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"bole" poems
MAI BAHV SUCHI UN BHAVO KI JO BIKE SADDA HI BIN TOLE TANHAI HU HAR US KHAT KI JO JO PADHA GYA HAI BIN KHOLE HAR AANSU KO HAR PATTHAR TAK PAHUNCHANE KI LACHAR HUK MAI SAHAJ ARTH UN SABDO KA JO SUNE GYE HAI BIN BOLE JO KABI NAHI BARSA KHUL KAR HAR US BADA L KA PANI HU LAV-KUSH KI TEER BINA GAYE SITA KIA RAM KAHANI HU MAI BHAV SUCHI UN BHAVO KI. ............ KI JINKE SAPNO KE TAJ MAHAL BAN NE SE PAHLE TUT GAYE JI HAATHO ME DO HAATH KABHI AANE SE PAHLE CHUT GYE DHARTI PAR JINKE KHONE AUR PAANE KI AJAB KAHANI HAI KISHMAT KI DEVI MAAN GYE PAR PRANAY DEVETA RUTH GYE MAI MAILI CHADAR WALE US KABIRA KI AMRIT VANI HU LAV-KUSH KI TEER BINA GAYE SITA KKI RAM KAHANI HU KUCH KAHTE HAI MAI SEEKHA HU APNE JAKHMO KO KHUDSEE KAR KUCH JAAN GYE MAI HASHTA HU BHEETAR BHEETAR ANSU PEEKAR KUCH KAHTE HAI MAI HU VIRODH SE UPJI EK KHUDAAR VIJAY KUCH KAHTE HAI MAI MARTA HU KHUD ME JEEKAR KHUD ME MARKAR LEKIN MAI HAR CHATURI KI SOCHI SAMJHI NADANI HU LAV-KUSH KI TEER BINA GAYE SITA KI RAM KAHANI HU... WRITTEN BY :::::: SHASHANK KUMAR DWIVEDI
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Nov 20, 2013
Nov 20, 2013 at 8:11 AM UTC
MAI BAHV SUCHI UN BHAVO KI
Mai bhav suchi un bhavo ki jo bike sada hi bin tole Tanhai hu har us khat ki jo padha gya h bin khole.. Har aanshu ko har patthar tak pahuchane ki laachar huk Mai sahaj arth un sabdo ka jo sune gye h bin bole.. Jo kabhi nahi barsha khul kar har uss badal ka paani hu Lav-Kush ki teer bina gaye Sita ki Ram kahani hu.. Ki jinke sapno ke Taj -Mahal ban ne se pahle tut gaye Jin haatho me do haath kabhi aane se pahle chut gaye Dharti par jinke khone aur paane ki ajab kahani h Kishmat ki devi maan gye par pranay devta ruth gaye.. Mai maili chadar wale uss Kabira ki amrit vaani hu Lav-Kush ki teer bina gaye Sita ki raam kahani hu.. Kuch kahte hai mai sikha hu apne jakhmo ko khud see kar Kuch jaan gaye mai hashta hu bhitar bhitar aanshu peekar.. Kuch kahte hai mai virodh se uppji ek khuddar vijay Kuch kahte hai mai marta hu khud me jeekar khud me markar.. Leekin mai har chaturai ki sochi samjhi  naadani hu Lav-Kush ki teer bina gaye Sita ki Ram kahani hu
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Feb 4, 2015
Feb 4, 2015 at 8:23 AM UTC
..Mai bhav suchi un bhavo ki..
It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. A comet that was lost Should be visible at sunset, Those million tons of light Like a glimmer of haws and rose-hips, And I sometimes see a falling star. If I could come on meteorite! Instead I walk through damp leaves, Husks, the spent flukes of autumn, Imagining a hero On some muddy compound, His gift like a slingstone Whirled for the desperate. How did I end up like this? I often think of my friends' Beautiful prismatic counselling And the anvil brains of some who hate me As I sit weighing and weighing My responsible tristia. For what? For the ear? For the people? For what is said behind-backs? Rain comes down through the alders, Its low conductive voices Mutter about let-downs and erosions And yet each drop recalls The diamond absolutes. I am neither internee nor informer; An inner émigré, grown long-haired And thoughtful; a wood-kerne Escaped from the massacre, Taking protective colouring From bole and bark, feeling Every wind that blows; Who, blowing up these sparks For their meagre heat, have missed The once-in-a-lifetime portent, The comet's pulsing rose.
