"cloven" poems
a lion out of the plains would be sick
walking tall in a marsh
with mud in his pretty mane?
no i don't think so.
fighter in the wrong land
fury in the wrong fist
turned inwards instead of to the wildebeest
cloven hooves at his ***
instead of teeth at their throats
proud proud lion
never be a gangster here
pull up that saggy skin and face the facts
you're in the wrong town now, kitten
Sep 15, 2014
Sep 15, 2014 at 8:20 AM UTC
My Bipolar Disorder is a stout-bodied mammal with horns and cloven hooves.
There are two types of My Bipolar Disorder:
Domestic, and Mountain.
My Bipolar disorder typically spends its days grazing on grasses
My Bipolar Disorder will dig depressions in the ground to sleep, rest, and bathe in.
My Bipolar disorder is super social during the winter, and tends to go solo during the summer.
My Bipolar Disorders tail usually points up! (Unless it is frightened or sick)
My Bipolar Disorder is extremely Curious and Intelligent.
Once My bipolar disorder has discovered a weakness in its fence, it will exploit it repeatedly.
There are over 300 distinct breeds of My Bipolar Disorder.
Within' minutes of being born, my Bipolar Disorder is up and walking around.
My bipolar disorder used to live in the white house with Abraham Lincoln.
One day an ethiopian Herder walked in on My Bipolar Disorder liteally bouncing off of cliff walls because it just Discovered Coffee.
My Bipolar Disorder has four stomachs
The horns of My Bipolar Disorder are typically removed to reduce injury to humans.
My Bipolar disorder will explore anything new or unfamiliar in its surroundings, mainly with its mouth and tongue.
My bipolar disorder readily reverts to the wild if given the opportunity.
My Bipolar Disorder is more susceptible to Parasites and other infectious diseases when it is mismanaged.
My bipolar disorder has had a lingering connection with Satanism and pagan religions
My Bipolar Disorder is considered a "clean" animal by jewish dietary laws.
According to Zeus
As long as you leave it's bones whole,
My Bipolar disorder will keep coming back to life.
May 9, 2016
May 9, 2016 at 1:19 PM UTC
The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.
Then crossways down his sides
Tiger-stripes and wasp-bands.
Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.
Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.
It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.
The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.
Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.
Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.
The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.
So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvedness of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
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In fields you walk with cloven wanderlust
With blankets carried on your back as fleece
Protecting fellow sheep-fold innocence
From devious behavior in the flock
Smiling as you bleat and stride as golden
Reflecting rays like sunlit drops of milk
A lamb of God your knowledge is your milk
Your curiosity breathes wanderlust
A message from the ancient one baas golden
Engraved upon your heart and curls of fleece
Observe the blessed range within your flock
Stray not for you may lose your innocence
A fog in hills may blind your innocence
Beware the wolf will take more than your milk
And with each day you bond among your flock
Behold the beauty of group wanderlust
We thank you for your warm and cherished fleece
That soothes us as earth's twilight breaks golden
Glory to the impossible golden
For myths of your spiritual innocence
Merely trumpets what liberates your fleece
The holy grail is your chalice of milk
Discovered in a cave of wanderlust
Restful within the shadow of your flock
What joy is raised in stables of your flock
An offering of ritual golden
Pasture of thirsty hearts in wanderlust
You teach us to hold fast to innocence
How precious is the richness of your milk
Our comfort is to rest our heads on fleece
A new dawn to behold an age of fleece
A new dusk to protect an ancient flock
A new day to preserve the gift of milk
A new memory to hold futures golden
A never ending age of innocence
A satiated age of wanderlust
Fruitful wanderlust of black sage fleece
Shepherds innocence to a white cloaked flock
Prepare ye golden moments with thine milk
© tHE tERRY tREE
Dec 26, 2014
Dec 26, 2014 at 2:45 PM UTC
Have you met the Who-Gee Boo-Gee Man?
He scammed fig leafs in the garden,
And **** cloth in Ottoman.
outside-in, inside-out; upside-down, right-side up
The Who-gee Boo-gee Man can cuss.
He offers snake oil, spins a tale,
So you feel smart, healthy and hale.
from top to bottom, bottom to top
The Who-gee Boo-gee Man can't stop.
He swrawls with a Sharpie pen.
right is left, left is wrong
That's the Who-Gee Boo-Gee song.
Consultation for now is free,
No hidden added extra fees:
You buy two, you get three.
north to south, east to west
The Who-Gee Boo-Gee Man won't rest.
