The Cataclysmic Frog!

Knows he wants to die.
Slip from his lily pad.
No-one knows why.
All he seeks is misery.
He’d sooner end up dead.
A frog of many colours with toxins in his skin.
To tell the truth in this sorry tale
Which is maybe merely a superficial jest.
Secrets told and secrets sold.
Only shows an honoured few.
He is gifted.
Blessed with awesome style.
Offers trips,
Accompany him on his lily pad,
The cataclysmic frog, he’s not bad.
Subtlety strokes.
Most of his gifts he keeps hidden away.
Denies he has them.
He’s crying inside.
Cowering in fears’ depths.
All love concealed.
The frog, he knows these feelings exists.
Finds them hidden under well- worn pebbles.
Eroded by the tide.
Pebbles round and shiny.
Clear and bright, occasionally catch sunlight.
Provoking memories, still fresh.

A fear of fingers snatching him, causing searing pain inside.
In his heart feels wickedness as stabbing needles burn again.
The sky drips with vermilion blood tears.
As in sadness, he denies.
Believes he can’t see her in front of his eyes.
Dries out while he dies.
Just as he expires before he flies.
Such a shame.
He knows this vision was predicted.
Together they shall beat a retreat.
Poor dying frog stuck upon a skewer.
Finding excuses to give to his muses.
The sad cataclysmic frog, once again he’s blinded.
As his true love he denied.
Just see what he loses!
Olivia Kent 2013
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

They're huddled 'round their periodic lunch tables,
square and socially pyramidal,
and I'm at the bottom.

But they're just fluorine factions,
bullies at heart trying to steal my e-lectricity
with their negativity.

Because I'm light,
Ultra-violet violence to the eyes,
Magnesium burning.
Anti-matter meets matter.

And that catalytic, cataclysmic energy is attractive.
And they see me. They see, see, see,
But I've got too many Cs on this side of my false, metallic personality.
I'd better balance myself
Or I'm not getting a good reaction.

Classic ionic, ironic idiocy.
I've bonded with you,
just compounding the issues.
'Cause you're a complete acetate without a solution:
now all I've got are problems.

Dot Diagrams are dotted lines separating you from me,
because over the years what was a bond
became a partially negative charge
against me.

I was your oxygen, and you were carbon
-ated, bubbly and explosive.
We would Combust.

But now all's left but to see, oh, two
of your new girlfriends flanking your sides,
'cause we've decomposed, split, gone off to better things.

Monatomic monotones lace my speech,
and I'm pining for something to complete this emp-d shell
that is myself.

'Cause I miss what we had.
We had chemistry.

"
"nor is this a fact," nor is my syntax the 'true.'
i can't use quotations in the way i'd like to,
to allow the paradoxical to seep through
in the sly act of revising 'this' honestly--
merging truth with falsity, to silently see--
grammar become a means to shatter certitude

"i can't tell the 'truth' with these ["i can't tell the 'truth'
with these{...} very words"] very words"; i really can't...
it's somewhat unfair to communicants, this rant.
let me bolster your trust by not telling it slant:
in fact, it's not poetry, not from this angle.
maybe when you read, this 'this' will be poetic?
meh, i'm relying on telling, not showing. so...
quiet's often better than such entanglement

but this is not about value, it's about truth.
sincerely, i doubt i'll keep those two separate

perhaps... if you pretend i'm a prolix parrot,
who happened through some acosmic accident
to be the transmigrated daimon-soul of Sappho,
or Hypatia, Gertrude Stein or Plath even...
(yeah, i'm like a Cretan for going on): they weren't,
'your gobbledygoo,' or 'Sweet sweet sweet sweet sweet tea.'
stripped bare at the Caesareum, being murdered
for the crime of godlessness or female wisdom
spoken in the scapegoat-hungry rule of Rome...
this is not what they were, not the whole truth, at all
and though from winds of ****** she spoke in verse
that her vast poetic fame 'was no delusion:'
and that, 'dead, I won't be forgotten,' i fail,
painfully fail, to trace into a verbal womb
the seeds of those that transformed all, yet now entombed...
for to remember them in me is to revise,
reduce, sadly in that poetic untruth found...

"this" is a gestalt, i guess i'll have to say,
a "figure-ground," a floating 'shape' in some context,
one that you embody too, somehow, not in text;
even through a distant sharing, it's realized
(hold onto the random metaphors you find,
they're probably better than what's in my mind)
and to share this with you now, to hypocritize,
it's lunacy. i mean, the moon, the poetic moon
is not a meme, is not a custom, is not a poetic fact,
in fact, it's not in this poem, and if it were--
being televised with some authentic ontic pixel-space--
here between the lines augmented mOOn for you
it would prove how unpoetic the poem is, and how
very true the moon is, if it were here, right quoteunquote"here"
ineffably punctuated
            -- well, let me try
and fail again to make Erasmus proud:
the quotes would hang about romantic beams
parentheses to echo adjectival spectra streams,
an underscore horizonal and asterisks for stars.
but not these * asterisks,
or those_types of underscores--
better (parentheses) and far more "quothy" "quotes"--
the punctuation would literally ^punctuate^ the sky of my text.
time would stop.                                                            ­                   and that would be poetic.
you don't need to breathe, even; not this 'you,' in this moment
(the one i've failed to capture):
'i will put you on the moon' i say,
'and sit you buoyant by the buddha-astronaut, who,
in answer to the question sprinkles moondust in slow motion,
symbol-guiding realness, my "finger" for solution,
to present to you again, what is present to me now.
the Russian names, the rest of names, the 'face' some say cries, "sweetly,"
as if we could use the moon's sympathy,
or as if we should feel it for the white rock that elliptically defines us,
dances to our rhythm, (the tides, the ****** huntress)
the one that taught us to dance,
the one that taught us to yearn darkly in surreal eclipse
more hopefully for the chance of cataclysmic doom
some Greeks thought it was a disco ball, after enough *****, that Dionysian night,
some Greeks thought it was a disc,
like a coin that flipped just right
to match it's dance about our pearoid earth
in synchrony's anachronistic mirth.
i would lick each Bacchant clean to learn the mysteries of poem
i would lick each Bacchant clean. period. no music or noema known
this 'poem' is not a "poem"
in a very real sense
i did not make this,
nor did i compose or create it.
if you're not following it's ok, i'm barely there myself -- i'm trying to refer to...
the elliptical shape that certain publishers use
to refer to fundierung
the double-founding,
reversibility,
the flesh of passive
the flesh of active
enfleshed perceiving
the common meaning we contribute
but can't attribute to any source we express!
(however distorted) after the fact, yes! --
either all that, or the meaning you get from "this" act
doubly-enfolded, with two pairs of hands kneading the same dough,
two pairs of eyes weaving the same lOOm,
another Indra's net to sew,
in meaning you give now,
the techne of your reader's mind
and the meaning i'd wish to know,
if i were still writing what you are reading,
doing my best to ignore the title
and to write something worthwhile...