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8.1k
Exposure
Drinking my tea Without sugar- No difference. The sparrow ***** upside down --ah! my brain & eggs Mayan head in a Pacific driftwood bole --Someday I'll live in N.Y. Looking over my shoulder my behind was covered with cherry blossoms. Winter Haiku I didn't know the names of the flowers--now my garden is gone. I slapped the mosquito and missed. What made me do that? Reading haiku I am unhappy, longing for the Nameless. A frog floating in the drugstore jar: summer rain on grey pavements. (after Shiki) On the porch in my shorts; auto lights in the rain. Another year has past-the world is no different. The first thing I looked for in my old garden was The Cherry Tree. My old desk: the first thing I looked for in my house. My early journal: the first thing I found in my old desk. My mother's ghost: the first thing I found in the living room. I quit shaving but the eyes that glanced at me remained in the mirror. The madman emerges from the movies: the street at lunchtime. Cities of boys are in their graves, and in this town... Lying on my side in the void: the breath in my nose. On the fifteenth floor the dog chews a bone- Screech of taxicabs. A hardon in New York, a boy in San Fransisco. The moon over the roof, worms in the garden. I rent this house. [Haiku composed in the backyard cottage at 1624 Milvia Street, Berkeley 1955, while reading R.H. Blyth's 4 volumes, "Haiku."]
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5.1k
Haiku (Never Published)
Ek geet hotho par likhna         Yani saare geet hreeday ki         Meethi so choto par likhna...         Ek geet palko par likhna         Ek geet palko par likhna         Yani saare geet hreeday ki         Meethi si choto par likhna              Jaise -         Jaise chuv jata h koi         Kanta nange paow me         Jaise geet utar aate hai         Mere mann me gaao me         Jab v muuh dhak Leta hu         Teri julpho ke chhaon me         Kitne geet utar aate hai         Mere Mann me gaao me         Ki palke agar jhuki to jaise ×2         Dharti ke unnmad soo gye         Palke agar uthi to jaise         Bin bole sanwaad ** gye ×2       Jaise -         Jaise dhoop chunaria odhe         Aa  baithi ** chhaon me         Jab bhi muh  dhak Leta hu         Teri julpho ki chhaon me... ×2         Kitne geet utar aate h         Mere Mann me gao me... ×2
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Nov 7, 2015
Nov 7, 2015 at 1:20 AM UTC
Mere mann ke gao me
Raat meh jab aankh lage Dil ka raang kaala Khaboon mein tum aake Apna ehsaas dilake Hoonton ki pyaas bhujake Ek lafs bole...."Kyun?" Ab iis ek shabd  ka jhawab nahi Iis dil ki pyaas ka matlab nahi Do jismoon ki batoon ki samaj nahi Tho kab hum bas karen? Kab iis kyun ko dafnaden? Kab iss sawal ka jawab nah dhoonden? Kab samje ke hum "hum" nahi ** sakthe? s.q.
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Jul 27, 2014
Jul 27, 2014 at 1:40 PM UTC
Sawal
Ek rukha aasman ...ek pyasi jameen...esi hi kuch hamarI khaani.. Dooor h bhut..par nazro me basein.. Rutha ** ek to duja kaise hasse..!! Aankhe ** jab uski nam.. To bheege hum b hurdum.. Kosis bht ki nzre churane ki..par hum toh the Unke dil me phasse..!! Aankho se hi wo izhaar kr gye ..or hum sochte rhe ...unse khe kaise... !! Alag hme b kuch krna..tha...to kuch esa kia.. Maanga jo usne hath toh hmne <3 dil hi de dia !! Waqt b kitna bewafa h bin bole hi nikal.gya... Or wo ret ki trh meri muthhi se fisal gya..!! Wo sapna tha ya hqiqat BS m sochti rhti hu.. Uss hwa ka jhoka h wo..jiske sang m aaj b bahti hu !!!!