I've heard his feet are cloven;
The eyes are yellow, lips look swollen;
He has two fingers, wears silk- woven.
He sweats like water to the lowest level;
He's quicker than the slyest devil,
Selling hell, but we hear heaven;
Doing so twenty-four seven.
He photo-shops secret desires,
Twists truth-tellers into liars;
Artful, wily, scheming, subtle,
The Who-Gee Boo-Gee's a hungry jackal.
*today is the day, yesterday's late,
tomorrow's a place that just won't wait*
I met up with the Who-Gee Boo-Gee Man,
Peddling apples from my jardain.
Nov 20, 2018
Nov 20, 2018 at 10:26 AM UTC
By day she wooes me, soft, exceeding fair:
But all night as the moon so changeth she;
Loathsome and foul with hideous leprosy,
And subtle serpents gliding in her hair.
By day she wooes me to the outer air,
Ripe fruits, sweet flowers, and full satiety:
But through the night, a beast she grins at me,
A very monster void of love and prayer.
By day she stands a lie: by night she stands,
In all the naked horror of the truth,
With pushing horns and clawed and clutching hands.
Is this a friend indeed; that I should sell
My soul to her, give her my life and youth,
Till my feet, cloven too, take hold on hell?
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I
Go on, high ship, since now, upon the shore,
The snake has left its skin upon the floor.
Key West sank downward under massive clouds
And silvers and greens spread over the sea. The moon
Is at the mast-head and the past is dead.
Her mind will never speak to me again.
I am free. High above the mast the moon
Rides clear of her mind and the waves make a refrain
Of this: that the snake has shed its skin upon
The floor. Go on through the darkness. The waves. fly back
II
Her mind had bound me round. The palms were hot
As if I lived in ashen ground, as if
The leaves in which the wind kept up its sound
From my North of cold whistled in a sepulchral South,
Her South of pine and coral and coraline sea,
Her home, not mine, in the ever-freshened Keys,
Her days, her oceanic nights, calling
For music, for whisperings from the reefs.
How content I shall be in the North to which I sail
And to feel sure and to forget the bleaching sand ...
III
I hated the weathery yawl from which the pools
Disclosed the sea floor and the wilderness
Of waving weeds. I hated the vivid blooms
Curled over the shadowless hut, the rust and bones,
The trees likes bones and the leaves half sand, half sun.
To stand here on the deck in the dark and say
Farewell and to know that that land is forever gone
And that she will not follow in any word
Or look, nor ever again in thought, except
That I loved her once ... Farewell. Go on, high ship.
IV
My North is leafless and lies in a wintry slime
Both of men and clouds, a slime of men in crowds.
The men are moving as the water moves,
This darkened water cloven by sullen swells
Against your sides, then shoving and slithering,
The darkness shattered, turbulent with foam.
To be free again, to return to the violent mind
That is their mind, these men, and that will bind
Me round, carry me, misty deck, carry me
To the cold, go on, high ship, go on, plunge on.
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Breeze bellows,
leaves echo in
quivering psithurism,
dithering like
unbroken smoke,
this approaching omen goads.
Dozing crows
slumbering in rows,
droves of locusts'
silenced drone,
almost comatose in repose;
nighttime overtones
choir of toads'
raspy croaks
answered by alto
of crickets' orchestral strokes.
Gust encroaches;
robed boughs
cloven open,
bring into
scope and focus
me juxtaposed,
suspended apropos.
Although motionless
and petrified in stone,
provoked by zephyr
coaxing to and fro;
swaying pendulous
and no longer frozen,
locus gently thrown.
Death rattle moan
evoked from throat,
reflex can't say no
to rigor rigidly posed,
final sigh in silence,
awoken vocal,
expelled and disposed.
Smote by
morose emotion,
gun loaded then exploded
by neurosis,
now bloated
necrosis decomposes
into gross ochre.
This trophy
and this ode
both an opus to
my inability to cope;
romanced i proposed,
eloped and betrothed to
my own
inappropriate composure.
Pocket full of posies
plucked when luck bestowed
and tears in a cup, a toast;
crying copiously,
tempest runneth overflowed,
eyes swollen and soaked.
Dipped my toes
in the coast
of this ocean's
amorphous folds,
gripped by undertow
holding control of my soul;
swiftly shipwrecked in
shallow shoal,
an old atoll.
On sandy floor,
water burrows roads;
digging, carving, roams
through unmarrowed
silica and sandstone
eroding into a cove.