i do wish i could show it to you the way i love it in your own poetry,
but you would know that, already, without my love

without my unpoetic lack of facts, my rhymes.
free of poems, free to flout the literary sea.
free to be unwordly, and let the contradictions fly
"

EDNA:  I believe you recently had a gay little adventure, Vladimir. So why don’t you tell me all about it? I can see you are simply dying to get it off your chest…

VLADIMIR:  Well, Edna, it happened like this. I hadn't cruised the ***** toilet in the park for months and I was ******* randy, absolutely dying for a really good session, so I thought I'd go along here after the pub shut and see what was up, see if there was any ******* ******* action. I wore some **** ****** under my jeans, you know the sort of stuff: red open crotch *******, suspenders and black fishnet stockings. My **** kept dribbling as I was in the pub, just thinking of what might happen down the toilet.  At closing time, I left the pub, my carrier bag in my hand, with a big anticipatory bulge in my pants.

EDNA [gulp]  And then what happened, Vladimir, dear?

VLADIMIR:  Once I got to the toilet, I was surprised there was no one inside, but there were a few nearby shadows in the park, people smoking cigarettes, walking round, looking for it.  Once in the toilet, I selected the cleanest cubicle and took off my jeans and shirt and put them into the carrier bag. I replaced my normal shoes and socks with the white high heeled women's shoes I had waiting in the carrier. Then I waited in the cubicle for someone to come into the toilet.

After only a few moments, I heard footsteps and I looked under the door to see who was there at the ******.  It was a short muscular looking man wearing jeans and Doc Martens. I could see he wasn't *******, but just standing there, though I couldn't see his face. I opened the cubicle door and he turned around to see who was there, so I opened the door wide open so he could see me standing there in the stockings, suspenders and silk ******* with my stiff **** sticking out of the hole in them.

He was about forty and very butch looking with close cropped hair and I could see his **** hardening as he looked at me.  I went over to him and took his **** in my hand and he grabbed hold of mine and started rubbing it.  I got down on my knees and took his short, fat, uncircumcised **** in my mouth; it tasted salty and ******* gorgeous. He grabbed hold of the back of my head and forced his **** deep down my throat nearly making me gag.  I could smell the odour of his ***** hair and I loved it.  He said, "Keep ******* it, you ***** ****, or I'll pull your ******* head off." I loved him talking ***** like that to me.

EDNA [getting a bit excited]  That seems very bold of you both.  What happened next?

VLADIMIR:  In what seemed no time at all, I felt him tense and then I got an enormous mouthful of his hot *****.  I'd never known anyone come so much, he must have had a week's worth in his *****.  After he'd come, he took his **** out of my mouth, put it away and zipped himself up.  I started to get to my feet, but he pushed me backwards onto the filthy floor.  ‘You're lucky I don't knock your face in, you ****,’ he said as he went out.  I love my men to be a bit rough with me, so I was very excited by this.  I half hoped he would punch me but he didn't.

EDNA: [wiping forehead] Well, that’s really very interesting. Did you go home then, dear, or were you still up for it, as the expression goes, Vladimir?    

VLADIMIR:  I got up and dusted myself down.  I could taste his come in my mouth, it was ******* delicious.  I was still incredibly excited, my **** was absolutely rigid and I knew I just needed to give it a couple of rubs and I'd shoot my ***, but I wanted more ***, and I knew once I came, I would just feel like going home.  So I went back into my cubicle and waited to see if anyone else came in.

After about five minutes I heard footsteps, followed by more footsteps again and I looked under the door a second time.  There were two men standing there and, by straining my neck, I could see they were groping each other.  One had one hand on the other's **** and his other hand on his **** and the other man was working on the first man's **** as well.  

I let the door open and they both swung round as they hadn't known there was anyone else in the toilet.  They saw me and looked relieved it wasn't a policeman lurking in there.  One was quite young, about twenty or twenty five, but he was a bit skinny and effeminate-looking.  The other one was much older, about fifty, but he was much better looking and I could see he had a huge **** on him.  I walked over to them in my **** rigout and joined in with the wanking.  They both started feeling my **** under my *******.

I turned round and bent over, my hands on the toilet cubicle doorposts, stuck my **** out invitingly and pulled my ******* down to my knees.  ’Why don't you **** me?’ I said, bold as brass.  The older man, the one with the big ****, left the young skinny guy and took up the offer I had made.  He undid his trousers and pulled his underpants down to reveal the full length of his enormous **** and his big hairy *****.  He spat on his hand and rubbed it on his ****, but he needn't have bothered because I had already lubed my **** when I was waiting in my cubicle.  

He slipped his big **** up my moist ******* without much difficulty and then started ******* me gently.  I told him to **** me harder, to **** me harder than he had ever ****** anyone in his life, so he started to really ram it up my hole.  God, I loved it.

EDNA [sweating with mounting excitement and unable to resist touching herself down there]  Mmmmm. I wish I’d been there to see that, I really, really do.  But don’t let me disturb your narrative flow, darling….

