
their own culture,
by way of god, by way of language...
and they are "integrating": without speaking
their native mutterzunge?
they're not respecting either culture...
mongrels ahoy!
   what happened to the african-h'americans
not speaking a word of african?

what will they do, ascribe themselves
to ******* scots,
left with no gaelic and more a finnegans' wake
accent gymnastics of some irvine welsh?
nae for no: some glaswegian smart-***
excess of nouns?
      
hell... they would have never built
a colliseum if they saw:
1 + 4 + 6 + 9 = 20
   i.e. I + IV + VI + IX = **
            imagine... a society where letters
worked perfectly as sounds
and as arithmetic concepts of measure.

lucky for me the roman empire never
conquered
the lands i come from...
always with the brits being...
oh so so proud having been conquered
by the romans...
what's the prize... archeological sites?!

much respect as great britain...
but... *****... please...
don't pucnh below the waist...
importing your commonwealth dogs
to mark you out among all the other
europeans like some prized asset with
an inkling into h'american affairs...
thanks to you: i'm bored of looking up
the telescope of h'american ****
with their waning cultural export
of a worthwhile entertainment of appreciating
their music.
Julia Apr 2019
i’m figuring out my sway
how to center night and day
like the first steps of a trembling fawn
or the breaking of the dawn

i’m testing out my bpm
counting my minutes for Them
i’m getting licensed now
it’s the only way we know how

i’m deepening my roots
putting nicks in my new boots
i’m feeding from the gem
sacrificing zero femme

i’m reaching harvest soon
just in time for harvest moon
sweetest peaches tell
Him how to understand my spell
Samantha Cunha Nov 2018
I  warn
the lost soul
solemn on
the winding
road
for he
mustn't
follow
the muse

I speak
*****
syllables
of truth
and
proclaim
the muse
is fickle
Selfish
& wanders
lost
seeks
yet
never sought

You will
awake
in a field
of
alluring
roses
a
snake
slithering
in the
garden
with a
venomous
bite
& with a
rush
so enticing
yet deadly

The muse
Is a
femme fatale
an alluring
Temptress
of the night
seeking the
tortured
artist
like you
& I
Je festine ici et là
Je festine dans l’au delà
Je festine indécemment
Ma sauvage est de retour.

Je m’accouple aux vents boucs
Je m’accouple aux pluies vipères
Je m’accouple diaboliquement
Ma sage-femme est de retour.

Je sodomise les mares crapauds
Je sodomise les fleuves lézards
Je sodomise exécrablement
Ma guérisseuse est de retour.

Je blasphème aux solstices
Je blasphème aux équinoxes
Je blasphème scandaleusement
Mon infirmière est de retour.

Je me venge en la noyant
Je me venge en la brûlant
Je me venge insidieusement
Mon hérétique est de retour

Je cours après tous onguents
Je cours après tous poisons
Je cours brutalement
Ma dénaturée est de retour.

J’aime sa danse surnaturelle
J’aime ses pas diaboliques
J’aime ardemment
Ma forcluse est de retour.

Je caresse le soufre de son âme
Je caresse son pied gauche
Je caresse amoureusement
Ma Maligne est de retour.

Je m’accointe à sa lumière
Je m’accointe à son derrière
Je m’accointe horriblement
Ma pécheresse est de retour.

Je badine avec la lune
Je badine avec les étoiles
Je badine imprudemment
Ma prêtresse est de retour.

Je pèche des poissons capitaux
Je pèche des poissons capiteux
Je pèche lubriquement
Ma catin est de retour.

Je vénère les toisons
Je vénère les vipères
Je vénère précieusement
Mon dragon est de retour.

Je me frictionne l’entre-deux-jambes
Je me frictionne entre deux outre-tombes
Je me frictionne inlassablement
Mon ombre est de retour.

Je tremble de peur
Je tremble de joie
Je tremble frénétiquement
Ma sorcière est de retour.

Je décharge à tous vents
Je décharge à tout va
Je décharge instantanément
Ma bougresse est de retour.