A host for
opal geode trove,
enclosing a
technicolor rose,
from the depths
a glowing mosaic shone
Unopened lotus floats
on foam
of lapping waves,
a boat;
prone to no
grandiose notion
or motive,
adrift as wind stokes.
I suppose
this only shows
the total corrosion
into which I dove,
the only foes to oppose
are those of burdens, so
only weightless can I atone-
I must let go.
Mar 11, 2024
Mar 11, 2024 at 11:02 AM UTC
lovers are burning.] balsamic ****** gallops from shame
into the overwild wetness of labial volcanoes, caramelized in musk. by love's labor.
laid bare, their bodies origami inhibition...[ lovers are burning. ]
and surrender is victorious !
Eros is speechless. maidens howl into cumulus goose-down, chewing carnal haikus
with swayed backs.... hips wide and wanton. masculine wands plow oyster beds, unmade.
they joust pearls... and [ lovers are burning ]
.... a damp conflagration; tongue stoked and windswept, conspires.
monotony is slain !
puritan harps are plucked and thrummed ! lewd harmonies anoint the perfect pitch
and a chorus moans. the ghost of sylvia plath, straddles Apollo; and he earns his wreath
surging besotted. [ lovers are burning ] and laurels forgotten.
lotharios charge the seldom road; the starfish door to Saturn's parlor.
pumping unbridled, that glistening, cloven moon. her riding crop insists !
his urgency must do.
satyrs sup salaciously and summon staves to dip in brine. they grin and grind
their sutras, stripping karma gears with silk scarves. ankles to a post, well spread...
cushions crush. flowers press... stamen fed.
nymphs clutch their serpent stones
to drain what nectar slips the slit. they ***** and throat.
they peck and pinch their quivers; knock their arrows to the purpose, half spent.
[ lovers are burning ]
eyes ablaze. nostrils fetch randy fumes of consent. mouths seek.
a pouty swamp with Spanish moss.... finds a matador
and a bull, a china shop.
lovers are burning the rough sketch of a lost god
and their angels are voyeurs
with unclean thoughts
for gospels.
Aug 20, 2013
Aug 20, 2013 at 3:14 PM UTC
In my childhood rumors ran
Of a world beyond our door—
Terrors to the life of man
That the highroad held in store.
Of mermaids' doleful game
In deep water I heard tell,
Of lofty dragons belching flame,
Of the hornèd fiend of Hell.
Tales like these were too absurd
For my laughter-loving ear:
Soon I mocked at all I heard,
Though with cause indeed for fear.
Now I know the mermaid kin
I find them bound by natural laws:
They have neither tail nor fin,
But are deadlier for that cause.
Dragons have no darting tongues,
Teeth saw-edged, nor rattling scales;
No fire issues from their lungs,
No black poison from their tails:
For they are creatures of dark air,
Unsubstantial tossing forms,
Thunderclaps of man's despair
In mid-whirl of mental storms.
And there's a true and only fiend
Worse than prophets prophesy,
Whose full powers to hurt are screened
Lest the race of man should die.
Ever in vain will courage plot
The dragon's death, in coat of proof;
Or love abjure the mermaid grot;
Or faith denounce the cloven hoof.
Mermaids will not be denied
The last bubbles of our shame,
The Dragon flaunts an unpierced hide,
The true fiend governs in God's name.
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I
Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow's diver in her ***** milk,
Bisected shadows on the thunder's bone
Bolt for the salt unborn.
The fellow half was frozen as it bubbled
Corrosive spring out of the iceberg's crop,
The fellow seed and shadow as it babbled
The swing of milk was tufted in the pap,
For half of love was planted in the lost,
And the unplanted ghost.
The broken halves are fellowed in a *******
The crutch that marrow taps upon their sleep,
Limp in the street of sea, among the rabble
Of tide-tongued heads and bladders in the deep,
And stake the sleepers in the savage grave
That the vampire laugh.
The patchwork halves were cloven as they scudded
The wild pigs' wood, and slime upon the trees,
******* the dark, kissed on the cyanide,
And loosed the braiding adders from their hairs,
Rotating halves are horning as they drill
The arterial angel.
What colour is glory? death's feather? tremble
The halves that pierce the pin's point in the air,
And ***** the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw,
The ghost that hatched his havoc as he flew
Blinds their cloud-tracking eye.
II
My world is pyramid. The padded mummer
Weeps on the desert ochre and the salt
Incising summer.
My Egypt's armour buckling in its sheet,
I scrape through resin to a starry bone
And a blood parhelion.
My world is cypress, and an English valley.
I piece my flesh that rattled on the yards
Red in an Austrian volley.