VLADIMIR:   Then the young skinny guy got down on his knees in front of me and took my **** in his mouth.  Each time the man who was giving it to me ****** hard into me, I jolted forward and rammed my **** deep into the skinny guy's mouth.  I was moaning with ecstasy as I got ****** and ****** by two complete strangers.  The guy with the big **** couldn't last long and soon shot his load up my **** and as he did it he said, ‘O Christ, I'm coming, I'm coming, I'm shooting my ***** up your ******* *******.’  This made me incredibly excited and I came off in the younger man's mouth.  The skinny youngster was wanking his own **** as he knelt in front of me and I know he came as I felt the ***** splashing on my stockinged legs.

As he removed his still fat **** from my gaping hole, a stream of the older man's ***** ran down my legs.  He said he wished his wife would let him **** her in the ******* like that.  I went to kiss him but when he smelled the ***** on my face from the butch one I'd ****** off earlier, he wasn't having any of it and left with a mumbled goodbye.

The younger man had now got to his feet and was standing in front of me as he buttoned himself up.  He said ‘We can wait a few minutes and then we can do it again if you like.  I'd love you to **** me, you've got a lovely ****.’  But it was no good, the magic had passed and I told him to ****** off.

So I went back into the cubicle, got changed back into my ordinary clothes and left the toilet.  I could feel ***** oozing out of my ******* and I could taste the first load in my mouth still.  I had a smile on my face. It had been a great night out.

EDNA:  [removing her hand from inside her ******* as unobtrusively as possible and trying to disguise the fact she has just had a cataclysmic ******]  Wow, that’s really a very exciting story. It’s made old Edna quite hot and bothered. You really are a very naughty boy, Vladimir.

VLADIMIR: Would you like me to tell you about what happened to me in the old cinema down by the docks?

EDNA: [still throbbing a bit] No, dear, that will be the subject of another interview. We don't want to over-excite our readers, do we?

*THE END

I tore the fabric of space
Interrupting my affectionate stalking
Spurts of longing, interspersed
with spasms of premature *****

In vain, hankering to attain that next level rush
Oh you're a ***** girl aren't you
That's when I was discovered...

Her shrieks royally flushing my cheeks with shock
-Superseded by pallid chagrin
I fumble to bail,
Pants entrenched around my ankles

Premeditative,
Of absent-mind, in haste
Prime directive a method of escape
Evasion failing
Detection:
Imminent

Reflecting a grim lack of circumspection,
accursed *******
Trying to conceal my turgid *******

Her father particularly beyond reason
And not fond of my indecency for his daughter
Proceeds pummeling me to death with my beloved binoculars

Devoid of clairvoyance;
I am coincidentally sent
outward toward oblivion
Bon voyage through the portal
Falling facefirst into an abysmal wormhole

Its then I voyaged backward through time
To the moment of Creation
And witnessed the universe
**** itself from naught to existence
Spewing forth such cataclysmic splendor

She sits with a bottle in her hand.
The hippies mourning in sorrow
peace signs held, oil seeped
into the skin that you
now see as damaged.
****** images that will remain
unknown.
Rain and alcohol
Clawing at the front door breaking
your throat.
snow packed inside her lungs.
Years passed of abusive melodies
full of teasing whispers
Broken glass dancing with her flesh
My friends, you will remain unknown.
Cigarettes inhaled to shorten the experience.
Jeans too tights for the pleasure of his fingers
against her ****.
He is your savior,
but your suppressor.
She will die unhappy.

Eros* will never agree with
The way you ****** your *****
To this ******. Screams and
Scratches, moans and murmurs

Of pleasure and pain, devoid of
Reason, embellished with passion.
Seasons of lust and burn, slash
And turn, tides of libido that has
No way to subside. You worship

This body at the altar of pretensions.
Hoping that even the gods through
The oracles, will speak to you in the
Language of mortals, and will bring

You some cataclysmic eruptions of
Heaven and hell. Will is nothing to
You unless confronted by contentment,
And sealed with chastisement.

Hey Delilah, whatchu doin tonight
I'm comin right over, we gotta get over our lives..our lives

Hey Delilah, take my hand it is strong
Its gonna get over, we gotta get over your howl..
the sound..of fear

Heed the call now
It's waves resonate in you
shredding the soul
many steps we walk through..to the tune

Circular Paths, streets are callin wild
Resides in our heart
Our vibrational soul
in the while, for awhile, all our days

It would be a sin against my God to live in ignorance of your touch
Feel the Divinity of your womanly warmth, of your warmth
To Explore your innermost fathoms
and the Reflection of Desire in your eye
Found in the sensual meditation of your gaze,
in the night

Our Bodies belong together
The story of their union was told
Long before our birth on this earth, in the old, it was told

Like David on the roof top
For you a man would die in war
So meet me by the hillside
We'll grow old, in the shadow of the wood

Away from tired world notion
of what is right or good
Lay with me next to gurgling streams
Adorned with Gold
Whose gaiety of movement
it will match our own
Finding ******* freedom in the forest
The air both sweet and pure

WE CAN BE TOGETHER
THERE LOST IN TIME
HEED MY CALL IT IS WILD AND WARM IN YOUR EYE,
IN YOUR EYE THROUGH THE NIGHT

HEYAHA!

What I am I don't Know!
I run along Rivers and stand naked in snow
Climb Waterfalls, Smile in Trees, and Howl at the Moon
Surf on the Dunes
Swim in the Sea
Lie on the shore in the breeze
If you should ask me I don't know ask me again
I'll never know my friend

You want something from me
a guarantee
Not mine to give
Falling right over, we gotta get over the fear
of the fear

Feel these arms, they can take you down
fold you right up in the valley of womanly streams
Lost in the waters, Life is a dream

There is nooo goin back....From whence we came
Time is like a river wild, untamed, untamed
Endlessly moving forward
into stratums unknown
Make the most of this moment or ever, forever, feel the pains of cowardice alone

The past is like a window
Burns HOT like the sun
Everyone makes choices and hopes they're not wrong

Life is like a river with so many streams
We all go into the ocean drowning with dreams
With dreams left unsaid

It's been awhile, we're gonna find it again
A human connection, Life is dominated by sin
The material
The desire for more, are we here to acquire a Mate?
A family, a woman, a house?
A couple share their drink


Listen to the river of sand
The torrent of Maia
The reign of illusion, found in your hand
Desire
Are we man enough to face it?
To seize our fates?