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Oct 30, 2015
Oct 30, 2015 at 4:19 PM UTC
Untitled
Below are eleven Buson haiku beginning with the phrase 'The short night--' The short night-- on the hairy caterpillar beads of dew. The short night-- patrolmen washing in the river. The short night-- bubbles of crab froth among the river reeds. The short night-- a broom thrown away on the beach. The short night-- the Oi River has sunk two feet. The short night-- on the outskirts of the village a small shop opening. The short night-- broken, in the shallows, a crescent moon. The short night-- the peony has opened. The short night-- waves beating in, an abandoned fire. The short night-- near the pillow a screen turning silver. The short night-- shallow footprints on the beach at Yui. User Submitted "The short night--" Haiku Submit your own haiku beginning with the line "The short night--" and we'll post the best ones below! Just dash off an e-mail to: [email protected] The short night- a watery moon stands alone over the hill Maggie The short night-- just as I'm falling asleep my wife's waking up Larry Bole
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Variations on 'The short night
Thrill with lissome lust of the light, O man ! My man ! Come careering out of the night Of Pan ! Io Pan . Io Pan ! Io Pan ! Come over the sea From Sicily and from Arcady ! Roaming as Bacchus, with fauns and pards And nymphs and styrs for thy guards, On a milk-white *** come over the sea To me, to me, Coem with Apollo in bridal dress (Spheperdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon, of the woods, on the marble mount, The dimpled dawn of of the amber fount ! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantoness weeping through The tangled grove, the gnarled bole Of the living tree that is spirit and soul And body and brain -come over the sea, (Io Pan ! Io Pan !) Devil or god, to me, to me, My man ! my man ! Come with trumpets sounding shrill Over the hill ! Come with drums low muttering From the spring ! Come with flute and come with pipe ! Am I not ripe ? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion, and sharp as an asp- Come, O come ! I am numb With the lonely lust of devildom. ****** the sword through the galling fetter, All devourer, all begetter; Give me the sign of the Open Eye And the token ***** of thorny thigh And the word of madness and mystery, O pan ! Io Pan ! Io Pan ! Io Pan ! Pan Pan ! Pan, I am a man: Do as thou wilt, as a great god can, O Pan ! Io Pan ! Io pan ! Io Pan Pan ! Iam awake In the grip of the snake. The eagle slashes with beak and claw; The gods withdraw: The great beasts come, Io Pan ! I am borne To death on the horn Of the Unicorn. I am Pan ! Io Pan ! Io Pan Pan ! Pan ! I am thy mate, I am thy man, Goat of thy flock, I am gold , I am god, Flesh to thy bone, flower to thy rod. With hoofs of steel I race on the rocks Through solstice stubborn to equinox. And I rave; and I **** and I rip and I rend Everlasting, world without end. Mannikin, maiden, maenad, man, In the might of Pan. Io Pan ! Io Pan Pan ! Pan ! Io Pan !
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Hymn to Pan
Thrill with lissome lust of the light, O man ! My man ! Come careering out of the night Of Pan ! Io Pan . Io Pan ! Io Pan ! Come over the sea From Sicily and from Arcady ! Roaming as Bacchus, with fauns and pards And nymphs and styrs for thy guards, On a milk-white *** come over the sea To me, to me, Coem with Apollo in bridal dress (Spheperdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon, of the woods, on the marble mount, The dimpled dawn of of the amber fount ! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantoness weeping through The tangled grove, the gnarled bole Of the living tree that is spirit and soul And body and brain -come over the sea, (Io Pan ! Io Pan !) Devil or god, to me, to me, My man ! my man ! Come with trumpets sounding shrill Over the hill ! Come with drums low muttering From the spring ! Come with flute and come with pipe ! Am I not ripe ? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion, and sharp as an asp- Come, O come ! I am numb With the lonely lust of devildom. ****** the sword through the galling fetter, All devourer, all begetter; Give me the sign of the Open Eye And the token ***** of thorny thigh And the word of madness and mystery, O pan ! Io Pan ! Io Pan ! Io Pan ! Pan Pan ! Pan, I am a man: Do as thou wilt, as a great god can, O Pan ! Io Pan ! Io pan ! Io Pan Pan ! Iam awake In the grip of the snake. The eagle slashes with beak and claw; The gods withdraw: The great beasts come, Io Pan ! I am borne To death on the horn Of the Unicorn. I am Pan ! Io Pan ! Io Pan Pan ! Pan ! I am thy mate, I am thy man, Goat of thy flock, I am gold , I am god, Flesh to thy bone, flower to thy rod. With hoofs of steel I race on the rocks Through solstice stubborn to equinox. And I rave; and I **** and I rip and I rend Everlasting, world without end. Mannikin, maiden, maenad, man, In the might of Pan. Io Pan ! Io Pan Pan ! Pan ! Io Pan !
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67
Oh, to be in England Now that April’s there, And whoever wakes in England Sees, some morning, unaware, That the lowest boughs and the brushwood sheaf Round the elm-tree bole are in tiny leaf, While the chaffinch sings on the orchard bough In England—now! And after April, when May follows, And the whitethroat builds, and all the swallows! Hark, where my blossomed pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops—at the bent spray’s edge— That’s the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture! And though the fields look rough with hoary dew, All will be gay when noontide wakes anew The buttercups, the little children’s dower —Far brighter than this gaudy melon-flower!