I hear, through dead men's drums, the riddled lads,
******** their bowels from a hill of bones,
Cry Eloi to the guns.
My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South,
Drip on my dead house garden.
Who seek me landward, marking in my mouth
The straws of Asia, lose me as I turn
Through the Atlantic corn.
The fellow halves that, cloven as they swivel
On casting tides, are tangled in the shells,
Bearding the unborn devil,
Bleed from my burning fork and smell my heels.
The tongue's of heaven gossip as I glide
Binding my angel's hood.
Who blows death's feather? What glory is colour?
I blow the stammel feather in the vein.
The **** is glory in a working pallor.
My clay unsuckled and my salt unborn,
The secret child, I sift about the sea
Dry in the half-tracked thigh.
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Help Lord, for godly men have took their flight,
And left the earth to be the wicked's den:
Not one that standeth fast to Truth and Right,
But fears, or seeks to please, the eyes of men.
When one with other fall's to take apart,
Their meaning goeth not with their words in proof;
But fair they flatter, with a cloven heart,
By pleasing words, to work their own behoof.
But God cut off the lips, that are all set,
To trap the harmless soul, that peace hath vow'd;
And pierce the tongues, that seek to counterfeit
The confidence of truth, by lying loud:
Yet so they think to reign, and work their will,
By subtle speech, which enters every where:
And say, our tongues are ours, to help us still,
What need we any higher power to fear?
Now for the bitter sighing of the poor,
The lord hath said, I will no more forbear,
The wicked's kingdom to invade and scour,
And set at large the men restrain'd in fear.
And sure, the word of God is pure, and fine.
And in the trial never loseth weight;
Like noble gold, which, since it left the mine,
Hath seven times passed through the fiery straight.
And now thou wilt not first thy word forsake,
Nor yet the righteous man, that leans thereto;
But will't his safe protection undertake,
In spite of all, their force and wiles can do.
And time it is, O Lord, thou didst draw nigh,
The wicked daily do enlarge their bands;
And that, which makes them follow ill a vie,
Rule is betaken to unworthy hands.
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Incarnate devil in a talking snake,
The central plains of Asia in his garden,
In shaping-time the circle stung awake,
In shapes of sin forked out the bearded apple,
And God walked there who was a fiddling warden
And played down pardon from the heavens' hill.
When we were strangers to the guided seas,
A handmade moon half holy in a cloud,
The wisemen tell me that the garden gods
Twined good and evil on an eastern tree;
And when the moon rose windily it was
Black as the beast and paler than the cross.
We in our Eden knew the secret guardian
In sacred waters that no frost could harden,
And in the mighty mornings of the earth;
Hell in a horn of sulphur and the cloven myth,
All heaven in the midnight of the sun,
A serpent fiddled in the shaping-time.
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( this poem can be read like its feather shape or horizontally to and fro )
I
go
to fly so that I believe
so light above
with treads its plumes
as wispy as the so unruly shed
feathers I collect along an angel feathered
path cloven with grass and mused mayhaps
autumn starts early for those angels
Aug 19, 2011
Aug 19, 2011 at 8:55 PM UTC
See that little match-stick,
see that candle there?
See that hard-worn photograph
taken for a year?
Take them punches, boxer-girl!
Much to your chagrin,
it comes back in equal part -
hard and deep within.
Consider bonds between us heat.
And fuel, the time we spent
sleeping close in tousled sheets -
a sky towards us, bent:
gray and cloudless, quick and fleet.
Candle-flame is meant.
to take those memories, and to eat
the message that you sent.
Photo attachment 1: You, him - bottle of Cointreau. Bite marks on your thigh like only I should have left! Grass (both types), a camera. Wrestling. ****** ***
Photo attachment 2: You, him: carousels, cloven-footed balloon-man (whistling high and wee). Hot dogs. Ocean. Wrestling. ****** ***
Photo attachment 3: There was something about a penguin… and there was cake involved. Polarbears - must have been a zoo. Causing me to mope at the keyboard: wrestling, ****** ***
Photo attachment 4: It’s really just *** now.
Photo attachment 5: Please stop.
Shouldn’t be so callous:
that password is personal.
I shouldn’t really have it,
Well, this is what I get for exploring the caverns of iniquity
(that’s slang for your hard-drive),
***** little …
I can’t … cuss you out.
All photographs marked 10/18/07 for devastation.
Now, this thing has ended:
sad, though brief and gleeful.
We were consumed by happiness, never sorrowful
and nothing meaningful;
everything beautiful, nothing painful.