We live, as cowards, surviving in shadow
What is our personality, Id or the Ego
Liar...Livin in Time

Standing in the Present Moment
Ignoring my Father again
all things come to an end my friend, your lonely soul therein

Deadened tissue of the heart
nothingness invading
wink of the light
rapturous smile, earthly delight, breeds tomorrow's sorrow

Livin' on the last straw
cresting a turquoise wave
Risking the razor's edge of our fall
Dying with a Song on stage
Sensual desire,
wrapped in the spirit,
touched by the Dark, touched by the Light
Hundred million reasons to fight

Rain Wash this age away
Leave me naked in the wind as I came, as I came
Spread cushioned by the bedding of green moss
Birthed in a forest, sonic cataclysmic sound
Consequence, all our dreamin and dreamin and dreamin around

The cog revolves around the wheel
Fire dancer breathing still
In the harmonium of the heart
Into the night we fly to survive

an arid earth can suffer to gag
through the suffocation of its tenants,
flailing with torrential—cataclysmic—seismic
limbs at the cold-hand smothering by
a race in apathy.

though, let's not just yet, not yet
pull the bullets from our guns.

I can’t see the sky falling down on me.

I can hear the angels crying.
Tears crashing like colossal rain drops on reminiscent individuals and broken buildings.
Spilling through open airways and clogged avenues.
Oceans now over obstructions.

I can feel the sun bursting.
Radiation detonating like a thousand bombs through blue television screens and ragdolls.
Emanating above sensible cells and raw forests.
Deserts now in a splendor of abundance.

But no,
The sky is not falling down on me.

Closure invents a reason to let go;
that hoped-for last **** is
anything but

Life is cataclysmic.

Seizing an imagined moment
in a now that ends
before its beginning

signifies a slavery to transience
so complete and pervasive
that words heave and shudder
in its withering folly

Timeless puzzles are incompletable
by artifice; rather, resignation
to disparate pieces,

and identification with neither
the pieces that didn't fit,
nor those that did

The period does not
complete the sentence.

The sentence ends
when it is finished.

back then and
now
wishes for fire
to burn and break
the reality at hand..
a reality turned away
self-absorbed
frightful black caverns..
but then a caution
for greater patience
infinite patience..
advice rendered that
greatest revelation
appears now in our
cataclysmic dark...

You thought you knew me,
Sweet girl, gentle personality.
Never saying no, forever laughing, always obliging.
But you hadn’t met them yet,
The dangerous demons perpetually hiding deep inside me.
Behind warm smiles and glittering eyes,
Darkness was writhing, twisting, rising.

You thought you knew me.
All those late nights laughing and pillow talking quietly,
I filled your impressionable mind with lovely fantasies;
About what we could do, where we’d go, what you meant to me.
If only I could be that girl I pretended to be.

But you failed to see,
I would never be free.
These **** demons had their hold on me.
Shackled to pain, hatred, self doubt,
I morphed into a caged animal,
Seeking any way out.
But with no escape in sight,
I couldn’t outwardly give up the fight.
So I’d smile, laugh, make love,
Pretending everything was alright.

You thought you knew me,
But that was simply an intricate mask.
Beautifully designed and masterfully created,
To hide the corrupt, mangled, darker places.
But that delicately crafted facade couldn’t last.
It was slipping...crumbling...cracking fast.

As time slipped by,
You lost the girl you thought you knew.
Yet just as my demons did to me,
I slowly, methodically manipulated you.
My darkness bled into your once pure veins,
Your love and happiness quickly faded away.
Perhaps you sensed you were broken,
Yet you stayed.
Poor boy.
Even if you had wanted, there was no way out.
Me, my demons, and the darkness had you in chains.

You thought you knew me.
You definitely didn’t at the beginning.
But to your regret, now you do.
Suddenly you notice the fake smile and darkness in my eyes,
Since you learned how to feign happiness too.
I left the moment I knew I had fully broken and corrupted you.

When you first met me,
You thought you understood the girl before you.
Only too late did you realize,
You never really knew me at all.

————

I saw him the other day,
Chatting and laughing with a beautifully innocent girl
A chilly smile slithered across my face,
Watching her fall under his dark spell and the way his lips taste.

Poor girl, you think you know him,
But you don’t.
And you won’t truly see...
Until it’s too late and you’re shattered, broken, and entirely empty inside.
Darling, I know how that feels.
That’s what happened to me originally.

Leaving her to him, I walked away thinking,
“We all become broken humans at the end.”

I
Hear the story of our oil –
Hail to oil!
From the glory days of Drake well we recoil,
To see seabirds flap and shudder,
Dolphins, turtles flop and sputter
With collective dying groan.
Hear our population moan
When the gasoline price geysers to the sky.
Still we drive, drive, drive,
To keep consumer binge alive,
Amid a maritime disaster fast evolving from the spoil
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil.

II
Smell the ancient dark crude oil
Stinking oil!
Engulf the products made refining from a boil:
Guzzle gasoline flambé,
Drive-through fast food every day,
Raise our carbonated toast to Arctic roast…
Then drill more oil!
GM corn and corn-fed beef --
Both born of oil,
The shaving cream I slather on my face is made from oil,
Toothpaste, vitamins and lipstick,
Tires, everlasting plastic,
Come from oil;
All American affliction
Petrolopium addiction –
Truth is stranger now than fiction
And it does not set us free;
We are prisoners of oil,
And as slaves to OPEC pricing we all toil,
For the tapping and the lapping
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the drilling and the swilling of the oil.