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3k
Home Thoughts, From Abroad
Gold shed upon suckling gold, The time of the bole blackens, Of the dark mounted through dapple, While in the sealed apple The seed cradled toward cold. A gold on gold spent, Put by from an elm in its years Now its gilded of days, Over turf’s dishevelment; Where all which is green sickens, All the fresh shall be sere. All which is green sickens, And it is but for a time Those embered veinings blaze A year’s delirium; Or neared of other space, Unportioned azure shall close One of more, and which is, One which goes. Let the little pupils that will, Of vision, gaze for salt To whet their gazing, wit In one weather is high From burrow and lair, by Nether providences’ default An all’s accrued. And apposite, beyond Such primer beholdings, has Its long accounting known The beetle’s morsel thus Was rich, and the slug’s bed on The oak’s generations, deep Over the lark’s bones. In slough of Edens fast Wit in one weather shall stand, While millennia nibble at The sensual apple Toppled it net, Plenty in the palm of the hand, And the fallen not fallen, not lost From out its certitude— For our unbeggaring Has been gross. Few and late To cherish an immoderate Wish, hope’s calculus, Love’s hope; few to miss, From natural tally ****** In the lime-girdled space Of choice, where alone Man can abandon what Is only his own; And in cold and tarrying Their rearisers sleep: While to the granite cheek Light’s purples bring Infinite their ministering, And past our finial And ragged crests, to keep Time’s ambient stood, Propose horizons from Their shadowy quarries; while, In an unwandered wood, Or under the indifferent foot, Is let fall, let fall a fruit, Through eternal leisures down, For but time’s unravelling.
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2.9k
Dirge At The Edge Of Woods
Gold shed upon suckling gold, The time of the bole blackens, Of the dark mounted through dapple, While in the sealed apple The seed cradled toward cold. A gold on gold spent, Put by from an elm in its years Now its gilded of days, Over turf’s dishevelment; Where all which is green sickens, All the fresh shall be sere. All which is green sickens, And it is but for a time Those embered veinings blaze A year’s delirium; Or neared of other space, Unportioned azure shall close One of more, and which is, One which goes. Let the little pupils that will, Of vision, gaze for salt To whet their gazing, wit In one weather is high From burrow and lair, by Nether providences’ default An all’s accrued. And apposite, beyond Such primer beholdings, has Its long accounting known The beetle’s morsel thus Was rich, and the slug’s bed on The oak’s generations, deep Over the lark’s bones. In slough of Edens fast Wit in one weather shall stand, While millennia nibble at The sensual apple Toppled it net, Plenty in the palm of the hand, And the fallen not fallen, not lost From out its certitude— For our unbeggaring Has been gross. Few and late To cherish an immoderate Wish, hope’s calculus, Love’s hope; few to miss, From natural tally ****** In the lime-girdled space Of choice, where alone Man can abandon what Is only his own; And in cold and tarrying Their rearisers sleep: While to the granite cheek Light’s purples bring Infinite their ministering, And past our finial And ragged crests, to keep Time’s ambient stood, Propose horizons from Their shadowy quarries; while, In an unwandered wood, Or under the indifferent foot, Is let fall, let fall a fruit, Through eternal leisures down, For but time’s unravelling.
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66
Aaja ab paas mere kahin der na ** jaaye, Abhi pyar karne ki lagan hai kahin jindagi beet na jaaye, Tu bhi kahin ehsaas to karta hi hoga , Chup chuo k meri chahat pe guroor to karta hoga, Beet jaane k baad agar mere tu lautkar aaya, To yaad rajhna kahin kho dene ka sadma tujhme na ubar aaye, Nahi chahta mai k tere dil me gam e bahar aaye, Aaja ab paas mere kahin der na ** jaaye.... Silsila rok de ab mujhse nafrat jatane ka, Shabab gahra hoga mere dil se tere dil ko milane ka, Khamosh hokar yun intjaar karna nahi acha, Ab to bole do kahin chahne vala tera hamesha k liye khamosh na ** jaaye, Din beet na jaayr kaali raat thahar hi na jaaye, Betaabi badhti ja rhi hai yujhe paane ki, Ab rok de intjaar k lamhon ko kahin bahut der na ** jaaye, Aaja mere paas ab kahin der na ** jaaye.