Je danse en bégayant
Je danse en babillant
Je danse ordement jusqu'au chant du coq
Ma muse est de retour
Wk kortas Nov 2019
Such were evenings of the type too often marked as sultry,
But sometimes such descriptions are apt
And thus denoted as so;
We would be well into the bottles and cans
To such point as we were not wearing them particularly well,
And so we spoke of things
Which may or may not have mattered,
The relative merits of cinema femme fatales
Dead four, perhaps five decades,
The notion of such women who had it,
(Followed by the de rigeur toasts to Chrissy Hynde,
And long may she wail)
Various things which disappeared with the fog and dew
Once sunrise made its unhappy presence known,
And when the old boiler suggested that sleep and abstinence
Constituted the prudent route to follow,
I excused myself for a walk,
(Nodding to my brother-in-law as he nodded,
Possibly but not invariably still awake)
Undertaken in various shambling states of unsteadiness
Back to my mother-in-law's house
Muttering silent regrets for the lack of bread crumbs
Mixed with somewhat less than sotto voce snippets
Of songs sung earlier with considerable gusto
And nearly adequate fidelity to sharps and flats,
And if I had maintained a relative judiciousness in my intake
(The alternative an unpleasant return to my domicile pro tem,
Usually marked with an entrance featuring mud and mayhem,
More or less forgiven the next morning)
I would, if the evening was clear and still,
Speculate upon the nature of the starlight,
Be it the distress calls of celestial bodies dark and listless
Or something in its salad days, so to speak,
And often it would strike me as somewhat less than fitting
That not a single glass had been raised to their health.
Pendant que je joue le mandoline, les flames brûles humblement.
C’est la nuit; hélas, je ne voit pas le soleil. Mais on voit les étoiles !
On peut voir de la fumée, mais pourquoi? On gèle !
Est-ce que ça se peut que c’est toi qui fume une cigarette pure
Pendant que tu admires les étoiles; pendant que tu admires la lune gibbeuse ?
Et toi, mademoiselle ! Aimes-tu la musique de mon mandoline fière ?
Ou peut-être vous-êtes une femme qui préfère le son d’une lyre…
Ah, bon. Je’n sais pas jouer la lyre, mais peut-être t’aimes chanter ?  
Non, non, non ! Tu me dis. Mais pourquoi ?  Vous-êtes une dame pointilleuse. Mais peut-être t’aime la poésie ? Je sais raconter des histoires !
Oui, oui, oui ! Tu me dis. Parfait, je te raconte l’histoire de ma vie.
C’est une oeuvre, je le sais. Mais tu deviennes langoureuse, vous êtes endormi.
Ah, je le comprends. C’est ****, ouais ?  Très ****, je le sens, mais je’n bu pas !
Mais désolé, je joue encore mon mandoline, mon mandoline en acajou.
Et le bois du foyer n’est presque pas là, je voit seulement de la cendre.
Mais c’est ****, c’est très ****.
Donc je souffle les bougies,
Et je vous souhaite une bonne nuit.
Le nom du court métrage c'est Miction Première.

Le personnage: un homme nu. On ne voit de lui que ses deux membres du bas et son membre viril

Les décors : une chambre de jeune femme bourrée de livres sur l'art et les oiseaux

Un matelas queen size sur un lit en bois verni couvert d'un drap rose et deux oreillers roses

Au mur un tableau

On entend le bruit des pales d'un ventilateur.

Près de la fenêtre un fauteuil en velours rouge. La lumière de la nuit filtre par les persiennes.

Une armoire occupe tout le pan du mur à côté de la porte de la chambre. Cette armoire possède un grand miroir.

A la droite du lit il y a une table de nuit ou se trouve un portable branché sur son chargeur.

Juste à côté de la chambre c'est la salle de bains close par une porte

Dans cette salle de bains il y a une ****** italienne, un évier, une cuvette d'aisance, un bidet. Les murs sont en faïence bleue.

Le script: Il est entre trois heures et trois heures et demie du matin

Un homme se réveille et saisit son portable. Cette lumière éclaire la pièce et donne l"heure
L'homme qui était allongé sur le côté est désormais allongé sur le dos.
On ne voit de lui que son sexe qui frétille dans un demi-sommeil au-dessus d'une forêt de poils blancs

Sa peau est aussi noire que la nuit est bleue.

Il dort nu, se lève.

Et se dirige vers les toilettes en tâtonnant

Il allume la lumière qui inonde la pièce.

Et se présente au-dessus de la cuvette

Où il satisfait un besoin naturel.

Il pisse en un long jet de 45 secondes

Colorant l'eau transparente de la cuvette

D'un jaune mordoré

On entend clairement le bruit d'un ruisseau ou d'une source qui se déverse

Puis la chasse est actionnée

Et on voit le sexe qui palpite pendant que ses eaux disparaissent dans la fosse septique

Tandis que perle la dernière goutte d'*****.
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