III
Soak in news of spilling oil –
Offshore oil!
In grim images of damage that the television splays;
First blow-out slimed in sixty-nine at Santa Barbara Bay
Then ten years next blew Ixtoc
In the Gulf of Mexico,
Two-ninety day gush tick tock
Slick slopped thousand miles away
To Texas shores!
In Alaska’s Prince William Sound
Exxon Valdez ran aground in eighty-nine;
Full tanker load erupted,
Left the rocky coast corrupted –
Prudhoe crude!
Seals and otters stuck in goo
Seabirds suffered coatings too,
Cruising tourists supped in view
Of the oil, oil, oil,
Thickened slick encrusted oil
On the shore!
How it clings and clogs and covers;
All aquatic life it smothers
Marsh and beach are left in cataclysmic mire!
Still we “drill baby drill,”
All our gas tanks gotta fill,
We must shop, shop, shop,
Lest our wasteful lifestyle stop,
So we run, run, run,
Take our car vacation fun --
At the beach…
See the sheen -- how it shines!
Pretty rainbow-colored lines
From the oil!
We love our oil, oil, oil, oil,
Oil, oil, oil,
For economy cachinging in the oil!

IV
Hear the praise of offshore oil,
Miles deep oil!
For the goal of independence on our oceans now we toil,
Till ungraceful conflagration
Twenty April rocked the nation
On the Deepwater Horizon drilling rig.
Eleven lives were lost in blast
As the deep crude spewed out fast,
Gushing Hell!
Couldn’t stop it with top ****,
Junk shot, golf *****, caps wouldn’t still
Gushing well,
And the spreading, spreading, spreading
In a steady surging crawl,
Gulf coast residents all dreading
That their livelihoods might stall,
Now the fish and shrimp are ill,
Tourist business will be nil,
And still oil spews…
We must thank God that there’s *****,
For there’s nothing but bad news
And the ooze, ooze, ooze
Oily ooze.
Who will pay, who will pay?
Who will make this go away?
Who’s to blame? Who’s to shame?
Many pointy fingers aim –
Lefty points to rich BP,
Righty points to rock Obama,
And there’s six sticks pointing back at you and me!
We will pay, pay, pay,
At the gas pumps we will pay,
So we can drive, drive, drive,
And keep America alive;
Despite the grim disaster that arises from the spill,
The way we live and spend won’t easily end;
So we’ll still say “drill baby drill,”
Each time our gas tanks get a fill,
And we will shop, shop, shop
To do our patriotic duty --
Spend our *****, *****, *****
For the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil!

Drafted 6/8/10, revised 6/14/10

306 British & Commonwealth soldiers were shot at dawn for desertion in WW1.
Inspired by this fact and by BBC1's drama The Village*

I

Good-hearted soldier marched away to war,
Sad-eyed mother and father watched him leave
To help a noble cause worth fighting for;
Or so the government had us believe.

Bereavements swiftly followed. He returned
For time on leave, a changed, embittered soul;
Troubled by death where distant fires burned
As month on month the shelling took its toll.

Mentor and loving brother, man of peace,
Such was this force of nature we once knew;
Now weighed down with all war's catastrpohes
So guilty to be of the living few.

Oh bitter hindsight, cruel hand of fate,
That says what we must do when it's too late!


II

I saw him walking back along the path
That headed to the seaport, bound for France;
So full of care, lost in the aftermath
Of ****** conflict, as if in a trance.

Then suddenly he stumbled to his knees
And crawled, down on his belly, cautiously
As though bullets were coming through the trees
As though to shelter from the enemy.

He raked the grass with darting, trembling hands,
His staring eyes were wide with urgency
His legs would not obey his brain's commands
His lips whispered a plea for clemency

I saw my love, he didn't see me there
Longing to save his broken soul with prayer.


III

Never was a more terrifying sight
Than naked terror, screaming from his eyes;
I still recall him staring, every night;
It haunts my dreams from dusk into sunrise.

I wanted to embrace him, stroke his hair,
To whisper words of solace from the Lord;
But sometimes prayer hangs on the empty air,
Sometimes we cannot rescue the adored.

Later I visited his lonely room
To find him on his bed, facing the wall.
He turned to meet my gaze, eyes full of gloom
As if no soul resided there at all.

I made him pray with me, for love Divine;
Heedless of God, he pressed his lips to mine.


IV

I blush, I burn with shame, when I recall
I gave in to his kisses willingly;
He wanted heaven's solace not at all
But took his earthly comfort all from me.

So long I'd waited, through his years away,
Wishing to win his love through some kind deed
Now in his trembling grasp, too lost to pray,
I lay entranced by passion's burning greed.

When it was over, I looked at his face
He seemed to see some bright epiphany
Perhaps at last he knew our Saviour's grace
At last his breath came slowly; evenly.

He murmured something as I rose to go
I knew I loved him, but never said so.


V

I never said I loved him. With the dawn,
His doomsday clock was ticking down his hours.
I never said I loved him, I was torn;
For what love sanctifies, wartime deflowers.

Hindsight has pierced my heart with bitter thorns,
Trampled my dreams, stolen all future joy;
For in that worst of cataclysmic dawns,
I never said I love you to that boy.

I never even said a last farewell
Though warm kisses still echoed on my skin;
My silence tortures me, I am in hell
I burn in silent wars I cannot win.

The Redcaps came and took away my Joe.
I loved him; and now he will never know.

Water
runs
down
the
wall;
it
must
be
coming
from
upstairs.                                                       ­                                                                 ­                        
Make it stop! My calls have been ignored. I live on the lowest floor; there is only going up.
The
     ceiling
             caves
                    inward
                            before
                                                             I take any action.
                                 Under my bed I fashion temporary shelter from the
                                 cataclysmic reaction                     between water and
                                 dry                                                              ­            wall.
                                                                The dust settles.
                                                               I feel for my face,
                                                                cuts and bruises.
                                                        ­             I am safe,
                                                           ­    But under my bed
                                                                ­  I am trapped.

Hypocritical catastrophe,
Irreverent duplicity,
Luminarial ludiocrity,
Nonsensical impetuosity.

Flippy floppy, slippy sloppy,
Blamey gamey, shame, shame, shame.

Constitutional incongruity,
Jesuitical dictatoriality,
Oxymoronic partiality,
Nepotistic surreality.

Materialistic abnormality,
Monetaristic conviviality ,
Ritualistic mediocrity,
Histrionic philanthropy.

Gotten rotten, misbegotten
Seldom truthful, lie, lie, lie.

Misdirection genuflection,
Malefaction justification,
Incarceration implication,
Resignation profliferation.