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May 10, 2019
May 10, 2019 at 6:50 AM UTC
Tere liye
He that had come that morning, One after the other, Over seven hills, Each of a new color, Came now by the last tree, By the red-colored valley, To a gray river Wide as the sea. There at the shingle A listing wherry Awash with dark water; What should it carry? There on the shelving, Three dark gentlemen. Might they direct him? Three gentlemen. "Cable, friend John, John Cable," When they saw him they said, "Come and be company As far as the far side." "Come follow the feet," they said, "Of your family, Of your old father That came already this way." But Cable said, "First I must go Once to my sister again; What will she do come spring And no man on her garden? She will say 'Weeds are alive From here to the Stream of Friday; I grieve for my brother's plowing,' Then break and cry." "Lose no sleep," they said, "for that fallow: She will say before summer, 'I can get me a daylong man, Do better than a brother.' " Cable said, "I think of my wife: Dearly she needs consoling; I must go back for a little For fear she die of grieving." Ask no such wild favor; Still, if you fear she die soon, The boat might wait for her." But Cable said, "I remember: Out of charity let me Go shore up my poorly mother, Cries all afternoon." They said, "She is old and far, Far and rheumy with years, And, if you like, we shall take No note of her tears." But Cable said, "I am neither Your hired man nor maid, Nor your ape to be led." He said, "I must go back: Once I heard someone say That the hollow Stream of Friday Is a rank place to lie; And this word, now I remember, Makes me sorry: have you Thought of my own body I was always good to? The frame that was my devotion And my blessing was, The straight bole whose limbs Were long as stories- Now, poor thing, left in the dirt By the Stream of Friday Might not remember me Half tenderly." They let him nurse no worry; They said, "We give you our word: Poor thing is made of patience; Will not say a word." "Cable, friend John, John Cable," After this they said, "Come with no company To the far side. To a populous place, A dense city That shall not be changed Before much sorrow dry." Over shaking water Toward the feet of his father, Leaving the hills' color And his poorly mother And his wife at grieving And his sister's fallow And his body lying In the rank hollow, Now Cable is carried On the dark river; Nor even a shadow Followed him over. On the wide river Gray as the sea Flags of white water Are his company.
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2.5k
Ballad of John Cable and Three Gentlemen
He that had come that morning, One after the other, Over seven hills, Each of a new color, Came now by the last tree, By the red-colored valley, To a gray river Wide as the sea. There at the shingle A listing wherry Awash with dark water; What should it carry? There on the shelving, Three dark gentlemen. Might they direct him? Three gentlemen. "Cable, friend John, John Cable," When they saw him they said, "Come and be company As far as the far side." "Come follow the feet," they said, "Of your family, Of your old father That came already this way." But Cable said, "First I must go Once to my sister again; What will she do come spring And no man on her garden? She will say 'Weeds are alive From here to the Stream of Friday; I grieve for my brother's plowing,' Then break and cry." "Lose no sleep," they said, "for that fallow: She will say before summer, 'I can get me a daylong man, Do better than a brother.' " Cable said, "I think of my wife: Dearly she needs consoling; I must go back for a little For fear she die of grieving." Ask no such wild favor; Still, if you fear she die soon, The boat might wait for her." But Cable said, "I remember: Out of charity let me Go shore up my poorly mother, Cries all afternoon." They said, "She is old and far, Far and rheumy with years, And, if you like, we shall take No note of her tears." But Cable said, "I am neither Your hired man nor maid, Nor your ape to be led." He said, "I must go back: Once I heard someone say That the hollow Stream of Friday Is a rank place to lie; And this word, now I remember, Makes me sorry: have you Thought of my own body I was always good to? The frame that was my devotion And my blessing was, The straight bole whose limbs Were long as stories- Now, poor thing, left in the dirt By the Stream of Friday Might not remember me Half tenderly." They let him nurse no worry; They said, "We give you our word: Poor thing is made of patience; Will not say a word." "Cable, friend John, John Cable," After this they said, "Come with no company To the far side. To a populous place, A dense city That shall not be changed Before much sorrow dry." Over shaking water Toward the feet of his father, Leaving the hills' color And his poorly mother And his wife at grieving And his sister's fallow And his body lying In the rank hollow, Now Cable is carried On the dark river; Nor even a shadow Followed him over. On the wide river Gray as the sea Flags of white water Are his company.