Princess, that work was masterful -
breaking that, making great things hurtful.
But worse still?
I can’t hate you.
Mar 5, 2010
Mar 5, 2010 at 11:29 AM UTC
A skeletal stag standing ten trees tall
Hanging moss adorning His wide antlers, patches of rocky lichen covering His driftwood bones
Large cloven hooves stepping carefully yet purposefully among the bleached remains littering the forest floor
He alone reigns here, in this place beneath ours
Even the pines fall silent as He passes
Even the stones
The air is old here
Thick with a power lost to time
Only He is left; a dimming flicker in a collective consciousness
Keeping a lonely vigil in an ancient forest a thousand miles deep and a hand's width beside us
No breath is drawn here
The soft rattling of His timber ribcage is the sole sound as He moves
Ceaselessly
Without rest
To a place always changing, never quite there
The ossuaries lay in a heavy silence
He assures the eternal slumber of all who rest here
The hollows in His skull seem to observe them, undisturbed
He moves on
His name has been forgotten for millennia
This sacred ground has become but a fleeting memory
Few old gods remain, lost to the quickening of time
He remembers, as He stands keeper of this place
Of an age before ours
When they would polish the skulls of the hunt with holy oils in His name
Dancing wildly and unburdened around towering flames
Primal sounds ripping raw from reverent lips
Now He is all but a wavering in the annals
He pauses in His endless march
Raises His great antlers to the thick canopy above
He listens
Feels the shift -- another one has faded
He will most likely be the last of His kind
A somber sentinel tasked with ensuring the dead wake not from their final sleep
Ensuring the silence is suffocating
A deep, weighted vibration
As if the place under ours was itself thrumming with power
Though none remain who once spoke His true name in fearful whispers
He will outlast
For all will eventually come to know
The one they now call death
Nov 6, 2018
Nov 6, 2018 at 8:14 PM UTC
958
We met as Sparks—Diverging Flints
Sent various—scattered ways—
We parted as the Central Flint
Were cloven with an Adze—
Subsisting on the Light We bore
Before We felt the Dark—
A Flint unto this Day—perhaps—
But for that single Spark.
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Oh, yet we trust that somehow good
Will be the final end of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy'd,
Or cast as ******* to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell'd in a fruitless fire,
Or but subserves another's gain.
Behold, we know not anything;
I can but trust that good shall fall
At last--far off--at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
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In dried-out marsh where footsteps lie,
Tracing steps and feet before,
Broken fence and ragged wire,
Brook and grass and harmony.
A field across the orange blaze,
Faithful cracks, surrendered branch,
Dimly grained and bowed in green,
Earth and hooves, informal dance.
A gallop halts in open air,
Squared, and chest apparent,
Perfect as my counted steps,
Alone he stands in distant stare.
A moment still I hold my breath,
Fixed and strong, he’s caught my track,
Hazel backed and scars to bare,
Solemn in a fragile glow.
Content in wayward solitude,
He does not trust my path,
Dark brown eyes and pointed pride,
Yearning for the evergreen.
In greying tips he stands his ground,
Loyal to the days gone by,
Speckled spots of brown and black,
A primal thud of cloven foot.
Stooped and still I hold his gaze,
Eagle-eyed he grants me time,
He listens fair with velvet edge,
And sees my flaws through dusty light.
A broken twig- he’s on his way-
Prancing through the deadened leaves,
Muscled buck and arrow flow,
Fluent as the river ebb.
My lens will capture sight and time,
But feeling, sounds and moments shared,
Something I would rather keep,
In mind and memory before I sleep.
Feb 14, 2012
Feb 14, 2012 at 1:22 AM UTC
The moon, a sweeping scimitar, dipped in the stormy straits,
The dawn, a crimson cataract, burst through the eastern gates,
The cliffs were robed in scarlet, the sands were cinnabar,
Where first two men spread wings for flight and dared the hawk afar.
There stands the cunning workman, the crafty past all praise,
The man who chained the Minotaur, the man who built the Maze.
His young son is beside him and the boy's face is a light,
A light of dawn and wonder and of valor infinite.
Their great vans beat the cloven air, like eagles they mount up,
Motes in the wine of morning, specks in a crystal cup,
And lest his wings should melt apace old Daedalus flies low,
But Icarus beats up, beats up, he goes where lightnings go.
He cares no more for warnings, he rushes through the sky,
Braving the crags of ether, daring the gods on high,
Black 'gainst the crimson sunset, golden o'er cloudy snows,
With all Adventure in his heart the first winged man arose.