Prevarication reiteration,
Damnation indication,
Malefaction direction
Undetected discretion.

Flippy floppy, slippy sloppy,
Blamey gamey, shame, shame, shame.
Gotten rotten, misbegotten
Seldom truthful, lie, lie, lie.

It was a lovely New York morning and the sun in the sky was shining
When, from up above in the clouds we all heard a horrid noisy whining,
And we looked up in the air to see a large silver plane flying by,
And the sun was glinting off its fuselage as it flew like a great metallic bird
                                                            ­               swiftly through the sky.

But then the plane made a change of course and headed right in our direction,
Pointing straight at the World Trade Centre (a double concrete *******),
And then the aircraft went into of one of the towers causing much dismay
And a terrible shock to all who saw this truly devastating incident on that
                                                            ­                            cataclysmic day.

The explosion was very loud, and shocked everyone who saw the accident,
(At that stage it was thought to be a mistake and not really meant)
But after 45 minutes we saw another plane on New York airspace encroaching,
And realised that the first was no accident as there was another jetliner
                                                        ­          on the way, fast approaching.

The other plane flew into the second of the towers standing proudly there;
One minute flying in the sky and the next 'twas no longer there,
For the aircraft disappeared totally into the core of the giant concrete building
And it was about half way up the tower, I suppose you would say just about
                                                           ­                             in the middling.

The world's TV stations covered these events 'live' with horror and with awe;
No one knew who had done this, which shook the US of A to its core;
The New York firemen sped to the scene and it is agreed they were very brave
As they did their best to rescue people in the towers, and many a person's life
                                                                      undoubtedly they did save.

But there was worse to come and all know this now (but did not at the time)
Because the towers had been weakened by the crash in this great crime;
Then first one tower fell to the ground with a great noise raising lots of dust
And the other one crumbled with a mighty roar which might well have
                                                                damaged the earth's very crust.

This was without a doubt one of the blackest days in the history of the U.S.A.,
Still talked about with shock and awe and people still cry about it to this day;
And news commentators asked who had done it and soon opinion hardened
With the agreement that it had been masterminded by a Saudi Arab whose
                                                           ­   name was Mr Osama bin Laden.

On the same day as these events which did such damage to old New York City,
Two other planes got hijacked too and the results of that were not very pretty;
One of the other planes landed with a thump on the walls of the Pentagon,
But the fourth one failed in its mission and crash landed en route to the
                              president's residence: the White House, Washington.

So looking back, one might say that they were the start of a war of terror
(And only time will tell if subsequent US attacks on the Arabs were in error)
But whatever transpires these happenings will always be remembered;
However by calling these dire events "9/11" most of the world believe they
                                              happened on the ninth day of November.

Pompeii stood proud near Naples.
Close to Herculaneum.
When in August of AD 79.
Volcano magnificent erupted.
Without nonchalance.
A buried city born.
Complete with frescoes of erotica.
Were subject to ancient censorship.

City modern with flowing water.
Trendy port.
Gymnasium.
Modernist by all accounts.
Population 20 000.
Mostly perished in brimstone's evacuation.
From the deepest depths of hell.
Suffocated nearly all.
Asphyxiated on vile fumes.

Eruption cataclysmic.
City buried far underground.
By written description.
'Tis believed that hell on earth unleashed.
The day following magical celebrations.
Worshiping Vulcanalia the Roman God of Fire.
Ironic tragedy procured.

Few survived the tragedy.
Those that did ran free
Anarchy, starvation.
Mainly petty larceny.
Landscape near destroyed.

Pliny the Younger wrote in a letter.
Vivid description of images seen as Pliny the Elder tried to rescue a few.
Felt perhaps had a duty to do.
Was admiral proud of the Roman fleet.
His life taken in forfeit as citizens from the ash world perished.

Pax Romana followed tragedy.
Dealt such a wicked card.
Embalmed in ash citizens lay.
Locked forever on the spot as they ran away!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

Sometimes at night when I turn over and my hand slides along the small of your back
I can feel the changes beneath your skin.
Sitting next to you, I read you like braille
Like something you need to touch to feel the meaning of.
I know you are a storm beneath your skin.
Sometimes I feel lightning reach out
To the answering chaos in me.
Our suffering makes our togetherness
Electric.
Cataclysmic.
We could crumble mountains.
I don't know if you know your own wildness inside,
Wilderness.
I think inside you are vast and lonely, wonderful but vaguely sad,
The way the trees sound when a breeze sighs its way through them and makes them sway.

Sometimes I feel a coldness from you like a chilly night without a fire
The kind of cold that starlight and silence bring-
Not a hostile chill, like the sharp fingers of frost or ice,
But just a distant kind of... Containment.
A solitude, like the desire to curl into the rocks by the river and become one by touch.
A desire to be still.
It scares me. I don't know how to reach that part of you.

Sometimes I look at you and I see storm clouds and wildfires in your eyes,
I see the end of days, and earthquakes, and brutal hurricanes,
But I see them through glass, as if you've stepped inside a mirror and imprisoned your rambling hurt to keep the world safe-
I see it through the cracks in a briar wall that's sprung up suddenly and sharply, tangled and complex, a warning.
And although I don't want to be
I am warned.

I want to touch
But I am so very good with boundaries
So very
Sensitive.
I feel the changes in the air
The way a deer in the forest may shoot its head up at the scent of a hunter miles away, caught on an errant breeze.
You change what I breathe in and out,
You change my weight and my texture.
Sometimes from you I can close my eyes and feel what warm honey must feel like in essence-
If sunlight found purchase in the air.
I feel fields of wildflowers and slow, dreamy, balmy nights and days at the seashore with diamonds capping the waves.
Sometimes I feel from you the tickle of cut grass, and the smell of fresh rain, and what a butterfly's furry wings would feel like if stroking them wouldn't make them crumble like spun sugar.
Sometimes I feel from you the slow, deep pull that I remember from sitting at the bottom of that coral reef in St Thomas-
The heat of the day sinking in layers through the water to hold me suspended in graceful pressure-
Poised to be swallowed by something much more significant and much hungrier than me.
And sometimes there is simply cold, the way I said,
As if the wind has somehow changed and left me adrift, sails dead, in a sea that offers no sustenence and no explanations.
In those times of stillness I wait, breathless,
Cautious-
They always pass,
So far.