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98
Languid lakes levitate my soul. Mists hang low upon those hills, While mountains scratch the surface of the sky. The world is whole, So full of thrills. No time to reason why. Galaxies spiral, out of control, Stars swirling in milky swills. Scenes I hope will never die. Yet time, I’m sure, will take its toll. And do whatever our God wills. Oh no! I hear you cry. Yet look at coal, or any tree bole. And look at fields of daffodils. Life’s next cycle is always nigh. Paul Butters
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Sep 14, 2016
Sep 14, 2016 at 2:53 PM UTC
Languid Lakes
a nacreous tossing around at the sides, a dappled silver sunlight if looked one way, an apocalyptic gloam if another, exhaled from a seeming mouth, feeding on what has already eviscerated an unfelt ***** a predator certainly its own prey, a heat certainly poison-breath on a cheek falling when a meretricious lover spouts that spurious hypocorism, and also just a wavering, iridescent puddle— cornered, soft as a liquid steel echo of a futile struggle rolling around, bouncing off a wine glass, and a porcelain table edge, while a listening head shakes, looks down despondently, gloom glowing out the hair, a voice jaded since birth saying some thing about differences, or a helpless slender strap of hope hanging itself on the way two other eyes look at it across checkered watered wings, two swirling god whorls, two effulgent galaxies the color of melting pine bole circling around in living umber striae, pulling its gaze, raising it, as if they, they were blazing truth cased behind lithophane, and it, only an aporetic puddle now of tepid ocher, a mild earth stone placed in a hand, asked what is thought of it and the response: yes, yes of course, before foreign distance splutters its face, and it retreats from its meaning imparted to every thing (with the vulnerable precision of a swaying finger tip) to the baby lanugo of a delicate floating, through human rills, of what is horizon docked, dead, not merely deciduous—forever jilted with breath bulging as when beating a flopping eyeless fish to half-dead, head tilted up a throat trying to pry itself free, trying to live by streaming snagless, airful, without spirant sound of going lost straight from the hands— then a short chop of fullness finally expunged and sputtering like an escaped tuft of shackled wonder soaring up the sky in a puff and soul ring.
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Mar 27, 2012
Mar 27, 2012 at 7:43 PM UTC
I in Graffiti Mural
a nacreous tossing around at the sides, a dappled silver sunlight if looked one way, an apocalyptic gloam if another, exhaled from a seeming mouth, feeding on what has already eviscerated an unfelt ***** a predator certainly its own prey, a heat certainly poison-breath on a cheek falling when a meretricious lover spouts that spurious hypocorism, and also just a wavering, iridescent puddle— cornered, soft as a liquid steel echo of a futile struggle rolling around, bouncing off a wine glass, and a porcelain table edge, while a listening head shakes, looks down despondently, gloom glowing out the hair, a voice jaded since birth saying some thing about differences, or a helpless slender strap of hope hanging itself on the way two other eyes look at it across checkered watered wings, two swirling god whorls, two effulgent galaxies the color of melting pine bole circling around in living umber striae, pulling its gaze, raising it, as if they, they were blazing truth cased behind lithophane, and it, only an aporetic puddle now of tepid ocher, a mild earth stone placed in a hand, asked what is thought of it and the response: yes, yes of course, before foreign distance splutters its face, and it retreats from its meaning imparted to every thing (with the vulnerable precision of a swaying finger tip) to the baby lanugo of a delicate floating, through human rills, of what is horizon docked, dead, not merely deciduous—forever jilted with breath bulging as when beating a flopping eyeless fish to half-dead, head tilted up a throat trying to pry itself free, trying to live by streaming snagless, airful, without spirant sound of going lost straight from the hands— then a short chop of fullness finally expunged and sputtering like an escaped tuft of shackled wonder soaring up the sky in a puff and soul ring.
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63
Aaj murjhaye phul phir se khil gye, U ghane badalon me bhi do dil mil gye, Jiski tammna thi varso se hume, Aaj Wo khushi ke pal bhi mujhe mil gye, Kya gajab si khubsurati thi unke dil me, Kya gajab Ki sararati aankhen, Ye katilana andaaj me unka muskurana, Bin bole kah gyi wo sari batein, Bechain se dil ko aaj Wo sukun mil gye, Sare sikwe,dard hum aaj bhul gye, Jiske liye tarasati thi ye suni aankhen, Aaj unhe dekh ye bhi bhar gye,
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Jun 3, 2017
Jun 3, 2017 at 12:00 AM UTC
WO HUME MIL GYE...