Dropping gold, dropping gold, where the mists of morning rolled,
On he kept his way undaunted, though his breaths were stabs of cold,
Through the mystery of dawning that no mortal may behold.
Now he shouts, now he sings in the rapture of his wings,
And his great heart burns intenser with the strength of his desire,
As he circles like a swallow, wheeling, flaming, gyre on gyre.
Gazing straight at the sun, half his pilgrimage is done,
And he staggers for a moment, hurries on, reels backward, swerves
In a rain of scattered feathers as he falls in broken curves.
Icarus, Icarus, though the end is piteous,
Yet forever, yea, forever we shall see thee rising thus,
See the first supernal glory, not the ruin hideous.
You were Man, you who ran farther than our eyes can scan,
Man absurd, gigantic, eager for impossible Romance,
Overthrowing all Hell's legions with one warped and broken lance.
On the highest steeps of Space he will have his dwelling-place,
In those far, terrific regions where the cold comes down like Death
Gleams the red glint of his pinions, smokes the vapor of his breath.
Floating downward, very clear, still the echoes reach the ear
Of a little tune he whistles and a little song he sings,
Mounting, mounting still, triumphant, on his torn and broken wings!
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A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry slope -
She casts the Curse, the Holy Verse, and shoots a shot of dope,
And stalks discreet Asylum Street her daily horoscope -
The stray was struck by random truck which was her only hope.
Well, Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
Where no one heeds the childish needs that little ones require;
Where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
Whipped by the flood, stray beads of blood are spattered on the spire;
Though beads of sweat are cool and wet, cold clotted blood is dryer.”
Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: “her age? a sweet 16,
With child, ***** her soul dyed red, her body so unclean.”
A place is sought where she can rot, avoiding churchyard scenes,
In limey pits, as well befits, behind forbidding screens;
And all the while a dirge is styled on tattered tambourines
Which echo through the human zoo in valleys of the Queens.
Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
Neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.
Well, angels sweet with cloven feet, they sing in girl’s attire,
But Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire -
Beyond the nave, a gravelled grave, the final Rectifier”
And when he’s through, without ado, he stacks some stones nearby her.
May 31, 2013
May 31, 2013 at 8:07 AM UTC
It's not Christmas without Santa
Or without the jingle bells
But, in the darkness there's another
Taking children down to hell
Yin and Yang, a balance
There is darkness and there's light
Santa on the left side
And Krampus on the right
Parents watch your children
If they're on the naughty list
Because Krampus is out hunting
And these children are not missed
A myth, or dark reality
A monster from below
Did Johnny just go missing?
Or was he taken down below?
Jingle Bells, both have them
One is joyous, one is not
Santa lives where it is colder
Krampus lives where it is not
Bad children do not fear him
But soon enough, he'll find them out
With dark hair, claws and cloven hooves
They'll learn what he's about
He doesn't have a favorite
He'll take girls as well as boys
He doesn't mind the screaming
In fact, non one hears the noise
So, if a child disappears
And no one seems to care
You'll know he was a bad one
And that Krampus, well, was there
Sep 7, 2023
Sep 7, 2023 at 1:22 PM UTC
Fandango cartography
Dance of our lives
Verbarxenelasia breast but not thigh
Ruricolist unmentionables off to the side
Blowlamp irradiance, pistil niche guide
Sacerdotal ceremony the cloven hoof of ******* saints
Intrinsic allegory to despoil trust and heart deflate
Inaudible uproarious potvaliant jingoism schism
Suppurateing deep held fears ungrounded sparks annihilate
Mar 15, 2014
Mar 15, 2014 at 8:25 PM UTC
I am Janus, born and lived of two faces.
One, a tragic Hero; who loved for all and forsook fame for honor.
A paragon whose powers and skills remained dormant, forgotten.
Created from a darkness so black that light could only ever be the way forward.
He, so loving the world and resigned to protect; would fall at the strength of his own sword to keep the Villain at bay.
His other face, the frightening Villain; he thirsts for the unparalleled fear in the eyes of the unprepared masses, who wide awaken their darkest fear before their very eyes, at his presence.
Forged from the evil of a holy goodness ripped too sweetly from his purpose, and with much foreknowledge of the searing light;
He merely wishes to satiate his amusement, by enslaving the Hero to defend against his endless onslaught.
I am Janus, cloven in two;
Heart and Soul, Mind and Body.
Apr 19, 2013
Apr 19, 2013 at 1:50 PM UTC