I sit beside you and hold my breath
Hold my hands.
I sit and look at the grass
At the sky
But I see you instead
Silent beside me,
An unknown, a mirror maze
All of a sudden sunlight
And all of a sudden shadows.

When you go dark and silent I want to start digging.
I want to sink to my knees and pull apart the earth,
Find its heart, hot and sticky and molten,
Burning with the secrets of a forever life in the belly of a fragile stone.
I want to claw it out and put your hands on it,
Watch it feed your soul and sear away that terrifying cold.
Light you up so that you will never curl up silent around a black glass starless hailstorm ever again.
I feel the dirt under my fingernails and how
Odd it is
That it is familiar, from scrabbling out of grave after grave,
Confused and reborn and shivering.
How odd that now I am tunneling towards what remade me so many times
To try to break the laws of nature and bring it to you
Before you ever have to sink towards it.

But I feel from you. And then I don't. And then I do.
And it wakes in me an unsettled longing more powerful than my history.

I feel from you the silence right after the last note of a symphony fades
Before the audience applauds
Before anyone has even taken a breath.
I feel that exquisite beauty
And the fear that it will shatter.
(The fear that is the knowledge that it will shatter.)
I feel all of this from you
For you and
I think it might be
Love.

Senseless living in Beirut. Disconnected from routine, from drama. Disconnected from passion and compassion in a stagnant, stagnant, stagnant place. No reassurance for tomorrow, and definitely no reassurance today.

And it all sounds so disheartening, even to yourself. So you put those thoughts on a dark shelf, resting in the cavities of your mind, only to find them oozing out again.

Making arms feel heavy. In a city that’s the perfect size for strolling every step feels like a chore. Like why’d I walk out here on the streets for? There’s no room for me. Too many holes in the street, and I wore these sandals coz they feel light on my feet, but they keep ripping. Dog ****, low-class spit, and high-class ****. It’s **** I tell ya. No room, nothing.

Unless you’re on a list. Then you’ll find endless place for you, and mix with commoners on the dance floors. Rub shoulders with those struggling artists and hidden talents, photographers and such. More images, much.

But still that’s not enough…. if you happen to make it, that is… still not enough. Because that kind of comfort is tough on the soul, and it hurts that you didn’t just go home and save it. You know, save your money, save your time, save your self. Not become someone else. Not finish the night rolled up in bed and thinking over those million things you said, was that the right thing? Perfecting social awkwardness by living it again, but alone. Just let it go, the past is dead.

You think, ‘let me think.’ Let me sink into the things that stimulate my mind, that I find interesting, revealing, revolutionary. And re- re- the process. Reanalyze in a new frame of mind. This isn’t that time, it’s now. I’m all so much more grown up. I can deal with the higher material. My envelopes carry essays, and my mirrors reflect mantras. I use my blade to cut Mongolian chicken.  A unique recipe I found on Pinterest. I’ve got several blogs I read…I’m sure you don’t know them, they’re avant-garde…and I dedicate a hard process into selecting the right documentary, something that’ll illuminate me further. We apply this fervor into knowing more, only to realize how little we can move with that knowledge.

Killer of dreams, Beirut is. This murderer of hope. Like even if you got home, and plugged that DVD in to get your mind off with a laugh and a lay, the electricity finds its way to blast through and ruin a perfectly good evening for you. See it was feeding off your ****** energy and ran a little too highly, and now your wires shot. And somehow it burned through your generator heart. Could we somehow spark the cables with some electricity again? I don’t know…let’s check the trunk for monkeys.

Senseless. Not seeing, not feeling, not tasting, hearing, or smelling of sense. Honestly, just pushed beyond the limit of decent respect. Rather ******, crass, crude, no sense to reason, only nonsense, like gibberish, a terrible two tantrum, nothing to pacify, no milk of poppy or anything else. The alcohol is hit so we can’t rub teething gums. Instead plastic BB guns, manufactured with lead, which I’ve read shouldn’t be given to children under the age of two. But still, this is what we do in Beirut.

I want to root for a winning team. Something that’ll keep me on the edge of my seat so I can leap at the final score. Give me a winning team to root for. Instead divided, and individualistic, the secret to the American dream, that didn’t seem to work. Or collective, and fanatic, fundamentalist and bat-**** problematic, because of loss of self. Now, what’s the fun in that? If those are the teams, don’t put me up to bat. Let me stand in the back, and please pick me last.

Senseless and fast. Each day merges into next, and Lebanon is an eternal vacation. Cheap time chalets and happy time oil rubs. Under setting suns that morph into other ones, instagrammed and timeless on HD…not very revolutionary if we think within the context of things. But still, we never seem to, think.

Rather reignite the old patterns of thought. The ones that brought pearls and Switzerland’s, French nights and Brazilian beats. Ones that won’t have us marching on streets, but rather cater to the revolution of our hearts. It’s called the revolution of love. But I hope you don’t mind I’ve forgotten my glove in the other room… don’t worry baby…I’ll pull out if I feel that I’m cuming too soon… uh oh…(boom).

Was that a bomb? Or fireworks coz we were looking in each other’s eyes? Hide nonsense with senseless pastimes, de-synthesizing further. Falling deeper into this cataclysmic abyss, that leaves no space for sense.

Give me a tissue to wipe it. Clear it away. There’s another day starting and I want to forget that even happened. That I tapped into something and remembered to care. That would make no sense, it’s senseless back there.

I am an African,
Just like you are,
Here I am in Africa,
From Africa,
I may speak,
Not your African language,
But a cataclysmic African,
Who speaks my African language,
I am.
An inferior African,
You may as you do,
Regard me,
But still,
African I am,
African I cry,
African I laugh,
African I sing,
African I live.


You have made me feel ashamed,
To be in this part of Africa,
But never,
Will you make me feel ashamed,
To be African,
Whatever derogatory labels,
You may stick on me,
No matter how unAfrican,
Kwerekwere, Grigamba or whatever,
But still,
I will be an African,
Even a much better one.