Redolent May sings, lays of perplexing antique, wooden rose flounders. ... Fungi is in rout, war of mushrooms is halted, desolate treescape. ... This is not a game, the colours rest in spindles, the flag is in truce. ... Paragon of ice, tractive glacier, no friction, chronotropic death. ... Scourged almighty sea, symphonic ocean blasted, tranced undertaking. ... Mort, syphoned blood grass, waving like entrails, flooded, blood spins, grave now swims. ... Gritty stagnant bole, refurbished hybernation, the scent come to play. ... Reminiscent moon, gather ye, encompassed light, that we may know life
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Dec 1, 2018
Dec 1, 2018 at 2:56 AM UTC
17 syllable form. Some haiku. Some not
My visit to the toilet bole To my surprise in a welcome of behold The Tidy Bole Man said no flush I asked the question what if this was a rush? The Tidy Bole Man just said to me in hush This could become an argument in fuss So when nature calls what will I do? I am scratching my head because I have no clue The Tidy Bole Man with a mind of his own His answer being my puzzled look in shown A Tidy Bole restricted seat Well this tells me the Tidy Bole Man needs to be beat The aftermath I should just retreat But my spoken words of I shall return Nature’s movement in precise will be my urn.
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Sep 17, 2014
Sep 17, 2014 at 7:03 PM UTC
THE TIDY BOLE MAN WITH NO FLUSH
For this tree loves everybody it is bright, it is lovely, it is … short truncated yet hopeful all the colours of the rainbow This tree does not care who you **** or what you put in to which hole This tree has no holes, no cracked old bones just a spectrum, a bole covered in a gentle bark no reprimand, no judgement, an open elemental heart It has no plateau of leaves to offer shelter but it is here and it loves you whether you care for the woods, for the rain or not This tree loves everybody Its bark is deep, it is cracked, it is flawed and though it is aged and short, truncated by fate and the nature of this place it is unbowed echoing all that we hope will come to pass, for this tree is yours it grows all the colours of the rainbow Let it brighten your grey sky grey day Let it remind you that things may yet change Let it smile for you when you can't raise enough brightness inside to chase away all that we've lost, all that we fight for For this tree loves everybody and so can we all, so can we all, so can we all
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Feb 20, 2017
Feb 20, 2017 at 3:18 PM UTC
The smiling stump
Of course we’re born sad little creatures! To be born, we had to have the picture broken & bursted—for, being born, we’re fragments of it. (But not just us born—all of it that’s born…all of it’s fragments.) Us, though, we found out about the pieces (and that we’re them) so shock-hearted and weary-eyed we joggle ourselves around, and waggle and babble (because we can move and talk to the other pieces, like you) in the sedulous task of trying to see what picture we all formed before we were born and to see if we can’t form it again while born and living. And, also, inexorably, to see like fateless naked goggling chicken-children what part we have—is it a sun’s ray, a cloud’s feather, a grass blade, or is it just the indistinguishable shade of unctuous bole that’s laid there almost smeared in between? I’m not quite sure, our tabs seem flexible enough, and to add we’re whimsy little interlockers, so no wonder we’ve been going on billions of years now. At this point it’s probably give-up or never-end, and both options, frankly, seem quite abominable. I wonder if that’s what it says on the box, right above “meant for children” and “small parts dangerous choking hazard.” But the question is what to do when you’ve realized a piece has been missing, always been missing, and probably more. (Oh, and for after, you can ask if it was never put there in the first place, and why)—do you just imagine, then? I mean, just that—just imagine the whole thing, after all the fuss been going on to hold hands and make it out? I’m telling you, I bet the sucker is something else entirely, like something I don’t even know what, but different—crazy different, I bet. And it’s probably why they didn’t want to include it, those ponzies—we wouldn’t choke on that one. Not that piece. Still, though, I hope it says on the box. I hope it at least tells you something on the box. Wait, where’s the box? What box?
0
Mar 27, 2012
Mar 27, 2012 at 7:32 PM UTC
Rigged—Saw Muddle
Of course we’re born sad little creatures! To be born, we had to have the picture broken & bursted—for, being born, we’re fragments of it. (But not just us born—all of it that’s born…all of it’s fragments.) Us, though, we found out about the pieces (and that we’re them) so shock-hearted and weary-eyed we joggle ourselves around, and waggle and babble (because we can move and talk to the other pieces, like you) in the sedulous task of trying to see what picture we all formed before we were born and to see if we can’t form it again while born and living. And, also, inexorably, to see like fateless naked goggling chicken-children what part we have—is it a sun’s ray, a cloud’s feather, a grass blade, or is it just the indistinguishable shade of unctuous bole that’s laid there almost smeared in between? I’m not quite sure, our tabs seem flexible enough, and to add we’re whimsy little interlockers, so no wonder we’ve been going on billions of years now. At this point it’s probably give-up or never-end, and both options, frankly, seem quite abominable. I wonder if that’s what it says on the box, right above “meant for children” and “small parts dangerous choking hazard.” But the question is what to do when you’ve realized a piece has been missing, always been missing, and probably more. (Oh, and for after, you can ask if it was never put there in the first place, and why)—do you just imagine, then? I mean, just that—just imagine the whole thing, after all the fuss been going on to hold hands and make it out? I’m telling you, I bet the sucker is something else entirely, like something I don’t even know what, but different—crazy different, I bet. And it’s probably why they didn’t want to include it, those ponzies—we wouldn’t choke on that one. Not that piece. Still, though, I hope it says on the box. I hope it at least tells you something on the box. Wait, where’s the box? What box?