African,
Like my father,
His fore fathers,
And their forefathers,
African,
Just like I was yesterday,
African,
Just like I am now,
African,
That is what I will always be,
And African,
Forever.


According to the author, we are all foreigners in any country on this earth, more like tenants. No one has any claim to any portion of this earth for it belongs to God. The barbaric, self-centered and intolerant demeanor we have recently witnessed in South Africa tells the story of mindless teaks on a dog that are claiming to own the dog and solidifies the myth that Africa is a dark continent and Africans are still stuck in the animal kingdom. How do we dispute what is becoming more of a fact that “you can take Africans from the bush but you can never take the bush out of Africans”. Fellow South Africans (the perpetrators), you have proved to be more disgusting than ***** and the most befitting place for you is the sewage dump that is far away from Africa. If there was another Africa that is not this Africa, I would have done the obvious and most logical thing – to completely disassociate my dignified African self from the brainless, destructive, inhuman thugs that you are. Today, I am an African who is dead ashamed to be African!

If you are searching for some sort of formula to carry on fighting, or for a sequence of numbers or symbols to decode bravery, there is no purpose to look any further. It’s not that you are close to it, or getting there, or that the concept itself of a bravery code is the first step towards deciphering the code, but you’ll never get the chance. There is no code. When you are trying to pull your parts together and make them work in concordance even though you have been unhinged an inch too far from the here and now, the currents of reality. For example, where is one of your hands? One is banging on the tabletop for attention while the other presses down on your trachea to crush it closed. You need to calm down one hand so you can use it to loosen the other from your own throat. There are no pretty ways- or any ways- to suture the open wounds that have been left on you. It feels filthy and confusing to speak, and it hurts because you know only yesterday your talk was free.

It is disturbing to smile and to hold your face without anything to express. All you want to do is release that scream that begs for freedom, just as speech. But you can’t go on like this, all torn apart- this is a body fighting itself, a war against its own shadow; it’s a mind murdering the body from inside. Think about that, if you can just about bear it, and then you’ll catch onto why there’s not a instruction manual waiting for you after your experience to lay out in bullet points the right way to feel. How to’s on coping with grief, guilt, disgust, dissociation, nightmares, the memory becoming part of your autobiography. There’s no manual or guide because there is no way to make peace with that.

No one ever taught you that bravery can be something other than clawed in eyes, sharpened nails, feral smiles. It doesn’t appear as the torn up hands of a wrecked clock or the veins filled with venom under poisoned skin. You can decide what your bravery looks like. Maybe it looks like smashed plates, slashed tires, the silver gleam along the edge of a bread knife that flashes as you make yourself a sandwich. Maybe it’s letting the shadows give you some comfort when the windows are jammmed and refuse to open. It’s framing pictures of yourself and your mother because you have a need for nostalgia almost as much. It’s changing the colour of your hair, it’s gin and tonic before noon or else only juice you drink from cartons. It’s taking out the ******* bins whilst knowing they contain one or several things you ought to not throw away, but taking the words of Kerouac- Accept loss forever. It looks, perhaps, like trying to fix a clock but allowing for times ahead to weave in and out of an arbitrary linear path. No matter how many times you look at those hands on that face, you’ll never be able to turn back time or bypass a single moment on fast forward. It’s brave to try and invent a potential cure and to persist, but someday you’ll be thankful you couldn’t fix yourself by going back over time or denying the disappearing time.

It could be going to confession every Tuesday and Thursday, or visiting a shooting range, whether or not you end up firing a gun. It could be learning to bake your favourite cake, then baking dozens of small cakes and eating them alone. It could be a simple mouth to pillow scream. It could be the development of an entirely original and organic dream. It didn’t come from nowhere, nor from what you are trying to be brave for. A terrible event can be catastrophic and cataclysmic. The evidence in that is surely in all catastrophes and the associated ways in which the world shifts around it, accomodates is corners, and is changed even just by the wake left behind.

Most likely it is writing and it’s burning. It’s howling, visualising your head split in two against a wall. It’s bleeding to remember why you stopped drawing your own blood. It’s acting sinfully to forget. It’s undergoing an exorcism of your own by drawing a map of your body and marking out all the hiding places taken as territory by the spectres that haunt you. You’ll need your bravery to claim those spaces back, to conjure a monster frightening enough to scare the spectres themselves out.

If you try on lots of looks for bravery, be aware you’ll be black-night and blues and plum-colour bruised. Healing looks a lot like brutality, but it is the best home you’ve ever had. It is the first that you have built with your own hands and you owe no one for it.

Remember: Whatever has been done. Whatever you have done to survive.
Remember: the war is almost over.
Remember: you have always been home.

I'm a doomsday prepper
Afraid of zombie lepers
And nuclear line steppers
So I spend my life preparing
Instead of repairing
A civilization that is constantly crumbling
I focus on post-apocalyptic rumbling

My self reliance
Met my defiance
In an alliance
Of deadly appliance
When I have no faith in the government
Because they might make preparing futile
For the disasters of my wonderment
I don't copy their community style
They'll just die when the world ends
So they're a waste of the time I spend

I tried to look above
To find love
But a giant tidal wave
Blocked the sun's rays
And I could feel the Earth quake
Under my shaking feet
So I decided it was a mistake
And to avoid what's sweet

I will no longer be a misfit
After the apocalypse
I will be more comfortable than everyone else
But will I really keep my resources to myself?
I say of course
From my high horse
I fantasize about being right
So others will see the light
Of a nuclear blast
And see that I last
They'll beg to see my stocked shelf
Yet I will offer no help
I'll say my memory is hazy
Didn't you call me crazy?
Protecting my goods in that vulnerable hour
With a stockpile of firearm firepower

I prepare for an impending doom
That'll create some elbow room
Instead of friends I gather supplies
For a cataclysmic surprise
Where everyone dies
Then I'll be happy
Hunting and trapping
All alone
In a blast zone
Where someone once said
Life is what happens
While you're making plans
But the apocalypse
Is my promised land