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Kabhi phir se, aajao "bas mere banke." Sare taar cher jaao, "soone man ke". Paas betho, kuch to batao. Usi ada se, muskurao. Jo tum rutho, hum mana le. Tere nakhre, bhi utha le. Vo akad me, kya ada thi. Teri narazgi b, maza thi. Ji bhar k, dekhlu Aja phir se, ban than ke. Kabhi phir se, aajao "bas mere banke." Sare taar cher jaao, "soone man ke". Tu bhi mna le, kabhi jo roothe. Chore de tere, tewar ye jhoothe. Koi dekhe tuje, mera jalna. Uff ye bekhauf,tera chalna. Bin ruke tere bole jana. Mile jo ankhein, palkein jhukana. Kitni batein, hai adhuri.. Nyi yadein, hai zaroori. Chadhi collar, teri gira de. Fold sleeves,unfold kara de. Gala laga ke, band kardu. Teri shirt k jo, khule button the. Kabhi phir se, aajao "bas mere banke." Sare taar cher jaao, "soone man ke". # BJ writes # bj diaries # incomplete
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Sep 17, 2020
Sep 17, 2020 at 10:21 PM UTC
Kabhi phir se aanaa
pumice peat mulch humus leaf mold clod loam: a rich, friable soil containing a relatively equal mixture of sand and silt and a somewhat smaller proportion of clay. marl:  Geology. a friable earthy deposit consisting of clay and calcium carbonate, used especially as a fertilizer for soils deficient in lime. argil: clay, especially potter's clay. bole: noun 1. any of a variety of soft, unctuous clays of various colors, used as pigments. 2. a medium red-brown color made from such clay. clutch kaolin loess: a loamy deposit formed by wind, usually yellowish and calcareous, common in the Mississippi Valley and in Europe and Asia. slip till: a stiff clay, a glacial drift of clay, sand, gravel, and boulders
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Nov 25, 2015
Nov 25, 2015 at 1:01 PM UTC
vocabulary study
The white-breasted nuthatch upside down the ancient bole. If it has no soul, neither do I. Pencils criss-crossed on the desk, sticks tangled on the ground. Oblong lenticels, yellow stars. We try to worship the divine in our ****** partners. They **** and sweat diurnally and fear their deaths. But the abstract God has also died. He lied to say he was eternal. Earth must burn, universe grow cold. Old field species become ornamentals. Mosquitoes prey on us, and black flies. The body decays, and this is what you come to love. And the ants that carry it away. This morning, the profusion of species contents me. The temperate zone is warm, late May. The posture of that bird is good to emulate.
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Aug 9, 2015
Aug 9, 2015 at 1:34 PM UTC
Upside Down the Ancient Bole
your warm heart is the pulse of my life the sweetest speech is when i speak to you anna my salvation my destiny the sweetest blood is your blood anna your warm heart is the pulse of my life the pulse of my life is your warm heart my savior my salvation the pulse of our lifes are our hearts travel with me i will take you away forever anna anna forever a: absolute love n: neverlanddreams n: no other woman a: absolute love your name is a frame your reflection a painting anna+tizzop tizzop+anna and this white page has become a bole our lovenames are engraved in wood and wood never sinks in water
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Dec 5, 2019
Dec 5, 2019 at 5:51 AM UTC
ANNA
I can't blame the teenage girl for being forward, then passive aggressive. It shouldn't make one angry; she has her interests and that which bores her. Or the adolescent boy for being antsy, a little loopy and aloof. Under that hat he wants to be good, is deeply disappointed with the world (and the food). Robert Francis: the finest poet no one reads. We care not. Such prisms of philosophy need no acknowledgment. The catamount is only believed to be extinct. The wildlife tree, a mere bole, deep in the forest, far off the road, when it falls takes many squirrel turbines and spider spans down with it. Noon, Julian has nothing much to do and likes it that way. That way nothing much gets done today. Every man, every tree, lives with disabilities. Crooked finger, rotten bole, under stars, over soils. The I in my old poems is no longer me. The one in this one will be someone else soon.
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Aug 11, 2015
Aug 11, 2015 at 10:26 AM UTC
Peace Out